WEBVTT 00:00.309 --> 00:01.510 Happy Saturday morning, listeners. 00:01.530 --> 00:03.472 This is Adam and Joel on BBC 6 Music. 00:03.512 --> 00:05.774 That was garbage with only when it rains. 00:05.794 --> 00:07.055 This is Joe Cornish speaking. 00:07.615 --> 00:11.519 And the voice you're about to hear might not sound like it usually does. 00:11.779 --> 00:12.620 I'm Ray Winston. 00:12.640 --> 00:13.200 Good morning. 00:13.581 --> 00:18.505 Yeah, Adam's ill today, so I'm very privileged to be joined by one of Britain's 00:19.099 --> 00:21.200 Well, in my opinion, greatest actors. 00:21.260 --> 00:23.120 Ray Winston, thanks a lot for coming in, Ray. 00:23.240 --> 00:24.261 Yeah, my pleasure. 00:24.281 --> 00:25.921 I will find you a monster. 00:26.421 --> 00:26.762 Will you? 00:26.822 --> 00:27.182 Yeah. 00:27.482 --> 00:28.082 Great, good. 00:28.282 --> 00:29.122 It's not a problem. 00:29.522 --> 00:32.944 What's it like working with, you know, against blue screen? 00:32.964 --> 00:33.984 It must be very difficult. 00:34.324 --> 00:38.505 Well it is difficult, yeah, because you've got nothing to work with, you know, you've just got this big blue screen. 00:38.525 --> 00:43.367 So if a scene calls for some interaction with a large patch of blue, you're sorted, that's great. 00:43.787 --> 00:54.691 But if, if, if, you know, you're supposed to be talking about people and all that sort of stuff, it's difficult, you've got to use your mind, you've got to create, you've got to create people and like animals in your mind. 00:55.336 --> 00:58.580 Let's go back to the beginning though, nil by mouth at Tour de France. 00:58.740 --> 00:59.661 Yeah, thanks very much. 01:00.842 --> 01:04.727 I love the Tour de France and as soon as I heard it was about that I wanted to get involved. 01:05.407 --> 01:11.014 I love the bikes, all that stuff got cut out obviously but still, you know, punching, all the punching and shouting, I love it. 01:11.394 --> 01:13.536 So do you want to select a first track? 01:13.556 --> 01:16.079 You've selected some songs for A to play today. 01:16.119 --> 01:18.581 Yeah, well I just have to correct you, straighten you out on the first track. 01:18.621 --> 01:21.003 You had garbage, you said only when it rains. 01:21.023 --> 01:22.184 That's an insult to the garbage. 01:22.224 --> 01:24.246 It's only happy when it makes its whole point of song. 01:24.266 --> 01:24.887 It's the whole point. 01:25.107 --> 01:26.288 The whole point of song. 01:26.428 --> 01:26.989 Don't hit me. 01:27.029 --> 01:27.489 You know what I mean? 01:27.529 --> 01:29.411 It's the irony of only being happy when it rains. 01:29.451 --> 01:30.472 That's what the whole song's about. 01:30.492 --> 01:31.673 And then you miss out the word happy. 01:31.693 --> 01:32.554 It makes a mockery of it. 01:32.734 --> 01:33.494 Indiana Jones? 01:33.694 --> 01:34.895 You're in the new Indiana Jones? 01:34.915 --> 01:35.695 Yeah, yeah, I play. 01:35.835 --> 01:36.695 What's that about aliens? 01:36.915 --> 01:41.056 It's about aliens, yeah, they come down, there's exciting, there's chasing. 01:42.457 --> 01:45.398 Some bloke comes after me and I run off and I'll shoot him. 01:45.418 --> 01:47.978 It's good, I don't know what it's about. 01:48.098 --> 01:51.959 It's all green screen again, so they only tell you afterwards what it is, you know what I mean? 01:52.479 --> 01:53.900 So yeah, it's exciting. 01:54.000 --> 01:55.020 So what record have you chosen? 01:55.060 --> 01:57.381 Yeah, I've chosen one by the young knights, you know them? 01:58.161 --> 02:15.128 uh yeah yeah they're wicked they're a good band uh and there's three of them three blokes i love blokes and uh so that's why they're my favorite band well here's the young knives with up all night there you go that's the young knives now this is adam speaking not not really winston yeah we don't want to get fired from the castle for lying 02:16.548 --> 02:19.689 I just got a bit of a cold, listeners, and it's gone to my chords. 02:19.789 --> 02:21.129 It's more than a bit of a cold. 02:21.429 --> 02:23.370 Well, it started off as just losing my voice. 02:23.390 --> 02:25.370 I had a gig earlier on in the week, and it went wrong. 02:25.650 --> 02:25.910 Really? 02:25.950 --> 02:26.670 What the gig? 02:26.710 --> 02:27.211 What the voice? 02:27.551 --> 02:28.231 The gig was good. 02:28.271 --> 02:29.011 The voice went wrong. 02:29.731 --> 02:34.832 And I could feel the cold settling in there, getting into the back of my throat, you know what I mean? 02:34.912 --> 02:36.733 First, it starts off just a little bit phlegmy. 02:37.513 --> 02:37.853 You know? 02:38.054 --> 02:38.954 Face it, you like it. 02:38.974 --> 02:41.456 Uh, no, uh... Come on, you do. 02:41.596 --> 02:42.477 I like hearing it. 02:42.617 --> 02:42.957 It's you. 02:43.377 --> 02:44.038 I really like it. 02:44.298 --> 02:46.219 My voice goes wrong very rarely. 02:46.259 --> 02:49.241 I'm not boasting in any way, but it just never happens. 02:49.261 --> 02:50.282 And when it does, I love it. 02:50.302 --> 02:50.642 Yeah. 02:51.083 --> 02:53.644 It's like being possessed by a sexy man. 02:53.664 --> 02:54.605 A sexy man? 02:54.665 --> 02:54.985 Yeah. 02:55.226 --> 02:55.526 Yeah. 02:55.566 --> 02:59.829 Not in a sort of devil possession way, just in a sexy way, you know? 02:59.849 --> 03:03.351 It gives you a chance to live in someone else's vocal shoes. 03:03.491 --> 03:04.232 That's true, yeah. 03:04.252 --> 03:05.233 Do you have vocal shoes? 03:05.273 --> 03:05.613 You can. 03:05.993 --> 03:07.114 Yeah, I've got them on now. 03:07.135 --> 03:08.436 They're really nice. 03:08.476 --> 03:10.979 Yeah, it's a new pair of vocal shoes. 03:11.099 --> 03:16.526 Absolutely that's true, but then at the same time it's not very useful if you want to be taken seriously or just talk normally. 03:16.606 --> 03:17.788 People think you're being a pawn. 03:18.268 --> 03:18.589 Sorry. 03:18.929 --> 03:19.249 Carry on. 03:19.370 --> 03:21.752 The thing that's happening with yours is it's changing. 03:22.433 --> 03:22.613 Right. 03:22.833 --> 03:24.274 There are many demons within you. 03:25.875 --> 03:29.378 It's got different, well, it sort of just cuts out every now and again, doesn't it? 03:29.538 --> 03:30.659 It's shifting its pitch. 03:32.000 --> 03:36.362 See, the thing is, if I speak fairly low, right, then it's normal. 03:36.483 --> 03:37.143 Everything's normal. 03:37.163 --> 03:37.883 No, that's not normal. 03:37.903 --> 03:41.606 I mean, it's normal within sort of a ludicrous speaking low way. 03:42.126 --> 03:45.629 But then if I try and go up a little bit, it just completely cuts out. 03:45.949 --> 03:46.549 Excuse me. 03:47.070 --> 03:51.993 And if I try and hit any high notes at all, I just sound like a kind of a weird 03:53.474 --> 03:55.575 But freak it's how I like it. 03:55.815 --> 04:06.321 Yeah, it's like you've got a kind of real-to-real tape player beside you and it's it's switching speeds It's gonna be it's off putting though, isn't it for I like it man? 04:06.361 --> 04:15.006 I think it's gonna be a very it's gonna be a very distinctive show because of it Yeah, I'll just have to just have to remember to speak fairly, you know in a low register 04:15.966 --> 04:17.127 If I'm going to make any points. 04:18.207 --> 04:19.848 I keep talking, I just love the sound. 04:21.689 --> 04:25.590 Anyway folks, we've got an exciting show for you this week, of course, as ever. 04:25.610 --> 04:31.333 We're going to resolve Song Wars, last week's Song Wars, probably in the next link, don't you reckon? 04:31.453 --> 04:32.373 Does it hurt at all? 04:32.874 --> 04:36.155 Because it sounds painful and I want people to think you're in pain. 04:37.235 --> 04:38.676 If it does hurt, lie. 04:39.356 --> 04:40.177 No, it doesn't hurt. 04:40.197 --> 04:40.797 It doesn't hurt. 04:41.557 --> 04:42.498 You being honest? 04:43.178 --> 04:43.778 No, not really. 04:43.798 --> 04:44.819 It is a little painful. 04:45.199 --> 04:47.980 But I've got- I'm- I'm hopped up on, uh, Benalyn. 04:48.080 --> 04:48.581 Strepsils? 04:49.181 --> 04:53.123 No, I couldn't find any strepsils when I came- You know, vocal zone is another good thing. 04:53.143 --> 04:53.863 Do you ever have those? 04:54.644 --> 04:55.644 Uh, yeah, no. 04:55.944 --> 04:57.245 Good for the vocal chords. 04:57.385 --> 05:05.189 Yeah, they're like little black, um, chewy things and you- you, uh, chew them up and they're- they're like an intense, uh, explosion of menthol. 05:05.669 --> 05:05.889 Right. 05:06.229 --> 05:08.531 And that helps with your vocal chords. 05:08.551 --> 05:11.634 Of course, there are other sore throat medicines available. 05:12.034 --> 05:13.615 And cold remedies as well. 05:14.296 --> 05:18.740 But that's what I'm on at the moment here, and that's a little bit of stuff in it. 05:19.020 --> 05:30.289 So we've got great music coming up, listeners, and the results of last week's Song Wars, plus Text the Nation, plus we'll be discussing the future of Song Wars. 05:31.330 --> 05:34.734 But for now a bit more music Ray Winston, what are you choosing now? 05:35.374 --> 05:38.738 Well, now this is a this is a new one that you might not have heard before. 05:38.758 --> 05:39.479 Oh, is this one of mine? 05:40.339 --> 05:40.600 Is it? 05:40.700 --> 05:40.940 Yeah. 05:41.020 --> 05:41.240 Yeah. 05:41.400 --> 05:41.661 Yeah. 05:41.741 --> 05:43.082 This is this is a free play. 05:43.102 --> 05:45.565 This is a very good Australian band. 05:45.605 --> 05:46.385 I think they're Australian. 05:46.826 --> 05:48.047 They're called Operator Please. 05:48.067 --> 05:48.708 They're very young. 05:49.128 --> 05:53.290 Oh, this had a really good video, didn't it, with them climbing around MC Escher style. 05:53.310 --> 06:01.034 Yeah, this is the one that I saw from the basement, that Nigel Godrich produced a program on Sky Arts. 06:01.534 --> 06:02.815 Yeah, really good music show. 06:03.495 --> 06:04.736 Yeah, really young Australian band. 06:04.756 --> 06:07.777 They're aged between 14 and 16, I think. 06:07.797 --> 06:10.639 They won a high school Battle of the Bands competition. 06:11.699 --> 06:14.481 But you wouldn't know from listening to it, because this sounds really good. 06:14.501 --> 06:16.742 This is called Just A Song About Ping Pong. 06:16.922 --> 06:17.322 Yeah. 06:17.342 --> 06:18.183 It's time for song. 06:19.104 --> 06:22.232 That's what it's like on the show, you know? 06:27.947 --> 06:31.589 spot free and fast and loose, real easy. 06:32.289 --> 06:34.150 Give me a convention man, I'll stand on it. 06:34.590 --> 06:35.591 No, I won't stand on it. 06:36.291 --> 06:37.332 You'll flip it over. 06:37.352 --> 06:42.854 Yeah, I refuse to, if like someone says, excuse me, could you stand on this convention, I'd say, no, I can't. 06:42.874 --> 06:44.395 There's no way I'm going to do that. 06:44.415 --> 06:45.196 Give me an envelope. 06:45.436 --> 06:45.636 Yeah. 06:45.676 --> 06:48.077 I'll push it all the way across the table. 06:48.257 --> 06:49.478 I'll push it right off the table. 06:49.518 --> 06:50.158 Off the table. 06:50.258 --> 06:50.558 Yeah. 06:51.278 --> 06:53.620 Give me an edge and I'll stand on it. 06:54.500 --> 06:54.781 Yeah. 06:55.001 --> 06:55.462 And I love it. 06:55.522 --> 06:57.045 Yeah, I'll cut something with it. 06:57.065 --> 06:58.427 Ooh, I'll cut something with it as well. 06:58.728 --> 07:03.817 And, you know, if you introduce me to the edge from YouTube, I'll be friends with them, because I love it. 07:03.917 --> 07:05.059 I love anything edgy. 07:06.141 --> 07:06.882 I love edginess. 07:07.043 --> 07:07.463 Edginess. 07:08.001 --> 07:09.782 This is Adam and Joe on BBC Six Music. 07:09.802 --> 07:10.602 Who was that? 07:10.642 --> 07:12.543 That was the Temptations with Law of the Land. 07:14.084 --> 07:16.024 And yeah, now it's time for Song Wars. 07:16.365 --> 07:20.907 Before we get to the result, let's have a look at some of your emails. 07:20.967 --> 07:23.388 Now, just to fill you in, listeners. 07:24.148 --> 07:29.130 Song Wars, we've been doing this feature since we started here on Six Music last October. 07:30.231 --> 07:33.092 And every week, Joe and I have come up with a new song. 07:33.892 --> 07:56.268 for you guys to listen to and you send us your votes for which one you like best and I week after week have been more or less humiliated and I've lost out sometimes only just to Joe but most often and particularly last week absolutely crushing humiliating defeats sometimes you know deservedly so I lost out to 07:57.449 --> 08:03.435 the right and wrong song, which was certainly better, you know, when all is said and done than the toothpaste brush. 08:03.455 --> 08:15.986 Well, you're very kind, but as a number of emails have pointed out, I think some people think that, you know, your songs, even though they might sort of fluctuate in quality, when they reach a peak, 08:16.587 --> 08:18.729 they reach a higher peak than mine do. 08:19.009 --> 08:19.609 Oh, that's nice. 08:19.689 --> 08:21.390 And equally that, no, that is nice. 08:21.430 --> 08:43.126 Whereas I think some people in these emails, and I've got to say, listeners, thank you, because we've had an amazing quantity of emails, some of them very long, but the general consensus is that my tunes are a bit sort of slick and, you know, less mad and therefore slightly less 08:43.846 --> 08:45.187 Sasses a bit mainstream. 08:45.307 --> 08:47.568 So if we were bands, which band would you be? 08:47.628 --> 08:48.488 Which band would I be? 08:48.528 --> 08:58.332 I wonder I think I've got a sort of Well, you know I hesitate to say this because it might sound self-aggrandizing Well, you know mean it in that way, but I'm a bit cold play ish. 08:58.392 --> 08:59.272 Maybe you reckon? 08:59.292 --> 09:07.616 Yeah, you know a bit a bit kind of overly sincere a bit kind of warbly and kind of formulaic 09:08.837 --> 09:10.458 What are you saying about Coldplay? 09:11.339 --> 09:13.061 I'm saying that they're brilliant. 09:13.922 --> 09:14.262 Yeah. 09:14.302 --> 09:17.165 Did they not come across from that collection of terms? 09:18.566 --> 09:20.428 And you would be... Shed 7. 09:22.612 --> 09:23.432 Uh, shit, no. 09:23.453 --> 09:26.534 Someone better than that, you know, Iggy and the Stooges. 09:26.574 --> 09:27.254 Candy flip. 09:28.015 --> 09:29.375 No, someone, someone good. 09:29.415 --> 09:37.119 Yeah, well, no, if I was being flattering to myself, I would, uh, say something like the flaming lips or something, or the four. 09:38.559 --> 09:39.420 What is that voice? 09:40.340 --> 09:41.140 The voice that I've got. 09:41.240 --> 09:42.101 Yeah, who are you? 09:42.341 --> 09:47.163 I'm just, it sounds like I'm just a drunkie man that's just come in from all night drunken sessions. 09:47.563 --> 09:50.064 So anyway, here are some of the emails we got. 09:50.464 --> 09:52.345 First of all, Chris Brest. 09:52.645 --> 09:55.407 Chris, I'm gonna call you Brest, because I did anything else. 09:55.447 --> 09:56.067 Bresty, stick with it. 09:56.967 --> 10:08.633 Has emailed to inform us, can't actually speak, that there's a Facebook group which has been set up with a poll to find out what the nation's favourite feature actually is. 10:09.613 --> 10:12.054 And apparently, Text the Nation currently has 100% of the vote. 10:13.875 --> 10:14.456 That's good. 10:14.536 --> 10:23.023 Yeah, I think it might have been set up specifically before tax the nation Yeah, I wonder what the other features on there are well someone else is it Chris someone? 10:23.063 --> 10:36.314 I'm not sure whether it's attached or not has sent a printout of the page There are two entries on it and one of which is from Chris best And they're both voting for some for song wars as the favorite features. 10:36.535 --> 10:39.157 Okay, there are no other features nominated 10:39.497 --> 10:39.797 Really? 10:39.877 --> 10:42.759 So not even text the nation, which is the nation's favourite feature. 10:42.839 --> 10:43.980 You know what that means? 10:44.000 --> 10:46.802 That means we can say it is the nation's favourite feature. 10:46.822 --> 10:47.163 Yeah. 10:47.643 --> 10:49.344 As voted for on Facebook. 10:49.504 --> 10:50.425 Everyone's on Facebook. 10:50.745 --> 10:51.245 Everyone is. 10:51.526 --> 10:53.347 That's almost a national survey. 10:53.547 --> 10:54.928 Yeah, that's good enough. 10:56.049 --> 10:59.111 Tom Blackett says of Adam's song last week. 10:59.952 --> 11:03.014 And last week, listeners, we did songs about net piracy. 