WEBVTT 00:00.110 --> 00:01.021 some of 00:10.601 --> 00:14.684 Oh, there's all little bits of steam coming out of Block Party's machine at the end there. 00:14.804 --> 00:18.106 I don't know what he was talking about, but whatever it was, it's very important. 00:18.326 --> 00:21.288 Wait, I know he seemed absolutely incensed. 00:21.348 --> 00:22.529 Incensed about it. 00:22.869 --> 00:23.550 And excited. 00:24.891 --> 00:26.011 That was Block Party. 00:26.312 --> 00:33.416 And this is Adam and Joe here on BBC Six Music on a Saturday morning for our three-hour Saturday morning show. 00:33.937 --> 00:35.078 It's a marathon of fun. 00:35.138 --> 00:36.158 That's what I would call it. 00:36.459 --> 00:36.959 A fun-a-thon. 00:37.079 --> 00:37.980 A fun marathon. 00:38.820 --> 00:39.240 Yeah. 00:39.601 --> 00:41.242 Yeah, it's like a three-hour fun run. 00:42.083 --> 00:43.804 It's a nice morning as well, folks. 00:43.824 --> 00:50.130 I don't know if you've been out yet, but certainly here in London town, can't speak for the rest of the United Kingdom, and I wouldn't want to. 00:50.450 --> 00:50.630 No. 00:50.830 --> 00:52.732 But here in London, it's nice. 00:52.792 --> 00:53.392 It's crisp. 00:53.593 --> 00:55.014 It's a lovely winter morning. 00:55.414 --> 00:58.337 You know, what are the best things about winter for you, Joe Cornish? 00:59.157 --> 01:06.380 Oh, Santa, the reindeer, the thick, thick snow, all the Hollywood stars, shopping. 01:06.400 --> 01:07.540 That's mainly Christmas, though. 01:07.560 --> 01:10.701 I'm thinking winter in general, the season. 01:10.881 --> 01:12.402 Yeah, I don't know. 01:12.422 --> 01:14.223 Because there's lots of downsides to winter. 01:14.443 --> 01:16.243 Who are the people who suffer most in the winter? 01:16.263 --> 01:17.684 This is a very tiring opening leg. 01:17.764 --> 01:18.004 I know. 01:18.044 --> 01:19.064 I'm putting you on the spot here. 01:19.104 --> 01:19.805 I'm sorry about that. 01:20.385 --> 01:24.566 But here, the people who suffer most in the winter, they would be the farmers, wouldn't they? 01:24.746 --> 01:25.967 And the homeless. 01:26.027 --> 01:26.367 Whatever. 01:26.967 --> 01:27.868 farmers and homeless. 01:27.888 --> 01:30.329 They're the most underprivileged groups in society. 01:30.889 --> 01:33.251 But there are nice things about winter as well. 01:33.411 --> 01:35.432 I wanted to chat about some of those a bit later on. 01:35.452 --> 01:36.993 That's something to look forward to. 01:37.133 --> 01:38.093 Yeah, I'm doing a tease. 01:38.414 --> 01:40.515 Lots of good music coming up in the show. 01:41.095 --> 01:41.916 Coming up in the show. 01:42.316 --> 01:43.356 I just scratched that bit. 01:43.376 --> 01:43.777 That's nice. 01:44.137 --> 01:45.598 We've got some Lethal Bizzle coming up. 01:45.898 --> 01:48.079 We've got some Blur, some De La Soul. 01:48.899 --> 01:51.861 We're not going to play PM Dawn with Setter Drift on Memory Biz. 01:51.901 --> 01:53.022 What have you got against PM Dawn? 01:53.562 --> 01:58.304 That's the most pathetic rap song ever recorded. 01:58.524 --> 01:59.984 It's terrible. 02:00.244 --> 02:00.804 Who's that guy? 02:00.844 --> 02:01.985 What's he called Prince B, wasn't he? 02:02.045 --> 02:02.785 Something like that, yeah. 02:03.025 --> 02:03.925 He was confused. 02:04.025 --> 02:04.665 He was confused. 02:04.725 --> 02:05.466 Lots of great music. 02:05.526 --> 02:16.469 Of course we're gonna, in a second, reveal the winner of last week's Song Wars, then later in the show we'll have this week's Song Wars, which is on the theme of global warming sung very sincerely with some whistling. 02:16.629 --> 02:17.569 Exactly right. 02:17.710 --> 02:18.110 Exactly. 02:18.130 --> 02:22.251 We've also got Text the Nation and all sorts of exciting nuggets. 