WEBVTT 00:02.822 --> 00:03.162 Yeah. 00:03.222 --> 00:04.964 Funky, funky, funky, yeah. 00:05.464 --> 00:08.306 Imagine jazz and hip hop combined. 00:08.366 --> 00:09.187 That's dangerous. 00:09.487 --> 00:11.829 That's the future of music you're hearing right there. 00:12.069 --> 00:14.531 We used to do that in school science lessons. 00:14.611 --> 00:15.752 Combined jazz and hip hop. 00:15.772 --> 00:18.734 You should never do that without the proper supervision though. 00:19.034 --> 00:27.401 We were being supervised by Count Basie and Chuck D. And was Herbie Hancock involved at all? 00:28.101 --> 00:30.222 No, he was in, he took the fusion lessons. 00:30.482 --> 00:31.102 Right, right. 00:31.162 --> 00:32.262 Yeah, he taught fusion. 00:32.602 --> 00:37.184 But you should be careful, because you might get like a really boring explosion if you... Well, you know what? 00:37.224 --> 00:38.284 That record we just heard? 00:38.504 --> 00:38.964 What? 00:39.884 --> 00:40.444 That was it. 00:40.544 --> 00:43.805 That was an experiment from the early, mid-80s. 00:44.545 --> 00:46.466 No, it's obviously very good, but early 90s. 00:46.546 --> 00:48.927 That kind of thing is sounding pretty dated now, isn't it? 00:49.047 --> 00:51.167 I went, I rushed out and bought that album, man. 00:51.207 --> 00:53.668 That was Us 3, by the way, folks, with Cantaloupe. 00:54.369 --> 01:00.255 Um, and I think based on a sample from, or just mainly the whole record of Cantaloupe Island by Herbie Hancock. 01:00.315 --> 01:00.536 Right. 01:01.136 --> 01:11.468 And it was, uh, a sort of revolution in, in music because, yeah, because they were being allowed to plunder the vaults of, uh, Verve Records or some big jazz label anyway. 01:11.508 --> 01:13.611 And put rubbish computer beats on it. 01:13.651 --> 01:14.171 No, no. 01:14.291 --> 01:14.632 One of those. 01:14.992 --> 01:15.853 Yeah. 01:15.933 --> 01:24.781 The idea that Cantaloupe Island isn't funky enough already without putting a kind of processed beat on it, frankly, to me is risible. 01:25.181 --> 01:25.601 Risible? 01:26.602 --> 01:27.683 And there you are laughing at it. 01:27.743 --> 01:31.386 Yeah, down my nose like Lord Snooty on a fun day out. 01:32.628 --> 01:34.731 Hello, this is Adam and Joe on BBC six music. 01:34.771 --> 01:39.197 We've been away for a week the lovely Yeah, lovely Alan car. 01:39.238 --> 01:39.478 Yes. 01:39.518 --> 01:40.079 He is lovely. 01:40.099 --> 01:41.881 We've just had it officially confirmed. 01:41.922 --> 01:43.784 He's lovely Alan car filled in last week. 01:44.045 --> 01:45.567 Thanks a lot Alan Thank you very much. 01:45.627 --> 01:45.948 Indeed. 01:45.968 --> 01:48.011 I consider it an honor to be yeah 01:48.431 --> 01:53.973 filled in by Alan Carr, as he himself would probably say in his cheeky, uh, camp way. 01:54.073 --> 01:54.353 Yeah. 01:54.993 --> 01:55.694 So, thanks Alan. 01:56.274 --> 02:03.196 Um, but we're back and very, very happy to be here, ladies and gentlemen, on this rather grey morning, Saturday morning, here in London, anywhere. 02:03.216 --> 02:11.179 I hope it's sunny where you are, and if it isn't, let us bring some sunshine into your lives, with great music, great chat, and great buttocks. 02:11.559 --> 02:17.141 So, right now, here's some of those great buttocks provided by British Sea Power, with no Lucifer. 02:17.341 --> 02:19.942 There we go, that's British Sea Power with No Lucifer. 02:20.422 --> 02:20.962 They're great. 02:21.202 --> 02:22.302 We love British Sea Power. 02:22.403 --> 02:22.983 I do, anyway. 02:23.003 --> 02:24.423 Have you run out and got their album yet? 02:24.443 --> 02:25.483 I did buy their album, yeah. 02:25.744 --> 02:26.384 I like it a lot. 02:26.624 --> 02:27.024 Excellent. 02:27.164 --> 02:29.245 I think they deserve to be really huge. 02:29.665 --> 02:31.005 Yeah, well, they're pretty big, aren't they? 02:31.025 --> 02:31.885 They're getting bigger and bigger. 02:31.925 --> 02:32.966 Just weight-wise, I mean. 02:33.286 --> 02:33.846 Right. 02:34.126 --> 02:34.926 They should eat more. 02:34.946 --> 02:35.826 They should eat more. 02:35.846 --> 02:38.927 They should be like that wrestler Big Daddy. 02:39.107 --> 02:39.768 Was that his name? 02:40.008 --> 02:40.188 Yes. 02:40.248 --> 02:40.608 Yeah. 02:41.048 --> 02:44.049 They should be like that, because no one's doing that in the indie scene at the moment. 02:44.489 --> 02:44.669 No? 02:45.090 --> 02:47.712 No really, really grotesquely fat men. 02:48.192 --> 02:49.773 There used to be a little bit of a trend for it. 02:49.793 --> 02:51.435 Do you remember Tiny from Ultrasound? 02:51.815 --> 02:52.055 Right. 02:52.315 --> 02:53.096 He was a big fat man. 02:53.116 --> 02:54.077 I think they should bring it back. 02:54.237 --> 02:54.637 Yeah. 02:55.138 --> 02:57.219 But he was... you always felt with him. 02:57.239 --> 02:59.701 I can't remember a single bit of music by Ultrasound. 02:59.841 --> 03:00.181 Anyone? 03:00.422 --> 03:00.762 Anyone? 03:01.142 --> 03:01.282 No. 03:01.563 --> 03:03.644 I mean, you know, maybe we'll dig some out and play it. 03:03.904 --> 03:05.205 No disrespect to you, Tiny. 03:06.266 --> 03:10.189 But, you know, you expected him to be bigger in the talent department. 03:10.389 --> 03:10.690 Yeah. 03:10.850 --> 03:13.232 Actually, he was bigger in the booty department. 03:13.732 --> 03:15.775 This is Adam and Jo, this is BBC Six Music. 03:15.975 --> 03:20.262 The reason why we were away last week is, Adam, you had some filming to do, didn't you? 03:20.282 --> 03:23.787 Yeah, well, it was, for me, it was half term as well. 03:23.847 --> 03:24.127 Really? 03:24.187 --> 03:24.628 There you go. 03:24.688 --> 03:25.910 So I had to go and see the water horse. 03:26.451 --> 03:26.511 Oh. 03:26.531 --> 03:27.332 It was important. 03:27.372 --> 03:27.893 Was that good? 03:28.253 --> 03:28.494 No. 03:29.054 --> 03:29.876 Oh, it looked good. 03:30.816 --> 03:31.536 That's a shame. 03:31.596 --> 03:32.297 Was your song in it? 03:32.757 --> 03:33.997 The Big Fish Horse song? 03:34.037 --> 03:36.298 No, it would have been improved by the Big Fish Horse song. 03:36.318 --> 03:36.878 Why not? 03:36.918 --> 03:38.679 Having said that, my children enjoyed it very much. 03:38.699 --> 03:39.019 Did they? 03:39.079 --> 03:39.439 Yeah. 03:39.459 --> 03:40.479 But children, what do they know? 03:40.659 --> 03:41.020 Exactly. 03:41.060 --> 03:42.460 What experience have they had? 03:42.500 --> 03:43.861 What frame of reference do they have? 03:43.881 --> 03:44.581 They are literally morons. 03:44.601 --> 03:44.741 Nothing. 03:44.761 --> 03:47.062 You could have just thrown wet sponges at their faces. 03:47.622 --> 03:48.262 They would have loved it. 03:48.282 --> 03:49.042 It would have been cheaper. 03:49.082 --> 03:50.023 It would have been more exciting. 03:50.463 --> 03:50.783 Would it? 03:50.803 --> 03:50.923 Yeah. 03:51.483 --> 03:55.584 I like the sound of that film, but the thing I was getting round to was I've been to Los Angeles. 03:56.145 --> 03:57.325 What's it like to America? 03:57.525 --> 03:59.466 It's amazing, there's stars everywhere. 03:59.706 --> 04:06.068 I got to the airport, George Clooney gave me a piggyback to my hotel where I found Julia Roberts. 04:06.619 --> 04:07.660 scrubbing the toilet. 04:07.740 --> 04:08.000 Yeah. 04:08.521 --> 04:09.361 And so I kicked her. 04:09.782 --> 04:10.062 Did you? 04:10.142 --> 04:10.562 Well done. 04:10.582 --> 04:11.663 Yeah, I just kicked her over. 04:11.703 --> 04:12.744 Just because she was doing a rubbish job. 04:12.764 --> 04:13.004 Get out! 04:13.064 --> 04:14.225 What are you doing, Roberts? 04:14.245 --> 04:14.465 Yeah. 04:14.765 --> 04:18.088 And then room service, who brought you your food? 04:18.848 --> 04:21.070 My food was brought to me by Jeff Goldblum. 04:21.490 --> 04:22.111 He's brilliant. 04:22.171 --> 04:22.911 He's very good. 04:22.991 --> 04:25.774 And he must have gone out there especially because he's in the West End. 04:25.794 --> 04:27.595 The West End in swimming with sharks. 04:27.635 --> 04:28.376 Speed the plow. 04:28.556 --> 04:28.876 Speed the... 04:29.236 --> 04:29.656 Sharks. 04:29.897 --> 04:30.297 Yeah. 04:30.357 --> 04:31.397 So that, yeah, he did pop out. 04:31.417 --> 04:32.198 That's impressive. 04:32.738 --> 04:34.379 Anyway, I've got lots of anecdotes. 04:34.860 --> 04:35.840 Oh, I love anecdotes. 04:35.860 --> 04:42.224 But on the plane, on the way back, I sat in premium economy on Branson Atlantic. 04:42.984 --> 04:47.007 And when you're in premium economy, you have to wait for the upper class people to leave the plane. 04:47.267 --> 04:47.867 Yeah, that's true. 04:47.907 --> 04:49.929 And I was sitting at the very front in the bulkhead seat. 04:50.289 --> 04:53.691 So I was literally standing there and physically held back. 04:53.931 --> 04:55.673 while all the first-class people pray in front of me. 04:55.693 --> 04:57.335 Thrust right up against the first class. 04:57.355 --> 04:58.356 Story of your life, innit? 04:58.636 --> 04:58.876 Yeah. 04:59.597 --> 05:02.720 I have been in first class, I have, you know, just this particular trip. 05:03.801 --> 05:04.382 Didn't want to. 05:04.802 --> 05:06.144 Didn't want to. 05:06.264 --> 05:06.965 Anyway, McKenna. 05:07.005 --> 05:07.605 Paul McKenna. 05:08.126 --> 05:10.088 He was the most famous person on the plane, McKenna. 05:10.809 --> 05:11.629 So I followed him out. 05:12.290 --> 05:21.259 He was tackily dressed in nasty jeans and these new trainers that everyone's wearing that have got holes for laces but don't have any laces. 05:21.299 --> 05:21.939 Have you seen those? 05:22.219 --> 05:22.500 No. 05:22.620 --> 05:23.421 They're all the rage. 05:23.961 --> 05:25.843 They just look like a pair of trainers with no laces. 05:26.043 --> 05:26.624 It's very odd. 05:27.064 --> 05:28.045 He got into a Bentley. 05:28.385 --> 05:29.807 The number plate was PM1. 05:31.048 --> 05:31.348 Really? 05:31.508 --> 05:31.788 Yeah. 05:31.848 --> 05:32.549 He's the Prime Minister. 05:32.569 --> 05:33.850 Maybe it was the Prime Minister's Bentley. 05:34.651 --> 05:35.532 from a straight here. 05:50.559 --> 05:51.640 And he looked confused. 05:52.000 --> 05:53.581 I just think McKenna, he's like Ben Kenobi. 05:53.621 --> 05:55.342 He walks around putting everybody into a trance. 05:55.382 --> 05:55.802 Yeah. 05:55.942 --> 05:56.822 Getting his bidding done. 05:56.982 --> 05:58.203 That's brilliant, like Noel Edmonds. 05:58.683 --> 05:59.784 Doesn't have to pay for anything. 05:59.824 --> 06:00.504 Is that what Edmonds does? 06:00.524 --> 06:01.325 That's what Edmonds does. 06:01.345 --> 06:03.466 He just sort of says, I want a Jaguar. 06:03.766 --> 06:04.586 And they give him one. 06:04.606 --> 06:05.707 Ah, that's cosmic ordering. 06:05.847 --> 06:06.147 Yeah. 06:06.247 --> 06:06.467 Yeah. 06:06.507 --> 06:07.108 Same sort of thing. 06:07.828 --> 06:11.469 Anyway, I was excited about walking behind McKenna, being so close to McKenna. 06:11.530 --> 06:12.150 How did he smell? 06:12.630 --> 06:13.270 Uh, like fags. 06:13.790 --> 06:14.331 Did he really? 06:14.551 --> 06:16.912 No, he's of course helped millions of people give up smoking. 06:16.952 --> 06:18.892 Why would he, why would he smell of ciggies? 06:18.912 --> 06:19.933 Why would he smoke himself? 06:20.033 --> 06:21.774 Because that would be the ultimate irony, wouldn't it? 06:21.914 --> 06:22.374 That would be. 06:22.394 --> 06:25.235 Especially if he popped into the lavies on the plane. 06:25.255 --> 06:30.437 On the one hand, he's a hero because he's helped millions of people, but on the other hand, he's a, um, a fraudulent huckster. 06:31.498 --> 06:31.858 Anyway. 06:32.678 --> 06:33.619 But there's just two hands. 06:33.639 --> 06:34.380 Let's be even handed. 06:34.440 --> 06:36.261 It's not the opinion of the BBC, of course. 06:36.281 --> 06:37.702 It's the opinion of the JMC. 06:38.262 --> 06:38.823 JMC. 06:38.943 --> 06:43.025 Now here's a track that I've... We're gonna have more exciting LA-based anecdotes for you later on, right? 06:43.146 --> 06:43.406 Yeah. 06:43.646 --> 06:44.306 If you want. 06:44.366 --> 06:45.387 Yeah, I'd love some, please. 06:46.108 --> 06:47.749 Now here's a track that I've chosen for you, listeners. 06:47.769 --> 06:50.991 This is the first of a few tracks I've chosen for you throughout the show, Joe. 06:51.271 --> 06:53.072 And this is for you, too. 06:53.453 --> 06:53.993 Really? 06:54.253 --> 06:57.215 Of songs that feature amazing bass playing. 06:57.275 --> 06:58.016 It's not what I want. 06:58.576 --> 06:59.237 Why not? 06:59.377 --> 07:00.177 What did you want? 07:00.377 --> 07:01.158 No, that is what I want. 07:01.238 --> 07:01.738 Okay, good. 07:02.339 --> 07:05.961 Uh, so yeah, this is, this is, uh, a really, it's a great song in its own right. 07:05.981 --> 07:07.962 It's from Scott Four, a Scott Walker album. 07:08.202 --> 07:14.106 I was reminded how great this song was when I saw a documentary called 30th Century Man that was on BBC Four the other day, all about, uh, 07:14.646 --> 07:22.953 Scott Walker and David Bowie was being interviewed about Scott and he was going on about how Super Latitude Scott was and how he'd revolutionized the entire music industry. 07:23.033 --> 07:24.074 This is theatricality. 07:24.234 --> 07:25.515 This is theatricality, of course. 07:25.996 --> 07:32.701 And he said at one stage that they sort of played, they did that thing where they just played the music to them and filmed their reactions. 07:33.001 --> 07:34.322 If only we'd just play the music. 07:34.743 --> 07:36.164 Right, well we're going to play the music quite a bit. 07:36.184 --> 07:37.765 I'm just giving a little bit of context. 07:37.785 --> 07:38.566 I just couldn't resist it. 07:38.726 --> 07:39.326 Yeah, yeah, yeah. 07:40.006 --> 07:44.467 Um, so, uh, he, he was listening to this track and he was chucking away at some of the lyrics. 07:44.927 --> 07:49.028 Like, dragons of disgust is one of the lyrics that Bowie chortled at. 07:49.088 --> 07:49.668 It's absurd. 07:49.848 --> 07:51.129 How could Bowie chortle at that? 07:51.369 --> 07:51.609 I know. 07:51.629 --> 07:55.169 That's a sensible lyric compared to the kind of random guff Bowie comes up with. 07:55.189 --> 07:57.590 It was a bit of pot calling the kettle blackism from Bowie there. 07:57.990 --> 08:01.271 But he was very impressed by the bass as, as was I. Check this out. 08:01.291 --> 08:03.011 Scott Walker with the old man's back again. 08:09.397 --> 08:09.723 That I'm made 08:15.929 --> 08:17.069 That's how all records should finish. 08:17.109 --> 08:19.870 That's Scott Walker, the old man's back again from Scott IV. 08:19.890 --> 08:22.851 It says on the album, dedicated to the neo-Stalinist regime. 08:23.252 --> 08:25.132 Whatever that means, I don't know exactly what that means. 08:25.512 --> 08:32.215 And I don't know who plays the bass on that track, and I really tried to find out if there's a muse spurt out there who can tell me, I'd appreciate it. 08:32.775 --> 08:40.018 Maybe it's Scott Walker himself, because at one point I know he was a bass session player for Jack Nietzsche, so maybe that was him playing on that track. 08:40.698 --> 08:43.039 Uh, anyway, this is Adam and Joe here on BBC Six Music. 08:43.059 --> 08:44.599 Would you like a trail, Joe? 08:45.040 --> 08:45.680 Yes, please. 08:45.700 --> 08:46.560 Here you go, here's one. 08:46.680 --> 08:48.281 BBC Six Music. 08:48.981 --> 08:49.521 Mmm, mmm. 08:49.781 --> 08:51.822 That's the Stone Roses there with Sally Cinnamon. 08:52.342 --> 08:55.223 Of course, uh, I suppose that dates from around about 1989, does it? 08:55.303 --> 08:55.483 Or 88 even? 08:57.944 --> 09:01.106 We used to have facts on our playlists here in Six Music. 09:01.506 --> 09:03.747 Underneath the title of every track there used to be facts. 09:04.247 --> 09:06.208 Some of them have crept back, a couple of them. 09:06.228 --> 09:15.473 The thing is that, you know, we very seldom read out the facts and so it might have been disrespectful to some of the people that were providing the facts and then they just thought they're not going to get any more facts. 09:15.533 --> 09:15.973 That's it. 09:16.853 --> 09:18.274 You know, they can fact off. 09:19.295 --> 09:20.315 They're out of the fact business. 09:20.495 --> 09:21.276 Yeah, exactly. 09:21.456 --> 09:22.636 Yes. 09:23.037 --> 09:25.238 So yeah, what were you doing when Sally Cinnamon came out in 1989? 09:26.238 --> 09:27.059 Oh, what was I doing? 09:27.159 --> 09:27.960 I really don't know. 09:27.980 --> 09:29.862 I've absolutely no idea. 09:30.242 --> 09:31.364 You were at college, weren't you? 09:31.504 --> 09:32.365 Oh, I see, in that year. 09:32.505 --> 09:33.126 Yeah, yeah. 09:33.226 --> 09:33.966 I was at film school. 09:34.747 --> 09:35.188 Uh, yeah. 09:35.468 --> 09:35.668 Yeah. 09:35.688 --> 09:36.209 Exciting. 09:36.329 --> 09:37.330 And what were you doing that day? 09:37.350 --> 09:40.353 Uh, probably smoking pot. 09:40.994 --> 09:42.636 Probably not, of course. 09:42.736 --> 09:43.316 Why would you? 09:43.557 --> 09:45.218 You'd go to jail immediately if you did that. 09:46.199 --> 09:47.580 Have you seen Lily Allen and Friends yet? 09:47.760 --> 09:48.300 Yeah, I did. 09:48.320 --> 09:49.381 Oh yeah, when did you see it? 09:49.721 --> 09:50.582 On its first night. 