11:03.723 --> 11:04.003 Yeah. 11:05.864 --> 11:10.326 Tom Blackett says, in a kind of schoolteacherly way, that was really good, Adam. 11:10.666 --> 11:11.106 Well done. 11:11.206 --> 11:11.967 Thank you, Tom. 11:12.367 --> 11:12.747 That's it. 11:14.288 --> 11:15.949 That's it. 11:16.109 --> 11:29.135 And also, listen as if you've got no idea what we're on about here, the end of the whole saga is that last week, for a combination of reasons, not only because I was throwing a kind of little pathetic strop, 11:30.035 --> 11:30.895 I said, well, that's it. 11:30.935 --> 11:35.296 I think we should retire Song Wars for a little bit and, you know, just give it a rest. 11:35.596 --> 11:38.957 People may have connected your losing with... I'm sure they did. 11:39.257 --> 11:41.398 Listen, because I won't lie. 11:41.418 --> 11:44.038 I was just absolutely... I was distraught. 11:44.298 --> 11:48.619 I'd spent three days on my Nutty Piracy song. 11:48.779 --> 11:51.040 I was in a very dark, dark place. 11:51.940 --> 11:53.461 You know, like a little dark box. 11:53.561 --> 11:54.141 Dark place? 11:54.361 --> 11:54.681 Yeah. 11:55.702 --> 12:00.473 Where is the- oh yeah, I was in Garth Morangie's dark place, and it was scary in there. 12:01.154 --> 12:05.364 And so, uh, you know, but wasn't it nice though this week not to have to do a song? 12:06.295 --> 12:07.936 Did you just do one anyway? 12:08.196 --> 12:08.457 Yeah. 12:09.057 --> 12:09.858 You did? 12:09.878 --> 12:10.158 Yeah. 12:10.178 --> 12:10.898 Did you really? 12:10.918 --> 12:11.178 Yeah. 12:11.379 --> 12:11.919 What was it about? 12:11.939 --> 12:12.880 I'll play it later in the show. 12:12.900 --> 12:14.301 Oh my God. 12:15.101 --> 12:17.323 Here's an email from Paul de la Penne now. 12:17.483 --> 12:17.683 Yeah. 12:17.983 --> 12:19.424 Not sure if that's how you pronounce it. 12:19.764 --> 12:21.105 He says, I'm voting for Adam this week. 12:21.145 --> 12:23.447 He sounded quite miserable about song wars last week. 12:23.807 --> 12:32.813 Although I know he's got a natural tendency towards this because he used to live on the other side of the road from me in Stockwell and drive around looking grumpy in his bright orange car. 12:32.833 --> 12:34.594 Well, that's just creepy. 12:34.734 --> 12:35.395 He said he used to. 12:35.455 --> 12:35.935 He's moved. 12:36.135 --> 12:36.475 Right. 12:36.696 --> 12:38.237 Yeah, no, I don't have that car anymore. 12:39.038 --> 12:42.481 That happened to me once with a neighbour who moved out, a guy that lived across the street. 12:42.501 --> 12:47.004 And the day before he moved out, he came across and said, hello, a fan of your stuff. 12:47.365 --> 12:48.386 I watch you coming and going. 12:49.527 --> 12:50.067 He said that. 12:50.347 --> 12:52.749 That's great, isn't it? 12:52.769 --> 12:56.272 Another email from Michael Foreman, who says, Adam must win this week. 12:56.312 --> 12:57.573 His piracy song is best. 12:58.447 --> 13:00.549 My girlfriend says she likes the lyrics of Joe's song. 13:00.569 --> 13:02.590 I only chose this email because it's nice about me. 13:03.631 --> 13:05.652 She also says Adam's song was proper mental. 13:06.433 --> 13:08.714 Perhaps hinting at a genius we can't afford to overlook. 13:09.435 --> 13:09.615 Yeah. 13:10.751 --> 13:13.473 Yeah, and then finally an email from Philip Koot. 13:14.014 --> 13:17.957 Alright guys, it was me what gave you the idea for Song Wars about downloading. 13:18.357 --> 13:23.961 So, you know, were Song Wars to continue, maybe we could say that the person who came up with the idea has a kind of more powerful vote. 13:23.981 --> 13:25.242 Do you know what I mean? 13:25.643 --> 13:25.883 Right. 13:26.363 --> 13:27.604 Like they could have 10 votes. 13:28.505 --> 13:29.105 Oh, I see what you mean. 13:29.125 --> 13:29.706 The power of 10 votes. 13:29.866 --> 13:30.927 No, that's no good. 13:31.467 --> 13:32.888 Makes a certain sense, doesn't it? 13:32.988 --> 13:33.449 No. 13:33.649 --> 13:33.869 Ben. 13:34.449 --> 13:35.310 That makes no sense. 13:37.772 --> 13:45.557 It makes me quite proud to have suggested the idea that gave Adam one of his few wins, as he deserves to win this week and should, and this is whom my vote is for. 13:46.258 --> 13:48.579 He says we deserve a rest. 13:49.059 --> 13:49.300 Yeah. 13:49.320 --> 13:51.061 He says, I think you deserve a rest. 13:51.221 --> 13:51.781 That's nice. 13:51.861 --> 13:53.222 He hopes it's not a long one. 13:53.302 --> 13:54.423 I can't believe you've done this. 13:54.443 --> 13:55.344 What's your song about? 13:55.384 --> 13:56.264 Take care, boys. 13:56.344 --> 13:57.125 Yeah, thanks a lot. 13:57.165 --> 13:57.965 It says Phil Coot. 13:58.025 --> 13:58.466 Thanks, Phil. 13:58.786 --> 13:59.546 I'll tell you later. 13:59.727 --> 14:01.368 It's about something quite obvious. 14:02.829 --> 14:03.409 So there we go. 14:03.429 --> 14:05.330 You know, it's not looking good for me at all. 14:05.811 --> 14:06.031 Right. 14:06.651 --> 14:22.032 uh having gone through the email well you said you phoned in a little bit last week i did yeah yeah i didn't make much of an effort i i didn't like my own song right thought was irritating went on for too long really and was a bit lazy that's never but you know that's never stopped you winning before 14:23.297 --> 14:24.438 So let's find out after this. 14:24.458 --> 14:26.959 Anyway, let's have a record and then we'll read the results. 14:26.999 --> 14:29.160 Here's the kinks with Till The End Of... The What? 14:29.180 --> 14:29.541 The Day. 14:29.561 --> 14:32.982 That's the kinks with Till The End Of The Day's Adam and Jo on six music. 14:33.083 --> 14:36.164 We'll be back with the result of Song Wars after the news. 14:36.604 --> 14:39.186 It's time for Song Wars. 14:39.746 --> 14:41.207 The war of the songs. 14:41.807 --> 14:45.109 A couple of tunes by a couple of proms. 14:45.129 --> 14:45.830 So check it out. 14:46.917 --> 14:50.641 Uh, yes, it's time to reveal the results of last week's song wars. 14:50.681 --> 14:52.102 The theme was illegal piracy. 14:52.923 --> 14:54.925 Um, I did kind of an average bad one. 14:54.945 --> 14:58.168 Adam did an insane and quite inspired one. 14:58.248 --> 15:00.089 Yours was not, it wasn't average a bad one. 15:00.109 --> 15:01.391 Just forget talking about mine. 15:01.591 --> 15:02.331 I like yours again. 15:02.412 --> 15:03.192 I don't like mine. 15:03.292 --> 15:04.213 It made me chuckle. 15:04.293 --> 15:05.374 Mine's no good, you're wrong. 15:06.315 --> 15:07.616 Um, it's very nice of you though. 15:07.636 --> 15:09.337 Uh, so here are the results. 15:09.718 --> 15:09.938 Right. 15:10.338 --> 15:12.480 I'm gonna make, I'm just gonna rip a piece of paper. 15:12.700 --> 15:12.800 Yeah. 15:12.840 --> 15:14.401 Make it sound as if I'm opening an envelope. 15:14.421 --> 15:15.122 Open the envelope, yeah. 15:15.382 --> 15:18.364 Again, we would not want to lie here on the BBC. 15:19.805 --> 15:21.626 Okay, the envelopes don't even sound like that. 15:21.847 --> 15:22.347 Yeah, they do. 15:22.427 --> 15:23.268 Come on, that was good. 15:23.308 --> 15:24.689 That sounded exactly like an envelope. 15:24.709 --> 15:24.849 Did it? 15:25.549 --> 15:25.990 Ooh, dear. 15:27.136 --> 15:28.618 Joe, I get seven percent. 15:29.198 --> 15:29.538 Seven? 15:29.939 --> 15:31.981 Adam gets ninety three percent. 15:32.241 --> 15:32.681 Wow. 15:33.062 --> 15:36.185 You know, I worry for the people for that seven percent. 15:36.405 --> 15:36.705 Yeah. 15:37.066 --> 15:37.766 For their taste. 15:38.327 --> 15:43.952 No, but on the other hand, you know, how much of mine was a sympathy vote after my pathetic juvenile strop behavior? 15:44.753 --> 15:45.794 quite a lot, I would say. 15:45.874 --> 15:46.394 I doubt it. 15:46.654 --> 15:51.597 Anyway, let's not dwell on it any further and let's have a listen to what you voted for, listeners. 15:51.617 --> 16:02.884 This is my anti-piracy song which, of course, incorporates the anti-piracy theme, the jingle, the sort of national anthem of the anti-piracy nation. 16:03.085 --> 16:03.665 Let's hear it now. 16:04.045 --> 16:06.287 Oh, what do ever look at that film today? 16:06.427 --> 16:24.563 But I don't think I'm gonna pay Cause I'm bad, and I'm still I don't care, I don't fail And I don't say anything, you're gone And I put it in my pocket, yeah I still film, I still focus, I still focus, I still look I still kiss, well I don't still kiss, bye bye 16:26.940 --> 16:28.301 That's the mind of a pirate. 16:28.682 --> 16:30.584 Did you hear the hate and greed? 16:31.024 --> 16:35.668 And our beloved entertainment biz is where the dirty pirates feed. 16:36.029 --> 16:39.612 And I don't mean terrorists and their golden compass knock-offs. 16:40.313 --> 16:42.135 I mean you and your downloads. 16:42.395 --> 16:44.157 Oh, I ought to knock your block-offs. 16:44.637 --> 16:46.579 How do you think this stuff gets made? 16:46.619 --> 16:48.461 If you think artists create it, they don't get me. 16:48.901 --> 16:51.043 It's the only reason they do what they do. 16:51.283 --> 16:52.264 It's not the flippin' work. 16:52.504 --> 16:53.304 Most of that's poo. 16:53.364 --> 16:58.568 They depend on the money that you idiots give so they can make more crap and so they can live the good life. 16:58.668 --> 17:00.029 Yes, the life of the stars. 17:00.069 --> 17:02.351 But you're taking their pools and you're taking their cars. 17:02.391 --> 17:03.211 You bastards! 17:03.271 --> 17:04.432 Ha ha ha! 17:04.572 --> 17:06.353 You better believe it, pal. 17:06.513 --> 17:07.834 Cause we're real. 17:07.914 --> 17:08.535 We're stars. 17:17.715 --> 17:22.381 Yes, the world is changing I don't like it, but that's the way it is 17:37.193 --> 17:46.668 You're ruining all the finely tuned mechanics of the entertainment biz Every file that you download to your computer represents 17:49.159 --> 17:51.040 would have made, possibly. 17:51.800 --> 17:59.184 And even if you're buying other stuff that don't make up, for all the phantom profit that you've slayed. 17:59.304 --> 18:04.626 I don't care, cause I'm mental, I'm evil, and I deserve to be locked up. 18:04.806 --> 18:09.088 Cause I'm a horse, and I smell, and I want to go to hell. 18:09.589 --> 18:13.870 Cause Satan's got free Wi-Fi everywhere, yeah. 18:14.211 --> 18:14.991 And at the end, 18:28.500 --> 18:29.562 What a load of old rubbish. 18:30.303 --> 18:31.105 You're an idiot. 18:31.125 --> 18:32.187 That's rubbish. 18:32.207 --> 18:34.230 I hate you and my song was better. 18:34.915 --> 18:35.715 Yeah, there you go. 18:35.755 --> 18:37.476 Well, thanks listeners, man. 18:37.516 --> 18:38.277 I appreciate that. 18:39.297 --> 18:56.847 You know, on the one hand, it is nice to get a bit of props, a bit of recognition there for my work for the anti-piracy song, but on the other hand, I know that it was, to a certain degree, a kind of sympathy vote after weeks and weeks of having my face rubbed in the dirt. 18:57.707 --> 19:00.890 I don't mean to be rude, I just thought it was all getting a bit lovey-dovey before. 19:00.910 --> 19:02.951 It's just not so interesting. 19:02.991 --> 19:20.464 Listen, while we are being lovey-dovey, I got a message from Johnny Greenwood from Radiohead the other day, and he said, because he'd read on my blog that I was a bit grumpy about it all and everything, and he said, listen, sorry to hear you're grumpy, but loving the sixth music show, I couldn't get Joe's right and wrong song out of my head all last week. 19:21.464 --> 19:23.005 He'd been humming it all last week. 19:23.085 --> 19:25.266 That's gonna ruin his head. 19:26.086 --> 19:26.566 Yeah, exactly. 19:26.586 --> 19:30.128 That's gonna damage one of the greatest heads in show business. 19:30.228 --> 19:32.569 I saw a film called There Will Be Blood. 19:32.789 --> 19:33.529 Have you seen that one? 19:33.709 --> 19:34.250 Haven't seen it yet. 19:34.310 --> 19:35.450 No, Johnny does the music, of course. 19:35.470 --> 19:35.650 Exactly. 19:35.810 --> 19:36.931 That's why I mentioned it. 19:36.971 --> 19:37.171 Right. 19:37.951 --> 19:40.773 Uh, and I had no idea Johnny Greenwood did the music for it. 19:40.793 --> 19:46.175 I actually thought, um, it reminded me of some of the music that Kubrick, uh, uses in The Shining. 19:46.575 --> 19:46.775 Right. 19:46.996 --> 19:48.876 Uses quite a lot of atonal music. 19:49.277 --> 19:51.958 Uh, Luta Slavski, Slavski, stuff like that. 19:52.758 --> 19:54.739 Uh, but then I realized it was by Johnny Greenwood. 19:55.060 --> 19:56.080 And it's amazing! 19:56.540 --> 19:57.781 It's a fantastic film. 19:58.221 --> 19:58.501 Can't wait. 19:58.521 --> 19:59.622 It's directed by P.T. 19:59.702 --> 20:00.042 Anderson. 20:00.262 --> 20:00.602 Yeah. 20:00.882 --> 20:01.142 Yeah. 20:01.402 --> 20:01.983 Slice of PTA. 20:02.103 --> 20:03.123 Are you a PTA fan? 20:04.064 --> 20:07.625 Yeah, kind of, but never as much as after seeing this one. 20:07.665 --> 20:07.905 Right. 20:08.345 --> 20:10.726 It's got an amazing performance by Daniel Day-Lewis. 20:10.826 --> 20:11.086 Right. 20:11.767 --> 20:12.407 Oh, it's brilliant. 20:12.567 --> 20:12.867 Anyway. 20:13.067 --> 20:13.627 So there you go. 20:13.687 --> 20:15.268 And of course, yeah, a genius. 20:15.288 --> 20:24.031 So I thought I'd drop that in there, a little bit of name dropping for you with... Yeah, that was a good bit of name dropping with it sort of covered in a thick layer of... Nice little complimentary machine to it. 20:24.051 --> 20:24.492 Yeah, compliments. 20:26.112 --> 20:36.101 I thought it would be nice just to wrap things up in song wars wise, because we're going to give song wars a little bit of rest, even though Joe's coming with his own song this week, which we'll hear later on. 20:36.502 --> 20:38.043 When are we going to play that in the next hour? 20:38.083 --> 20:40.986 Well, I thought we could play it when we usually play the new song. 20:41.266 --> 20:46.269 You know, because it might be a bit, we might freak us out not to have anything in the last hour. 20:46.650 --> 20:48.251 In the last hour, yeah. 20:48.271 --> 20:49.292 Okay, in the last half hour. 20:49.312 --> 20:50.372 The middle hour, maybe. 20:50.512 --> 20:51.013 Right, right. 20:51.053 --> 20:54.175 So around about 11.30 some time there. 20:54.395 --> 20:55.476 We'll be hearing Joe's song. 20:56.356 --> 20:58.098 But let's play some real music now. 20:58.878 --> 21:01.280 Is this the new one from Adele? 21:01.380 --> 21:05.723 Yeah, last week we put the old Adele out to pasture chasing pavements. 21:05.983 --> 21:07.064 It's become a big hit. 21:07.124 --> 21:08.345 It's number one and stuff. 21:09.165 --> 21:18.032 We've already established that she's been lined up by the music industry to replace Amy Winehouse in case Amy Winehouse falls down a drain or gets her head stuck in a fence. 21:18.412 --> 21:22.955 Or, even worse, cleans up her act and suddenly finds that the muse has deserted her. 21:23.076 --> 21:24.356 All those things would be awful. 21:24.477 --> 21:24.877 Exactly. 21:25.698 --> 21:28.380 So this is the new Amy Winehouse replacement. 21:28.980 --> 21:29.881 She's called Adele. 21:30.281 --> 21:30.982 She's fine. 21:31.322 --> 21:32.063 She's sober. 21:32.083 --> 21:33.444 She's got fairly normal hair. 21:33.604 --> 21:34.305 Normal hair. 21:34.445 --> 21:36.587 She's gonna be like that for up to three weeks. 21:36.627 --> 21:38.188 She currently has no tattoos. 21:38.588 --> 21:40.710 She's got a friend who freebases. 21:40.850 --> 21:43.853 By the end of March her face is gonna be covered with tattoos. 21:44.193 --> 21:48.136 So until she actually spends a late night with that friend, she'll be fine. 21:48.496 --> 21:49.336 Enjoy it while it lasts. 21:49.356 --> 21:50.517 This is called Writer's Rain. 21:50.677 --> 21:51.858 It's very nice indeed. 21:51.898 --> 21:54.199 That's Writer's Rain by Adele. 21:54.219 --> 21:56.501 This is Adam and Joe here on BBC 6 Music. 21:56.541 --> 21:59.863 This very sunny Saturday morning here in London. 22:00.083 --> 22:01.564 Hope it's nice where you are listeners. 22:02.405 --> 22:05.607 Now, Joe, have you seen the film Jumper starring Billy Elliot? 22:06.280 --> 22:25.908 not yet no are you gonna is that on your list yes is it yeah why would you want to because it's directed by Doug Lyman who did the first born film and is a very good action director right he also did mr. mrs. Smith yeah mr. well I know what you mean about that film it's not that good but it's impressive in certain ways is it never made it through is it worth watching the whole way through 22:27.008 --> 22:29.709 Not really, but you know, it's sort of machine tool. 22:29.809 --> 22:34.130 Yeah in in in in a quite an impressive way ruthlessly efficient Yeah, exactly. 