WEBVTT 00:16.459 --> 00:20.000 In my opinion, sexuality should be repressed. 00:20.180 --> 00:20.961 I agree, man. 00:21.021 --> 00:22.201 You should be afraid of it. 00:22.341 --> 00:22.601 Yeah. 00:22.881 --> 00:24.002 Keep it all wrapped up. 00:24.062 --> 00:25.042 Don't sing about it. 00:25.142 --> 00:26.143 No, do it on your own. 00:26.303 --> 00:26.623 You know? 00:26.763 --> 00:27.623 In a dark cupboard. 00:27.703 --> 00:28.343 Exactly. 00:28.844 --> 00:31.465 They banned Relax by Frankie Goes to Hollywood. 00:31.485 --> 00:32.485 They should have banned that. 00:34.526 --> 00:35.246 I feel sick. 00:35.326 --> 00:36.246 It's pure filth. 00:36.446 --> 00:37.126 And afraid. 00:37.186 --> 00:39.947 It's barely five past nine. 00:40.107 --> 00:41.288 Imagine the kids listening. 00:41.308 --> 00:41.888 Exactly. 00:41.928 --> 00:43.108 What are they going to think? 00:43.168 --> 00:45.369 This is the big British castle. 00:46.309 --> 00:49.050 There's a disease in the castle walls. 00:49.090 --> 00:49.930 That's disgusting. 00:49.970 --> 00:50.650 It won't happen again. 00:50.710 --> 00:51.270 I'm sorry. 00:53.231 --> 00:54.632 This is Adam and Joe. 00:54.672 --> 00:55.092 I'm Joe. 00:55.533 --> 00:56.353 And I'm Adam. 00:56.373 --> 01:00.897 That was Billy Bragg, incidentally, with disgusting, disgusting song about sexuality. 01:01.097 --> 01:02.778 It's just, he's probably diseased. 01:03.379 --> 01:05.500 Well, now you've gone too far. 01:05.520 --> 01:06.241 Have I? 01:06.301 --> 01:06.601 Yes. 01:07.102 --> 01:09.003 Well, you know, that's not going too far. 01:09.023 --> 01:09.864 That's like a warning. 01:10.804 --> 01:11.885 No, it's going too far. 01:11.905 --> 01:12.966 It brings disease. 01:14.367 --> 01:15.688 Technically, that's true. 01:16.329 --> 01:17.530 What a lovely morning, though. 01:17.750 --> 01:20.812 My goodness, this is the kind of morning you feel good to be alive. 01:20.852 --> 01:22.234 Wouldn't you agree, Joe Cornish? 01:22.614 --> 01:22.914 Yes. 01:23.595 --> 01:29.700 I worry, though, when you talk about the morning, because I worry our non-London listening listeners. 01:30.040 --> 01:31.481 They're not experiencing the same weather. 01:32.642 --> 02:00.136 but I bet you right across the British Isles between us listening friends you know you have to take it as read that we can only speak from our own experience here in London Town and we're not forcing our London Town views over you or weather so you know we're just talking about what it's like here and it's a lovely morning good to be alive you know and I hope you're feeling happy and positive listening friends not you but you know if you're a bit depressed this morning then stick with us and we'll do our best to you know 02:00.456 --> 02:01.517 cheer you up and be your friend. 02:01.557 --> 02:03.058 Maybe Harriet Harmon is listening. 02:03.659 --> 02:07.802 She might, you know, she's had a bad week there, and she might enjoy the show. 02:07.822 --> 02:08.863 Why has she had a bad week? 02:09.163 --> 02:11.746 She's been fiddling around with her donations. 02:11.926 --> 02:12.686 Oh, with donals. 02:13.067 --> 02:14.628 Donals for the Labour Party. 02:15.008 --> 02:15.989 Gordon Brown. 02:16.329 --> 02:18.011 He's had a tough week for Gordon Brown. 02:18.031 --> 02:19.112 But he loves the show. 02:19.352 --> 02:26.078 He loves listening to the show, and this week he's really going to need it to make him feel that life is worth living. 02:26.658 --> 02:41.160 because so far he's got how do you know he listens to the show um oh now you're asking yeah i just imagine he does he look because he looks like he does because he he gives us the question for text the nation every week that's exactly right yeah 02:42.201 --> 02:53.445 All of that coming up incidentally folks are the nation's favorite feature We'll be revealing the winner of last week's song wars and I'm failing this week's difficult song wars Yeah, yeah more about that in a second. 02:53.705 --> 03:00.728 We've got great music coming up and all sorts of exciting chit chat Oh, so let's get some more music away right now. 03:01.048 --> 03:02.609 What about some shambling babies? 03:02.849 --> 03:03.789 I love the babies 03:08.647 --> 03:11.888 Excuse me, just having a little cough there at the end of the baby shambles. 03:11.968 --> 03:13.949 That was written with Kate Moss, apparently. 03:14.109 --> 03:14.589 That's right. 03:14.629 --> 03:16.249 I wonder what bits she wrote. 03:16.810 --> 03:18.490 I'm surprised there weren't more nose flutes. 03:19.850 --> 03:22.051 And general tooting of wind instruments. 03:22.291 --> 03:23.231 Tooting! 03:23.932 --> 03:24.352 On that one. 03:25.572 --> 03:29.575 I'm always amazed that he gets it together to do songs these days. 03:29.595 --> 03:30.095 I love him. 03:31.036 --> 03:35.359 He's a thoroughly engaging chap, I think, but he's... Have you flicked through his book? 03:35.799 --> 03:35.959 Yeah. 03:36.219 --> 03:40.782 I don't recommend anyone buy it, but it's worth popping into a bookshop and having a little leaf through that book. 03:40.922 --> 03:43.824 It's all reprinted like actual photographs of his diary. 03:43.864 --> 03:46.546 Yeah, it's the kind of book I warrant anyone. 03:46.886 --> 03:47.427 could produce. 03:47.487 --> 03:49.229 I think, you know they say everyone's got a book in them. 03:49.430 --> 03:51.392 I think everybody's got a book like that. 03:51.412 --> 03:53.035 Everyone's got a little scrawly notebook in them. 03:53.055 --> 03:56.019 Receipts, pocket fluff, anything. 03:56.439 --> 03:58.402 Small chain, foreign coins. 03:58.863 --> 04:00.445 Just stuff from the bottom of a drawer basically. 04:00.465 --> 04:01.326 Practicing signature. 04:01.706 --> 04:02.888 Squared a bit of blood on it. 04:03.749 --> 04:05.270 You're there, you're home and dry. 04:05.290 --> 04:07.250 Keqing, who was the publisher? 04:07.630 --> 04:08.251 I can't remember. 04:08.271 --> 04:11.732 Kurt Cobain's diary came out a few years ago. 04:11.752 --> 04:14.933 He sort of set the mould in terms of sort of bottom of the drawer tap books. 04:14.993 --> 04:20.935 And you know, they still refer to many parts of that diary as kind of amazing, gospel, truth-like. 04:21.575 --> 04:23.976 He made a list of his favourite records in there. 04:24.336 --> 04:27.919 And that is wheeled out on a regular basis in the music magazines. 04:28.299 --> 04:29.540 Oh, you should listen to this album. 04:29.600 --> 04:34.483 It was in Kurt Cobain's scrawly list of his favourite albums that he wrote in his diary at one stage. 04:35.344 --> 04:37.325 You know, anyway, it's interesting, though, to look at. 04:37.345 --> 04:40.127 Oh, you're not tempted at all to buy... No! 04:40.428 --> 04:41.348 The Docherty book, no. 04:41.368 --> 04:41.849 Pete's Bach? 04:42.049 --> 04:42.349 Nah. 04:42.649 --> 04:43.850 No, because... The Doc Bach? 04:44.010 --> 04:46.172 It'll be... it's surely heading for the bargain bins. 04:46.512 --> 04:47.893 It'll be very cheap quite soon. 04:48.033 --> 04:49.214 Listen, if you had to buy one... 04:49.654 --> 04:53.537 Would you go for the Doc Bock or Russell Brand's Bocky Wock? 04:53.637 --> 04:54.078 Bookie Wock. 04:54.418 --> 04:55.939 What, if I just had to buy a book? 04:56.059 --> 04:59.242 If I was forced into the situation of actually buying a book. 04:59.442 --> 05:00.402 It might happen, man. 05:00.442 --> 05:01.023 It might happen. 05:01.063 --> 05:01.543 Terrorism. 05:01.583 --> 05:02.124 What's the choice? 05:02.944 --> 05:05.206 It's the Russell Brand's Bocky Bookie Wock. 05:05.566 --> 05:06.987 Or the Pete Dockety Book. 05:07.288 --> 05:08.469 Dockety, Bockety, Wockety. 05:08.509 --> 05:09.489 Yeah. 05:09.589 --> 05:11.031 I'd go for the Dockety, Bockety, Wockety. 05:11.151 --> 05:11.511 Would you? 05:11.651 --> 05:12.632 Yeah, because it's got pictures. 05:13.052 --> 05:13.432 Yeah. 05:13.893 --> 05:15.634 Brand's actually written a series of words. 05:16.175 --> 05:18.997 Which has also been serialized already, so you've probably read a bit of it. 05:19.037 --> 05:20.258 It's an assault course for the eyes. 05:20.438 --> 05:20.878 Yeah, yeah. 05:21.059 --> 05:22.139 I prefer the pictures. 05:22.400 --> 05:23.440 They're smoother to look at. 05:23.701 --> 05:24.721 Less, less pointy. 05:24.801 --> 05:25.422 That's true. 05:25.462 --> 05:26.042 Than the words. 05:26.263 --> 05:27.243 Yeah, love pictures. 05:28.404 --> 05:34.149 Hey, you know, you can text us at any point six four zero four six or email adamandjoe.sixmusicatbbc.co.uk. 05:34.670 --> 05:37.272 Coming up in a second, the results of Song Wars. 05:37.532 --> 05:38.313 We gonna do that now? 05:38.553 --> 05:41.455 Let's do that after this next track. 05:41.495 --> 05:41.915 Next record. 05:41.935 --> 05:43.257 Hey, this is one chosen by me. 05:43.797 --> 05:48.621 This is a little bit of kind of sort of solely type thing. 05:49.181 --> 05:50.182 It's one of my favorite artists. 05:50.222 --> 05:51.864 This guy's as good as Al Green, I reckon. 05:52.084 --> 05:52.404 Really? 05:52.424 --> 05:53.145 That's high praise. 05:53.165 --> 05:53.845 That's a big play. 05:53.865 --> 05:55.887 This is called Excuse Me by Raphael Sadiq. 05:57.659 --> 05:59.320 Did he say Claire Rayner there at the end? 05:59.340 --> 06:05.224 Yeah, he's talking about Claire Rayner. 06:05.564 --> 06:09.406 She's offered him emotional, sexual and... Marital. 06:09.426 --> 06:11.628 Support, yeah. 06:11.728 --> 06:13.909 His music was very angry before he met Claire Rayner. 06:14.210 --> 06:14.710 She was... 06:16.391 --> 06:16.891 A lady. 06:17.951 --> 06:18.471 Good fact. 06:18.571 --> 06:19.972 Of her time though, wasn't she? 06:20.052 --> 06:21.432 Is she not a lady anymore? 06:21.632 --> 06:22.372 No, she's not. 06:22.392 --> 06:24.473 Has she done a Wachowski brother? 06:24.653 --> 06:25.153 She's a man. 06:25.393 --> 06:26.053 Oh yeah, that's right. 06:26.073 --> 06:30.434 I forgot one of the Wachowskis had a little sex transition. 06:31.214 --> 06:31.794 There you go. 06:32.014 --> 06:32.634 Anyway, sorry. 06:33.054 --> 06:33.635 Shouldn't ramble. 06:33.935 --> 06:36.775 Let's deal with what's it called? 06:36.815 --> 06:37.895 It's called Song Wars. 06:37.915 --> 06:38.536 Song Wars. 06:38.576 --> 06:39.516 Are we gonna do a jingle? 06:39.596 --> 06:39.796 Yeah. 06:41.096 --> 06:41.477 Here we go. 06:53.982 --> 06:59.286 Yeah, is that clear? 06:59.506 --> 07:00.527 That is quite clear. 07:00.587 --> 07:02.369 Sets it all out pretty plainly. 07:02.529 --> 07:06.332 We are announcing the winner of last week's Song Wars. 07:06.352 --> 07:07.913 This is how we're doing it at the moment, folks. 07:08.734 --> 07:13.057 Later on in the show, you'll hear our new compositions, which you'll be able to vote for next week. 07:14.318 --> 07:16.020 But did you have trouble this week? 07:16.180 --> 07:16.480 Yes. 07:16.780 --> 07:19.342 So did I. Big trouble in Little China. 07:19.582 --> 07:20.443 Let's talk about that later. 07:20.463 --> 07:21.784 But anyway, let's find out who won. 07:21.824 --> 07:33.794 Last week, we had to write songs that featured these three elements, sincerity of singing, or at least as close as me and Joe can get to sincerity, which isn't very close, whistling. 07:34.394 --> 07:36.996 And we had to deal with... Is everything a joke to you? 07:37.757 --> 07:38.518 Is everything a joke to you? 07:38.538 --> 07:39.538 Is that what people say to you? 07:39.678 --> 07:40.799 Can you not be serious about anything? 07:40.979 --> 07:41.800 Who said that to you? 07:42.080 --> 07:42.420 People. 07:42.580 --> 07:43.081 Every now and then. 07:43.101 --> 07:46.503 I can never tell if you're being sarcastic. 07:46.523 --> 07:48.445 That's what people say to me a lot. 07:49.045 --> 07:52.367 And the other one was, it had to be about climate change as well. 07:52.387 --> 07:53.768 It had to deal with climate change. 07:54.008 --> 07:54.789 And it had to have whistling. 07:54.969 --> 07:56.990 Yeah, whistling, sincerity, and climate change. 07:57.010 --> 07:57.751 Yeah, yeah, yeah. 07:57.851 --> 07:58.771 It was a killer combination. 07:58.811 --> 07:59.652 It was a perfect storm. 07:59.832 --> 08:01.133 It was fun, man. 08:01.253 --> 08:02.914 We had some... We came up with... Musitropes. 08:03.274 --> 08:03.974 Musitropes. 08:04.535 --> 08:05.275 That's a good name for a man. 08:05.295 --> 08:06.716 They're the individual units of music. 08:06.856 --> 08:07.296 Yeah, yeah. 08:07.537 --> 08:11.379 Anyway, we both came up with pretty respectable tunes, I reckon, if I say so myself. 08:11.419 --> 08:15.081 So let's see who you thought had the best, and we will hear the winner in a second. 08:15.121 --> 08:17.022 But we won't hear the loser, because it's brutal. 08:17.343 --> 08:17.483 Oh! 08:18.083 --> 08:19.904 Well, Adam, I'm afraid I've won with 58%. 08:21.525 --> 08:22.986 And you've got 42 there. 08:23.026 --> 08:24.287 Well, that's close at least. 08:24.467 --> 08:25.147 It is close. 08:25.527 --> 08:26.348 It is very close. 08:26.368 --> 08:27.648 I like close results. 08:27.688 --> 08:28.629 It could have gone either way. 08:28.749 --> 08:32.231 I was just looking through all the emails we've received during the week during that song. 08:32.731 --> 08:34.192 And I was thinking it was looking bad for me. 08:34.512 --> 08:36.153 I was coming across a lot of Buxton boats. 08:36.613 --> 08:37.894 Oh, wow. 08:38.034 --> 08:43.097 Yeah, that's sort of slightly kind of patronizing of me. 08:43.577 --> 08:44.298 Well, let's hear that. 08:44.918 --> 08:45.899 Let's hear the winning song. 08:45.959 --> 08:48.741 I'm, you know, I'm a little bit gutted, obviously. 08:48.761 --> 08:49.381 Well, don't worry. 08:49.601 --> 08:50.922 You shouldn't have too much trouble this week. 08:51.242 --> 08:53.824 Oh, well, you haven't heard mine yet. 08:53.844 --> 08:55.405 This is my winning song. 08:55.525 --> 08:56.166 My winning song. 08:56.966 --> 08:58.267 It's called The Global Warming Song. 08:58.447 --> 09:01.169 It's in the style of the kings of convenience kind of business. 09:01.970 --> 09:06.313 The world is dying. 09:06.333 --> 09:08.074 The world is dying. 09:10.100 --> 09:15.436 In a couple of years we will all be frying. 09:28.254 --> 09:49.490 documentary Said everything might be cool I saw that documentary But Channel 4 might be lying Channel 4 is a good cue to sleep provocative After all, the public's trust in TV is dying Oh, Peter, Branson, Tech, who can we trust anymore? 09:49.810 --> 09:53.193 How much spring comes early? 09:58.820 --> 10:23.000 It's the fact that it's sunny A good thing or a bad thing The coyotes are proto-cold It's cold and cold and cold It takes a lot to leave there But the limits the government set are so low It's a balling, balling, balling Double reports wait, don't you? 10:23.260 --> 10:26.903 I've got eco light bulbs and a tray 10:34.103 --> 10:36.776 And the polar bears feel pain 11:11.178 --> 11:11.718 There we go. 11:12.179 --> 11:14.180 That's last week's winning Song Wars song. 11:14.200 --> 11:15.200 That's a worthy winner, man. 11:15.300 --> 11:16.721 I take my hat off to you. 11:16.861 --> 11:17.422 Thanks, man. 11:17.442 --> 11:19.323 That's good, sincere singing there as well. 11:19.563 --> 11:22.385 I mean, you can't, you couldn't just leave it sincere, though, I notice. 11:22.405 --> 11:30.249 You had to have the little chatty bits just to... Well, Adam, that is representing the dual voices in many of our heads. 11:30.269 --> 11:30.509 Right. 11:30.529 --> 11:31.350 Balance. 11:31.450 --> 11:33.171 You know, the intense worry. 11:33.931 --> 11:35.853 and the fear that the sky might fall on our heads. 11:35.933 --> 11:36.433 Absolutely. 11:36.513 --> 11:39.195 And then the other voice going, probably won't be right. 11:40.256 --> 11:42.698 And that's the dichotomy a lot of us find ourselves in, isn't it? 11:42.718 --> 11:43.338 That's right. 11:43.959 --> 11:46.260 Thanks for everybody who emailed in about those songs. 11:46.721 --> 11:47.741 A couple of samples here. 11:47.781 --> 11:50.003 We've had an email from MKS Drafting Limited. 11:50.203 --> 11:51.084 I love MKS Drafting. 11:51.104 --> 11:54.526 Yeah, they're one of the best drafting limits there is. 11:54.666 --> 11:56.007 I do all my drafting with them. 11:56.307 --> 12:00.070 Chaps, my vote goes to Joe, please, sounding like touring breaks at their best. 12:00.130 --> 12:01.511 They will be papping themselves. 12:01.651 --> 12:02.732 Churing breaks. 12:03.172 --> 12:04.533 Does that sound like touring breaks? 12:04.553 --> 12:06.794 A bit of an insult to touring breaks. 12:07.814 --> 12:12.436 Whereas Nathan from South London says, I'd like to vote for Adam's song in this week's Song Wars. 12:12.757 --> 12:17.639 Although I did enjoy both tracks, I felt that Adam's was the most emotionally convincing and the theme was sincerity. 