WEBVTT 00:03.720 --> 00:06.521 Yeah, that's the presidents of the United States of America. 00:06.761 --> 00:07.242 All of them. 00:07.702 --> 00:08.062 Really? 00:08.122 --> 00:08.502 Yeah. 00:08.922 --> 00:14.225 And they got together and they did a kind of indie band for a while back in the 90s. 00:14.765 --> 00:16.666 And that was one of their first big hits. 00:16.846 --> 00:17.206 Really? 00:17.286 --> 00:17.506 Wow. 00:17.646 --> 00:21.668 I know the names of all the presidents of the United States of America in order. 00:22.028 --> 00:22.508 What are they? 00:23.168 --> 00:25.510 President Reagan, George Bush, 00:26.790 --> 00:27.711 Bill Clinton. 00:28.151 --> 00:28.811 Tony Blair. 00:29.111 --> 00:30.352 Tony Blair. 00:30.372 --> 00:31.793 Yeah. 00:32.233 --> 00:32.433 Yeah. 00:32.813 --> 00:33.253 That's good, man. 00:33.273 --> 00:34.414 That's impressive knowledge. 00:34.494 --> 00:36.655 That's right back to the beginning of history as well. 00:36.675 --> 00:37.576 The dawn of time. 00:37.596 --> 00:38.996 The dawn of time. 00:39.216 --> 00:40.037 Er, ergonomics. 00:40.337 --> 00:41.818 Hello, this is Adam Buxton. 00:41.938 --> 00:43.619 Hello, this is Joe Cornish. 00:43.739 --> 00:46.560 Very nice morning here in London if you're listening live. 00:46.620 --> 00:48.561 Hope it's nice where you are very windy the last night. 00:48.581 --> 00:50.282 I think it's windy across the country. 00:50.342 --> 00:50.762 Windy. 00:50.822 --> 00:55.084 And I should warn you, last night I was sitting in the street in my car like I do. 00:55.565 --> 00:55.985 Every now and then. 00:56.685 --> 01:00.528 And I looked out the window and a man opened the door of his van. 01:01.129 --> 01:04.051 He opened it against, no, into the wind, so to speak. 01:04.712 --> 01:06.433 A very strong gust of wind caught the door. 01:06.593 --> 01:07.374 And blew it right off. 01:07.494 --> 01:09.596 Immediately pushed it back and buckled it. 01:10.537 --> 01:13.599 And then he couldn't close it again because it wouldn't fit back in the frame. 01:14.020 --> 01:15.541 Everyone lives in fear of that moment. 01:15.601 --> 01:21.406 It was like his life had been suddenly ruined by a completely unpredictable sudden force of nature. 01:21.866 --> 01:22.226 There you go. 01:22.246 --> 01:25.728 And about a minute later all his friends were gathered round and they were trying to ram the door shut. 01:25.828 --> 01:26.028 Yeah. 01:26.108 --> 01:29.469 They were trying to sort of batter the metal back into shape. 01:29.830 --> 01:30.170 Wow. 01:30.650 --> 01:31.310 It wouldn't happen. 01:31.610 --> 01:35.432 It was like seeing an animal's arm wrenched off. 01:36.212 --> 01:36.312 Oh. 01:36.452 --> 01:37.613 It were the car, an animal. 01:37.913 --> 01:38.093 Yeah. 01:38.173 --> 01:39.094 And wear the door and arm. 01:39.634 --> 01:40.935 That sounds amazing. 01:41.815 --> 01:43.036 So be careful out there. 01:43.136 --> 01:44.117 It was a hurricane. 01:44.137 --> 01:45.298 Would you say it was a hurricane? 01:45.378 --> 01:46.959 My neighbour's motorbike fell over. 01:47.239 --> 01:48.079 It's a hurricane. 01:48.119 --> 01:49.100 He hasn't woken up yet. 01:49.180 --> 01:50.301 He's going to be angry. 01:50.541 --> 01:52.522 It's a tornado, in fact, I would call it. 01:52.662 --> 01:53.823 It's the wind of death. 01:54.063 --> 01:54.863 The wind of death. 01:54.883 --> 01:55.924 They're calling it the wind of death. 01:55.944 --> 01:57.025 That's what they should call it in the papers. 01:57.045 --> 02:00.767 Because, you know, after the earthquake... The gusts of gloom. 02:00.807 --> 02:01.507 The gusts of gloom. 02:01.767 --> 02:04.809 There's catkins and twigs all over the road this morning. 02:04.829 --> 02:05.910 The draft of Satan. 02:05.930 --> 02:07.271 The draft of Satan. 02:08.291 --> 02:09.092 Uh, it was windy. 02:09.612 --> 02:10.513 It was quite scary though. 02:10.533 --> 02:11.673 Did you get scared last night? 02:12.214 --> 02:13.054 Windows rattling? 02:13.355 --> 02:13.575 No. 02:13.795 --> 02:15.716 No, I got a little bit scared. 02:15.736 --> 02:17.557 I woke up, I was having rattly dreams. 02:18.178 --> 02:23.541 And I woke up and all the dreams were going rattly and I realized it was just the wind. 02:24.461 --> 02:25.542 Um, so we have some music. 02:25.782 --> 02:26.283 What a show. 02:26.323 --> 02:28.324 We can tell them about the show in a second after. 02:28.364 --> 02:29.024 What a show. 02:29.144 --> 02:33.167 After the kills with, uh, or just kills, dunno, with cheap and cheerful. 02:39.638 --> 02:45.722 It's kind of like a very excited marching band there who've been sniffing some Ajax or something. 02:45.942 --> 02:50.906 She works on a production line making cars and she got very angry one afternoon and started hitting things. 02:51.446 --> 02:52.587 They recorded the sound. 02:53.387 --> 02:53.768 That's it. 02:54.548 --> 02:57.249 And that was the kills, of course, with Cheep and Cheerful. 02:58.089 --> 02:59.769 And she's very attractive, isn't she? 02:59.889 --> 03:00.189 Really? 03:00.289 --> 03:01.750 Yeah, lead singer of that band. 03:02.250 --> 03:04.450 And she used to go out with the guy in the band, right? 03:04.630 --> 03:06.151 They used to be married even, I think. 03:06.511 --> 03:06.951 No. 03:07.371 --> 03:08.531 No, I'm just making that bit up. 03:09.011 --> 03:10.312 But they're not together anymore. 03:10.332 --> 03:20.074 It always amazes me when people are married like supposedly Jack and Meg White were, and then they got divorced pretty much as soon as they started getting well known. 03:20.174 --> 03:21.655 And then they forge on, you know? 03:22.175 --> 03:23.535 It's gotta be strange, don't you think? 03:24.796 --> 03:32.100 Like if you don't like each other enough to be married, how would you be able to withstand the pressures of being in a successful band? 03:32.520 --> 03:33.601 It's just business, isn't it? 03:33.861 --> 03:34.321 Just business. 03:34.341 --> 03:35.382 Keep bread on the table. 03:35.562 --> 03:35.922 Exactly. 03:35.962 --> 03:37.623 It's a professional working relationship. 03:37.643 --> 03:38.424 Like you and me, isn't it? 03:38.464 --> 03:38.944 Exactly. 03:38.984 --> 03:39.244 Yeah. 03:39.384 --> 03:41.646 It's like a couple of robots, you know? 03:41.666 --> 03:42.286 Couple of students. 03:42.466 --> 03:43.267 stupid robots. 03:44.047 --> 03:47.010 So folks, what a show we've got for you this week. 03:47.790 --> 03:53.034 Great music as usual and wonderful chattel and chittle, but also the return of Song Wars. 03:53.435 --> 04:00.860 And let me remind you that the theme for our return to Song Wars this week was we had to do 04:01.781 --> 04:10.145 Joe had to do a French song about... Hang on, but before we get into that, can I ask you, are you angry with me for, uh, sort of, foisting? 04:10.205 --> 04:22.431 Because I did a bad thing, I sort of forced you live on air to bring song wars back, and that's a bit, you know, if I was responsible, I would have asked you off air politely, so you could have said no without seeming like a sourpuss. 04:23.151 --> 04:25.192 But I sort of blackmailed you into it. 04:26.351 --> 04:27.212 Yeah, yeah. 04:28.293 --> 04:37.441 Well, I must say I've slightly resented it this week when there was, you know, it was like the third day that I'd been working on the song and I'd gotten nothing else. 04:37.802 --> 04:39.263 It's not that it's insane again. 04:39.283 --> 04:40.785 It's demented. 04:40.825 --> 04:45.389 A few listeners heard my last effort, which was the anti-piracy song. 04:45.649 --> 05:09.814 was good which was okay I had his most but it was quite odd to take a little bit of false modesty modesty here now I'm genuinely you know the thing is that I saw you earlier in the week Joe and you said that you you'd got yours done quite easily again and I bet it'll be very good I didn't say it was easy did you know I just said it was sir it was sir yeah anyway no I'm glad I'm glad that song was his back I think is it's good is it is fun 05:09.994 --> 05:13.595 And the theme this week is foreign songs about actresses, is that right? 05:13.855 --> 05:14.215 Yeah, that's right. 05:14.235 --> 05:15.416 Did you drop the actress components? 05:15.656 --> 05:16.776 Absolutely not, I stuck the rules. 05:16.796 --> 05:18.017 No, I didn't, I stuck the rules as well. 05:18.337 --> 05:23.259 So, and it's a weird thing, it's quite difficult, quite difficult to be interesting in a foreign language. 05:23.279 --> 05:24.919 It's the most difficult song was I've ever done. 05:24.939 --> 05:26.360 Difficult rhyme in a foreign language. 05:26.380 --> 05:27.800 Impossible, did you use Babel, the... 05:30.521 --> 05:50.140 yes i did you did that's a little preview the problem is that when you use these kind of online translation sites like babel if you type in the english phrase it does a kind of manglerized translation so if you say a word like uh she looks nice then it'll kind of do a literal translation each word of each word okay 05:51.181 --> 05:52.642 That's how my lyrics have been written. 05:52.882 --> 05:53.743 Right. 05:53.763 --> 05:58.546 We're also looking for a Spanish person and a French person who might be able to help judge our songs. 05:59.007 --> 06:06.452 If you speak fluent French or Spanish, give us an email at Adamandjo.sixmusicatbbc.co.uk or text us 64046 with your phone number. 06:09.374 --> 06:14.076 We will call you back, get you on air, and get you to judge the quality of our songs. 06:14.216 --> 06:15.917 Adam's is in Spanish, mine's in French. 06:16.117 --> 06:17.338 And yours is about which actress? 06:17.838 --> 06:18.258 All of them. 06:18.698 --> 06:19.719 All of the French actresses? 06:19.779 --> 06:21.339 I thought it was gonna be Isabelle Adjani. 06:22.040 --> 06:22.160 No. 06:23.829 --> 06:24.930 all of them. 06:25.510 --> 06:27.431 Well, mine is about Penelope Cruz. 06:27.471 --> 06:28.391 Oh, that's sexy. 06:29.212 --> 06:30.012 She's so boring. 06:30.112 --> 06:30.872 She's sexy. 06:30.992 --> 06:31.973 Boring is sexy. 06:32.373 --> 06:34.534 Anyway, well, you'll find out, when are we going to play these songs? 06:34.574 --> 06:38.016 Probably we should play them within the next half hour. 06:38.036 --> 06:38.736 Fifteen minutes. 06:39.076 --> 06:39.877 Fifteen minutes. 06:40.557 --> 06:43.898 Okay, maybe around about a quarter to ten or something. 06:44.459 --> 06:46.800 Now, here's a track that I've chosen for you listeners. 06:47.280 --> 06:49.441 This is DJ Magic Mike. 06:49.601 --> 06:50.902 Ever heard of DJ Magic Mike? 06:51.721 --> 07:00.005 Nope, he loves to scratch, and he's on XL Records, and I got this CD sent to me ages ago by XL Records. 07:00.045 --> 07:02.145 I think it came out about four or five years ago, maybe. 07:02.546 --> 07:05.947 And it's good, and it's just pretty hardcore scratching right the way through. 07:06.427 --> 07:10.089 But given that, it's quite wicked, and I hope you agree, listeners. 07:10.109 --> 07:12.650 This is called The Master Gets Busy by DJ Magic Mike. 07:19.275 --> 07:22.696 That's DJ Magic Mike with the Master Gets Busy. 07:23.397 --> 07:25.457 And you heard what samples in there were you hearing, Joe? 07:25.537 --> 07:29.279 I think there's a bit of, uh, it's either Main Source or Tribe Called Quest at the beginning there. 07:29.379 --> 07:33.920 And that drum beat he's plundering there I'm pretty sure is from Sweet Pea by Tommy Rowe. 07:34.121 --> 07:35.981 We've broken it down into convolvement. 07:36.001 --> 07:36.922 Broken it all down for you. 07:36.942 --> 07:37.642 Into ingredient month. 07:37.662 --> 07:39.403 Totally wrong about it being on XL. 07:39.443 --> 07:42.964 I think, uh, maybe XL had something to do with it, but it's on Mo Wax. 07:43.504 --> 07:43.804 Wrong. 07:43.824 --> 07:43.924 Wrong. 07:44.004 --> 07:44.284 Wrong. 07:44.344 --> 07:47.026 If you want to check it out, the album's called The Journey. 07:47.066 --> 07:47.286 Wrong. 07:47.306 --> 07:47.606 Wrong. 07:47.806 --> 07:48.106 Wrong. 07:48.626 --> 07:49.687 Journey era of bass. 07:49.727 --> 07:50.027 Wrong. 07:50.147 --> 07:50.387 Wrong. 07:50.427 --> 07:50.647 Wrong. 07:50.707 --> 07:50.827 Wrong. 07:50.847 --> 07:51.487 It's impossible. 07:51.607 --> 07:54.289 It's an impossible job doing this show. 07:54.449 --> 07:55.049 Wrong. 07:56.089 --> 07:56.469 Wrong. 07:56.590 --> 07:58.290 So here's a trail for you now, folks. 08:03.519 --> 08:07.303 That's the tiny Minneapolis midget prince. 08:07.743 --> 08:09.665 He's entirely purple. 08:09.925 --> 08:10.906 That's racist, man. 08:11.347 --> 08:11.667 Is it? 08:11.707 --> 08:12.288 Yes, racist. 08:12.308 --> 08:12.688 You're out. 08:13.149 --> 08:13.849 Against what? 08:14.410 --> 08:15.391 Against the purple. 08:15.691 --> 08:16.732 The purple people. 08:16.792 --> 08:18.034 The tiny purple people. 08:18.054 --> 08:19.455 Oompa Loompas are purple. 08:19.915 --> 08:20.756 That's very racist. 08:20.796 --> 08:21.717 Is anyone else purple? 08:21.757 --> 08:22.618 To use the word Oompa Loompas. 08:22.638 --> 08:23.599 Which Mr. Man was purple? 08:23.719 --> 08:24.960 They're not called Oompa Loompas anymore. 08:24.981 --> 08:25.441 Mr. Nosy? 08:26.622 --> 08:27.283 Mr. Worry. 08:27.943 --> 08:29.285 Humpty, Jude is saying. 08:29.405 --> 08:30.826 Humpty is not a Mr. Man. 08:31.226 --> 08:32.547 All the Mr. Men books have been banned. 08:32.567 --> 08:33.148 Mr. Uppity. 08:33.368 --> 08:34.169 For being racist. 08:35.290 --> 08:35.550 Really? 08:35.570 --> 08:36.371 They're very racist. 08:36.411 --> 08:37.272 They're so racist. 08:37.292 --> 08:38.052 Everyone's racist. 08:38.072 --> 08:38.913 So racist. 08:39.834 --> 08:41.335 Um, good old Prince, eh? 08:42.336 --> 08:43.077 Well done, Prince. 08:43.097 --> 08:43.917 Well done, Prince. 08:44.398 --> 08:45.359 Good old Prince. 08:45.439 --> 08:46.279 Good old Prince. 08:46.459 --> 08:46.960 Good old Prince. 08:46.980 --> 08:49.182 Good old Prince Harry, I'm talking about. 08:49.322 --> 08:51.144 Good old Prince Harry, yes. 08:51.764 --> 08:53.204 He's coming home. 08:53.505 --> 08:54.845 He's coming home. 08:55.105 --> 08:56.125 He's coming. 08:56.325 --> 08:57.926 Harry's coming home. 08:57.986 --> 09:00.267 That's the cover of one of the newspapers this morning. 09:00.287 --> 09:01.307 That's what it says. 09:01.387 --> 09:03.007 How does a man's nose get that bread? 09:03.668 --> 09:03.928 Harry. 09:03.948 --> 09:05.048 I suppose he's been in the sun. 09:05.148 --> 09:06.709 From drinking port in the sun. 09:06.849 --> 09:07.109 That's true. 09:07.129 --> 09:08.349 That's what he does out there. 09:08.369 --> 09:08.969 They got him out there. 09:08.989 --> 09:09.850 They got him a deck chair. 09:10.370 --> 09:11.430 He sits there in the sun. 09:11.470 --> 09:12.450 He drinks log port. 09:12.510 --> 09:13.471 That's not true at all. 09:13.531 --> 09:14.871 He was right in the thick of it. 09:15.091 --> 09:17.692 He was doing amazing work and he only just escaped. 09:18.372 --> 09:21.776 Being blown to bits and he's back in one piece. 09:21.856 --> 09:22.497 Thank goodness. 09:22.737 --> 09:22.977 Good. 09:23.297 --> 09:28.022 Nice to have you back Prince You're a genius Harry from Minneapolis. 09:28.062 --> 09:29.284 No, I'm talking about Prince Prince. 09:29.324 --> 09:34.969 Yeah Prince has been what he's been stationed in Afghanistan Prince is in Afghanistan. 09:35.049 --> 09:35.390 Really? 09:35.450 --> 09:35.910 He's singing. 09:35.970 --> 09:37.892 There's a media blackout and we're breaking the story. 09:37.972 --> 09:40.235 Yeah, exactly Wow, he's never coming home though 09:40.975 --> 09:42.476 Not until he records a decent album. 09:42.536 --> 09:43.417 They're not letting him back. 09:43.777 --> 09:45.438 He dodges bullets by doing the splits. 09:45.679 --> 09:46.159 That's right. 09:46.179 --> 09:46.559 He's a genius. 