22:34.150 --> 22:35.951 Uh, so I am looking forward to jumper. 22:36.031 --> 22:45.613 I think it could be huge fun huge fun I was thinking last night that nothing makes life Worth living for me more than a than a stupid special effects film. 22:45.973 --> 22:52.775 I don't care how bad it is Yeah, but what if the special effect as seems to be the case in jumper the sequel incidentally is gonna be called a 22:54.196 --> 22:55.496 Wooly's... Cardi. 22:57.357 --> 23:04.680 Why would you want to see a film where like the main selling point is this kind of silly whooshy disappearing effect? 23:05.280 --> 23:07.361 He's already hooked, he loves it. 23:08.081 --> 23:09.122 But you know what I mean? 23:09.362 --> 23:14.364 Like a digital effect that you see in more or less any pop video or TV commercial. 23:14.384 --> 23:15.965 This seems to be the hook for the whole film. 23:16.245 --> 23:19.106 Wouldn't it be amazing if all these people went whooshy and disappeared? 23:19.126 --> 23:21.147 Yeah, no, but it's not the effect, it's the premise. 23:21.767 --> 23:29.475 Yeah, but the idea of being able to teleport instantly and what you do with it, and it sounds as if they've really thought about that premise. 23:29.516 --> 23:29.856 Oh really? 23:30.116 --> 23:32.919 And extrapolated it, you know, in the cleverest possible ways. 23:33.500 --> 23:35.001 Ben's looking excited, look at that! 23:35.062 --> 23:37.004 Look at Ben, he's grinning from the air to the air. 23:37.024 --> 23:38.665 He's never been so excited about anything! 23:39.526 --> 23:40.447 That's gonna be good. 23:40.587 --> 23:40.987 Come on. 23:41.068 --> 23:45.111 But in the, in the trail, in the trail, you don't see anything that looks exciting. 23:45.151 --> 23:46.112 All you see is the washing. 23:46.132 --> 23:46.872 That's nonsense. 23:46.952 --> 23:48.774 A car comes out of the side of a building. 23:49.354 --> 23:52.016 One minute he's in Times Square, the next minute he's at the pyramids. 23:52.076 --> 23:53.558 What do you want, Adam Buxton? 23:53.598 --> 23:55.859 Well, I want something that looks a bit more interesting than that. 23:55.879 --> 23:57.201 You just want the next Harry Potter? 23:57.221 --> 23:58.602 No, because I love that. 23:59.102 --> 24:00.624 Can you get it for me? 24:00.944 --> 24:02.986 Dumbledore, I didn't do it, I promise. 24:03.486 --> 24:04.307 I'm a fairy potter. 24:04.728 --> 24:06.670 The last one was good, the last Harry Potter. 24:06.690 --> 24:07.470 No, it was. 24:07.531 --> 24:08.892 Oh, come on, it was enjoyable. 24:10.173 --> 24:12.055 But no, I didn't see anything. 24:12.115 --> 24:12.676 Yes, so what? 24:12.696 --> 24:13.396 They're on a pyramid. 24:13.416 --> 24:20.584 It's like, yeah, anything's possible and all we have to connect the dots on this mad, no rules landscape is the Wauchy effect. 24:20.784 --> 24:21.705 When was a trailer? 24:22.165 --> 24:45.554 ever a good way to judge the quality of the film well that's true obviously but see the film reserve your judgment i think everybody should go and see jumper yeah on the day it comes out and then we'll all have a big dirty skin style naked party oh skin started again it's about to start but let's not change the subject no no no but you know i'd be more excited about jumper if it was about an actual jumper like a woolly jumper really 24:46.394 --> 24:47.295 What would the story be? 24:48.215 --> 24:50.757 Well, this guy's been given a jumper. 24:51.617 --> 24:53.138 And it's a nice one. 24:53.178 --> 24:54.439 It's a good one, right? 24:54.779 --> 24:55.820 And his mum's knitted it. 24:55.840 --> 24:56.821 What are the special effects? 24:57.001 --> 24:58.542 Is it some kind of woolen portal? 24:58.842 --> 24:59.562 No, here's the thing. 24:59.862 --> 25:01.023 The special effects, right? 25:01.283 --> 25:03.224 You see the jumper being knitted. 25:04.045 --> 25:05.746 But very fast. 25:06.086 --> 25:09.989 So she knits it really much quicker than you could normally knit a jumper. 25:10.409 --> 25:13.351 And then at one point... Wasn't that one of Supergrande's powers? 25:13.911 --> 25:14.312 Was it? 25:14.452 --> 25:17.036 Wasn't Super Grand able to knit things really fast? 25:17.096 --> 25:17.536 Possibly. 25:17.596 --> 25:18.418 Don't bring me down. 25:18.578 --> 25:19.259 Don't bring me down. 25:19.279 --> 25:19.980 I'm not bringing you down. 25:20.080 --> 25:22.383 Super Grand was very successful with The Under Five. 25:22.443 --> 25:23.986 I never enjoyed Super Grand that much. 25:24.967 --> 25:26.209 You might be right about that, but listen. 25:26.469 --> 25:30.295 So towards the end of the second act in the movie when things start to go wrong... 25:31.326 --> 25:39.951 The jumper comes undone, and you see it coming undone like a thread pulls out of the- Does somebody at some stage go, DONE it? 25:40.151 --> 25:40.612 DONE it? 25:40.792 --> 25:41.112 DONE it? 25:41.152 --> 25:42.353 And it's got two meanings. 25:42.393 --> 25:43.453 They're going to now. 25:44.654 --> 25:46.495 I like that idea down, I like that. 25:47.195 --> 25:51.198 And then towards the end of the film, it's okay, the jumper is fixed. 25:51.318 --> 25:53.639 Will the soundtrack be by Nitten Sawney? 25:53.759 --> 25:54.560 I like that idea. 25:55.340 --> 25:55.981 Very good. 25:56.081 --> 26:00.345 Any other ideas for my film, which is going to be called Cardi? 26:00.665 --> 26:03.968 I think I'd love to hear them from you and from the listeners. 26:04.228 --> 26:04.709 Help me out. 26:04.729 --> 26:05.850 We can make a lot of money here. 26:06.150 --> 26:07.291 Now it's time for more music. 26:07.371 --> 26:08.592 I picked this one for you folks. 26:09.092 --> 26:11.374 This is from Kevin Ayers. 26:11.414 --> 26:16.999 He used to be in Soft Machine years and years ago in the sixties and seventies with Robert Wyatt. 26:17.420 --> 26:20.202 And then he became a successful solo artist in his own right. 26:20.222 --> 26:20.803 And he's kind of 26:21.423 --> 26:27.004 part of the, uh, pastoral, folk-y, psychedelic English music scene, I suppose. 26:27.764 --> 26:30.965 Not to everyone's taste, maybe, but I really like this one particularly. 26:31.025 --> 26:31.945 It's called Blue. 26:32.045 --> 26:32.825 Hope you enjoy it. 26:33.005 --> 26:34.946 Did you just stick that singing on at the end yourself? 26:34.966 --> 26:36.126 That was me singing, yeah. 26:36.506 --> 26:36.906 It's good. 26:36.926 --> 26:38.867 It really gives it a lift at the end there. 26:38.927 --> 26:39.567 Yeah, thanks a lot. 26:39.767 --> 26:41.227 That was Kevin Ayres with Blue. 26:41.487 --> 26:43.207 BBC. 26:49.529 --> 26:50.209 On digital. 26:52.060 --> 26:53.781 BBC Six Music. 26:54.241 --> 26:55.381 Hey, this is Adam and Jo. 26:55.821 --> 26:57.882 Excuse me, here on a Saturday morning. 26:58.822 --> 27:04.704 Once again, listeners, I should remind you that I'm speaking in a slightly odd way because I have a bit of a cold, so my voice has gone a bit wonky. 27:05.104 --> 27:08.705 Jo, were you going to remind... Yeah, I was just going to remind listeners of the text number. 27:08.725 --> 27:09.665 It's 64046. 27:10.245 --> 27:11.986 You can text at any point during the show. 27:12.646 --> 27:30.579 uh don't text in anything negative Adam and I have had eye surgery this week that means we can't actually see anything negative right um which has really given given me a good week yeah have you had a wicked week yeah really good I simply um I simply can't see anything that's you know not cheerful 27:30.959 --> 27:33.522 So what do you do when you're watching TV? 27:33.562 --> 27:35.925 That must cut out quite a lot of stuff there for you. 27:36.445 --> 27:38.127 Yeah, I don't, I can't see the TV. 27:38.468 --> 27:38.768 Right. 27:38.988 --> 27:39.809 Particularly Channel 4. 27:40.089 --> 27:41.111 It's all so miserable. 27:41.131 --> 27:41.571 Exactly. 27:41.751 --> 27:43.253 This is total misery box. 27:43.393 --> 27:45.135 That's what they call it, the misery box. 27:45.576 --> 27:45.796 Channel 4. 27:45.836 --> 27:46.356 Channel 4. 27:46.477 --> 27:46.797 Channel 4. 27:48.858 --> 27:52.901 Oh didn't enjoy celebrity ding-dong didn't watch celebrity ding-dong quite enjoyed it. 27:53.161 --> 27:53.462 Did you? 27:53.482 --> 28:00.327 I thought it was pretty good We were discussing the phenomena that Channel 4 seemed to be making shows longer and longer and longer Yeah, it's 50. 28:00.367 --> 28:01.647 I didn't realize it was 50 minutes. 28:01.687 --> 28:05.730 I didn't watch the whole read somewhere It may not be true, but they're big fat quiz of the year. 28:05.750 --> 28:07.111 They do which is very enjoyable. 28:07.652 --> 28:15.737 That's longer than Yeah, it is it's about two or two and a half or three hours long really something the big ding-dong 28:16.778 --> 28:17.738 is 50 minutes. 28:17.818 --> 28:18.438 So you said. 28:18.458 --> 28:19.659 That's a TV one hour. 28:19.839 --> 28:28.820 That beggars belief, I must say, because I watched about 20 minutes, which was perfectly, yeah, serviceable 20 minutes, but I can't believe that it went on half an hour after that. 28:29.040 --> 28:30.441 It's turning into French television. 28:30.461 --> 28:31.881 Do you ever watch Canal Plus? 28:32.301 --> 28:33.301 Oh, look at that plus. 28:33.361 --> 28:42.943 French television is just one show with four intellectuals and a singer in a white studio with an audience just discussing stuff. 28:43.203 --> 28:43.483 Yeah. 28:43.843 --> 28:47.265 And then occasionally Antoine de Cone, he pops up quite a little bit. 28:47.325 --> 28:47.565 Yes. 28:48.065 --> 28:51.206 And he's talking French and they always say, I like it. 28:51.286 --> 28:52.667 I like the French. 28:53.167 --> 28:54.087 Oh, it's nice. 28:55.728 --> 28:56.088 Nice. 28:57.509 --> 28:58.029 Anyway, yeah. 28:58.229 --> 29:05.031 Now I was going to say, we should hear some more music actually, but we've got the nation's favorite feature coming up, folks. 29:05.432 --> 29:05.652 Yeah. 29:05.812 --> 29:07.672 And that's official now. 29:07.772 --> 29:08.313 That's official. 29:08.353 --> 29:09.993 Well, it's not song wars though I'm talking about. 29:10.013 --> 29:11.134 I'm talking about text the nation. 29:11.234 --> 29:11.414 Yeah. 29:12.034 --> 29:13.495 Oh, no, that's what they're talking about. 29:13.575 --> 29:14.236 Oh, okay, okay. 29:14.576 --> 29:18.279 So the nation's favourite feature is coming up shortly, but first, here's some more music for you. 29:18.299 --> 29:19.640 This is Block Party with The Prayer. 29:19.660 --> 29:22.883 Text the nation. 29:22.923 --> 29:24.825 Text, text, text, text the nation. 29:24.905 --> 29:25.865 What if I don't want to? 29:26.106 --> 29:26.846 Text the nation. 29:26.926 --> 29:27.927 But I'm using email. 29:28.107 --> 29:28.828 Is that a problem? 29:28.868 --> 29:29.648 It doesn't matter, text! 29:32.202 --> 29:45.267 Text the Nation time, ladies and gentlemen, and this week, by way of setting up what we're going to be asking you to text about, I'd like to speak about the Sarah Chronicles Terminator, the Sarah Conner Chronicles. 29:45.527 --> 29:51.489 Can I just very quickly say, before we get into that, Lindsay Clegg, thanks for your emails. 29:51.529 --> 29:57.311 She's pregnant and a bit mental because of it, and she's angry that we didn't read her email out. 29:57.652 --> 29:58.452 Oh, about the jumper. 29:59.092 --> 30:01.032 No, it was a song wars related email. 30:01.293 --> 30:11.134 All right, Lindsay Thanks, and we did we did read it We got a lot of emails and they were all wonderful and there just simply isn't time to read them all out Otherwise it would turn into points of view. 30:11.395 --> 30:12.075 Yes, exactly. 30:12.335 --> 30:23.777 So no disrespect You know if we don't read yours out on the air, but we appreciate all the emails and messages we get so yes terminator the Sarah Chronicle Sarah Connor Chronicles and 30:23.877 --> 30:25.017 See, that's problem one with it. 30:25.117 --> 30:27.138 A better name for it would be the Sarah Conicles. 30:28.518 --> 30:29.138 Exactly. 30:30.119 --> 30:31.579 The Sarah Connor Chronicles. 30:31.879 --> 30:33.220 I mean, that is a mouthful, isn't it? 30:34.740 --> 30:35.000 Yeah. 30:35.300 --> 30:36.761 The Sarah Conicles. 30:37.041 --> 30:37.581 The Conicles. 30:38.381 --> 30:44.743 Anyway, we got invited to see the screening of this, because it's going to be on what channel in the UK? 30:44.763 --> 30:47.504 I think it's on, isn't it on Virgin One or something? 30:47.604 --> 30:47.864 Right. 30:47.964 --> 30:52.445 It's coming to the UK very soon, and it started airing in the US in mid-January. 30:52.902 --> 30:53.763 Started, yeah. 30:54.143 --> 30:55.764 Yeah, started airing on BitTorrent. 30:55.924 --> 30:56.245 Right. 30:56.465 --> 30:57.345 In mid-January. 30:58.526 --> 31:00.128 No, it's actually started going out. 31:00.368 --> 31:00.708 Oh, yes. 31:00.868 --> 31:01.469 In the US. 31:01.509 --> 31:02.369 Yeah. 31:02.569 --> 31:05.091 But it's available on BitTorrent currently. 31:05.732 --> 31:09.174 And it's... I only watched the first one. 31:10.195 --> 31:10.735 And it was all right. 31:10.755 --> 31:11.596 It was not too bad. 31:12.016 --> 31:14.999 But the main thing is like the Terminator guy they've got for it. 31:15.019 --> 31:21.844 And it's basically an extension of where they left off with the second film, rather than the third one, I think. 31:22.444 --> 31:24.886 Because what happened at the end of Rise of the Machines? 31:25.886 --> 31:26.827 Nuclear wall, wasn't it? 31:26.947 --> 31:30.549 The world was just engulfed in a nuclear firestorm. 31:30.710 --> 31:31.250 Everyone dies. 31:31.270 --> 31:32.070 It was very bleak. 31:32.311 --> 31:34.012 My love for the franchise died. 31:34.212 --> 31:35.192 Yeah, quite right. 31:35.833 --> 31:37.534 Danes, what was Danes doing in that one? 31:37.574 --> 31:38.314 I wish I could manage Danes. 31:38.334 --> 31:39.956 What was Stahl doing in that one? 31:40.056 --> 31:41.537 What was anyone doing in that one? 31:41.577 --> 31:42.737 What was Arnie doing in that one? 31:42.757 --> 31:43.738 He was in there, wasn't he? 31:43.758 --> 31:44.759 Looking about a hundred. 31:44.779 --> 31:45.899 It was awful. 31:45.939 --> 31:46.500 That was just... 31:46.880 --> 31:50.101 That was just before he became the governator, wasn't it? 31:50.181 --> 32:00.564 Yeah, you know, nothing makes me angrier than a really poor sequel to a great film that really ruins the, you know, logic of the franchise. 32:00.624 --> 32:02.304 Listeners, I can vouch for that. 32:02.444 --> 32:03.765 Nothing makes Joe more furious. 32:03.785 --> 32:04.465 I feel so angry. 32:04.485 --> 32:05.425 He's so angry, he hits me. 32:06.105 --> 32:12.007 Yeah, I go to the Philippines and kill on a private man-hunting reserve. 32:12.187 --> 32:12.467 Yeah. 32:13.127 --> 32:13.747 It's possible. 32:13.767 --> 32:15.628 If you're rich enough, you can do that. 32:15.648 --> 32:17.669 He's like Predator. 32:17.990 --> 32:18.290 Yeah. 32:18.690 --> 32:20.391 And he gets absolutely furious. 32:20.451 --> 32:24.533 He cries and he screams and he just hurts himself and everyone around him. 32:24.893 --> 32:26.234 So it's a horrible thing to see. 32:26.634 --> 32:30.016 But so maybe you should stay away from the Sarah Connor Chronicles. 32:30.536 --> 32:32.618 because it is more or less nonsense. 32:33.078 --> 32:42.944 And one of the worst things about it is the Terminator guy they've got looks just like a big dork who wouldn't get any acting work elsewhere, do you know what I mean? 32:43.645 --> 32:50.589 Maybe it's doing the guy down, but there's very little that needs to be done to fulfill the requirements of the part, you know? 32:50.769 --> 32:57.194 But you know, that was what was quite good about the robot in Terminator 2, the nasty policeman one. 32:57.714 --> 32:58.955 that he looked a bit dorky. 32:59.116 --> 32:59.596 Do you remember? 32:59.736 --> 33:01.678 Like he wasn't a big beefcake like Arnie. 33:02.099 --> 33:08.866 And if you were sending killer robots backwards in time, it would be better to let them blend in, you know? 33:08.906 --> 33:15.332 Well, this is what they've done in this one, because as well as the big hunky dork man, who was the evil robot in the TV version, 33:16.473 --> 33:23.478 And, incidentally, the only way that you can tell he's a robot, apart from occasionally seeing bits of his metal exposed when he gets bashed up. 33:23.818 --> 33:25.119 He wheeze oil. 33:25.379 --> 33:27.000 He wheeze oil all over the street. 33:27.020 --> 33:30.623 When he blinks, uh, he blinks sideways. 