12:17.719 --> 12:23.041 After all, the line about the paper cup resonated with me especially as I drink tea at work three or four times a day. 12:23.061 --> 12:24.122 What was the line about the paper cup? 12:24.942 --> 12:29.385 Uh, polar bears are dying just because we want a drink from a plastic cup, actually it was. 12:29.625 --> 12:29.986 Was it? 12:30.226 --> 12:31.146 Yeah. 12:31.166 --> 12:32.207 Paper cup's alright mate. 12:32.467 --> 12:34.929 But you've made this guy recycle his paper cup. 12:35.009 --> 12:36.090 Yeah, I mean, you know. 12:36.110 --> 12:37.671 Oh no, he's bringing his own mug in. 12:37.851 --> 12:38.751 Shouldn't be wasteful. 12:38.912 --> 12:41.413 Yeah, but your own mug is the best option, sure. 12:41.433 --> 12:41.653 Yeah. 12:41.834 --> 12:42.534 Anyway, there you go. 12:42.854 --> 12:44.235 Song Wars from last week. 12:44.455 --> 12:46.777 In the next hour, we will be unveiling our new efforts. 12:47.037 --> 12:48.218 Shall we tell people what they're about? 12:48.792 --> 12:53.377 Well, the idea was that they'd be, we were talking about, uh, I'm a celebrity, get me out of here last week. 12:53.397 --> 12:56.000 Yeah, which I might have to chat about again in a second. 12:56.100 --> 12:56.400 Yeah. 12:56.801 --> 12:59.243 Um, and so we were going to write songs about it. 12:59.484 --> 13:00.625 Well, in fact, we have. 13:01.966 --> 13:03.989 It doesn't feel like I have. 13:04.189 --> 13:09.715 Well, it was sort of from the point of view of Joe as, as a non watcher of the show and me as an avid fan. 13:11.016 --> 13:13.579 Do you wanna know what happened with my song, or shall we- we'll hold back on that. 13:13.659 --> 13:17.263 Yeah, let's tell the story of how we did with those songs in the next hour. 13:17.383 --> 13:21.668 But right now, let's play some more music after this fantastic trail. 13:22.148 --> 13:22.889 Not a good idea. 13:23.189 --> 13:23.910 Tortoise kissing. 13:24.471 --> 13:25.131 Very beaky. 13:25.652 --> 13:26.994 Tiny, tiny little mouths. 13:27.034 --> 13:28.876 He's just kissing the tortoise shell there, though. 13:28.896 --> 13:30.357 He's not actually snogging the tortoise. 13:30.537 --> 13:30.617 Oh. 13:31.198 --> 13:31.858 So that's okay. 13:31.878 --> 13:35.660 That's Echo and the Bunnymen with Seven Seas from 1984, and their album Ocean Rain. 13:35.680 --> 13:37.401 That was a big hit when we were at school. 13:37.421 --> 13:38.361 Do you remember that, Joe? 13:38.901 --> 13:39.542 Pass me by. 13:39.642 --> 13:39.982 Did it? 13:40.142 --> 13:41.943 I was too busy listening to the Thompson twins. 13:42.183 --> 13:46.284 Well, some of the- because that was- it was the more approachable side of the Bunnymen, you know? 13:46.444 --> 13:49.806 Some of the hardcore Bunnymen fans thought they were selling out when Ocean Rain came out. 13:50.366 --> 13:51.067 But I loved it. 13:51.087 --> 13:52.548 It was a really wonderful album. 13:52.588 --> 13:53.909 And I heard it again the other day. 13:54.049 --> 13:57.132 It sort of popped up on shuffle on the pot. 13:59.274 --> 14:02.476 And I went back and de-shuffled it and listened to the whole thing right the way through. 14:02.516 --> 14:04.958 And ah, it's a peach, an absolute smash of an album. 14:05.259 --> 14:08.501 That's all the hard lads used to like that one as well, the bunny men. 14:08.922 --> 14:10.183 And I always used to think, well, there you go. 14:10.203 --> 14:11.064 We can agree about that. 14:11.764 --> 14:17.127 McCulloch, the sincerity of McCulloch, and at one point they were poised to be the biggest band in the world. 14:17.607 --> 14:19.308 Which is a strange thing to consider now. 14:19.388 --> 14:23.930 It was either, it was gonna be either the Bunnymen or U2, poised for world domination. 14:24.070 --> 14:30.313 And then for some reason, the Bunnymen just took their foot off the gas and U2 just jammed it right on. 14:30.453 --> 14:31.674 They're still legendary though. 14:31.994 --> 14:32.374 Oh, yeah. 14:32.454 --> 14:35.195 And in a way, they might have a bit more integrity. 14:35.555 --> 14:36.115 Yeah, I guess so. 14:36.135 --> 14:36.735 Than the U2. 14:36.995 --> 14:40.517 Well, I mean, U2 is not a... You don't see them sponsoring cell phones? 14:40.937 --> 14:41.757 No, that kind of thing. 14:41.917 --> 14:42.497 Absolutely. 14:42.997 --> 14:46.398 No, but I mean, they're in a different universe now, aren't they, U2? 14:46.518 --> 14:52.620 In fact, they played a little impromptu acoustic thing at the Union Chapel, The Edge and Bono the other day. 14:52.660 --> 14:53.940 Was it The Edge who played it with him? 14:54.320 --> 14:57.021 And people were knocked out and they were like, wow, they're actually quite good. 14:57.121 --> 14:57.541 You know what I mean? 14:57.581 --> 14:59.202 You sort of forget that a band that big. 14:59.762 --> 15:08.568 Actually had something to say and and we're good at some point and probably still are you know, but you're very authoritative I am aren't I you should read the news. 15:08.929 --> 15:14.833 I should read the news like what Rachel Matthews is about to do She's gonna she's gonna do the news reading. 15:15.013 --> 15:16.414 We don't have music news today though. 15:16.434 --> 15:16.734 Do we? 15:17.215 --> 15:18.876 Oh man, we got it later on 15:19.236 --> 15:23.922 but not right now because that's depressing though when you can't keep... Nothing's happened in music. 15:24.062 --> 15:25.664 All musicians have just been sleeping. 15:25.704 --> 15:26.445 What are you talking about? 15:26.485 --> 15:27.006 Morrissey? 15:27.387 --> 15:29.649 You're not keeping up with the Morrissey racist route? 15:30.010 --> 15:30.270 No. 15:30.471 --> 15:31.272 Oh my lord. 15:31.452 --> 15:33.034 He's put his foot right back in it. 15:33.134 --> 15:35.897 Let's hear more about that after the news right now. 15:37.608 --> 15:42.189 dots of pleasure there by the band Franz Ferdinand. 15:42.389 --> 15:43.629 They're so hot right now. 15:43.809 --> 15:44.570 Have you heard of them? 15:44.970 --> 15:45.210 No. 15:45.250 --> 15:46.410 They're from Scotland. 15:47.010 --> 15:48.650 Oh, they're so hot right now. 15:48.971 --> 15:50.691 The singer, he loves to cook. 15:51.591 --> 15:52.591 Oh yeah, he does that column. 15:52.671 --> 15:53.792 He loves cooking. 15:54.252 --> 15:55.012 He does, doesn't he? 15:55.032 --> 15:59.053 He writes down all the thoughts he has about cooking in the column. 15:59.913 --> 16:00.473 That's good. 16:00.733 --> 16:01.134 Yes. 16:01.874 --> 16:04.455 And, uh, what are they doing at the moment? 16:04.655 --> 16:08.958 Have they got a new album that's just been out or is coming out or are they just enjoying themselves? 16:09.238 --> 16:10.158 Just having a good time. 16:10.178 --> 16:11.019 Darts of Pleasure. 16:11.139 --> 16:12.039 I know what that means. 16:12.079 --> 16:12.639 What does it mean? 16:13.060 --> 16:15.921 It's like, uh, darts with lovely little sausages on the end. 16:16.381 --> 16:17.002 Oh, yeah. 16:17.022 --> 16:18.302 Darts of Pleasure. 16:18.382 --> 16:19.183 Mmm, sausages. 16:20.743 --> 16:21.303 Delightful. 16:21.624 --> 16:24.625 Hey, this is Adam and Joe here on BBC Six Music. 16:24.965 --> 16:29.026 I'm holding up a piece of paper and looking at it as if it's going to tell me what's going to happen in this next link. 16:29.166 --> 16:31.447 Well, you're going to tell me about, you mentioned... Oh yes, Morrissey. 16:31.467 --> 16:33.588 Do you drop the Morrissey racism route, Bob? 16:33.608 --> 16:34.748 I am not about that. 16:34.808 --> 16:35.388 Oh my lord. 16:35.448 --> 16:36.449 What's been going down? 16:36.469 --> 16:39.129 Do you remember 15 years ago he was branded a racist? 16:39.189 --> 16:44.131 Well, there's a big thing on Andrew Collins' blog about this whole thing. 16:44.171 --> 16:49.293 And Andrew Collins is saying that he was one of the journalists at the NME 15 years ago who wrote an article about Morrissey 16:50.013 --> 16:58.817 And the fact that he was skirting around certain racist or apparently racist issues in a song of his, particularly a song called Bengali in Platforms. 17:00.818 --> 17:06.040 And Andrew Collins maintains that they never actually branded him a racist, but they were just saying like, what's he doing? 17:06.461 --> 17:09.522 So he was never actually fully branded with a red hot brand? 17:09.722 --> 17:09.942 No. 17:10.102 --> 17:12.503 With the word racist on it on his bottom. 17:13.144 --> 17:14.504 No, that never actually happened. 17:14.544 --> 17:15.645 The enemy would never do that. 17:17.245 --> 17:17.846 They want to. 17:18.366 --> 17:20.807 They built the brand and they've got the bucket of water. 17:20.827 --> 17:21.687 The Russell Brand. 17:21.707 --> 17:22.488 And the coal fire. 17:22.548 --> 17:22.748 Yeah. 17:23.188 --> 17:24.369 But no, it never actually happened. 17:24.909 --> 17:28.811 But still, the whole notion that Morrissey was a bit of a racist stuck, you know? 17:28.851 --> 17:34.393 The enemy's assertion was that he shouldn't even be playing around with such sensitive issues, do you know what I mean? 17:34.433 --> 17:35.073 In his songs. 17:35.694 --> 17:36.374 So what's he done there? 17:36.634 --> 17:48.142 So now, after 15 years of not talking to the enemy, he's gone back and he's given them a new interview and almost immediately got back into the same problematic chatting about immigration this time. 17:48.803 --> 17:54.247 And he's clearly not like someone who is a racist per se, like, you know what I mean? 17:54.267 --> 17:55.468 He doesn't sort of go around... What's he said? 17:55.888 --> 18:00.051 Basically, here are the offending bits in this interview. 18:00.531 --> 18:03.974 The interviewer says, you live in Italy now, would you ever consider moving back to Britain? 18:04.947 --> 18:09.030 Uh, Morrissey says, Britain's a terribly ne- Britain's a terribly negative. 18:09.210 --> 18:10.611 This is what Morrissey sounds like. 18:10.811 --> 18:11.071 Is it? 18:11.651 --> 18:11.851 Yeah. 18:12.452 --> 18:17.034 And it hammers people down and it puts you back and it prevent- it pulls you back and it prevents you. 18:18.215 --> 18:19.336 A lot of this is nonsense. 18:19.636 --> 18:21.057 Britain's a terribly negative. 18:21.577 --> 18:33.843 Anyway, also with the issue of immigration, it's very difficult because although I don't have anything against people from other countries, the higher the influx into England, the more British identity disappears. 18:34.203 --> 18:35.664 So the price is enormous. 18:35.964 --> 18:38.645 If you travel to Germany, it's still absolutely Germany. 18:38.886 --> 18:42.267 If you travel to Sweden, it's still very Swedish in identity. 18:42.307 --> 18:45.729 But travel to England and you have no idea where you are. 18:46.289 --> 19:00.261 says Mozart, and then carries on in a similar vein, basically sort of just saying it's a shame that some spurious notion of Englishness has been lost because of the influx of immigrants from... Well, he's not making the problem any better by leaving. 19:00.281 --> 19:02.743 He should come back and be British. 19:02.944 --> 19:03.484 Exactly. 19:03.564 --> 19:09.489 He's gone off and he lives in LA now and he enjoys being an expat in lots of other countries in a way that he's 19:10.550 --> 19:17.294 He's probably polluting the Los Angelesity of Los Angeles with his Morrisisms. 19:17.494 --> 19:18.935 So what's the problem with that? 19:19.335 --> 19:20.736 Sounds like a fuss about nothing to me. 19:21.036 --> 19:21.776 It's a bit nutty. 19:21.876 --> 19:30.981 It's a case of Morrissey being a bit thick about it and sort of worrying about things that aren't really worth worrying about and the enemy just being delighted to stir up another kind 19:31.001 --> 19:32.262 People always say that though, don't they? 19:32.302 --> 19:37.326 It's a kind of a received bit of wisdom about Britain is that we set people up and knock them down. 19:37.727 --> 19:40.149 Elvis Costello was banging on about that as well the other day. 19:40.189 --> 19:40.829 Did you read that? 19:41.470 --> 19:45.013 Saying that it's just impossible to be successful in Britain. 19:45.133 --> 19:47.695 He got in a big race row early on in his career. 19:47.715 --> 19:47.835 Did he? 19:47.955 --> 19:48.415 Yeah, he did. 19:48.516 --> 19:52.359 Saying that British people hate success, we let people get to a certain level and then we knock them down. 19:52.399 --> 19:52.899 Is that true? 19:53.259 --> 19:53.780 Yes, that's true. 19:53.800 --> 19:55.161 Who shall we knock down this week? 19:55.601 --> 19:56.802 What about Leona Lewis? 19:57.623 --> 20:24.641 oh yes she won the x-factor yeah we should have a list of people to bring down who else is too successful we're gonna make our list and while we're making the list we are gonna play you some jay-z this is rock boys that's jay-z rock boys uh that's from his new album the american gangster album tied into the riddles scott film have you seen the riddles scott uh no 20:25.701 --> 20:34.489 I keep, mixed reports, I keep being put off it because I keep reading people saying how it's like a lot of sound and fury but it doesn't really have any impact. 20:34.969 --> 20:40.374 Charlie Brooker was writing saying that, you know, he sat there for two and a half hours and left feeling completely blank. 20:40.794 --> 20:41.555 Right, right, right. 20:41.575 --> 20:45.298 That's a feeling one gets more and more in the cinema these days, don't you feel? 20:46.539 --> 20:51.841 But now I'm excited about seeing it, and that's a return to form for Jay-Z there, according to the critics. 20:52.261 --> 20:54.922 Riddles can make those films just to talk about Riddles again, though. 20:55.602 --> 20:56.662 Riddles is an old fella. 20:56.782 --> 20:57.382 Yeah, yeah. 20:57.602 --> 20:59.203 Yeah, he's in his 70s. 20:59.403 --> 21:01.664 But particularly with Denzel as well. 21:01.744 --> 21:03.564 He sometimes gives me that feeling, Washington. 21:03.584 --> 21:04.164 Do you know what I mean? 21:04.485 --> 21:08.706 Like, I watched Man on Fire and I came out of that feeling a bit blank as well. 21:09.426 --> 21:11.348 Well, he's got such a kind of set style now. 21:11.748 --> 21:16.232 Not to say that just because you're in your 70s you can't make amazing, do amazing things and make amazing films. 21:16.753 --> 21:17.754 Clunk Eastwood, for instance. 21:18.034 --> 21:19.055 Clunk, he's a genius. 21:19.115 --> 21:20.456 He's a septuagenarian genius. 21:20.796 --> 21:23.739 And, uh, uh, did you see the Russell Crowe one? 21:23.959 --> 21:24.620 The Riddles one? 21:24.920 --> 21:25.641 Yeah, Goodyear. 21:25.881 --> 21:26.221 Goodyear. 21:26.241 --> 21:26.502 I did. 21:26.542 --> 21:27.202 I love that film. 21:27.463 --> 21:27.763 No. 21:27.883 --> 21:30.425 Yeah, I really enjoyed it in, you know, in a stupid way. 21:30.465 --> 21:30.986 Yeah, yeah, yeah. 21:31.346 --> 21:36.813 I saw it at the Empire Leicester Square, sitting in the row behind me, was John Prescott. 21:37.373 --> 21:38.214 Was he? 21:38.254 --> 21:40.216 Yeah, seriously, looking really grumpy. 21:40.577 --> 21:42.039 For a change. 21:42.079 --> 21:45.843 Looking like he just needed to escape to the south of France for some Russell Crowe-style slapstick. 21:45.903 --> 21:46.824 I wonder if he enjoyed it. 21:47.044 --> 21:48.466 It's a stinker, it's well worth checking out. 21:48.766 --> 21:49.207 I will do. 21:49.507 --> 21:50.989 Was that your choice, the JC track? 21:51.149 --> 21:54.752 No, that was done automatically by the special people. 21:54.812 --> 21:56.793 Well, listen, this is one that I've picked for you listeners. 21:57.113 --> 22:02.017 I know that a lot of beta band fans listen to this show, so I hope you'll enjoy this one. 22:02.037 --> 22:07.320 It won't be new to you, but it's from their three EPs album, which if you don't know, the beta band is the one to start with. 22:07.901 --> 22:11.423 And it's really a trippy, weird little track. 22:12.224 --> 22:13.365 Is this the one with the ghost on it? 22:14.105 --> 22:30.417 the ghost you remember we had supper with him one time the ghost no steve mason yeah no we went to the studio yeah but he he um came around for supper at my places he used to live around the corner oh right and uh he told me the story about what inspired this song which is dr baker 22:31.097 --> 22:42.487 And when he was, he suffered from depression for a long time and in one of his deepest moments he got, he felt that he was being visited by a ghost that would tap on his window or something like that. 22:42.507 --> 22:43.267 A ghosty. 22:43.588 --> 22:48.852 And he was truly terrified one evening and this song is inspired by that. 22:49.192 --> 22:54.236 Isn't there an actual recording of some, isn't in one of their songs there's this actual recording of something spooky? 