09:46.619 --> 09:49.121 And then he does a twirl and repels them back. 09:50.722 --> 09:51.663 He's got the skills. 09:52.083 --> 09:53.144 So you play some more music. 09:53.824 --> 09:55.546 Now, this is a band. 09:56.766 --> 09:57.087 Brilliant. 09:57.207 --> 09:57.547 Here it is. 09:58.167 --> 10:00.229 They're called Gilamots and this is Get Over It. 10:07.216 --> 10:08.256 What a frightful racket. 10:08.856 --> 10:10.357 They need to go to bed early tonight. 10:11.177 --> 10:12.637 Get some sleep and do some reading. 10:12.717 --> 10:14.538 That's the Guillemots with Get Over It. 10:14.578 --> 10:25.000 That'll be released as a single on March 17th, and that's available on their new album, Red, the second album, which will be out on the 24th of March. 10:25.220 --> 10:25.680 Thanks, man. 10:25.860 --> 10:26.880 Guillemots News there. 10:27.140 --> 10:27.500 Get over it. 10:27.540 --> 10:29.401 That's not a phrase you hear that much anymore. 10:29.461 --> 10:31.541 It was very in vogue a few years ago. 10:31.561 --> 10:33.182 It was a sort of Queenie phrase, wasn't it? 10:33.242 --> 10:33.962 Get over it. 10:34.722 --> 10:37.844 A bit like, talk to the hand, cause the face ain't listening. 10:38.524 --> 10:38.944 Girl! 10:39.545 --> 10:40.605 It's very aggressive voices. 10:40.625 --> 10:41.406 Denial, ain't it? 10:41.626 --> 10:42.906 That's what it's like sometimes. 10:42.946 --> 10:44.407 You're like an angry transvestite. 10:44.427 --> 10:45.308 Well, that's what I'm saying. 10:45.428 --> 10:47.049 At 3 in the morning on the New York subway. 10:47.189 --> 10:48.509 Yeah, that's what they do. 10:48.950 --> 10:49.750 That's what they used to do. 10:49.790 --> 10:50.470 I'm not sure. 10:50.531 --> 10:52.392 The angry transvestites probably have... So you do. 10:52.632 --> 10:53.272 New lingo. 10:53.532 --> 10:54.553 Maybe it is one. 10:54.913 --> 10:55.693 At 3 in the morning? 10:55.853 --> 10:56.114 Yeah. 10:56.354 --> 10:57.114 On the underground. 10:57.374 --> 11:02.417 I get my dress on, I go out on the underground, and I say, talk to the hand, cause the face ain't listening. 11:02.737 --> 11:05.458 It's nearly time for the news, but remember Song Wars is coming up. 11:05.539 --> 11:06.759 The relaunch of Song Wars. 11:06.779 --> 11:08.260 We've already had a couple of emails. 11:08.820 --> 11:11.622 Brian in Norfolk says, okay, steal yourself, Adam. 11:12.082 --> 11:14.303 Adam's song is rubbish, and Joe's is much better. 11:14.543 --> 11:15.064 Dot, dot, dot. 11:15.104 --> 11:15.584 Not really. 11:15.964 --> 11:16.905 You haven't even played them yet. 11:16.985 --> 11:19.586 I just want to hear Adam have another on-air breakdown. 11:20.006 --> 11:20.466 Come on. 11:20.486 --> 11:21.347 But I do love him. 11:21.667 --> 11:22.948 Yeah, yeah, listen, I'm Brian. 11:23.128 --> 11:32.875 I'm not gonna rise to any of that I'm gonna take my defeat with good grace if it comes we won't know of course until next week Ted in laundry Says can I preemptively vote for Adam's song? 11:32.975 --> 11:36.418 I don't want another Buxton paddy to end the song wars fun. 11:36.438 --> 11:37.038 What does that mean? 11:38.079 --> 11:39.740 Paddy it's like a little pathetic. 11:39.760 --> 11:40.340 No, really. 11:40.481 --> 11:45.904 Yeah, you're both going to struggle to match the concord French song though the flight of the concors Did they do a French song? 11:46.225 --> 11:47.546 Yeah, they did it was very good 11:48.832 --> 11:52.376 Yeah, but ours were about actresses. 11:52.556 --> 11:59.042 Now, you know, come on, the concord says geniuses, we're not in their league, but we do our best and you'll hear what we've come up with within the next half an hour. 11:59.062 --> 12:00.243 But now it's time for the news. 12:12.298 --> 12:15.201 That's the rapture with the House of Jealous Lovers. 12:15.661 --> 12:20.745 That's one of those songs when it comes on, sometimes it comes on my iPod, and the beginning makes me want to switch it off. 12:20.946 --> 12:21.866 It doesn't come on my iPod. 12:21.886 --> 12:24.289 You have to weather the first few seconds. 12:25.610 --> 12:26.791 And then it becomes enjoyable. 12:26.971 --> 12:28.592 That's what I meant, sorry mate. 12:28.712 --> 12:29.773 It's going to be information. 12:29.973 --> 12:30.214 I know. 12:30.274 --> 12:31.054 Information clash. 12:31.335 --> 12:31.595 Right. 12:31.895 --> 12:32.135 Right. 12:32.375 --> 12:36.856 You go with one bit of information at a time. 12:36.876 --> 12:39.217 I was going to say this is Adam and Joe. 12:39.277 --> 12:41.837 It's like Thompson and Thompson hosting a radio show. 12:41.957 --> 12:44.178 Have you seen the cartoon version of Tintin? 12:44.438 --> 12:44.698 Yeah. 12:45.918 --> 12:48.379 And you know it's all mainly Canadians doing the voices. 12:48.539 --> 12:48.779 Is it? 12:49.099 --> 12:51.499 And I think it's... Well, it's a Belgian creation, of course. 12:51.599 --> 12:52.900 Roger was Belgian. 12:53.020 --> 12:53.260 Right. 12:53.300 --> 12:58.081 Well, it's a terrible stew of accents and influences on the cartoon version. 12:59.001 --> 13:04.043 And, uh, Thompson and Thompson, they've got the worst British accents I've ever heard. 13:04.083 --> 13:05.904 They're totally manglerised British accents. 13:05.924 --> 13:07.324 I might try and record them and bring them in. 13:07.364 --> 13:07.964 My son really likes them. 13:07.984 --> 13:08.564 Sounds quite good. 13:09.005 --> 13:09.625 Quite good, yeah. 13:09.665 --> 13:12.726 And Tintin's voice is very odd as well. 13:12.746 --> 13:14.466 I can't really do a good impression number. 13:14.507 --> 13:15.607 Canadian voices are odd. 13:15.647 --> 13:16.487 It's a very odd action. 13:16.667 --> 13:16.887 Yeah. 13:17.087 --> 13:18.748 Very difficult to do an impression of a Canadian. 13:18.868 --> 13:19.328 That's right. 13:19.348 --> 13:19.668 I find. 13:19.908 --> 13:20.088 Yeah. 13:20.309 --> 13:21.669 I don't really know anyone who does one. 13:21.829 --> 13:27.371 Maybe we can get a sort of pathetic sounding Canadian to phone in and we can laugh at them. 13:28.311 --> 13:29.432 That's a really good idea. 13:29.452 --> 13:30.472 That's a good idea, isn't it? 13:30.492 --> 13:31.713 It could be a regular feature. 13:31.733 --> 13:32.253 Yeah. 13:32.473 --> 13:37.095 We just, you know, as a type of person, they voluntarily call in. 13:37.115 --> 13:37.855 And we can laugh. 13:37.955 --> 13:38.775 We just mock them. 13:38.935 --> 13:39.796 That's a good idea. 13:39.816 --> 13:40.676 That's a good idea. 13:40.696 --> 13:42.256 We could do it on TV too. 13:42.617 --> 13:43.237 Just noises. 13:45.258 --> 13:45.638 Like that. 13:45.838 --> 13:46.038 Yeah. 13:47.486 --> 13:48.127 Whatever they say. 13:48.147 --> 13:49.788 Whatever they say. 13:49.829 --> 13:52.531 What is it about those two notes that are so visible? 13:53.653 --> 13:56.396 That wouldn't have made Close Encounters quite so good, would it? 13:56.416 --> 13:59.299 If that's how they'd communicated with aliens. 13:59.639 --> 14:01.301 Yeah. 14:01.541 --> 14:02.622 Is good, but have you tried? 14:05.245 --> 14:07.948 I think you'll get a more immediate response from the aliens. 14:07.988 --> 14:09.970 They get a different finger reply from aliens. 14:09.990 --> 14:12.953 You know, my children are obsessed with the Simpsons movie. 14:13.834 --> 14:24.644 They rate it highly, and my youngest son, Natty, who's coming up to his fourth birthday, has latched on as a role model to Nelson, the bully, who goes, ha-ha! 14:25.485 --> 14:29.089 And that's all Nat does now, is go around, just sit again, ha-ha! 14:29.747 --> 14:30.928 in a really unpleasant way. 14:30.968 --> 14:32.890 It's a useful tool in a child's arsenal. 14:33.311 --> 14:38.576 Yeah, but he's not got to, you know, he's got to disavow himself of that particular tool, because otherwise he's going to get in trouble. 14:39.017 --> 14:40.819 Already we're getting notes from the teachers. 14:40.919 --> 14:41.299 Really? 14:41.439 --> 14:43.622 Yeah, saying he's being a little uncommunicative. 14:43.642 --> 14:44.442 He's a bad breed. 14:44.583 --> 14:45.464 He's like Nelson. 14:45.664 --> 14:46.224 He's latched on. 14:46.284 --> 14:49.027 He's watched the whole of the Simpsons movie and thought, there you go. 14:49.428 --> 14:51.130 Nelson, he's the guy I'm going to be. 14:51.330 --> 14:51.870 He's the king. 14:52.891 --> 14:53.812 I think he's cool. 14:54.172 --> 14:54.972 He's quite cool. 14:55.353 --> 14:59.195 So listen folks, after this next track, it's Song Wars time. 14:59.215 --> 15:01.897 We're going to be playing you our new Song Wars tracks. 15:02.377 --> 15:09.781 My Spanish track about Penelope Cruz and Joe's French track just about all French actresses coming up after Susie Sue. 15:15.464 --> 15:16.605 Mmm, haute! 15:16.805 --> 15:18.947 That's Susie Sue with About to Happen. 15:19.227 --> 15:21.068 Now it's time for... 15:22.777 --> 15:28.074 It's time for songs, wars, the war of the songs, apocalypse. 15:39.491 --> 15:41.672 It's the return of song wars after an absence of what? 15:41.872 --> 15:42.932 Three weeks or something? 15:43.092 --> 15:49.175 Three weeks, what a terrible parched arid desert-like stretch of time it's been. 15:49.195 --> 15:56.298 The listeners have been clawing through the crushed mud searching for morsels of musical sustenance. 15:56.718 --> 15:57.719 They've found nothing! 15:58.799 --> 16:05.124 Now these lovely moist sandwiches of phonics will be presented to their gobs. 16:05.424 --> 16:20.955 Yeah Yeah, the theme this week ladies and gentlemen is songs in a foreign language I chose French musical and I chose Spanish just not because their languages were fluent in but they're the foreign languages that we've got the greatest grasp of right meaning 16:21.235 --> 16:23.416 very, very limited grasp of. 16:23.516 --> 16:26.358 I studied French to what's called O-Levels. 16:26.478 --> 16:27.419 Does it exist anymore? 16:27.679 --> 16:27.939 No. 16:28.159 --> 16:28.860 Don't think so. 16:29.640 --> 16:31.061 Beyond that, Rie. 16:31.662 --> 16:32.162 Rie. 16:32.242 --> 16:32.962 Par de tu. 16:33.102 --> 16:34.623 Par de tu. 16:34.763 --> 16:37.105 Your mummy is Spanish, isn't she? 16:37.225 --> 16:39.306 She's from Chile. 16:39.807 --> 16:40.747 That's Spanish, isn't it? 16:40.947 --> 16:41.948 They speak Spanish. 16:42.048 --> 16:43.409 They speak a form of Spanish. 16:43.609 --> 16:45.950 Yeah, so it should be a shoe-in for you. 16:46.010 --> 16:47.151 Well, you'd think, wouldn't it? 16:47.231 --> 16:48.991 But we expect nothing but the best. 16:49.011 --> 16:57.335 When she moved to the UK to marry my dad, she stopped talking Spanish altogether to us, and we never grew up with it as a second language. 16:57.675 --> 17:00.917 She's a horrible person for depriving us. 17:00.997 --> 17:02.117 She dreams in Spanish. 17:02.137 --> 17:03.198 Yeah, she does exactly. 17:03.878 --> 17:10.947 But anyway, you know, the hangover of the language is still there, I hope, a little bit, but I still found it very hard to write a whole song in Spanish. 17:11.267 --> 17:12.168 So who's gonna go first? 17:12.188 --> 17:13.150 We're gonna toss a coin. 17:13.210 --> 17:18.977 Yeah, if the foreign language thing wasn't difficult enough, we've also chosen as our theme foreign actresses. 17:19.457 --> 17:22.741 Now listen, man, can I ask you first before we hear that, man, the song is... 17:24.262 --> 17:28.704 Did you just do silly French phrases and not even bother to make them make sense? 17:28.724 --> 17:30.945 No, no, I know what my song is supposed to mean. 17:31.045 --> 17:31.905 Okay, right, good. 17:32.265 --> 17:35.086 Just checking, because I would have got a little bit haughty about it if you had. 17:35.486 --> 17:40.628 However, we do have some bilingual listeners or a bilingual listener standing by. 17:40.668 --> 17:42.169 We're not, we've got two of them. 17:42.529 --> 17:43.649 We're not sure of their identities. 17:43.669 --> 17:45.390 We're going to come to them later in the show. 17:46.010 --> 17:49.111 So we're just going to pay the songs unfettered by any comment. 17:49.331 --> 17:49.491 Yeah. 17:49.851 --> 17:51.912 And we'll do that business later in the show. 17:51.952 --> 17:53.873 We're going to toss a coin. 17:53.973 --> 17:54.833 I call heads. 17:55.353 --> 17:55.993 I call tails. 17:56.174 --> 17:57.634 To go first or second? 17:57.654 --> 17:58.314 To go first. 17:58.714 --> 17:58.934 OK. 17:58.954 --> 17:59.815 Heads to go first. 18:00.015 --> 18:00.375 It is? 18:00.395 --> 18:01.095 Tails. 18:01.175 --> 18:01.835 It's tails. 18:01.915 --> 18:02.836 Cornish goes first. 18:02.856 --> 18:03.796 The corn plaster. 18:04.396 --> 18:04.716 Thanks. 18:05.077 --> 18:05.497 Corn dog. 18:06.577 --> 18:16.345 Um, so here we go, my song, as usual it doesn't have a name, but you've got to imagine yourself in, in Paris or in France, on a beautiful, sunny morning. 18:16.365 --> 18:17.305 Do you see Le Champs-Élysées? 18:18.026 --> 18:19.467 Uh, yeah, those are some of my lyrics. 18:20.228 --> 18:21.829 Uh, you just preempted that? 18:21.869 --> 18:24.271 That's a clue to how sophisticated it is. 18:24.951 --> 18:32.657 Uh, you're in France, and you're obsessed with French cinema, and you're looking around you, and everywhere you look, is a beautiful French actress. 18:33.478 --> 18:35.880 And you decide to sing a little song about it. 18:36.912 --> 18:37.693 And this is what you hear. 18:52.205 --> 18:52.506 Ah! 18:52.586 --> 18:53.447 Le baguette! 19:07.025 --> 19:07.445 No? 19:07.545 --> 19:07.825 Okay. 19:37.237 --> 19:37.357 I'm 20:10.460 --> 20:30.940 That's the end I saw you making little notes in a book and suddenly I felt like I was 12 and in French class again Yeah, and you were making well I was just writing down the phrases that I thought you would have had to actually Go to an online translation site right because most of them ash day and baguette That means 20:32.140 --> 20:33.061 It's important though. 20:33.601 --> 20:36.322 And what were the other phrases in there? 20:37.322 --> 20:38.663 I had a new word. 20:39.083 --> 20:42.104 I had Flannery. 20:42.704 --> 20:43.064 Right. 20:43.344 --> 20:44.785 Yeah, that was some sophisticated. 20:44.805 --> 20:45.925 It was sophisticated. 20:45.945 --> 20:52.668 You must have jumped for joy and danced a little jig when you found that sample on a garage band for guitars. 20:53.328 --> 20:57.090 a cheesy loop, but it's the only one that sounds anything like a French. 21:12.320 --> 21:13.721 You've done it all over the floor. 21:13.942 --> 21:15.203 Pointyism. 21:15.503 --> 21:16.964 Was that... Pointy-lism. 21:16.984 --> 21:17.845 Pointy-lism. 21:18.205 --> 21:19.006 I liked it. 21:19.846 --> 21:20.927 Okay, so here's my song. 21:20.947 --> 21:27.072 This is about Penelope Cruz, and it was tough on both counts, because I've got no strong feelings about Penelope Cruz. 21:27.793 --> 21:39.282 And also, I found it very, you know, I got obsessed with the idea of making the Spanish words rhyme and stuff, and in the end it all just went weird, as tends to happen with me. 21:39.302 --> 21:41.224 So this is my song about Penelope Cruz. 21:42.119 --> 21:47.867 I can smell this person's soul and I wanna get to know him, you know. 21:49.753 --> 21:51.694 I am the king of the world. 21:51.814 --> 21:53.554 I am the king of the world. 21:53.674 --> 21:55.415 I am the king of the world. 21:55.435 --> 21:56.835 I am the king of the world. 21:57.095 --> 21:58.455 I am the king of the world. 21:58.575 --> 22:00.176 I am the king of the world. 22:19.281 --> 22:20.742 Ooh, whoa, whoa, whoa, whoa! 22:50.336 --> 22:56.102 Oh, it's so fabulous. 23:14.488 --> 23:16.249 So it's proper Spanish song, you see. 23:16.449 --> 23:17.750 Your accent's very good. 23:17.770 --> 23:20.651 I mean, I wouldn't know what a good accent is, but it sounds very good. 23:20.671 --> 23:21.751 And that's the main thing. 23:22.091 --> 23:23.352 I picked up some stuff in there. 