33:31.203 --> 33:34.205 It does, um, when he farts, little iron filings come out. 33:34.726 --> 33:35.446 No, that's not true. 33:35.826 --> 33:40.469 Um, you can tell he's a robot, because occasionally he just cocks his head a little bit. 33:40.830 --> 33:44.192 And that's what robots and evil people, incidentally, do, you know? 33:44.212 --> 33:45.393 Does he make little noises? 33:47.654 --> 33:52.356 He doesn't, but occasionally, to set the scene, they tell you where everything is and what time of day it is. 33:52.376 --> 33:56.098 I can't believe they're still doing that. 33:56.298 --> 33:56.478 I know! 33:57.298 --> 34:06.142 People should have realised in the mid-70s that computers were gonna no longer actually make noises when they merely produced font, you know, text. 34:07.243 --> 34:08.103 I wonder if they ever did. 34:08.123 --> 34:12.205 I'd like to find a computer that... It'd be good to have that function on a computer that you could switch on. 34:14.071 --> 34:25.539 Anyway, so he's the evil guy, the big chunky man who cocks his head, but the Terminator sent to protect the hero is a little girl, a young woman. 34:26.219 --> 34:32.504 She's a teenage girl of sort of the correct age for possible romantic entanglement with the protagonist, yeah. 34:33.024 --> 34:37.148 So that's their big genius conceit to sort of move the thing on a little bit. 34:37.669 --> 34:43.095 And it kind of works, and at the same time... I wouldn't have sex with a young lady robot. 34:43.275 --> 34:43.555 Why? 34:43.675 --> 34:46.798 You wouldn't know what was up there, whether it had been correctly smoothed. 34:48.740 --> 34:51.023 You know, it's like popping your old fellow into a... 34:51.483 --> 35:07.303 into a fax machine you all know that might be nice everybody's done that oh dear me what if it what if you couldn't get it out what if it got snagged on something well exactly and what what if the wiring was was bad anyway and you've got a nasty little shock 35:07.904 --> 35:08.645 Don't know. 35:08.705 --> 35:12.029 It's fun at first, but... It's no good. 35:12.369 --> 35:16.033 Well, all these problems are dealt with in Battlestar Galactica, of course, and as well. 35:16.113 --> 35:17.255 Anyway, I digress. 35:17.555 --> 35:18.236 That kind of thing. 35:18.256 --> 35:18.496 Really? 35:18.516 --> 35:20.639 Do people sleep with robots in Battlestar Galactica? 35:20.659 --> 35:21.840 That's what it's all about, man. 35:21.860 --> 35:22.000 Yep. 35:22.040 --> 35:22.300 Really? 35:22.421 --> 35:22.581 Yep. 35:23.602 --> 35:35.189 Anyway, so I was wondering listeners about what other films it would be good to see turned into TV series' and wondered if you could help us out by texting your thoughts. 35:35.549 --> 35:36.670 I had a couple of ideas. 35:37.311 --> 35:38.912 How about seven the series? 35:39.432 --> 35:39.712 Yeah? 35:40.073 --> 35:40.213 Mm-hmm. 35:40.673 --> 35:48.099 So it starts with Mills, played by Brad Pitt or whatever, whoever you could get, some rubbish actor who looks a tiny bit like Brad Pitt, getting out of prison. 35:48.440 --> 35:52.763 He partners up with Somerset, played by Morgan Freeman, of course, in the film. 35:53.284 --> 35:58.128 And for the series of seven, the tone is a little bit lighter than the film, okay? 35:58.588 --> 36:00.030 And so there's a running gag. 36:00.090 --> 36:01.671 It's sort of like a buddy cop movie. 36:01.691 --> 36:03.793 They go in there, every week they have a different case. 36:04.353 --> 36:20.476 and every week Somerset will tease Mills a little bit with a box and he'll be chanting what's in the box and of course rather than it being the head of a loved one in the box it always turns out to be something fun you know like maybe a big mouth Billy Bass 36:21.497 --> 36:21.757 Yeah. 36:21.858 --> 36:23.460 Or a beer, that kind of thing. 36:23.480 --> 36:24.220 Just a fun gift. 36:24.261 --> 36:25.082 Yeah, a fun gift. 36:25.102 --> 36:34.012 What, because there are only seven deadly sins which have all been used up by the film, so there'd have to be some other structure for the... It's just days of the week. 36:34.954 --> 36:35.514 Just days of the week. 36:35.534 --> 36:35.795 Really? 36:35.855 --> 36:40.560 Yeah, so every week there's always seven days of the week, so it doesn't... You can start with the twelve days of Christmas. 36:40.741 --> 36:40.941 Uh-huh. 36:41.539 --> 36:53.635 yeah with the egg and you get killed with like uh five pipers piping and yeah exactly it wasn't five was it it was however many that we were the christmas edition that's right the lords are leaping and they leap right in your face and 36:56.919 --> 36:59.520 Wow, what would the crime scene be like after that attack? 37:00.000 --> 37:00.961 Top hats everywhere. 37:00.981 --> 37:04.622 There's clearly been lords sleeping all over the area. 37:07.003 --> 37:07.983 So that was my idea. 37:08.003 --> 37:08.863 You know, and it would be fun. 37:08.883 --> 37:11.964 You'd guess each week what was going to be in the box. 37:12.204 --> 37:17.186 It's a little bit like finding out what flavor milkshake Alberto Fogg would have in Bod. 37:17.506 --> 37:17.926 Exactly. 37:18.226 --> 37:21.067 That would be good, a cross between seven and deal or no deal. 37:21.087 --> 37:22.548 People love anything box-based. 37:22.808 --> 37:25.569 So I'll give you some more ideas in a little bit, but that was the first one. 37:26.129 --> 37:44.400 do that I think in deal or no deal in one of the boxes should be the severed head of a relative of the contestant that would give it a bit of a sort of mid-show kick yeah definitely yeah oh dear you know and Noel could do some amazing emoting with that kind of thing as well that would certainly cheer the whole thing up 37:44.580 --> 37:47.942 So text your suggestions to 64046, please, listeners. 37:47.982 --> 37:54.285 Your idea for your ideas for TV shows, spun-off movies, obviously the more stupid, the better. 37:54.305 --> 37:55.606 Have you got another one or music? 37:55.726 --> 37:56.026 I do. 37:56.066 --> 37:58.847 Let's have some music, though, first, and then I'll give you a few more examples. 37:59.167 --> 38:03.129 Right now, here's Band of Horses with No One's Gonna Love You. 38:03.289 --> 38:03.850 Dario Lab. 38:04.830 --> 38:06.051 That's called Miss Modula. 38:07.192 --> 38:10.374 It's from their 1997 album Dots and Loops. 38:10.734 --> 38:11.795 That's one of their best ones. 38:12.135 --> 38:13.676 Yeah, their last album was in 2004. 38:14.997 --> 38:15.297 Was it? 38:15.457 --> 38:16.658 Yeah, Margarina Clips. 38:16.898 --> 38:18.840 They've got one coming out later this year. 38:18.980 --> 38:20.101 Apparently so, yeah. 38:20.221 --> 38:24.544 In fact, I got a request from their record company for us to interview them. 38:24.604 --> 38:27.085 Yeah, I saw that for some sort of a podcast. 38:27.105 --> 38:28.026 They live very near us. 38:28.446 --> 38:28.967 Right, do they? 38:29.007 --> 38:29.627 Yes, they used to. 38:29.707 --> 38:31.528 They certainly used to live in South London, yeah. 38:31.728 --> 38:32.429 Would you be up for that? 38:32.449 --> 38:33.410 Yeah. 38:34.181 --> 38:34.421 Yeah. 38:35.082 --> 38:36.304 I think, well, I certainly would. 38:36.564 --> 38:37.585 Yeah, they're fantastic. 38:37.605 --> 38:38.486 We love Stereolab. 38:39.147 --> 38:44.134 They're geniuses, and hopefully they used to be still very much in love. 38:45.113 --> 38:46.174 That they've split up, I think. 38:46.234 --> 38:46.815 Have they really? 38:46.855 --> 38:47.595 Yeah, Tim Gainan. 38:47.715 --> 38:50.858 It's a shame that they're not still very much in love. 38:51.238 --> 38:53.340 But she's happily ensconced in some way. 38:53.360 --> 38:54.180 It is a shame, isn't it? 38:54.200 --> 38:55.501 It's a shame she's lovely. 38:55.781 --> 38:56.702 She feels lovely. 38:57.463 --> 38:59.544 I would have slept, you know, slipped into bed with them. 38:59.865 --> 39:02.447 So would I. Tweaked both of their nips. 39:03.487 --> 39:04.288 They would have liked that. 39:04.348 --> 39:05.489 That would have kept them together. 39:05.549 --> 39:06.309 That's a nice thought. 39:06.570 --> 39:08.231 Who would split up after that? 39:08.691 --> 39:09.352 Okay, Ben. 39:09.392 --> 39:10.473 I think it's time for the jingle. 39:12.799 --> 39:13.581 Text-a-nation! 39:13.661 --> 39:14.743 Text, text, text! 39:14.823 --> 39:15.565 Text-a-nation! 39:15.625 --> 39:16.587 What if I don't want to? 39:16.848 --> 39:17.589 Text-a-nation! 39:17.669 --> 39:18.691 We're at a museum email! 39:18.872 --> 39:19.573 Is that a problem? 39:19.613 --> 39:20.435 It doesn't matter, text! 39:22.987 --> 39:29.112 Now, Text the Nation this week is all about films that could be turned into TV series. 39:29.132 --> 39:38.499 And what we need from you listeners is to not only suggest the film, the more inappropriate the better, but what the mechanic of the TV show would be, i.e. 39:38.579 --> 39:48.407 how they would stretch the premise of the film out for an infinite number of series, because no one goes into making a TV adaptation of a film thinking, no, well, it'll only be one series. 39:48.547 --> 39:55.472 And the main difference between a film narrative and a TV series narrative is you have to avoid it ending. 39:55.933 --> 39:58.274 In film it's important to work towards an ending. 39:58.514 --> 40:00.296 Everything kind of comes from the ending. 40:00.376 --> 40:02.217 Many writers write backwards from the ending. 40:02.557 --> 40:04.219 In TV, very different. 40:04.779 --> 40:05.379 No, exactly. 40:05.419 --> 40:08.321 You've just got to end little trivial plots. 40:08.521 --> 40:17.407 And then you get... And it's frustrating, of course, for the audience, because the audience believes, or would like to believe, that the people creating the TV series have an ending in sight. 40:17.427 --> 40:19.448 This is where many series go wrong. 40:19.488 --> 40:22.429 The X-Files lost may have gone wrong. 40:22.470 --> 40:24.691 It might be coming back in the new season, you know. 40:25.612 --> 40:27.554 It's like that speech in Stand By Me, isn't it? 40:27.574 --> 40:30.557 Do you remember about when they're sitting around the fire and they're talking about wagon train? 40:30.697 --> 40:30.857 Mm-hmm. 40:31.878 --> 40:34.181 And talking about the fact that they'll never get to wherever they're going. 40:34.441 --> 40:35.082 Yes, exactly. 40:35.122 --> 40:39.407 Similarly with the old Battlestar Galactica series, when they never really seemed to find Earth. 40:39.667 --> 40:40.448 Yeah, yeah. 40:40.668 --> 40:42.750 And you'd be waiting for the episode when they did? 40:43.311 --> 40:44.772 And then it's a huge disappointment. 40:45.133 --> 40:46.134 Did it happen in the end? 40:46.654 --> 40:49.135 In the original series, I don't know. 40:49.215 --> 40:50.295 I think they did, didn't they? 40:50.455 --> 40:50.995 I can't remember. 40:51.035 --> 40:56.296 Maybe someone out there could remind us whether they actually did find Earth in the original Battlestar Galactica. 40:57.356 --> 41:02.357 So here's a few more examples I had of movies that would be great, I think, as TV series. 41:02.377 --> 41:07.158 You know, I didn't expand these ones, but what about Gandhi, the TV series? 41:08.039 --> 41:09.239 What would he do week by week? 41:09.999 --> 41:11.741 Uh, he would peacefully protest. 41:11.821 --> 41:13.402 Yeah, that's basically it, isn't it? 41:13.442 --> 41:14.102 About stuff. 41:14.523 --> 41:15.403 On Golden Pond? 41:15.863 --> 41:16.264 The series? 41:16.284 --> 41:17.144 Is that it for Gandhi? 41:17.284 --> 41:17.505 Yeah. 41:18.025 --> 41:19.346 What else can you think of in there? 41:19.746 --> 41:20.167 I don't know. 41:20.647 --> 41:22.108 He could get in some adventures. 41:22.148 --> 41:23.209 He could solve crime. 41:23.289 --> 41:24.670 He could travel forward in time. 41:24.790 --> 41:27.031 Most of my ideas involve some crime solving. 41:27.111 --> 41:28.613 I like it when people solve crime. 41:28.633 --> 41:30.794 Well, crime's bad and it must be solved. 41:30.854 --> 41:31.274 Solved. 41:31.775 --> 41:33.256 So Gandhi would solve crime. 41:33.776 --> 41:35.177 And then On Golden Pond? 41:35.437 --> 41:37.099 What about Gandhi and Handy Andy? 41:37.719 --> 41:38.179 That's a good idea. 41:38.219 --> 41:39.980 It's some kind of DIY show. 41:40.620 --> 41:41.400 Handy Gandy. 41:41.620 --> 41:43.601 Handy Gandy and Handy Gandy. 41:43.641 --> 41:44.201 Just an idea. 41:44.421 --> 41:45.302 That's very nice. 41:45.382 --> 41:49.083 Handy, Handy and Gandy and they solve crime and there's some DIY. 41:49.403 --> 41:49.683 Yeah. 41:49.923 --> 41:50.423 And peace. 41:51.264 --> 41:58.446 And on Golden Pond, they go and they row on the pond and they solve crime. 41:58.986 --> 42:01.307 And Pan's Labyrinth, the TV series, 42:01.767 --> 42:03.308 Well hang on, you're just saying they sold? 42:03.368 --> 42:06.789 I know I didn't, I hadn't really thought about... That's leaving the listeners up the garden path. 42:06.849 --> 42:07.509 That's true, isn't it? 42:07.529 --> 42:10.170 Because if they just send those in, that's going to be a disaster. 42:10.190 --> 42:10.910 Alright, no, that's no good. 42:10.930 --> 42:14.031 Come on, think, what would happen in Old Golden Pond? 42:14.071 --> 42:17.792 That's about an old couple fighting, isn't it? 42:18.257 --> 42:20.958 Yeah, and sort of coming to terms with their Twilight years. 42:21.018 --> 42:21.858 Yeah, yeah. 42:22.858 --> 42:24.599 I guess they get themselves fit. 42:25.119 --> 42:25.939 He would die. 42:26.019 --> 42:26.739 He would die. 42:26.999 --> 42:28.940 Very nearly die at the end of every episode. 42:29.100 --> 42:29.380 Right. 42:29.580 --> 42:31.080 But then just pull through. 42:31.380 --> 42:32.161 Well, here's the thing. 42:32.201 --> 42:36.902 Here's a technique that they use in Lost a great deal to spin absolutely everything out, of course, which is the flashback. 42:37.362 --> 42:47.027 And of course, now in the new season of Lost, they're using the flash forward, but basically flashing either back or forward from when the action is set in order to stretch everything out to an infinitesimal length. 42:47.247 --> 42:50.209 So I was thinking Titanic, the TV series, right? 42:50.509 --> 42:52.910 Titanic, before the burg, you could call it. 42:53.690 --> 43:03.295 And the length of the voyage is stretched out ad infinitum for however many series you want, with the use of flashbacks for every single passenger on board. 43:03.395 --> 43:04.896 That's good because there's lots, aren't there? 43:04.936 --> 43:06.237 There's a lot of passengers. 43:06.957 --> 43:08.338 And so you just have slash back. 43:08.358 --> 43:11.220 When you've run out of legitimate ones, they're always stowaways. 43:11.260 --> 43:11.841 Exactly. 43:11.921 --> 43:12.681 Stowaways. 43:12.961 --> 43:13.262 Fish. 43:13.762 --> 43:14.062 Fish. 43:14.563 --> 43:15.283 The dolphins. 43:15.363 --> 43:17.665 Family members of the back home. 43:17.745 --> 43:19.066 You have their backstories. 43:19.086 --> 43:20.647 Couple of guys hiding in the funnels. 43:20.667 --> 43:22.188 The people that designed the ship. 43:22.488 --> 43:26.271 If it was really successful, you could take it down to the level of plankton and knits. 43:28.793 --> 43:31.254 The knits in the hair of the band that kept playing on. 43:31.274 --> 43:31.434 Yeah. 43:31.455 --> 43:31.535 Yeah. 43:31.915 --> 43:32.395 Exactly. 43:32.415 --> 43:33.356 Brilliant. 43:33.536 --> 43:34.437 A beautiful mind. 43:35.077 --> 43:37.578 the TV series which would be called Mind Games. 43:39.099 --> 43:46.982 Disturbed math genius John Nash every week teams up with the FBI and each week uses a new maths puzzle to solve a crime. 43:47.243 --> 43:47.583 Great. 43:47.683 --> 43:48.723 It's educational as well. 43:48.943 --> 43:52.065 That would be on in the morning and it would have wordy in it. 43:53.005 --> 43:53.986 Do you remember wordy? 43:54.006 --> 43:55.267 Words and pictures. 43:55.387 --> 43:59.689 The weird orange number man with no legs that floats around the place. 43:59.769 --> 44:00.790 I do remember wordy. 44:01.871 --> 44:10.696 And also, of course, we're never quite sure in a beautiful mind the TV series whether it's actually happening or whether it's part of a breakdown. 44:11.156 --> 44:11.777 You know what I mean? 44:12.497 --> 44:15.519 It's got that added edge of reality to it. 44:15.859 --> 44:19.881 Hey man, we've got to go to the news in a second, but first here's a message from the boss. 44:20.241 --> 44:21.981 That's James Brown, you may have heard of him. 44:22.001 --> 44:23.782 He's a singer from America. 