22:54.377 --> 22:56.138 Oh I don't know, maybe it's this one. 22:56.338 --> 22:57.499 I don't know, I can't remember. 22:58.060 --> 22:59.701 But this is Dr Baker by The Beta Band. 23:04.269 --> 23:05.070 Textimation! 23:05.130 --> 23:05.431 Text! 23:05.491 --> 23:05.792 Text! 23:05.832 --> 23:06.213 Text! 23:06.293 --> 23:07.055 Textimation! 23:07.115 --> 23:08.077 What if I don't want to? 23:08.317 --> 23:09.079 Textimation! 23:09.159 --> 23:10.161 But I'm using email! 23:10.342 --> 23:11.043 Is that a problem? 23:11.083 --> 23:11.665 It doesn't matter! 23:11.685 --> 23:11.925 Text! 23:14.537 --> 23:18.379 Now we were a little bit wishy-washy about Text the Nation this week, folks. 23:18.559 --> 23:28.165 In that, we're trying to get into the habit of telling you exactly what it's going to be like during the week, posted on the website so that then you can send us in responses. 23:28.626 --> 23:29.906 But we didn't really get it together. 23:29.926 --> 23:35.290 It's been a busy week for myself and Joe, and we've been a bit lax on some of our feature duties. 23:35.730 --> 23:38.992 But we can tell you now that we actually discussed that we might 23:39.472 --> 23:54.803 be using this subject as a text the nation this week and I think we are going to ideas for horror films because yes Joe and myself feel that there's a little bit of a paucity of creativity in the horror film genre there's a crisis in the horror world yeah yeah they're running out of ideas 23:55.203 --> 24:14.835 yeah exactly uh and you can tell that because they've used the shroom idea that's been held in reserve for several years for emergency moments and now they've pulled it out i haven't seen it have you seen it no i've seen a poster good poster it's a good poster with uh a wood and the mushrooms have grown in the shape of a skull and presumably what's gonna happen the 24:14.875 --> 24:23.262 It's about crazy kids who do something that in no way do we recommend you ever do, which is mess with naughty mushrooms. 24:23.342 --> 24:26.705 It's very dangerous generally because you've got to have a firm knowledge of mushrooms. 24:26.765 --> 24:28.346 Generally they can be very dangerous. 24:28.406 --> 24:28.867 That's true. 24:29.207 --> 24:30.208 Shouldn't mess with the mushies. 24:31.028 --> 24:36.373 And this is a horror film about some kids that do mess with the mushies and it makes their heads and probably their tummies. 24:36.913 --> 24:53.669 go all wonky and they pay the price kind of thing and the price ain't nice the price ain't nice no so we want you to come up with some better horror film ideas I had a horror film idea last week you might remember that in the last seven days has become hideously inappropriate 24:54.409 --> 24:54.829 Oh really? 24:54.869 --> 24:57.010 Due to the passing of Evil Knievel. 24:57.750 --> 24:59.071 Oh yes, that's right. 24:59.111 --> 25:04.152 Last show I had an Evil Knievel based horror film idea and now that's become weirdly apposite. 25:04.412 --> 25:04.872 Yes. 25:04.932 --> 25:06.153 I can't repeat it, can I? 25:06.433 --> 25:06.773 No. 25:07.713 --> 25:12.215 But I did see a very good horror film earlier in the year that hasn't been released yet. 25:13.055 --> 25:14.235 So you guys won't have seen it. 25:14.495 --> 25:16.816 It's a Spanish horror film called The Orphanage. 25:19.557 --> 25:20.958 It's got a brilliant bit in it, though. 25:20.978 --> 25:21.378 Yeah. 25:21.698 --> 25:22.079 Okay. 25:22.359 --> 25:24.100 And this is the kind of idea we're looking for. 25:24.700 --> 25:28.422 It's about a woman, and she was in an orphanage when she was little. 25:29.042 --> 25:31.744 And she used to play, uh, grandmother's footsteps. 25:31.964 --> 25:32.164 Oh, yes. 25:32.284 --> 25:33.125 With the other kids. 25:33.765 --> 25:38.848 You know, she turned to face a wall, and she'd do the counting or whatever it is, and then she'd turn round. 25:39.268 --> 25:39.808 Good idea, eh? 25:39.828 --> 25:40.569 Very good idea. 25:40.649 --> 25:45.432 Later, she buys the same orphanage, all deserted, but haunted by ghosties. 25:45.452 --> 25:45.832 Oh, no. 25:46.252 --> 25:51.017 And later in the film, she plays Grandmother's footsteps, but with the ghosties. 25:51.257 --> 25:51.878 Oh my god. 25:51.918 --> 25:56.542 So every time she turns round, she's expecting to see a ghostie. 25:57.223 --> 25:57.963 It's very good. 25:58.043 --> 25:58.524 That's good. 25:58.604 --> 25:59.125 It's very scary. 25:59.145 --> 26:04.169 I thought you were going to say like sometimes she turns round and her face is all like mashed up. 26:04.990 --> 26:06.691 That's just, that, really? 26:06.711 --> 26:09.252 A fact that it turns around the face of a master. 26:10.012 --> 26:11.013 Is that enough for you? 26:11.253 --> 26:11.413 Yes. 26:12.033 --> 26:13.414 Just having a mashed up face. 26:13.434 --> 26:17.336 You know, like at the beginning of the Twilight Zone in the movie when he's sort of playing peek-a-boo. 26:17.656 --> 26:19.557 No, that's not a mashed up face, that's a werewolf face. 26:19.857 --> 26:21.758 Yeah, it's all like a scary face. 26:21.878 --> 26:22.838 A scary face. 26:22.898 --> 26:24.279 No, that would be frightening the audience. 26:24.319 --> 26:28.301 This is, the orphanages are more sophisticated film in which the character themselves feel fear. 26:28.501 --> 26:28.941 Okay. 26:29.041 --> 26:30.962 And therefore we vicariously feel fear. 26:31.022 --> 26:31.162 Yeah. 26:35.104 --> 26:37.685 That to me is the difference between a good horror film and a bad one. 26:37.705 --> 26:39.746 You know, the characters frightened, you're frightened for the character. 26:39.986 --> 26:42.847 In a bad horror film, it's just been a loud noise. 26:43.107 --> 26:43.348 Right. 26:43.568 --> 26:44.188 Do you know what I mean? 26:44.228 --> 26:44.888 Yeah, exactly. 26:45.609 --> 26:50.031 So we've had a couple of horror film ideas come in via the email during the week. 26:50.551 --> 26:51.411 This is from Clash77. 26:53.286 --> 26:53.626 No, it's not. 26:53.687 --> 26:54.928 It's from Rob from Birmingham. 26:55.368 --> 26:57.851 I got his street name mixed up with his real name. 26:57.871 --> 26:59.673 That's how it is on the streets. 27:00.393 --> 27:01.214 His idea is this. 27:01.454 --> 27:02.455 It's called Grass. 27:02.555 --> 27:02.816 Right. 27:03.216 --> 27:04.938 And it stars Danny Dyer. 27:05.498 --> 27:06.580 Oh, my lord, right? 27:06.600 --> 27:07.360 Good story. 27:07.621 --> 27:08.562 So, it's marketable. 27:08.842 --> 27:09.382 It's doable. 27:09.402 --> 27:09.763 Already. 27:09.843 --> 27:11.324 I'm pretty sure that Dyer would say yes. 27:12.105 --> 27:24.158 An East End gangster, played against type by Danny Dyer, is forced to hide in a safe house after shopping his gangland boss, played straight by Brian Connerly, belt wrongly, to the police. 27:24.419 --> 27:25.900 Man, he's got all the casting ideas. 27:25.980 --> 27:28.783 Little does he know, the house was cursed by gypsies. 27:28.944 --> 27:29.264 Oh no. 27:29.544 --> 27:30.525 And the grass... 27:31.568 --> 27:44.178 uh brackets played by Andy Serkis because he is the CGI actor king, closed brackets, in the garden grows out of control every time someone moves in killing all who try to enter but also not letting anyone leave. 27:44.878 --> 27:46.179 Yours Rob from Birmingham. 27:46.279 --> 27:47.240 That's good Rob from Birmingham. 27:47.260 --> 27:47.740 That's good. 27:48.121 --> 27:54.386 You know M Night Shawadiwadi is doing a film similar to that 27:55.126 --> 27:57.289 I think it's called the, is it called the Happening or something? 27:57.769 --> 28:00.432 And it's all about plants that take revenge and kill people. 28:00.973 --> 28:04.377 It starts with a picnic in the park and the people picnic and get killed by weeds. 28:06.579 --> 28:08.902 Yeah, so but that's really good Rob. 28:10.163 --> 28:11.164 One more to whet your appetite. 28:11.184 --> 28:11.905 You ready for one more? 28:11.945 --> 28:12.145 Yes. 28:12.305 --> 28:13.346 This is from Peter Green. 28:13.826 --> 28:15.748 He emails us regularly, I do believe. 28:15.768 --> 28:16.548 Thank you, Peter. 28:16.669 --> 28:19.251 I wonder if it's the Peter Green from Fleetwood Mac. 28:19.591 --> 28:20.131 I think it is. 28:20.151 --> 28:21.112 That would be great, wouldn't it? 28:21.433 --> 28:22.353 What about this idea? 28:22.473 --> 28:27.438 It's loosely based on the thriller-stroke horror movie Scream, but is instead called Celine. 28:28.118 --> 28:32.360 The movie features Celine Dion, who plays herself and she is also the villain of the film. 28:32.880 --> 28:40.904 Throughout the film, good-looking young people will stumble across Celine in places like behind the shower curtain or in a queue for a cup of tea and a sticky bun. 28:41.665 --> 28:53.250 And whenever they see her, they fall backwards with fright and impale themselves on a sharp object and die a grisly, leg-twitching death while crying and saying things like, I don't want to die, and look, there's Celine Dion. 28:55.271 --> 28:55.732 Mmm. 28:55.752 --> 28:57.274 That's more satire though, that one, isn't it? 28:57.294 --> 28:59.697 That's not a sincere idea for a movie. 28:59.717 --> 29:00.898 What are you reading there as you put up the line? 29:00.918 --> 29:01.659 It's the last line. 29:01.719 --> 29:05.484 Perhaps you, brackets Adam and Joe, closed brackets, could make the film. 29:05.844 --> 29:09.469 In the same way that a film was made within the film Bowfinger, i.e. 29:09.569 --> 29:13.194 Celine wouldn't know you were making a film of her, you might see her nipples. 29:14.639 --> 29:17.622 That's, the last bit's got me really excited about the film. 29:17.642 --> 29:17.762 Yeah. 29:17.882 --> 29:18.583 There's potential there. 29:18.623 --> 29:21.125 So listen, come up with your horror film ideas. 29:21.145 --> 29:22.347 They don't have to be hugely involved. 29:22.367 --> 29:26.551 They can be little one-liners or, we love it if they are hugely involved, text them to 64046. 29:26.951 --> 29:28.713 Or email them. 29:28.773 --> 29:33.718 Or email them to adamandjo.6music at bbc.co.uk. 29:33.858 --> 29:36.700 Now you chose this next session track, I believe, Joe Cornish. 29:36.761 --> 29:38.122 Or at least you had a hand in it. 29:38.442 --> 29:39.544 Yeah, no, I did choose it. 29:39.605 --> 29:40.406 Yes, okay. 29:40.446 --> 29:43.011 This is Edwin, Edwin Collins, Edwin, Edwin Collins. 29:43.572 --> 29:47.059 It was recorded for Mark Radcliffe on Radio 1 on the 19th of September 1994. 29:47.099 --> 29:48.682 And this is A Girl Like You. 29:53.697 --> 29:54.758 What a frightful noise. 29:54.918 --> 29:59.802 The raconteurs with the, uh, that's the talented Brendan Benson with Jack White. 30:00.302 --> 30:02.063 That's their little side project there. 30:02.584 --> 30:04.525 And they've got a new album coming out shortly, don't they? 30:04.645 --> 30:05.686 They've been busy, I think. 30:06.427 --> 30:09.429 You know, it's an ongoing, it's a serious concern, the raconteurs. 30:09.449 --> 30:11.651 Hey, this is Adam and Joe here on BBC Six Music. 30:11.951 --> 30:18.236 Joe, I imagine you were glued to your television set last night, watching Christopher Biggins become the king of the jungle. 30:18.596 --> 30:19.277 No, I wasn't. 30:19.517 --> 30:22.701 I was desperately, desperately trying to complete my Song Wars song. 30:22.761 --> 30:24.183 Right, which was a ballet, sir. 30:24.243 --> 30:27.748 And it didn't occur to you to maybe bone up on the show a little bit to get some ideas. 30:27.768 --> 30:29.910 No, I had a limited time window frame. 30:30.050 --> 30:30.972 Right, yeah, fair enough. 30:30.992 --> 30:32.253 Because I wanted to get some sleep. 30:32.534 --> 30:32.734 Yeah. 30:33.515 --> 30:35.978 Yeah, so I took the song over the show. 30:36.198 --> 30:49.623 We're going to be playing you our... I'm a celebrity, get me out of here songs after the next piece of music, but I'd just like to say that I feel a little embarrassed because I went off on one about Mark Bannerman. 30:49.643 --> 30:50.884 Do you remember that last week, Joe? 30:50.924 --> 31:00.928 I was talking about the fact that he was an amazingly real and visceral bit of TV when he came out, when he was voted out of the jungle and questioned by Ant and Dec and he was suddenly made aware of 31:01.448 --> 31:04.509 the fact that he'd slightly gone overboard with his affections. 31:04.549 --> 31:05.990 We've had an email in about it. 31:06.090 --> 31:06.310 Right. 31:06.770 --> 31:08.091 From Sunny in Bath. 31:08.491 --> 31:13.593 I curiously share both your knowledge and Joe's loathing of I'm a celebrity, as my better half is a fan. 31:14.213 --> 31:16.834 So I absorb a fair bit of it through a kind of reluctant osmosis. 31:17.134 --> 31:21.836 I saw this bannerman on his way out of the jungle, but cannot share your view of his obvious remorse and shame. 31:22.416 --> 31:25.658 over his sugary harassment of once credible values pops to Kerris Matthews. 31:25.898 --> 31:29.780 He seemed to me to be completely irreverent regarding the position he'd put his poor misses in. 31:30.180 --> 31:38.325 Instead of any kind of apology or even a possible excuse, he chose to use this video soapbox to wax lyrical about how great Kerris was and how close they'd become. 31:38.725 --> 31:39.265 Who's that from? 31:39.285 --> 31:40.546 That's from Sonny in Bath. 31:40.686 --> 31:41.427 Well said, Sonny. 31:41.467 --> 32:01.160 I think you might be right, you know, and I think I we've talked before about the fact that I can be a little credulous and I think you fell hook like and hook line and sinker I think some of men's act well because you know, the thing is that during the week the big news was that They all got letters sent to them the people still in the camp, right? 32:01.220 --> 32:10.466 And they were all read out on air and one of and Kerry's got a letter first of all from her Little children and her family and stuff and that was very sweet, but that was followed up 32:11.246 --> 32:21.554 by a letter from Mark, and it said, uh, keep singing Songbird, uh, you're doing great or something, I'll be there waiting for you when you get out if you want me to be. 32:21.795 --> 32:23.136 Keep singing Songbird. 32:23.156 --> 32:24.377 Keep singing, little songbird. 32:24.397 --> 32:25.678 My precious little princess. 32:25.798 --> 32:26.418 Or I'll shoot you. 32:26.498 --> 32:28.139 I'll be there for you when you get out. 32:29.100 --> 32:29.681 It was like that. 32:30.261 --> 32:36.085 And so it was very exciting, and Kerris was clearly overwhelmed with joy, I would think. 32:37.146 --> 32:39.167 And so I was thinking, wow, there you go. 32:39.227 --> 32:41.667 He sorted things out like with his girlfriend. 32:41.727 --> 32:44.788 I guess maybe called it off with Sarah, his girlfriend. 32:44.828 --> 32:47.449 He's going to fly back out there and welcome Kerris with open arms. 32:47.929 --> 32:48.749 He wasn't there, mate. 32:49.189 --> 32:49.650 Wasn't there. 32:49.810 --> 32:55.311 When she got out, no sign of the filthy rock basket from EastEnders. 32:55.651 --> 32:57.032 That is Mark Bannerman. 32:57.072 --> 32:57.592 What's he doing? 32:57.632 --> 32:58.372 What's he playing at? 32:58.692 --> 32:59.572 He's let me down. 32:59.592 --> 33:00.973 He's let Kerry's down. 33:00.993 --> 33:04.314 He's let my wife down, who was disappointed as well. 33:04.854 --> 33:08.816 And I just... Does your wife think he's quite sexy? 33:09.816 --> 33:11.256 No, no. 33:11.356 --> 33:14.477 She wouldn't mind a slice of Jay from Five. 33:15.138 --> 33:15.438 Really? 33:15.498 --> 33:18.579 Yeah, a delicious slice of Jay. 33:19.539 --> 33:21.660 But she's not having any of Mark, certainly not. 33:22.040 --> 33:22.420 Really? 33:22.480 --> 33:24.721 So I felt a little cheated. 33:24.941 --> 33:27.302 I'm imagining Jay from Five making love to your wife. 33:29.182 --> 33:29.763 She is too. 33:31.003 --> 33:31.603 But there you go. 33:31.723 --> 33:33.023 Anyway, I'm glad... Hang on a second. 33:33.063 --> 33:35.864 What are they doing there? 33:36.104 --> 33:36.704 Don't do that. 33:36.884 --> 33:37.565 Come on. 33:37.725 --> 33:39.885 But I'm glad Biggins won, you know what I mean? 33:39.925 --> 33:40.745 That's a good result. 33:40.785 --> 33:43.346 He's like a good person, I think. 33:43.966 --> 33:45.107 He's like a good person. 33:45.207 --> 33:48.227 He appears similar to good people. 33:48.247 --> 33:50.008 He does an excellent imitation of a good person. 33:50.168 --> 33:54.190 But anyway, this week's Song Wars listeners are about I'm a Celebrity Get Me Out of Here. 33:55.030 --> 33:57.211 We both had a trying time with them. 33:57.552 --> 33:59.532 We'll explain more after a bit more music. 