23:23.512 --> 23:23.712 Yeah. 23:23.812 --> 23:26.133 Captain Corelli, Sahara, and Vanilla Sky. 23:26.854 --> 23:27.954 Bad stomach acid. 23:28.194 --> 23:28.374 Yeah. 23:28.634 --> 23:29.495 And a burp. 23:30.055 --> 23:30.815 That's pretty much it. 23:30.875 --> 23:34.056 Yeah, because other than that, it's impenetrable unless you're a fluent Spanish speaker. 23:34.076 --> 23:34.877 Unless you speak Spanish. 23:35.257 --> 23:43.839 Well, handily, we are going to be playing those songs to people who speak fluent Spanish and fluent French in the third hour of the show, after 11 o'clock at some point. 23:44.560 --> 23:45.740 Don't forget the voting, though. 23:45.760 --> 23:46.620 That's the key thing. 23:47.020 --> 23:50.562 During the show, as it goes out live, you can vote via text, 64046. 23:51.262 --> 23:57.064 If you're listening via listen again, then vote via email, adamandjo.sixmusicatbbc.co.uk. 23:57.084 --> 23:58.324 The winner will be announced at the beginning. 23:58.924 --> 24:00.145 of next week's show. 24:00.466 --> 24:02.007 Now here's a track that you've chosen, Joe. 24:02.508 --> 24:03.108 Yeah, what is it? 24:03.128 --> 24:03.929 A bit of Fiasco? 24:04.109 --> 24:05.410 Yeah, it's a bit more Lupe Fiasco. 24:05.450 --> 24:11.336 I bought this album when I was on holiday and it's got about four good tracks on it. 24:11.356 --> 24:12.216 That's all you need, man. 24:12.417 --> 24:13.017 Is that all you need? 24:13.077 --> 24:15.239 Is that the usual standard these days? 24:15.299 --> 24:17.141 If an album's got four good tracks on it, I'm happy. 24:17.621 --> 24:38.401 some albums in the old days they used to have all good tracks 12 good tracks on them not anymore not anymore sometimes uh it's like making friends isn't it the people you make friends with at a new school on your first day are not the same people that you're friends with at the end of your time there do you know what i mean of course yeah fast friends yeah are often you know not the best friends no the ones you 24:38.741 --> 24:41.544 You're not sure about it first, but then the quiet ones, the weird ones. 24:41.564 --> 24:44.026 I'm drawing a comparison there between tracks, so who knows. 24:44.067 --> 24:44.887 But this is a good one. 24:45.308 --> 24:48.511 It's called Paris Tokyo and it's from the cool Lupe Fiasco's new album. 24:49.872 --> 24:52.595 What a terribly confusing series of sounds. 24:52.615 --> 24:54.477 Welcome to Art Zone. 25:02.384 --> 25:14.536 Where today we present you with a confusing series of noises in order to challenge your preconceptions of the nature of music and sound here on the BBC. 25:14.817 --> 25:16.278 We're trying to get a job on resonance. 25:17.319 --> 25:20.722 We think it's a pedestation here and we want to go over to resonance. 25:21.523 --> 25:30.572 So we deliberately picked that Gideon Co session track there of Hot Chip playing over and over, a very weird version of over and over. 25:30.732 --> 25:37.238 I started punching Adam with Haddock, and he fell on the mixing desk. 25:38.740 --> 25:43.864 He was dressed as Napoleon, of course, and then all kinds of strange sounds started coming out of the desk. 25:43.884 --> 25:45.106 It's the kind of stuff 25:45.626 --> 25:48.267 that's going to be going down on this show in the future. 25:48.287 --> 25:51.127 I think what we get up to, because we don't like rules. 25:51.407 --> 25:53.268 We're situationalists. 25:53.328 --> 25:54.868 We hate the rules, you know. 25:55.008 --> 25:58.629 If we find some kind of rule book, then if we can, we'll tear it up. 25:58.669 --> 25:59.629 Generally, we rip it up. 25:59.689 --> 26:02.970 The problem with the rule books and the BBC is they're very thick, so it takes a while. 26:02.990 --> 26:05.490 You have to slightly soar them, soar into them. 26:05.510 --> 26:08.171 When I see an envelope, I love to push it. 26:08.191 --> 26:08.711 Just push it. 26:09.051 --> 26:12.076 I've pushed envelopes to the edge, right to the edge of the table. 26:12.116 --> 26:12.677 All the way. 26:12.877 --> 26:15.761 If, if I, um, yeah, envelopes. 26:16.702 --> 26:17.463 Yeah, exactly. 26:17.484 --> 26:18.325 You love pushing them. 26:18.565 --> 26:19.226 No, edges. 26:20.388 --> 26:21.589 I, I cut them. 26:21.609 --> 26:22.050 Yeah. 26:22.070 --> 26:23.853 Are you finished? 26:24.814 --> 26:28.796 Hey, so this is Adam and Joe here on BBC 6 Music, incidentally, not Resonance. 26:30.077 --> 26:32.319 And that was Hot Chip, as we said. 26:33.140 --> 26:36.862 And the voting lines are open now for Song Wars. 26:37.763 --> 26:42.006 Now, there's a sort of a trend showing in the text votes here. 26:42.386 --> 26:47.030 People seem to think that my French song is very like the Concord's French song. 26:47.410 --> 26:49.712 I wouldn't say it was that... I haven't heard the Concord's French song. 26:49.932 --> 26:50.592 What are you doing? 26:50.612 --> 26:51.313 I swear it, man. 26:51.773 --> 26:52.173 I don't know. 26:52.473 --> 26:54.974 I've seen a lot of concourse, but I've just missed that particular episode. 26:56.775 --> 26:57.715 And I'm sorry. 26:57.775 --> 27:05.338 I mean, people seem to think my French song is a bit page one, you know, and some people like it very much. 27:05.738 --> 27:07.919 Other people like your song. 27:08.619 --> 27:28.875 uh they think it's more imaginative but they find it slightly scary well it is slightly scary and it's very odd it's like somebody's described it as yeah like a sort of serial killer in a basement who's who's about to stalk and maybe hurt Penelope Cruz in some way it starts off very creepy with a low voice yeah and it's all minor chords and it's creepy sounding 27:31.337 --> 27:32.037 Well, yeah. 27:32.197 --> 27:32.357 Yeah. 27:32.457 --> 27:34.598 No, you're not attempting to build an argument against that. 27:34.618 --> 27:36.439 You just... No, yeah. 27:36.679 --> 27:37.799 I'll put my hands up to that. 27:37.879 --> 27:38.160 Fair enough. 27:38.180 --> 27:38.280 Yeah. 27:38.700 --> 27:39.660 I hold my hands up. 27:39.740 --> 27:41.061 Hold my hands up, bruv. 27:41.201 --> 27:41.401 Yeah. 27:41.721 --> 27:42.821 That's totally fair enough. 27:43.302 --> 27:44.642 Yeah. 27:44.822 --> 27:45.622 Now, the gossip. 27:45.642 --> 27:46.603 What do you know about gossip? 27:47.023 --> 27:48.263 Well, it's very destructive. 27:49.064 --> 27:50.164 It's petty. 27:50.564 --> 27:59.307 But at the same time, everyone has to do it because it's a way of, you know, making decisions and analyzing your relationships with people in your immediate circle without hurting them. 27:59.648 --> 28:00.528 People who gossip 28:01.148 --> 28:05.350 are scientifically proven to be more popular than people who do not gossip. 28:05.390 --> 28:11.552 Well, it is, it is an important function of, of, you know, socialness, uh, socialosity. 28:12.012 --> 28:12.512 That's it. 28:12.572 --> 28:18.214 You know, if a person doesn't gossip, then they are seen by their peer group as being rather boring. 28:18.294 --> 28:18.614 Boring. 28:18.634 --> 28:19.335 It's like boring. 28:19.815 --> 28:21.776 And that's why Heat Magazine is so successful. 28:21.856 --> 28:22.156 Exactly. 28:22.236 --> 28:23.457 And so very good. 28:23.777 --> 28:25.278 So wicked. 28:26.258 --> 28:29.760 And anyway, being boring is not something you could accuse Beth Ditto of. 28:29.980 --> 28:31.741 No, she is wild. 28:31.961 --> 28:33.702 She's too interesting. 28:34.162 --> 28:37.524 I get bored with that because she's so interesting. 28:37.544 --> 28:38.284 Is that possible? 28:38.445 --> 28:39.525 It is possible, yes. 28:39.785 --> 28:40.766 Absolutely possible. 28:41.126 --> 28:43.147 Anyway, see what happens when you listen to this. 28:43.187 --> 28:44.728 This is standing in the way of control. 28:56.052 --> 28:56.834 Textimation! 28:56.935 --> 28:57.255 Text! 28:57.637 --> 28:58.018 Text! 28:58.118 --> 28:58.840 Textimation! 28:58.920 --> 28:59.883 What if I don't want to? 29:00.104 --> 29:00.866 Textimation! 29:00.946 --> 29:01.949 But I'm using email! 29:02.129 --> 29:02.851 Is that a problem? 29:02.891 --> 29:03.453 It doesn't matter! 29:03.473 --> 29:03.714 Text! 29:06.115 --> 29:10.580 At some point, it'll be time for a rebranding of the show, won't it? 29:10.740 --> 29:11.841 Like new jingles. 29:12.141 --> 29:13.182 Not for a while. 29:13.943 --> 29:19.108 But we'll hire a consultancy firm, have various surveys done. 29:19.128 --> 29:21.230 We'll pay a lot of money. 29:21.370 --> 29:29.658 I mean, several thousand pounds, and then the company will come back with some jingles that are slightly worse than the ones that we used to have. 29:30.559 --> 29:57.573 and we'll be very happy but then after another six months we'll bring back the original jingles and call them classic jingles and also pay a little bit more money to the company that suggested we do that but for now the classic jingle will have to suffice and it's time for text the nation here with Adam and Jo on BBC six music on this glorious saturday morning or if you're listening again this depressing wednesday afternoon 29:58.633 --> 30:00.855 So the theme this week is car advert. 30:01.255 --> 30:04.018 Yeah, what's your favorite car advert at the moment, Joe Cornish? 30:04.358 --> 30:18.850 My favorite car advert is a new one I saw this week, and it starts with just bits of cars, like a door, a bumper, an engine, and it kind of pulls out wider, and you realize that they're being played like instruments. 30:19.390 --> 30:20.371 Oh, how imaginative. 30:20.571 --> 30:25.673 It's brilliant, and then it pulls out even wider, and it's a whole orchestra of car parts. 30:26.113 --> 30:29.995 That's the exhaust pipe. 30:30.235 --> 30:34.116 It's not the tune they play, but it's something similar. 30:34.657 --> 30:40.839 And then we were watching this, and me and my friend, stroke friends, were trying to guess what the tagline was going to be. 30:41.320 --> 30:44.601 I thought it would have something to do with perfectly tuned, very good. 30:44.801 --> 30:49.544 Yeah, uh, but it ended up being something else I can't remember harm- something about harmony maybe. 30:49.864 --> 30:50.104 Right. 30:50.344 --> 30:55.587 Like the road and your wheels in perfect harmony, it wasn't that, it was something like that. 30:55.967 --> 31:00.009 But you know, I'm a bit obsessed with car adverts because basically all cars are the same, right? 31:00.309 --> 31:00.709 More or less. 31:00.809 --> 31:03.291 I mean, they vary in quite, you know, small ways. 31:04.071 --> 31:09.074 And so it's difficult as an advertiser to figure out a new way to present something that's basically just a tin box on wheels. 31:09.354 --> 31:09.894 Yeah, exactly. 31:09.915 --> 31:13.937 So they have to think of all kinds of elaborate things like a car as a cake. 31:14.937 --> 31:16.438 What are the other very famous ones? 31:17.539 --> 31:19.060 Kind of innovative car adverts. 31:19.080 --> 31:23.382 Well in the olden days they used to be much more based on personalities and stuff. 31:23.502 --> 31:25.744 Like what was the French girl called? 31:26.404 --> 31:27.105 Oh, yes. 31:27.165 --> 31:27.505 Papa. 31:27.565 --> 31:28.145 Papa. 31:28.546 --> 31:29.146 What was she called? 31:29.166 --> 31:29.506 Mimi. 31:29.546 --> 31:30.047 Nicole. 31:30.067 --> 31:31.288 Nicole, of course. 31:31.408 --> 31:32.569 I think she was called Mimi. 31:32.949 --> 31:33.509 Mimi. 31:33.589 --> 31:33.810 Yes. 31:33.870 --> 31:34.390 Papa. 31:34.590 --> 31:34.990 Mimi. 31:35.851 --> 31:36.491 That's true. 31:36.652 --> 31:37.372 Nicole. 31:37.852 --> 31:46.419 And there was, not so long ago, there was the chap from Holby City, Jeremy Sheffield, who I have had various encounters with. 31:46.599 --> 31:46.919 Yes. 31:46.999 --> 31:48.360 Who are regularly listening to the programme. 31:49.000 --> 31:53.524 And he did an advert where he was going off and romancing a French lady, wasn't he? 31:53.704 --> 31:54.865 And that was all about cars. 31:55.445 --> 31:58.926 Yeah, there's also the cake one that divides people. 31:59.326 --> 32:00.707 I forget which car it's from. 32:01.767 --> 32:04.668 Well, that's the thing, you can never remember what the car is. 32:04.688 --> 32:07.068 We're not in the business of advertising the car companies. 32:07.448 --> 32:08.169 Cars are evil. 32:08.629 --> 32:09.469 They are evil. 32:09.909 --> 32:13.110 And also anyone who likes Cars is evil. 32:13.150 --> 32:13.930 That's very true. 32:13.970 --> 32:14.950 Like Jeremy Clarkson. 32:15.010 --> 32:15.811 And slightly dull. 32:16.071 --> 32:16.511 Exactly. 32:17.071 --> 32:17.672 That's not true. 32:17.712 --> 32:18.233 That's not true. 32:18.253 --> 32:20.616 We'll just alienate all the car-loving filaments. 32:20.636 --> 32:22.219 It's a humorous generalization there. 32:22.239 --> 32:22.860 Calm down. 32:23.320 --> 32:24.021 Why did you say that? 32:24.202 --> 32:24.382 Adam. 32:24.602 --> 32:26.625 I was just taking your lead. 32:26.645 --> 32:27.627 You started me on it. 32:27.747 --> 32:28.248 I said not really. 32:28.268 --> 32:30.251 I only say stuff if you think it's cool. 32:30.271 --> 32:31.553 Adam, Adam, Adam, Adam. 32:32.734 --> 32:35.476 Anyway, so yeah, what do you feel about the cake one? 32:35.496 --> 32:36.116 Do you like that one? 32:36.516 --> 32:39.118 Well, there's a website called Pimp That Snack, isn't there? 32:39.138 --> 32:52.806 And I'm convinced that just some young advertising honcho went on Pimp My Snack, and all those people do is they just apply Car advert, Car advert, all day, Car advert, Car advert, everything they look at, Car advert, Car advert, to try and work, you know, work a new idea into a Car advert. 32:52.826 --> 32:54.667 Oh, well, there was the great, was it for Volvo? 32:55.147 --> 32:57.469 The one that nicked the idea of that 32:59.050 --> 33:14.189 a film called The Way Things Go, a German film, where it's basically a sort of art film and it's got like big bits of wood kind of knocking each other over and then chemicals spilling onto each other and they did it with all like parts of a car, you know? 33:14.229 --> 33:14.470 Oh yeah. 33:15.210 --> 33:16.431 Um, and it was, they did a good job. 33:16.451 --> 33:16.651 Really? 33:16.691 --> 33:17.772 That won loads of awards. 33:17.812 --> 33:18.712 That was nicked, was it? 33:18.772 --> 33:20.533 That was nicked, yeah, off the way things go. 33:20.834 --> 33:21.534 Oh, no. 33:21.554 --> 33:22.435 Great German art, Phil. 33:22.575 --> 33:26.877 Well, we want you to try and come up with a new idea that's never been done before for a car advert. 33:26.957 --> 33:28.458 That's the subject of Text the Nation. 33:28.498 --> 33:29.979 The text is 64046. 33:30.119 --> 33:32.201 Uh, I think it's gold dust. 33:32.241 --> 33:36.043 If you can come up with, like, a genuinely new way to present a car advert. 33:36.483 --> 33:39.045 then you could become like a millionaire in the advertising industry. 33:39.065 --> 33:48.814 Almost certainly people from the advertising world listen to this program because we regularly have these kinds of phone-ins, and I would imagine that they've nicked quite a few big money ideas off us. 33:49.074 --> 33:52.037 This is more of a job opportunity than a text. 33:52.097 --> 33:53.799 It's certainly not a competition than a text event. 33:54.299 --> 33:54.519 Yeah. 33:54.820 --> 33:55.680 I thought of one, right? 33:55.700 --> 33:56.521 Yeah, what was yours? 33:56.901 --> 33:59.043 Uh, hamsters on a wheel in a cage. 33:59.324 --> 33:59.564 Uh-huh. 33:59.904 --> 34:05.247 It's a kid, and instead of little hamsters, he's got one of those, uh, you know, elaborate hamster runs. 34:05.467 --> 34:05.667 Right. 34:05.707 --> 34:07.949 With all sorts of tubes and wheels and things. 34:08.289 --> 34:09.670 But there's little cars, isn't there? 34:09.750 --> 34:10.850 Little cars. 34:11.291 --> 34:11.871 That's all I thought. 