44:24.082 --> 44:24.942 That's called The Boss. 44:25.003 --> 44:25.703 Here's the news. 44:26.023 --> 44:28.464 That was The Beat with Too Nice to Talk To. 44:28.484 --> 44:31.365 This is Adam and Joe here on BBC 6 Music. 44:31.785 --> 44:33.746 I'm too boring to talk to, that's my problem. 44:34.386 --> 44:34.726 You know? 44:35.227 --> 44:37.708 Well, you're so boring they haven't even written a song about you. 44:37.888 --> 44:38.649 No, exactly. 44:38.669 --> 44:40.770 Too dull to talk to. 44:41.811 --> 44:42.571 Now I was with that. 44:42.891 --> 44:45.033 I've got my iPhone here, Chuck. 44:46.053 --> 44:49.215 You never miss an opportunity to tell us about your flipping eye. 44:49.295 --> 44:50.516 Yeah, I've got my iPhone here. 44:50.576 --> 44:52.857 Have you read they're reducing all the tariffs? 44:53.258 --> 44:53.378 Aye. 44:53.978 --> 44:54.418 Yeah. 44:54.478 --> 44:54.899 That's good. 44:55.479 --> 44:58.281 When I read that, a voice in my head said, 44:59.421 --> 45:02.503 I hope Adam has to say on the expensive tariff. 45:02.903 --> 45:06.205 Then I'll get one and it'll be cheaper and he'll be sussed. 45:06.985 --> 45:07.726 And then I read. 45:08.506 --> 45:12.108 But existing customers will have their packages, you know, the price. 45:12.128 --> 45:13.468 What did the voice in your head say then? 45:13.488 --> 45:14.049 Damn! 45:17.030 --> 45:43.885 Well, it's it's one of these things it provokes a lot of Fury and people, you know, I had a really strange conversation with a good friend of mine earlier this week and Suddenly and we've had a few drinkies actually and it was sort of late in the evening but I was this this was Dougie and I was eulogizing about my iPhone and and and talking about all the great features Apparently Dougie's just written a song called too boring to talk to yeah, that's true 45:44.745 --> 45:52.287 Anyway, he suddenly went totally nuts on me and just started coming out with this, with this kind of digital race hate. 45:53.027 --> 45:53.608 Do you know what I mean? 45:54.088 --> 45:54.528 About what? 45:54.828 --> 46:03.671 About Max in particular and just saying, oh, Mum's so fed up of Max and iPhones and all them stupid rip-off products. 46:03.691 --> 46:04.811 He didn't say them stupid. 46:05.171 --> 46:06.272 But, you know what I mean? 46:06.652 --> 46:13.217 Because I was talking about the new Mac... The stupid new... Yeah, well it does seem to make... The Mac Air. 46:13.437 --> 46:15.799 They produced a new incredibly slim laptop. 46:15.899 --> 46:16.119 Yeah. 46:16.279 --> 46:20.082 But it does seem as if they've crossed a certain line because it's got no disk drive. 46:20.342 --> 46:20.602 Right. 46:21.603 --> 46:23.544 No firewire port or something. 46:23.664 --> 46:24.705 I'm not being accurate here. 46:24.725 --> 46:27.267 But they've skimped on some essential stuff. 46:28.027 --> 46:35.172 That seems just a bit gratuitous, because it's all- It seems as if they've sacrificed actual usability for the sake of their idiot's sexiness. 46:35.512 --> 46:37.353 Yeah, but it's all- That's why he was upset. 46:37.533 --> 46:38.414 Maybe, maybe. 46:38.474 --> 46:39.855 No, he was just upset in principle. 46:39.875 --> 46:41.456 He said it's all just a big scam. 46:41.756 --> 46:49.621 It's all just a way of ripping people off to seduce them into buying newer, sexier products every now and then, and actually they're not- They've certainly got that down to a T-Mac. 46:49.841 --> 46:50.181 Yeah. 46:50.301 --> 47:04.534 In terms of exploiting that little gene in people's brains, people out there who use PCs and shun Mac products probably won't kind of understand this, but there's something a bit addictive about it, and they really know how to exploit it, don't they? 47:04.734 --> 47:05.034 Yeah. 47:05.154 --> 47:07.396 I mean, people get really upset about it. 47:07.717 --> 47:10.499 It was the most heated conversation I've had in quite a while. 47:10.519 --> 47:12.501 If I'd been there, I would have been with Dougie. 47:12.681 --> 47:13.001 Would you? 47:13.021 --> 47:13.782 I would have ganged up. 47:14.022 --> 47:16.003 on you and made you feel awful. 47:16.343 --> 47:22.246 Oh no, but you know, I love using my Mac and everything and I'm certainly in the other camp. 47:22.546 --> 47:26.147 I mean, it's just opened up so many avenues and opportunities for me. 47:26.368 --> 47:28.288 I really, I really love all that. 47:28.308 --> 47:29.469 Opportunities to surf the net. 47:29.969 --> 47:32.450 Yeah, but maybe I'm just a drone. 47:32.850 --> 47:37.092 I've been seduced by all the curves and the sleekness and I'm just a dork. 47:38.993 --> 47:40.954 But you've never used a PC before, have you? 47:41.034 --> 47:41.174 No. 47:41.474 --> 47:41.814 No. 47:42.315 --> 47:42.835 Why would you? 47:43.720 --> 47:44.180 Why would you? 47:44.200 --> 47:45.021 They're so ugly. 47:45.401 --> 47:50.285 They're so ugly, but here at the Big British Castle, we don't endorse any particular computer. 47:50.766 --> 47:53.468 We, or indeed, what are they called? 47:53.588 --> 47:54.068 Abacus. 47:54.529 --> 47:54.729 No. 47:55.669 --> 47:58.131 Any counting machine is fine here at the castle. 47:58.352 --> 48:01.654 In fact, they only use an abacus here at the Big British Castle. 48:01.674 --> 48:01.814 They do. 48:01.834 --> 48:03.936 You're not allowed to use any form of computer. 48:04.196 --> 48:05.137 or beads in bowls? 48:06.959 --> 48:08.200 The bead bowl. 48:08.220 --> 48:09.661 Have you seen the new I bead bowl? 48:10.141 --> 48:12.924 I'm writing a script with beads in bowls. 48:13.044 --> 48:13.324 Yeah. 48:13.885 --> 48:15.006 I've got a very big tray. 48:15.166 --> 48:15.746 How's it going? 48:16.046 --> 48:18.268 Fine, but I don't know how I'm going to get it to America. 48:18.689 --> 48:20.010 Yeah, it's going to take a while. 48:21.171 --> 48:22.792 When did you start writing the bead bowl script? 48:22.812 --> 48:22.792 1383. 48:23.353 --> 48:24.854 Yeah, exactly. 48:24.874 --> 48:25.335 That's the thing. 48:25.375 --> 48:28.758 It just tends to be a little faster when you're using one of them new computers. 48:29.578 --> 48:32.421 Anyway, it's time for more music now, ladies and gentlemen. 48:32.501 --> 48:33.842 This is Laura Marling. 48:33.862 --> 48:35.183 What do we know about Laura Marling? 48:35.764 --> 48:37.025 Give me some Laura Marling facts. 48:37.045 --> 48:37.726 Do we have facts? 48:37.746 --> 48:41.609 Yes, her debut album, Alas, I Cannot Swim, will be released on Monday. 48:41.649 --> 48:42.710 So that's exciting, listers. 48:42.750 --> 48:50.757 If you like this song, you can pop a tenner aside, and on Monday you can rush out to the plots and say, give us that one. 48:50.917 --> 48:53.520 Give us a little slice of that Marling right there, yeah. 48:53.780 --> 49:00.084 But alternatively, if you hate it, you can go to the shops on Monday with a little hammer and smash every copy. 49:00.364 --> 49:01.545 You'll be arrested. 49:01.565 --> 49:02.105 You'd go to prison. 49:02.125 --> 49:04.046 But it might be worth it if you really hate it. 49:04.086 --> 49:04.566 Who knows? 49:04.867 --> 49:05.427 Let's have a listen. 49:05.447 --> 49:06.067 This is Ghosts. 49:06.347 --> 49:06.768 There we go. 49:06.808 --> 49:08.149 That's Laura Marling with Ghosts. 49:08.189 --> 49:12.251 It's time to test our producer Ben to see how fast he can produce the Text-A-Nation jingle. 49:14.492 --> 49:15.353 Text-A-Nation. 49:15.373 --> 49:16.473 Text, text, text. 49:16.533 --> 49:17.274 Text-A-Nation. 49:17.334 --> 49:18.315 What if I don't want to? 49:18.555 --> 49:19.275 Text-A-Nation. 49:19.375 --> 49:20.376 But I'm using email. 49:20.556 --> 49:21.276 Is that a problem? 49:21.316 --> 49:21.877 It doesn't matter. 49:21.917 --> 49:22.137 Text. 49:24.514 --> 49:24.934 That was good. 49:24.974 --> 49:25.374 That was good. 49:25.394 --> 49:26.175 That was very fast. 49:26.195 --> 49:26.995 He didn't have any warning. 49:27.035 --> 49:28.075 He was right in there. 49:28.115 --> 49:30.296 Look at that cheeky satisfied smile. 49:30.316 --> 49:31.457 A little bit of a giggle. 49:32.677 --> 49:35.178 Incidentally, just a little call back to that Laura Marling track. 49:35.238 --> 49:41.241 She's going to be on Stephen Merchant's show tomorrow or next Sunday, so not tomorrow, but the one after. 49:41.581 --> 49:43.421 Stephen is back tomorrow though, right? 49:43.582 --> 49:46.963 He's back from his holidays, been away for a month or something outrageous. 49:47.843 --> 49:50.565 But he's back with you listeners from three to five. 49:51.106 --> 49:51.286 Yeah. 49:51.946 --> 49:52.887 Can we go away for a month? 49:53.187 --> 49:53.827 One day we will. 49:53.847 --> 49:54.808 Yeah, when we get fired. 49:54.828 --> 49:55.108 In the summer. 49:56.309 --> 49:57.670 Yeah. 49:57.750 --> 49:58.531 Only a matter of time. 49:58.811 --> 49:59.871 Who would fill in? 49:59.911 --> 50:00.912 Oh, we talked about this before. 50:00.932 --> 50:01.432 Chuckle Brothers. 50:01.533 --> 50:02.033 Chuckle Brothers. 50:02.581 --> 50:11.446 Tectonation this week is all about TV series spin-offs from films, the most unlikely and nut-soid off-the-wall ones. 50:11.466 --> 50:14.728 Yeah, we kind of had to explain the guts out of it a little bit. 50:14.868 --> 50:16.889 Here's my apocalypse now. 50:17.209 --> 50:21.831 Apocalypse knew it's called the missions of Ben Willard, Jr., right? 50:22.272 --> 50:24.173 Every week, the son of Captain Willard 50:24.853 --> 50:27.656 Uh, of course, the Martin Sheen character in the film, Ben Willard Jr. 50:27.696 --> 50:30.639 gets a new mission, at which is resolved by the end of the show. 50:31.000 --> 50:36.005 One week he has to confront the school bully and terminate the bullying with extreme prejudice. 50:36.506 --> 50:36.806 Yeah? 50:37.406 --> 50:42.472 And in the climactic scene, he confronts the bully in a dimly lit locker room and listens to him spout. 50:42.532 --> 50:44.174 That's terrible, there's no... what? 50:45.014 --> 50:46.396 Sorry, that was harsh. 50:46.776 --> 50:50.560 That's weaker because it doesn't have any of the trappings of the original film. 50:50.620 --> 50:51.701 It's not set in a jungle. 50:52.301 --> 51:00.049 If you're a fan of the film, why would you be drawn to a Wonder Years-style school thing that happened to have a lead character called...? 51:00.449 --> 51:01.410 Because it's a mission. 51:01.970 --> 51:08.834 I don't know because I thought maybe the thing about it was that it was like a mission and you know He meets all sorts of people along the way, and he might be on a boat. 51:08.894 --> 51:17.379 He might go on a boat There might be a boat trip if that's your problem, and then okay listen another week He has to visit his grandma. 51:17.699 --> 51:22.702 She's gone completely insane, and he has to terminate her with extreme prejudice horrible 51:23.422 --> 51:25.144 And she lives in a jungle, all right, happy? 51:25.805 --> 51:26.585 Yeah, that's better. 51:26.605 --> 51:27.386 Yeah, it's good. 51:28.167 --> 51:30.209 So what about, have we got anything from the listeners? 51:30.249 --> 51:31.611 Yes, we've got lots from the listeners. 51:31.651 --> 51:33.773 Here's one from Shar-Miller in Colchester. 51:33.813 --> 51:35.254 She says, Titanic the cereal. 51:35.635 --> 51:37.316 You had an idea for Titanic there, Adam. 51:37.336 --> 51:38.077 Before the bug. 51:38.378 --> 51:42.482 Shar-Miller's improved it slightly after Rose dies and goes back to the Titanic. 51:43.142 --> 51:44.504 uh, ghost ship every week. 51:44.844 --> 51:48.688 She and Jack have to stop the ship crashing into different objects, i.e. 51:48.728 --> 51:53.773 the Statue of Liberty, a school full of children, an iceberg full of spikes and excrement. 51:55.795 --> 51:59.900 Every week the ship hits the object, and most of the show focuses on the sinking. 52:00.320 --> 52:04.064 Everyone dies, but it doesn't matter because they're already dead, because of course it's a ghost ship. 52:04.144 --> 52:05.265 That's really very good. 52:05.345 --> 52:07.046 I love the idea of it hitting a different thing. 52:07.066 --> 52:07.586 Yeah. 52:07.826 --> 52:11.989 And the idea that, you know, the writers wouldn't be constrained by any sense of reality. 52:12.009 --> 52:12.329 Yeah. 52:13.290 --> 52:15.151 An iceberg covered in spikes. 52:15.211 --> 52:16.712 Full of spikes and excrement. 52:18.033 --> 52:19.514 That's a good idea for a film on its own. 52:19.534 --> 52:21.495 Sean Miller, you've got a powerful noggin. 52:21.835 --> 52:22.616 That's very good. 52:22.676 --> 52:25.878 Two and a half Robocops, says Stefan in Brixton. 52:26.338 --> 52:31.722 Robo and his roommate, Ed 209, are trusted with the care of a mouthy orphan girl with a hilarious outcome. 52:32.103 --> 52:33.143 Now that's quite good, isn't it? 52:33.163 --> 52:33.724 That is good, yeah. 52:33.844 --> 52:37.026 I think it would probably just be a cheeky toaster, rather than an orphan girl. 52:37.166 --> 52:37.527 Yes. 52:37.547 --> 52:38.047 Don't you think? 52:38.367 --> 52:39.948 Or maybe Orack from Blake's Seven. 52:40.189 --> 52:41.990 Or maybe half cheeky girl, half toaster. 52:42.150 --> 52:45.951 I like the idea of a sitcom inhabited entirely by, um, robots. 52:46.132 --> 52:50.253 Well, Orack would be the- the kind of, uh, grandmother figure, you know, sort of wise. 52:50.293 --> 52:52.354 How could the C-3PO could turn up for a cameo? 52:52.594 --> 52:53.394 That is a good idea. 52:53.414 --> 52:54.695 Metal Mickey could show up? 52:54.855 --> 52:55.235 Yeah. 52:55.415 --> 52:56.015 K-9? 52:56.635 --> 52:57.416 All the robots. 52:57.476 --> 52:57.916 That would be super. 52:57.936 --> 52:58.796 All the robots would get together. 52:58.876 --> 53:00.777 It'd be a big deal to get all the rights. 53:01.157 --> 53:04.298 There'd have to be some serious conference table assemblies. 53:04.578 --> 53:07.519 It would be- Anything's doable now in the Alien vs Predator world. 53:07.539 --> 53:10.020 The money to be made for everybody would be extraordinary. 53:10.060 --> 53:10.741 Absolutely. 53:11.201 --> 53:11.501 Wow. 53:11.641 --> 53:26.623 all the marketing and everything and yeah that's a good idea that's a great idea um well done Stefan in Brixton very good um here's another one uh yeah this will take some explaining says Adam in Brighton a spin-off from the Shawshank Redemption 53:27.083 --> 53:31.385 set two years after Morgan Freeman has met Tim Robbins on the beach in Mexico. 53:31.765 --> 53:34.226 They're now living a frivolous life sailing the oceans. 53:34.466 --> 53:38.208 They have a pet dolphin who helps them, you'll like this, solve crimes. 53:38.268 --> 53:38.448 Yeah. 53:38.648 --> 53:45.972 And at the end of each episode, they will have solved the crime somehow using a tiny teaspoon in the most fascinating and jaw-dropping manner. 53:46.552 --> 53:47.272 There you have it. 53:47.552 --> 53:50.534 That's the tiny teaspoon that Tim Robbins digs himself out of there. 53:50.554 --> 53:51.014 That's right. 53:51.074 --> 53:53.075 And maybe a big poster of what was the poster of? 53:53.855 --> 53:54.855 It was some film, wasn't it? 53:55.435 --> 53:55.616 Oh. 53:55.956 --> 53:57.476 I never... A lady poster, wasn't it? 53:57.496 --> 53:58.276 I never bought that. 53:58.756 --> 53:59.176 Did you not? 53:59.537 --> 53:59.597 No. 53:59.617 --> 54:01.137 That the guards wouldn't look behind the poster? 54:01.177 --> 54:06.999 Well, that nobody at any point over all those years lent casually against the poster and fell through the hole. 54:07.139 --> 54:07.599 Why would they? 54:07.619 --> 54:08.919 Why would they be in the cell, though? 54:09.179 --> 54:10.619 The guards don't generally go in the cell. 54:10.640 --> 54:11.020 Yeah, they do. 54:11.100 --> 54:12.120 Guards can go where they want. 54:12.773 --> 54:13.954 Well, they do when they turn over the place. 54:13.974 --> 54:17.416 Prisoners are constantly bumming each other and bouncing off the walls. 54:17.716 --> 54:18.637 That's all they ever do. 54:19.017 --> 54:20.018 Shooting up drugs. 54:20.678 --> 54:22.180 They're constantly bouncing off the walls. 54:22.200 --> 54:22.960 There's nothing else to do. 54:23.020 --> 54:28.524 Yeah, but you're not going to bounce off the wall of your own cell and ruin your lady poster covering the escape hole. 54:29.224 --> 54:29.925 I don't know, man. 54:30.025 --> 54:30.866 I mean, it's a brilliant film. 54:30.886 --> 54:36.169 I was in prison for a long time and let me tell you, you can cover almost anything up with a lady poster. 54:36.189 --> 54:36.870 It's not a problem. 54:37.850 --> 54:38.891 That's a good idea, though. 54:39.232 --> 54:43.995 And also, I think you'd be missing a trick if you didn't have a scene every week where he has to crawl through excrement. 