02:22.691 --> 02:29.102 Yeah, scurrilous rumour, you know, inconsequential chatter, ill-advised gossip, that kind of thing. 02:29.242 --> 02:30.324 All of that to look forward to. 02:30.344 --> 02:32.447 But right now, here's some music for you. 02:32.487 --> 02:33.709 This is Smashing Pumpkins. 03:06.636 --> 03:11.199 Go on, you can go out there, and for goodness sake, just stop going on about it. 03:11.679 --> 03:13.900 Let me out! 03:14.260 --> 03:16.882 Have we got the results of last week's Song Wars standing by? 03:16.982 --> 03:17.842 Have you folded them up? 03:18.203 --> 03:18.403 Yes. 03:18.623 --> 03:19.243 Yeah, okay. 03:19.363 --> 03:21.345 Let's hit the jingle. 03:21.365 --> 03:25.827 Before the jingle, I'll just tell you that that was smashing pumpkins in case you didn't realise with cherub rock. 03:25.847 --> 03:27.028 That was smashing pumpkins. 03:27.528 --> 03:28.769 Thank you very much, pumpkins. 03:30.190 --> 03:32.431 It's time for Song Wars. 03:32.911 --> 03:34.212 The War of the Songs. 03:47.700 --> 03:48.340 So this is it. 03:49.141 --> 03:51.282 Last week's songs were on the subject of a listener. 03:51.602 --> 03:57.344 We invited listeners to write in with facts about a close friend, and then we wrote songs around those facts. 03:58.264 --> 03:59.785 Mine was about a guy called Jack Miller. 04:00.285 --> 04:02.506 Mine was about a guy called James Rohan. 04:02.726 --> 04:04.207 Mine was requested by Joel. 04:04.847 --> 04:06.668 Don't forget, remember his second name. 04:07.068 --> 04:09.369 Yeah, I think Mark was the name of James's friend. 04:09.909 --> 04:11.310 Are we going to play little reminders? 04:11.330 --> 04:13.651 Or have you got the whole blooming things? 04:14.036 --> 04:15.377 Do you want the clips or the four things? 04:15.437 --> 04:17.037 Let's just have the clips, don't you think? 04:17.077 --> 04:18.158 Yeah, little clips, I think. 04:18.178 --> 04:24.581 This was my one about Jack... Jack Miller. 04:24.601 --> 04:26.842 Yeah, that's enough. 04:26.962 --> 04:28.103 That's enough. 04:28.203 --> 04:30.704 They might need to be beefed up a little bit volume-wise there. 04:31.127 --> 04:34.151 There's a man whose name is James Rohan, and he's a beast! 04:34.431 --> 04:37.795 On the surface he is not her suit, but his arm it ends. 04:37.855 --> 04:38.596 This is Adams. 04:38.636 --> 04:39.457 What was this one called? 04:40.217 --> 04:41.399 James Rohan, Neanderthal Man. 04:41.419 --> 04:41.819 Yeah, it's a man. 04:41.899 --> 04:44.723 Okay, and I'm gonna open the envelope now to reveal the winner. 04:45.690 --> 04:46.351 It's very exciting. 04:46.411 --> 04:52.054 I just remind listeners that me, Adam Buxton, I have lost song wars every single week. 04:52.254 --> 04:57.778 For the last four weeks, this would be week number... No, this would be week number four that I had lost in a row if I lose again. 04:57.978 --> 04:58.178 Is it? 04:58.418 --> 04:59.739 No, this is show number five. 04:59.779 --> 05:00.379 Yes, it would be. 05:00.580 --> 05:01.140 Yeah, number four. 05:03.041 --> 05:03.502 Look at that! 05:03.762 --> 05:04.602 The tables have turned. 05:04.643 --> 05:04.983 Yes! 05:05.363 --> 05:07.945 Adam has taken it by 75% to 25%. 05:08.606 --> 05:09.947 Thanks, fans! 05:10.187 --> 05:10.988 Bucko wins. 05:11.048 --> 05:12.789 Bucko smash a room! 05:13.230 --> 05:14.291 Oh, I'm happy about it. 05:14.411 --> 05:16.132 I can't pretend that I'm not happy about it. 05:16.432 --> 05:19.415 I've got quite a good email that's an analysis of your song. 05:19.635 --> 05:20.096 Oh, really? 05:20.136 --> 05:21.617 But it's through there on the printer. 