34:11.891 --> 34:13.372 They're going round and round. 34:13.552 --> 34:13.792 Yes. 34:13.932 --> 34:14.773 How is that good? 34:14.973 --> 34:16.554 How does that project a good image of the car? 34:16.654 --> 34:18.475 It's just new, because the kid loves them. 34:19.455 --> 34:22.577 And the- The cars- No, wait, wait, wait, wait, wait. 34:22.597 --> 34:23.858 They do tiny plops. 34:24.358 --> 34:25.739 The car's out of the exhaust pipes. 34:25.819 --> 34:26.180 Right. 34:26.900 --> 34:28.381 And the kid cleans them up. 34:28.781 --> 34:30.643 And it's about being good for the environment. 34:31.243 --> 34:33.224 Okay, you come up with better ones than this. 34:33.244 --> 34:35.466 64046, if you can. 34:35.486 --> 34:36.967 Is this idea a goer, do you think? 34:37.067 --> 34:37.647 Yeah, definitely. 34:37.687 --> 34:39.268 I've got some ideas I want to tell you about. 34:39.288 --> 34:39.729 Alright. 34:39.869 --> 34:42.871 But let's hear the sound of Elbow first. 34:42.891 --> 34:43.411 Well, why not? 34:43.431 --> 34:44.532 This is grounds for divorce. 34:50.796 --> 34:54.758 That's Garvey and the Boys elbow with grounds for divorce. 34:54.778 --> 35:00.261 This is Adam and Joe here on BBC Six Music and we are in the midst of Text the Nation. 35:00.621 --> 35:05.624 Subject this week for Text the Nation we're asking you to text or email us about car adverts. 35:05.664 --> 35:07.285 Where next for the car advert? 35:07.765 --> 35:12.870 How, you know, what kind of revolutions can you inject into the crazy world of car advertising? 35:13.390 --> 35:16.994 And it's a hard thing to do because you would think pretty much everything's been done. 35:17.394 --> 35:21.117 There's the guy that uses a car as a skateboard. 35:21.898 --> 35:23.439 Just remember that one, do you remember? 35:23.600 --> 35:28.244 He's like a giant man and he's sort of ollying the car around and stuff. 35:28.464 --> 35:31.646 Are there any car adverts that you're genuinely fond of, unironically? 35:31.966 --> 35:33.347 No, I hate, I detest them all. 35:33.387 --> 35:34.488 Yeah, they're all awful, aren't they? 35:34.748 --> 35:47.977 The one, one of the ones that, uh, I really, actually I can, this is one of the few ones that I can actually remember the brand for, although I won't say it, but it's the one where they're in the factory and the cars are being sprayed by the robot arms. 35:48.197 --> 35:48.437 Oh yeah. 35:48.718 --> 35:56.523 And then suddenly one of the robot arms kind of starts getting creative and painting the car in a wacky way, uh, which links into the name of the, uh, car. 35:56.723 --> 35:58.084 There's cars playing hide and seek? 35:59.225 --> 36:02.567 There's that weird gang of stuffed toys that- I hate them. 36:02.607 --> 36:03.948 Live with that sexy lady. 36:04.028 --> 36:07.810 I sincerely hate the stuffed toys and I want to kill all of the stuffed toys. 36:07.830 --> 36:08.170 Really? 36:08.210 --> 36:08.471 Yeah. 36:09.091 --> 36:09.691 And I would do it. 36:09.711 --> 36:10.912 I'd go to prison as well. 36:11.573 --> 36:12.493 For a long- Really? 36:12.553 --> 36:14.815 For as long as- I think you're alright with stuffed toys. 36:14.975 --> 36:15.275 Really? 36:15.295 --> 36:16.896 I don't think that's illegal. 36:16.956 --> 36:19.418 If one of them turned out to be sentient though- Property damage. 36:19.718 --> 36:21.139 Property damage possibly, yeah. 36:21.399 --> 36:26.082 But even if I was gonna get long time for hurting all the toys- Really? 36:26.162 --> 36:27.043 I'd go away for it. 36:27.543 --> 36:34.472 There's the Transformers one, where they turn into robot men and start skating on the ice or dancing around. 36:34.692 --> 36:37.636 Which stole some of the thunder from the Transformers movie a little bit, didn't it? 36:37.656 --> 36:38.256 I think it helped. 36:38.276 --> 36:39.778 It was piggybacking synergy. 36:40.279 --> 36:42.001 Yeah, it helped. 36:42.061 --> 36:43.162 It was all a conspiracy. 36:44.083 --> 36:45.204 Chiba LaBeouf. 36:45.804 --> 36:47.065 Yeah, the Beef Man. 36:48.086 --> 36:51.928 Chiba Beouf, Shia Lizith, Dog Food, and a different film. 36:52.528 --> 36:54.209 So here's my idea for a car advert. 36:54.229 --> 37:02.014 This would be shocking, because there was a time when... Oh, and here's another... This is one ad that I slightly enjoyed a little bit, also because it was very short. 37:02.054 --> 37:03.875 The thing about a lot of car ads is they go on forever. 37:04.375 --> 37:15.181 But a really nice short one was what looked like a giant, frightening spider emerging from a web and then emerging from the shadows, scuttling out from the shadows. 37:15.502 --> 37:22.546 And as it scuttled out, it transformed brilliantly, by means of just a cut, I think, into the car. 37:22.586 --> 37:24.447 But it was beautifully executed. 37:24.467 --> 37:25.387 What was it saying? 37:25.848 --> 37:29.430 It was saying that the car was like a spider, actually, which reminds me of that thing. 37:29.930 --> 37:58.900 uh... which reminds me of those ludicrous ads where the cards will turn into uh... you know like a snake and one of them turns into a spider and it goes around and yeah yeah yeah they're all sort of four by fours and stuff I've done a hilarious I've seen it over one of them on my website on my youtube channel you can see it I've re-voiced it brilliantly but uh... those kind of ads drive you nuts but I liked the spider one that was a good one but here's my idea for what you can have this was shocking 37:59.440 --> 38:00.081 Are you prepared? 38:00.141 --> 38:00.741 I'm ready, man. 38:00.802 --> 38:01.783 This is gonna be very shocking. 38:01.803 --> 38:02.163 Pitch me. 38:02.583 --> 38:02.904 Okay. 38:03.585 --> 38:05.447 Hospital, room, right. 38:05.567 --> 38:06.948 Beep, beep, beep. 38:07.108 --> 38:08.610 Surgeons all gathered round. 38:09.711 --> 38:14.556 A woman screaming with pain and agonizing pain in the throes of giving birth. 38:15.137 --> 38:15.357 Right? 38:16.799 --> 38:39.196 pan down pan down close-up shot of of a crucial lady zone no this would be banned and it would be banned but it would it would have a lot of cache around it would be big on the next you're talking about the Bermuda Triangle I'm talking about yes exactly the happy the happy zone and close up of the Bermuda Triangle and see 38:39.836 --> 38:41.016 Guess what comes out? 38:41.076 --> 38:45.177 The woman gives birth to the new, the triangle. 38:45.477 --> 38:47.258 Look at it from my angle. 38:47.718 --> 38:49.298 The new, the triangle. 38:50.179 --> 38:50.959 Very good. 38:51.419 --> 38:52.799 And so that's how it went. 38:53.599 --> 39:04.502 And the car would pop out and they would slap the car's exhaust and the wipe all the gore off it and then the car would be presented to the mother and she'd drive home in it. 39:08.963 --> 39:09.703 How big is it? 39:09.723 --> 39:11.704 It actually wouldn't even need a baby seat. 39:12.444 --> 39:13.985 So that would be good, wouldn't it? 39:14.065 --> 39:16.145 It's like a David Cronenberg director. 39:16.185 --> 39:17.346 Cronenberg could direct it. 39:17.426 --> 39:19.666 Yeah, it wouldn't be a flesh car though, would it? 39:19.946 --> 39:20.326 Maybe. 39:20.587 --> 39:22.507 Maybe that's the new environmental direction. 39:22.567 --> 39:23.487 It's a flesh car. 39:23.507 --> 39:25.428 It's a fleshy and then it would harden up. 39:25.448 --> 39:26.328 What a frightening idea. 39:26.348 --> 39:30.309 That's a brilliant idea that they make flesh cars. 39:30.790 --> 39:32.010 They kind of breed them in a way. 39:32.590 --> 39:35.471 Oh, this is all getting a bit dark for a Saturday morning. 39:36.691 --> 39:38.352 Anyway, get your ideas in, listeners. 39:38.432 --> 39:43.953 Text 64046, email adamandjo.sixmusic at bbc.co.uk. 39:43.973 --> 39:46.094 There is no prize, because this isn't a competition. 39:46.134 --> 39:47.734 They're banned in the big British castle. 39:48.134 --> 39:53.496 It's just kind of like a group of friends just chatting to each other, stroking each other's hearts. 39:53.516 --> 39:53.996 Exactly. 39:54.516 --> 39:57.957 Here's a track I've chosen for you, friends, while we stroke each other's parts. 39:57.997 --> 39:59.737 This is a band called the Feelies. 39:59.777 --> 40:00.958 They're kind of seminal. 40:01.858 --> 40:16.676 arty pop band from new jersey from the early eighties i believe their first album crazy rhythms came out in nineteen eighty and i came across them because we did vinyl justice on our show ages ago when we used to me and joe used to go around and raid people's record collections for our tv show and we did it with nick 40:17.176 --> 40:22.360 Heywood from haircut 100 and this was one of the albums that he had and I thought it was Really interesting. 40:22.400 --> 40:43.497 He was playing us a couple of tracks and sure enough It's a smash and other fun fact about the feely's they turn up in the film something wild Jonathan Demi I always liked that film and they play a band who are at a high school reunion there while Ray Lee Otters pouncing around With all the other monsters in the film, but they're good and I hope you enjoy this track It's called far say la by the feely's 40:48.783 --> 40:49.643 Good stuff, man. 40:49.683 --> 40:53.644 That's the Feelies with Farsi La from their album Crazy Rhythms. 40:53.944 --> 40:54.365 Yes, it is. 40:54.405 --> 40:54.845 That's true. 40:54.865 --> 40:56.165 What you said just then is right. 40:56.645 --> 41:04.207 And very shortly after this next track and the news and some more music, we'll be coming back with your texts for Text the Nation. 41:04.847 --> 41:07.748 Harvey Cook, the newsreader, sounds very laid back today. 41:07.788 --> 41:08.208 The cooker. 41:08.508 --> 41:09.509 The cook, the cookster. 41:09.929 --> 41:10.929 He's on low simmer. 41:11.309 --> 41:12.169 He certainly is. 41:12.269 --> 41:14.911 He's making the news very sexy. 41:16.011 --> 41:18.192 Even if it's troubling the news. 41:18.212 --> 41:19.793 Oh, he doesn't let the news get to him. 41:19.853 --> 41:20.493 That's the thing. 41:20.553 --> 41:21.893 Well, he's read so much. 41:21.953 --> 41:22.314 Exactly. 41:22.394 --> 41:22.734 Horror. 41:22.894 --> 41:23.654 He's seen it all. 41:23.774 --> 41:25.035 That he's inured. 41:25.615 --> 41:26.135 Inured. 41:26.495 --> 41:27.216 Inured. 41:27.736 --> 41:30.837 He is, yeah, he's developed across the outer shell. 41:31.397 --> 41:31.657 That's right. 41:31.677 --> 41:32.798 Makes him as tough. 41:33.118 --> 41:34.479 A Krusty News Carapace. 41:34.940 --> 41:39.864 We'll be hearing Harvey's Krusty Carapace after this track by The Future Heads. 41:39.964 --> 41:41.946 This is the beginning of the twist. 41:47.063 --> 41:51.947 You know, I prefer the version of that song that they re-released for the film, uh, Pretty and Pink. 41:51.987 --> 41:57.832 They remixed it, and I bought it on 12-inch with Andrew McCarthy and all the guys from the Breakfast Club on the front. 41:57.952 --> 42:02.216 I thought you were gonna say you went to the record shop with Andrew McCarthy and all the guys from the Breakfast Club. 42:02.236 --> 42:02.616 I wish, I wish. 42:03.457 --> 42:28.357 uh because a lot of uh boys at school that bullied me in their winkle pickers with their Jesus and Mary chain passion uh they liked the psychedelic furs and i didn't uh because i was a bit of a ponce and then when i saw pretty and pink uh i thought yes i can buy a psychedelic furs record and and honestly genuinely like it you even though it's the ponce remix i walked into school with the 12 inch under my arm 42:28.737 --> 42:33.221 Of course, by that time, the hard lads had gone off the psychedelic first. 42:33.261 --> 42:33.561 Yeah. 42:33.942 --> 42:35.843 And it was used to torture me. 42:36.144 --> 42:38.425 And they beat you with your copy of Mirror Blues. 42:38.446 --> 42:39.907 They beat me into a genius. 42:41.969 --> 42:42.209 Yeah? 42:42.489 --> 42:42.829 There you go. 42:43.210 --> 42:47.834 Now, it's time for... Text-a-nation! 42:47.914 --> 42:48.234 Text! 42:48.614 --> 42:48.975 Text! 42:49.115 --> 42:49.855 Text-a-nation! 42:49.895 --> 42:50.916 What if I don't want to? 42:51.077 --> 42:51.837 Text-a-nation! 42:51.937 --> 42:52.938 But I'm using email. 42:53.118 --> 42:53.839 Is that a problem? 42:53.879 --> 42:54.439 It doesn't matter. 42:54.479 --> 42:54.700 Text! 42:57.037 --> 43:13.840 there are some extremely good ideas coming in for car ads i think we should maybe a former company with the listeners a collective yeah it could be sort of profit a profit sharing collective uh we could be like a think tank and because we already do this obviously with text the nation the results the government 43:14.441 --> 43:16.322 But we should start making money from it. 43:16.582 --> 43:21.524 We really should, because you and I aren't averse to the odd bit of dabbling in the dirty world of advertising. 43:21.704 --> 43:22.384 Yeah, anything. 43:22.584 --> 43:26.485 And we could really clean up if we did some directing, maybe. 43:26.765 --> 43:30.147 We need some sort of a registration process for the listeners. 43:31.347 --> 43:34.530 You know, so their names and addresses are registered, their bank details. 43:35.050 --> 43:36.712 We'd send them an online security email. 43:37.552 --> 43:39.133 They click the link and fill in their details. 43:39.214 --> 43:39.974 As soon as you do. 43:40.194 --> 43:42.716 And if we do the ad, we can pay them, what, five pounds? 43:43.717 --> 43:48.361 No, we'd, you know, divide the profit between the number of listeners. 43:48.781 --> 43:49.242 Oh, I see. 43:49.922 --> 43:50.242 Yeah. 43:50.462 --> 43:54.205 Is that how you pronounce it? 43:54.346 --> 43:54.506 Yeah. 43:55.066 --> 43:56.587 Anyway, there are some very good ideas. 43:56.607 --> 43:57.227 Are you ready for some? 43:57.247 --> 43:57.647 Yeah, go on then. 43:58.027 --> 43:59.107 Okay, here we go, here we go. 43:59.147 --> 44:00.308 This is a slightly filthy one. 44:00.628 --> 44:14.872 From Kings and Russ, our car advert would involve long lingering shots of two older cars at it, petrol dripping from the exhaust of a post-coital Ford Fiesta, as it dismounts from a golf cart. 44:17.134 --> 44:23.298 before cutting to the birth of our new vehicle, a Toyota Prius. 44:23.499 --> 44:24.059 There you go. 44:24.079 --> 44:25.460 That's quite good, isn't it? 44:25.560 --> 44:26.681 It's a late night one. 44:27.042 --> 44:29.804 Is that the hybrid one? 44:30.184 --> 44:30.945 Yes, exactly. 44:31.185 --> 44:32.486 Anton Corbin drives one. 44:32.606 --> 44:32.986 Does he? 44:33.046 --> 44:33.567 And what is that? 44:33.607 --> 44:34.768 What are we supposed to think about that? 44:34.828 --> 44:35.749 Why did you say that? 44:35.769 --> 44:37.170 Well, because there's a big article about it. 44:37.190 --> 44:37.970 Who cares about him? 44:38.311 --> 44:39.251 People care. 44:39.371 --> 44:40.072 Who cares? 44:40.212 --> 44:42.534 All people who like control and film. 44:42.654 --> 44:43.094 Oh, right. 44:43.134 --> 44:44.175 He did control, didn't he? 44:44.255 --> 44:45.076 Yeah, he's a genius. 44:45.316 --> 44:45.697 Yeah. 44:46.737 --> 44:47.718 Uh, he drives one. 44:48.379 --> 44:50.580 Sandra Howard, 64, drives one. 44:50.681 --> 44:51.381 Who's she? 44:51.681 --> 44:53.062 She's a columnist and author. 44:53.363 --> 44:54.083 Oh, she's warwig. 44:54.103 --> 44:54.824 She lives in London. 44:55.224 --> 44:57.706 And William Kendall, the organic farm advisor. 44:57.906 --> 44:58.267 Kendall. 44:58.747 --> 44:59.327 Bill Kendall. 44:59.508 --> 44:59.768 Yeah. 45:00.008 --> 45:00.568 Bill Kendall. 45:00.909 --> 45:01.809 That's a very good idea. 45:01.889 --> 45:02.550 Very good idea. 45:02.590 --> 45:03.751 You know, Lily Allen would like that. 45:03.771 --> 45:07.854 She'd probably play that as a clip on her show because it features two things rutting. 45:08.094 --> 45:09.375 Yes, and she'd giggle. 