54:44.856 --> 54:45.757 Do they do that in the short? 54:45.797 --> 54:46.117 Yeah, they do. 54:46.157 --> 54:47.378 Yeah, very memorably. 54:47.438 --> 54:48.479 Like a long tunnel. 54:48.539 --> 54:53.903 Each week, the tunnel gets a little bit long, and there's different stuff, because it could be like, I'm a celebrity getting me out of here. 54:53.923 --> 54:54.263 That's true. 54:54.323 --> 54:59.127 I like the fact that you would always be thinking, how are they going to work an excrement tunnel into this narrative? 54:59.768 --> 55:05.012 There could be one set in the desert, one set in space, and you'd be thinking, wow, how are they going to work it in? 55:05.692 --> 55:07.153 What's that floating towards us? 55:07.173 --> 55:08.334 Looks like some kind of tube. 55:08.354 --> 55:09.434 Some kind of tube. 55:09.754 --> 55:10.915 Let's investigate. 55:11.575 --> 55:14.317 Do you really think we should after last week? 55:15.237 --> 55:16.838 Let's have some more suggestions in a little bit. 55:16.878 --> 55:19.760 Right now, here's another piece of music that I've chosen for you listeners. 55:19.780 --> 55:23.522 This is from one of my all-time favorite albums, from one of my all-time favorite people. 55:24.042 --> 55:25.403 It's... It's Daz Sampson. 55:26.683 --> 55:27.764 No, it's Chico time. 55:27.824 --> 55:47.878 No, it's David Byrne and this was I think his first solo album after leaving talking heads after splitting talking heads up cruelly by facts He went off and he did a kind of world music album and it was mainly Latin rhythms He was investigating there and this is one of my favorite tracks from that album Ray Momo and the track is called lie to me and 55:49.264 --> 55:53.291 That's, uh, that's A-Punk with Vampu- No, no, Vampire Weekend with A-Punk. 55:53.311 --> 55:54.393 Have you listened to that album yet, John? 55:54.433 --> 55:56.016 No, that's the new big thing, isn't it? 55:56.036 --> 55:56.938 Vampire Weekend. 55:56.958 --> 55:57.619 It's good, man. 55:58.550 --> 55:59.230 Yeah, we took that. 55:59.270 --> 56:00.610 We got sent freebies of that. 56:01.050 --> 56:01.611 Uh, did we? 56:01.651 --> 56:02.171 We did. 56:02.231 --> 56:03.511 Yeah, you were gonna leave yours behind. 56:03.551 --> 56:04.591 You tossed it aside. 56:05.451 --> 56:09.692 Well, it did add a very poorly taken photo of a chandelier on the front. 56:09.752 --> 56:11.032 No, you'd think someone would have checked that. 56:11.052 --> 56:11.913 Casting a nasty shadow. 56:12.133 --> 56:14.793 It should have had a Kodak sticker on it. 56:14.853 --> 56:16.994 So yeah, this album cover is rejected. 56:17.334 --> 56:18.634 But apparently it's the latest thing. 56:19.474 --> 56:20.254 That would be a good idea. 56:20.274 --> 56:20.974 Has anyone done that? 56:21.034 --> 56:24.035 Put the Kodak sticker on the front of a crappy photo for an album? 56:24.455 --> 56:24.936 You'd think. 56:25.276 --> 56:25.817 You'd think. 56:25.897 --> 56:26.497 Come on, bands. 56:26.537 --> 56:27.498 You've got to sort your lives out. 56:27.518 --> 56:27.979 Come on, bands. 56:28.059 --> 56:29.040 Pull your fingers out. 56:29.100 --> 56:33.404 Will you pull your fingers out and wash them before you do anything, please? 56:34.025 --> 56:36.287 This is Adam and Joe here on BBC Six Music. 56:36.307 --> 56:40.331 Do we have any more texts before we wrap up text the nation? 56:41.151 --> 56:42.032 It's nearly 11. 56:42.933 --> 56:45.636 The top of the hour is a special time on radio. 56:45.676 --> 56:46.737 There's sometimes news. 56:47.097 --> 56:48.419 There's something called a sweeper. 56:49.059 --> 56:50.582 What is the function of the sweep? 56:50.622 --> 56:54.568 It's just to let people know that it's around about 11 o'clock, right? 56:54.869 --> 56:56.231 Have we got one of those coming up? 56:56.251 --> 56:57.914 Just to give structure, to add structure. 57:00.350 --> 57:02.772 So in 25, in 20 seconds we've got to do that. 57:02.792 --> 57:04.393 What happens if we miss the sweeper? 57:04.453 --> 57:05.935 He just automatically kicks in now. 57:06.155 --> 57:06.495 Really? 57:08.757 --> 57:10.058 While we're speaking it suddenly. 57:10.078 --> 57:12.800 We've got, we've got terrific text coming in, lots to read out. 57:12.960 --> 57:14.121 It's going to be really great. 57:14.522 --> 57:15.482 Um, 10 seconds. 57:15.763 --> 57:19.085 Joseph's obsessed with the sweeper now, he's worried if we miss it. 57:19.226 --> 57:19.686 Uh, text 64046. 57:19.786 --> 57:20.847 Three seconds, two seconds. 57:21.427 --> 57:23.349 Uh, GBC. 57:23.629 --> 57:25.431 On digital. 57:29.907 --> 57:31.588 BBC 6 music. 57:31.608 --> 57:32.568 Is that it? 57:32.988 --> 57:33.448 That was it. 57:34.389 --> 57:35.149 A waste of time. 57:35.169 --> 57:37.550 It really nicely hit you though, you got that sweet book. 57:37.610 --> 57:38.490 That means it's 11 o'clock. 57:38.751 --> 57:40.271 Exactly, 11 o'clock. 57:40.291 --> 57:44.073 Have you got any texts there that you can read out immediately or shall we have some more music and then wrap it up? 57:44.653 --> 57:45.453 Let's have some more music. 57:45.473 --> 57:46.514 That's a little bit of music. 57:46.594 --> 57:49.135 What are your feelings on the Julian Cope situation? 57:49.235 --> 57:52.816 I'm sorry once again listening as I apologise about my voice, it's sort of annoying. 57:52.856 --> 57:54.057 I don't like it when people have 57:55.617 --> 57:59.178 voice problems like this, you know, because I always think they're putting it on, really. 57:59.218 --> 58:01.799 Do you remember the film Anaconda? 58:02.079 --> 58:02.440 Yeah. 58:02.840 --> 58:07.021 If I got a baro and gave you a like... Tracheotomy. 58:07.041 --> 58:07.641 Would that help? 58:07.842 --> 58:08.802 Yeah, that would be ideal. 58:08.862 --> 58:10.322 Alright, we'll do that during the next song. 58:10.783 --> 58:13.023 Yeah, so here's a little slice of Julian Cope for you. 58:13.784 --> 58:14.964 Oh, Trampoline, this one is. 58:15.044 --> 58:16.525 Yes, Trampoline. 58:16.565 --> 58:22.687 So this is sort of mid... Yeah, mid period, Nutty Cope, isn't it? 58:23.747 --> 58:28.811 This is after he got himself back together again a little bit, but was still fairly demented. 58:29.932 --> 58:31.734 And yes, Trampoline, Julian Coke. 58:32.094 --> 58:35.156 See, he uses the word to mean two things there. 58:35.737 --> 58:42.202 It's not only the bouncy, fun, spring-based piece of cloth. 58:43.783 --> 58:45.546 It's also that's what it says on that. 58:45.606 --> 58:47.568 If you buy a trampoline, that's what it says on the packet. 58:47.588 --> 58:47.809 Yeah. 58:48.109 --> 58:49.851 Bouncy farm and spring based piece of cloth. 58:50.853 --> 58:57.742 It's also the idea of being trampled by maybe women, maybe the system. 58:57.782 --> 59:00.045 He's writing the song from the point of view of the cloth. 59:00.465 --> 59:01.186 Yeah, exactly. 59:01.286 --> 59:03.047 I can't believe you're trampling me. 59:03.227 --> 59:03.487 Yeah. 59:03.587 --> 59:04.548 I may be called a trampoline. 59:04.568 --> 59:08.331 Might be fun for you, but you're really stretching my central tummy area. 59:08.511 --> 59:08.971 Exactly. 59:09.011 --> 59:09.571 Repeatedly. 59:09.591 --> 59:18.157 You're stretching my credulity, my patience, my springs, and any second now I'm going to hurl you off into the garden, make you land on the lawn and break your leg. 59:18.578 --> 59:19.338 Yeah, exactly. 59:19.438 --> 59:20.079 If you're lucky. 59:20.159 --> 59:20.859 If you're lucky. 59:20.919 --> 59:21.600 Could be worse. 59:21.620 --> 59:22.760 Yeah, they're lethal, those things. 59:22.881 --> 59:23.441 They are lethal. 59:23.461 --> 59:24.322 Gotta have a net around them. 59:24.462 --> 59:27.624 If you were a rich man with a big garden, would you have a big trampoline there? 59:28.124 --> 59:41.393 uh yeah i'd have a series of trampolines i'd use it to get from my main house to my pool uh they'd be about seven or eight meters apart and i'd jump out of my bedroom window and i'd have them perfectly lined up and i'd boing yeah and land in the pool 59:43.214 --> 59:45.575 You could just boing around and they'd be at different sizes. 59:45.835 --> 59:49.516 You could boing up the stairs instead of having stairs, just have trampoline stairs. 59:49.876 --> 59:52.337 I saw a brilliant trampoline based video this week, you know. 59:52.937 --> 59:55.878 I host this thing at the BFI Stroke NFT. 59:55.958 --> 59:58.139 It's a forum for pop videos. 59:58.179 --> 59:59.759 We show a load of excellent pop videos. 59:59.819 --> 01:00:00.599 Bug, bug, yeah. 01:00:01.120 --> 01:00:03.200 But now for March, always get sold out. 01:00:04.101 --> 01:00:10.222 But we showed a brilliant one by this guy called Reel Vooters for a band called Zzzz. 01:00:10.483 --> 01:00:11.083 Just Zzzz. 01:00:12.443 --> 01:00:15.987 And it's all one shot from above a trampoline. 01:00:17.208 --> 01:00:25.515 And he's sort of basically exploring all the various cool trippy effects you can get from having people jumping around in various ways on trampolines. 01:00:25.935 --> 01:00:27.397 I recommend you check it out listeners. 01:00:27.757 --> 01:00:29.157 Watch the track called, did you just say? 01:00:29.177 --> 01:00:30.698 I can't remember what the track is called. 01:00:30.718 --> 01:00:45.222 The band is called Zzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzz 01:00:50.703 --> 01:00:51.904 Do you have a couple of little texts? 01:00:52.084 --> 01:00:53.904 Well, we'll do those in a second, maybe. 01:00:53.984 --> 01:00:55.165 Okay, you're going to introduce yourself. 01:00:55.185 --> 01:00:55.805 Yeah, yeah, yeah. 01:00:55.845 --> 01:00:59.507 This is a free play and this might be a bad idea, listeners, but this is six music, right? 01:01:00.067 --> 01:01:01.868 And people are supposed to like music. 01:01:01.988 --> 01:01:02.628 Adventurists. 01:01:03.068 --> 01:01:03.328 Yeah. 01:01:03.488 --> 01:01:08.730 This is, many of you may have been to see the film Sweeney Todd, Tim Burton's adaptation of Sweeney Todd. 01:01:09.291 --> 01:01:11.071 The Demon Barber of Fleet Street. 01:01:11.271 --> 01:01:11.571 Right. 01:01:12.412 --> 01:01:13.632 And it's a pretty good movie. 01:01:13.772 --> 01:01:16.794 It's based on the musical by Stephen Sondheim. 01:01:17.314 --> 01:01:18.714 Yeah, he's something of a genius. 01:01:19.235 --> 01:01:20.435 But Burton does a weird thing. 01:01:20.475 --> 01:01:20.715 thing. 01:01:21.556 --> 01:01:30.385 He leaves out the title track, which is a really famous and fantastic and scary song, the theme of Sweeney Todd. 01:01:30.705 --> 01:01:31.866 He completely emits it. 01:01:32.747 --> 01:01:39.533 And, you know, some people generally are freaked out by this film, not because it's gory, it is quite gory, but because they don't realize it's a musical. 01:01:40.254 --> 01:01:42.757 In the trailer, they hardly hint that it's a musical. 01:01:43.037 --> 01:01:43.237 Yeah. 01:01:43.297 --> 01:01:45.619 And apparently lots of people are standing up and walking out. 01:01:45.980 --> 01:01:46.380 Oh, really? 01:01:46.500 --> 01:01:49.663 Because they just can't believe that people are just singing the whole time. 01:01:49.803 --> 01:01:51.825 And they sing more or less all the time, don't they? 01:01:51.845 --> 01:01:52.446 More or less. 01:01:52.806 --> 01:01:54.648 Yes, there's some little dialogue exchanges. 01:01:55.088 --> 01:01:57.250 But, you know, that's what proper musicals are all about. 01:01:57.290 --> 01:01:57.891 Yeah, exactly. 01:01:58.832 --> 01:02:06.259 Anyway, the music is amazing, and sometimes kind of a genius, and I thought it would be good to play the song that Burton inexplicably leaves out. 01:02:06.619 --> 01:02:08.661 Apparently he filmed it, but didn't use it. 01:02:09.021 --> 01:02:15.928 Maybe because it's the only time where the characters actually sing into the lens, to camera, and he thought that was too eggy. 01:02:16.468 --> 01:02:18.089 But this song is wicked, man. 01:02:18.209 --> 01:02:20.011 We'll be on the DVD extras, aren't we? 01:02:20.031 --> 01:02:22.593 Maybe, and it's genuinely frightening, and it's the theme tune. 01:02:22.853 --> 01:02:27.597 It's like leaving out the song Chichi Chichi Bang Bang from Chichi Bang Bang Chichi Chichi. 01:02:27.737 --> 01:02:28.738 Right, or Grease. 01:02:29.238 --> 01:02:30.259 From Grease, yeah. 01:02:30.299 --> 01:02:31.099 Why would you do that? 01:02:31.199 --> 01:02:31.740 Why would you? 01:02:31.980 --> 01:02:33.741 This is the ballad of Sweeney Todd. 01:02:34.142 --> 01:02:35.483 Hello, I'm Michael Ball. 01:02:35.523 --> 01:02:39.786 This is BBC3, and I'm here with my guest, Joe Cornish. 01:02:39.846 --> 01:02:42.088 He's going through some of his favourite musicals there. 01:02:42.108 --> 01:02:43.369 Yeah, why did you pick that one for us, Joe? 01:02:43.709 --> 01:02:44.970 I just love the costumes. 01:02:45.230 --> 01:02:48.633 I love the stitching, the seamstressness, the dressing. 01:02:48.753 --> 01:02:49.974 I just love musicals. 01:02:50.154 --> 01:02:51.175 I love musicals too. 01:02:51.235 --> 01:02:53.317 The shouting, the pointing, the tiny seats, the Maltesers. 01:02:53.637 --> 01:02:54.658 I love the theatre. 01:02:54.778 --> 01:02:55.899 I love Sondheim. 01:02:56.239 --> 01:02:56.739 Do you? 01:02:56.940 --> 01:02:57.200 Yes. 01:02:57.380 --> 01:03:00.663 Can I say that you're looking very, very attractive? 01:03:00.763 --> 01:03:01.924 I've got six nipples. 01:03:02.004 --> 01:03:02.384 Have you? 01:03:02.464 --> 01:03:03.505 You can have two of them. 01:03:03.545 --> 01:03:05.747 That's my favourite number of nipples. 01:03:05.807 --> 01:03:07.448 I've got no use for them at all. 01:03:07.668 --> 01:03:08.489 Wonderful stuff. 01:03:08.509 --> 01:03:11.051 I suckle piglets sometimes on a farm. 01:03:11.831 --> 01:03:13.033 Wow, thank you. 01:03:13.113 --> 01:03:24.803 Sorry if that insulted your ears, but you know, it's a bit like what people say when they do charity things, you know, if one person enjoyed that, then it's worth doing. 01:03:24.843 --> 01:03:27.085 And you know, one person did enjoy that. 01:03:27.145 --> 01:03:27.645 Me too. 01:03:29.847 --> 01:03:46.140 that was good thanks i had um matt stone right it does south park yeah they went to visit steven sondheim in his new york apartment after they'd made the south park film yes that was a musical uh absolutely with a very memorable number of very memorable songs 01:03:46.460 --> 01:03:49.041 And Sondheim was suitably impressed, so they went to meet him. 01:03:49.341 --> 01:03:54.483 He's quite old, and he's a gay man, a man that likes other men's bits and bobs. 01:03:55.283 --> 01:04:00.565 They said he had the most amazingly attractive sort of 21-year-old boyfriend. 01:04:00.605 --> 01:04:01.005 Did he? 01:04:01.105 --> 01:04:01.385 Yeah. 01:04:01.525 --> 01:04:02.386 Good old Sondheim. 01:04:02.406 --> 01:04:03.646 They were deeply impressed. 01:04:03.806 --> 01:04:04.446 Nice going. 01:04:04.466 --> 01:04:10.048 That a man as old as that could, through the power of music, attract a young... A youngling. 01:04:10.068 --> 01:04:12.209 Nothing more attractive than success and talent. 01:04:12.609 --> 01:04:13.049 It's true. 01:04:13.289 --> 01:04:14.510 Props to Steve. 01:04:14.830 --> 01:04:15.972 What other musicals has he done? 01:04:16.032 --> 01:04:17.333 What are his most famous songs? 01:04:17.353 --> 01:04:21.179 Into the Woods. 01:04:21.319 --> 01:04:22.260 Yeah. 01:04:22.280 --> 01:04:22.701 Lots of them. 01:04:22.741 --> 01:04:23.161 He's good. 01:04:23.201 --> 01:04:24.283 High School and Musical. 01:04:24.423 --> 01:04:26.286 He did High School Musical too, that's true. 01:04:26.486 --> 01:04:26.746 Yeah. 01:04:27.127 --> 01:04:30.411 And he also did some of the songs for The Secret of Nim. 01:04:32.386 --> 01:05:02.072 him okay it's time for a hub session now we're gonna wrap up text the nation after this folks or very shortly thereafter anyway but before that here is primal scream they're bad boys they're dirty and they come from Scotland they're gonna do a talky introduction to this yeah and you can hear from the tone of the man's voice that they just don't care they just don't they don't care don't give a fig if you want a fig off Bobby Gillespie he won't give you one 01:05:02.572 --> 01:05:03.513 He's not going to give you one. 01:05:03.793 --> 01:05:04.173 This is from 2006. 01:05:04.213 --> 01:05:12.119 That's Primal Scream, recorded in 2006 for their six music hub sessions. 01:05:12.619 --> 01:05:14.540 And they were singing Country Girl there of course. 