33:59.793 --> 34:00.673 Here's the Foo Fighters. 34:00.953 --> 34:04.795 Their single comes out on Monday, I believe, and it's called Long Road to Ruin. 34:04.835 --> 34:05.415 It's a peach! 34:07.236 --> 34:10.298 It's time for Song Wars. 34:10.838 --> 34:12.299 The War of the Songs. 34:26.214 --> 34:28.836 Yep song wars and song wars time. 34:28.856 --> 34:29.196 Yeah. 34:29.256 --> 34:29.596 Yeah. 34:29.616 --> 34:45.684 Yeah This is the part of the show where we both compose a song on a theme and you the listeners get to decide Which one's the better one might be difficult for you this week Because I haven't heard Adams and he hasn't heard mine, but we've both agreed that we don't think we well I I don't think I've done a very good job this week No, I was in severe trouble. 34:45.704 --> 34:47.005 I was in bad trouble 34:47.105 --> 34:48.566 Yeah, I was in trouble time-wise. 34:48.666 --> 34:50.507 I usually do my song on a Wednesday evening. 34:50.667 --> 34:50.947 Right. 34:51.027 --> 34:53.508 So I've got a bit of a window in case it's wrong. 34:54.168 --> 34:55.349 This week did it last night. 34:56.089 --> 34:57.130 Started about ten. 34:57.610 --> 34:58.490 Oh, that's not bad. 34:58.510 --> 35:00.251 I know, finished about one. 35:00.431 --> 35:01.572 I mean, that's not bad. 35:01.672 --> 35:02.552 Three hours, that's all right. 35:02.572 --> 35:03.793 Yeah, but wait till you hear it. 35:04.433 --> 35:05.053 It's a mess. 35:05.233 --> 35:05.413 Yeah. 35:05.553 --> 35:06.834 I played it to my girlfriend. 35:07.915 --> 35:08.495 She looked at me. 35:08.535 --> 35:10.956 She looked scared and confused. 35:11.476 --> 35:12.757 She couldn't understand the words. 35:13.477 --> 35:14.698 Couldn't understand the chorus. 35:15.518 --> 35:16.939 Didn't think it really had a tune. 35:18.241 --> 35:19.162 I rushed upstairs. 35:19.782 --> 35:20.443 It was one. 35:20.763 --> 35:23.125 You know, we have to get up at like seven to get here. 35:23.626 --> 35:25.007 I was trying to replace the beat. 35:25.668 --> 35:26.609 Trying to make it work. 35:27.109 --> 35:29.952 I'd made it so discordant and odd that nothing would fit. 35:30.532 --> 35:32.334 I had like a exam panic. 35:32.855 --> 35:33.996 I haven't had that for years. 35:34.036 --> 35:36.578 I had like a weird sickness feeling in my stomach. 35:36.818 --> 35:38.280 Wow, you take it really seriously. 35:38.900 --> 35:40.121 Well, I was panicking. 35:41.081 --> 35:42.682 I thought, I don't want to let the listeners down. 35:42.702 --> 35:43.123 No, good for you. 35:43.183 --> 35:44.383 I take the listeners seriously. 35:44.543 --> 35:45.164 I agree with you. 35:45.184 --> 35:48.386 Because we're taking up valuable big British castle time. 35:48.446 --> 35:48.826 Certainly. 35:49.066 --> 35:49.807 Royal time. 35:50.007 --> 35:50.667 Royal time. 35:50.687 --> 35:53.689 You know, and I'm worried. 35:53.789 --> 35:55.970 Absolutely, you don't want to smack the listener in the face. 35:56.010 --> 35:57.071 No, it's odd mine. 35:57.111 --> 36:02.414 It's kind of like supposed to sound a little bit like African or fumboy three-ish. 36:02.854 --> 36:04.515 I was going down that same route. 36:04.535 --> 36:05.215 Why are you? 36:05.255 --> 36:07.336 Lucky you turned around from that route. 36:08.416 --> 36:10.057 That kind of cricket noise sometimes. 36:10.077 --> 36:11.417 Nothing as simple as that in mine. 36:11.957 --> 36:15.919 Yeah, because I was thinking the lunatics have taken over the asylum. 36:16.439 --> 36:17.400 I was thinking as well. 36:17.420 --> 36:18.040 Do you know what I mean? 36:18.900 --> 36:19.921 So what happened with yours? 36:20.101 --> 36:28.287 Well, again, I started pretty late in the day, and I went down a totally different route before just thinking, oh, no, this is a disaster. 36:28.307 --> 36:28.567 Really? 36:28.587 --> 36:29.388 So you rejected one? 36:29.568 --> 36:30.369 Backtracked, yeah. 36:31.069 --> 36:38.675 And I had a good little rhyme going all about, I'm so happy in the jungle, I've lost a stone, or something like that. 36:38.975 --> 36:47.922 Because I love the fact that it seems like, if you're a bit of a vain person, one of the fun things about watching I'm a Celebrity Get Me Out of Here is kind of fantasizing about 36:48.877 --> 36:50.959 the experience is a kind of health camp, do you know what I mean? 36:50.979 --> 36:54.201 They go in there, Bigins is lost over a stone, he looks amazing. 36:54.521 --> 36:58.124 When he came out of the jungle, listen, I'd do him, you know? 36:58.444 --> 37:00.886 And he looks gorgeous. 37:01.286 --> 37:10.093 But anyway, so I rejected that whole route and I've gone down a different thing entirely, but I was panicking to such a degree that I was gonna bring my guitar in and just freestyle. 37:10.273 --> 37:11.654 That thought crossed my mind as well. 37:11.674 --> 37:11.934 Did it? 37:12.135 --> 37:12.475 Yeah. 37:12.635 --> 37:14.476 Well, it'd be interesting to see what we've both done then. 37:14.516 --> 37:16.338 Who, shall I go first this week? 37:16.818 --> 37:17.178 Yeah. 37:17.578 --> 37:17.818 Okay. 37:18.259 --> 37:18.899 I'll go first. 37:18.999 --> 37:21.300 This is my... So should we just make it clear again? 37:21.320 --> 37:22.820 These are songs about I'm a celebrity. 37:22.840 --> 37:23.520 Get me out of here. 37:24.020 --> 37:28.702 Mine from the point of view of an avid fan, Joe, from the point of view of someone who never really watches it. 37:29.042 --> 37:30.683 And this is mine, Adam's, right now. 37:30.703 --> 37:34.084 It'll be fun. 37:34.764 --> 37:36.685 I'll fly to Australia. 37:37.185 --> 37:40.006 Live in the jungle with some stars on the way. 37:40.933 --> 37:44.634 Then when I'm done, I'll no longer be a failure. 37:44.754 --> 37:48.175 I'll fly back to England and be famous again. 37:48.935 --> 37:52.136 First three days in a jungle, and I'm so glad that I came. 37:52.977 --> 37:56.578 Everyone at home said I was mad to do it, just for the sake of being famous again. 37:56.658 --> 38:00.299 But at any too fast the first time round, I want another nibble on the cherry. 38:00.799 --> 38:04.180 And when people see the real me, they're going to like me very. 38:04.220 --> 38:07.021 The only problem is the others that they put me 38:07.521 --> 38:11.222 If you ask me, they're a flipping bunch of twos. 38:11.243 --> 38:18.905 There's this folk who used to be some American celebrity who isn't really playing by the rules. 38:20.928 --> 38:24.230 Day five things are going badly, cos it's all about the yank with the gob. 38:24.731 --> 38:26.812 Or the girl with the knockers or the ex-lam rockers. 38:26.992 --> 38:28.713 How am I expected to do my job? 38:28.933 --> 38:32.356 I ain't getting picked for no bush tucker trials, I spend all my time just moping. 38:32.796 --> 38:36.358 It just ain't fair, I'm wasted in there, and now the phone lines are open. 38:50.948 --> 39:08.275 B for being crap, no it wasn't fun I flew to Australia, I lived in the jungle and it drove me insane And I got ignored, this whole thing's been a failure I'm flying back to England and nobody again 39:09.264 --> 39:11.126 Well, that's better than I expected. 39:11.607 --> 39:12.288 That was good. 39:12.428 --> 39:12.908 Thanks, man. 39:12.928 --> 39:17.313 You used the same little noise I used for Song for Jack Miller, I think. 39:17.333 --> 39:17.654 Oh, really? 39:17.754 --> 39:19.236 Were you aware of that? 39:19.256 --> 39:22.239 Yeah, well, in case you hadn't guessed, folks, we use garage band a lot. 39:23.100 --> 39:24.462 Garage band. 39:24.502 --> 39:25.443 Garage band. 39:25.963 --> 39:28.064 And we're pretty much running out of samples. 39:28.104 --> 39:34.428 GarageBand is like the production tool du jour at the moment because it's all cleared samples in there. 39:34.468 --> 39:39.531 So pretty much every show that's coming out on TV next year as well is going to have just GarageBand all over it. 39:39.971 --> 39:40.272 But anyway. 39:40.292 --> 39:42.253 We better download some new samples. 39:42.273 --> 39:42.933 Some new loops. 39:42.953 --> 39:44.054 Shall we have a listen to yours now? 39:44.514 --> 39:51.021 If we must, so this is in the style of Funboy 3, it's about I'm a celebrity, get me out of here that I don't really watch. 39:51.262 --> 39:56.147 And there's a couple of things that I need to make clear before you attempt to make sense of the following noises. 39:56.187 --> 39:57.068 Qualifications. 39:57.148 --> 39:57.489 Yeah. 39:57.909 --> 39:58.169 Right. 39:58.249 --> 40:04.476 So the like acronym for I'm a celebrity, get me out of here is Yakamu. 40:05.197 --> 40:28.986 yeah i a c g m o o h yakamu yakamu yakamu yakamu yakamu right yeah right here we go and then i just gotta explain what the words of the chorus are the words of the chorus are something i've even forgotten what they are but it's something along the lines of i don't watch it i've got better things to do yakamu yakamu i do not watch it i've got better things to do okay but that 40:30.668 --> 40:32.170 Why are you laughing so much? 40:32.770 --> 40:37.737 But because that is done in a kind of Funboy 3 sort of way, it's slightly incomprehensible. 40:37.917 --> 40:38.218 Right. 40:38.398 --> 40:39.019 Yeah, come on. 40:39.379 --> 40:39.960 Yeah, come on. 40:40.300 --> 40:41.161 I do not watch it. 40:41.201 --> 40:42.023 I got better things to do. 40:42.443 --> 40:42.744 Okay. 40:42.904 --> 40:43.204 Okay. 40:43.464 --> 40:43.645 Yeah. 40:43.785 --> 40:44.005 Okay. 40:44.246 --> 40:44.546 Cue it. 40:56.796 --> 41:12.912 And we took in the jungle every flippin' year We believe in spiders, I do not care I care more for the spiders than the celebrities so we chit up And you will leave that is not true On the refund of Kerris Matthews Hammering class when she's almost nude Very nice, be that kind 41:22.881 --> 41:24.802 Because you will find they get treated by vets. 41:24.862 --> 41:28.183 There's no disease, no celebrity gets seriously killed. 41:28.823 --> 41:32.804 How many times do I have to see celebrities eating testes? 41:32.884 --> 41:34.505 Try something new, please like TV. 41:34.545 --> 41:35.825 Thanks a lot. 41:36.285 --> 41:37.265 Yeah, come on. 41:37.305 --> 41:38.126 Yeah, come on. 41:38.326 --> 41:39.146 I do not watch it. 41:39.206 --> 41:40.126 I'm prepared to sit down. 41:40.306 --> 41:41.267 Yeah, come on. 41:41.307 --> 41:42.107 Yeah, come on. 41:42.327 --> 41:43.127 I do not watch it. 41:43.147 --> 41:44.128 I'm prepared to sit down. 41:44.548 --> 41:46.108 I'm not putting my hand in that hole. 41:46.228 --> 41:47.829 It's full of problems and things. 41:47.949 --> 41:49.109 I'm not going to do it. 41:49.149 --> 41:50.109 I will lie there. 41:50.369 --> 41:51.570 It's disgusting. 41:52.836 --> 42:08.039 Every now and then there is a good bit And I cannot help but sit and watch it But afterwards I feel like rubbish The camera crew are always there There's a six hour hotel just off the stair Like a twenty-five brand just to appear, allegedly 42:14.321 --> 42:36.891 at least i'll watch it a lot less than you that's good man for a minute though yeah that's better than you were making it out to be it's odd we used the same sample there that kind of biork style jungle drum yeah did we yeah yeah well so there you go there are the two songs uh you can vote adam or joe uh if you want you can just vote for your the the one you like 42:37.831 --> 43:06.247 uh the most you know you don't have to be saying that you actually like either of them yeah but the one that you find the most tolerable uh text 6404 the one you're least offended by yeah text ad or joe and you know we'll maybe we should think of a different competition and do song wars on alternate weeks or something i think in the new year we might have to because it's uh it's we've already written an album you know it's not a very good album it's a short album but uh no it's it's 12 songs man really but they're short songs 43:06.747 --> 43:07.888 that some of them are short songs. 43:07.928 --> 43:09.068 But you know, it's not bad. 43:09.529 --> 43:13.711 The Ramones, Jerry Lewis, the Pixies, they used to do one and a half minute songs. 43:14.471 --> 43:16.012 It's an acceptable trope. 43:16.552 --> 43:17.053 So there we go. 43:17.113 --> 43:21.755 Tech64046 vote Adam or Joe, and we'll announce who's in the lead at the end of this show. 43:21.835 --> 43:24.897 And then the true winner will be, can you believe it? 43:24.957 --> 43:28.959 Played again in its entirety at the beginning of next week's show. 43:28.999 --> 43:30.880 There's something to look forward to. 43:31.280 --> 43:35.903 Now, here is the winsome sound of the Sundays with, here's where the story ends. 43:45.322 --> 43:47.583 The Sundays here on BBC Six Music. 43:47.603 --> 43:48.483 This is Adam and Joe. 43:48.824 --> 43:53.486 We're midway through our exciting, regular Saturday morning slot here at the Big British Castle. 43:53.506 --> 43:55.127 Thanks for listening and stuff. 43:55.587 --> 43:55.947 Sorry, Matt. 43:55.967 --> 43:57.048 Can you not say slot? 43:57.568 --> 43:57.928 Sorry. 43:58.148 --> 43:58.408 Yeah. 43:58.828 --> 44:03.250 You've recently... Well, there's been a letter sent round to everyone at the back of the scene. 44:03.350 --> 44:04.411 Can't really say slot. 44:04.671 --> 44:13.374 Ollie on the motorway has texted, uh, we don't usually read this out this sort of kind of casual, uh, radio style text, but he says, haven't heard that song in yonks. 44:13.494 --> 44:19.476 Cheers lads for helping brighten up an otherwise depressing and chilly megabus journey from Chester to London. 44:19.496 --> 44:20.537 Now, do you know about the megabus? 44:20.557 --> 44:21.197 What's the megabus? 44:21.417 --> 44:25.918 Megabus is very big with young people because it's a really, really cheap coach service. 44:26.718 --> 44:28.819 And you'll see its adverts around the place, you'll see its buses. 44:29.159 --> 44:34.000 They're distinguished by a painting of a big chap who's like the Megabus mascot. 44:34.421 --> 44:41.903 He's a big fat round-faced man with a little hat on and a bow tie and a kind of Megabus uniform. 44:42.963 --> 44:44.843 But he's not very confidence inspiring. 44:45.123 --> 44:45.304 No. 44:45.444 --> 44:50.165 The idea that that man who's painted on the side of the Megabus would be driving the Megabus. 44:50.845 --> 44:52.246 is not confidence-inspiring. 44:52.566 --> 45:09.180 This isn't true, obviously Megabus are an entirely reputable company, but I always think that, you know, if that big, rotund, drunk-looking chap was actually, you know, running that company, and it's a bit suspicious that he's only charging like a fiver to go halfway across the country. 45:10.200 --> 45:11.722 So the bus... I just have the atmosphere of a death trap. 45:11.782 --> 45:13.483 The bus itself is not mega though, right? 45:13.543 --> 45:16.746 It's not like... No, it's just, you know, like a mega breakfast. 45:17.486 --> 45:40.705 one of those words could stick onto something I would like if they they'd have to build special motorways and everything to accommodate them but like a massive giant bus giant plane exactly in fact the word mega is is usually uh inverse isn't it it's used to denote something that is actually uh really bad is um yeah that's the end more facts coming up now here's the news read by Rachel Matthews and the music news read by joe yule 45:45.151 --> 45:46.994 That's the Jesus and Mary chain. 45:47.815 --> 45:50.259 The hard boys at school used to like them. 45:50.299 --> 45:51.341 We're always playing them. 45:52.002 --> 45:53.344 We always play a lot of music. 45:53.484 --> 45:55.227 They're tough boys at school. 45:55.327 --> 45:56.969 We always seem to be opening with Bragg. 45:57.250 --> 45:57.470 Yeah. 45:57.811 --> 46:00.455 And then having a kind of midway point with some Mary chain. 46:00.595 --> 46:06.701 That's what it comes down to, it's the early 80s, you know, this is our target audience, they like it, this is when they were in their prime. 46:06.721 --> 46:07.522 It's good, it's good stuff. 46:07.542 --> 46:09.244 This is Adam and Jo on BBC Six Music. 46:09.564 --> 46:17.812 Happy Saturday morning, Christmas period, festive period, December period, officially beginning, advent calendar's popping open, little chocking nuggets popping out. 46:17.832 --> 46:18.773 Have you got an advent calendar? 46:18.813 --> 46:19.033 No! 46:19.354 --> 46:19.614 No! 46:20.054 --> 46:23.138 It's time to get the decos ready and all that business. 46:23.638 --> 46:31.803 You imagine what, do you think if you get like a, if you become very wealthy and powerful, you just have insane advent calendars like, uh, what's his name? 46:31.863 --> 46:33.264 The, uh, Hugh Hefner. 