45:09.716 --> 45:10.176 She would. 45:10.616 --> 45:11.657 Nat in Camden. 45:11.857 --> 45:12.037 Yeah. 45:12.578 --> 45:13.899 Ah, this could be your son, Nat. 45:14.339 --> 45:20.542 He's left home, he's gone to live with Pete Dougherty and a couple of lads wearing winkle pickers and top hats in Camden. 45:20.642 --> 45:22.263 Buying Ganesh. 45:22.683 --> 45:23.283 Yeah, product. 45:23.303 --> 45:25.084 He started texting him dead. 45:25.805 --> 45:34.429 Roadkill type animals, for example, a huge, for example, a hedgehog gleefully driving and splatting people on their windscreens. 45:35.129 --> 45:36.611 Okay, that's a very good reversal. 45:36.711 --> 45:38.192 I feel like maybe that's even been done. 45:38.212 --> 45:40.435 That's so... Woodland creatures driving cars. 45:41.336 --> 45:42.317 Humans like insects. 45:42.397 --> 45:43.318 I mean, splashing on the wind. 45:43.338 --> 45:46.381 I don't know that's been done, but if it hasn't, that's just a great idea. 45:46.461 --> 45:49.084 Tagline, it turns your world upside down, says Nat. 45:49.104 --> 45:50.085 I'm not sure about that tagline. 45:50.366 --> 45:51.227 It's good enough, man. 45:51.247 --> 45:51.987 Do you think? 45:52.068 --> 45:54.450 Yeah, you shouldn't overestimate the public. 45:54.510 --> 45:54.911 You're right. 45:55.051 --> 45:55.832 You should never do that. 45:56.232 --> 45:57.614 Here's another one. 45:57.734 --> 45:58.555 This is from Liz. 45:58.995 --> 45:59.756 This is really good. 46:12.111 --> 46:14.832 As our lovely car goes by, little squeals of delight and awe. 46:15.712 --> 46:20.654 Sententious opinions about they have seen mix with wild admiration. 46:21.174 --> 46:22.454 Don't know what that sentence means. 46:22.814 --> 46:24.475 They're animal versions of bird-spossers. 46:24.835 --> 46:25.675 Yeah, that's quite good. 46:25.695 --> 46:27.356 That's quite good about what they've seen, right? 46:27.376 --> 46:29.136 So they're all being, yeah, they're nerds. 46:29.536 --> 46:30.196 They're nerdy. 46:30.356 --> 46:31.437 But that's pretty good, isn't it? 46:31.497 --> 46:33.317 Like little ice-by-books full of cars. 46:33.537 --> 46:33.757 Yeah. 46:33.877 --> 46:34.818 And the woodland animals. 46:34.878 --> 46:37.419 I mean, that's very cheeky because the cars kill the animals. 46:37.479 --> 46:39.019 Exactly, that's deep to see. 46:39.219 --> 46:41.642 Yeah, deeply cynical, but therefore a bullseye. 46:41.682 --> 46:42.043 That's right. 46:42.383 --> 46:43.445 For the car industry. 46:43.485 --> 46:43.945 Absolutely. 46:43.985 --> 46:45.687 The devil's industry. 46:45.828 --> 46:46.689 These are really good. 46:46.729 --> 46:49.532 Let's have some more after this Supergrass track. 46:49.572 --> 46:49.933 Why not? 46:49.973 --> 46:51.294 This is bad blood. 46:57.395 --> 46:59.117 Supergrass with Bad Blood. 46:59.157 --> 47:01.539 This is Adam and Joe here on BBC Six Music. 47:01.919 --> 47:12.628 Now we were talking about the cynical world of car advertising before, but it competes pretty well with the cynical world of television in general, and particularly MTV. 47:12.828 --> 47:15.831 I never thought of MTV as being a particularly cynical channel, did you? 47:16.611 --> 47:34.307 No, but MTV reached a kind of nadir at their last awards, where Kanye West, I think, walked out, right, because he complained about how he was being treated, and Timberlake, Timbercake, and various other people took the opportunity to protest about MTV not playing any pop videos. 47:34.487 --> 47:34.727 Right. 47:35.307 --> 47:38.210 The fact that it's just turned into the most kind of... 47:39.751 --> 47:44.413 You know it's exploited the right word, but very kind of shameless TV channel. 47:44.553 --> 47:44.733 Well. 47:44.773 --> 47:59.259 Yeah, I mean that that's Certainly the word for Carrie Katona's program, which is called crazy in love I've seen posters for this showing her in a in a straight jacket She's heavily pregnant, and she's in a straight jacket and always a good combination. 47:59.459 --> 47:59.579 It's 47:59.699 --> 48:00.180 great isn't it? 48:00.200 --> 48:01.762 Great for the kids. 48:02.162 --> 48:15.639 And she's sort of strapped, it's like one big straitjacket for her and her partner, I don't know the name of her partner who looks a little unsavory, he may be a very nice person, but he's behind her and she's sort of 48:15.919 --> 48:29.046 Staring defiantly down her nose at people like you know sort of saying yes, so what I'm a I'm a complete lunatic And I'm in a straitjacket, and I'm heavily pregnant and may well be an unfit mother But who are you to judge me? 48:29.366 --> 48:33.248 Why don't you watch my program and find out the truth kind of thing very provocative? 48:33.328 --> 48:41.392 Well, that's putting a positive spin on it I mean it's one of the yuckiest posters I've ever seen one of the most unpleasant images that I can ever think of you know 48:41.812 --> 48:43.193 The show itself, did you watch that? 48:43.213 --> 48:47.137 The show itself certainly lives up to the yuckiness of the poster, I would say. 48:47.597 --> 48:53.262 Because they make a big song and dance about the fact that she's been diagnosed as bipolar, right? 48:53.282 --> 48:56.045 Which is what... It's all the rage right now. 48:56.205 --> 49:02.050 In the olden days it was called manic depression, or you'd say that someone suffered from manic episodes or whatever. 49:02.511 --> 49:04.512 Britney Spears has got it. 49:04.633 --> 49:08.276 Well, some people are saying that Carrie Catona is like the British Britney, you know. 49:08.856 --> 49:09.536 Oh, who's saying that? 49:10.156 --> 49:10.837 Oh, people. 49:11.137 --> 49:11.717 A vagrant. 49:11.917 --> 49:13.277 I read it in Grazia. 49:13.877 --> 49:14.737 Grazia? 49:14.777 --> 49:17.798 Yes, there was a copy of Grazia and I read it. 49:19.058 --> 49:26.000 Anyway, I'm not calling her the British Britney, but I think that it's a shame that no one's looking out for her because it's a really weird show. 49:26.080 --> 49:33.582 Okay, so if she really is bipolar or manic depressive, whatever you want to call it, that's not a condition that should be taken lightly and she certainly shouldn't be making a 49:34.282 --> 49:38.623 a grotesque, boring reality show on MTV if she's suffering from that. 49:38.763 --> 49:39.184 Surely. 49:40.124 --> 49:45.646 Yeah, and maybe pop culture is attempting to smash a taboo that shouldn't be smashed. 49:46.106 --> 49:46.366 Right. 49:46.846 --> 49:56.369 But then if she isn't, but then if she genuinely isn't suffering from it, that's even worse, that she would go around just pretending to be ill in that way, and it's just bizarre. 49:56.389 --> 49:59.430 I was watching the show, and she seems to be permanently pregnant. 49:59.790 --> 50:03.731 But not only pregnant, but it's all that Iceland food she's got right in there. 50:03.851 --> 50:04.471 She's not actually pregnant. 50:04.491 --> 50:06.512 Have you seen what she has at Christmas? 50:06.852 --> 50:07.272 What is she? 50:07.332 --> 50:07.892 Yeah, she has a lot. 50:07.912 --> 50:10.233 She has, she gets nine of every product in Iceland. 50:10.253 --> 50:10.793 That's right. 50:11.073 --> 50:14.574 Spreads it, and then she invites all these people around in gaudy sweaters. 50:14.814 --> 50:15.054 Yeah. 50:15.454 --> 50:19.615 And they have, they just all eat and puke and eat and puke and eat and puke. 50:19.835 --> 50:20.755 That's like Mr. Creosote. 50:20.795 --> 50:26.077 And the ice cream, the ice cream she has, it's got cheese and fish fingers in it. 50:26.657 --> 50:30.178 There's combinations of turkey and, I don't know, spaghetti. 50:30.198 --> 50:31.318 And you don't even have to defrost it. 50:31.918 --> 50:33.139 No, you don't have to defrost it. 50:33.179 --> 50:34.519 You just shove it in the kids. 50:34.539 --> 50:35.539 Not even in their mouths. 50:35.559 --> 50:36.660 Just in their faces. 50:36.720 --> 50:37.380 They love it. 50:38.000 --> 50:42.142 And then they all smoke fags and go and swing on tiny little swings. 50:42.162 --> 50:43.122 Then they get pregnant. 50:43.242 --> 50:44.143 Then they get pregnant. 50:44.283 --> 50:45.503 Then they get a reality show. 50:45.523 --> 50:45.963 What a life. 50:46.043 --> 50:49.485 Then they go mad, mentally ill, and it's all thumbs up. 50:49.765 --> 50:51.205 They get a series from MTV. 50:51.345 --> 50:51.806 Ka-ching. 50:52.086 --> 50:52.366 Wow. 50:52.406 --> 50:53.426 You've talked me round. 50:54.146 --> 50:54.627 You know what? 50:54.667 --> 50:57.728 What being so sensorial is when this is exactly what we should be doing. 50:57.768 --> 50:58.328 Exactly. 50:58.368 --> 51:00.109 To get ourselves back in the public eye. 51:00.129 --> 51:00.829 I'm a crusty old fool. 51:01.309 --> 51:11.597 You get mentally ill I'll get pregnant will buy a whole lot of food from Iceland with call MTV Bish bash Bosch It's a plan success sweet and we've got some music now. 51:11.897 --> 51:13.018 This is Joe's choice, right? 51:13.038 --> 51:14.399 Have we got the correct version? 51:14.459 --> 51:16.280 This shows very particular about his versions 51:16.740 --> 51:34.280 Well, we're big prefab sprout fans, and we were asking the other week what Paddy McAloon is doing, and one of the things he's done is get together with Thomas Dolby and remix Steve McQueen, one of their best albums, and it's out in the shops now under the second disc that's got Paddy doing acoustic versions of some of the tracks from there. 51:34.340 --> 51:35.121 So here's one of those. 51:35.321 --> 51:35.922 It's Appetite. 51:41.618 --> 51:43.459 That was The Who with Pinball Wizard. 51:43.519 --> 51:44.020 Yeah, yeah, yeah. 51:44.040 --> 51:46.582 There's a documentary, a new feature-length documentary. 51:46.602 --> 51:49.224 It may not be new, but I saw it on a plane all about The Who. 51:49.364 --> 51:52.306 I didn't know much about The Who, but it was well wicked. 51:52.366 --> 51:59.852 And I think their first managers were a couple of guys who were actually looking for a band to make a documentary about. 52:00.352 --> 52:03.535 So they started managing them, and from the very beginning, they started filming them. 52:04.015 --> 52:07.338 So there's lots of really good footage of their very, very first gigs and stuff. 52:08.419 --> 52:09.500 I learned all about them. 52:09.780 --> 52:10.061 Wow. 52:10.521 --> 52:12.644 I learned about what was innovative about their music. 52:12.945 --> 52:17.591 I didn't really know that much about Keith Moon, but what an incredible figure he is. 52:19.073 --> 52:19.554 Amazing. 52:19.654 --> 52:20.756 Footage of him is amazing. 52:21.597 --> 52:22.718 And it's a really good doc. 52:23.099 --> 52:24.361 It makes you really feel for them. 52:24.881 --> 52:31.488 And as it was getting towards the end, I was thinking, well, they're going to smooth over Pete Townsend's trouble that he had a few years ago. 52:31.568 --> 52:33.310 But much to its credit, they don't. 52:33.770 --> 52:34.891 Much to his credit, they don't. 52:34.911 --> 52:35.872 They talk all about it. 52:36.453 --> 52:37.174 It's really good. 52:37.274 --> 52:39.316 I can't remember what it's called, we'll find out. 52:39.756 --> 52:45.462 But if you're not, even if you're not a fan of The Who, it's a very satisfying rock doc on Joe Cornish. 52:45.662 --> 52:46.043 Good night. 52:47.023 --> 52:49.804 I wonder if it's out on DVD at the moment, or is it a theatrical thing? 52:49.904 --> 52:50.424 I don't know. 52:50.524 --> 52:51.244 It's on a plane. 52:51.264 --> 52:52.985 They exist in another world, don't they? 52:53.005 --> 52:54.105 You have to go on a plane to see it. 52:54.125 --> 52:55.805 You can't go on a plane to see it. 52:56.005 --> 52:57.966 It's part of the Who's New Green Drive. 52:58.206 --> 52:58.766 There you go. 52:58.986 --> 53:01.247 Well, we'll find out more and let you know, because I'd like to know about that. 53:01.667 --> 53:08.829 Anyway, it's time for... Text-a-nation. 53:08.909 --> 53:09.889 What if I don't want to? 53:10.089 --> 53:10.829 Text-a-nation. 53:10.969 --> 53:11.929 But I'm using email. 53:12.130 --> 53:12.850 Is that a problem? 53:12.890 --> 53:13.450 It doesn't matter. 53:13.490 --> 53:13.710 Text! 53:15.987 --> 53:16.928 Have we got time to do this? 53:16.988 --> 53:17.768 Is the news at noon? 53:17.828 --> 53:18.468 Yeah, we got time. 53:18.528 --> 53:20.850 Okay, text the nation is all about car adverts. 53:20.870 --> 53:24.472 We're asking you whether you can think of a new idea for a car advert. 53:24.492 --> 53:26.233 We're thinking that they've all been done. 53:26.253 --> 53:30.235 Uh, you know, so much so that there are some of them are ridiculous. 53:30.435 --> 53:30.695 Yeah. 53:30.735 --> 53:33.777 Well, we're just curious about whether the world of car advertising might go nice. 53:33.797 --> 53:39.662 If you're serious, if you can think of a genuinely new way to present a tin box on wheels, then you're in the money. 53:39.702 --> 53:44.326 You're on the fast track to a high-powered job in the advertising industry. 53:44.346 --> 53:46.168 Ooh, I love a high-powered job. 53:46.328 --> 53:48.910 Yeah. 53:48.950 --> 53:49.851 Give us some ideas, then. 53:50.071 --> 53:52.653 Okay, here is one from Philip. 53:52.994 --> 53:56.417 And, to a lesser extent, Lara is written in brackets. 53:56.997 --> 54:02.143 I like the way that Philip is from the outset, making sure Lara doesn't get too much credit. 54:02.503 --> 54:06.328 Sure she's there, but don't get too excited about her, because it's all about Philip. 54:06.468 --> 54:07.309 She's just a runner. 54:07.609 --> 54:10.472 He says, PS were copywriters in real life. 54:10.713 --> 54:11.013 No! 54:11.153 --> 54:11.493 Really? 54:12.074 --> 54:12.895 Okay, get this. 54:13.315 --> 54:15.617 My car ad would be like Fantastic Voyage. 54:16.017 --> 54:17.338 Or whatever the B-movie was called. 54:17.458 --> 54:18.619 It was called Fantastic Voyage. 54:18.639 --> 54:19.980 Where they get injected into the body of a patient. 54:20.000 --> 54:21.382 Yeah, they could also have inner space. 54:21.542 --> 54:22.162 Yeah. 54:22.182 --> 54:23.784 The 80s kind of reversioning. 54:24.624 --> 54:25.365 Uh, yeah. 54:25.445 --> 54:26.926 A bunch of trendy young people. 54:27.066 --> 54:30.249 Brackets, but not too trendy, so you can tell that they don't do drugs very often. 54:30.829 --> 54:31.370 Close brackets. 54:31.670 --> 54:37.114 Get into the new Ford whatever, and then zoom into someone's mouth before having a Fantastic Voyage. 54:37.415 --> 54:39.536 Quite literally, in said person's bloodstream. 54:39.596 --> 54:41.518 Eventually, they come out of his or her rectum. 54:42.319 --> 54:54.809 the caption is the new Ford whatever it's in your blood it's in your blood he's thought of the tagline first the person they drive around should be some cool celeb possibly Dermot from Big Brother 54:55.937 --> 54:57.138 Yeah, he'd probably do it. 54:57.378 --> 54:58.459 He probably would do it. 54:58.739 --> 55:00.040 He'd let you film his rectum. 55:00.320 --> 55:01.161 He certainly would. 55:01.401 --> 55:01.801 Come on. 55:01.821 --> 55:02.702 I love that word. 55:03.242 --> 55:03.682 The rectum. 55:03.722 --> 55:04.523 I don't, I hate it. 55:04.683 --> 55:09.746 That is a good technique, though, if you're in advertising, of course, is just to think of... Just to nick a film. 55:09.987 --> 55:13.709 No, but think of the aphorism or the phrase, you know, popular phrase, and then work backwards there. 55:13.749 --> 55:16.811 Think of the literal translation of that phrase in visual terms. 55:17.231 --> 55:17.452 Okay. 55:17.472 --> 55:18.012 Do you know what I mean? 55:18.112 --> 55:20.814 Okay, so what would the literal translation of this phrase be? 55:21.774 --> 55:23.035 The new Ford car. 55:23.456 --> 55:24.776 More comfortable than a bra. 55:25.898 --> 55:27.302 What would be going on on screen for that? 55:28.646 --> 55:30.833 A woman wearing cars on her boobs. 