01:05:15.101 --> 01:05:16.201 Let's have the jingle then. 01:05:16.402 --> 01:05:17.883 What if I don't want to? 01:05:17.903 --> 01:05:19.344 But I'm using email. 01:05:19.504 --> 01:05:20.925 Is that a problem? 01:05:28.720 --> 01:05:29.721 I'm sorry, mate. 01:05:29.941 --> 01:05:30.742 Yeah, you carry on. 01:05:30.762 --> 01:05:32.283 No, you I will you go. 01:05:32.363 --> 01:05:32.683 All right. 01:05:33.023 --> 01:05:39.568 The theme for text donation this week, folks, is inspired by can't believe you went Terminator. 01:05:39.608 --> 01:05:41.209 The Sarah Connor Chronicles. 01:05:41.309 --> 01:05:41.870 So rude. 01:05:41.910 --> 01:05:43.391 The Conicles interrupted. 01:05:43.671 --> 01:05:52.578 And we're asking you to suggest movies that should be turned into TV series's and what those series's would be like. 01:05:53.464 --> 01:05:56.647 Chris Eccles suggests- Christopher Eccleston? 01:05:56.787 --> 01:05:57.949 Christopher Eccleston. 01:05:58.129 --> 01:06:01.512 That's exciting, suggests a TV series based on falling down. 01:06:02.233 --> 01:06:02.433 Yeah. 01:06:02.613 --> 01:06:16.507 This would be an extension of the film falling down, but it assumes that Michael Douglas' character didn't die where he gets more and more angry about life and stuff throughout the series, culminating in him detonating a nuclear bomb in LA because he's so cross. 01:06:17.208 --> 01:06:18.028 Fair enough there. 01:06:18.048 --> 01:06:19.089 A little bit like Heroes. 01:06:19.309 --> 01:06:21.590 I would suggest that you steer away from the ending there. 01:06:21.790 --> 01:06:22.050 Yes. 01:06:22.170 --> 01:06:27.032 And that he just gets angrier and angrier and angrier and angrier without any kind of end. 01:06:27.172 --> 01:06:27.412 Yeah. 01:06:27.432 --> 01:06:29.793 And you sort of can't believe at the end of each series. 01:06:30.113 --> 01:06:31.274 Can he get any angrier? 01:06:31.794 --> 01:06:32.654 Yes, he can. 01:06:32.735 --> 01:06:34.335 And that's why you tune back in. 01:06:34.715 --> 01:06:38.577 And the angrier he gets, the smaller the things are that make him angry. 01:06:38.837 --> 01:06:39.698 You know what I mean? 01:06:39.838 --> 01:06:43.282 So those two narrative strands, they go in opposite directions. 01:06:43.342 --> 01:06:43.982 I'd watch that. 01:06:44.203 --> 01:06:44.803 That's a good idea. 01:06:44.823 --> 01:06:47.246 That would really vent a lot of spleen for a lot of people. 01:06:47.386 --> 01:06:48.227 That would be brilliant. 01:06:48.647 --> 01:06:53.692 Speaking of which, who was the guy that texted in earlier on to correct us about Lost? 01:06:53.913 --> 01:06:55.835 Well, he wasn't correcting us, but he was reminding us. 01:06:56.455 --> 01:06:59.457 that everybody knows exactly when Lost is gonna end. 01:06:59.797 --> 01:07:01.959 It's gonna end after 6 series. 01:07:02.799 --> 01:07:01.959 2010. 01:07:02.819 --> 01:07:04.400 2010. 01:07:03.199 --> 01:07:04.400 They know where it's going. 01:07:04.660 --> 01:07:11.485 There's no question of them making it up as they go along like a collection of ludicrous ponces and everything is fine in the mythical world of Lost. 01:07:12.105 --> 01:07:13.246 So what else have you got there? 01:07:13.366 --> 01:07:17.668 Nick Carver says, uh, Taxi Driver, the TV series. 01:07:17.728 --> 01:07:19.790 It's called Taxi Driver Colon Road Trip. 01:07:20.450 --> 01:07:22.773 Travis Bickle travels from town to town in his taxi. 01:07:23.113 --> 01:07:30.160 You'll like this bit, solving various crimes, and dealing out vigilante justice before heading off into the sunset at the end. 01:07:30.600 --> 01:07:36.566 Each episode opens with Travis looking into the mirror and talking to himself, explaining the story that will follow. 01:07:36.907 --> 01:07:39.669 It ends also in front of the mirror as he wraps it all up. 01:07:40.430 --> 01:07:41.290 Perhaps telling a joke. 01:07:41.470 --> 01:07:42.210 Close brackets. 01:07:42.290 --> 01:07:46.932 That's a very good idea, because I've noticed that Terminator, the Sarah Connor Chronicles, has this as well. 01:07:47.252 --> 01:07:52.273 A lot of shows end with a bit of voiceover with some kind of aphorism or thought for the day, do you know what I mean? 01:07:52.313 --> 01:07:54.413 Yeah, TV viewers, they're simple-minded folk. 01:07:54.633 --> 01:07:57.254 Heroes does that in a really maddening way. 01:07:57.334 --> 01:08:07.136 Travis's resourcefulness in the film, shown through the fabrication of his slidey gun-hiding device, will be spun out into a more MacGyver-like ability to overcome obstacles with random objects. 01:08:07.176 --> 01:08:09.017 That's good, so there's a sort of Inspector Gadget. 01:08:09.677 --> 01:08:22.932 element to it every time he gets into some probably underage prostitute based pickle which let's face it let's face it we all do every now and then a travis pickle a travis pickle something pops out from somewhere no move on 01:08:24.814 --> 01:08:50.702 uh yeah that's a very good idea who's that one from that was from sun bloke what was his name uh it was from nick carver thank you very much nick that's excellent we've had a couple of uh 2001 based suggestions yeah let me find them here they came in via text while you're finding those can i just give you a couple more of mine yeah um star ski and hutch now just bear with me this might sound like an insane idea well it's already done the leap from small to big screen you're suggesting 01:08:50.982 --> 01:08:51.962 What are you talking about? 01:08:52.242 --> 01:08:54.743 You're suggesting popping it back in the... What do you mean? 01:08:54.803 --> 01:08:55.704 On the small screen. 01:08:55.744 --> 01:08:58.605 Well, you know that amazing film with Ben Stiller and Luke Wilson, right? 01:08:58.965 --> 01:08:59.165 Yeah. 01:08:59.305 --> 01:09:01.706 That would make a good TV show, don't you think? 01:09:01.806 --> 01:09:02.006 Yeah. 01:09:02.146 --> 01:09:09.469 But instead of playing it for laughs, you do it quite seriously and every week they solve crimes and they drive in their car. 01:09:09.569 --> 01:09:10.169 What about that? 01:09:10.779 --> 01:09:11.860 That's a very good idea. 01:09:12.080 --> 01:09:12.400 Yeah. 01:09:13.761 --> 01:09:14.222 Go on then. 01:09:15.062 --> 01:09:15.543 Is that it? 01:09:15.883 --> 01:09:16.083 Yeah. 01:09:16.323 --> 01:09:17.704 OK, here's one. 01:09:17.764 --> 01:09:19.245 I think this is from Ian in Birmingham. 01:09:19.305 --> 01:09:20.326 It's anonymous. 01:09:21.207 --> 01:09:24.649 But he says, how about a TV show from the film 2001? 01:09:25.190 --> 01:09:29.193 It's all about the adventures of the Black Obelisk and its travels. 01:09:29.253 --> 01:09:31.694 It's a cross between Lassie and Quantum Leap. 01:09:32.395 --> 01:09:38.780 I like the idea of the Obelisk as a kind of cute, you know, smooth, silent, immobile, 01:09:39.460 --> 01:09:47.565 kind of... Sure, he turns up in different places every week and inspires different magical events around him. 01:09:47.605 --> 01:09:49.146 There's that noise through the whole episode. 01:09:49.526 --> 01:09:52.808 Because the obelisk turns out to be full of universes, doesn't it? 01:09:53.048 --> 01:09:57.851 In 2010, the year we made Contact, directed by, was it Peter Himes? 01:09:57.891 --> 01:09:58.111 Yeah. 01:09:58.712 --> 01:09:59.272 I think so. 01:09:59.732 --> 01:10:00.613 Yeah, that's what happens. 01:10:00.633 --> 01:10:03.114 They basically tell you, it's full of stars. 01:10:03.354 --> 01:10:04.095 I like that film. 01:10:04.800 --> 01:10:10.222 So yes, he could sort of go out doling out universes in various different parts of the universe. 01:10:10.242 --> 01:10:14.283 But David from Braintree has a different angle on 2001 the TV series. 01:10:14.643 --> 01:10:17.184 He says 2001 a TV Odyssey. 01:10:17.684 --> 01:10:25.487 Dave Bowman and his cheeky robot psychic Hal discover a new monolith each week and are sent on a quest to discover the meaning of existence. 01:10:26.027 --> 01:10:33.050 Every week features Hal trying to kill Bowman in an increasingly comic style, with Dave then tripping out for the remaining minutes of the episode. 01:10:33.290 --> 01:10:38.693 That's a good idea, you see, because, uh, lots of monoliths, they've each got something different inside them each week. 01:10:38.773 --> 01:10:39.053 Yes. 01:10:39.253 --> 01:10:39.753 Candy! 01:10:40.294 --> 01:10:41.054 Yeah, one week. 01:10:41.554 --> 01:10:43.115 You know, uh, puppies. 01:10:43.775 --> 01:10:44.276 Another week? 01:10:44.336 --> 01:10:47.138 Exactly, and sometimes it's something more profound than the meaning of life. 01:10:47.158 --> 01:10:50.541 Yeah, and it has a connection, it connects into, you know, tic-tacs maybe. 01:10:50.581 --> 01:10:58.527 Well, this is coming back to the whole thing about boxes, which we know is a solid gold way of generating interest for a TV show. 01:10:58.567 --> 01:11:03.551 If you've got a box or an object with a mysterious thing inside it, people want to know what it is. 01:11:04.412 --> 01:11:09.797 Here's a good one, uh, from Daniel Johnson, Johnston in Sheffield. 01:11:10.137 --> 01:11:12.179 He says the Kaiser Soze Chronicles. 01:11:12.680 --> 01:11:17.164 Every week they set up a complicated plot, then reveal at the end that he was just making it all up. 01:11:17.724 --> 01:11:18.024 Yeah. 01:11:18.305 --> 01:11:21.407 I wonder if that's Daniel Johnson, the musical, the tortured musical genius. 01:11:21.427 --> 01:11:21.808 Probably. 01:11:21.828 --> 01:11:22.468 Yeah. 01:11:23.129 --> 01:11:23.549 Uh, another one? 01:11:23.910 --> 01:11:25.131 Yeah, go on, give us one more before we go. 01:11:25.151 --> 01:11:29.555 Lord of the Rings, Frodo and Sam realise their obvious feelings for each other and every day deal with prejudice against two hobbits in love. 01:11:29.995 --> 01:11:30.716 That's very nice. 01:11:30.876 --> 01:11:33.599 It's like Will and Grace with hairy-footed midgets. 01:11:35.280 --> 01:11:36.402 Not majorly different. 01:11:36.622 --> 01:11:37.242 I could be in it. 01:11:37.883 --> 01:11:38.544 You could be in it. 01:11:38.604 --> 01:11:38.904 Yeah. 01:11:39.244 --> 01:11:39.965 That'd be nice. 01:11:40.766 --> 01:11:43.128 Thank you very much indeed for all your texts and emails. 01:11:43.148 --> 01:11:45.671 We might have some more in a bit, might we? 01:11:45.871 --> 01:11:50.876 If something amazing comes through, but I think we should probably wrap up too, because we've got to play your song. 01:11:51.196 --> 01:11:51.877 We've got hours. 01:11:51.917 --> 01:11:52.738 We've got 35 minutes left. 01:11:53.078 --> 01:11:57.820 The Witherman game show, D-list celebrity dropped off on Spooky Island in an airplane. 01:11:58.600 --> 01:12:00.461 Island populated by creepy actor types. 01:12:01.201 --> 01:12:02.221 That's quite good, isn't it? 01:12:02.642 --> 01:12:03.522 Like The Crystal Maze. 01:12:03.602 --> 01:12:04.962 Is that a game show or a series? 01:12:04.982 --> 01:12:05.683 A bit of both. 01:12:05.883 --> 01:12:06.003 Right. 01:12:06.043 --> 01:12:07.463 It's a, it's a, what do you get? 01:12:07.983 --> 01:12:10.644 What's a hybrid of a game show and a series? 01:12:11.385 --> 01:12:13.745 A gamesries, a seershow. 01:12:14.246 --> 01:12:15.826 I don't know, but that's a hybrid that hasn't been done yet. 01:12:15.946 --> 01:12:17.707 A narrative, the narrative game show. 01:12:17.987 --> 01:12:18.827 Has anyone done that yet? 01:12:19.287 --> 01:12:20.147 Ahh, Noel Edmonds, man. 01:12:20.187 --> 01:12:20.788 He could do that. 01:12:21.068 --> 01:12:22.648 He's probably been working on it. 01:12:22.788 --> 01:12:23.828 That's a good idea. 01:12:23.848 --> 01:12:28.529 This is gonna happen, like, if we're sat here in two years' time, there'll be a narrative game show on TV. 01:12:28.649 --> 01:12:29.669 That must have been done before. 01:12:29.910 --> 01:12:30.230 Who is it? 01:12:30.250 --> 01:12:40.312 Someone else, speaking of which, someone else pointed out, I was talking about the idea of putting those Kodak advice labels on an album cover for a deliberately, deliberately rubbish photo. 01:12:40.332 --> 01:12:40.852 Delibertly. 01:12:40.972 --> 01:12:41.512 Delibertly. 01:12:42.112 --> 01:12:49.440 Someone says, Tim has texted us to say, or the all seeing eye had a Kodak advice label on the cover of The Beat Goes On. 01:12:49.841 --> 01:12:50.221 Pip pip. 01:12:50.481 --> 01:12:52.203 Cheers Tim, thanks very much for that. 01:12:52.824 --> 01:12:56.067 Now it's music time and this is, what is this? 01:12:56.328 --> 01:12:58.050 Oh yeah, we're gonna have a trail, this isn't exciting. 01:12:58.750 --> 01:12:59.911 Oh no, I'm in the trailer. 01:13:00.011 --> 01:13:01.893 Oh, we don't want to be late for the news. 01:13:01.913 --> 01:13:03.555 This is Licky Lee with Little Bit. 01:13:03.575 --> 01:13:05.817 She's got a nice sound to it though. 01:13:06.418 --> 01:13:12.924 That's Licky Licker Lee with Little Bit, which, confusingly, she also pronounces Lickle Bit as well, isn't it? 01:13:12.944 --> 01:13:14.766 She's trying to get her name in there as well. 01:13:15.967 --> 01:13:17.108 She's new on the scene. 01:13:17.328 --> 01:13:19.390 That almost sounds like one of our Song Wars songs. 01:13:20.191 --> 01:13:20.591 Don't you think? 01:13:20.791 --> 01:13:23.452 In a good way, I'm not saying it's like a bit of a velcro, at least. 01:13:23.992 --> 01:13:24.813 I can't once. 01:13:25.193 --> 01:13:26.273 But, uh, that was nice. 01:13:26.353 --> 01:13:27.974 This is Adam and Jo on BBC Six Music. 01:13:28.394 --> 01:13:29.954 It's time now for the news. 01:13:30.434 --> 01:13:32.475 That's Elbow with Grounds for Divorce. 01:13:32.555 --> 01:13:34.116 Is that their new one from Elbow there? 01:13:34.536 --> 01:13:34.836 Yeah. 01:13:35.797 --> 01:13:36.418 That's good, isn't it? 01:13:36.438 --> 01:13:46.711 It's one of those, he's taken that route that a lot of people take every now and again, just for the sake of it, of the convicts, you know, the kind of spiritual music you get. 01:13:46.771 --> 01:13:48.393 It's kind of a brother where art thou type thing. 01:13:48.674 --> 01:13:48.994 Yeah. 01:13:49.154 --> 01:13:50.236 It's not up my street, Adam. 01:13:50.256 --> 01:13:50.856 Is it not? 01:13:50.876 --> 01:13:52.238 I'm going to be perfectly honest, no. 01:13:52.398 --> 01:13:53.480 You're not having a slice of Garvey. 01:13:53.860 --> 01:13:54.080 No. 01:13:54.480 --> 01:13:54.961 Oh, okay. 01:13:55.781 --> 01:13:56.741 Ah, that's Joe. 01:13:56.901 --> 01:13:57.882 Is that a bad thing to say? 01:13:58.042 --> 01:14:00.503 Nothing personal, it's just not- Have you seen Garvey? 01:14:01.003 --> 01:14:03.324 No, I'm sure he's a lovely- He's a bear of a lamb. 01:14:03.344 --> 01:14:03.504 Is he? 01:14:03.524 --> 01:14:04.284 He could flatten you. 01:14:04.665 --> 01:14:05.165 I'd take him. 01:14:05.645 --> 01:14:07.006 No, he would get you instantly. 01:14:07.026 --> 01:14:07.546 No, I wouldn't, man. 01:14:08.006 --> 01:14:09.026 Also- You don't know my technique. 01:14:09.046 --> 01:14:10.687 Yeah, but he could crush you with his mind as well. 01:14:10.727 --> 01:14:11.567 I'd fight dirty. 01:14:11.908 --> 01:14:16.710 Listen, he would start off, Garvey would come at you with his mind, and then he would- When I say dirty, I mean porno. 01:14:16.730 --> 01:14:17.190 Sexually. 01:14:18.190 --> 01:14:19.591 I have lots of porno mags. 01:14:20.051 --> 01:14:26.414 I just flash them and yeah, you roll them up and you they get distracted Oh by all the stuff on display. 01:14:26.434 --> 01:14:26.955 That's good. 01:14:27.095 --> 01:14:43.623 Listen, um, you might remember Years ago on this show we used to have a feature called song wars And about well about this time we'd sort of be reprising the songs About this time you might have heard this jingle It's time for song 01:14:51.954 --> 01:14:53.795 But not anymore because we've stopped it. 01:14:53.815 --> 01:14:55.596 It's having a little break. 01:14:55.616 --> 01:15:03.181 It's having a break and, you know, I was resistant to the idea when it was first mooted at the beginning of our tenure here at the castle. 01:15:03.781 --> 01:15:14.447 We'd done some songs when we filled in for Sean Kievny on the breakfast show but we did one a week over five shows to carry on doing one a week. 01:15:14.507 --> 01:15:18.890 I resisted but then, you know, when we started doing it regularly 01:15:19.170 --> 01:15:20.231 I started to enjoy it. 01:15:21.071 --> 01:15:22.452 I started to take pleasure in it. 01:15:23.093 --> 01:15:24.494 It wasn't about the winning and losing. 01:15:24.874 --> 01:15:32.019 It was about the act of creating something and then, you know, having a marginally appreciative audience to play them to. 01:15:32.839 --> 01:15:35.061 And when it stopped, it was very sudden. 