09:51.182 --> 09:51.802 Right, who was that? 09:51.862 --> 09:52.663 I didn't see that one. 09:52.703 --> 09:54.284 That was the one where... Cuba Gooding Jr. 09:54.584 --> 09:56.605 and David Mitchell from Mitchell and Webb. 09:57.285 --> 10:01.247 It is of course a production of the big British castle's youth arm. 10:02.768 --> 10:04.990 Um, which is in the basement of the Big British Castle. 10:05.170 --> 10:05.791 BBC 3. 10:05.931 --> 10:06.591 Yeah, the den. 10:07.212 --> 10:09.033 Lots of, uh, you know, bean bags. 10:09.393 --> 10:11.675 You have to take a kind of glittery lift to get down there. 10:11.695 --> 10:12.236 You do, you do. 10:12.336 --> 10:16.679 And so because it's a product of the Big British Castle, I'd like to say how good I thought it was. 10:16.699 --> 10:18.220 Yeah, what was your favourite bit? 10:18.361 --> 10:22.124 My favourite bit was the, uh, online videos of animals having sex. 10:22.524 --> 10:23.865 That's why- I thought that was brilliant. 10:23.965 --> 10:25.546 Yeah, cos why did you like it so much? 10:25.566 --> 10:27.787 Cos it's just the sort of thing kids love. 10:27.847 --> 10:28.308 It's funny, isn't it? 10:28.328 --> 10:30.229 And it's funny, it made me feel fresh and clean. 10:30.249 --> 10:30.669 Yeah. 10:31.089 --> 10:31.910 And I loved it. 10:31.950 --> 10:33.250 I loved the way the show was edited. 10:33.471 --> 10:33.871 Right. 10:33.991 --> 10:35.372 Lily Allen and Friends, yeah. 10:35.432 --> 10:37.693 Really, it really had a really live feel. 10:37.853 --> 10:39.374 And not like some of those shows that feel like... 10:39.814 --> 10:45.076 They desperately stitched together to try and make something out of a bit of a disaster. 10:45.416 --> 10:46.936 But it wasn't like that at all, it was great. 10:47.317 --> 10:50.278 And then did you really enjoy her presentational style as well? 10:50.338 --> 10:55.859 It was so, what's refreshing about it is it's like she doesn't care and can't sort of do it. 10:56.340 --> 10:56.740 Exactly. 10:56.780 --> 10:58.220 And that's refreshing, I'll tell you. 10:58.300 --> 11:03.242 I know, the way she pretends that... Like kids, like kids don't care, kids don't care about anything, kids don't care about 11:03.462 --> 11:19.153 anything except stabbing except killing and animals having sex and that show bang bullseye exactly delivered popped it right in the less box fell into the lap of the kids and a thumbs up and uh they were being very uh nice 11:20.394 --> 11:37.005 Yeah, but obviously we're not very nice, but it may well you know first shows are always very tricky I remember seeing the first episode of Ant and Dex Saturday night sponge bath or whatever it's called fake away Yeah, that was a disaster and now it's one of the most ruthlessly efficient shows on television. 11:37.265 --> 11:38.686 It's an entertainment roller coaster. 11:38.726 --> 11:38.966 Yeah 11:39.366 --> 11:42.189 So, you know, you shouldn't judge any series by its first show. 11:42.429 --> 11:44.591 Some of you might have seen the second episode of Lily Allen. 11:44.611 --> 11:45.352 I saw that one. 11:46.013 --> 11:47.815 Carries on in the same sort of vein. 11:49.376 --> 11:49.796 Good stuff. 11:49.837 --> 11:52.239 Although Martin Freeman was very good, I thought, very impressive. 11:52.319 --> 11:56.063 I was impressed by the way that he looked like a tramp man. 11:56.303 --> 11:59.286 He just wandered in off the street from a heavy boozing session. 11:59.306 --> 12:00.447 I thought, yeah, good on you. 12:00.787 --> 12:03.470 We need more non-pampered people on television. 12:03.550 --> 12:05.931 It did have a bit of the atmosphere of the word though, didn't it? 12:06.732 --> 12:09.733 A slight element of car crash that could make it a must watch. 12:10.033 --> 12:11.154 Yeah, I suppose that's true. 12:11.454 --> 12:12.475 I suppose that is true. 12:12.735 --> 12:22.079 I was trying to think of other jobs that, seeing as the BBC have decided that Lily Allen is a good person to pin their hopes on and make like a kind of poster girl, literally. 12:22.099 --> 12:22.780 Poor Lily Allen. 12:23.160 --> 12:31.365 I know poor Lily Allen, but I'm just wondering what other jobs maybe the BBC might like to give her as well that she would be equally well suited for. 12:31.385 --> 12:33.066 I was thinking Foreign Secretary. 12:33.086 --> 12:34.666 Foreign Secretary? 12:34.686 --> 12:36.187 Do the BBC have a Foreign Secretary? 12:36.307 --> 12:40.830 They're in charge of the Foreign Secretary and they can have him replaced at any point with Lily Allen. 12:41.070 --> 12:41.410 Really? 12:41.750 --> 12:42.711 Brain surgeon, I was thinking. 12:42.751 --> 12:44.352 I think she should head the technical department. 12:44.852 --> 12:45.172 Right. 12:45.332 --> 12:47.894 And be in charge of keeping all the machinery in order. 12:48.314 --> 13:05.795 you know wiring things dealing with technical snafus she can't do it but kids don't care about that no exactly anything she could bluff through it with her cheeky charm yeah uh here's some more music for you now listeners this is we are scientists with after hours yes there we go that was we are scientists with after hours the first single off 13:06.255 --> 13:09.078 Brain Thrust Mastery, which is out on the 3rd of March. 13:09.098 --> 13:15.084 They're touring the UK in March and April, starting in Glasgow, March the 3rd, ending in London at the Shepherd's Bush Empire on April the 25th. 13:15.124 --> 13:15.825 I just know that. 13:16.125 --> 13:16.626 Good facts. 13:16.786 --> 13:17.446 Thanks a lot, man. 13:17.527 --> 13:18.367 Would you like some news? 13:18.868 --> 13:19.408 Yes, please. 13:19.549 --> 13:20.590 Here is the news. 13:20.910 --> 13:21.951 Graham Cox on. 13:22.492 --> 13:24.313 Alan Carr must have found this show a breeze. 13:25.274 --> 13:34.979 In fact, if you're a comedian and you can, you know, become successful with that kind of carry-on style humor, I'm not saying it's easy, but it must be really easy. 13:35.359 --> 13:36.820 Yeah, come on. 13:36.840 --> 13:39.742 Well, I mean, we spend most of our times in the lavatory, don't we, anyway? 13:40.322 --> 13:41.543 Yeah, that's true, that's true. 13:41.743 --> 13:42.483 So we have a little bit from there. 13:42.523 --> 13:43.203 Yeah, who might say that. 13:43.283 --> 13:45.824 Exactly, you can't deny a car is a little bum fun. 13:47.305 --> 13:48.205 What does it awful thing to say? 13:48.225 --> 13:53.007 That was Graham Cockson with Freakin' Out, this is Adam and Jo on BBC 6 Music. 13:53.467 --> 13:54.267 You know what, Adam? 13:54.427 --> 13:54.848 Yeah. 13:55.008 --> 13:56.508 I think we should bring back Song Wars. 13:57.008 --> 13:57.308 Do you? 13:57.609 --> 13:58.009 Yeah. 13:58.929 --> 14:03.031 I think me and many of the listeners think that Song Wars should come back. 14:03.091 --> 14:06.092 I think the show is a little bit empty without it. 14:07.313 --> 14:10.439 So I think maybe we should do it every other week or something. 14:10.980 --> 14:12.704 I think maybe we should do it next week. 14:13.826 --> 14:14.106 Yeah? 14:14.507 --> 14:15.469 What do you think about that? 14:17.918 --> 14:18.598 Come on, man. 14:19.639 --> 14:20.639 You can pick the theme. 14:21.019 --> 14:22.579 I'll do a rubbish one, I promise. 14:22.940 --> 14:24.740 I'll really do a rubbish one. 14:24.760 --> 14:26.681 See, that's getting off on the wrong foot immediately. 14:26.921 --> 14:28.401 Immediately getting off on the wrong foot. 14:28.421 --> 14:28.481 Why? 14:28.881 --> 14:30.522 Because it's saying that you sort of need help. 14:30.582 --> 14:31.182 Exactly. 14:31.242 --> 14:35.663 It's implying that I'm a kind of special needs, song wars, loser man. 14:35.683 --> 14:41.325 Many people thought that you were unjustly robbed, that your songs were generally better than mine. 14:41.965 --> 14:45.186 I tell you my main beef, I was thinking about this the other day, I mean, think about it non-stop. 14:45.266 --> 14:45.566 I bet you were. 14:45.586 --> 14:47.787 I've been thinking about it non-stop for three weeks. 14:48.747 --> 14:56.070 But I was thinking that it was a couple of times when I thought my song was quite a lot better than yours. 14:56.630 --> 14:57.791 That can be difficult, can't it? 14:57.991 --> 15:03.693 When I didn't win, I didn't lose by a long wave, but I did lose and it was 50-50. 15:04.113 --> 15:07.914 But there were other times when my song was a little bit worse than yours. 15:08.114 --> 15:10.334 And it was a landslide to you, you know what I mean? 15:10.354 --> 15:20.957 Like, I only got 3% of the vote for the, what was it, the Nessie one, the Loch Ness Monster, and that was pretty, that was all right. 15:21.357 --> 15:30.799 And I got insults, someone saying, oh, it was so full of ennui, and all the adverse criticism I got for those songs are etched into my brain. 15:32.379 --> 15:35.280 So the idea of going back to that place is not attractive. 15:36.120 --> 15:37.662 I think the listeners demand it, though. 15:37.742 --> 15:42.946 Did you have a... Well, you see, the thing is, from the listener's point of view, you're just like a sort of a puppet. 15:43.346 --> 15:44.347 Your feelings aren't real. 15:44.728 --> 15:45.929 They're for their entertainment. 15:47.470 --> 15:47.890 So, come on. 15:48.110 --> 15:57.398 It's not the feeling so much as the amount of time that I have to invest as well, because you're able to toss these things off a little bit more easily. 15:57.418 --> 15:58.159 It's not true. 15:58.279 --> 15:58.859 It's not true. 15:59.880 --> 16:00.720 I work very hard. 16:00.800 --> 16:02.801 But anyway, I think we should bring it back. 16:02.881 --> 16:04.141 What kind of theme did you have in mind? 16:04.161 --> 16:05.142 Did you have a... I don't know. 16:05.202 --> 16:15.544 I think we should invite listeners maybe to suggest a theme via the email adamandjo.sixmusicatbbc.co.uk or the text 64046 suggest a theme for next week. 16:15.905 --> 16:17.225 And I tell you what, you can choose it. 16:18.525 --> 16:18.886 What, me? 16:18.946 --> 16:21.407 I choose the theme from the ones people send. 16:21.427 --> 16:21.967 Yeah, yeah. 16:22.187 --> 16:22.967 Alright, alright. 16:23.428 --> 16:25.188 And Song Wars will be back next week. 16:25.288 --> 16:27.990 You know, people might be listening for the first time and they may not know what we're going on about. 16:28.030 --> 16:38.214 Song Wars is a feature that we used to do where Joe and I wrote a song each week on a given theme and then we kind of played out our songs and listeners voted for which ones they liked best. 16:38.494 --> 16:41.516 It was as close as we could get to a competition here at the Big British Castle. 16:41.836 --> 16:46.318 After all the unpleasantness last year with socks and the competitions, 16:46.798 --> 16:54.422 and all the crying that happened because of the competitive spirit that went wrong in the castle and indeed other places in the media world. 16:55.063 --> 16:57.524 But, um, competitions are coming back soon, aren't they? 16:58.124 --> 16:58.624 One day they will. 16:58.865 --> 16:59.065 Yeah. 16:59.365 --> 17:01.586 Anyway, in the meantime, yeah, I'm up for it, I suppose. 17:01.606 --> 17:02.106 So there we go. 17:02.126 --> 17:03.127 Song Wars back next week. 17:03.167 --> 17:04.007 That was good, wasn't it? 17:04.027 --> 17:04.448 Yeah, great. 17:04.488 --> 17:04.908 Hooray! 17:05.608 --> 17:06.549 Here's a record. 17:06.589 --> 17:09.710 This is Band of Horses, yeah, with no one's gonna love you. 17:10.471 --> 17:10.831 Enjoy. 17:11.651 --> 17:14.093 Man, that's a talented band of horses. 17:14.873 --> 17:15.994 I mean, that's amazing. 17:16.034 --> 17:17.815 How can they pick up the instruments, Ethan? 17:18.176 --> 17:19.116 Just in their hooves. 17:19.657 --> 17:20.838 Yeah, but the hooves. 17:20.898 --> 17:22.719 They're not easy to articulate. 17:22.739 --> 17:23.820 They're not. 17:24.000 --> 17:25.801 You know, you haven't got the opposable thumb there. 17:27.062 --> 17:27.603 It's amazing. 17:27.623 --> 17:28.844 That's a triumph in itself. 17:28.884 --> 17:32.206 You know that they got it together to record the song and that it sounds so good. 17:32.246 --> 17:32.947 It's just amazing. 17:32.967 --> 17:33.868 You must be very pleased. 17:34.268 --> 17:36.590 That's Band of Horses with No One's Gonna Love You. 17:37.370 --> 17:39.291 Uh, Joe, you were in America recently. 17:39.331 --> 17:39.871 That's right. 17:39.891 --> 17:40.851 Have you heard of America? 17:40.932 --> 17:41.272 I have. 17:41.332 --> 17:42.812 It's a far, it's far away. 17:42.852 --> 17:44.093 You can go there by boat. 17:44.493 --> 17:44.733 Yeah. 17:44.753 --> 17:47.414 It takes about four or five years to get there. 17:47.534 --> 17:50.135 It's mostly populated by cowboys and Indians. 17:50.235 --> 17:50.615 That's right. 17:50.635 --> 17:51.736 Yeah, having a big war. 17:51.796 --> 17:53.497 They're shooting at each other on horses. 17:54.037 --> 18:01.039 Um, and you know, here at the big British castle, um, you can be catapulted over there using the catapult. 18:01.780 --> 18:04.041 Um, but obviously that takes a lot of, um, 18:04.941 --> 18:06.042 You know, men and energy. 18:06.443 --> 18:09.405 Generally, it's just Jonathan Ross who's allowed to use the catapults. 18:09.485 --> 18:09.806 Exactly. 18:09.826 --> 18:11.467 So Jonathan Ross's catapults over there. 18:11.487 --> 18:12.749 He hogs the catapults for holidays. 18:13.449 --> 18:15.671 Anyway, I clang onto one of his shoes. 18:15.912 --> 18:16.392 You clang. 18:16.632 --> 18:17.373 Clang did. 18:17.393 --> 18:19.755 Onto one of the shoes and went over there. 18:20.055 --> 18:20.676 It was wizard. 18:20.996 --> 18:21.377 Yeah. 18:21.477 --> 18:22.858 Yeah, all the Americans were there. 18:23.379 --> 18:24.119 All in a big group. 18:24.139 --> 18:24.920 Although they sound like. 18:24.940 --> 18:25.501 Living in houses. 18:25.841 --> 18:28.564 Wait, they sound as if they got rubber bands in their mouths. 18:28.604 --> 18:29.725 Boing, boing, boing. 18:30.305 --> 18:32.667 Yeah, they're very loud, fat, brash. 18:33.968 --> 18:36.509 When they sit on chairs, the chairs just splinter into drinks. 18:37.310 --> 18:39.351 When they open doors, the doors fly off their hinges. 18:39.632 --> 18:41.113 They shout at each other constantly. 18:41.813 --> 18:44.115 They treat the whole of life as if it's a game of sports. 18:44.555 --> 18:48.358 And they're always... Even the unhealthy nerds treat nerd things like sports. 18:48.378 --> 18:49.018 Like sports, right. 18:49.038 --> 18:50.139 That's true, actually, you know. 18:50.619 --> 18:58.305 Nerds in America are very forthright and vocal and, you know, aggressive with a small A, you know what I mean? 18:58.925 --> 19:01.186 Well, that's a shame because nerds used to be in a good way. 19:01.386 --> 19:01.666 Right. 19:01.986 --> 19:05.068 In Britain, if you're a nerd, you're usually a bit nervous and retiring. 19:05.208 --> 19:07.248 Haven't they got any nervous nerds left in America? 19:07.529 --> 19:08.349 No, I don't think so. 19:08.429 --> 19:09.349 They've just taken over. 19:09.369 --> 19:10.450 Yeah, it's like sports. 19:10.490 --> 19:12.691 They treat films and things like sports, you know. 19:13.131 --> 19:16.372 Anyway, obviously, these are all crass generalisations and not true at all. 19:16.832 --> 19:19.333 But I had a couple of meetings over there, right? 19:19.373 --> 19:20.214 Exciting meetings. 19:20.514 --> 19:23.895 One of them was in a hotel called the Peninsula Hotel. 19:23.915 --> 19:25.736 I thought it was going to be Hotel Babylon. 19:26.217 --> 19:27.238 That would have been amazing. 19:29.120 --> 19:29.881 Is it Todd Carty? 19:29.961 --> 19:31.663 Is it Max Beasley? 19:32.184 --> 19:33.025 Is it Todd Carty? 19:33.385 --> 19:34.086 What's his name? 19:34.266 --> 19:35.688 It's Big Ears from Bugsy Malone. 19:36.188 --> 19:36.749 What's his name? 19:37.130 --> 19:38.231 It's the guy from Press Gang. 19:38.251 --> 19:39.773 Todd Carty. 19:40.794 --> 19:41.494 What's he called? 19:41.514 --> 19:43.015 Someone will tell you I'm talking. 19:43.095 --> 19:49.638 Anyway, I went for this meeting in this hotel and it was slightly magical because it was full of, there you go, it was full of stars and stuff. 19:49.938 --> 19:51.598 It was full, oh my god, it's full of stars. 19:51.618 --> 19:52.839 It's full of stars. 19:53.039 --> 19:59.962 And I was standing at, it was quite a posh hotel, I was standing next to the MatriD to figure out where the people I was joining were. 20:00.242 --> 20:01.963 Is that the correct sentence, grammatically? 20:02.083 --> 20:03.664 Where the people I was joining were. 20:04.744 --> 20:06.945 And who should I see a couple of tables across? 20:07.285 --> 20:09.526 But M. Night Shyamalan. 20:09.626 --> 20:10.667 Shyamalan. 20:10.787 --> 20:11.567 Shyamalan. 20:12.908 --> 20:13.728 He looked at me. 20:14.209 --> 20:14.549 Did he? 20:14.789 --> 20:16.610 With a sparkle in his eyes, yes. 20:17.110 --> 20:18.331 He stared at me. 20:18.991 --> 20:21.232 As if he could see the magic inside me. 20:21.912 --> 20:23.633 Because you know he's got magical eyes. 20:24.273 --> 20:26.695 He can see all sorts of things that normal people can't. 20:27.215 --> 20:29.076 He's in touch with energies and forces. 