55:31.696 --> 55:32.599 Even I could think of that one. 55:33.149 --> 55:37.150 Yeah, and it would be demonstrating how capacious the back was. 55:37.170 --> 55:37.651 Exactly. 55:37.911 --> 55:39.451 The nice hatchback feature. 55:39.491 --> 55:41.772 Yeah, how good the support was, the suspension. 55:41.892 --> 55:42.572 That's a good idea. 55:42.592 --> 55:42.992 That's a good idea. 55:43.012 --> 55:43.413 Thanks, man. 55:43.733 --> 55:48.514 And you'd get a celebrity who was famous for her large balcony area. 55:48.554 --> 55:49.795 What's her name from Kenny Everett? 55:50.295 --> 55:50.975 Cleo Rocos. 55:51.015 --> 55:51.335 Yeah. 55:52.496 --> 55:53.636 For the new Renault Cleo. 55:54.076 --> 55:54.356 Yeah. 55:54.636 --> 55:54.897 You know. 55:54.917 --> 55:55.517 Sexist. 55:55.537 --> 55:55.777 Sexist. 55:55.797 --> 55:56.037 Sexist. 55:56.057 --> 55:56.277 Sexist. 55:56.297 --> 55:56.617 Sexist. 55:56.637 --> 55:57.017 Sexist. 55:59.758 --> 56:03.861 Here's another one from a man who lives in Peru. 56:04.361 --> 56:06.122 Or maybe doesn't live in Peru, grew up in Peru. 56:06.162 --> 56:07.222 And this is a bit tangential. 56:07.523 --> 56:09.724 He's called Pedro Juan Banco Skringos. 56:09.884 --> 56:10.504 Can that be real? 56:10.744 --> 56:11.625 No, that can't be real. 56:11.645 --> 56:14.607 Do you think this whole thing's a joke? 56:15.007 --> 56:15.147 Yeah. 56:15.427 --> 56:15.707 That text. 56:15.727 --> 56:16.608 I'm not gonna read it then. 56:16.968 --> 56:17.849 Oh, let's get you to that one. 56:17.869 --> 56:18.549 Wait, no, we'll do it. 56:18.829 --> 56:20.870 I'll show it to you in the next record. 56:21.011 --> 56:21.511 Oh, alright then. 56:21.811 --> 56:22.592 Here's another one then. 56:23.072 --> 56:23.572 This is good. 56:23.612 --> 56:24.713 This is from Chris in Durham. 56:24.753 --> 56:26.474 Here's a selection of ideas for car adverts. 56:26.834 --> 56:30.456 Cars made of cheese driving along roads made out of crackers. 56:31.297 --> 56:33.178 You see he's got a whole new visual environment there. 56:33.218 --> 56:33.718 Absolutely. 56:33.818 --> 56:35.399 And one that we can all associate with. 56:35.940 --> 56:36.620 Cheese and crackers. 56:36.780 --> 56:36.960 Yeah. 56:37.000 --> 56:38.421 You're not a fan of cheese, are you Adam? 56:38.441 --> 56:40.242 Personally, I like cheese, but I love crackers. 56:40.422 --> 56:40.883 Here's another one. 56:40.943 --> 56:42.304 Cars as Russian dolls. 56:43.384 --> 56:43.545 i.e. 56:43.565 --> 56:49.970 a super mini inside a small family car, inside an estate car, inside a 4x4, inside an articulated lorry. 56:50.010 --> 56:50.811 That's good, isn't it? 56:51.031 --> 56:51.552 That is good. 56:51.592 --> 56:52.913 These are all from Chris and Durham. 56:53.313 --> 56:55.155 Monkeys driving cars off cliffs. 56:56.420 --> 56:57.040 Is another one. 56:57.680 --> 57:00.742 Well, I don't quite get the idea of that, but it would certainly be spectacular. 57:00.842 --> 57:01.202 Yeah. 57:01.382 --> 57:02.482 People would talk about it. 57:02.562 --> 57:03.242 That's all you need. 57:03.282 --> 57:05.123 People love monkeys and nuns and midgets. 57:05.163 --> 57:05.763 You can't fail. 57:06.043 --> 57:06.404 Exactly. 57:06.444 --> 57:10.265 Perhaps one advert could amalgamate all three ideas. 57:10.985 --> 57:12.166 Chris, you are on fire. 57:12.266 --> 57:15.987 Get yourself down to Purvis, Dotten Bridge and Wendell Farm. 57:16.007 --> 57:16.447 Bootstain. 57:16.767 --> 57:17.327 Wendell Farm. 57:17.728 --> 57:18.268 And get a job. 57:19.268 --> 57:19.828 Do you want another one? 57:20.489 --> 57:39.256 Yeah, let's have one more and then we'll play some music and wrap up text the nation thereafter from Colin and Fanny This is really good Colin and Fanny again I think you deserve a high-powered job in the advertising industry for this a whole series of kids car toys Scalextric now has anyone done scalextric with real cars have they done it and if not why not? 57:39.477 --> 57:42.158 Yeah, you'd have to strike a deal with whoever makes scalextric 57:43.178 --> 57:43.618 Who is it? 57:44.259 --> 57:45.260 Um, my dad. 57:45.480 --> 57:47.662 Your dad needs to strike a deal with Adam's dad. 57:48.222 --> 57:50.584 Uh, pull back and go cars is another very good one. 57:50.724 --> 57:51.004 Uh-huh. 57:51.324 --> 57:51.585 Yeah. 57:51.785 --> 57:52.966 Remote controlled cars. 57:53.366 --> 57:54.247 Someone must have done that. 57:54.267 --> 57:56.088 I feel like that's been done, surely. 57:56.128 --> 57:57.990 Giant people, remote controlling cars. 57:58.250 --> 58:01.172 Those matchbox cars on tracks that loop the loop. 58:01.913 --> 58:02.133 Yeah. 58:02.273 --> 58:03.334 With tiny people inside. 58:03.354 --> 58:03.974 Like Hot Wheels. 58:04.575 --> 58:05.615 Exactly like Hot Wheels. 58:05.655 --> 58:06.976 Those are really good ideas. 58:07.177 --> 58:07.417 Yeah. 58:07.437 --> 58:12.040 The most likely accompanied by kids by Kylie Minogue or Robbie Williams' children. 58:12.641 --> 58:12.821 What? 58:13.579 --> 58:19.240 Oh no, kids by Kylie and Robbie, or children by EMF, followed by the slogan, makes you feel like a kid again. 58:19.920 --> 58:20.160 Right. 58:20.660 --> 58:20.761 Eh? 58:20.941 --> 58:21.781 That's quite good, isn't it? 58:21.961 --> 58:22.361 It is good. 58:22.401 --> 58:24.281 I feel like- I feel like you've seen that. 58:24.301 --> 58:25.281 Two obvious. 58:25.441 --> 58:25.862 Two obvious. 58:25.882 --> 58:26.542 It's still good. 58:26.562 --> 58:27.542 I like where you're coming from. 58:27.622 --> 58:29.702 You know, it pays to be obvious in advertising. 58:29.862 --> 58:33.423 Let's have more of those finally after this next track. 58:33.483 --> 58:36.624 This is the Black Keys with- No, it's not the Black Keys. 58:36.684 --> 58:38.184 Why would we play the Black Keys? 58:38.444 --> 58:40.305 We've got a Black Keys embargo here. 58:40.345 --> 58:40.725 This is a disaster. 58:40.745 --> 58:41.045 We don't. 58:41.145 --> 58:41.585 It's a joke. 58:41.605 --> 58:42.565 I win that award now. 58:43.227 --> 58:44.952 Oh, don't, no, exactly. 58:47.700 --> 58:49.927 Curtis Mayfield with move on up. 59:00.767 --> 59:04.829 Curtis Mayfield with his cover of the Paul Weller classic, Move On Up. 59:05.449 --> 59:06.550 That's just a little joke there. 59:06.890 --> 59:07.911 It's a tiny one. 59:09.251 --> 59:10.872 It's Adam and Joel on BBC Six Music. 59:10.912 --> 59:16.614 Coming up in any of the seconds what are coming up is going to be song wars. 59:16.655 --> 59:17.915 That was well spoken, wasn't it? 59:17.935 --> 59:19.176 It's a good little bit of grammar. 59:19.196 --> 59:19.736 Thanks, mate. 59:19.756 --> 59:28.400 We're going to have two callers that speak foreign languages on the phone to judge, ratify, appropriate 59:30.841 --> 59:36.363 Our songs that's exciting take it from me That is exciting. 59:36.423 --> 59:37.323 No bad excitement. 59:37.663 --> 59:42.585 I'm worried that they won't be able to Hear all the words I've packed in there. 59:42.625 --> 59:44.325 It's just not worth worrying about anything. 59:44.385 --> 59:44.945 It's Saturday. 59:44.965 --> 59:46.546 That's true Stop worrying. 59:46.606 --> 59:47.886 It's nice day out there. 59:48.067 --> 59:54.749 Yeah listeners It's all going to be wind calm down of those workmen being blown off the scaffolding over there or they okay 59:55.729 --> 59:56.711 That everything's fine. 59:56.951 --> 59:57.992 Who had the blustery day? 59:58.032 --> 59:58.853 Was it Winnie the Pooh? 59:59.414 --> 01:00:01.036 He's having a lovely day today. 01:00:01.436 --> 01:00:04.620 Yeah, just imagine your Winnie the Pooh in your red boots. 01:00:04.741 --> 01:00:05.982 What happened on his blustery day? 01:00:06.082 --> 01:00:07.144 Just had a wicked time. 01:00:07.384 --> 01:00:08.665 Did he flown about the place? 01:00:08.986 --> 01:00:09.346 Umbrella fun? 01:00:09.366 --> 01:00:09.887 They had a kite. 01:00:10.207 --> 01:00:10.568 Umbrella. 01:00:12.537 --> 01:00:14.357 Piglet floated off on a balloon. 01:00:14.377 --> 01:00:15.798 That sounds horrific. 01:00:15.818 --> 01:00:17.078 The balloon was full of blue. 01:00:17.378 --> 01:00:19.198 Piglet was in an alley. 01:00:19.278 --> 01:00:20.358 It's like enduring love. 01:00:20.959 --> 01:00:21.859 It's like enduring love. 01:00:21.899 --> 01:00:22.979 They were holding onto the balloon. 01:00:22.999 --> 01:00:23.919 They didn't know when to let go. 01:00:23.959 --> 01:00:27.560 Piglet let go and he came and his legs went through his throat. 01:00:27.800 --> 01:00:30.940 And when he left food traumatized and then he got stalked by. 01:00:30.960 --> 01:00:32.001 Hey, hey, there are kids listening. 01:00:32.041 --> 01:00:32.861 You might freak them out. 01:00:33.161 --> 01:00:33.761 Sorry, kids. 01:00:34.081 --> 01:00:34.661 Sorry, kids. 01:00:34.721 --> 01:00:35.221 Not true. 01:00:35.301 --> 01:00:35.901 None of it happened. 01:00:35.941 --> 01:00:36.661 Piglet fine. 01:00:36.761 --> 01:00:37.222 More music? 01:00:37.542 --> 01:00:37.742 Yes. 01:00:37.922 --> 01:00:39.322 Here's the British sea power. 01:00:46.601 --> 01:00:48.582 Yes, it's song wars time. 01:00:48.622 --> 01:01:03.128 This is the part of the show where Adam and I both individually in isolation compose a song on a chosen theme and then we play them both to you and you vote for which is best. 01:01:16.454 --> 01:01:32.166 That's as simple as you can put it, really, and you're allowed to vote right the way through the week, so if you're listening to this show with the Listen Again facility, then of course it's no good texting, but you can email your vote, and the winner of Song Wars will be announced on next week's show. 01:01:32.426 --> 01:01:32.787 Yes. 01:01:33.587 --> 01:01:36.189 Now, this week's theme is Foreign Language Songs. 01:01:36.269 --> 01:01:38.351 I did one in French, Adam did one in Spanish. 01:01:38.371 --> 01:01:44.676 We're going to start with my song, and we have a fluent French speaker on the line to kind of assess 01:01:45.316 --> 01:01:47.678 My song, his name is Aiden. 01:01:48.198 --> 01:01:49.439 How you doing Aiden, are you there? 01:01:49.720 --> 01:01:50.620 Yes, I'm here, yes. 01:01:50.820 --> 01:01:52.061 Bonjour, bonjour, bonjour. 01:01:52.081 --> 01:01:53.863 Bonjour, Aiden, ça va? 01:01:53.883 --> 01:01:54.904 ça va bien, ça vous? 01:01:55.124 --> 01:01:56.485 Yeah, we could tell, mate. 01:01:57.406 --> 01:01:59.467 Um, what, you're a French teacher, is that right? 01:01:59.567 --> 01:02:00.368 I am indeed, yes. 01:02:00.508 --> 01:02:02.389 So you're charged with... 15 years, my own boy. 01:02:02.830 --> 01:02:03.270 Really? 01:02:03.610 --> 01:02:04.471 And are you good? 01:02:04.611 --> 01:02:05.812 Do your pupils like you? 01:02:06.092 --> 01:02:07.734 They... hit me. 01:02:08.054 --> 01:02:08.814 Do they really? 01:02:08.975 --> 01:02:10.636 No, some of them love me. 01:02:11.207 --> 01:02:13.988 And Aidan, are you the kind of teacher, what's your surname incidentally? 01:02:14.008 --> 01:02:14.428 Docherty. 01:02:14.808 --> 01:02:19.169 Docherty, so you're Monsieur Docherty, Monsieur Docherty, do you make them call you Monsieur Docherty? 01:02:19.429 --> 01:02:20.169 I do indeed, yes. 01:02:20.409 --> 01:02:21.469 Are you one of these teachers? 01:02:21.489 --> 01:02:24.030 I call them Monsieur, I call them Aliala Poobell. 01:02:24.810 --> 01:02:26.450 Excuse me sir, can I go to the bend? 01:02:26.530 --> 01:02:28.090 Exactly right. 01:02:28.210 --> 01:02:31.571 So you speak French all the time in your classes? 01:02:31.791 --> 01:02:34.632 You would walk in the room and everything you say would be in French, is that right? 01:02:34.692 --> 01:02:35.772 Well, yes, mostly. 01:02:37.493 --> 01:02:41.115 Yeah, apart from things like, why do you not have your homework done? 01:02:41.395 --> 01:02:41.756 Yes. 01:02:42.136 --> 01:02:43.197 Which needs more directness. 01:02:44.077 --> 01:02:49.221 But if they start speaking in English, you say... Of course. 01:02:50.341 --> 01:02:52.803 And have you taken expeditions to France? 01:02:53.544 --> 01:02:54.265 Not for a while. 01:02:54.285 --> 01:02:59.490 You see, I teach in Corinne, which is a way of... it's about 4 million maids from France. 01:02:59.550 --> 01:03:00.851 We don't have the channel. 01:03:01.491 --> 01:03:01.772 Right. 01:03:01.792 --> 01:03:03.033 That's true. 01:03:03.053 --> 01:03:05.395 That's really a 10 days camel race. 01:03:05.415 --> 01:03:06.756 Plus, it's a liability, man. 01:03:06.796 --> 01:03:09.959 You take the teens out there, they get all crazy hooked up on this. 01:03:09.979 --> 01:03:13.162 That's an important part of anyone's childhood is the trip to France. 01:03:13.182 --> 01:03:13.522 That's true. 01:03:13.582 --> 01:03:15.184 Remember the maids that everybody wants to buy? 01:03:15.891 --> 01:03:18.693 That's the the what you flick made you can base like me. 01:03:18.713 --> 01:03:21.074 Oh man, Fred Francis full of illegal. 01:03:21.155 --> 01:03:21.535 Nice. 01:03:21.595 --> 01:03:29.980 There's the fireworks throwing stars and loose women All the presenters of that program loose women there over there and anyone can snog their flabby old faces Hello 01:03:31.881 --> 01:03:35.922 So let's hear Joe's song and, Aidan, listen very carefully. 01:03:35.962 --> 01:03:44.505 We're going to want you to tell us whether you think Joe's use of French was, A, accurate, B, creative, C, what, give us a C? 01:03:45.045 --> 01:03:45.265 Fun. 01:03:45.585 --> 01:03:45.925 Fun? 01:03:46.465 --> 01:03:49.606 Okay, so here's his song all about the lovely actresses of France. 01:03:49.746 --> 01:03:50.006 Okay. 01:03:52.247 --> 01:03:55.247 Ah, je dois, a les actres français. 01:03:55.527 --> 01:03:56.888 A juliet de noche. 01:03:58.257 --> 01:04:05.764 A de qu'un brioche, flanor, le longue de rieux gouge, je paris je t'est. 01:04:05.824 --> 01:04:14.252 Vouguard vais vais fristat, et son ami pascale, a chute du pin du boulangerie. 01:04:14.712 --> 01:04:23.660 Ah, les baguettes, devoir c'est catarinde de nouve, avec la finécer le verve, ma chun, son champs vivit. 01:04:25.762 --> 01:04:25.902 No? 01:04:48.314 --> 01:04:48.554 Okay. 01:05:20.135 --> 01:05:20.355 No? 01:05:22.657 --> 01:05:28.881 I'm not sure le puppidou is an actual commonly used French phrase. 01:05:29.021 --> 01:05:30.442 Is it, Aidan, can you tell us that? 01:05:30.622 --> 01:05:33.224 It's not particularly... Oh, le puppidou. 01:05:33.444 --> 01:05:36.646 It sounds a bit like pompidou, but it's just... Oh, le pompidou. 01:05:36.666 --> 01:05:38.827 It's a big shop in Paris. 01:05:39.268 --> 01:05:39.668 It's not? 01:05:40.128 --> 01:05:44.711 Is it a shop, or is it not a Richard Rodgers-designed art gallery area? 01:05:44.731 --> 01:05:45.812 It is, but you can buy things and... 01:05:46.212 --> 01:05:50.234 Yes, got a gallery shop, hasn't he? 01:05:50.314 --> 01:05:52.275 I've out French to you there. 01:05:52.775 --> 01:05:55.436 I'm more French than you are, mate. 01:05:55.556 --> 01:05:58.278 So, Aidan, how was the grammar that Joe was using in there? 01:05:58.298 --> 01:06:00.519 Okay, now I have to turn teacher here, obviously, gentlemen. 01:06:00.539 --> 01:06:04.060 So, a couple of grammatical errors. 01:06:04.641 --> 01:06:05.981 Not very many, just a couple. 01:06:06.081 --> 01:06:06.561 What were they? 01:06:06.902 --> 01:06:09.803 Well, a crease, as you know, is feminine plural. 01:06:11.063 --> 01:06:12.044 So, tout lait a crease. 01:06:13.101 --> 01:06:14.002 Well, that's what I said. 01:06:14.482 --> 01:06:15.523 You said too late, actually. 01:06:15.924 --> 01:06:17.585 Too, too late. 01:06:17.625 --> 01:06:19.967 You know, fair enough, fair enough. 