01:15:35.361 --> 01:15:41.705 And like a bicycle going down a hill, I found it very hard to break, to stop. 01:15:42.326 --> 01:15:44.347 You know, there's still a lot of momentum. 01:15:44.427 --> 01:15:45.568 I don't know what the physics of it is. 01:15:45.608 --> 01:15:46.769 You've still got songs to sing. 01:15:47.329 --> 01:15:48.269 I've got songs to sing. 01:15:48.289 --> 01:15:49.450 A lot of music in here. 01:15:49.570 --> 01:15:57.972 So on the Monday, on the Tuesday after the show, I was sitting at home typing away, writing this thing, and I was getting a bit bored of writing. 01:15:58.492 --> 01:16:01.913 And usually when I was bored of writing, I'd think, well, I have a little nibble at a song. 01:16:01.993 --> 01:16:02.253 Yeah. 01:16:03.313 --> 01:16:04.834 You know, keep the juices going. 01:16:05.894 --> 01:16:07.274 So I had to do it anyway. 01:16:07.474 --> 01:16:08.975 It's just got to come out sometimes. 01:16:09.415 --> 01:16:16.657 And this is, this is a, it's only short, but this is a composition that expresses my, um, my, my sadness, my melancholy. 01:16:16.717 --> 01:16:17.857 Sort of elegy for song wars. 01:16:17.937 --> 01:16:19.238 Elegy for song wars, yeah. 01:16:19.258 --> 01:16:20.378 It doesn't, doesn't have a name. 01:16:21.278 --> 01:16:23.979 Uh, it's, it's a song, well I suppose it's a song for song wars. 01:16:24.219 --> 01:16:25.299 Yeah, end of part one. 01:16:25.639 --> 01:16:25.900 Yeah. 01:16:26.040 --> 01:16:26.700 Of song wars. 01:16:26.720 --> 01:16:27.420 Here, here it is. 01:16:27.440 --> 01:16:29.841 No more song wars. 01:16:29.901 --> 01:16:30.881 No more song wars. 01:16:31.401 --> 01:16:53.773 Some worlds it's over, some worlds it's over There won't be any some worlds anymore It started out as a game we played You'd write a song and I'd reciprocate We'd play the songs, let the listeners choose 01:16:54.537 --> 01:17:11.813 It ain't a competition if nobody loses 12 weeks later and the score's 8-4 I get the feeling you don't find this fun So we say No more song wars Song wars is over Song wars is over 01:17:22.468 --> 01:17:38.200 Making the song takes a long, long time The rest of the show suffers and that ain't fine We got day jobs, we got our guns, hey Gotta think of three hours of stuff to soon be saved 01:17:42.793 --> 01:17:46.675 Some listeners may say, hey, that's not fair 01:17:58.217 --> 01:18:12.716 Others might be simply delighted to hear We'll no longer be sharping our songs in your ears No more amateur crapping from a couple of... What, a couple of dears? 01:18:13.097 --> 01:18:13.998 A couple of dears. 01:18:14.718 --> 01:18:16.320 Um, that's very moving, man. 01:18:16.880 --> 01:18:19.963 You sort of abandoned it at the end there, didn't you? 01:18:20.123 --> 01:18:21.584 I didn't want it to be too long. 01:18:21.945 --> 01:18:26.148 You suddenly, I could tell that it was very emotional at the beginning. 01:18:26.509 --> 01:18:32.314 And then suddenly you just abandoned the emotion and you thought, well, listen, I've got a duty to amuse people and entertain here. 01:18:32.334 --> 01:18:34.115 Yeah, I don't like to expose my heart. 01:18:34.135 --> 01:18:37.298 This is the schism at the heart of the whole song was exercises, isn't it? 01:18:37.558 --> 01:18:39.779 What, between sincerity and stupidity? 01:18:39.859 --> 01:18:40.279 Exactly. 01:18:40.759 --> 01:18:46.461 Listen, when I was putting together my anti-piracy song, there was tears rolling down my cheeks. 01:18:46.701 --> 01:18:46.981 Why? 01:18:47.261 --> 01:18:47.761 No, there wasn't. 01:18:48.021 --> 01:18:52.983 But at one point I had a three and a half minute cut of the song, right? 01:18:53.183 --> 01:18:56.124 It'll come out on the extended edition box set one day. 01:18:56.784 --> 01:18:57.885 But it was good, man. 01:18:57.965 --> 01:18:59.045 I'm telling you right now. 01:18:59.065 --> 01:19:04.188 Not so much the bits with the anti-piracy chorus song and... Not those bits. 01:19:04.508 --> 01:19:06.969 But there were some amazing bits and I got really into it. 01:19:06.989 --> 01:19:10.571 And it was quite wicked stuff. 01:19:11.212 --> 01:19:16.195 Well, we're going to find out a way of making the Song Wars archive available. 01:19:16.215 --> 01:19:31.906 We're not going to ask people to pay for them, but we're going to somehow figure it out with the bearded alchemists here at the Big British Castle, a way to make a little site where they can be downloaded for the one or two people in mental homes that might be interested. 01:19:33.627 --> 01:19:36.149 Yeah, we'll figure something out, we'll let you know what happens. 01:19:36.669 --> 01:19:39.411 So that's it for Song Wars for the time being though, ladies and gentlemen. 01:19:40.192 --> 01:19:43.915 We'll find something else to do in the meantime, and we may, you know, we'll bring it back as and when, isn't it? 01:19:44.035 --> 01:19:49.479 Sometimes it'll be, you'll just have a bit of music that just has to come out, and then we'll do it. 01:19:50.540 --> 01:19:52.781 But until then, here's some more proper music for you. 01:19:52.861 --> 01:19:54.923 This is Morrissey with That's How People Grow Up. 01:19:55.123 --> 01:19:57.644 That's Morrissey, with That's How People Grow Up. 01:19:57.664 --> 01:20:00.066 This is Adam and Joe here on BBC Six Music. 01:20:00.606 --> 01:20:02.007 So the Oscars are coming up, Adam. 01:20:02.207 --> 01:20:02.547 Oh, good. 01:20:02.567 --> 01:20:03.247 It's exciting, isn't it? 01:20:03.267 --> 01:20:04.488 And it looks as if they're going to happen, right? 01:20:05.208 --> 01:20:08.350 Yeah, well, fingers crossed it looks like the writers' strike might be resolved. 01:20:08.770 --> 01:20:10.351 Everyone else has resolved their strikes. 01:20:10.391 --> 01:20:11.272 The directors have. 01:20:11.332 --> 01:20:15.734 It's starting to look a bit embarrassing for the writers and the, you know, blah, blah, blah. 01:20:15.774 --> 01:20:17.775 You don't want to hear this waffle from me, do you? 01:20:18.075 --> 01:20:20.317 But anyway, listen, here's the point. 01:20:21.137 --> 01:20:22.438 What if you were a famous actress? 01:20:23.728 --> 01:20:25.190 Uh, yes, I'm trying to imagine. 01:20:25.310 --> 01:20:26.091 What would your name be? 01:20:27.773 --> 01:20:32.317 Oh, something sexy, but, uh, you know, intelligent. 01:20:32.738 --> 01:20:33.038 Right. 01:20:33.618 --> 01:20:34.419 Uh, Cindy Maths. 01:20:35.440 --> 01:20:37.422 Yeah, I was thinking titty genius. 01:20:37.642 --> 01:20:38.423 Titty genius! 01:20:38.603 --> 01:20:39.484 And what would you speak like? 01:20:40.505 --> 01:20:42.708 Um, I would talk like this. 01:20:43.248 --> 01:20:43.329 Oh. 01:20:43.629 --> 01:20:46.412 You're quite a low voice, so people took me seriously. 01:20:46.492 --> 01:20:47.834 Okay, imagine you're nominated. 01:20:47.854 --> 01:20:47.914 Yes. 01:20:48.154 --> 01:20:53.880 Uh, and of course you subscribe to the Sky Satellite Service, therefore you get the Sky Mag. 01:20:53.900 --> 01:20:53.981 Sure. 01:20:54.081 --> 01:20:54.301 Yeah? 01:20:55.482 --> 01:21:01.165 Uh, and you turned to Sky Mag and there's an article in here all about what to do to prepare for the Oscars if you're an actress. 01:21:01.225 --> 01:21:02.326 Right, alright. 01:21:02.506 --> 01:21:11.171 Uh, you already have booked a top hairdresser, whittled your dresses down to a handful of choices, nabbed yourself an uber makeup artist, and upped your exercise routine, correct? 01:21:11.331 --> 01:21:13.092 Yes, my abs are hard now. 01:21:13.572 --> 01:21:14.733 Okay, here's some more advice. 01:21:14.753 --> 01:21:17.735 Celebrity trainer Kathy Koehler tells her clients... 01:21:18.155 --> 01:21:24.397 including Julia Roberts and Michel Pafaffar, to cut out sugar, salt and alcohol in the week leading up to the Oscars. 01:21:24.557 --> 01:21:25.037 Certainly. 01:21:25.157 --> 01:21:27.577 This is to avoid bloating to achieve a lean look. 01:21:27.917 --> 01:21:33.799 Last year's Best Supporting Actress winner Jennifer Hudson slimmed her figure before the ceremony with a diet of smoked salmon and vegetables. 01:21:34.239 --> 01:21:35.879 Yes, that's what I've been doing. 01:21:35.899 --> 01:21:37.560 Okay, well that's not the end of it. 01:21:38.480 --> 01:21:45.505 While they're purifying themselves on the inside, the ladies of Beverly Hills will also set about buffing, polishing, waxing, and, whisper it, injecting themselves. 01:21:45.865 --> 01:21:54.050 Nobody wants that dreaded sweat patch beamed to millions, so many actresses have Botox injected into their armpits and palms to stop them perspiring. 01:21:54.430 --> 01:21:55.811 I didn't know Botox did that. 01:21:55.991 --> 01:22:01.415 Celebrity dermatologist Dr. Jessica Wu says this is the must for the hot, stressful red carpet. 01:22:01.695 --> 01:22:06.578 Quote, for actresses so they don't stain their dresses and for actors who don't want clammy handshakes. 01:22:06.678 --> 01:22:08.300 Nobody likes to stink! 01:22:08.760 --> 01:22:09.741 Okay, let's recap. 01:22:10.021 --> 01:22:11.062 You've whittled the wardrobe. 01:22:11.262 --> 01:22:12.784 You've got the new uber makeup artist. 01:22:13.304 --> 01:22:14.905 You've cut out sugar salt and alcohol. 01:22:14.945 --> 01:22:17.648 You've fused all your pores, shut forever. 01:22:17.668 --> 01:22:19.770 You've injected your armpits and palms with Botox. 01:22:20.050 --> 01:22:20.951 That's not the end of it. 01:22:21.571 --> 01:22:23.113 Uh, only Hendrickson. 01:22:23.553 --> 01:22:32.941 Facialists, Charlize Theron and Rene Delvega, uh, recommends gals should have a facial seven days before an event, so there's time for the inevitable breakouts to heal. 01:22:33.862 --> 01:22:34.623 Right, okay. 01:22:34.663 --> 01:22:40.608 Seven days before you gotta have the breakout, Oscar-attending ladies will also spend this week being given free stuff. 01:22:41.108 --> 01:22:43.111 Celebrities like Nick and Tuck, Tuck, what? 01:22:43.412 --> 01:22:52.966 Nip and Tuck's Kelly Carlson can pop along to special lounges all over town and nab free products and services worth up to half a million pounds. 01:22:53.086 --> 01:22:54.187 Is that just called stealing? 01:22:55.287 --> 01:22:56.408 No, I think they're allowed to. 01:22:56.728 --> 01:22:58.089 Oh, it's the way you said it, Mab. 01:22:58.169 --> 01:23:00.150 I thought they were just running around nicking stuff. 01:23:00.430 --> 01:23:01.831 I'm quoting from Skymag. 01:23:02.091 --> 01:23:05.373 Look, we've just been robbed by Kelly Clarkson or whatever. 01:23:05.393 --> 01:23:06.074 So you're busy. 01:23:06.334 --> 01:23:06.574 Yeah. 01:23:06.854 --> 01:23:12.598 And finally, Carrie Wan, hairstylist to Nicole Kidman, recommends ladies have no hair days. 01:23:13.058 --> 01:23:15.700 to give their mains a rest from styling this week. 01:23:16.120 --> 01:23:17.641 So it's ready for the blitz of the big night. 01:23:18.121 --> 01:23:19.562 And you've got to get plenty of sleep. 01:23:20.002 --> 01:23:24.685 Early nights go a long way to repairing skin and making red carpet walkers look refreshed. 01:23:25.045 --> 01:23:25.485 Wow. 01:23:26.086 --> 01:23:27.266 That, I don't want to go anymore. 01:23:27.547 --> 01:23:30.648 It's like sort of the restoration or something for women. 01:23:30.769 --> 01:23:31.529 Yeah, that's horrible. 01:23:31.549 --> 01:23:31.849 You know? 01:23:32.169 --> 01:23:32.830 What do men have to do? 01:23:32.890 --> 01:23:33.690 Men don't have to do anything. 01:23:33.730 --> 01:23:35.211 They just turn up and... No. 01:23:35.411 --> 01:23:38.533 If you're James Gandolfini, just carry on having a burger. 01:23:38.573 --> 01:23:41.055 Yeah, just sleep in the street the night before. 01:23:41.235 --> 01:23:41.495 Yeah. 01:23:41.815 --> 01:23:43.176 Yeah, and no one says anything. 01:23:43.456 --> 01:23:44.676 Yeah, with your head resting on it. 01:23:44.716 --> 01:23:47.737 Jack Nicholson is not sealing his flipping paws, I'll tell you that much. 01:23:47.937 --> 01:23:50.839 No, it's men are lucky, we really don't have to bother. 01:23:51.079 --> 01:23:52.219 That's terrible, isn't it? 01:23:52.439 --> 01:23:53.560 How would you have a good time? 01:23:53.600 --> 01:23:55.741 You would not, in any way, have a good time. 01:23:56.421 --> 01:23:58.902 There'll come a day when people don't bother with that thing anymore, right? 01:23:59.722 --> 01:24:00.402 Yes, you reckon. 01:24:00.623 --> 01:24:01.523 Yeah, habits will change. 01:24:01.563 --> 01:24:03.364 It's like people used to dress up smart for work. 01:24:03.504 --> 01:24:03.744 Yeah. 01:24:03.784 --> 01:24:04.624 Soon they won't bother. 01:24:04.744 --> 01:24:05.965 And I can't wait for that. 01:24:06.005 --> 01:24:07.186 They'll just turn up in t-shirts. 01:24:07.466 --> 01:24:10.567 But then it'll be sad, you know, you'll miss the dresses. 01:24:10.807 --> 01:24:11.748 Who are you wearing? 01:24:12.568 --> 01:24:14.749 Dunno, just Tommy t-shirt. 01:24:15.231 --> 01:24:18.152 Yeah, it'd be good to turn up actually wearing a person, wouldn't it? 01:24:18.572 --> 01:24:23.375 But if Gunnar Hansen from the Texas Chainsaw Massacre won an Oscar, who are you wearing? 01:24:23.935 --> 01:24:29.137 Well, I don't know her name, but she stumbled into my house last night. 01:24:29.577 --> 01:24:30.858 I gutted her like a fish. 01:24:31.838 --> 01:24:32.559 I'm really nice. 01:24:32.619 --> 01:24:34.960 I didn't make you wear it. 01:24:35.120 --> 01:24:39.803 Okay, now here's a song that I requested be added to our playlist this week. 01:24:39.903 --> 01:24:41.044 I really like this one. 01:24:41.064 --> 01:24:42.945 It's hot chip with ready for the floor. 01:24:43.165 --> 01:24:44.486 Hot chip with ready for the floor. 01:24:44.506 --> 01:24:49.189 That's a good example of a guy, no disrespect to the bloke, but he hasn't got the best voice in the whole world. 01:24:49.229 --> 01:24:49.769 You know what I mean? 01:24:49.809 --> 01:24:58.134 Like he's not classic soulful voice, but still he manages to get some real emotion out of his little boxes of tricks there and his own voice as well. 01:24:58.174 --> 01:24:58.634 You know what I mean? 01:24:59.015 --> 01:24:59.515 Love that one. 01:24:59.995 --> 01:25:02.579 And that's pretty much it for us this week, ladies and gentlemen. 01:25:02.819 --> 01:25:04.281 Liz Kershaw is waiting in the wings. 01:25:04.321 --> 01:25:10.489 Yeah, she's sitting the other side of the double glass, looking like some kind of a sexy mermaid, lounged on the sofa. 01:25:10.509 --> 01:25:11.130 That's right. 01:25:11.931 --> 01:25:14.875 She's got a very low cut top arm, just making it up. 01:25:14.915 --> 01:25:15.856 You're fantasizing. 01:25:15.876 --> 01:25:16.097 Yeah. 01:25:16.457 --> 01:25:21.164 And we're just about to go off and record some introductions for our podcast, of course. 01:25:21.404 --> 01:25:28.334 Yeah, don't forget that's available on the Adam and Jo page on the BBC Six music site, or it's now available each week on iTunes. 01:25:28.374 --> 01:25:29.916 I think it goes up on a Monday morning. 01:25:29.956 --> 01:25:30.337 Does it, Ben? 01:25:30.377 --> 01:25:31.418 Or does it go up sooner than that? 01:25:32.358 --> 01:25:33.379 Monday morning, there you go. 01:25:50.288 --> 01:25:59.078 It's like it's the 60s and they've decided that they're gonna do mono podcasts and to get that changed you have to, I don't know, sleep with Gordon Brown or something. 01:25:59.098 --> 01:26:07.587 There might be some revisions to the whole way podcasts are sent out from the BBC but at the moment it's mono which is frustrating for me because I took a while to make some nice little stereo jingles there. 01:26:07.607 --> 01:26:09.769 Yeah, all the song or songs are in stereo. 01:26:09.949 --> 01:26:13.271 and they sound a little bit thin. 01:26:13.311 --> 01:26:14.831 Yeah, exactly. 01:26:15.191 --> 01:26:19.293 Anyway, we hope you enjoy those podcasts, and thank you very much indeed for listening today. 01:26:19.333 --> 01:26:21.154 We'll be back with you at the same time next week. 01:26:21.474 --> 01:26:25.156 Yeah, thanks for all your texts and email as well, and sorry if we didn't read it out. 01:26:25.216 --> 01:26:26.536 We do secretly care. 01:26:26.717 --> 01:26:27.897 Yeah, we care very much. 01:26:28.077 --> 01:26:28.477 Too much. 01:26:29.178 --> 01:26:30.598 Right now, here's a track I chose for you. 01:26:30.638 --> 01:26:33.760 Listen, this is from a great reggae compilation called 200% Dynamite. 01:26:33.780 --> 01:26:36.141 This is Hopeton Lewis with sounds and pressure. 01:26:36.161 --> 01:26:36.541 Bye-bye.