20:30.076 --> 20:31.838 that you can't even imagine. 20:32.118 --> 20:32.338 Right. 20:33.179 --> 20:35.840 And he was looking at me as if I was special. 20:36.281 --> 20:37.402 Did he nod and smile? 20:37.662 --> 20:38.062 He didn't. 20:38.102 --> 20:42.125 He was talking to somebody else, but he was talking to them and staring at me. 20:42.645 --> 20:43.506 I stared back at him. 20:44.086 --> 20:44.206 Mmm. 20:44.507 --> 20:49.330 So listen, seriously, do you think it was a kind of absent-minded stare like he was slightly staring through you? 20:49.350 --> 20:52.932 There's a small possibility he was looking past me. 20:52.993 --> 20:53.273 Right. 20:53.473 --> 20:54.353 As someone else. 20:54.434 --> 20:54.714 Yeah. 20:55.194 --> 21:00.056 But I thought, you know it's like when you're at a rock concert and you're convinced that the lead singer is singing at you. 21:00.076 --> 21:01.276 Do you ever get that? 21:01.376 --> 21:01.596 No. 21:02.216 --> 21:02.617 Come on. 21:02.817 --> 21:03.337 You must have. 21:03.357 --> 21:04.697 We've talked about this in the past. 21:04.737 --> 21:05.638 I've never had it, though. 21:05.798 --> 21:06.478 I'm never that close. 21:06.518 --> 21:07.198 I'm always at the back. 21:07.398 --> 21:08.799 I think it happens to a lot of people. 21:08.839 --> 21:17.261 You're at a concert and you think... Or you're at a stand-up comedy gig and the performer seems to be directing all their jokes directly at you. 21:17.281 --> 21:17.602 Right. 21:18.002 --> 21:19.662 I think maybe I've just got solipsistic tendencies. 21:19.782 --> 21:21.603 Yes, because you're totally self-absorbed. 21:22.243 --> 21:23.905 But, um, Shyamalan was looking at you. 21:24.045 --> 21:27.928 And, uh, but you didn't do anything like nod at him or raise your eyebrows or anything. 21:27.988 --> 21:28.388 I didn't. 21:28.628 --> 21:29.489 No, okay, well done. 21:29.589 --> 21:30.530 I stared back at him. 21:30.550 --> 21:30.990 Yeah. 21:31.270 --> 21:33.632 And I thought, you know, I thought maybe we'd meet again. 21:33.892 --> 21:42.439 I had a similar thing years ago when I was, uh, at, um, at a restaurant, I think Wagamama, a branch of Wagamama, and I was sat there and, you know, it's all kind of open plan. 21:42.459 --> 21:44.541 Everyone shares tables at a restaurant like that. 21:45.221 --> 21:48.322 And over at one of the other tables was Rupert Everett. 21:48.882 --> 21:49.582 Oh my god. 21:49.702 --> 21:50.542 And he was on his own. 21:50.602 --> 21:51.583 He was eating on his own. 21:52.143 --> 21:57.184 Just sat there, eating away his noodles and making phone conversations occasionally. 21:57.224 --> 22:00.065 But in between phone conversations, he would just stare into nothingness. 22:00.385 --> 22:03.346 And at one point, the nothingness he chose to stare at was me. 22:03.866 --> 22:07.487 And he just looked directly at me, like, into my eyes. 22:08.227 --> 22:11.668 And it was very unsettling because she was sort of thinking, well, shall I respond? 22:11.748 --> 22:12.728 Shall I nod? 22:13.528 --> 22:18.593 Uh, I didn't know what to do, but then it became the thing, Ruby, you can get Ruby for Everett to stare into your eyes for about a fiver. 22:18.974 --> 22:19.354 You reckon? 22:19.374 --> 22:20.075 These days, yeah. 22:20.095 --> 22:20.335 Yeah, yeah. 22:20.355 --> 22:21.076 You haven't seen St. 22:21.096 --> 22:21.436 Trinian's? 22:21.997 --> 22:22.457 No, I haven't. 22:22.497 --> 22:24.960 He'll, he'll, I think he does parties, kids' parties. 22:25.260 --> 22:25.460 Yeah. 22:26.301 --> 22:28.804 Well, later on I worked with him, of course, on Stardust. 22:28.824 --> 22:29.084 Yes. 22:29.624 --> 22:31.847 And he did a similar thing, uh, then. 22:32.007 --> 22:35.010 He sort of stared through me for the two weeks that I worked with him. 22:35.890 --> 22:36.350 But there you go. 22:36.570 --> 22:43.853 Anyway, M. Night Shyamalan, I want to talk a bit more about For Text the Nation later on in the show, because I want to talk about his new film, The Happening. 22:44.433 --> 22:48.915 I just saw the trailer online, and listeners, I want to describe it to you very shortly. 22:48.955 --> 22:50.235 But first, here's some music. 22:50.835 --> 22:51.996 Joe, I think you chose this one. 22:52.136 --> 22:52.456 Did I? 22:52.936 --> 22:55.777 Yeah, this is Pig Bag with Papa's Got a Brand New Pig Bag. 22:55.977 --> 23:02.119 Kirsty McCall with Don't Come to the Cowboy with Me, Sonny Jim, recorded for Nicky Campbell on Radio 1 on the 8th of November 1989. 23:02.159 --> 23:02.579 Come to the cowboy. 23:04.660 --> 23:05.761 So what did I say? 23:05.801 --> 23:07.302 You said, don't come to the cowboy. 23:07.322 --> 23:08.022 Did I? 23:08.102 --> 23:10.644 Don't come to the cowboy with me, Sonny Jim. 23:10.664 --> 23:11.664 Don't come the cowboy. 23:12.725 --> 23:14.046 Yeah, but don't come to the cowboy. 23:14.066 --> 23:14.926 Don't come to the cowboy. 23:14.966 --> 23:15.607 Don't come to the cowboy. 23:15.827 --> 23:17.067 We're all going to the cowboy tonight. 23:17.147 --> 23:18.208 Oh, can I come? 23:18.248 --> 23:21.250 No, don't come to the cowboy tonight with me, Sonny Jim. 23:21.990 --> 23:22.931 You're not invited. 23:23.071 --> 23:24.112 Not invited, Sonny Jim. 23:24.872 --> 23:26.833 Now, we were talking about M. Night Shyamalan. 23:27.313 --> 23:31.316 He's a genius and he's made films, all of which 23:31.716 --> 23:32.536 Actually, no, that's not true. 23:32.556 --> 23:34.277 They don't all have a twist, do they? 23:35.317 --> 23:35.777 Well, let's see. 23:35.797 --> 23:37.058 The village has a big twist. 23:38.058 --> 23:40.118 Lady in the water has a... twist. 23:40.218 --> 23:40.959 Does it have a twist? 23:41.019 --> 23:42.239 What was the twist in Lady in the Water? 23:42.279 --> 23:43.219 It's non-stop twists. 23:43.459 --> 23:46.280 The twist is... why did he do it? 23:46.300 --> 23:47.300 Yeah, it does have a twist. 23:47.781 --> 23:48.301 What's the point? 23:48.901 --> 23:49.941 Yeah, what's the point? 23:50.561 --> 23:55.083 And the M. Night Shyamalan himself is the writer of the Magic Book of Knowledge. 23:55.283 --> 23:55.983 Isn't that a twist? 23:56.643 --> 23:57.004 Right. 23:57.044 --> 23:57.864 Kind of. 23:58.505 --> 24:00.106 It's so hazy. 24:00.146 --> 24:01.067 Do signs have a twist? 24:01.127 --> 24:01.768 It doesn't, really. 24:01.908 --> 24:02.489 Kind of. 24:02.849 --> 24:14.459 I mean, his last three films, the thing that's linked them, as far as I can tell, is that they all feature a small group of people under siege from some kind of localised threat, or generally weird pig. 24:14.479 --> 24:16.201 It's similar to the film Under Siege. 24:16.421 --> 24:16.941 Exactly. 24:17.101 --> 24:17.382 Yeah. 24:17.622 --> 24:21.085 Generally they feature a kind of weird pig monster, in the case of Under Siege. 24:21.125 --> 24:21.986 That's Steven Seagal. 24:22.807 --> 24:39.246 uh and hang on pig pig monster there's a pig monster there's the scruffle or whatever it's called in lady in the water pig monster in lady in the water there's a there's a man dressed as a pig monster in the village no pig monster in signs milk gibbons well they're the aliens in i like signs signs is good it sort of unravels drastically 24:40.287 --> 24:54.018 Well, the whole preacher plot isn't very good, but the aliens themselves, especially the little film of the alien at the Mexican party, Mexican party, a little alien film, Mexican party, an alien film. 24:54.618 --> 24:56.780 I want that alien to turn up at my kid's party. 24:57.361 --> 24:58.401 I'm sure you could hire him. 24:58.602 --> 24:58.842 True. 24:59.402 --> 25:05.927 Anyway, his new film is called The Happening, and you can see the trailer for it right now online by typing in The Happening. 25:08.149 --> 25:10.730 you can do some typening and you'll find the trailer for the happening. 25:11.990 --> 25:19.833 And of course every couple of years, two or three years, M. Knight brings out a film for as long as he's able to if he's not warring too disastrously with the studios. 25:20.333 --> 25:27.135 And it's always fun to guess what the twist of his new film will be because it seems unlikely that he'll ever completely abandon the idea of doing a film 25:27.695 --> 25:28.756 with a twist, you know what I mean? 25:28.976 --> 25:30.117 It's a great marketing premise. 25:30.137 --> 25:32.119 He loves to do the twist. 25:32.780 --> 25:39.586 And in this trailer, the first thing you see is Marky Mark from The Funky Bunch teaching a class of children. 25:40.247 --> 25:44.430 And he's saying, I don't know if any of you guys have heard about this article in the New York Times. 25:44.711 --> 25:49.395 Well, apparently bees are just disappearing all over the country, tens and millions of them. 25:49.835 --> 25:51.757 Let's hear some theories about what's happened to them. 25:52.077 --> 25:53.379 And the class remained silent. 25:53.639 --> 25:55.981 Nobody, says Marky Mark from the Funky Bunch. 25:56.242 --> 25:58.104 You're not interested in what happened to the bees? 25:59.085 --> 26:07.028 Of course we're interested, the viewers are interested, so thereafter we see some very disturbing shots of like big highways with cars abandoned there. 26:07.588 --> 26:12.489 That's the poster image as well, and people lying dead by their cars just bleeding out everywhere. 26:12.509 --> 26:19.291 And then we start seeing, you know, like all the shots start going to black, which is always a bad sign, isn't it? 26:19.451 --> 26:20.432 It's always exciting. 26:20.932 --> 26:21.672 Little glimpses. 26:21.832 --> 26:23.673 The event we could not foresee. 26:24.853 --> 26:26.594 On a scale we cannot imagine. 26:27.674 --> 26:33.417 Marky Mark from the Funky Bunch says, science will come up with some reason to put in the books, but in the end it'll just be a theory. 26:33.637 --> 26:37.299 We'll fail to acknowledge that there are forces that work beyond our understanding. 26:38.379 --> 26:39.940 The unthinkable is happening. 26:41.001 --> 26:42.282 you know, so it's exciting. 26:42.422 --> 26:44.242 What is causing the bees to go awry? 26:44.282 --> 26:46.263 What's causing people just to die all over the world? 26:46.283 --> 26:46.784 I kind of know. 26:47.144 --> 26:47.444 Do you? 26:47.784 --> 26:49.385 Are you talking about the premise of the film? 26:49.605 --> 26:51.166 No, the actual thing. 26:51.246 --> 26:56.808 Have you gone and found out the spoilers and... Not really, but I think I know what the deal is. 26:56.948 --> 26:58.829 Well, the premise is public, isn't it? 26:58.849 --> 26:59.589 It's public knowledge. 26:59.910 --> 27:02.991 So the premise is that flowers, plants... Flowers? 27:03.251 --> 27:05.372 ...are emitting a kind of deadly neurotoxin. 27:05.532 --> 27:22.729 yeah it's like nature it's the environment taking revenge on man yeah plants and uh plants and plants yeah all three plants taking revenge on man all the plants being very irresponsible with the planet dude that's right and driving cars how do you like it planes 27:23.570 --> 27:30.274 Basically messing the planet all the way up all the way up the area and they've had enough the flowers have had enough Exactly. 27:30.534 --> 27:37.159 Oh, they may smell nice and be pretty and timid, but don't make them angry No, cuz I don't know what they'll do. 27:37.319 --> 27:41.261 Well, I'll release a deadly pollen that makes everyone kill each other Exactly. 27:41.281 --> 27:43.323 I think that's the idea right and that's well known. 27:43.363 --> 27:46.585 That's well documented That's not a secret that that is the premise. 27:46.645 --> 27:47.305 Yeah, it's not true. 27:47.365 --> 27:48.266 Don't be alarmlessness. 27:48.286 --> 27:48.366 No, I 27:49.146 --> 27:49.767 It's not real. 27:49.807 --> 27:50.647 Not yet. 27:50.787 --> 27:51.568 Not yet, right? 27:51.948 --> 27:57.992 But there is beyond that, I think, another twist in the film and a deeper secret. 27:58.172 --> 27:59.073 Am I right in thinking that? 27:59.093 --> 27:59.513 I don't know. 27:59.653 --> 28:00.593 That's what's implied. 28:00.874 --> 28:02.655 That's what's implied in the trailer, certainly. 28:02.675 --> 28:04.096 What secret could be deeper than that? 28:04.156 --> 28:04.956 Well, that's right. 28:05.036 --> 28:06.137 That's what I want to know. 28:06.337 --> 28:11.300 And I want you listeners to suggest what kind of secrets there could be beyond that. 28:11.640 --> 28:15.463 What is the ultimate twist in M. Night Shyamalan's The Happening? 28:15.743 --> 28:17.444 Why is nature going insane like this? 28:17.464 --> 28:20.667 Now, does it have to be... Do people have to text in a twist for that film? 28:20.727 --> 28:24.710 Could they just suggest brilliant twists that M. Night could use in the future? 28:24.750 --> 28:25.570 Would that be feasible? 28:25.730 --> 28:26.891 Yeah, either one, I think. 28:26.911 --> 28:28.372 Or we could widen it out to that degree. 28:28.392 --> 28:30.814 Have you got some ideas for what the big twist in the habit is? 28:31.014 --> 28:33.556 Well, the first thing that occurred to me is, why are the bees dying? 28:33.936 --> 28:36.118 Well, everybody knows why the bees are dying. 28:36.158 --> 28:37.179 It's Wi-Fi, right? 28:37.879 --> 28:39.020 Wi-Fi's killing the bees. 28:39.040 --> 28:41.782 Wi-Fi's killing the bees and then it's killing everybody! 28:42.383 --> 28:57.915 So the whole as the gradually the whole world gets hooked up towards the end of the film Marky Mark from the Funky Bunch finds out that Wi-Fi is responsible and then obviously the government are resisting it because Wi-Fi's so convenient and enjoyable but then 28:59.076 --> 29:01.478 But then it's killing everyone, so what are they going to do? 29:01.738 --> 29:02.779 Electronic smog. 29:03.180 --> 29:04.681 Right, that's what they call it, is it? 29:04.921 --> 29:05.261 Yeah. 29:05.722 --> 29:06.382 Good name for it. 29:06.442 --> 29:06.763 Thanks. 29:07.643 --> 29:12.708 Also, I was thinking maybe the government has made the plants intelligent, right? 29:12.768 --> 29:15.610 So they can be used in battle, because that's what generally the government do. 29:15.650 --> 29:19.193 They spend all their time trying to make things usable in battle. 29:20.114 --> 29:20.494 That's right. 29:20.514 --> 29:21.756 Because it's good for the economy. 29:21.776 --> 29:22.837 We can use this in battle. 29:22.997 --> 29:28.363 As soon as they find a new thing, one of the people from the government says, hmm, this would be good in war. 29:28.543 --> 29:28.984 Typical. 29:29.064 --> 29:29.564 In battle. 29:29.744 --> 29:30.165 E.T. 29:30.205 --> 29:31.386 were you even going to use E.T. 29:31.406 --> 29:31.807 for war? 29:31.827 --> 29:32.828 Were they? 29:32.868 --> 29:34.089 Little brown E.T. 29:34.530 --> 29:36.011 They were going to attach a gun to his head. 29:37.933 --> 29:55.612 into the Middle East so yeah the government made the plants intelligent but now the plants are fighting back yes you know that was a couple of ideas I had off the top of my head that's good so the text number is six four zero four six four M night Shamaya Lamalan twist ideas 29:56.212 --> 29:56.472 Right? 29:56.692 --> 29:56.893 Yeah. 29:57.213 --> 29:59.034 Any twists, ideas that he could use? 29:59.094 --> 29:59.854 I'm gonna have a think. 30:00.315 --> 30:02.016 You know, because there are only, there are only so many. 30:02.076 --> 30:05.237 We'll run through some of the classic twists, uh, in, in just a short while. 30:05.377 --> 30:07.899 But now, here's... Is this the top of our sweeper? 30:07.919 --> 30:10.040 That's always my favourite part of the show. 30:10.080 --> 30:10.561 Let's sweep. 30:10.581 --> 30:11.081 What's six feet? 30:11.101 --> 30:12.922 What if I don't want to? 30:12.942 --> 30:14.383 But I'm using email. 30:14.523 --> 30:15.964 Is that a problem? 30:23.652 --> 30:24.712 Adam and Joe here on 6 Music. 30:24.732 --> 30:27.153 That was the wombats you just heard and this is Text the Nation. 30:27.413 --> 30:33.355 We're asking you to suggest what the possible twist for M. Night Shyamalan's new film The Happening could be. 30:33.935 --> 30:39.376 Also, just in general, what other twists might he be able to use for the rest of his film career? 30:39.396 --> 30:40.837 Brilliant ideas for twists, yeah. 30:40.957 --> 30:41.837 It's quite a simple thing. 30:41.857 --> 30:44.698 You've just got to give us a premise and then the twist. 30:44.758 --> 30:49.159 We were just thinking about classic twists in the history of movies and storytelling. 30:49.779 --> 30:52.600 The most classic twist of all that Adam suggested was 30:53.520 --> 30:54.320 It was all a dream. 30:54.340 --> 30:55.000 It's all a dream. 30:55.340 --> 31:02.102 I was saying that I think that's something that children tend to use, but I'm not sure anyone's actually used that in a proper thing. 31:02.342 --> 31:03.082 It's too lame. 31:03.162 --> 31:11.524 Well, Tudor producer was saying the last time it was used in the sort of popular cultural sphere was on Dallas when Bobby woke up. 31:11.944 --> 31:16.185 I never watched Dallas, but I remember hearing about that twist because it was famous. 