46:33.664 --> 46:40.008 He would have 25 ladies in a big, uh, kind of box. 46:40.808 --> 46:42.349 So sort of a lady calendar. 46:42.429 --> 46:43.910 Lady calendar, and he'd pop open. 46:44.170 --> 46:46.231 Hello, number three. 46:46.251 --> 46:48.413 Hi, Hugh. 46:48.713 --> 46:50.374 Happy 3rd of December. 46:51.014 --> 46:52.434 Advent sort of prozzies. 46:53.415 --> 46:56.016 Well, if you put it like that, it wouldn't be very nice. 46:56.056 --> 46:57.816 I want they'd be sort of locked in a hat. 46:57.916 --> 46:59.717 What about the Christmas Day one? 47:00.017 --> 47:03.478 Well, the Christmas... That wouldn't be very nice because she'd have soiled the box. 47:03.858 --> 47:08.559 No, because just like the real... And she, Hugh, would get a bit of a festive stench. 47:08.599 --> 47:11.020 I thought it all through, just like real Advent calendars. 47:11.340 --> 47:12.901 The point is, the chocolate's trapped in there. 47:12.921 --> 47:16.102 The rooms would get bigger and bigger, you see, so they'd have more supplies. 47:16.462 --> 47:16.562 Ah. 47:16.702 --> 47:21.204 The closer you've got, because, yeah, the Christmas Day one, she's going to be in there for a month, more or less. 47:21.644 --> 47:23.345 She's eating all the stuff as well. 47:23.365 --> 47:23.725 Yeah. 47:24.125 --> 47:24.985 Hugh, I don't know. 47:25.005 --> 47:29.147 I tell you, it is quite Christmasy, because Hugh, on Christmas Day, Hugh goes... 47:29.987 --> 47:30.828 I don't think so. 47:30.868 --> 47:32.589 You just go home, honey. 47:32.929 --> 47:41.195 She comes out and sort of... She's had no exercise for a month and she's just really... What a sordid business Christmas would be if you had control over it. 47:41.976 --> 47:43.497 Horrible, horrible thought. 47:43.597 --> 47:43.797 Yeah. 47:45.319 --> 47:46.560 Anyway, we digress. 47:47.121 --> 47:51.005 Let's read out some texts for our text the nation thing, whatever it is. 47:51.205 --> 47:52.867 Yeah, text the nation this week. 47:52.887 --> 48:01.777 The government have asked us to ask you, the public, about ideas for revitalizing the horror film industry, which seems to have basically run out of ideas. 48:02.638 --> 48:05.001 We've had one or two good ones in, but first of all, 48:05.561 --> 48:06.882 Adam, have you had any ideas? 48:07.042 --> 48:07.902 Well, I've had a couple of ideas. 48:08.162 --> 48:13.724 These are not ideas for fully formed films, they're just ideas of thematically and maybe a couple of scenes. 48:13.764 --> 48:14.505 Good, we'll take anything. 48:14.545 --> 48:14.945 What have you got? 48:15.045 --> 48:22.788 Alright, so I was thinking, my logic was, you know, the most horrific thing that you can imagine, right, is things to do with things you love and things you want to protect, right? 48:22.828 --> 48:24.729 The obvious being babies and children. 48:25.209 --> 48:30.531 So if you have a little baby and child horror in there, obviously nothing too absolutely awful, 48:31.111 --> 48:33.492 But I was thinking baby monitors, right? 48:33.512 --> 48:34.633 That's got to be a good source. 48:34.673 --> 48:35.513 I like that already. 48:35.553 --> 48:37.314 That's a good title, baby monitor. 48:37.414 --> 48:38.635 So you're listening to the baby monitor. 48:38.655 --> 48:47.359 There's a scene where the couple, their new baby, they're listening to the baby gurgling on the baby monitor and then suddenly the gurgling goes low. 48:51.081 --> 48:52.763 That's really good, and then they rush upstairs. 48:52.783 --> 48:57.247 And then he goes silent, and then you just hear... What's happening? 48:57.427 --> 48:59.028 So it's like, has something got in there? 48:59.489 --> 49:01.711 Or has the baby turned into something? 49:02.351 --> 49:14.883 So they go up there, and they're half thinking, oh my god, there's an animal in there, and then maybe the husband, or maybe the wife who's got a bit of postnatal depression, and she's thinking, I don't think you should go in there, I think baby's turned into something. 49:14.903 --> 49:15.904 I don't know. 49:16.064 --> 49:16.885 Anyway, it's something like that. 49:17.045 --> 49:17.706 That's good, man. 49:17.846 --> 49:25.412 An alternative version of that, a bit earlier on in the process, would be when they're at the hospital and they're getting the ultrasound, right? 49:25.893 --> 49:31.057 And so they're listening to the baby's heartbeat, always a very emotional moment for a couple expecting their first child. 49:33.380 --> 49:35.021 And then suddenly you hear, get out. 49:35.041 --> 49:35.441 Get me out. 49:39.753 --> 49:40.353 Do you know what I mean? 49:40.393 --> 49:41.714 First of all, it starts garble. 49:41.754 --> 49:43.555 Well, the baby's possessed. 49:43.635 --> 49:47.237 The ultrasound is picking up the baby's big, big shite. 49:47.997 --> 49:52.859 This is a good route to go down, though, because technology is always... We fear technology. 49:52.900 --> 49:53.120 Yeah. 49:53.600 --> 49:55.501 And we make it evil and ka-ching. 49:55.581 --> 49:58.162 But what could be worse than the enemy within, especially, you know? 49:58.322 --> 49:59.003 Well said, Adam. 49:59.203 --> 50:00.683 Baby should be a happy time. 50:01.484 --> 50:02.544 But you've made it sad. 50:02.624 --> 50:03.625 I've made it horrific. 50:04.005 --> 50:08.729 Because I was thinking, I was thinking it's about time they had a sat-nav horror film. 50:09.509 --> 50:09.769 Right? 50:10.330 --> 50:15.874 I don't know quite what it would be, but it would be a possessed sat-nav, and it would direct you to a horrible place. 50:15.894 --> 50:17.075 A terrible place! 50:17.095 --> 50:18.636 Why does everything nasty would happen? 50:18.896 --> 50:19.276 Yes! 50:19.817 --> 50:21.978 And then it would go, ha ha ha ha ha. 50:22.899 --> 50:27.442 When they died, they had a, pretty much every permutation of the sat-nav is being done elsewhere. 50:27.462 --> 50:29.624 There was a sat-nav joke on Armstrong and Miller last night. 50:29.744 --> 50:31.907 Everyone's doing a sat-nav thing, and now we've done one. 50:32.007 --> 50:35.012 Here's a good one from Richard Foster that's coming via email. 50:36.374 --> 50:39.298 His idea for a horror film is called 28 Seconds Later. 50:39.939 --> 50:45.127 A man wakes up in hospital, can't find anybody for 28 seconds, then he finds everyone. 50:46.257 --> 50:47.638 So it's not a very, yeah. 50:48.019 --> 50:55.427 It's quite good because moments of, you know, temporary panic, when you're lost or you can't find people, I think that's quite good. 50:55.708 --> 51:02.716 Well, you could sort of do an existential skew on it and expand those 28 seconds into a whole kind of lifetime somehow. 51:03.517 --> 51:11.585 What I like about it is if the film is only, say, 45 seconds, then you can up the number of screenings per day, still charge full price, and very profitable. 51:11.605 --> 51:12.346 That's sound business. 51:12.586 --> 51:15.409 Here's another one from Tim in Adelaide, Australia. 51:15.589 --> 51:15.930 No. 51:16.170 --> 51:16.510 Yeah. 51:17.011 --> 51:18.132 He says, Dear Adam and Joe. 51:18.352 --> 51:19.874 He actually says, Hi, Adam and Joe. 51:19.914 --> 51:21.175 He probably says, Good day, does he? 51:21.195 --> 51:22.116 Good day, Adam and Joe. 51:22.136 --> 51:22.416 Yeah. 51:23.197 --> 51:23.477 Sorry. 51:23.938 --> 51:26.619 My horror film would be titled, Mirror Window. 51:27.140 --> 51:29.061 Alright, like Rear Window, but Mirror Window. 51:29.521 --> 51:39.588 A wheelchair bound astronaut, confined to observational duties due to his disability, uses a super powered telescope attached to the space station to spy on the people of Earth. 51:39.768 --> 51:40.148 I like it. 51:40.268 --> 51:46.753 Convinced that he's witnessed a gruesome murder, the astronaut schemes to drop part of the space station onto the killer. 51:47.854 --> 51:53.379 That's good, because rear window kind of pivots around the proximity of the witness to the incident. 51:53.980 --> 52:04.811 Here there's a vast distance between the two and the rest of rear window depends on the killer getting into wheelie man's flat and vice versa, so much more difficult. 52:06.132 --> 52:10.373 for the two parties to meet in that one, which is dramatically interesting. 52:10.453 --> 52:10.973 That's lovely. 52:11.013 --> 52:13.074 Well, listen, keep those ideas coming in, folks. 52:13.854 --> 52:18.715 We'll wrap up Text the Nation towards the end of this hour and, of course, remind you of song wars in the next hour. 52:18.755 --> 52:22.516 But still, we have so much more to ramble and chat about and great music too. 52:22.936 --> 52:26.537 Now, here is Foles with a track called Balloons. 52:30.896 --> 52:32.879 Oh yeah, live music's always hanging out there. 52:33.440 --> 52:36.043 And it just doesn't really clear up after itself a lot of the time. 52:36.384 --> 52:36.664 Really? 52:36.985 --> 52:37.986 Makes a terrible mess. 52:38.086 --> 52:39.668 Just treats the hub like a hotel. 52:39.849 --> 52:40.169 Really? 52:40.269 --> 52:42.292 And then off live music goes... The hub's getting sick of it. 52:42.312 --> 52:43.714 The hub is absolutely sick. 52:43.734 --> 52:46.418 The hub wants just some people reading audiobooks in there. 52:46.758 --> 52:47.639 Yeah, exactly. 52:47.680 --> 52:48.841 What would be so wrong with that? 52:48.881 --> 52:49.202 Yeah. 52:49.222 --> 52:51.545 Do you want to hear a little story, Joe Cornish? 52:51.745 --> 52:52.346 Yes, I do. 52:52.366 --> 53:02.060 Now, I may have told you, Joe Cornish, this story before, but I'm not sure I've told our radio listeners, and this is a story which involves me behaving 53:03.141 --> 53:19.721 in a kind of psychopathic way due to the adverse effects of your genetic background various intoxicants yeah this is a long time ago i hastened to add as well because i would never touch so much as a drop of wine these days but 53:21.142 --> 53:33.896 I, a long time ago, hung out with a former Royal Ballet star, a contemporary of Darcy Bussells even, and he is now in whole city occasionally. 53:33.916 --> 53:35.417 He's an actor called Jeremy Sheffield. 53:36.138 --> 53:36.558 Do you know him? 53:36.798 --> 53:39.280 Yeah, I hung it out with him as well. 53:39.300 --> 53:39.821 Yeah, exactly. 53:39.861 --> 53:40.801 He's a nice guy. 53:40.821 --> 53:41.842 This was many years ago. 53:41.862 --> 53:42.442 Yeah, yeah. 53:42.863 --> 53:46.765 He's really, he was a really nice chap anyway, so we got on quite well. 53:47.306 --> 53:52.850 And then he came and sort of hung out with me at work one time. 53:52.890 --> 53:58.994 I was DJing at the time in this mad restaurant in the West End and he came and visited me and it was nice to see him. 53:59.734 --> 54:14.994 and then we didn't see each other for a long time he was very busy but we bumped into each other in Carnaby Street one time and this was after his acting career had started in earnest one time and he was very busy one time and he was clearly on his way somewhere he had somewhere to be and 54:16.315 --> 54:18.717 So he wasn't really in the mood for a kind of conversation. 54:18.737 --> 54:19.197 Do you know what I mean? 54:19.217 --> 54:21.999 Like, sometimes if you're just on your way somewhere, you're focused on that. 54:22.359 --> 54:24.401 And then you bump into someone that... Sure. 54:24.541 --> 54:25.621 Difficult social situation. 54:25.641 --> 54:26.922 You have a little awkward conversation. 54:26.962 --> 54:31.265 So he had really quite an awkward little chat there on, you know, on Carnaby Street. 54:31.706 --> 54:35.788 And I felt like we both probably walked away, said a slightly, ooh, wincing a little bit. 54:35.868 --> 54:37.309 Just thinking, I didn't go that well. 54:37.329 --> 54:37.509 Anyway. 54:37.529 --> 54:38.510 Probably him more than you. 54:38.590 --> 54:39.591 Probably, I don't know. 54:39.711 --> 54:40.612 Who knows? 54:41.452 --> 54:42.093 So, uh... 54:43.288 --> 54:57.003 A few months passed, and one time I was coming from our friend Mark's house, and one time I was cycling across the King's Road, it was a little tiny little bit tooty, and I saw out the corner of my eye, there's Jeremy Sheffield, right? 54:57.383 --> 54:58.625 Walking down the King's Road. 54:59.225 --> 55:03.350 So, but at that moment, as I saw him, he saw me, right? 55:03.710 --> 55:05.051 But only for a split second. 55:05.692 --> 55:35.392 and he ducked down an alley he didn't want the same thing to happen twice he was not in the mood for another let's circumvent that situation he thought yeah and he didn't he thought that oh he hasn't seen me i'm just gonna duck down this alley avoid Buxton entirely avoid you know because i'm not in the mood but he knew you'd seen him he didn't know didn't he no didn't your eyes meet well only for a split second and because i was on my mind when human eyes meet there's no denying that contact uh he i think he obviously thought that maybe i haven't seen because he ducked down the alley 55:36.253 --> 55:40.776 And, uh, but in that moment, I was just, I became enraged. 55:41.177 --> 55:41.677 Do you know what I mean? 55:41.697 --> 55:42.238 That's him. 55:42.438 --> 55:42.718 Yeah. 55:43.058 --> 55:43.919 I just thought, what? 55:43.999 --> 55:49.784 You got down the alley in order to avoid what may have been an awkward conversation, but nevertheless a conversation. 55:49.804 --> 55:50.605 So you pursued him. 55:50.745 --> 55:52.846 So I cycled down the alley after him. 55:52.927 --> 55:53.367 You idiot. 55:55.174 --> 56:12.752 not thinking that I would say that that's happened to me quite often I know you haven't quite finished but no sometimes you'll pass someone in the street you recognize and you your eyes will meet but you'll have a little psychic package package package exchange right like what computers do saying let's just not bother 56:13.012 --> 56:13.332 Yes, exactly. 56:13.352 --> 56:13.832 Do you know what I mean? 56:13.852 --> 56:17.073 And you'll just pretend you haven't recognized each other and walk on. 56:17.093 --> 56:17.353 That's right. 56:17.613 --> 56:19.593 That's what should have happened in the Sheffield situation. 56:19.613 --> 56:25.534 Of course, but because my brain wasn't functioning properly, none of those circuits connected and I just- You chased him. 56:25.674 --> 56:26.315 I chased him. 56:26.515 --> 56:27.155 You had it out. 56:27.315 --> 56:34.076 And so I went down there and as I arrived at the opening of the alley, he was emerging thinking that the coast was clear. 56:34.456 --> 56:36.857 So he bumps into me, poor old Jeremy Sheffield. 56:37.177 --> 56:39.057 And there I am standing there going, hello! 56:39.497 --> 56:44.641 And I had a really mad, starry-eyed conversation with him saying, Hey, how are you doing? 56:44.661 --> 56:45.702 You know what I mean? 56:45.942 --> 56:47.803 Because I hadn't really thought the whole thing through, obviously. 56:47.823 --> 56:48.804 I didn't know what I was going to say. 56:48.964 --> 56:51.326 What was on my mind was like, Hey, why did you avoid me? 56:52.136 --> 56:55.018 But instead I was just saying, through, how's things going? 56:55.218 --> 56:56.299 And he looked quite freaked out. 56:56.319 --> 56:58.781 What was the subtext of your tone? 56:59.722 --> 57:01.583 The subtext of... How dare you deny me? 57:01.743 --> 57:03.564 Yeah, what are you playing at? 57:03.664 --> 57:04.465 Am I so awful? 57:04.725 --> 57:05.346 What's the deal? 57:05.406 --> 57:06.166 What have I done to you? 57:06.687 --> 57:14.072 Well, it was just excruciatingly awkward and then we parted company and off I went just thinking, I'm a nutcase. 57:14.372 --> 57:16.794 Now this was about 15 to 20 years ago. 57:16.954 --> 57:22.459 Yeah, but ever since then, I keep bumping into him over the shop. 57:22.559 --> 57:26.283 It's like he's, it's become, there's some weird sort of unfinished business. 57:26.303 --> 57:27.744 Like you should, you should be friends. 57:27.824 --> 57:30.847 Fate has said you should be friends, but you both are trying to resist it. 57:31.107 --> 57:35.251 And, but, but it's always a little awkward because he never fully resolved the awkwardness of that moment. 57:35.271 --> 57:39.495 And it might be that the whole thing poisoned him quite reasonably against, you know what I mean? 57:39.875 --> 57:42.977 So every, he probably, his heart probably sinks every time he sees me. 57:43.017 --> 57:43.697 I don't mind us. 57:43.917 --> 57:48.919 It's like, it's like Jacob's ladder, you know, it's like the wobbly demons. 57:49.340 --> 57:50.220 He's everywhere. 57:50.440 --> 57:50.740 Really? 57:50.780 --> 57:57.644 Wherever I go, and until I make peace with him, he's gonna, we're gonna bump into each other for... You need some kind of social exorcist. 57:57.704 --> 57:58.544 Yeah, we really do. 57:58.904 --> 58:01.105 I just had to, uh, exorcise that. 58:01.125 --> 58:03.186 Are you hoping he's listening to this, secretly? 