01:06:20.027 --> 01:06:22.129 I'm taking it on the chin, sir. 01:06:22.649 --> 01:06:24.350 I might follow you home and I'll take you. 01:06:24.791 --> 01:06:28.194 The only other thing was, I think you said fair. 01:06:28.394 --> 01:06:30.255 I'm sorry, I think you said fair. 01:06:30.475 --> 01:06:31.216 It should have been fair. 01:06:31.236 --> 01:06:33.658 It should have been the infinitive at the past part. 01:06:33.678 --> 01:06:34.439 So how would you say that? 01:06:34.979 --> 01:06:35.900 I'm very happy with it. 01:06:36.360 --> 01:06:37.161 How would you say that, sir? 01:06:37.621 --> 01:06:43.046 Down to a B, I think. 01:06:43.186 --> 01:06:46.829 What would you grade that? 01:06:46.849 --> 01:06:47.930 How would you grade that, Monsieur? 01:06:47.950 --> 01:06:52.854 Well, again, apart from that, as I say, you did more or less what I would tell the kids in school. 01:06:53.234 --> 01:06:56.157 You stuck with what you know and you kept it simple. 01:06:56.257 --> 01:06:56.837 Babel Fish. 01:06:57.037 --> 01:06:57.618 Leave it out of ten. 01:06:58.610 --> 01:06:59.671 8 out of 10. 01:07:00.312 --> 01:07:03.695 B+, B, B, I'm a beacon. 01:07:05.597 --> 01:07:06.739 Aidan, thanks very much. 01:07:06.799 --> 01:07:10.282 That's very kind of you to cooperate in this stupid charade. 01:07:10.603 --> 01:07:12.104 Well, he's setting a pleasure. 01:07:12.144 --> 01:07:14.346 He's talking to you in your own stupid language. 01:07:14.487 --> 01:07:17.470 Talk to me like that, or I will ram a baguette in your nose. 01:07:19.212 --> 01:07:48.013 yeah but thank you very much indeed and good luck with your teaching you're a great man people like you should be celebrated more than the actors at the Oscars exactly yeah they should do some kind of film with Robin Williams about you about you cheers Aiden thanks very much didn't sound very excited about that film take care bye bye now we will we will do the same thing with my track we will be talking to a Spanish speaking expert after this by the young new young pony club this is the bomb 01:07:53.306 --> 01:08:11.853 the new young pony club with the bomb not the old young pony club or the old old pony club no no one cares about them anymore uh it's the new one that's the song about dan sing are they gonna have to rename themselves when they're not new anymore exactly i used to have a stuffed toy when i was a child called i called it newy 01:08:12.333 --> 01:08:14.174 because it was new. 01:08:14.475 --> 01:08:19.098 And, you know, I thought eventually I'd have to call it oldie, but I never did. 01:08:19.438 --> 01:08:19.698 No. 01:08:19.978 --> 01:08:20.599 That'll be fine. 01:08:20.619 --> 01:08:24.481 The young knives will be the young knives until they're 60, and that's the way it goes in rock and roll. 01:08:24.721 --> 01:08:32.026 So we're in the midst of Song Wars, our weekly battle of self-composed songs, this week on the theme of foreign language. 01:08:32.066 --> 01:08:38.471 I've done mine in French, Adam's done his in Spanish, both about actresses, and we are playing the songs to thumb 01:08:39.211 --> 01:08:41.792 a fluent foreign language to be capable mentors. 01:08:41.892 --> 01:08:43.112 And speak the language. 01:08:43.392 --> 01:08:44.732 So who have we got on the line? 01:08:44.752 --> 01:08:46.293 This is Lydia Pollock on the line. 01:08:46.333 --> 01:08:47.633 She lives in Barcelona. 01:08:47.653 --> 01:08:50.133 She's actually listening to this programme in Barcelona. 01:08:50.173 --> 01:08:51.093 Hi, are you there, Lydia? 01:08:51.554 --> 01:08:52.454 Hello, hola. 01:08:52.494 --> 01:08:53.074 Good to see you. 01:08:53.334 --> 01:08:54.494 Hola, como esta? 01:08:54.754 --> 01:08:57.635 What are you... ¡Vamos otro! 01:08:57.675 --> 01:08:59.455 Yeah, all right, thanks. 01:08:59.595 --> 01:09:03.016 What are you doing listening to this when you're in Barcelona? 01:09:04.036 --> 01:09:08.637 Well, I was just doing some work, and I got up early. 01:09:08.657 --> 01:09:15.259 I didn't go out last night, so I got up early doing some work, and then I'm off to a barbecue, so it's kind of doing my stuff on a Saturday morning. 01:09:15.319 --> 01:09:16.420 How's the weather in Barcelona? 01:09:16.880 --> 01:09:17.500 Oh, it's lovely. 01:09:17.540 --> 01:09:19.700 Yeah, it's quite hazy, but it's warm. 01:09:19.941 --> 01:09:20.381 What a life. 01:09:20.401 --> 01:09:21.361 About 20 degrees or so. 01:09:22.241 --> 01:09:24.002 Is there any time difference there in Barcelona? 01:09:24.022 --> 01:09:25.342 You're one hour ahead, aren't you? 01:09:25.522 --> 01:09:26.642 One hour, that's right, yeah. 01:09:26.862 --> 01:09:31.284 I'm imagining you in a kind of sexy, silky dress. 01:09:32.784 --> 01:09:37.325 in a sort of a tiled front room with very beautiful furniture. 01:09:38.165 --> 01:09:40.165 And it's beautiful outside the window. 01:09:40.205 --> 01:09:40.625 Windows are open. 01:09:40.665 --> 01:09:41.066 It's all sunny. 01:09:41.106 --> 01:09:43.086 There are exotic birds fluttering in and out. 01:09:43.686 --> 01:09:45.266 Yeah, that'll be pretty much accurate. 01:09:45.286 --> 01:09:45.606 That's it. 01:09:45.786 --> 01:09:48.947 And there's a bowl of paella on the side. 01:09:49.487 --> 01:09:51.587 No, no, it's a bit early for lunch, you see. 01:09:51.647 --> 01:09:52.668 I've lunch a bit later here. 01:09:52.848 --> 01:09:53.068 Yeah. 01:09:53.608 --> 01:09:55.608 You've got your castanets by the phone there. 01:09:55.628 --> 01:09:57.228 That's right, yeah. 01:09:57.428 --> 01:10:00.269 What do you do for a living in Barcelona there, Lydia? 01:10:00.849 --> 01:10:01.710 I'm a teacher too. 01:10:01.950 --> 01:10:02.291 Are you? 01:10:02.371 --> 01:10:03.792 Like the previous caller, yeah. 01:10:03.952 --> 01:10:05.193 Like Aidan, and what do you teach? 01:10:05.594 --> 01:10:07.716 Well, I teach English, not French. 01:10:07.896 --> 01:10:08.737 Okay, right, right. 01:10:08.757 --> 01:10:10.438 So you teach English to Spanish students. 01:10:10.838 --> 01:10:11.639 That's right, yeah. 01:10:11.899 --> 01:10:14.382 And obviously you are fluent in Spanish. 01:10:14.402 --> 01:10:15.443 That's right. 01:10:15.503 --> 01:10:16.444 How long have you lived there? 01:10:17.625 --> 01:10:19.987 I've been here for about seven years now. 01:10:20.396 --> 01:10:39.652 right okay and it's a long time yeah very enjoyable I would imagine I love Spain and I really wish I could spend a good amount of time there so I could get back into the language but he's hitting on you Lydia and he wants to stay at your house yeah Adam come and stay at your house just Adam 01:10:43.680 --> 01:10:44.580 back to you in the night. 01:10:44.640 --> 01:10:45.721 Why'd you have to add that on? 01:10:45.921 --> 01:10:48.482 Because everyone knows that's what you're thinking. 01:10:49.683 --> 01:10:52.684 Now, Lydia, let's get off this whole jack, shall we? 01:10:52.784 --> 01:10:54.485 And I'll play you my track. 01:10:54.525 --> 01:10:56.646 This is a track that I've written entirely in Spanish. 01:10:56.706 --> 01:11:02.348 I really labored hard to try and get some rhymes in here, and it's fairly densely worded. 01:11:02.788 --> 01:11:04.689 So the grammar of the thing... Yeah, I did listen to it. 01:11:04.889 --> 01:11:05.129 Right. 01:11:05.189 --> 01:11:07.991 I did listen to it, and I listened to it with my flatmate as well, who's Spanish. 01:11:08.131 --> 01:11:08.431 Lydia? 01:11:09.131 --> 01:11:16.056 Hold on to those judgments because we're gonna hear the song again And then we're gonna find out exactly what you think about it. 01:11:16.116 --> 01:11:18.357 So here we go 01:11:25.694 --> 01:11:27.055 Penelope Cruz. 01:11:41.088 --> 01:12:01.148 O la yo tengo, pelo negro, píos, hermosas pero, peneno yo tengo, estaría, alegre con duciero, la legro y después, haga una vierda, qui gante, ooh, penelo que cruz, mejamos sin riscargas, pestaños pero, nejos parati, 01:12:02.249 --> 01:12:07.775 Ooh, Penelope Cruz, mi chamos sí está bá un Sahara y cá tú códern y smadolí. 01:12:07.835 --> 01:12:09.977 Ooh, verdóny me, es me estó mago hacido. 01:12:10.057 --> 01:12:11.458 Ay, caramba, era una mucho lago. 01:12:32.665 --> 01:12:38.670 Penelope Cruz, me llamos y me stargas, me estaños puerone chos parate. 01:12:39.510 --> 01:12:48.137 Oop, Penelope Cruz, me llamos y me estaba un sajara pica, un correr, mis madoli, con y ques. 01:12:49.608 --> 01:12:59.930 So there you go, I was trying to do a little Penelope Cruz impression there, because she has a very particular way of speaking, and it's sort of the... I use this word too often, but quintessential kind of Spanish accent. 01:12:59.950 --> 01:13:00.971 I believe you use that word. 01:13:01.411 --> 01:13:01.891 Sorry, mate. 01:13:02.111 --> 01:13:02.891 Boring. 01:13:03.511 --> 01:13:04.331 Lydia, are you still there? 01:13:04.351 --> 01:13:05.112 Have you taken your own life? 01:13:05.132 --> 01:13:05.592 Yeah, yeah, hi. 01:13:05.932 --> 01:13:06.432 You're there, good. 01:13:06.492 --> 01:13:06.732 Wow. 01:13:07.212 --> 01:13:10.653 So listen, let's start with your understanding of those lyrics. 01:13:10.693 --> 01:13:11.653 What was that song about? 01:13:11.673 --> 01:13:12.593 I didn't understand a word. 01:13:12.613 --> 01:13:18.935 Well, the song was that he was basically going through Penelope Cruz films, and some that he hadn't seen, like Volver. 01:13:19.295 --> 01:13:19.575 Yeah. 01:13:19.615 --> 01:13:19.815 Right. 01:13:20.075 --> 01:13:21.415 What was the first bit about? 01:13:22.236 --> 01:13:22.656 I don't know. 01:13:22.696 --> 01:13:23.716 I didn't catch all of it. 01:13:23.756 --> 01:13:25.636 And as I said, I listened to it only with my flatmate. 01:13:25.676 --> 01:13:27.276 And then we didn't really catch it. 01:13:27.316 --> 01:13:29.017 So you look both... So hang on. 01:13:29.077 --> 01:13:30.417 Her name is Penelope Cruz. 01:13:30.797 --> 01:13:31.577 Let's get this straight. 01:13:31.597 --> 01:13:33.237 You're both fluent Spanish speakers. 01:13:33.497 --> 01:13:35.358 And you understand it. 01:13:36.018 --> 01:13:37.178 Well, I'll say this for you now. 01:13:37.278 --> 01:13:39.539 It says... I am Penelope Cruz. 01:13:39.779 --> 01:13:40.339 Hello. 01:13:40.399 --> 01:13:44.379 Penelope Cruz, I've got black hair. 01:13:44.679 --> 01:13:44.979 Yeah. 01:13:45.019 --> 01:13:45.620 That's white. 01:13:50.202 --> 01:13:51.382 What is that saying? 01:13:51.482 --> 01:13:52.343 Hang on, translate it. 01:13:52.363 --> 01:13:53.623 She didn't understand. 01:13:53.663 --> 01:13:54.284 Gotta be marks off. 01:13:54.304 --> 01:13:55.625 Gotta be marks off for that. 01:13:55.665 --> 01:13:56.845 And how about this then? 01:13:56.905 --> 01:13:58.066 Obviously remember it's a family show. 01:14:15.390 --> 01:14:15.871 Yeah, there you go. 01:14:15.891 --> 01:14:16.852 Yeah, thanks very much. 01:14:16.872 --> 01:14:18.133 Well, how about this day? 01:14:18.173 --> 01:14:18.694 It's never obvious. 01:14:33.544 --> 01:14:36.527 I would be happy driving a... What's a legro? 01:14:36.547 --> 01:14:37.288 What's a legro? 01:14:37.488 --> 01:14:38.469 It's a car, isn't it? 01:14:38.890 --> 01:14:40.331 I'd be happy driving a legro! 01:14:40.351 --> 01:14:42.533 You know nothing about Pinocchio Cruz. 01:14:42.894 --> 01:14:46.838 She would be happy just making abstract statements that could apply to anybody. 01:14:49.961 --> 01:14:50.602 Yeah, yeah, yeah. 01:14:50.782 --> 01:14:51.764 Can I say that or not? 01:14:51.844 --> 01:14:52.945 No, don't say the actual words. 01:14:52.985 --> 01:14:55.008 And afterwards she would go to the loo in a big way. 01:14:55.689 --> 01:14:57.651 In a big way, yeah. 01:14:58.192 --> 01:14:59.874 This song is lowering in my estimation. 01:14:59.914 --> 01:15:00.455 It's filthy. 01:15:00.495 --> 01:15:01.035 And how about this? 01:15:01.075 --> 01:15:03.198 This is actually based on an incident in Penelope's life. 01:15:07.691 --> 01:15:11.032 OK, so she's saying that my long eyelashes were made for you. 01:15:11.052 --> 01:15:11.873 There you go. 01:15:12.173 --> 01:15:13.553 Was that an incident in her life? 01:15:13.573 --> 01:15:15.654 Yes, because she did this... Oh, it was quite an incident? 01:15:15.694 --> 01:15:24.518 No, she did this L'Oreal ad for this eyelash stuff that was supposed to make your eyelashes look longer and it turned out that they'd stuck falsies on her for the ad. 01:15:24.938 --> 01:15:28.280 It was a scandal and I worked it into the song in Spanish! 01:15:28.460 --> 01:15:31.081 I'm a kind of genius! 01:15:31.221 --> 01:15:35.623 So, Lydia, listen, in a sort of brief few seconds, tell us what you thought of that song. 01:15:35.683 --> 01:15:36.523 Out of ten, for instance. 01:15:37.182 --> 01:15:39.263 Um, at eight out of ten I'd give it seven and a half. 01:15:39.544 --> 01:15:40.524 Oh, Miss! 01:15:41.065 --> 01:15:42.045 Uh, A, B or C? 01:15:42.446 --> 01:15:42.946 Plus or minus? 01:15:43.006 --> 01:15:43.867 I'll give it at B plus. 01:15:44.427 --> 01:15:45.508 B plus? 01:15:45.968 --> 01:15:48.129 Lydia, thank you very, very much indeed for joining us. 01:15:48.149 --> 01:15:49.170 My pleasure, my pleasure. 01:15:49.190 --> 01:15:50.391 We're privileged that you're listening. 01:15:50.411 --> 01:15:52.352 Ooh, can I just give my love to my family? 01:15:52.492 --> 01:15:53.433 No, absolutely not. 01:15:53.453 --> 01:15:55.414 Can I give my love to Sophie? 01:15:55.454 --> 01:15:57.976 No, no, no, no, no, no, no, no, no, no, no. 01:15:58.316 --> 01:15:59.957 I just miss you all loads and see you soon. 01:16:00.037 --> 01:16:01.298 Sorry, no, it's not the kind of thing we do. 01:16:01.999 --> 01:16:02.779 Thanks for calling. 01:16:02.899 --> 01:16:06.181 Here's the news read by Harvey Cook and the music news read by Andre Bain. 01:16:06.241 --> 01:16:06.742 Thanks, Lydia. 01:16:07.808 --> 01:16:14.086 on digital radio and online BBC six music Harry touches down 01:16:19.392 --> 01:16:35.866 That's REM with Supernatural, Super Serious, and they're playing London's Royal Albert Hall for 6 Music on the 24th of March with support from Folds and Duke Spirits, and you can win tickets to go by logging onto the 6 Music website where you will find details. 01:16:36.347 --> 01:16:37.387 I love details. 01:16:37.407 --> 01:16:39.569 I love them as well, there's lots of them on there. 01:16:40.050 --> 01:16:43.473 So listen, it's not looking good for me in song wars, I just get the sense that 01:16:44.553 --> 01:16:47.676 I've clashed with this Flight of the Concord song that I've never heard. 01:16:47.696 --> 01:16:50.178 You're getting lots of comparisons there. 01:16:50.198 --> 01:16:51.619 People thinking I've copied it. 01:16:52.579 --> 01:16:54.721 I've just got to go a bit weirder in future, I think. 01:16:55.241 --> 01:16:58.304 But here's an email that came in during the week from Bill in Derby. 01:16:59.204 --> 01:17:02.567 He says, he's first of all very happy that Song Wars is back. 01:17:03.127 --> 01:17:07.388 And he says, you know, you're both very mismatched in terms of comedy song creation. 01:17:08.069 --> 01:17:15.671 Once again, Joe has tossed off yet another notepurfect parody stroke, as a word I can't say, take, of a cod French tune. 01:17:16.131 --> 01:17:17.231 Joe can do any style. 01:17:17.311 --> 01:17:18.512 He's like Beatle Paul. 01:17:19.152 --> 01:17:24.433 To wit, Michelle, when I'm sixty-four, O la di obli de du du and honey pie. 01:17:24.453 --> 01:17:26.094 I don't really know the Beatles very well. 01:17:26.574 --> 01:17:28.375 Adam, on the other hand, is like Frank Zappa. 01:17:28.776 --> 01:17:32.999 His creations are often darker and more challenging, subversive, anti-establishment. 01:17:33.259 --> 01:17:37.082 There's more of Adam in his songs than there is of Joe in his own tunes, I conclude. 01:17:37.622 --> 01:17:38.583 Joe is the populist. 01:17:38.923 --> 01:17:40.004 Adam is the anarchist. 01:17:40.424 --> 01:17:44.027 Which, interestingly, runs counter to your apparent radio personas. 01:17:44.407 --> 01:17:48.150 That of the eager-to-please Adam and the unsuson, cynical Joe. 01:17:48.911 --> 01:17:49.031 Mmm. 01:17:49.391 --> 01:17:50.112 Entrezant. 