31:16.225 --> 31:16.525 Wasn't he? 31:16.585 --> 31:18.365 Was that he was captured by aliens as well? 31:18.385 --> 31:20.886 That was another one because that's another twist that's often used is 31:22.347 --> 31:24.408 It was aliens controlling everything. 31:24.428 --> 31:25.029 Mm-hmm. 31:25.530 --> 31:26.831 Is that one that's used? 31:26.851 --> 31:27.231 Yeah. 31:27.291 --> 31:33.277 Yeah, like it's a big it's a big super plan for but for the aliens It looks as if lost could end up like that right? 31:33.697 --> 31:36.320 It's aliens controlling it doing experiments, right? 31:36.700 --> 31:39.843 What a classic twist number two is they're the same person. 31:39.863 --> 31:39.903 Oh 31:40.263 --> 31:55.291 This is the Fight Club twist or that film Mr. Brooks with Kevin Costner even though it's not really a twist in that one but you know there are two characters on screen and at the end they reveal that character A is merely an expression of the id of character B or something like that. 31:55.711 --> 32:01.134 And I was just thinking that the it was all aliens controlling everything that's used in Men in Black of course. 32:01.434 --> 32:02.495 It's not really a twist as such. 32:02.535 --> 32:06.556 The film doesn't rely on the twist, but it's a little extra twist for you when they pull out. 32:06.577 --> 32:08.077 Do you remember from the little universe? 32:08.117 --> 32:10.939 Yeah, there's a universe in the cat on the cat's collar. 32:11.139 --> 32:13.220 Yeah, but that's just the MacGuffin, really. 32:13.240 --> 32:14.700 That's the thing they're all searching for. 32:14.881 --> 32:15.101 Yeah. 32:15.121 --> 32:17.482 It turns out to be very small rather than very big. 32:17.642 --> 32:18.842 It's a scale thing. 32:20.303 --> 32:41.049 uh number twist number three is uh she's got she's got a penis right yeah that may has not been it's always a shocker though imagine just in life uh in the crying game uh sleep away camp is the name of the slasher movie where they use that twist to extraordinary effect uh the killer go out and rent that one suddenly it no it's good 32:41.129 --> 32:43.651 The last shot of that film is extraordinary. 32:43.671 --> 32:44.252 Stays with you. 32:44.372 --> 32:51.277 Yeah, they just freeze frame on an image that reveals that somebody who you didn't think would have a penis does have one. 32:51.638 --> 32:53.139 Yeah, it's shocking stuff. 32:53.590 --> 32:53.810 Yeah. 32:53.850 --> 32:56.553 Well, that's nice, uh, nice to chat about as well. 32:57.074 --> 32:57.915 At this time of the morning. 32:57.935 --> 32:59.056 Ten past ten on a Saturday morning. 32:59.096 --> 33:01.418 Hey, you know, we shouldn't be ashamed of that kind of thing. 33:01.458 --> 33:02.760 No, it's anatomically correct there. 33:02.780 --> 33:03.160 Exactly. 33:03.440 --> 33:03.581 Yeah. 33:03.901 --> 33:05.082 I'm using the medical terminology. 33:05.102 --> 33:08.165 Well, those, those are the, those are the four key twists, I think. 33:08.666 --> 33:09.727 Uh, yeah, yeah. 33:09.747 --> 33:12.010 And what was the, uh, you mentioned the Kevin Costner one. 33:12.030 --> 33:13.431 Did you, uh, Mr. Brooks? 33:13.611 --> 33:15.433 No, but there's another one where he's the spy. 33:16.874 --> 33:18.315 It was him all along, basically. 33:18.776 --> 33:20.477 It was him all along. 33:20.517 --> 33:20.757 Yeah. 33:20.997 --> 33:23.079 So basically your hero is the villain. 33:23.119 --> 33:26.141 Right, like the usual suspects and that kind of thing. 33:26.421 --> 33:38.730 Well, I'd say the usual suspects falls into a slightly dodgy area of twists, which is true of that film The Game as well, which is basically kind of, it was all a silly story all along. 33:39.170 --> 33:39.710 Do you know what I mean? 33:39.791 --> 33:42.673 Because in the usual suspects, the twist is it was all made up. 33:43.473 --> 34:11.830 and none of them ever existed yeah don't you remember he looks around the room at the end and he sees details of the of the room where the framing story is set and and he's made the whole story up similarly in the game the David Fincher film with Michael Douglas and Sean Penn but that's really happening all that stuff yeah but it's not i i never think it's a good enough twist just to say oh this is all uh a manipulated charade well in the game it's ludicrous because it's films themselves are a charade right right so it's just like saying oh by the way this is a film 34:12.390 --> 34:12.570 Yeah. 34:12.670 --> 34:13.050 At the end. 34:13.070 --> 34:14.070 Which is a bit lame. 34:14.851 --> 34:15.251 I reckon. 34:15.271 --> 34:20.452 The bit with the game that always gets, I mean there's so many bits in the game where you just think that wouldn't happen, there's no way. 34:20.472 --> 34:21.252 The game is silly. 34:21.432 --> 34:22.152 Arrange that. 34:22.552 --> 34:29.594 But the final bit where he crashes through the ceiling and he's more or less like he's just shot his brother as knee and he jumps off the building, yeah. 34:29.774 --> 34:32.335 They happen to know where he's gonna jump though, exactly where he'll jump. 34:32.575 --> 34:33.555 And then it turns out 34:33.795 --> 34:35.897 It's all like, hey, Jeremy Beadle comes out. 34:36.037 --> 34:36.438 Not anymore. 34:36.478 --> 34:37.499 Obviously, God rest his soul. 34:38.239 --> 34:40.421 And it's like, hey, it's like game for a laugh, you know what I mean? 34:40.441 --> 34:44.245 And he's, and five minutes later, he's like, oh, you guys, you know. 34:44.605 --> 34:45.546 So think of a new twist. 34:45.566 --> 34:48.069 This is a big challenge for the listeners, isn't it? 34:48.569 --> 34:53.233 I mean, this is the kind of thing, if you think of a good one, you can, you know, go to Hollywood and strike an amazing deal. 34:53.474 --> 34:53.834 Yeah. 34:53.974 --> 34:54.915 A brand new twist. 34:54.935 --> 34:55.976 It should be the new M Night. 34:56.336 --> 34:56.637 Wow. 34:57.077 --> 34:59.940 And of course, don't forget to speculate about the ending of The Happening. 35:00.220 --> 35:05.345 The end, the twist for The Happening is available online if you are a fan of spoilers. 35:05.445 --> 35:10.230 I actually avoided looking at that spoiler because I want to go and see The Happening and have fun for myself. 35:11.531 --> 35:11.831 Don't you? 35:11.851 --> 35:13.673 Oh, absolutely. 35:13.693 --> 35:14.734 Yeah, I'm really looking forward to it. 35:15.154 --> 35:22.837 Although we have got a message from someone saying, I've read the script, I know the twist, and you will, what did he say? 35:22.877 --> 35:25.938 You will throw Sprite at the screen with fury. 35:26.578 --> 35:28.199 Now here's a track that I've chosen for you listeners. 35:28.459 --> 35:35.401 This is Rupi Edwards from an old scar compilation that I have and it keeps popping up on my iPod and it's always a joy when it does. 35:35.421 --> 35:37.342 This is called I-Re-Feelings. 35:45.391 --> 35:47.355 What if I don't want to? 35:47.435 --> 35:49.318 But I'm using email, is that a problem? 35:49.378 --> 35:50.199 It doesn't matter, text! 35:52.620 --> 35:58.101 Yes, it's Text the Nation time here on the Adam and Jo radio show on BBC Six Music. 35:58.541 --> 36:06.883 This week we're asking you to supply us with your ideas for what the twist might be in M. Night Shawadiwadi's new film The Happening. 36:07.143 --> 36:13.964 We know it's about nature, taking revenge on man, all the bees die and nobody knows why, but what's the twist at the end? 36:13.984 --> 36:18.405 We're also asking you just to generally suggest some brilliant twists 36:19.305 --> 36:24.487 You know, a premise and a twist that might make us millions in Hollywood. 36:24.527 --> 36:27.028 Because all their twists mainly have been used up, haven't they? 36:27.068 --> 36:32.690 Of course, the classic one that we didn't mention before was, he's already dead, or she's already dead, or they are already dead. 36:32.730 --> 36:36.551 So far we've got, there's another one we thought of which is, the hero is the villain. 36:37.509 --> 36:39.209 Twist number one, twist number two, he's dead all along. 36:39.229 --> 36:39.489 Yes, exactly. 36:39.590 --> 36:43.350 So Hero is the villain as used in No Way Out with Kevin Costner, of course. 36:43.370 --> 36:46.991 Yeah, the person you're rooting for turns out to be the person who's causing all the trouble. 36:47.031 --> 36:52.313 And we're mainly talking about old films here, so if you haven't seen these, I apologise if we're spoiling them for you. 36:52.333 --> 36:54.073 We're not going to talk about specific films, maybe. 36:54.193 --> 36:55.453 We'll just talk about the twist themselves. 36:55.533 --> 36:55.913 Okay, yeah. 36:55.953 --> 36:58.174 There are two people being the same person all along. 36:59.014 --> 37:00.254 It was a dream is another one. 37:00.595 --> 37:02.115 And of course, she's got a penis. 37:02.715 --> 37:03.716 It's the other classic one. 37:03.816 --> 37:05.037 So glad you mentioned that one again. 37:05.097 --> 37:05.638 Thanks a lot. 37:05.838 --> 37:07.679 Johnny, here's some suggestions that have come in. 37:07.759 --> 37:08.560 Yeah. 37:08.580 --> 37:10.101 These are some M Night suggestions. 37:11.122 --> 37:13.984 Here's one from Mitchell. 37:14.645 --> 37:24.313 Mitchell says, the twist for the new M Night film is that it was all because of an ongoing war between cats and ghost cats and only mental patients can see this. 37:26.134 --> 37:27.035 I'd like to see that. 37:27.055 --> 37:29.436 He's got to use it at some stage that twist surely. 37:29.536 --> 37:30.157 Yeah, I'm amazed. 37:30.177 --> 37:38.602 He hasn't already I can't believe it It's ghost cats and real cats and they're having a war and only the clinically insane can see it. 37:38.662 --> 37:42.124 I knew it But wait, Julie's not clinically insane. 37:42.504 --> 37:48.468 Actually I am So you get an extra twist there that the double twist that's good. 37:48.488 --> 37:49.688 Who was that was pasta? 37:49.969 --> 37:50.769 That's from Mitchell. 37:51.449 --> 37:53.231 Here's another one from David 37:54.702 --> 38:12.648 the bees and people swap bodies the people now bees round the cars have passed out from trying to fly yeah the trailer shows lots of dead bodies around cars or what you think of dead bodies they've passed out from attempting to fly and the bees brackets now people have gone somewhere else 38:13.488 --> 38:28.529 Filled with twists well actually there is a scene in the there's a shot in the trailer where people are lobbing themselves off the top of buildings So they could be under the mistaken apprehension that their bees as well Yes, you know yes, they're trying to fly 38:28.889 --> 38:30.790 Although you don't see any shots of the bees. 38:31.691 --> 38:37.714 Mr. Trebus in Wood Green says it's not bees that are vanishing, but the letter B what's vanishing. 38:39.696 --> 38:47.560 So I think it's a slightly cryptic this text, but I think he's suggesting that people don't have bones anymore or blood or bodies. 38:47.600 --> 38:50.142 He's saying that everything that begins with the letter B. Yeah. 38:50.362 --> 38:52.103 That's a kind of a Sesame Street horror film. 38:52.523 --> 38:52.844 Wow. 38:53.184 --> 38:54.304 Instructional for kids. 38:55.545 --> 38:56.445 So keep them coming in. 38:56.685 --> 38:59.966 You've got to realise, oh here's another good one from Andy Richardson Nottingham. 39:00.826 --> 39:08.668 I think the twist in The Happening is that the only dialogue in the whole film is what you see in the trailer and it's really a musical, possibly co-starring the Funky Bunch. 39:08.708 --> 39:12.369 Of course he's referring to the Sweeney Todd trailer, De Barcla. 39:12.709 --> 39:14.310 Have they made up the trailer now for that? 39:14.790 --> 39:15.771 I don't know, I don't think so. 39:15.811 --> 39:18.394 It still pretends that it's a dialogue film. 39:18.794 --> 39:28.964 But also if you can come up with some kind of just good generally applicable twists, we were discussing this and we came to the conclusion that the best twists redefine the entire context of the story, don't they? 39:29.424 --> 39:32.868 Like the Village, even though it was a very poor film, that was a brilliant idea. 39:33.308 --> 39:41.411 I was based... The idea that you would have a period film and then at the very end they climb over a wall and find that they're just in a kind of weird theme park in the middle of the modern world. 39:41.431 --> 39:47.013 He was almost... He was almost soothed by a children's author who... I'm sure it's been used before. 39:47.053 --> 39:50.814 The big classic twists, you know, I think they're only a few of the limited number. 39:51.494 --> 39:52.235 Can't copyright them. 39:52.855 --> 39:54.556 Well, we're going to attempt to do that today. 39:54.596 --> 39:57.338 If we find some new twists today, we could copyright them. 39:57.578 --> 39:58.359 We'll be millionaires. 39:58.379 --> 40:00.600 64046 is the text number. 40:01.041 --> 40:04.043 If you'd like to join in with Text the Nation, the nation's favourite feature. 40:05.184 --> 40:06.244 Now it's time for more music. 40:06.505 --> 40:07.685 Here is a great song. 40:07.726 --> 40:08.486 This is Smash. 40:08.546 --> 40:10.988 Now I remember this song when it came out very clearly. 40:11.028 --> 40:14.130 This was the kind of height of Britpop, wasn't it? 40:14.150 --> 40:15.711 And there was a big scandal when this came out. 40:15.751 --> 40:17.833 I'm talking about Sorted Freeze and Whiz by Pulp. 40:18.533 --> 40:25.816 And on the sleeve of the single, I think it had kind of instructions for how to make little drug wraps or something like that. 40:26.556 --> 40:28.977 And oh, the Daily Mail didn't like that at all. 40:29.397 --> 40:31.318 There was a big, big scandal about it. 40:31.798 --> 40:32.458 But what a song. 40:32.738 --> 40:33.479 What a smash. 40:33.639 --> 40:36.640 All about the highs and lows of going to festivals. 40:36.680 --> 40:37.240 This is Pulp. 40:37.740 --> 40:39.321 That's Pulp with Sorted for Ease and Whiz. 40:39.341 --> 40:40.821 This is Adam and Jo on BBC Six Music. 40:40.881 --> 40:44.583 It's time for the music news and the real news read by Rachel Matthews. 40:49.753 --> 41:15.960 That's the first single I ever bought, that's the first single I ever bought, that's the first single I ever bought, that's the first single I ever bought, that's the first single I ever bought, that's the first single I ever bought, that's the first single I ever bought, that's the first single I ever bought, that's the first single I ever bought, that's the first single I ever bought, that's the first single I ever bought, that's the first single I ever bought, that's the first single I ever bought, that's the first single I ever bought, that's the first single I ever bought, that's the first single I ever bought, 41:16.320 --> 41:16.601 Yeah? 41:17.021 --> 41:17.141 Uh-huh. 41:17.161 --> 41:18.143 Do you want to know what I did? 41:18.383 --> 41:20.846 Is it literally the best 10 hours of your life? 41:20.866 --> 41:21.708 Yeah, yeah, yeah. 41:21.728 --> 41:30.640 Well, no, no, it's not the best 10 hours, but if I were to write a list of, like, the best days ever, this would be, like, definitely in the top 20. 41:30.680 --> 41:30.740 Wow. 41:32.222 --> 41:32.862 How did it start? 41:33.022 --> 41:38.025 It started after lunch by going to Six Flags Magic Mountain, the theme park. 41:38.105 --> 41:39.006 You love theme parks? 41:39.146 --> 41:40.246 I love roller coasters. 41:40.266 --> 41:40.507 Yep. 41:41.067 --> 41:42.588 I love rolling my coasters. 41:42.948 --> 41:44.809 Is there colossus at Six Flags? 41:44.869 --> 41:45.649 Colossus is there. 41:45.709 --> 41:46.590 It's a big wooden one. 41:46.730 --> 41:46.930 Yep. 41:47.050 --> 41:48.291 Yeah, it's amazing colossus. 41:48.311 --> 41:49.772 They've got a new one called Tetsu. 41:50.592 --> 41:51.433 You sit in a seat. 41:52.233 --> 42:17.249 and then the seat gets tipped up so you're like dangling as if you're sat in the seat but you're dangling back up and you nose tummy first looking downwards oh oh boy and then they whizz you around whizzing all the loops and the curves and the bunny hops and the inversions it's amazing wow it's like flying yeah i stuck my hands out in front of me like superman i did yeah i'm afraid did you say i'm superman 42:17.709 --> 42:25.737 I did I was thinking I'm Superman I'm Superman oh my god I'm Superman but I can't control where I'm going and I'm scared so I'm Superman possessed by something. 42:26.778 --> 42:28.740 Lots of people were sticking their hands out presumably weren't they? 42:28.760 --> 42:29.400 Yeah it was crazy. 42:29.901 --> 42:30.541 It was crazy. 42:30.621 --> 42:31.762 Oh it was fantastic. 42:32.543 --> 42:37.368 I went in the very front car we waited we went in the very front car and then the second time we went I went in the very back car 42:37.908 --> 42:43.712 Of course, if you're a rollercoaster expert, you know that the front car is best for, you know, vertiginous plunges and feeling like you're the only person on the ride. 42:44.192 --> 42:50.136 The rear car is good for speed and that kind of feeling of being, you know, whiplashed out of corners and stuff. 42:50.576 --> 42:53.338 I nearly blacked out when I was on the last car. 42:53.798 --> 42:59.882 I was going upside down, back to front, inside out, down an amazingly vertical slope. 