58:03.386 --> 58:04.947 Someone who knows him might listen. 58:04.967 --> 58:05.847 Might pass this on. 58:05.948 --> 58:06.148 Yeah. 58:07.128 --> 58:07.789 Well, there we go. 58:07.809 --> 58:11.853 We're gonna play some more music now, but... Was that a smooth enough segue? 58:11.893 --> 58:12.634 Yeah, that was nice. 58:12.734 --> 58:14.536 In fact, we're gonna play some Martin Gay. 58:15.517 --> 58:17.498 This is from Martin Gay's greatest hits. 58:17.699 --> 58:18.019 It's great. 58:18.039 --> 58:18.259 Songs. 58:18.319 --> 58:23.004 Did you know listeners that Marvin Gay put the E on the end of his name because he was paranoid that people would think he was gay? 58:23.484 --> 58:24.546 That's right, he did, didn't he? 58:24.606 --> 58:26.047 Isn't that a lovely little story? 58:26.247 --> 58:27.949 That was a bit unnecessary, though, isn't it? 58:28.009 --> 58:30.291 Greatest voice, one of the greatest talents in the history of music. 58:30.371 --> 58:30.552 Yeah. 58:31.192 --> 58:57.533 just a little nervous little shy socially paranoid mouse that's all he was uh this is called where are we going it's a good question where are we going uh i'm i'm just going home after this all right let's find out where Marvin's going Marvin Gaye there with uh where are we going that's a lovely song now uh new year's eve plans for new year's eve Adam it's a difficult time you know you're exhausted socially from Christmas and all that business and suddenly you've got to pull another big social event out of the bag 58:58.434 --> 59:09.368 uh any plans i couldn't take myself away to the country really yeah yeah just getting out of there staying out staying with my wife's family what's that dude hello what's they're doing a show are you dude 59:10.188 --> 59:10.628 Yeah, yeah. 59:10.648 --> 59:11.889 Oh, we're going to be on air, of course. 59:11.929 --> 59:13.651 We're going to be on air on New Year's Eve. 59:13.671 --> 59:14.131 Very exciting. 59:14.151 --> 59:15.932 But that won't be at night. 59:16.493 --> 59:17.294 No, that's in the afternoon. 59:17.314 --> 59:18.094 It's pre-recorded string day. 59:18.434 --> 59:23.899 But in the evening, I've bought tickets for a thing that the super furry animals are doing at the Royal Festival Hall. 59:24.159 --> 59:26.060 They're taking over the whole of the Royal Festival Hall. 59:26.080 --> 59:26.641 They're playing. 59:27.061 --> 59:28.242 And they're taking over the whole building. 59:28.482 --> 59:31.184 They're doing stuff like in the lobby and in the foyer. 59:31.464 --> 59:32.545 And it's going on all night. 59:32.825 --> 59:36.408 And then you will be in the perfect location to see the big fireworks on the Thames. 59:36.789 --> 59:37.709 I'm excited about that. 59:37.769 --> 59:39.310 I've got some friends going to come along. 59:39.330 --> 59:39.771 You're not coming. 59:40.319 --> 59:40.359 No. 59:40.379 --> 59:41.120 Because you're in the country. 59:41.200 --> 59:41.360 Yeah. 59:41.780 --> 59:43.441 Uh, but it's gonna be amazing and I'm really excited. 59:43.862 --> 59:46.043 And we're gonna play some Super Fairy Animals right now, aren't we? 59:46.404 --> 59:47.885 Which one are we playing off of them once? 59:47.925 --> 59:49.146 Gift that keeps on giving! 59:49.186 --> 59:49.966 Is that a new one? 59:50.226 --> 59:50.427 Yeah! 59:50.827 --> 59:51.467 Oh, there you go. 59:51.487 --> 59:51.888 Let's hear it. 59:55.290 --> 59:56.111 Text-a-nation! 59:56.151 --> 59:56.451 Text! 59:56.531 --> 59:56.811 Text! 59:56.871 --> 59:57.212 Text! 59:57.332 --> 59:58.072 Text-a-nation! 59:58.132 --> 59:59.093 What if I don't want to? 59:59.353 --> 01:00:00.074 Text-a-nation! 01:00:00.174 --> 01:00:01.154 But I'm using email. 01:00:01.335 --> 01:00:02.075 Is that a problem? 01:00:02.095 --> 01:00:02.936 It doesn't matter, text! 01:00:05.450 --> 01:00:12.017 It's Tex the Nation, the nation's favorite segment, feature, item on a radio program. 01:00:12.597 --> 01:00:13.158 Isn't that true? 01:00:13.338 --> 01:00:15.260 It's absolutely true. 01:00:15.300 --> 01:00:15.721 That's true. 01:00:15.761 --> 01:00:16.381 That's 100% true. 01:00:16.481 --> 01:00:17.643 It's 100% true and it's won about 15 awards. 01:00:17.663 --> 01:00:18.003 What, this segment? 01:00:18.023 --> 01:00:18.624 This segment 01:00:25.851 --> 01:00:27.512 has won 15 awards. 01:00:27.532 --> 01:00:31.294 Out of a mere, constantly it awards ceremonies. 01:00:31.354 --> 01:00:32.715 Always it awards ceremonies. 01:00:32.956 --> 01:00:35.137 And it's been nominated for over 25 awards. 01:00:35.237 --> 01:00:35.817 No, just over 25. 01:00:36.538 --> 01:00:36.918 Over 25s. 01:00:37.018 --> 01:00:38.019 And we turned a lot of them down. 01:00:42.101 --> 01:00:44.823 because we couldn't be bothered to go and pick the awards up. 01:00:45.064 --> 01:00:51.408 The Text the Nation subject this week is horror films ideas for re-energizing the horror film industry. 01:00:51.709 --> 01:00:54.451 Adam was just saying that he's bought, have you bought 1408? 01:00:54.751 --> 01:00:55.191 Yes. 01:00:55.251 --> 01:00:56.172 And you're all excited about it. 01:00:56.192 --> 01:01:06.200 I bought it because I heard you talking about it and you said, oh I watched the first 20 minutes and it was so good that I thought I can't watch, I can't waste it now, I'm gonna save it for a day when I can really appreciate it. 01:01:06.400 --> 01:01:10.681 So I thought, ooh, there's 1408, the one that Joe loved so much he had to put off watching it. 01:01:11.341 --> 01:01:15.442 And now he's just told me, yes, good 15 minutes and then goes rubbish. 01:01:15.542 --> 01:01:16.683 Well, I didn't know that, did I? 01:01:16.723 --> 01:01:18.083 It's a very deceptive film. 01:01:18.643 --> 01:01:19.763 It's really good at the beginning. 01:01:19.783 --> 01:01:20.584 I put it on import. 01:01:20.744 --> 01:01:24.465 I don't want to spoil it for anybody, but can I tell you the worst thing about it? 01:01:24.705 --> 01:01:24.945 What? 01:01:25.185 --> 01:01:26.245 Is when the ghosts appear. 01:01:26.665 --> 01:01:27.686 I'm not spoiling it, listeners. 01:01:27.706 --> 01:01:29.227 I'm spoiling a tiny corner of it. 01:01:30.047 --> 01:01:32.709 When the ghosts appear, they're like tele-ghosts. 01:01:33.509 --> 01:01:35.791 And they've got static rolling across their bodies. 01:01:35.951 --> 01:01:36.451 Oh, no. 01:01:36.471 --> 01:01:37.732 But that's not scary. 01:01:38.052 --> 01:01:38.132 No. 01:01:38.172 --> 01:01:40.193 Or scary about being a tele-ghost. 01:01:40.233 --> 01:01:44.296 Well, that's like... Because they're from the 50s, so they're like old 50s telly. 01:01:45.396 --> 01:01:49.959 That's like Pleasantville or something, or something out of minority reform, the holograms. 01:01:50.279 --> 01:01:53.843 I think there should be a law in horror films to ban CGI. 01:01:53.983 --> 01:01:55.305 I think they should do it. 01:01:55.585 --> 01:01:58.488 One of the scariest moments in any film is in the original Poltergeist. 01:01:58.648 --> 01:01:58.848 Yes. 01:01:59.169 --> 01:02:06.176 When they do it all in one shot when she comes away from the kitchen table and she does something on the sideboard and when she comes back all the chairs are stacked on the table. 01:02:06.236 --> 01:02:06.797 Do you remember that? 01:02:06.937 --> 01:02:07.477 Absolutely. 01:02:07.497 --> 01:02:08.598 And that's purely in camera. 01:02:08.638 --> 01:02:09.358 That's practical. 01:02:09.498 --> 01:02:09.738 Yeah. 01:02:09.998 --> 01:02:13.980 They kind of whisk the old table out and lower a new one in or something really fast. 01:02:14.020 --> 01:02:14.360 Brilliant. 01:02:14.741 --> 01:02:15.421 Very effective. 01:02:15.581 --> 01:02:16.902 Keep it all practical, yeah. 01:02:17.182 --> 01:02:20.123 So thanks to everybody who's texted an email for this. 01:02:20.543 --> 01:02:21.063 Both of you. 01:02:21.304 --> 01:02:21.524 Both. 01:02:22.744 --> 01:02:23.845 No, we've had it. 01:02:24.025 --> 01:02:24.566 It's joking. 01:02:24.586 --> 01:02:25.667 A quantity is not the problem. 01:02:25.767 --> 01:02:26.387 Only joking. 01:02:26.427 --> 01:02:32.272 But you know this, but from the response to this text the nation, it may be that horror is indeed dead. 01:02:33.553 --> 01:02:34.874 Nothing finds people anymore. 01:02:34.894 --> 01:02:36.936 The real world is finding enough. 01:02:37.036 --> 01:02:38.117 Hey, that's so funny. 01:02:38.217 --> 01:02:39.398 You know, I was thinking about this. 01:02:39.658 --> 01:02:41.540 There's something in Terror Cell, right? 01:02:41.820 --> 01:02:42.661 What's Terror Cell? 01:02:42.681 --> 01:02:43.661 Just as the name of a horror film. 01:02:45.543 --> 01:02:49.607 Terracell something Terracell and it's about instead of zombies. 01:02:49.627 --> 01:02:58.895 You've got people kind of being brainwashed by extremist groups Yes, you know and trying to spread their dirty words That's good. 01:02:58.935 --> 01:02:59.816 You keep working on that. 01:02:59.876 --> 01:03:00.197 Okay. 01:03:00.457 --> 01:03:09.085 Here's one from David Alecock Ali I don't know I've said that as best I can Good morning. 01:03:09.105 --> 01:03:09.865 See you both 01:03:10.606 --> 01:03:12.468 How about this for an idea for a horror flick? 01:03:12.528 --> 01:03:13.709 Two radio DJs? 01:03:13.729 --> 01:03:14.530 What are you laughing at? 01:03:14.550 --> 01:03:16.371 I'm laughing at that as the best you could say. 01:03:16.391 --> 01:03:17.592 What's his name? 01:03:17.792 --> 01:03:18.493 Aylcock? 01:03:18.793 --> 01:03:22.176 Aylcock? 01:03:22.897 --> 01:03:24.999 A-L-E-C-O-C-K. 01:03:25.979 --> 01:03:26.880 Aylcock. 01:03:28.442 --> 01:03:30.043 You'd be a better newsreader than I am. 01:03:30.063 --> 01:03:30.463 Aylcock. 01:03:31.764 --> 01:03:34.147 It just gave me an excuse to say that. 01:03:35.382 --> 01:03:36.942 Sorry David, it's very juvenile. 01:03:37.523 --> 01:03:40.903 Two radio DJs create two songs with hidden subliminal messages. 01:03:40.943 --> 01:03:43.464 You see, this is an idea that could tie in with this show. 01:03:43.564 --> 01:03:43.764 Yeah. 01:03:43.824 --> 01:03:52.566 When they're played back to back, these signals are released and make listeners perform random, grisly and in necessary surgery. 01:03:52.606 --> 01:03:56.167 Not unnecessary, in necessary surgery on themselves. 01:03:56.647 --> 01:03:58.768 Oh, that's the auto surgery we were talking about last week. 01:03:58.868 --> 01:03:59.108 Yeah. 01:03:59.148 --> 01:03:59.848 There you go. 01:03:59.868 --> 01:04:01.248 That's tying everything in together. 01:04:01.268 --> 01:04:01.508 Nice. 01:04:01.528 --> 01:04:02.269 You think that's a good idea? 01:04:02.329 --> 01:04:02.669 That's good. 01:04:02.689 --> 01:04:03.329 It's a little bit like 01:04:03.729 --> 01:04:08.310 Is it Halloween 4 season of The Witch, where the TV show has a message that gives... Something like that. 01:04:08.430 --> 01:04:13.831 That's a confusing film, isn't it, to do with... Oh, isn't it like a toy pumpkins that have got... Right, right. 01:04:13.991 --> 01:04:15.211 A weird chip in them or something. 01:04:15.231 --> 01:04:15.451 Yeah. 01:04:15.972 --> 01:04:17.412 Yeah. 01:04:17.732 --> 01:04:19.852 Now, this is an idea that chimes with one of my ideas. 01:04:19.892 --> 01:04:20.853 It's from Claire Bradbury. 01:04:21.153 --> 01:04:24.053 She was actually responding to us talking about ghosts earlier. 01:04:24.453 --> 01:04:27.554 So this is indicative of the response we've had for Text the Nation. 01:04:27.794 --> 01:04:31.875 I'm actually having to shoehorn a non-Text the Nation email in. 01:04:32.815 --> 01:04:49.594 But she said we mentioned ghosts earlier when we played when we played the beta band track She said it's very foggy here and as we were driving to school with her four-year-old He the four-year-old suggested that the mist was like clouds on the ground But the little girl said no, it's like a giant ghost. 01:04:49.614 --> 01:04:51.176 We're driving through a giant ghost. 01:04:51.196 --> 01:04:52.377 Well, that's like the fog, isn't it? 01:04:52.958 --> 01:04:59.344 It's a bit like the fog, but one of my theories is that I think scientists should investigate is that wind is ghosts. 01:04:59.904 --> 01:05:00.285 Is it? 01:05:01.025 --> 01:05:01.826 There you go. 01:05:02.026 --> 01:05:06.150 That wind is actually the spirits of the dead, but they're completely invisible. 01:05:06.510 --> 01:05:10.454 You can feel them, they blow against you and rustle the trees. 01:05:10.974 --> 01:05:15.979 One day a scientist will make this clear, you know, will discover this, they'll activate some kind of thing in the air. 01:05:16.939 --> 01:05:18.200 Just ghosts will be everywhere. 01:05:18.380 --> 01:05:22.082 Right, they'll adjust the frequency of the wind and they'll be able to hear what the wind is saying. 01:05:22.122 --> 01:05:30.067 And the weather report will just turn into, there's a strong current of evil demons that will be blowing through the north of England this morning. 01:05:30.087 --> 01:05:30.807 Do you know? 01:05:31.068 --> 01:05:31.728 Yes, exactly. 01:05:31.848 --> 01:05:32.508 Isn't that feasible? 01:05:33.109 --> 01:05:35.010 I would say that's 100% feasible. 01:05:35.250 --> 01:05:35.930 Yeah. 01:05:36.111 --> 01:05:39.773 There's a song by King Crimson called I Talk to the Wind, which seems to be about that. 01:05:40.453 --> 01:05:42.094 Mike, bring it in next week for you folks. 01:05:42.114 --> 01:05:43.495 It'll be exciting for you, won't it? 01:05:43.875 --> 01:05:44.135 Yeah. 01:05:44.236 --> 01:05:47.319 Have you got one more there to wrap up Text the Nation this week, Joe? 01:05:47.519 --> 01:05:47.699 No. 01:05:48.120 --> 01:05:48.300 Nope. 01:05:48.780 --> 01:05:49.901 I'm just flicking through them. 01:05:50.362 --> 01:05:52.084 No insult to the people who sent the ideas. 01:05:52.124 --> 01:05:52.404 Thank you. 01:05:52.424 --> 01:05:54.787 But we have a very high quality threshold. 01:05:54.987 --> 01:05:55.447 That's true. 01:05:55.828 --> 01:05:56.548 On this program. 01:05:56.588 --> 01:05:57.690 So that's it for Text the Nation. 01:05:57.710 --> 01:06:00.392 Thank you very much indeed for sending us your ideas there. 01:06:01.013 --> 01:06:02.274 Right now, here's some more music for you. 01:06:02.314 --> 01:06:03.556 This is Queen to the Stone Age. 01:06:05.441 --> 01:06:06.041 That's good, isn't it? 01:06:06.081 --> 01:06:09.243 That's the queens of the Stone Age make it wit chew. 01:06:09.263 --> 01:06:14.987 And that sounds a little bit like Come Together by The Beatles as well there in a good way, I suppose. 01:06:15.927 --> 01:06:23.792 Now, I've got a track coming up that I picked for you listeners, and it's a musical swerve which might turn some of you off. 01:06:24.332 --> 01:06:31.517 because I know you like the indie pop and the soul and that kind of thing, but I doubt that many of you are into your trad jazz. 01:06:31.997 --> 01:06:32.878 But it's just a guess. 01:06:32.938 --> 01:06:39.062 Maybe there's a big secret cache of trad jazz fans out there in the sixth music fraternity. 01:06:39.562 --> 01:06:42.324 This is a track by Louis Armstrong that I'm going to play you in a second. 01:06:42.844 --> 01:06:53.752 And I was inspired to buy this because of the Woody Allen film, Manhattan, because I'm not a massive jazz fan myself, really, although I do really like Louis Armstrong. 01:06:54.632 --> 01:07:13.269 But you know, if you're familiar with the film Manhattan, which I imagine many of you will be, you'll remember the scene at the end where Woody Allen, a little bit depressed, is talking into his dictaphone and he's talking about an idea for a movie and he's sort of saying, you know, idea for a movie, group of neurotic people in New York obsess about their neuroses as a way of 01:07:13.769 --> 01:07:17.230 dealing with the unmentionable and more terrifying aspects of life. 01:07:17.650 --> 01:07:18.830 But I've got to make it positive. 01:07:19.091 --> 01:07:20.211 What makes life worth living? 01:07:20.491 --> 01:07:22.752 And I've done a little clip of that moment just to remind you. 01:07:23.012 --> 01:07:25.452 So here's Woody's list of things that make life worth living. 01:07:25.592 --> 01:07:27.333 All right, why is life worth living? 01:07:27.393 --> 01:07:28.253 That's a very good question. 01:07:31.314 --> 01:07:34.915 Well, there are certain things I guess that make it worthwhile. 01:07:36.347 --> 01:07:37.447 Uh, like what? 01:07:38.808 --> 01:07:58.313 Okay, um, for me, uh, who, I would say, what, Groucho Marx, to name one thing, uh, um, and Willie Mays, and, um, the second movement of the Jupiter Symphony. 01:07:59.720 --> 01:08:04.544 And Louis Armstrong, recording of Potato Head Blues. 01:08:07.286 --> 01:08:08.628 Swedish movies, naturally. 