01:17:50.792 --> 01:17:54.595 With these deconstructions in mind, I'm voting for... I shall not read that out. 01:17:54.955 --> 01:17:56.116 I was going to stay a secret. 01:17:57.036 --> 01:17:59.998 So I'm not saying I agree with any of that, but it's interesting. 01:18:00.299 --> 01:18:03.861 I really like it when listeners think really hard about it and analyse it. 01:18:03.881 --> 01:18:04.702 About what we're like. 01:18:04.742 --> 01:18:06.343 Makes me feel special. 01:18:06.983 --> 01:18:07.623 Eager to please. 01:18:07.884 --> 01:18:09.044 I'm not eager, please. 01:18:09.205 --> 01:18:09.705 I'm not. 01:18:09.745 --> 01:18:11.126 I'm eager to please. 01:18:14.989 --> 01:18:16.290 I love you, listeners. 01:18:16.310 --> 01:18:17.451 I love you. 01:18:17.511 --> 01:18:19.313 I don't care about you, listeners. 01:18:19.333 --> 01:18:21.135 I think you're... I'm not populist. 01:18:21.376 --> 01:18:24.159 I'm gonna do such a weird song in the next fortnight. 01:18:24.179 --> 01:18:25.080 It's gonna be so weird. 01:18:25.100 --> 01:18:26.121 It's gonna out-weird your songs. 01:18:26.341 --> 01:18:29.564 Your songs are gonna look like standard-issue songs compared to my one. 01:18:30.700 --> 01:18:40.422 Well, folks, after this next track, which I've chosen for you, and I will explain to you in great detail which track it is, because I'm so eager to please. 01:18:41.482 --> 01:18:45.103 After this next track, we will wrap up Text-A-Nation for you this week. 01:18:45.623 --> 01:18:49.584 And don't forget that we need some suggestions for future. 01:18:49.844 --> 01:18:53.985 No, you can suggest anything to us, you know, Text-A-Nation or Song Wars topics. 01:18:54.565 --> 01:18:55.525 Don't be shy. 01:18:55.805 --> 01:18:57.566 Keep your emails and texts coming in. 01:18:58.326 --> 01:18:59.727 Yeah, don't let your feelings roll on by. 01:19:00.288 --> 01:19:02.069 Just text them on in. 01:19:02.750 --> 01:19:04.691 Themes, but mainly themes for Song Wars. 01:19:04.711 --> 01:19:07.433 We're gonna do this Song Wars thing every other week. 01:19:07.694 --> 01:19:08.034 That's right. 01:19:08.194 --> 01:19:10.916 So next week we'll announce the winner and we'll also pick a theme. 01:19:11.557 --> 01:19:13.418 So, you know, it's just non-stop excitement. 01:19:13.779 --> 01:19:18.983 Non-stop excitement, which continues now with this delightful track from Lou Reed. 01:19:19.003 --> 01:19:24.307 And this is a track that I don't think is played very often on the radio, and it's from his 1991 album, New Sensations. 01:19:27.029 --> 01:19:30.571 which was something of a return to form after years in the wilderness for Reed. 01:19:31.412 --> 01:19:38.035 But it's an album I'm really fond of and this track is sort of romantic and it's a little cheesy sounding. 01:19:38.135 --> 01:19:42.838 He's got a sort of brr brr brr brr, Mick Carnes type bass on there a little bit. 01:19:43.198 --> 01:19:49.441 But it's romantic, it's about him going off on his motorbike and driving through the land and here it is. 01:19:49.481 --> 01:19:51.383 This is New Sensations by Lou Reed. 01:19:53.704 --> 01:19:54.064 It's got a 01:19:58.849 --> 01:20:24.629 on the music week this week we're joined by two of the music world's greatest legends as the enemy blesses them with godlike genius status we chat in depth with the manic street creatures plus who inspires music's great i sit down with nick cave to talk about his heroes and meeting johnny cash he was led down the stairs with his kind of arms out going nick are you there are you there so when he picked up his guitar and the years just kind of dropped away 01:20:24.989 --> 01:20:27.931 That's the Music Week with me, Julie Cullen and Matt Eberret. 01:20:28.031 --> 01:20:31.933 Tomorrow, from one... BBC Six Music. 01:20:32.613 --> 01:20:35.975 Is it technically possible to play just the very beginning of that trail again? 01:20:35.995 --> 01:20:36.035 No. 01:20:36.816 --> 01:20:37.036 No. 01:20:37.436 --> 01:20:40.138 I just like the way the man went, Six Music. 01:20:40.698 --> 01:20:41.698 They found the beginning. 01:20:41.879 --> 01:20:42.079 Right. 01:20:42.379 --> 01:20:43.760 How do they get people to do that? 01:20:44.921 --> 01:20:52.789 How do you get yourself into the frame of mind in a voiceover booth to say six music in such a kind of, you know, fashionable way? 01:20:53.089 --> 01:20:55.171 Well, they'll give them a selection, I would imagine. 01:20:55.231 --> 01:20:55.571 Really? 01:20:55.591 --> 01:20:57.473 Some of the other ones he's probably going, Six music? 01:20:57.973 --> 01:20:59.074 Six music! 01:20:59.835 --> 01:21:02.816 It's like, um... It's like he hates the station. 01:21:02.836 --> 01:21:03.176 Yeah. 01:21:03.596 --> 01:21:06.497 And someone's just threatened to hit him unless he says it. 01:21:06.697 --> 01:21:09.818 Well, you know, that's the- But it's cool not to care, isn't it? 01:21:09.838 --> 01:21:11.738 That's why- That's why Lilliana's such a big hit. 01:21:11.798 --> 01:21:12.138 It's true. 01:21:12.178 --> 01:21:14.799 That's why it's done when that guy said I was eager to please. 01:21:15.899 --> 01:21:16.800 That hurts, boy. 01:21:17.660 --> 01:21:17.920 Really? 01:21:17.960 --> 01:21:19.961 Nobody likes someone who's- So unfashionable. 01:21:20.021 --> 01:21:21.261 It's very unfashionable. 01:21:21.341 --> 01:21:21.461 Yeah. 01:21:21.821 --> 01:21:22.582 Whereas I am. 01:21:24.144 --> 01:21:26.246 But your true nature is true. 01:21:26.306 --> 01:21:28.409 It's goofy and upbeat. 01:21:30.391 --> 01:21:31.212 So shall we wrap up? 01:21:31.292 --> 01:21:32.633 Are we in a position to wrap up? 01:21:32.673 --> 01:21:34.195 Yeah, we've got a couple here. 01:21:35.036 --> 01:21:37.959 We're asking you for your ideas for innovative new car adverts. 01:21:38.880 --> 01:21:56.742 you know you do you know i think i do yeah fill in chorley says millions of tiny ants as opposed to giant ones come as one forming a giant car that weaves through mountains and trees before crashing into something then splitting back into the hordes of ants that scurry back into their nests a little sore but happy 01:21:57.483 --> 01:21:57.863 Yeah. 01:21:57.983 --> 01:21:59.284 What is that saying about the car? 01:22:00.164 --> 01:22:01.804 Um... I mean, it's a visual feast. 01:22:01.824 --> 01:22:03.125 You need to catch praise, doesn't it? 01:22:03.305 --> 01:22:06.106 Yeah, um... Let's go down to your pants. 01:22:06.766 --> 01:22:08.666 Go to your car and drive somewhere nice. 01:22:08.746 --> 01:22:09.627 That's good, man! 01:22:09.647 --> 01:22:09.847 Yeah? 01:22:10.107 --> 01:22:11.467 You just came up with that! 01:22:11.487 --> 01:22:12.388 I just diddled it. 01:22:12.608 --> 01:22:12.988 I diddled it. 01:22:13.068 --> 01:22:13.728 I diddled it. 01:22:14.048 --> 01:22:15.288 Yeah, you should say diddled it. 01:22:15.388 --> 01:22:15.709 Sorry. 01:22:15.849 --> 01:22:16.289 Why not? 01:22:16.369 --> 01:22:16.769 Carry on. 01:22:17.409 --> 01:22:19.710 Uh, this is from Abby Kelly in Wilsdon. 01:22:20.570 --> 01:22:41.451 uh car ad idea colon see a car total silence then suddenly headlights flip on grill on the front opens up and Huge ominous mouth with metal teeth opens up and starts talking really deep voice like James Earl Jones starts describing the features and the style of the car then it stops talking does a huge thunderous burp and out comes a family 01:22:43.352 --> 01:22:46.455 That slogan then says, let the car do the talking. 01:22:47.516 --> 01:22:47.976 Right. 01:22:48.016 --> 01:22:49.318 That's got the family. 01:22:49.458 --> 01:22:50.338 That's quite good, isn't it? 01:22:50.419 --> 01:22:51.459 Would the family be okay? 01:22:51.860 --> 01:22:53.441 They probably, they'd be a bit of a stench. 01:22:54.382 --> 01:22:56.404 They'd be wafting the weird burpee stench. 01:22:57.304 --> 01:23:00.267 That's pretty much it for car adverse ideas. 01:23:00.307 --> 01:23:00.787 That's a good lot, man. 01:23:00.807 --> 01:23:01.368 That's a very good lot. 01:23:01.388 --> 01:23:05.632 There's another long one that I haven't read that involves Richard Hammond from James and Edinburgh. 01:23:05.652 --> 01:23:06.352 Do you want me to read that? 01:23:07.353 --> 01:23:07.953 Yeah, go on then. 01:23:09.393 --> 01:23:10.954 A cliff overlooking the sea on overcast day. 01:23:10.994 --> 01:23:13.234 Two medieval shepherds watch over their flock on the cliff's edge. 01:23:13.294 --> 01:23:14.094 Music, plain song. 01:23:14.454 --> 01:23:16.055 Shot of the sea which begins to gently stir. 01:23:16.355 --> 01:23:18.275 Close up of shepherd as he turns to watch the water. 01:23:18.575 --> 01:23:22.716 Rumbling heard from the sea, louder and louder, music changes to prelude to Parsifal by Richard Wagner. 01:23:23.076 --> 01:23:24.736 Slowly a church spire raises from the ocean. 01:23:25.096 --> 01:23:26.817 Close up to astonished face of shepherds. 01:23:27.037 --> 01:23:28.057 Spire continues to rise. 01:23:28.497 --> 01:23:29.137 Blah blah blah. 01:23:29.177 --> 01:23:32.758 Basically a church comes out of the water, Richard Hammond comes out of the church. 01:23:33.458 --> 01:23:42.905 Uh, driving in a car, the car stops in front of the shepherds, window rolls down to reveal a smug-looking Hammond, hands the peasants a kipper, in a clear reference to the aquatic lotus, a spree seen in the spy who love me. 01:23:43.105 --> 01:23:43.265 What? 01:23:43.305 --> 01:23:52.252 Yeah, using the little list, Hammond drives off, leaving the befuddled shepherds, staring in disbelief, letters come up on the screen, reading, Renault, drive your imagination. 01:23:52.272 --> 01:23:53.132 I think that's just real. 01:23:53.653 --> 01:23:54.693 From James and Edinburgh. 01:23:55.834 --> 01:23:57.055 Well, I needn't have read it. 01:23:57.235 --> 01:23:58.055 You made me read it. 01:23:58.336 --> 01:23:59.016 It's your fault. 01:24:00.877 --> 01:24:01.437 That's good. 01:24:01.578 --> 01:24:03.819 I mean, that's very thoroughly explained there. 01:24:03.939 --> 01:24:05.460 That's it for Text the Nation this week, though. 01:24:05.480 --> 01:24:09.923 I think one or two listeners are going to have very successful careers in the advertising industry. 01:24:10.023 --> 01:24:10.843 Yeah, exactly. 01:24:10.903 --> 01:24:11.904 We can all sell out together. 01:24:12.784 --> 01:24:15.706 So thank you very much indeed for all your texts and emails on that. 01:24:16.306 --> 01:24:17.627 There'll be more next week, of course. 01:24:17.887 --> 01:24:18.928 Now, Joe, this is your choice. 01:24:19.008 --> 01:24:21.751 Yeah, this is really good, and I'm sorry it's got put at the end of the show. 01:24:21.771 --> 01:24:26.877 I get the feeling that songs at the end of the show are somehow less important than the ones at the beginning. 01:24:26.937 --> 01:24:28.078 No, man, it's the climax of the show. 01:24:28.098 --> 01:24:29.320 When does listenership peak? 01:24:29.340 --> 01:24:31.122 Because I assume everyone's gone shopping at about 11. 01:24:31.182 --> 01:24:31.282 No. 01:24:31.342 --> 01:24:32.944 Not for our show. 01:24:32.964 --> 01:24:34.265 I would imagine most people. 01:24:34.365 --> 01:24:35.307 Nye's a bit too early. 01:24:35.787 --> 01:24:36.928 I would imagine between 10 or 11 are. 01:24:37.709 --> 01:24:58.322 our listenership peaks to maybe six or seven people know anyway this is a classic this is a bit of hip-hop it's by a group called black moon uh... they were i think they were all under sixteen when they recorded this uh... it's a remix of one of their best tracks pretty sure it doesn't have any swearing in it i'm a hundred percent sure this is black moon with gotcha open 01:25:07.847 --> 01:25:09.427 That's Black Moon with Gotcha Open. 01:25:09.547 --> 01:25:12.608 If you're a fan of the Hippity Hop, I do recommend you check out Black Moon. 01:25:12.988 --> 01:25:17.269 Not sure they're around anymore, but they were amazing, their first album especially. 01:25:17.309 --> 01:25:19.029 I think it's called Enter Dastage. 01:25:19.509 --> 01:25:21.110 Enter Dastage is fantastic. 01:25:21.170 --> 01:25:22.770 I didn't hear any filthy language there. 01:25:22.790 --> 01:25:26.131 No, I think it was Swear Free, which is unusual for the hip-hop genre. 01:25:26.151 --> 01:25:28.371 Very well done, young men, because they love swearing. 01:25:28.411 --> 01:25:29.191 They love to swear. 01:25:29.211 --> 01:25:32.192 Just to see some young men selling a good example for a change. 01:25:32.532 --> 01:25:41.096 Now, we're both profoundly excited because we've just been told that Liz Kershaw is away, so Claire Grogan's sitting in for her, and we're both quite starstruck. 01:25:41.396 --> 01:25:41.896 Exactly. 01:25:42.317 --> 01:25:44.918 We're not pleased, obviously, that Liz Kershaw is away. 01:25:44.938 --> 01:25:45.138 No. 01:25:45.278 --> 01:25:48.320 We're just happy that Claire is here and filling in for her. 01:25:48.360 --> 01:25:49.260 Yeah, there's gonna be some. 01:25:49.460 --> 01:25:52.221 Quite awkward conversation when our paths cross in a second. 01:25:52.241 --> 01:25:52.781 That's right. 01:25:52.821 --> 01:25:54.701 Especially for me, because I'm so eager to please. 01:25:54.721 --> 01:25:55.661 You're so eager to please. 01:25:55.981 --> 01:25:59.742 I'm just going to be very laid back and, you know, Mr. Cool. 01:25:59.882 --> 01:26:01.943 Just before we go, a bit of house cleaning for you. 01:26:02.063 --> 01:26:03.943 Ladies and gentlemen, things we were talking about earlier. 01:26:03.963 --> 01:26:11.285 The Who documentary is called Amazing Journey, the Story of the Who, and it's available on DVD in all good DVD shops. 01:26:11.385 --> 01:26:13.665 It's not The Kids Are All Right, which was an old concert film. 01:26:13.705 --> 01:26:15.806 No, this is a new one, revamped and everything. 01:26:16.206 --> 01:26:16.786 This is a new one. 01:26:16.806 --> 01:26:17.607 I'm gonna go ahead and get it. 01:26:17.767 --> 01:26:21.810 Right now, I'm gonna step into Dirty Oxford Street and snap it up, if I can. 01:26:22.331 --> 01:26:25.253 And, uh, I was talking about Lou Reed's album, New Sensations, not 1991. 01:26:25.754 --> 01:26:27.655 I was joking! 01:26:27.935 --> 01:26:28.696 It was a joke! 01:26:28.736 --> 01:26:29.557 What sort of a joke was it? 01:26:29.597 --> 01:26:30.537 And you fell for it! 01:26:30.597 --> 01:26:31.198 It was a bad joke. 01:26:31.218 --> 01:26:32.499 You fell for it! 01:26:33.059 --> 01:26:34.120 You thought I was serious! 01:26:34.400 --> 01:26:35.341 I wasn't serious! 01:26:35.381 --> 01:26:35.561 It was 1984. 01:26:35.601 --> 01:26:37.003 Anyone would know that! 01:26:37.023 --> 01:26:37.683 1984 it came out. 01:26:40.966 --> 01:26:45.349 Definitely because it's got a song all about video games called My Red Joystick on there. 01:26:45.669 --> 01:26:46.329 How silly. 01:26:46.870 --> 01:26:50.112 It's quite a silly thing for him to sing about. 01:26:50.132 --> 01:26:55.516 And another song on the same album called Down at the Arcade where he talks about putting my lid down on Robotron. 01:26:56.136 --> 01:26:59.220 Which is a good lyrics very stupid anyway folks. 01:26:59.280 --> 01:27:09.674 Thank you so much indeed for listening to us this week We've really appreciated all your texts and emails really nice to speak to some humans on the phone as well We should humans more often nice to speak to humans nice. 01:27:09.794 --> 01:27:13.719 We like humans nice humans What's that love? 01:27:14.680 --> 01:27:23.162 Oh yeah, the podcast will be available from, I think, 6pm tomorrow, yeah, and listen again all week if you want to go through the whole three hour torture thing. 01:27:24.002 --> 01:27:24.963 Thanks a lot for listening. 01:27:25.003 --> 01:27:29.364 We'll see you at the same time next week, 9 till noon here on 6 Music. 01:27:29.384 --> 01:27:30.424 Stay tuned for Claire Grogan.