43:00.102 --> 43:01.343 It was, oh, it was amazing. 43:01.363 --> 43:02.524 Sounds good if you're pregnant. 43:03.084 --> 43:06.386 It's ideal for pregnant people, people with heart conditions. 43:06.426 --> 43:07.107 That would be fun. 43:07.167 --> 43:08.968 It really gets the pet back. 43:08.988 --> 43:10.329 Living on the edge a little bit. 43:10.369 --> 43:10.649 Yeah. 43:10.789 --> 43:11.290 Yeah. 43:11.450 --> 43:11.750 Yeah. 43:11.830 --> 43:12.871 It helps break the waters. 43:13.071 --> 43:13.631 Exactly. 43:13.651 --> 43:14.211 Yeah. 43:14.271 --> 43:15.832 The baby would be having fun. 43:16.053 --> 43:17.754 You'd have to pay maybe double the price. 43:17.894 --> 43:19.275 Double the price, exactly, yeah. 43:20.075 --> 43:21.876 Maybe they make rides for pregnant women. 43:21.896 --> 43:22.977 They should do, shouldn't they? 43:23.017 --> 43:23.257 Yeah. 43:23.357 --> 43:25.018 Are pregnant women even allowed on the teacups? 43:25.498 --> 43:26.879 Pregnant women aren't allowed anywhere. 43:27.259 --> 43:27.600 Really? 43:27.620 --> 43:29.040 They're not allowed outside of the house. 43:29.120 --> 43:29.681 They're not. 43:29.701 --> 43:32.402 Let's face it, sometimes they're just kept in one room. 43:32.542 --> 43:36.925 If they do go outside of the house, then people look at them funny and they say, in your condition? 43:37.545 --> 43:37.905 Like that. 43:38.166 --> 43:38.466 Yes. 43:38.766 --> 43:39.847 So not technically. 43:40.087 --> 43:41.207 Man, that sounds amazing. 43:41.367 --> 43:44.889 I also went on colossus and goliath. 43:45.950 --> 43:46.891 Ah, they were really good. 43:47.671 --> 43:48.491 I love rollercoasters. 43:48.511 --> 43:49.632 You do love rollercoasters. 43:49.692 --> 43:53.354 Then, okay, and this involves some name dropping. 43:53.714 --> 43:54.254 Okay. 43:54.514 --> 43:58.216 I have a friend who's friends with Quentin Tarantino, as you know. 43:58.736 --> 44:03.619 So then I went to Quentin Tarantino's house and sat in his private, he's got a little private cinema. 44:03.639 --> 44:05.079 It used to be William Friedkin's house. 44:05.680 --> 44:11.983 He's got a little private cinema and he's got a library of prints of films and it was me and four other people. 44:12.163 --> 44:12.303 Yeah. 44:12.843 --> 44:22.791 And we watched a print of Indiana Jones and the Temple of Doom as kind of Indiana Jones fever around the world because of the new trailer and the new film coming in May. 44:24.092 --> 44:26.774 And man, we had a little private screening of Temple of Doom. 44:27.534 --> 44:28.295 It was so good. 44:28.335 --> 44:29.175 That film's amazing. 44:29.215 --> 44:30.596 And we were having a big conversation. 44:31.077 --> 44:37.301 Quentin was like wearing this kind of black, almost like a judo instructor's outfit, like a sort of movie guru. 44:37.842 --> 44:38.943 And he did a little speech. 44:39.003 --> 44:41.405 He gave us a little talk about the film before it started. 44:42.205 --> 44:47.228 Oh, we're talking about Spielberg and how he thought it was Spielberg's best directed film, Temple of Doom. 44:47.549 --> 44:56.234 And we were saying to Quentin that in the UK, people tend to think that Temple of Doom was a misfire and Last Crusade was a return to form. 44:56.674 --> 44:57.915 That was the critical opinion. 44:57.955 --> 45:03.879 It kind of was, which is insane, because every right-minded person knows that Last Crusade is a big old stinker. 45:03.919 --> 45:05.020 Last Crusade's unwatchable. 45:05.300 --> 45:08.762 Temple of Doom is marred mainly by Kate Capshaw's incessant screaming. 45:08.822 --> 45:09.923 Well, it's a throwback. 45:10.183 --> 45:32.183 two thirties and forties screwball comedy i i know what you mean but you know uh spielberg was very much in love with her at the time uh so you know and i i know what you mean there are there are scenes where like that scene in the jungle do you remember when she keeps encountering snakes and and then there's a terrible bit where she puts some perfume on an elephant and she keeps going on about how she's cracked her nails 45:33.104 --> 45:35.647 And there are some really scenes where you want to strangle her. 45:35.667 --> 45:41.314 Do you remember when India and Short Round are trapped in that weird cave and the big spiky ceiling is lowering? 45:41.894 --> 45:44.037 And she won't put her hand in the thing to pull the lever? 45:44.057 --> 45:44.958 Do you remember that? 45:45.058 --> 45:45.298 Yeah. 45:45.498 --> 45:46.359 Because of her nails. 45:46.399 --> 45:47.981 It's like, I'm a celebrity, get me out of here. 45:48.041 --> 45:50.384 Exactly what I whispered during the film. 45:50.404 --> 45:52.166 Probably everybody does. 45:52.386 --> 45:53.006 Yeah. 45:53.046 --> 45:54.207 So that was so enjoyable. 45:54.327 --> 45:54.687 Wow. 45:54.707 --> 45:56.008 And that finished about midnight. 45:56.949 --> 45:59.170 It was just an amazing 10-hour period. 45:59.330 --> 46:01.291 And what's QT giving you? 46:01.311 --> 46:03.052 He's giving you snacks while you're watching this? 46:04.413 --> 46:05.113 He is. 46:05.213 --> 46:05.914 Yeah, he has. 46:05.954 --> 46:07.274 There's a fridge with some beverages. 46:07.294 --> 46:07.675 Wow. 46:07.835 --> 46:08.155 Beverage fridge. 46:08.175 --> 46:09.356 You can have yourself the beverages. 46:09.376 --> 46:10.536 He's got a beverage fridge. 46:10.576 --> 46:11.457 He has beverages. 46:11.537 --> 46:14.198 I just like to hear Americans use the word beverage. 46:14.218 --> 46:14.318 Yeah. 46:15.499 --> 46:16.780 And how big is this screen? 46:16.820 --> 46:18.242 What kind of size is this screen? 46:18.342 --> 46:19.123 It's a big screen. 46:19.263 --> 46:23.767 You know, I shouldn't give away any more details because you've got to respect people's privacy. 46:23.807 --> 46:25.449 You've got to respect my privacy, Adam. 46:25.589 --> 46:27.871 Oh, we've got to respect your privacy, too. 46:27.931 --> 46:30.353 Respect my privacy. 46:30.593 --> 46:31.094 Okay. 46:31.274 --> 46:32.876 Man, that sounds amazing. 46:33.016 --> 46:33.176 Yeah. 46:33.456 --> 46:34.016 What a day. 46:34.037 --> 46:34.777 What a day. 46:35.157 --> 46:36.518 Uh, I won't see the water horse. 46:37.179 --> 46:37.479 Wow. 46:37.799 --> 46:38.099 Yeah. 46:38.400 --> 46:40.101 You know, I am actually quite jealous of that. 46:40.201 --> 46:42.042 It's like, uh, it's about the Loch Ness Monster. 46:42.062 --> 46:42.803 I don't know if you know. 46:43.043 --> 46:43.543 It's amazing. 46:43.583 --> 46:44.524 You see it and everything. 46:45.005 --> 46:48.327 I don't want to go on about it, but, uh, it's, uh, it's amazing. 46:48.847 --> 46:49.708 Uh, music time now. 46:49.728 --> 46:53.130 Here's Los Campesinos with death to Los Campesinos. 46:54.448 --> 46:56.389 What if I don't want to? 46:56.409 --> 46:58.451 But I'm using email, is that a problem? 46:58.471 --> 47:00.092 It doesn't matter, text! 47:08.061 --> 47:10.623 Sounds so good in stereo, that jingle, you know? 47:11.264 --> 47:11.524 Right. 47:11.584 --> 47:15.028 And it's a shame because on the podcast, you get just mono. 47:15.368 --> 47:17.550 We're upset about this, the podcast. 47:17.610 --> 47:19.772 We should tell listeners that you can get a podcast of this show. 47:19.792 --> 47:21.714 I think from Monday morning, it's on iTunes. 47:21.754 --> 47:23.315 What's Sunday night at six o'clock? 47:23.355 --> 47:24.076 The new one comes up. 47:24.977 --> 47:33.424 We're quite upset that the BBC do podcasts in mono still, even though someone told me that Chris Moyles is one or some of the Radio One ones are in stereo. 47:34.085 --> 47:34.345 Really? 47:34.986 --> 47:36.548 Uh, that's an uneven playing field. 47:36.568 --> 47:37.129 It's very uneven. 47:37.149 --> 47:37.910 And we're angry. 47:38.391 --> 47:42.616 Because apparently the logic is it's faster to download, but only fractionally. 47:42.636 --> 47:43.537 That's a load of BS. 47:43.717 --> 47:44.819 That's BS, man. 47:44.879 --> 47:46.501 Cornish is sticking his neck right out there. 47:46.521 --> 47:47.142 That's SH1T. 47:47.923 --> 47:51.628 Woah, we should move on to some textination stuff before we get into really hot water. 47:52.108 --> 47:52.408 Yes. 47:52.648 --> 47:58.731 So, to text the nation this week, we're asking you to suggest what the twist is for M. Night Shawadi Wadi's new film The Happening. 47:59.151 --> 48:06.994 It's a film where Marky Mark from The Funky Bunch realises that nature is taking revenge on man for being naughty and burning oil. 48:07.114 --> 48:12.936 And in the trailer, the implication at the beginning is that maybe it's a terrorist attack, some kind of chemical attack. 48:13.196 --> 48:13.937 Nothing that easy. 48:14.197 --> 48:14.557 No. 48:14.577 --> 48:15.537 I think that's straightforward. 48:15.737 --> 48:19.519 It turns out, of course, that it's nature, but there's a twist over and above that. 48:19.659 --> 48:22.921 And we are asking you to speculate as to what that might be. 48:22.941 --> 48:26.143 We're also asking you for just general, general twists. 48:27.223 --> 48:28.504 Um, yeah, here we go. 48:28.524 --> 48:31.706 Here's one from... Playing for time. 48:32.246 --> 48:33.126 Playing for time. 48:33.166 --> 48:33.727 Jimmy. 48:33.767 --> 48:34.487 From Ben. 48:34.627 --> 48:34.887 Ben. 48:35.128 --> 48:36.808 Okay, I haven't really sorted through these. 48:36.868 --> 48:38.329 I can't guarantee the quality. 48:38.709 --> 48:39.610 The Happening Twist. 48:39.950 --> 48:45.293 Mark Wahlberg wakes up to find he is a dead female alien with a bee penis. 48:47.294 --> 48:49.697 M Night is going for a twist full house. 48:50.398 --> 48:53.461 So Ben's idea is that, you know, all the twists in one hair. 48:53.882 --> 48:54.723 That's a good idea. 48:54.763 --> 48:55.644 It's all been a dream. 48:56.304 --> 48:58.807 Yeah, he's a dead alien with a bees penis. 48:58.827 --> 49:00.809 I'm not sure where the... Yeah, no, that's very good. 49:00.829 --> 49:01.170 Well done. 49:01.250 --> 49:02.111 And it was him all along. 49:02.131 --> 49:03.793 If there was a prize, you would win it. 49:04.433 --> 49:06.676 In fact, there is a prize and it's a bee's penis. 49:07.376 --> 49:08.858 What we're going to do is post that to you. 49:09.258 --> 49:10.039 We're not going to wrap it. 49:10.119 --> 49:11.741 It'll be just a stamp. 49:12.402 --> 49:13.843 I'm pretty sure we've exceeded it. 49:13.863 --> 49:17.006 We're only allowed to use the P word so many times on a breakfast show. 49:17.026 --> 49:19.589 Half the population have them. 49:19.609 --> 49:20.930 Why ignore truth? 49:22.152 --> 49:23.033 Dustin Hoffman. 49:23.333 --> 49:24.154 No, I'm not reading that one. 49:24.594 --> 49:24.814 Sorry. 49:26.056 --> 49:27.298 Hang on, talk about things. 49:27.318 --> 49:28.320 Is that dirty dust? 49:28.521 --> 49:28.721 No. 49:30.645 --> 49:35.233 Mitchell's added a twist to the whole cat ghost thing, but I think most people have forgotten about that now. 49:36.192 --> 49:37.012 Um, here's another one. 49:37.152 --> 49:39.013 Okay, okay, okay, oh god. 49:39.093 --> 49:42.954 Okay, the Happening is only the last chapter of an epic film from the plant world. 49:43.394 --> 49:52.938 A botanical government introduces humans to keep the plants from overpopulating, and it takes the plants many millennia to organise themselves into a revolution because they can't talk to each other. 49:53.158 --> 49:54.338 That's a very good idea. 49:54.398 --> 49:55.519 From Howard and Hackney, do you think? 49:55.599 --> 49:56.639 Yeah, I think that's good, man. 49:56.679 --> 49:59.560 That's at least as good as anything M. Knight's gonna come up with, surely. 50:00.060 --> 50:00.200 Yes. 50:00.220 --> 50:01.261 Can you reckon? 50:01.341 --> 50:04.163 Speaking of which, you just saw Bee Movie on the plane back. 50:04.183 --> 50:05.725 Attempted to watch Bee Movie on the plane. 50:05.745 --> 50:06.826 I had to switch it off. 50:06.946 --> 50:13.371 I can't believe that Bee Movie, the timing for Bee Movie was a little bad because Seinfeld could have dealt with some of those issues in that film as well. 50:13.431 --> 50:13.671 Yeah. 50:13.691 --> 50:15.633 The bees radar being thrown off by the wildfire. 50:15.673 --> 50:15.913 Yeah, I know. 50:15.933 --> 50:17.234 Just with live action with people. 50:17.254 --> 50:17.614 Yeah. 50:17.634 --> 50:18.155 And that's money. 50:18.175 --> 50:21.498 It would have been, you know, they could have given all that money to charity. 50:21.618 --> 50:23.499 People are obsessed by bees these days. 50:23.539 --> 50:23.900 They are. 50:24.680 --> 50:43.193 Here's one from Harkon Yeah Harkon Harkon in Warwick new twist idea one the cat was a rabbit in disguise all along I don't know what cat he's talking about That's confusing the cat but I like the idea of a cat being a rabbit in disguise all along That's usable, isn't it for something? 50:43.293 --> 50:47.515 Yeah, just clipping some ears on there Especially if it didn't have a lot to do with the main plot. 50:47.656 --> 50:53.720 It just belonged to one of the characters It's just an ancillary twist, you know what I mean the subplot. 50:53.920 --> 50:54.100 Yeah 50:54.821 --> 51:00.267 And if the bee's penis thing isn't enough, then that cat was a rabbit all along! 51:01.588 --> 51:04.551 It'll turn up in tomorrow's episode of Lost, no doubt. 51:13.421 --> 51:14.162 from Knight Rider. 51:14.202 --> 51:18.367 Yeah, not sure about that, that's a bit too meta. 51:18.447 --> 51:19.928 Technically, that is a twist. 51:20.209 --> 51:21.711 Here's one from Stefan in Richmond. 51:21.751 --> 51:26.456 Why not have a twist where a man who thinks he's a ghost turns out in fact to be very much alive? 51:28.258 --> 51:32.823 And could it just be that bees are being murdered by wasps out of jealousy? 51:33.684 --> 51:37.486 Why would wasps be jealous of bees? 51:37.826 --> 51:39.107 Yeah, there's nothing to be jealous about. 51:39.127 --> 51:40.328 It's been the other way around. 51:40.348 --> 51:44.570 Yeah, because bees die when they sting people, whereas wasps can sting as much as they want. 51:44.870 --> 51:46.611 Yeah, they're the thugs of insect world. 51:47.012 --> 51:48.332 Yeah, but that's quite good. 51:48.452 --> 51:51.354 I like the man who thinks he's a ghost, but turns out to be very much alive. 51:51.554 --> 51:52.294 Yeah, that is good. 51:52.555 --> 51:56.177 Yeah, he discovered that pretty early on when he tried to walk through a wall and failed, though. 51:56.917 --> 51:57.278 Wouldn't he? 51:57.758 --> 52:01.904 Yeah, well, he might think that there was some weird ghost logic going on, do you know what I mean? 52:01.924 --> 52:03.506 Like, maybe he was only half a ghost. 52:03.666 --> 52:03.826 Yeah. 52:03.846 --> 52:05.007 Do you remember the film The Frighteners? 52:05.308 --> 52:05.808 Yes, I do. 52:05.849 --> 52:09.513 There's some similarly strange ghost logic in that, like some of the ghosts all over the shop. 52:09.553 --> 52:13.558 The ghosts fall through floors, but then they, uh, stop. 52:14.239 --> 52:15.280 at other floors. 52:29.496 --> 52:30.377 Yeah, this is great. 52:30.717 --> 52:33.038 This is ABC, the 80s band. 52:33.459 --> 52:34.499 It's not from Let's Kind of Love. 52:34.539 --> 52:37.141 It was from their follow-up album, which was called Beauty Stab. 52:37.161 --> 52:40.003 Yeah, it had quite a good kind of bullfighting cover. 52:40.423 --> 52:43.685 Didn't really find the success that Lexicon have loved it. 52:43.705 --> 52:45.826 They tried to strip down the whole sound, didn't they? 52:46.006 --> 52:46.707 Did they have horn? 52:46.727 --> 52:48.148 Did horn produce Beauty Stab? 52:48.208 --> 52:49.328 I'm not sure if he did. 52:49.368 --> 52:52.110 I think it was a deliberate vault fast. 52:52.170 --> 52:53.551 Not quite sure about our fact there. 52:53.571 --> 52:56.112 Maybe you can help us, but this is one of the best singles off that. 52:56.132 --> 52:57.013 This is called SOS. 52:57.253 --> 53:01.876 There you go, that's a bit of vintage music hall for you from the last century. 53:02.537 --> 53:04.298 The Sex Pistols with Pretty Vacant. 53:04.318 --> 53:10.163 This is Adam and Joe here on BBC Six Music on a delightful Saturday morning. 53:10.243 --> 53:25.194 It's just past 11 o'clock in the morning and people are excited about their Saturday, their weekend, they're going out and doing a little bit of shopping, maybe visiting friends, visiting friends, taking their kids to the park, maybe just lying on the sofa and watching sport. 53:25.714 --> 53:26.234 Exactly. 53:26.394 --> 53:26.895 Who knows? 53:26.915 --> 53:28.516 You can do whatever you want on Saturdays. 53:28.556 --> 53:33.059 Clean marking time until Ant and Dec's Saturday night takeaway begins. 53:33.399 --> 53:37.802 When their money will be stolen from their pockets in another bent phoning. 53:39.163 --> 53:40.684 That's just a joke. 53:41.545 --> 53:42.085 Is it though? 53:42.105 --> 53:43.726 You can go to prison for saying things like that, you know. 53:43.746 --> 53:44.007 Can you? 53:44.067 --> 53:44.667 Yeah, you can. 53:45.107 --> 53:48.109 Saying things like that's now worse than, uh, murder. 53:49.190 --> 53:49.991 The murder. 53:50.051 --> 53:50.271 Yes. 53:50.411 --> 53:51.672 I like the way you say murder. 