01:08:09.168 --> 01:08:11.130 Sentimental Education by Flaubert. 01:08:12.931 --> 01:08:14.593 Marlon Brando, Frank Sinatra. 01:08:16.494 --> 01:08:21.078 Those Incredible Apples and Pairs by Cezanne. 01:08:23.340 --> 01:08:24.601 The Crabs at Sam Woes. 01:08:26.559 --> 01:08:28.721 Erm... Tracey's face. 01:08:28.741 --> 01:08:31.243 Mm-hmm. 01:08:31.843 --> 01:08:35.286 And, er... Oh, that's a heartbreaking moment there. 01:08:35.326 --> 01:08:36.087 Is it Tracey's face? 01:08:36.127 --> 01:08:36.967 Tracey's face, yeah. 01:08:37.007 --> 01:08:37.928 What's the resonance of that? 01:08:38.228 --> 01:08:44.013 Because, er, it's, erm, Mariel Hemingway, the, er, the extremely underage... Terribly underage girl. 01:08:44.073 --> 01:08:46.175 Mariel Hemingway that he's in love with in this film. 01:08:46.875 --> 01:08:52.700 And he's sort of broken up with her because he knows that it's not a relationship that he should be involved with, really. 01:08:53.721 --> 01:08:54.662 Well, things were different then. 01:08:54.922 --> 01:08:55.622 Things in those days. 01:08:55.642 --> 01:08:58.265 She's not under-aging the film, technically, I don't think. 01:08:58.325 --> 01:09:01.167 But still, she's much too young to be going out with him. 01:09:01.788 --> 01:09:05.431 And of course, that had resonances in his own life later on. 01:09:05.511 --> 01:09:07.232 But in the film, it's really sad. 01:09:07.272 --> 01:09:09.394 And he breaks up because he knows that it's the right thing to do. 01:09:10.255 --> 01:09:11.256 And she's very upset. 01:09:11.596 --> 01:09:12.617 And he can't bear to 01:09:14.258 --> 01:09:38.753 think that he's just cast her aside so when he's thinking about the things that make life worth living her face pops back at his mind and he runs after her to say please don't don't don't leave because she's going off to study abroad and he's saying come on we can make this work and but she knows that it's the right thing to do she goes off it's an amazing moment anyway that list of things that make life worth living I thought I've got to investigate it you know I love Woody Allen I love this film and I didn't know anything about any of those 01:09:39.113 --> 01:09:41.834 people when I first- So you're going out with a terribly underage girl. 01:09:41.914 --> 01:09:43.615 Yeah, so this is what I'm working around to. 01:09:43.895 --> 01:09:44.875 No, I'm not. 01:09:46.096 --> 01:09:53.059 I'm happily married to an overaged girl, but I did think, well, I'm going to investigate some of the things in his list, you know what I mean? 01:09:53.479 --> 01:09:58.901 Willie Mays, the baseball player, I couldn't really care about baseball, so I thought I won't start there. 01:09:59.221 --> 01:10:01.582 Groucho Marx, I've yet to investigate properly. 01:10:01.602 --> 01:10:02.142 Do you know what I mean? 01:10:02.162 --> 01:10:02.502 They're good. 01:10:02.522 --> 01:10:04.343 You get the right Marx Brothers films, they're amazing. 01:10:04.383 --> 01:10:04.823 Yeah, yeah. 01:10:04.863 --> 01:10:05.484 What do you start with? 01:10:05.524 --> 01:10:07.324 Duck Soup, I suppose, or Take The Racist. 01:10:07.364 --> 01:10:08.505 Maybe, yeah, either of those. 01:10:08.965 --> 01:10:09.565 day at the races. 01:10:09.905 --> 01:10:11.386 Second movement of the Jupiter Symphony. 01:10:11.726 --> 01:10:12.746 We were talking about this earlier. 01:10:13.306 --> 01:10:14.666 Our producer, Jude, says it's great. 01:10:15.306 --> 01:10:19.587 You know, it's still too early for me and Joe to investigate classical music too deeply, I feel. 01:10:19.967 --> 01:10:21.348 There's too much silly indie pop around. 01:10:21.368 --> 01:10:22.748 I like it if it's been in films. 01:10:22.948 --> 01:10:23.688 Yes, exactly. 01:10:25.188 --> 01:10:26.449 Marlon Brando, of course. 01:10:26.469 --> 01:10:27.549 Well, he's good, you know. 01:10:27.609 --> 01:10:30.950 You can't beat the island of Dr. Moreau, so I'm with Woody on that one. 01:10:32.210 --> 01:10:33.150 Frank Sinatra. 01:10:33.450 --> 01:10:35.631 Yeah, you know, Frank in Small Doses is pretty good. 01:10:35.651 --> 01:10:37.391 I'm not like a massive Frank Sinatra fan. 01:10:37.851 --> 01:10:40.892 but I thought I'm going to go for the crabs at Sam Wo's, I wouldn't know. 01:10:41.372 --> 01:10:42.953 That's just a dish at a restaurant. 01:10:43.013 --> 01:10:44.413 It may have closed by now, who knows? 01:10:44.474 --> 01:10:48.555 Yeah, if you've had crabs at Sam Wo's out there, listener, then let us know what they were like. 01:10:48.575 --> 01:10:49.295 Do you agree with Woody? 01:10:49.595 --> 01:10:50.836 Apples and Pears by Cezanne? 01:10:50.876 --> 01:10:52.637 Yeah, sure, that's very nice and everything. 01:10:53.417 --> 01:10:56.778 But I thought I'm going to start with Louis Armstrong's recording of Potato Head Blues. 01:10:56.818 --> 01:10:58.039 That sounds pretty excellent. 01:10:58.859 --> 01:11:00.780 So I hope you enjoy this, folks. 01:11:01.000 --> 01:11:01.460 This is it. 01:11:06.423 --> 01:11:07.163 There you go, man. 01:11:07.183 --> 01:11:12.769 That's from 1927, Louis Armstrong and the Hot Fives, or maybe the Hot Servants, I don't know. 01:11:13.709 --> 01:11:15.511 And that's called Potato Head Blues. 01:11:15.531 --> 01:11:20.055 It says in the notes here, same as Willie the Weeper, recorded on May 11, 1927 in Chicago. 01:11:22.361 --> 01:11:31.205 I thought you were going to do, when you told me you were going to do this bit, I thought you were going to do a thing about, you know, lists of things you really like and love in life that make you happy. 01:11:31.225 --> 01:11:34.626 Well, I did try and write my own list, but it was so banal that I thought maybe I wouldn't. 01:11:34.746 --> 01:11:35.667 I did one. 01:11:35.887 --> 01:11:38.768 IMAX 3D fruit smoothies, long Sunday breakfasts. 01:11:39.088 --> 01:11:56.295 Driving over the River Thames at night, fresh bed clothes, falling asleep on the sofa with the teleon, finishing a project and getting paid, getting recognised by someone who likes you, swimming in shallow, warm sea water, tickling a purring cat's tummy, a haircut that's grown to the perfect length, a new item of clothing that makes you look like some kind of a model, 01:11:57.055 --> 01:12:24.065 uh walking along the south bank the village of dulverton in summerset film seeing films in foreign countries going on big roller coasters getting packages delivered from amazon spooning badminton spending the whole day in pajamas uh things going on live tv temporary deafness after a live gig and coming from coming home from holidays and baths that's excellent man that's a good list holy moly well folks you know if you've got a list out there i wouldn't mind hearing it i should compose a better one all i got i mean i didn't spend very long thinking about mine 01:12:24.825 --> 01:12:31.527 But I put at the top of my list, I'm taking friends and family as red, you know, obviously that's the main thing that makes life worth living. 01:12:31.887 --> 01:12:41.851 But I've just got on my list, Chinese food, Indian foods, sushi, the wire, flight of the concords, my bike, Anton deck and Marky Smith. 01:12:42.711 --> 01:12:44.654 What a dreadful life you lead. 01:12:45.215 --> 01:12:46.416 I like my life, that's good. 01:12:46.496 --> 01:12:52.244 All those things are wonderful and I stand by them but I think there are probably slightly more lyrical things like what you add on your list. 01:12:52.585 --> 01:12:55.028 I just read them very fast, it gave the effect of depth. 01:12:55.108 --> 01:12:57.211 It worked well, I liked it man, that was a nice thing. 01:12:57.231 --> 01:12:58.293 Is it more music time now? 01:12:58.633 --> 01:12:58.814 Yes. 01:12:58.854 --> 01:12:59.615 What are we having now? 01:12:59.915 --> 01:13:00.796 Well, we've got a trail first. 01:13:00.816 --> 01:13:04.459 Oh yeah, a trail, and after that we're gonna hear the Kings of Convenience. 01:13:04.699 --> 01:13:06.201 Are we gonna go straight into that track? 01:13:06.541 --> 01:13:10.224 Yeah, so this is like a... I'm flagging up the song after this trail. 01:13:10.605 --> 01:13:13.067 Kings of Convenience with winning a battle, losing the war. 01:13:13.107 --> 01:13:14.188 But now, the trail! 01:13:19.277 --> 01:13:20.378 That's delightful. 01:13:20.458 --> 01:13:26.941 That's a wonderful moment here in the studio, folks, the sunshine streaming in through the windows, a little bit of Kings of Convenience. 01:13:27.441 --> 01:13:30.582 Just had Joe's inspiring list of things that make life worth living there. 01:13:31.263 --> 01:13:34.124 And, you know, all is right with the world. 01:13:34.404 --> 01:13:41.087 I was struggling a bit earlier on because, you know, that bit in Manhattan actually, when he says Tracy's face, that's one of the things in my 01:13:41.787 --> 01:13:46.490 sort of cultural mind cannon that is more or less a trigger to make me blub. 01:13:46.610 --> 01:13:47.091 Do you know what I mean? 01:13:47.111 --> 01:13:54.156 If you've got things like that that you can't, either a song or a moment in a film or something, and it's like a very visceral reaction. 01:13:54.536 --> 01:14:00.720 It's nothing to do with how you're feeling at that point, but it's like a switch and you just have to have a little blub about it. 01:14:01.261 --> 01:14:03.042 And that moment is... Really? 01:14:03.102 --> 01:14:03.302 Yeah. 01:14:03.362 --> 01:14:04.023 You could cry. 01:14:04.043 --> 01:14:05.163 It'd be good radio. 01:14:05.404 --> 01:14:05.804 It wouldn't. 01:14:06.384 --> 01:14:07.045 A little blub. 01:14:07.105 --> 01:14:09.087 Come on, it will be good. 01:14:09.147 --> 01:14:13.292 I'll have a little cry in the news. 01:14:14.213 --> 01:14:14.833 Yeah, what now? 01:14:14.933 --> 01:14:15.554 Oh yeah, the news. 01:14:15.594 --> 01:14:20.980 And now it's time for the news on BBC six music read by Rachel Matthews and the music news read by Joe Yule. 01:14:23.155 --> 01:14:23.675 So there. 01:14:23.955 --> 01:14:24.576 That's the Art of Monkeys. 01:14:24.596 --> 01:14:26.336 Yeah, and if you didn't understand that, then you're old. 01:14:26.736 --> 01:14:27.557 Yeah, you are old. 01:14:27.777 --> 01:14:28.957 You make me sick and so old. 01:14:29.457 --> 01:14:34.359 We were just saying that I think the video for that is directed by Richard Iowade, who is in the IT crowd. 01:14:34.399 --> 01:14:35.639 Yeah, very, very funny. 01:14:36.280 --> 01:14:36.900 Lovely fellow. 01:14:37.560 --> 01:14:38.140 And it's a good video. 01:14:38.160 --> 01:14:38.881 You should check it out. 01:14:38.901 --> 01:14:39.941 It's like Fighting Clowns. 01:14:39.961 --> 01:14:40.821 I think it's for that track. 01:14:41.021 --> 01:14:42.002 I'm pretty sure it is. 01:14:42.142 --> 01:14:43.422 He's a South Londoner, Richard. 01:14:43.442 --> 01:14:48.084 Now, if you heard the following Sting type jingle, what would you think? 01:14:48.544 --> 01:14:50.727 Who will witness some wars today? 01:14:51.248 --> 01:14:54.973 Perhaps it will be patterned, or it could be judged. 01:14:55.033 --> 01:14:56.214 Be the one who won. 01:14:56.234 --> 01:15:00.841 You will be the one who decides by texting or revealing. 01:15:11.468 --> 01:15:12.530 It's like Led Zeppelin. 01:15:13.371 --> 01:15:15.714 It should have been on the, it should have been on the mothership. 01:15:16.435 --> 01:15:20.600 You know, even though it wasn't technically a Led Zeppelin track, it's just a jingle for Song Wars. 01:15:21.201 --> 01:15:23.284 I think they should have included it there as the song they watched. 01:15:23.304 --> 01:15:23.805 What's the mothership? 01:15:23.845 --> 01:15:25.026 Their Big Greatest Sense package. 01:15:25.066 --> 01:15:26.348 Yeah, yeah, yeah, yeah, yeah, yeah. 01:15:26.368 --> 01:15:27.470 Supposed to be Wicked. 01:15:28.050 --> 01:15:30.271 It's Song Wars recap time listeners. 01:15:30.532 --> 01:15:46.641 If you were unable to tune into the beginning of the show, this is the part when we replay the magical songs that we've written for you this week on the theme of I'm a Celebrity Get Me Out of Here, which reached its yawn some climax on Friday evening or exciting one, depending on your point of view. 01:15:46.861 --> 01:15:50.443 And a reminder that if you are voting for these songs during the week, 01:15:50.803 --> 01:16:11.670 which you're welcome to do if you're listening again please do not text just email your vote to adamandjo.6music at bbc.co.uk is that a capital A on the beginning of adamandjo is that correct don't know if it's case sensitive we don't know it's not case sensitive it's the word and rather than an ampersand as well on adamandjo number six 01:16:12.510 --> 01:16:13.171 So here we go. 01:16:13.371 --> 01:16:14.331 These are the two songs. 01:16:14.491 --> 01:16:16.813 We're not particularly proud of these songs, listeners. 01:16:17.053 --> 01:16:20.715 You know, we realise they're a bit problematic and ear-stressing. 01:16:21.616 --> 01:16:22.697 So they're quite short. 01:16:22.797 --> 01:16:24.098 But shall we start with yours again, Adam? 01:16:24.438 --> 01:16:25.078 Yeah, OK then. 01:16:25.178 --> 01:16:25.839 Here's my effort. 01:16:25.859 --> 01:16:27.520 This is Adam's I'm a Celebrity Song. 01:16:29.901 --> 01:16:30.922 It'll be fun. 01:16:31.602 --> 01:16:33.524 I'll fly to Australia. 01:16:34.004 --> 01:16:36.806 Live in the jungle with some stars on the way. 01:16:37.762 --> 01:17:03.824 Then when I'm done, I'll no longer be a failure I'll fly back to England and be famous again First three days in a jungle and I'm so glad that I came Everyone at home said I was mad to do it just for the sake of being famous again But at any too fast the first time round I want another nibble on the cherry And when people see the real me, they're gonna like me very The only problem is the others that they could be 01:17:04.324 --> 01:17:08.226 If you ask me, they're a flippin' bunch of tombs. 01:17:08.286 --> 01:17:15.749 There's this folk who used to be some American celebrity who isn't really playing by the rules. 01:17:17.688 --> 01:17:23.630 This day five things are going badly, cause it's all about the yank with the gob, or the girl with the knockers or the ex-glam rockers. 01:17:23.810 --> 01:17:25.511 How am I expected to do my job? 01:17:25.751 --> 01:17:29.173 I ain't getting picked for no bush tucker trials, I spend all my time just moping. 01:17:29.613 --> 01:17:33.214 It just ain't fair, I'm wasted in there, and now the phone lines are open. 01:17:33.394 --> 01:17:40.897 I was voted out first, I didn't even get a chance to prove to the viewers I'm the chuckles of chat. 01:17:41.538 --> 01:17:47.240 This program's the worst, they make me look like a boring kid, and if I am remembered, 01:17:51.460 --> 01:17:54.702 That's sort of written from the point of view of the first person to be voted out. 01:17:54.742 --> 01:17:55.802 That's always an ignominious position. 01:17:55.823 --> 01:17:59.004 You go all the way and then people just beat you out. 01:17:59.624 --> 01:18:01.805 I can't remember who was the first out this year. 01:18:15.652 --> 01:18:17.013 Mark was the first out, was he? 01:18:17.273 --> 01:18:17.953 The love rat. 01:18:17.973 --> 01:18:18.413 There you go. 01:18:18.433 --> 01:18:19.874 Well, that was because of his love rattery. 01:18:20.234 --> 01:18:21.735 But last year it was Toby Anstiss. 01:18:22.575 --> 01:18:27.238 I felt kind of sorry for Anstiss, because he was clearly excited by the prospect of the whole thing. 01:18:27.258 --> 01:18:28.038 And then it was like, oh. 01:18:28.558 --> 01:18:32.700 Because he was simply overshadowed by the colossal personalities in the camp with him. 01:18:33.281 --> 01:18:34.041 And it can happen. 01:18:34.321 --> 01:18:36.642 Yeah, I, on the other hand, don't really watch it. 01:18:37.202 --> 01:18:39.822 So I've written a song from the point of view of not really watching it. 01:18:39.883 --> 01:18:49.225 And I must repeat my kind of qualifying statements that the acronym for I'm a celebrity, get me out of here is I M A. I'm no, hang on. 01:18:49.625 --> 01:18:50.525 I'm a celebrity. 01:18:50.585 --> 01:18:55.947 Get me out of here is I a C G M O O H. The word Yakima. 01:18:57.207 --> 01:18:59.249 So I turn that into a kind of a jungle chant. 01:18:59.449 --> 01:19:00.770 W-w-what do you mean in my brain? 01:19:00.790 --> 01:19:04.812 Y-yakkamu. 01:19:05.092 --> 01:19:05.693 Y-yakkamu. 01:19:06.033 --> 01:19:08.475 I do not put shit I got better things to do, okay? 01:19:08.815 --> 01:19:10.396 That's what the chorus is saying. 01:19:10.416 --> 01:19:11.777 I gotta explain that every time. 01:19:12.417 --> 01:19:16.580 And, uh, yeah, this is a kind of a Fumboy 3-style African thing, and I can only apologize. 