53:51.712 --> 53:51.972 Murder. 53:51.992 --> 53:53.733 As if it's some sort of child's toy. 53:53.753 --> 53:54.594 Murder. 53:54.974 --> 54:00.217 Now we said earlier on Joe kind of shanghaied me on air into agreeing to bring back song wars. 54:00.257 --> 54:00.557 Yes. 54:01.398 --> 54:03.720 And I must say I think it's a very good idea. 54:05.436 --> 54:07.698 You know, that I had. 54:07.718 --> 54:08.998 Like all your ideas. 54:09.018 --> 54:10.699 Like all my ideas, it's another winner. 54:11.760 --> 54:13.400 We're very popular with the audience. 54:13.841 --> 54:27.188 So we've been asking you to suggest some themes for Song Wars, and Adam, like a kind of baby being served a Farley's Rusk dipped in milk, is allowed to choose the theme of Song Wars as a kind of, what do you call it, pep pep palliative? 54:27.768 --> 54:28.068 FOB. 54:28.088 --> 54:29.149 FOB, I don't know, whatever it is. 54:30.449 --> 54:30.810 Snare. 54:31.270 --> 54:31.811 Snare. 54:32.011 --> 54:32.512 Snare. 54:33.192 --> 54:35.595 So here are some suggestions for the theme What I've Come In. 54:36.275 --> 54:37.136 Morning Adam and Jo. 54:37.216 --> 54:40.019 I think you two should write a theme tune for Columbo as he doesn't have one. 54:40.039 --> 54:40.860 You two will never get them. 54:42.522 --> 54:45.184 And I think a legend like Columbo should have one of the best theme tunes. 54:45.224 --> 54:48.007 That's from Jamie and Julie and Little Louie from Billingham. 54:48.107 --> 54:48.648 Anything there? 54:49.008 --> 54:50.269 Buxton theme tune to Columbo? 54:50.289 --> 54:51.451 Does that have to be Columbo? 54:51.651 --> 54:52.612 Yeah, that's the suggestion. 54:52.652 --> 54:53.473 Theme tune to Columbo. 54:54.684 --> 54:55.585 Do you ever watch Columbo? 54:56.085 --> 54:56.506 Uh, no. 54:56.986 --> 54:57.687 Well, kind of. 54:57.747 --> 55:00.009 He's the shuffly plastic Mac guy, Peter Falk. 55:00.249 --> 55:00.650 Yeah. 55:00.810 --> 55:01.771 You think he's an idiot? 55:02.151 --> 55:03.452 But no, he's really brilliant. 55:03.492 --> 55:04.193 He's a genius. 55:04.233 --> 55:04.794 He's a genius. 55:04.834 --> 55:05.274 That's the idea. 55:05.294 --> 55:06.235 Come on, we've got to whittle through these. 55:06.255 --> 55:07.296 We can't spend too long on them. 55:07.676 --> 55:08.977 Here's another one from Yadi. 55:09.998 --> 55:14.463 It says, maybe you should send a song wars around the subject of mints and its magical properties. 55:14.783 --> 55:15.143 Mints? 55:15.664 --> 55:16.545 A song about mints? 55:16.705 --> 55:17.485 As in mints meat. 55:18.326 --> 55:37.378 uh yeah i think that's what he means yeah not a little bowl of mints uh no m-i-n-c-e yeah kitty in london says how about a world music song wars must be sung in another language hmm that's quite a good one the language is good yeah yeah uh russ says a tourism song for places you were forced to go to on school trips 55:37.978 --> 55:38.959 School trip's got that one. 55:39.099 --> 55:39.820 There's lots of these. 55:39.840 --> 55:41.101 You better write a bit faster. 55:41.141 --> 55:42.722 Well, I'm only writing the ones I really like, Dan. 55:42.962 --> 55:43.583 Okay, song wars. 55:43.603 --> 55:47.646 The emotional struggle of pop stars who only ever get to number two in the charts then claim that's okay. 55:47.666 --> 55:48.486 So Simon and Putney. 55:48.506 --> 55:49.007 Hmm. 55:49.767 --> 55:50.068 Yeah. 55:50.588 --> 55:50.768 Yeah. 55:51.269 --> 55:52.109 I like another language. 55:52.129 --> 55:53.931 Remix each other's songs, says Vicky. 55:53.951 --> 55:55.132 Right. 55:55.352 --> 55:58.915 A song about obsolete technology, says Dinsdale. 55:58.935 --> 56:01.136 Anything there? 56:02.197 --> 56:07.179 Uh, Neil says, and quite a lot of people have suggested, we write songs about the hassle and grief of actually writing songs. 56:07.519 --> 56:08.979 Right, about the creative process. 56:09.299 --> 56:09.559 Yeah. 56:09.780 --> 56:10.240 Ca-cathol? 56:10.380 --> 56:11.120 In Belfast? 56:11.160 --> 56:11.640 Cathol? 56:11.660 --> 56:14.101 Not sure where the emphasis there is there on that name. 56:14.401 --> 56:17.202 I think the theme of next week's Song Wars should be the joys of democracy. 56:18.859 --> 56:19.500 Okay. 56:19.520 --> 56:20.420 Any response there? 56:20.620 --> 56:21.581 Democracy. 56:21.601 --> 56:23.362 It's a little bit broad. 56:23.542 --> 56:26.044 Someone else, an anonymous one, says, song about Paul McKenna. 56:26.885 --> 56:27.345 Yeah. 56:27.485 --> 56:28.245 And hypnosis. 56:28.506 --> 56:29.446 Mm-hmm. 56:29.506 --> 56:32.168 Someone says, maybe I should whistle through some of these. 56:34.009 --> 56:42.615 So far my favorites out of that list are, I like the idea of doing something in another language, and I like the idea of writing something about the actual- We can't both do French though. 56:43.075 --> 56:45.936 That's the only language either of us knows anything about. 56:46.076 --> 56:46.857 I know some Spanish. 56:47.157 --> 56:50.939 Mind you, we could go to Babelfish or whatever that online translation site is. 56:51.339 --> 56:52.319 Oh, I've never been to that. 56:52.499 --> 56:58.962 Yeah, there's translation sites where you can type in stuff and it gives you a very approximate, but that could be amusing. 56:59.463 --> 57:04.125 And then we could even find a listener who's fluent in that language and get them to review the song. 57:04.445 --> 57:04.665 Right. 57:04.985 --> 57:05.686 Could we do that? 57:05.746 --> 57:06.586 That's a lot of ifs there. 57:06.866 --> 57:16.157 Well, if you're fluent in another language, just drop us an email adamandshow.6musicatbbc.co.uk with your name and your phone number and the language that you're fluent in. 57:16.678 --> 57:16.978 Yeah? 57:17.759 --> 57:23.265 And then maybe that'll work. 57:23.385 --> 57:24.747 Are we choosing that one then? 57:25.067 --> 57:25.288 Are we? 57:25.848 --> 57:29.549 I don't understand what that one was, you just said- Foreign language, foreign languages. 57:29.569 --> 57:32.649 Yeah, but what was the bit about getting the other person in- Okay, this was my knowledge. 57:32.669 --> 57:36.610 We can't both do- The only language either of us know- Oh, you know Spanish, don't know some Spanish. 57:36.630 --> 57:38.250 There you go, so I could do French and you could do Spanish. 57:38.270 --> 57:38.911 Why don't we do that? 57:38.931 --> 57:39.411 Alright. 57:39.951 --> 57:41.631 But French is the more fun language. 57:41.791 --> 57:43.772 Well then you do French and I'll do Spanish. 57:44.132 --> 57:46.272 It's okay, I'll do Spanish, I'll do some Spanish stuff. 57:46.312 --> 57:48.332 I'll do some like pretend flamenco guitar or whatever. 57:48.372 --> 57:48.813 You'll be good. 57:49.753 --> 57:50.413 It'll be good. 57:50.453 --> 57:50.593 Yeah. 57:51.193 --> 57:51.734 So there we go. 57:51.774 --> 57:52.115 That's it. 57:52.155 --> 57:52.795 Who was that from? 57:52.815 --> 57:53.236 I've forgotten. 57:53.256 --> 57:53.957 Well, we'll find out. 57:54.037 --> 57:54.518 But there we go. 57:54.538 --> 57:59.404 So next week, Songwars is back and it's going to be foreign language songs in a foreign language. 57:59.865 --> 58:00.666 Joe's in French. 58:01.267 --> 58:02.008 Mine in Spanish. 58:02.028 --> 58:02.348 Yeah. 58:02.628 --> 58:04.551 Do we need the songs to be about something? 58:06.113 --> 58:07.515 I mean, you can't just have the language. 58:07.555 --> 58:08.316 They need a subject. 58:09.076 --> 58:11.118 Oh god, I'm gonna have to keep going through these emails. 58:11.318 --> 58:12.359 Okay, keep those ideas coming in. 58:12.379 --> 58:13.400 We'll go through these emails for a theme. 58:13.861 --> 58:17.024 Uh, now it's time for some, uh, Nick Cave, ladies and gentlemen. 58:17.064 --> 58:20.948 This is the new one from Nick and the Bad Seeds, and it's called Dig Lazarus Dig. 58:21.388 --> 58:23.810 Nick Cave and the Bad Seeds with Dig Lazarus Dig. 58:23.830 --> 58:26.993 This is Adam and Joe, here on BBC Six Music. 58:28.211 --> 58:46.381 Joe Cornish is excited he's just come back from a trip to America and with him he's bought an amazing what is almost like a gold brick and it is a copy of the Andrew Morton unauthorized Tom Cruise you may touch it Adam thank you very easily 58:47.341 --> 58:59.371 this is the book that uh you know it's been banned or something yeah i went into the bookshop and i was flicking through it and the woman said this may have just been a sales technique she said oh that book's been banned 59:00.553 --> 59:01.274 I said, really? 59:01.334 --> 59:06.918 She said, yeah, the Scientologists, they paid the publishers about a million dollars not to reprint it. 59:07.738 --> 59:09.920 So these five copies I have, they're the last copies. 59:09.980 --> 59:11.361 Once these are gone, it's gone forever. 59:11.481 --> 59:12.862 That's what she says about all the books. 59:13.542 --> 59:14.943 Oh, Harry Potter. 59:15.043 --> 59:16.224 That's been banned. 59:16.725 --> 59:18.826 The Scientologists, they paid J.K. 59:18.886 --> 59:22.869 Rowling two million dollars not to publish any more Harry Potter books. 59:23.089 --> 59:23.889 But what if it's true? 59:24.390 --> 59:24.950 Yeah. 59:24.970 --> 59:26.291 Well, imagine what this will be worth. 59:27.131 --> 59:30.873 About 15 or 16 quid. 59:31.133 --> 59:34.735 If you try and buy this book on Amazon, they hurt you. 59:35.055 --> 59:35.995 It's you're not allowed to. 59:36.215 --> 59:36.656 No, they don't. 59:36.696 --> 59:39.037 It says on the back not for sale in the UK and Ireland. 59:39.097 --> 59:39.357 Wow. 59:39.897 --> 59:42.919 It's full of such amazingly hot stuff and info. 59:42.979 --> 59:43.239 Yeah. 59:43.699 --> 59:46.840 That it's it's ruining Tom Cruise's career. 59:46.920 --> 59:47.821 Read a sentence at random. 59:47.841 --> 59:49.362 He can't get another film. 59:49.402 --> 59:50.082 He can't make a deal. 59:50.242 --> 59:50.442 Right. 59:50.582 --> 59:53.443 All because of Morton's scandalous revelations. 59:53.623 --> 59:55.843 Morton's a genius, a great writer. 59:55.883 --> 59:57.624 He's the king of the scandalous revelation. 59:57.704 --> 59:59.204 He wrote the Diana Chronicles. 59:59.784 --> 01:00:02.285 He wrote Monica's story about Monica Lewinsky. 01:00:02.545 --> 01:00:04.986 None of his other books have been banned, though, have they? 01:00:05.046 --> 01:00:05.126 No. 01:00:05.146 --> 01:00:08.186 I mean, the last book I can remember being banned is Spy Catcher. 01:00:08.266 --> 01:00:08.827 Exactly. 01:00:09.847 --> 01:00:10.687 And what a book. 01:00:10.867 --> 01:00:11.547 What a book. 01:00:11.607 --> 01:00:13.768 I bought that back from America when I was a kid. 01:00:13.908 --> 01:00:14.148 Yeah. 01:00:14.308 --> 01:00:16.188 Gave it to my dad, thinking he'd be excited. 01:00:17.089 --> 01:00:17.809 He looked sad. 01:00:18.949 --> 01:00:22.293 He looked at me like I've bought him back in a dog plot wrapped in tissue paper. 01:00:22.673 --> 01:00:24.496 Which is in a way what I had. 01:00:25.176 --> 01:00:28.120 And now you've got Tom Cruise's unofficial biograss. 01:00:28.200 --> 01:00:30.963 I've progressed zero inches since I was 14. 01:00:31.123 --> 01:00:31.744 Read a sentence. 01:00:31.844 --> 01:00:32.324 Read a sentence. 01:00:32.344 --> 01:00:33.466 Doesn't matter if it's totally boring. 01:00:33.486 --> 01:00:34.387 Let's just try it at random. 01:00:34.407 --> 01:00:36.850 Let's put the book to the test, the random sentence test. 01:00:38.177 --> 01:00:39.339 Random sentence test. 01:00:39.439 --> 01:00:41.181 It's got to be a real random sentence test. 01:00:53.676 --> 01:01:01.641 Yet the husband who had once smothered her in red roses, love notes and adoration did not even tell her face-to-face, man-to-woman, that their ten-year marriage was over. 01:01:02.242 --> 01:01:08.026 Nicole learned that she had been written out of the script of Tom's life from a go-between, his liar. 01:01:08.566 --> 01:01:09.687 One of the go-betweens! 01:01:09.767 --> 01:01:10.848 A sizzling revelation! 01:01:10.868 --> 01:01:11.568 I can't believe it! 01:01:12.068 --> 01:01:15.050 What a great band, and she hired one of them to tell him. 01:01:15.291 --> 01:01:16.491 No, he hired one of them. 01:01:16.932 --> 01:01:18.032 That's disgraceful. 01:01:18.052 --> 01:01:18.773 That's disgraceful. 01:01:18.793 --> 01:01:19.513 Let's do another one. 01:01:19.794 --> 01:01:21.255 This book's amazing. 01:01:21.275 --> 01:01:23.016 It's like opening a box of fireworks. 01:01:23.836 --> 01:01:28.560 The temperature in Montreal had plummeted, but her work there was nearly done. 01:01:29.120 --> 01:01:34.164 Stunning actress Sophia Vergara was shooting the final scenes of a bloody family revenge movie for brothers. 01:01:36.126 --> 01:01:40.249 While on the set with former boyfriend Mark Wahlberg, the Columbian-born model received an intriguing invitation 01:01:42.907 --> 01:01:44.208 It's bound to be Brill's though, isn't it? 01:01:44.228 --> 01:01:45.909 It's just all about the women in his life, isn't it? 01:01:46.169 --> 01:01:49.411 I tell you what it does reveal is that Cruise is definitely not gay. 01:01:49.892 --> 01:01:50.192 Oh, right. 01:01:50.312 --> 01:01:50.532 Yeah. 01:01:50.812 --> 01:01:54.615 It's saying that all those silly rumours that went around that he was, uh, in the closet. 01:01:54.775 --> 01:01:55.055 Yeah. 01:01:55.195 --> 01:01:55.536 Not true. 01:01:55.756 --> 01:01:57.097 Well, I never thought... He's a ladies man. 01:01:57.297 --> 01:01:58.578 I never thought they were true. 01:01:58.658 --> 01:01:58.918 No. 01:01:59.398 --> 01:02:02.801 Because I always, you know, fancied him and he never fancied me back. 01:02:03.701 --> 01:02:04.402 It's funny, isn't it? 01:02:04.462 --> 01:02:08.324 How suddenly big stars' careers can suddenly kind of end. 01:02:08.345 --> 01:02:09.245 It is funny, man. 01:02:09.285 --> 01:02:10.286 It makes me chuckle. 01:02:11.147 --> 01:02:12.268 It happened so quickly. 01:02:13.269 --> 01:02:13.629 Didn't it? 01:02:13.849 --> 01:02:16.011 The same thing happened to Jim Carrey. 01:02:16.432 --> 01:02:16.912 No, he's not. 01:02:16.932 --> 01:02:17.993 He can't get arrested either. 01:02:18.133 --> 01:02:18.473 Really? 01:02:18.493 --> 01:02:18.994 Yeah. 01:02:19.234 --> 01:02:20.275 No, come on, Carrey. 01:02:20.315 --> 01:02:22.657 I'm always up for paying a bit of money to see Carrey in action. 01:02:22.677 --> 01:02:24.559 Me too, but I don't know if it's gonna happen. 01:02:24.679 --> 01:02:25.860 I'd go and see Tom's next photo. 01:02:25.880 --> 01:02:26.281 So would I. 01:02:27.381 --> 01:02:30.522 Now, here's a band that I am deeply in love with, Spoon. 01:02:30.782 --> 01:02:32.443 They're playing on Monday night. 01:02:32.463 --> 01:02:34.524 If you want to come along, folks, let's hang out. 01:02:34.584 --> 01:02:36.524 Come on, let's buy each other drinks at the Spoon Gig. 01:02:36.744 --> 01:02:38.545 They're playing at the Scala, King's Cross. 01:02:38.685 --> 01:02:40.646 Good venue, good venue. 01:02:40.666 --> 01:02:46.608 I think I'll be able to see there, which is quite unusual for me, because usually I'm so titchy that I can't see anything at all. 01:02:47.708 --> 01:03:09.173 but I can usually get a pretty good view at the Scala and man if they carry on playing on the form that they've been playing recently it'll be an amazing gig I love Spoon and I hope they'll play this one this is a track from their new album Ga Ga Ga Ga I say their new album it was released the end of last year but it says Peach wonderful album and this is a great song it's very simple like a lot of their stuff it just sort of 01:03:09.813 --> 01:03:19.520 builds and builds, and there's only one line that he says pretty much, it's just my Japanese cigarette case, and then a little line after that, but he gets so much out of it. 01:03:19.680 --> 01:03:20.921 They do so much with so little. 01:03:21.141 --> 01:03:21.681 This is Spoon. 01:03:22.462 --> 01:03:22.982 There you go. 01:03:23.122 --> 01:03:24.123 That's the Drunky Man. 01:03:24.183 --> 01:03:24.623 Faces. 01:03:24.824 --> 01:03:25.804 The Drunky Boys. 01:03:25.864 --> 01:03:27.145 Had me a real good time. 01:03:27.285 --> 01:03:28.286 Oh, that's a session recorded in 71. 01:03:29.967 --> 01:03:37.292 At some point, apparently, here at the Big British Castle, nobody actually recorded the details of that session, so it's a bit of a mystery. 01:03:37.312 --> 01:03:39.193 Because everyone was so drunk on having a good time. 01:03:39.213 --> 01:03:40.634 Just having a good time, I imagine. 01:03:40.654 --> 01:03:41.475 There you go. 01:03:42.055 --> 01:03:47.138 Um, and, uh... Sorry, Jude, what did you say we're gonna... Oh yes, we're gonna wrap up Text the Nation now, is that correct? 01:03:47.178 --> 01:03:48.259 Yes, like this! 01:03:48.819 --> 01:03:51.421 Text the Nation! 01:03:51.461 --> 01:03:51.741 Text! 01:03:51.821 --> 01:03:52.102 Text! 01:03:52.162 --> 01:03:52.402 Text! 01:03:52.422 --> 01:03:52.522 Text! 01:03:52.642 --> 01:03:53.362 Text the Nation! 01:03:53.443 --> 01:03:54.403 What if I don't want to? 01:03:54.663 --> 01:03:55.404 Text the Nation! 01:03:55.484 --> 01:03:56.465 But I'm using email! 01:03:56.665 --> 01:03:57.365 Is that a problem? 01:03:57.405 --> 01:03:57.965 It doesn't matter! 01:03:57.986 --> 01:03:58.206 Text! 01:04:00.689 --> 01:04:04.232 So text the nation, this week listeners has been all about movie twists. 01:04:04.853 --> 01:04:09.997 We may have given away a couple of twists for some older films, for which we apologise. 01:04:10.617 --> 01:04:24.249 The listening public tends to get very sensitive when it comes to spoilers, and I agree with them with new films or the things that have been released in the last couple of years, but with films that are a few years old, then hey, if you haven't seen it, that's your fault. 01:04:24.429 --> 01:04:25.110 That is your fault. 01:04:25.130 --> 01:04:25.650 You know what I mean? 01:04:25.670 --> 01:04:28.793 You've got to be able to discuss things at some point otherwise where would anybody get? 01:04:29.373 --> 01:04:34.797 uh, by hearing the twist in films, then you probably shouldn't listen to a radio conversation about film twists. 01:04:35.017 --> 01:04:35.517 That's true. 01:04:35.537 --> 01:04:36.538 Do you know what I mean? 01:04:36.758 --> 01:04:37.779 I think that's a fair point. 01:04:37.799 --> 01:04:38.800 It's a good area of the void. 01:04:38.820 --> 01:04:43.543 Um, so we've been discussing what the twist is gonna be in M. Night Shyamalan's, how do you actually say his name? 01:04:43.583 --> 01:04:44.323 Shyamalan. 01:04:44.363 --> 01:04:46.545 Shyamalan's new film The Happening. 01:04:47.706 --> 01:04:50.988 which is all about sort of nature taking revenge on man or something like that. 01:04:51.288 --> 01:04:54.191 We've also been broadening the discussion in two twists in general. 01:04:55.852 --> 01:05:05.000 Put me in mind of one of my favourite twist endings which is the film Explorers directed by Joe Dante starring River Phoenix and Ethan Hawke. 01:05:05.660 --> 01:05:09.682 Yeah, and some other kid that nobody knows who he was, that's got a brilliant twist. 01:05:09.702 --> 01:05:12.423 They go into space and they meet aliens, do you remember? 01:05:13.624 --> 01:05:25.269 And the twist is that the aliens they meet are just kids, and the grown-up aliens come and sort of tick the little child aliens off for sending a distress message to the Earth. 01:05:25.529 --> 01:05:26.570 That's a good film, man. 01:05:26.730 --> 01:05:27.290 It's a great film. 01:05:27.311 --> 01:05:28.011 My children love that. 01:05:28.031 --> 01:05:32.695 If you've got small children out there, listeners, and they're aged about three or four or over. 01:05:32.735 --> 01:05:33.776 Explorers is the one, I guess. 01:05:33.816 --> 01:05:39.621 Explorers is an absolute peach, and they will really enjoy it, I guarantee, and it's not one that's like an obvious choice. 01:05:39.781 --> 01:05:42.243 I met Joe D'Anse, actually, and discussed Explorers with him. 01:05:42.483 --> 01:05:44.745 We've gotta bring back the name drop sound. 01:05:44.785 --> 01:05:45.926 The name drop sound, yeah. 01:05:46.006 --> 01:05:49.429 So, Tom, we're not gonna get into that, though, but you told me some good stories about Explorers, though. 01:05:49.489 --> 01:05:49.729 Did he? 01:05:50.009 --> 01:05:51.010 Yeah, he hates it. 01:05:51.030 --> 01:05:52.512 He hasn't seen it as a disaster. 01:05:52.572 --> 01:05:55.035 He had to deliver it before it was finished. 01:05:55.295 --> 01:05:57.077 There's loads of things to love about that film. 01:05:57.358 --> 01:05:58.839 Okay, so twists anyway, here we go. 01:05:59.700 --> 01:06:02.564 Ella has just reminded us of some other basic twists. 01:06:02.584 --> 01:06:07.750 We were trying to compile a list of the fundamental twists that a writer has to draw on, the ones that are established already. 01:06:08.390 --> 01:06:09.632 The I Am Your Father twist. 01:06:10.032 --> 01:06:10.272 Right. 01:06:10.372 --> 01:06:13.633 Some kind of familial relationship between two characters in a story. 01:06:13.954 --> 01:06:15.074 That's a very good one, isn't it? 01:06:15.614 --> 01:06:18.815 And she also points out that incest is another key one. 01:06:18.895 --> 01:06:21.637 Finding out that you're somebody's sister or brother. 01:06:22.477 --> 01:06:24.838 Something that Star Wars kind of accidentally dallies with. 01:06:25.478 --> 01:06:26.999 In a very naughty, dirty way. 01:06:27.100 --> 01:06:27.780 Dirty! 01:06:28.501 --> 01:06:39.851 Tom Marcham also gives us a classic twist, which is a variation on the hero is the villain twist, and he's suggesting... Oh, I don't know, I've got confused with this one. 01:06:39.871 --> 01:06:49.760 Basically, he's suggesting that the Shawshank Redemption would be better if the twist was that Tim Robbins actually was a murderer, and when he escapes at the end, he embarks on a killing spree. 01:06:50.340 --> 01:06:51.801 That would be quite good, wouldn't it? 01:06:51.921 --> 01:06:53.302 It would be a different time with film. 01:06:53.322 --> 01:06:55.683 Suddenly intensely gory last five minutes. 01:06:55.743 --> 01:06:56.104 Yeah. 01:06:56.544 --> 01:06:58.385 Of insane machete death. 01:06:58.425 --> 01:07:01.687 To switch from a real feel-good classic to being just released. 01:07:01.707 --> 01:07:09.692 And just suddenly ending on a freeze frame of maybe him decapitating a parking warden and screaming and blood at his freeze. 01:07:10.292 --> 01:07:10.592 The end. 01:07:10.652 --> 01:07:14.134 Well, sometimes an extreme downer is a twist in itself. 01:07:14.334 --> 01:07:16.235 Like I'm thinking of the vanishing, of course. 01:07:16.796 --> 01:07:17.536 Yes. 01:07:17.636 --> 01:07:18.777 We can't give away the end of that. 01:07:19.037 --> 01:07:25.382 No, I don't intend to, but the ending changes your whole conception of the film in a way, doesn't it? 01:07:25.422 --> 01:07:28.425 I mean, it changes everything, changes your whole conception on life, more or less. 01:07:28.445 --> 01:07:31.507 You just want to go and lie down for a while. 01:07:31.707 --> 01:07:35.110 Yeah, do watch the original Vanishing, not the Jeff Bridges remake listeners. 01:07:35.230 --> 01:07:38.333 No, the changing, the twist in the Jeff Bridges one is 01:07:38.533 --> 01:07:39.414 It's a different twist. 01:07:39.454 --> 01:07:39.994 Much more upbeat. 01:07:40.015 --> 01:07:41.636 They twist it back again, so it's cheerful. 01:07:42.597 --> 01:07:44.779 Here's another one, another basic twist as well. 01:07:44.799 --> 01:07:49.564 This is from Clare in Birmingham, who says, we forgot that someone turns out to be an android twist. 01:07:50.425 --> 01:07:53.347 Which is quite right, a character you think is normal turns out to be a robot. 01:07:53.708 --> 01:07:55.710 Usually gets their head chopped off, a la Alien. 01:07:55.770 --> 01:07:55.970 Right. 01:07:56.250 --> 01:07:59.153 It's a good... Ridley Scott Riddles does that a lot, she also points out. 01:07:59.213 --> 01:07:59.393 Yeah. 01:08:00.134 --> 01:08:02.617 Okay, but back to the happening. 01:08:03.517 --> 01:08:06.119 All right, here's one from Paul, who's listening in Japan. 01:08:06.280 --> 01:08:07.521 Wow, how exotic. 01:08:08.561 --> 01:08:09.382 Um, okay. 01:08:10.363 --> 01:08:15.527 Uh, he's actually, he's suggesting another basic twist, which is the practice run twist. 01:08:15.707 --> 01:08:16.108 Oh yeah. 01:08:16.408 --> 01:08:30.620 Yeah, so this is when maybe a story, and this is usually used at the beginning of a story where, like, the characters are involved in some major conflict or amazing battle, and then at the climax, somebody flicks a switch and it all vanishes, and it turns out they're on the holodeck all the time. 01:08:30.660 --> 01:08:31.180 That's right. 01:08:31.220 --> 01:08:32.121 Or it's a simulation. 01:08:32.321 --> 01:08:37.424 They use it at nauseam in Star Trek and also Battlestar Galactic uses it a couple of times. 01:08:37.725 --> 01:08:39.466 And I'll tell you now that you've reminded me of that. 01:08:40.186 --> 01:08:45.030 The time when you can use the it was only a dream twist is at the beginning. 01:08:45.370 --> 01:08:48.012 There's a load of things that they start really weird. 01:08:48.172 --> 01:08:56.337 Sopranos used to use it quite a bit and it starts out and everything's a little bit weird and there's strange music playing and characters you thought were dead are suddenly resurrected. 01:08:56.497 --> 01:08:56.937 That's true. 01:08:56.957 --> 01:08:57.798 Hang on, what's going on? 01:08:58.038 --> 01:08:58.559 Turns out. 01:08:58.779 --> 01:09:01.000 So you're saying it's it's acceptable at the beginning. 01:09:01.020 --> 01:09:01.961 Acceptable at the beginning. 01:09:02.381 --> 01:09:02.821 at the end. 01:09:02.961 --> 01:09:03.181 Yeah. 01:09:03.361 --> 01:09:09.203 Okay, here are some alternative twists or some suggested twists for M Night Shyamalama Ding Dong's film The Happening. 01:09:09.503 --> 01:09:17.126 This is from Morgan Fellows, who says, I reckon the twist in Shyamalama Ding Dong's new B film could be that it's all Al Gore's fault. 01:09:17.406 --> 01:09:17.666 Yeah. 01:09:17.906 --> 01:09:23.228 There would be a reveal late in the film where Marky Marks fought his way into the office of the Mr Big behind the B problem. 01:09:23.628 --> 01:09:26.469 Marky's tired, his vest is dirty, his funky bunch are all dead. 01:09:26.929 --> 01:09:31.452 Mr Big, behind his big desk, spins his big chair round to face Markey, and it's Al Gore! 01:09:31.532 --> 01:09:31.912 Yay! 01:09:32.072 --> 01:09:32.392 You! 01:09:32.772 --> 01:09:33.333 But why? 01:09:33.573 --> 01:09:34.453 Exclaims Markey. 01:09:35.054 --> 01:09:40.797 I'm a bit shaky on the actual reason why Al Gore might have turned the plants against the bees in the human race, but these are just details. 01:09:40.877 --> 01:09:41.578 Of course, listen. 01:09:41.598 --> 01:09:47.141 Maybe he's been stockpiling honey in order to make a huge profit, selling it at high prices to survivors. 01:09:47.441 --> 01:09:50.403 I thought Morgan was going to say in order to make a huge sandwich. 01:09:51.663 --> 01:09:52.524 Which would have been better. 01:09:53.004 --> 01:09:55.367 No one knows why Al Gore does these things. 01:09:55.407 --> 01:09:57.249 You know, no one knows why he's wrecked the climate. 01:09:57.750 --> 01:10:00.093 He's just plowing his own crazy furrow. 01:10:00.133 --> 01:10:00.473 He is. 01:10:00.553 --> 01:10:01.274 He's a mad man. 01:10:01.475 --> 01:10:02.276 And he must be stopped. 01:10:02.296 --> 01:10:03.097 He's a mad man. 01:10:03.597 --> 01:10:05.039 Here's a suggestion from Matt. 01:10:05.299 --> 01:10:07.903 He says, maybe the bees are dying because Winnie the Pooh's on a honey binge. 01:10:09.764 --> 01:10:09.944 Yep. 01:10:09.984 --> 01:10:12.186 That's a good laugh. 01:10:13.286 --> 01:10:15.367 Here's one from Seb Burnett. 01:10:16.288 --> 01:10:17.649 Hello Adam and hello Joe. 01:10:17.749 --> 01:10:21.751 I think the twist is that Marky Mark is... Marky Mark is what has been killing all the people. 01:10:21.971 --> 01:10:22.291 Right. 01:10:22.311 --> 01:10:24.953 So it isn't nature but mankind that has caused this. 01:10:25.573 --> 01:10:29.235 Except Marky Mark turns out to be a robot controlled by a really mean bee. 01:10:29.575 --> 01:10:29.915 Wow. 01:10:30.116 --> 01:10:30.956 Now that's amazing. 01:10:31.036 --> 01:10:36.299 Which brings us on, surely, to the news here on BBC Six Music. 01:10:40.120 --> 01:10:42.142 That's one of those shouty ladies. 01:10:43.223 --> 01:10:45.104 The yayayayas there with date with the night. 01:10:45.124 --> 01:10:46.105 That's an old one though, right? 01:10:46.706 --> 01:10:49.628 That's a classic three year, 30 years old. 01:10:49.648 --> 01:10:50.089 Oh, three. 01:10:50.109 --> 01:10:50.089 2003. 2003. 01:10:55.693 --> 01:10:57.414 Uh, Karen O. Her name is, isn't it? 01:10:57.814 --> 01:11:00.234 And she loves to shout and jump about. 01:11:00.614 --> 01:11:03.115 And, um, and they're called the AAS. 01:11:03.495 --> 01:11:05.195 This is Adam and Joe here on BBC Six Music. 01:11:05.215 --> 01:11:13.397 Time to wrap up, uh, text the nation so we sort of brutally interrupted our last little, uh, text reading out session there with the news. 01:11:13.517 --> 01:11:14.758 Joe, do you want to resume? 01:11:14.798 --> 01:11:15.598 Sure, sure I will. 01:11:16.078 --> 01:11:17.099 There's one from Murray. 01:11:17.119 --> 01:11:18.779 Dave, you've just tuned in there. 01:11:18.799 --> 01:11:31.446 People are suggesting new twists or trying to guess what the twist might be for the new M. Night Shyamalan film, The Happening, which is about nature taking revenge on humans. 01:11:32.286 --> 01:11:39.490 Murray in Morecambe says, maybe the twist in The Happening is that Stevie wonders behind it all with his Secret Life of Plants record. 01:11:39.610 --> 01:11:40.210 Very nice. 01:11:40.250 --> 01:11:40.751 Very nice. 01:11:40.771 --> 01:11:41.431 Six music. 01:11:41.451 --> 01:11:42.512 A bit of music knowledge. 01:11:42.532 --> 01:11:45.033 Original reference explaining to the subject. 01:11:46.954 --> 01:11:51.318 Here's another one, Tom from Middlesex, who says, the twist, I like this one, Tom. 01:11:52.219 --> 01:12:01.286 After the BBC fails to commission David Attenborough, another nature show, Attenborough turns evil, using all of the relationships he's built up with animals over the years to take over the world. 01:12:01.306 --> 01:12:02.947 Good idea to get Attenborough in there, yeah. 01:12:03.288 --> 01:12:07.611 He films it, then presents it on his own TV station, which turns out to be the entire film. 01:12:08.292 --> 01:12:14.457 That's good in these post Cloverfield days, and indeed George A. Romero's Diary of the Dead to have a kind of 01:12:15.197 --> 01:12:21.142 presentational angle on your film, you know, to make it some kind of found footage involved the media. 01:12:21.163 --> 01:12:21.723 Exactly. 01:12:21.843 --> 01:12:23.084 That's a very good idea, Tom. 01:12:23.885 --> 01:12:25.446 Here's one from Rob in Birmingham. 01:12:26.327 --> 01:12:31.211 Hi guys, the reason the plants and flowers have turned against us in the happening is due to people weighing on them. 01:12:32.953 --> 01:12:38.780 This could be explained at the end in flashback as Marky Mark is shown stumbling out of a pub and urinating over a lovely rose bush. 01:12:39.321 --> 01:12:50.555 This turns out to be the last straw for the plant kingdom, so they decide to pump all the stale wee wee vapours that oh dear, I'm gonna have to stop reading that one, it's too juvenile, too juvenile even for us. 01:12:52.456 --> 01:13:00.318 Stu says, Hi Adam and Jo, could it be that all the bees have gone to a huge bee convention where Billy Piper is playing her popular hit Honey to the Bee? 01:13:01.039 --> 01:13:06.360 This causes a severe shortage of honey and all the Americans drop to the floor in thirst for honey. 01:13:06.440 --> 01:13:09.501 I like the fact that he points out that it's the Americans. 01:13:09.861 --> 01:13:10.641 The Americans. 01:13:10.821 --> 01:13:12.402 All the Americans drop to the floor. 01:13:12.482 --> 01:13:13.562 Typical of the Americans. 01:13:14.282 --> 01:13:17.164 So he's got Billy playing at the Bee convention rather than the bees? 01:13:17.584 --> 01:13:22.266 Nah, well, you know, he's not as obvious as you in his humorous jags. 01:13:22.926 --> 01:13:24.507 Okay, now this is a very involved one. 01:13:25.047 --> 01:13:27.008 It comes from... Sting could be playing. 01:13:27.028 --> 01:13:27.809 Sting could be playing. 01:13:27.909 --> 01:13:28.189 Carry on. 01:13:28.389 --> 01:13:33.932 This comes from John Hesk and he's at some kind of university, St Andrews or something I think. 01:13:34.772 --> 01:13:38.353 Dear Adam and Jo, my twist for the Shy Malan Bees Movie. 01:13:38.914 --> 01:13:43.035 The best twists are hinted at in the preceding narrative, and you see them retrospectively. 01:13:43.075 --> 01:13:47.977 I read somewhere that bees should not be able to fly according to the conventional laws of physics. 01:13:53.659 --> 01:14:03.406 Okay, in the film this is discussed in passing by a bee scientist, but then he and Marky Mark gradually work out that bees fly according to hitherto undiscovered rules of quantum subatomic particle physics. 01:14:03.927 --> 01:14:10.292 Global warming has somehow caused the quantum time-space thingy to ripple, and the bees are being sucked into a quantum fourth dimension. 01:14:10.732 --> 01:14:17.697 Marky Mark and the scientists discover this at the end, have to fly into the fourth dimension in a special quantum spaceship which has a big net or something. 01:14:18.057 --> 01:14:20.019 Maybe the spaceship emulates bee flight. 01:14:20.479 --> 01:14:23.440 The details for this obviously have to be thought through more clearly. 01:14:23.880 --> 01:14:27.841 If you read this out on the radio, can you tell my three-year-old daughter to stop being a bit naughty? 01:14:28.862 --> 01:14:29.682 Man, job done. 01:14:30.182 --> 01:14:31.883 But he's got obsessed with the bees there. 01:14:31.903 --> 01:14:38.625 He has, but you know, I know that didn't make much sense, but here's a man who's really tried to think about this from a scientific level. 01:14:38.765 --> 01:14:42.886 I like the fact that he says I read somewhere that bees really shouldn't fly according to the laws of physics. 