01:19:32.972 --> 01:19:37.135 I do not care, I care more for the spiders than the celebrities serving shit off. 01:19:37.615 --> 01:19:41.538 And you will lead that is not true on the refund of Kerris Matthews. 01:19:41.678 --> 01:19:44.701 I'm well in class when she's almost nude, very nice. 01:19:55.589 --> 01:19:57.450 Because we will find they get treated by vets. 01:19:57.570 --> 01:20:00.890 There's no disease, no celebrity gets seriously killed. 01:20:01.531 --> 01:20:05.492 How many times do I have to see celebrities eating testes? 01:20:05.592 --> 01:20:07.232 Try something new, please like TV. 01:20:07.252 --> 01:20:08.533 Thanks a lot. 01:20:09.013 --> 01:20:09.973 Yeah, come on. 01:20:10.013 --> 01:20:10.833 Yeah, come on. 01:20:11.033 --> 01:20:11.854 I do not watch it. 01:20:11.914 --> 01:20:12.834 I'm a better visitor. 01:20:13.014 --> 01:20:13.974 Yeah, come on. 01:20:14.094 --> 01:20:14.834 Yeah, come on. 01:20:15.034 --> 01:20:15.855 I do not watch it. 01:20:15.915 --> 01:20:16.835 I'm a better visitor. 01:20:17.255 --> 01:20:19.096 I'm not putting my hand in that hose. 01:20:19.216 --> 01:20:20.496 Pull up, pull up some things. 01:20:20.516 --> 01:20:22.597 I'm not gonna do it all like that. 01:20:22.637 --> 01:20:24.197 It's disgusting. 01:20:26.096 --> 01:20:28.419 At least I'll watch it a lot less than you 01:20:49.198 --> 01:20:49.638 So there we go. 01:20:49.699 --> 01:20:52.861 Text your votes if you want to hear Adam's song, which was the previous song. 01:20:53.282 --> 01:20:54.803 Text add to 64046. 01:20:56.645 --> 01:20:57.185 You just heard it. 01:20:57.205 --> 01:20:58.166 What am I saying if you want to hear it? 01:20:58.246 --> 01:21:03.151 If you think it's the better one, if you think mine is the better one, the second one, text Joe to 64046. 01:21:03.952 --> 01:21:11.999 Or if you're listening on Listen Again, email your vote to adamandjoe.6musicatbbc.co.uk, innit bruv fam? 01:21:12.039 --> 01:21:13.140 Yeah, wiki bruv. 01:21:14.141 --> 01:21:14.541 Believe. 01:21:15.442 --> 01:21:15.942 Believe. 01:21:16.243 --> 01:21:17.183 No one says that anymore. 01:21:17.283 --> 01:21:18.364 Doesn't Westwood still say it? 01:21:18.584 --> 01:21:19.745 Believe, Westwood. 01:21:20.545 --> 01:21:21.246 Yes, he does. 01:21:21.706 --> 01:21:23.687 Does he? 01:21:24.207 --> 01:21:28.210 Anyway, the winner of Song Wars this week will be played on the show next week. 01:21:28.570 --> 01:21:30.871 What's our Song Wars theme going to be for next week? 01:21:31.071 --> 01:21:32.012 That's a very good question. 01:21:32.052 --> 01:21:33.433 We had a good suggestion. 01:21:33.513 --> 01:21:34.393 We had a good suggestion. 01:21:34.413 --> 01:21:34.793 What was it? 01:21:34.813 --> 01:21:35.334 Yes, it was... 01:21:35.934 --> 01:21:39.077 Uh, closing credit themes for films that never really had one. 01:21:39.117 --> 01:21:40.818 Like, you know, the end of Men in Black you've got. 01:21:41.038 --> 01:21:42.439 Here come the Men in Black. 01:21:42.480 --> 01:21:42.660 Yeah. 01:21:42.700 --> 01:21:47.864 The majority of films have a kind of rap or a song that includes the title of the film over the closing credits. 01:21:47.884 --> 01:21:47.964 Yeah. 01:21:47.984 --> 01:21:49.425 Are they certainly used to in the good old days? 01:21:49.485 --> 01:21:49.986 In the good old days. 01:21:50.026 --> 01:21:53.208 It was kind of duergoer after Ghostbusters did such a brilliant job. 01:21:53.268 --> 01:21:53.509 Yes. 01:21:53.689 --> 01:21:55.470 That kind of set the tone, didn't it? 01:21:55.490 --> 01:21:55.650 Uh-huh. 01:21:55.670 --> 01:21:56.851 There's probably ones before that. 01:21:57.272 --> 01:21:58.613 But now it doesn't happen so often. 01:21:58.833 --> 01:21:59.614 Wow, wow, West. 01:22:00.554 --> 01:22:01.775 That's a very good one as well. 01:22:01.975 --> 01:22:08.517 And so the idea is that we're going to write closing credit songs for films that shouldn't really have them. 01:22:08.757 --> 01:22:11.438 Yeah, or films that never had them and we think they should have them. 01:22:11.498 --> 01:22:11.958 And need them. 01:22:11.978 --> 01:22:14.799 Yeah, they could be more serious, like Lions for Lambs maybe. 01:22:14.839 --> 01:22:18.040 No one's seen that, but I imagine it hasn't gotten a Lions for Lambs rap at the end. 01:22:18.060 --> 01:22:21.541 Can you imagine going to see Lions for Lambs? 01:22:21.721 --> 01:22:21.901 No. 01:22:22.081 --> 01:22:22.781 At the cinema? 01:22:22.861 --> 01:22:23.461 No, I can't. 01:22:23.601 --> 01:22:24.482 Oh my lord. 01:22:25.422 --> 01:22:26.603 Might be really good, who knows? 01:22:27.284 --> 01:22:28.925 I can't believe it is. 01:22:28.985 --> 01:22:34.189 So please give us your suggestions for films that you'd like us to write a closing credits song for. 01:22:34.209 --> 01:22:36.051 The more incongruous, the better. 01:22:36.151 --> 01:22:38.252 Obviously, don't make it distasteful. 01:22:38.893 --> 01:22:44.857 You know, if it's a film about something really serious or an important historical event, 01:22:45.698 --> 01:22:56.285 I actually maybe do send those in to Adamandjoe.6musicatbbc.co.uk and it'll be our pleasure to concoct another couple of shoddy, bizarre songs for you next week. 01:22:57.546 --> 01:22:58.627 Now, session track time. 01:22:58.887 --> 01:23:00.788 Is this one that I'm putting my name to? 01:23:00.808 --> 01:23:10.094 Okay, I'm putting my name to this Joy Division session track, even though, to be honest with you folks, Joy Division is a yawning gap in my musical... Have you seen the film Control? 01:23:10.134 --> 01:23:11.315 Appreciation and knowledge. 01:23:11.675 --> 01:23:15.258 I have not seen it, but I'm told universally that it's a smash. 01:23:15.778 --> 01:23:16.479 It's good, yeah. 01:23:17.139 --> 01:23:21.643 I mean, you're a bit of a doubter about sort of music biog films generally. 01:23:21.943 --> 01:23:23.724 They tend to be a little ludicrous, don't they? 01:23:23.804 --> 01:23:24.164 I like it. 01:23:24.325 --> 01:23:25.245 I don't know what the listeners think. 01:23:25.285 --> 01:23:26.166 I enjoyed it a lot. 01:23:26.186 --> 01:23:27.287 I was slightly disappointed. 01:23:27.527 --> 01:23:27.827 Were you? 01:23:28.067 --> 01:23:32.671 Yeah, because he didn't actually have that much of a life to... Do you know what I mean? 01:23:32.711 --> 01:23:33.792 I know, he's very young. 01:23:33.912 --> 01:23:34.352 Yeah, yeah. 01:23:35.133 --> 01:23:36.314 And what was there was interesting. 01:23:38.106 --> 01:24:03.725 better or worse than what was it called 24-hour party people I mean I know they're not the same very different very very different incomparable I'd say but if control wasn't in black the main thing about control is how beautiful it looks right how beautiful he shot it mr. photography man Anton Corbin yeah he took our photograph once he did indeed yeah film magazine Will McDonough and Richard Blackway wrap it up wrap it up but anyway yeah here's some joy division 01:24:08.991 --> 01:24:10.453 Just ran out of steam there at the end. 01:24:10.693 --> 01:24:11.714 He's just got a bit tired. 01:24:11.734 --> 01:24:12.535 He's got a bit knackered. 01:24:13.136 --> 01:24:14.617 That was Joy Division with transmission. 01:24:14.637 --> 01:24:18.822 That was recorded as a peel session on Radio 1 on the 31st of January 1979. 01:24:19.042 --> 01:24:20.544 That sounded great. 01:24:20.564 --> 01:24:21.585 It sounded amazing, didn't it? 01:24:21.605 --> 01:24:24.308 I wonder if Martin Hannett produced that peel session then as well. 01:24:24.368 --> 01:24:24.788 Who knows? 01:24:25.008 --> 01:24:25.349 Who knows? 01:24:25.549 --> 01:24:25.989 Who knows? 01:24:26.029 --> 01:24:27.490 It's, uh, yeah, mystery Adam. 01:24:27.830 --> 01:24:29.770 So Joe, what were you going on about in the break there? 01:24:29.790 --> 01:24:30.871 What was I going on about? 01:24:30.911 --> 01:24:34.732 Well, I don't know whether you're the same as me listeners, but I love my megastores, right? 01:24:34.972 --> 01:24:35.152 Yeah. 01:24:35.252 --> 01:24:42.435 It's been very much a part of our generation's life, is to go up a high street and be able to see a certain megastore, either Tower or Virgin or HMV, maybe. 01:24:42.835 --> 01:24:44.555 And we, Adam and I, we've talked about this before. 01:24:44.835 --> 01:24:47.056 It looked like how central that was to our youth. 01:24:47.456 --> 01:24:53.738 And whenever we went to a foreign city, we'd immediately go to that megastore, you know, the Virgin megastore on the Champs-Élysées or wherever it was. 01:24:53.778 --> 01:24:55.099 And it's a nice little point of 01:24:55.299 --> 01:24:55.479 Exactly. 01:24:55.519 --> 01:24:56.480 Exactly, kind of unity. 01:24:56.660 --> 01:24:59.502 At once it was familiar and yet foreign. 01:24:59.622 --> 01:25:04.705 Exactly, the branding would be the same anywhere in the world but you'd find amazing different like albums and DVDs and stuff. 01:25:05.885 --> 01:25:09.768 Things are changing though and we've discussed this before that because of the whole internet thing. 01:25:10.448 --> 01:25:11.469 Download generation. 01:25:11.929 --> 01:25:13.150 Thanks a lot Tony Blair. 01:25:13.190 --> 01:25:14.631 Yeah. 01:25:15.011 --> 01:25:16.352 Shops like that are kind of dying. 01:25:16.672 --> 01:25:19.594 And you can tell they're dying because their prices are going right down. 01:25:19.654 --> 01:25:21.335 You know, DVDs are almost worthless. 01:25:21.695 --> 01:25:24.457 The stuff they sell in there, it feels like a jumble sale now. 01:25:25.097 --> 01:25:32.846 And there's been a seismic shift in this kind of trend, because the Virgin Megastore, and we should remind listeners that there are many other megastores available out there. 01:25:32.866 --> 01:25:33.266 Are there? 01:25:33.587 --> 01:25:34.307 Yeah. 01:25:35.028 --> 01:25:36.690 The big British Castle, Woodwood Castle. 01:25:37.090 --> 01:25:37.871 A big British Castle. 01:25:37.911 --> 01:25:38.692 A big British Castle. 01:25:39.273 --> 01:25:41.996 As to Janet Street Porter's, possessed by Janet Street Porter. 01:25:42.496 --> 01:25:47.119 Anyway, the Virgin Megastore, which is one of these megastores, has undergone a brand name change. 01:25:47.359 --> 01:25:47.599 Right. 01:25:47.919 --> 01:25:52.982 Sometime the week before last, or maybe three or four weeks ago, it suddenly, without warning, became the Zavi Store. 01:25:53.002 --> 01:25:53.643 The what? 01:25:53.743 --> 01:25:54.363 The Zavi. 01:25:54.463 --> 01:25:55.904 Z-A-V-V-I. 01:25:57.685 --> 01:26:00.247 The one in Tottenham Court Road, which is the one I go to quite a lot. 01:26:00.467 --> 01:26:01.267 Is that an acronym? 01:26:01.287 --> 01:26:01.888 What's the logic? 01:26:01.908 --> 01:26:02.328 I don't know. 01:26:02.668 --> 01:26:03.229 I've no idea. 01:26:03.249 --> 01:26:03.869 It was very odd. 01:26:04.109 --> 01:26:07.432 Just one day I went in and they hadn't even removed all the Virgin posters. 01:26:07.453 --> 01:26:11.236 They kept the posters, but they just torn the bits off that say Virgin. 01:26:11.276 --> 01:26:11.997 Seriously, class. 01:26:12.017 --> 01:26:17.562 They just cut the corners off the Virgin posters and put Xavi there instead. 01:26:17.962 --> 01:26:24.125 They'd obviously gone into the till computer and they changed the receipt, that said Savvy. 01:26:25.025 --> 01:26:26.326 But it's all very confusing. 01:26:26.606 --> 01:26:29.468 It's all very weird and they didn't give us any warning. 01:26:29.548 --> 01:26:31.328 Is it still owned by Branholm? 01:26:31.428 --> 01:26:32.489 No, Branson's out. 01:26:32.729 --> 01:26:34.190 He's ghost, he's gone. 01:26:35.630 --> 01:26:40.133 He does not want anything to do with the retail selling of DVDs and CDs anymore. 01:26:41.173 --> 01:26:42.854 And that surely is the beginning of the end. 01:26:43.234 --> 01:26:43.474 Yeah. 01:26:43.534 --> 01:26:44.835 When Brownhorn is out. 01:26:45.275 --> 01:26:47.836 No, that's too rich for my blood, says Renholm. 01:26:48.537 --> 01:26:49.377 I'm out of here. 01:26:49.397 --> 01:26:51.298 I ain't saying no DVD no more for you. 01:26:51.338 --> 01:26:52.839 Renholm had left the building. 01:26:53.660 --> 01:26:54.740 So that's the beginning of the end. 01:26:54.840 --> 01:26:56.021 HMV's still going strong. 01:26:56.201 --> 01:26:57.602 Hang on in there HMV, come on. 01:26:58.542 --> 01:27:02.424 What would we do without like big shops like that to go mooching around on it at the weekend? 01:27:02.544 --> 01:27:10.728 Well, they're sort of going through a little desperate transition phase where they're trying to do things like have kind of computer banks there where you can go and download stuff. 01:27:10.748 --> 01:27:11.509 Download stuff, yeah. 01:27:11.989 --> 01:27:14.630 That is totally... That's what Blockbuster think of the future. 01:27:15.131 --> 01:27:16.611 There's no way that's gonna happen, is there? 01:27:16.631 --> 01:27:19.233 The whole point is the convenience of doing that stuff at home. 01:27:19.313 --> 01:27:27.837 With a bit of luck, those big sort of catch-all mega stores will... It won't be lucky if this happens, but they're likely to die, but that'll see a resurgence of the specialist music store. 01:27:28.177 --> 01:27:28.397 Right. 01:27:28.437 --> 01:27:36.941 Don't you think the brilliant kind of niche CD seller, yeah, exactly, who can get, like, import Japanese stuff and really cool stuff, yeah? 01:27:36.961 --> 01:27:37.821 That could be a good thing. 01:27:38.022 --> 01:27:38.422 Certainly. 01:27:39.383 --> 01:27:54.061 the end we embrace change here at the adam and joe bbc6 music show we're almost at the end of the adam and joe bbc6 music show what are we going to play at david homes is it stars oh stars a little bit of stars uh yeah let's have some more music right now this is stars with the night starts here 01:27:55.638 --> 01:27:58.219 That stars with the night starts here. 01:27:58.800 --> 01:28:03.662 So don't forget listeners, we'd very much like your suggestions for Song Wars songs. 01:28:03.722 --> 01:28:12.587 We'd like you to suggest a film for which we will compose a closing credits kind of thing, an inappropriate film that needs a closing credits song. 01:28:13.127 --> 01:28:21.812 And for Text the Nation next week, we're going to kind of stick to that Woody Allen style lists of kind of little, little things that make life worth living. 01:28:21.872 --> 01:28:25.193 Yeah, the more sort of personal to you, they can be the better, I suppose. 01:28:25.213 --> 01:28:25.474 Yeah. 01:28:25.894 --> 01:28:29.735 Otherwise, it's just... Stuff that isn't, you know, articulated a lot, maybe, but we all share. 01:28:29.876 --> 01:28:31.936 I'll try and hone my list a little better. 01:28:32.297 --> 01:28:32.837 Yeah. 01:28:32.857 --> 01:28:34.217 So, don't text those in email. 01:28:34.518 --> 01:28:36.098 We only receive emails when we're off air. 01:28:36.378 --> 01:28:38.779 Adamandjo.6musicatbbc.co.uk. 01:28:38.799 --> 01:28:42.141 Thanks to everybody who's texted and emailed this week. 01:28:42.461 --> 01:28:44.742 Yes, as usual, we very much appreciate you listening. 01:28:45.062 --> 01:28:45.763 Tell your friends. 01:28:45.843 --> 01:28:49.064 I still bump into a lot of people saying, oh, you guys should be back on the radio again. 01:28:49.424 --> 01:28:51.045 And I have to say, well, we are. 01:28:51.545 --> 01:28:53.426 All you have to do is buy a digital radio. 01:28:53.526 --> 01:28:54.527 It's not that hard, is it? 01:28:54.907 --> 01:28:58.350 But right now I'd like to leave you with a final track that I've selected for you listeners. 01:28:58.370 --> 01:29:04.214 This is from one of the excellent Atlantic Rhythm & Blues compilations, and it's Laverne Baker with Save! 01:29:04.354 --> 01:29:04.834 Have a good week! 01:29:04.854 --> 01:29:05.114 Bye! 01:29:06.750 --> 01:29:07.230 Oh, it's gone. 01:29:07.511 --> 01:29:12.294 Liz Kershaw is coming up in a second, incidentally, while we wait for Laverne Baker to return. 01:29:12.474 --> 01:29:13.475 It's a very short song. 01:29:13.515 --> 01:29:13.835 It's broken. 01:29:13.855 --> 01:29:14.496 Let's play something else. 01:29:14.516 --> 01:29:15.176 We'll play next week. 01:29:15.276 --> 01:29:15.717 Shall I sing it? 01:29:16.157 --> 01:29:16.918 I used to smoke. 01:29:17.738 --> 01:29:18.439 I used to drink. 01:29:19.239 --> 01:29:19.940 I used to smoke. 01:29:20.440 --> 01:29:20.740 Drink. 01:29:21.121 --> 01:29:23.002 That's a hoochie coo, but now I'm back on. 01:29:23.282 --> 01:29:24.243 Here's Liz Kershaw. 01:29:24.423 --> 01:29:25.644 This is a disaster. 01:29:25.664 --> 01:29:27.585 This is the final two minutes of the show. 01:29:27.605 --> 01:29:28.666 I hope this song for you. 01:29:28.946 --> 01:29:31.128 It's a... What's this? 01:29:31.148 --> 01:29:32.549 A bit of David Holmes. 01:29:32.609 --> 01:29:33.310 Not the same at all. 01:29:33.830 --> 01:29:34.891 Series 16, I believe.