01:14:42.926 --> 01:14:47.468 I'm pretty sure that he found that out from Bee Movie, where they make a big deal out of that fact. 01:14:47.708 --> 01:14:49.311 And I'm sorry if that's not the case, sir. 01:14:49.371 --> 01:14:51.033 No disrespect to you, JPH. 01:14:51.093 --> 01:14:56.161 Finally, here's a good one from Dave Funky Pancake, right? 01:14:56.181 --> 01:14:56.422 Uh-huh. 01:14:57.103 --> 01:15:02.772 Uh, he says in the final scene, a giant queen bee arrives wearing a beard of live humans. 01:15:03.152 --> 01:15:03.472 Yeah. 01:15:03.492 --> 01:15:03.893 Come on. 01:15:03.913 --> 01:15:04.673 That's pretty good, isn't it? 01:15:04.693 --> 01:15:05.794 That's good, I'd pay you to see that. 01:15:06.034 --> 01:15:10.236 Thank you very much indeed for all your texts and emails and messages for Text the Nation this week. 01:15:10.277 --> 01:15:13.298 I have to apologise for not actually being able to read clearly. 01:15:13.318 --> 01:15:14.719 I don't think you do have to apologise. 01:15:14.739 --> 01:15:15.340 I kept stumbling. 01:15:15.540 --> 01:15:16.540 Come on, doesn't matter. 01:15:16.600 --> 01:15:17.561 Very jet lagged. 01:15:17.701 --> 01:15:23.205 I'm pretty sure people don't listen to this show for... It's not... Do you think I'm... For slickness. 01:15:24.445 --> 01:15:24.625 What? 01:15:25.326 --> 01:15:28.748 Jude is mocking me for just mentioning being jetlagged as if I'm showing off. 01:15:29.049 --> 01:15:29.209 Oh, I see. 01:15:29.229 --> 01:15:30.250 Because I've been on a plane. 01:15:30.270 --> 01:15:32.691 It is quite affordable for most people. 01:15:33.232 --> 01:15:33.672 Yeah. 01:15:33.892 --> 01:15:34.533 Killing the planet? 01:15:34.833 --> 01:15:36.654 Killing the planet is affordable for most people. 01:15:36.674 --> 01:15:37.735 Thanks for killing the planet. 01:15:38.296 --> 01:15:41.218 Joe doesn't care if he kills the planet as long as he can drop a few names afterwards. 01:15:41.398 --> 01:15:41.538 Yeah. 01:15:41.738 --> 01:15:45.221 Do you think M. Night's Shy Malamalan is no longer flying in planes? 01:15:46.261 --> 01:15:46.441 No. 01:15:46.482 --> 01:15:49.083 You know, making a film about the environment and nature's revenge? 01:15:49.103 --> 01:15:50.545 He just teleports everywhere. 01:15:50.645 --> 01:15:51.805 Look at his greased mind. 01:15:52.246 --> 01:15:53.847 He does, doesn't he, with his sparkly eyes? 01:15:53.867 --> 01:15:54.227 Yeah. 01:15:54.768 --> 01:15:58.110 Do you think people really hassle Al Gore whenever they see him on a plane? 01:15:58.150 --> 01:15:58.650 He doesn't. 01:15:58.670 --> 01:16:01.192 He cycles across the Atlantic, isn't he? 01:16:01.232 --> 01:16:03.614 Yeah, he's got paddles on his BMX. 01:16:04.555 --> 01:16:06.877 If you look out the window at the plane, sometimes you can see him. 01:16:07.797 --> 01:16:08.097 There. 01:16:10.299 --> 01:16:11.219 Him and Jon Snow. 01:16:12.920 --> 01:16:14.161 It's time for some more music. 01:16:14.241 --> 01:16:17.283 This is Vampire Weekend with A-Punk. 01:16:17.503 --> 01:16:18.003 Very good. 01:16:18.063 --> 01:16:18.604 Who was that then? 01:16:18.724 --> 01:16:19.304 Vampire Weekend. 01:16:19.484 --> 01:16:20.605 Ah, they're the Hot New Thing. 01:16:20.745 --> 01:16:21.585 Hot New Thing. 01:16:21.825 --> 01:16:27.309 Yeah, they're a mixture of kind of punky rock and some world music influences, right? 01:16:27.449 --> 01:16:27.709 Yeah. 01:16:27.769 --> 01:16:29.130 That's why it says in all the mags. 01:16:29.570 --> 01:16:31.251 Who are other bands a little bit like? 01:16:31.291 --> 01:16:31.911 like that. 01:16:32.412 --> 01:16:33.232 Um, I'm trying to think. 01:16:33.252 --> 01:16:34.053 Cam- Campervan Beethoven. 01:16:34.073 --> 01:16:35.034 Campervan Beethoven. 01:16:35.074 --> 01:16:36.095 They were very much like that. 01:16:36.115 --> 01:16:38.957 They used to do kind of Polish, uh, inflected punk. 01:16:39.917 --> 01:16:42.139 And, uh, who else am I thinking of? 01:16:42.439 --> 01:16:46.062 Um, uh, uh, Blister in the Sun. 01:16:46.102 --> 01:16:46.582 Who did that? 01:16:46.642 --> 01:16:47.303 Violent Femmes. 01:16:47.583 --> 01:16:48.964 They were a little bit like that as well, weren't they? 01:16:49.384 --> 01:16:58.697 Anyway, so man, this week I feel quite liberated and I feel sort of unfettered because I cancelled all my social networking accounts. 01:16:59.818 --> 01:17:00.499 I say all of them. 01:17:00.519 --> 01:17:01.180 There were only two. 01:17:01.901 --> 01:17:02.922 You know, I heard about that. 01:17:02.982 --> 01:17:06.206 Some people on my MySpace page were talking about that. 01:17:07.047 --> 01:17:11.448 Yeah, a lot of high-powered chat goes on on my Myspace page. 01:17:11.468 --> 01:17:14.148 All the most important global issues have been dissected. 01:17:15.189 --> 01:17:17.229 Adam Buxton's cancelled his Myspace page! 01:17:18.269 --> 01:17:19.230 Yeah, so I cancelled it. 01:17:19.270 --> 01:17:20.790 I just thought, what is the point? 01:17:21.290 --> 01:17:31.372 I tried to cancel my Myspace page about six months ago, and I had to go through so many flipping stages that I just lost patience and gave up. 01:17:32.192 --> 01:17:37.814 And I actually thought I had cancelled it and then I stumbled across it again and there it was still. 01:17:38.314 --> 01:17:41.635 So I really killed the heck out of it this time and it's gone. 01:17:42.175 --> 01:17:44.216 And also Facebook I got rid of finally. 01:17:44.336 --> 01:17:46.056 No, you're obsessed with Facebook though. 01:17:46.156 --> 01:17:46.717 I got rid of it. 01:17:46.837 --> 01:17:47.797 I'm not obsessed by it. 01:17:47.857 --> 01:17:48.937 No, I was curious about it. 01:17:49.177 --> 01:17:50.478 You were obsessed by it. 01:17:51.338 --> 01:17:55.001 You went on and there was a couple of weeks where you just couldn't stop talking about it. 01:17:55.041 --> 01:17:58.624 I tell you why, because I felt like I couldn't get my head round it. 01:17:58.684 --> 01:17:59.845 I thought, I'm missing something here. 01:17:59.865 --> 01:18:01.006 Everyone's going on about it. 01:18:01.826 --> 01:18:06.410 And all these articles being written in weekend papers about it and stuff like that. 01:18:06.970 --> 01:18:08.571 And I just didn't get it. 01:18:08.971 --> 01:18:11.053 So I stuck with it for as long as I possibly could. 01:18:11.533 --> 01:18:16.237 And every time I had something to say about it, I really relished saying it, because I thought, I fit in now. 01:18:16.297 --> 01:18:18.739 I fit in with everyone else talking about Facebook. 01:18:19.721 --> 01:18:28.984 But it never happened for me, and all that Facebook ever meant to me was getting emails saying Timmy Small Pants has requested you as a friend. 01:18:29.044 --> 01:18:29.344 Has he? 01:18:29.844 --> 01:18:30.705 Yeah, yeah. 01:18:30.725 --> 01:18:31.465 He's a great guy. 01:18:31.485 --> 01:18:32.745 His pants are tiny. 01:18:33.085 --> 01:18:33.706 Oh, man. 01:18:33.746 --> 01:18:35.546 I mean, that's the main thing with Timmy. 01:18:35.906 --> 01:18:37.287 I ignored Timmy Small Pants. 01:18:38.288 --> 01:18:38.868 I can't believe it. 01:18:38.889 --> 01:18:40.791 Because he's big, he's a big guy. 01:18:40.891 --> 01:18:42.213 Right, the pants are tiny. 01:18:42.233 --> 01:18:44.737 The overall effect is startling. 01:18:45.418 --> 01:18:46.499 Oh, I don't believe it. 01:18:46.840 --> 01:18:50.084 You have to start a new account just to get with Timmy's small pants. 01:18:52.387 --> 01:18:53.429 She'll be his brother Bobby. 01:18:55.123 --> 01:18:55.743 Medium hat. 01:18:57.384 --> 01:18:58.564 Bobby medium hat. 01:18:59.044 --> 01:19:01.285 And Timmy Tiny Pants. 01:19:01.625 --> 01:19:03.265 No, Timmy Tiny Pants is his cousin. 01:19:03.605 --> 01:19:03.925 Really? 01:19:04.025 --> 01:19:06.926 Anyway, you've still got Myspace obviously. 01:19:06.966 --> 01:19:08.627 I've still got Myspace, but I have the same problem. 01:19:08.687 --> 01:19:12.628 I tell you the problem with Myspace is it kind of turns you into a self-advertising idiot. 01:19:13.609 --> 01:19:22.779 It makes you assume by definition that your life is interesting enough for other people to kind of hear about while you're out of the room. 01:19:22.799 --> 01:19:23.420 Do you know what I mean? 01:19:23.500 --> 01:19:23.760 Right. 01:19:23.780 --> 01:19:25.842 It's not as if you're actually telling them face-to-face. 01:19:26.844 --> 01:19:28.786 And I don't know, it's a strain. 01:19:29.106 --> 01:19:30.648 I haven't blogged on there for a while. 01:19:30.668 --> 01:19:31.189 Are you not? 01:19:31.749 --> 01:19:32.650 No, I don't. 01:19:32.690 --> 01:19:34.132 Maybe I'll close mine down as well. 01:19:34.753 --> 01:19:55.727 man i'm really i'm thinking i've got to do a revamp i've either got to go bigger with my blog because i've still got my blog yeah that's true you've got your blog you see i've got to go bigger with the blog or just get rid of the thing altogether no you can't get rid of that Buxton blog Buxton blog people love the Buxton blog it's the only thing it's got me into an awful lot of trouble over the years though yeah but that's well that's you you'll get in that trouble one way or another 01:19:56.387 --> 01:19:57.888 with or without the blog, you'll manage it. 01:19:57.908 --> 01:19:59.568 It's probably true, that's true. 01:19:59.868 --> 01:20:01.829 Now here's a track that you've chosen for us, Joe Cornish. 01:20:01.869 --> 01:20:05.510 Yes, now I chose this rather at the last minute before I left. 01:20:05.971 --> 01:20:10.392 I didn't really think it through, but it's got some amazing elements to it. 01:20:10.452 --> 01:20:11.753 It sounds very beautiful. 01:20:12.013 --> 01:20:13.073 It's got a problem though. 01:20:13.153 --> 01:20:16.254 It's by a kind of soul singer called Bill Al. 01:20:18.015 --> 01:20:25.618 It's got a kind of Earth Mother ramble bit in it, where she talks about, you know, God and nature and stuff like that. 01:20:25.678 --> 01:20:27.059 And you hate God and nature, don't you? 01:20:27.279 --> 01:20:29.380 Both things I really can't warrant. 01:20:29.400 --> 01:20:30.000 Can't be living with. 01:20:30.440 --> 01:20:34.062 Um, no, but you'll see what I mean, but the general sample of stuff is really good. 01:20:34.082 --> 01:20:35.663 This is Bilal with love poems. 01:20:40.805 --> 01:20:43.206 I find myself searching for leg warmers, did you say? 01:20:43.246 --> 01:20:43.846 For love poems. 01:20:44.046 --> 01:20:44.126 Oh. 01:20:47.367 --> 01:20:52.532 That's nice. 01:20:52.812 --> 01:20:57.337 It is nice, but then she marches in and makes a mess all over the shop. 01:20:57.357 --> 01:20:58.358 Do you know who that reminds me of? 01:20:58.618 --> 01:20:58.899 Who? 01:20:59.039 --> 01:20:59.840 Galliana. 01:21:00.480 --> 01:21:02.422 Well, hmm, Galliana. 01:21:02.442 --> 01:21:03.323 They were kind of what? 01:21:03.383 --> 01:21:07.228 Mid, mid, early 90s, late 80s, kind of jazz funksters. 01:21:07.288 --> 01:21:07.388 Hmm. 01:21:08.749 --> 01:21:09.730 They were good for a while. 01:21:09.930 --> 01:21:12.951 They were good for a while, but they had a similar kind of problem, didn't they? 01:21:13.771 --> 01:21:14.252 Lyrically. 01:21:15.112 --> 01:21:17.513 They were connected to the earth in rather a nauseating way. 01:21:17.533 --> 01:21:18.794 Yeah, slightly overly sincere. 01:21:18.814 --> 01:21:19.894 Yeah, way. 01:21:20.235 --> 01:21:21.315 There we go, that's Bill Owl. 01:21:21.935 --> 01:21:24.357 With Love Poems, this is Adam and Jo on BBC6 Music. 01:21:24.557 --> 01:21:26.358 We've only got six minutes left of the show. 01:21:26.458 --> 01:21:26.718 Excuse me. 01:21:27.358 --> 01:21:28.098 That's alright. 01:21:28.218 --> 01:21:28.558 Yeah, yeah. 01:21:28.759 --> 01:21:29.539 Why did you do that? 01:21:29.959 --> 01:21:34.400 Just so relaxed that I just... Right, cleared my throat there and then... There we go. 01:21:34.561 --> 01:21:39.702 And then thought, well, a little bit disrespectful to the listeners, so then hence the excuse me thereafter. 01:21:40.543 --> 01:21:42.783 Now we have to figure out exactly what our song wars are. 01:21:42.803 --> 01:21:49.246 Yeah, exciting news for fans of, you know, episodes of this show where it's more than just non-stop rambling. 01:21:50.506 --> 01:21:52.927 Fans of features next week's song wars is coming back. 01:21:53.667 --> 01:22:14.802 uh and we're going to battle the songs again and we've decided they're going to be sung in foreign languages, mine's going to be in french, Adam's is going to be in spanish but we've yet to select a kind of theme that the songs can be we were just discussing it we thought maybe they could be sort of instructional language songs kind of lingua phone type types of stuff to teach people phrases that they could use on their summer holes 01:22:15.402 --> 01:22:15.763 Yeah. 01:22:15.843 --> 01:22:20.767 Or they could maybe be about an exotic lady, a kind of love song to a French or Spanish lady. 01:22:20.967 --> 01:22:21.348 Yeah. 01:22:21.968 --> 01:22:22.829 What do you think? 01:22:22.889 --> 01:22:24.010 Yeah, no, I think that's a good idea. 01:22:24.030 --> 01:22:29.936 What about an exotic love song to an actress of that nationality? 01:22:30.596 --> 01:22:31.197 A leg. 01:22:31.757 --> 01:22:34.540 So I could do mine about, say, Penelope Cruz. 01:22:34.580 --> 01:22:35.881 She's the obvious Latin lovely. 01:22:35.901 --> 01:22:36.201 Yeah. 01:22:36.942 --> 01:22:37.643 I could do mine. 01:22:38.599 --> 01:22:40.980 About... Well, it's... Beatrice Dalle. 01:22:41.220 --> 01:22:41.961 Beatrice Dalle. 01:22:42.001 --> 01:22:42.541 Dalle. 01:22:42.621 --> 01:22:43.061 Dalle. 01:22:43.121 --> 01:22:43.522 Dalle. 01:22:43.782 --> 01:22:43.942 Ooh. 01:22:44.122 --> 01:22:44.882 She's sexy. 01:22:44.942 --> 01:22:45.743 She's nice. 01:22:45.783 --> 01:22:46.423 She's sexy. 01:22:46.443 --> 01:22:47.664 I make bazoons. 01:22:48.004 --> 01:22:48.704 She doesn't... Yes. 01:22:48.744 --> 01:22:49.244 ...for songs. 01:22:49.304 --> 01:22:50.165 They're enormous. 01:22:50.425 --> 01:22:50.905 They're nice. 01:22:51.105 --> 01:22:52.126 She's crazy. 01:22:53.126 --> 01:22:54.207 Have you seen the film? 01:22:54.667 --> 01:22:55.187 She's in... What? 01:22:55.448 --> 01:22:56.128 That film. 01:22:56.208 --> 01:22:57.168 She's crazy in it. 01:22:57.188 --> 01:22:57.729 She's crazy. 01:22:57.789 --> 01:22:59.230 She's crazy, that girl. 01:22:59.250 --> 01:23:00.310 Yeah. 01:23:00.390 --> 01:23:01.291 Is that what we're going to do then? 01:23:01.531 --> 01:23:02.511 Yeah, that's what we're going to do. 01:23:02.551 --> 01:23:03.332 That's a good idea. 01:23:03.352 --> 01:23:03.972 All right. 01:23:04.032 --> 01:23:06.573 I'm going to write a love song to Beatrice Dalle in French. 01:23:06.753 --> 01:23:07.974 And I'm going to write... It's going to stink. 01:23:08.234 --> 01:23:13.238 I'm going to write one to Penelope Cruz, who I don't even love, to be honest with you. 01:23:13.298 --> 01:23:16.680 Hey, what if it's so powerful that you end up having Un Romance have a car? 01:23:16.900 --> 01:23:19.382 Well, you know, Martin Freeman snogged her, hasn't he? 01:23:19.442 --> 01:23:19.762 Really? 01:23:19.782 --> 01:23:21.784 In that film he's snogged her, is anybody's game? 01:23:21.804 --> 01:23:24.626 If Freeman can have a snog with Cruz, surely I'm allowed one. 01:23:25.566 --> 01:23:27.328 Now, that's pretty much it for the show, listeners. 01:23:27.368 --> 01:23:28.869 Thank you so much for listening. 01:23:29.029 --> 01:23:30.270 It's really nice to be back with you. 01:23:30.310 --> 01:23:31.591 Thanks again to Jimmy Carr. 01:23:31.791 --> 01:23:32.291 Jimmy Carr? 01:23:32.311 --> 01:23:33.152 No, one of the cars. 01:23:33.732 --> 01:23:38.295 Man, thanks to Jimmy Carr for all the laughs over the years and for that face. 01:23:38.596 --> 01:23:38.816 Yeah. 01:23:38.956 --> 01:23:43.679 And for filling the hole that Bob Monkhouse left when he turdly departed. 01:23:43.699 --> 01:23:44.140 That's true. 01:23:44.580 --> 01:23:46.261 No, thanks to Alan Carr for filling in for us. 01:23:46.301 --> 01:23:47.062 We appreciate that. 01:23:47.102 --> 01:23:47.682 Thank you, Alan. 01:23:48.242 --> 01:23:52.025 And don't forget as well that there's a podcast available of this show, folks. 01:23:52.486 --> 01:23:55.328 It's a condensed version of all of all our rambles. 01:23:55.648 --> 01:23:57.129 And of course, none of the music is in there. 01:23:57.469 --> 01:24:05.112 but it's a nice way of catching up and of course you have the option of listening to the whole thing again for the week after it's transmitted on Listen Again. 01:24:05.432 --> 01:24:06.933 Liz Kershaw is coming up next. 01:24:07.273 --> 01:24:09.774 Yeah, thanks to everyone who's texted and emailed. 01:24:09.934 --> 01:24:12.335 Yeah, and I'm gonna leave you with another choice of mine. 01:24:12.615 --> 01:24:19.778 This is another, someone emailed in earlier on and said, the Scott Walker track I played, it is him playing bass on The Old Man Is Back Again. 01:24:19.798 --> 01:24:22.719 The Old Man Is Back Again from Scott Fore, so thanks for that. 01:24:23.180 --> 01:24:26.421 And here's another track that features a great bit of bass playing. 01:24:26.621 --> 01:24:30.991 This is Robbie Krieger playing bass on a track by The Doors, of course, and it's strange days. 01:24:31.291 --> 01:24:32.093 We'll see you next week. 01:24:32.153 --> 01:24:32.675 Cheers, bye!