05:21.637 --> 05:23.338 Shall we play the next record and I'll go and get it? 05:23.538 --> 05:24.199 Yes, okay. 05:24.779 --> 05:25.760 Well, that's good. 05:25.780 --> 05:27.322 So are we going to play my song in full then? 05:27.542 --> 05:27.742 No. 05:28.042 --> 05:28.803 The winning song. 05:29.463 --> 05:30.264 Okay, then if we have to. 05:30.464 --> 05:30.684 Yes! 05:31.405 --> 05:33.106 Here's James Rohan, Neanderthal man. 05:33.146 --> 05:35.407 There's a man whose name is James Rohan. 05:35.487 --> 05:36.207 He's a beast! 05:36.447 --> 05:41.469 On the surface he is not her suit, but his armpit hair is scary. 05:41.749 --> 05:44.691 And for that reason he is known as Harry. 05:44.991 --> 05:48.132 He is preoccupied with lady parts and solo fun. 05:48.172 --> 05:51.013 Before the internet he lived up on the top shelf. 05:51.373 --> 05:53.954 He bought a Lindsay Dorn, a Kenzie DVD. 05:54.074 --> 05:54.675 One time! 05:54.715 --> 05:57.076 But returned it cause it wasn't really dirty. 05:57.936 --> 06:00.657 He likes football and drinking. 06:01.117 --> 06:03.858 He's not a fan of thinking. 06:04.318 --> 06:09.960 He nearly gets in fights with folks at karaoke nights. 06:10.701 --> 06:16.623 He sounds like quite a nightmare, but perhaps that isn't quite fair. 06:16.683 --> 06:22.305 Maybe there's a softer side to Harry that he's trying to hide. 06:23.516 --> 06:29.320 For example, Jimmy Rohan used to be a swimming champ, which is when they had to shave all his hair off. 06:29.761 --> 06:35.805 When it grew back, it was longer and coarser, which may have left him with some feelings of resentment. 06:36.425 --> 06:42.250 On the plus side, Jimmy Rohan really likes Star Trek, which indicates that he is not beyond redemption. 06:42.330 --> 06:43.451 Here's a couple of... 06:51.633 --> 06:54.635 emails that we received over the week in relation to that song. 06:54.975 --> 06:56.296 One was from Rich Flight. 06:57.037 --> 07:01.300 He's the web administrator at the Climbershop Limited in Cumbria. 07:01.640 --> 07:01.880 Oh, yeah. 07:02.280 --> 07:03.461 I went for that side. 07:03.501 --> 07:04.462 He says, Hi, Adam and Jo. 07:04.502 --> 07:11.226 Despite its slightly Suggs-esque vocal styling, I think Adam's hairy Neanderthal man song is by Father Superior. 07:11.486 --> 07:19.131 I'm not saying I'd go out and buy it, but if I had to choose one, then it's the dot dot dot least dot dot dot bad. 07:20.292 --> 07:21.133 That's nice, isn't it? 07:21.553 --> 07:21.993 That's fair. 07:22.053 --> 07:23.174 And here's the analysis. 07:23.194 --> 07:26.015 This is by a guy called Craig McKean. 07:26.536 --> 07:27.376 M-A-C-H-I-N. 07:27.396 --> 07:32.519 I'm going to read it out in a kind of New England, American, intellectual, Paul Theroux style voice. 07:32.939 --> 07:35.760 He says, Hello chaps, great to hear you're back on the air. 07:36.081 --> 07:38.242 I hope you start doing a podcast again soon. 07:38.362 --> 07:39.803 That's not really a Paul Theroux voice. 07:39.823 --> 07:40.623 That's more like David Byrne. 07:40.823 --> 07:41.783 David Byrne, okay. 07:42.043 --> 07:44.804 My vote is for Adam's James Rohan Neanderthal Man. 07:45.184 --> 07:52.106 The chugging, relentless verse melody with its gruff vocals perfectly highlights the nefarious character of James, the sung subject. 07:52.426 --> 07:53.106 I'm going to stop this voice. 07:53.626 --> 08:04.969 At first this sounds like it's going to be a jocular hatchet job on James' character, but then our attitudes are questioned by the change of emotional tone, both lyrically and musically, during the chorus, stroke, middle section. 08:05.649 --> 08:13.516 Adam switches to a more melodic and sincere singing style, which insists that we do not just see James simply as a beast or a figure of fun. 08:14.577 --> 08:18.000 He sounds like quite a nightmare, but perhaps that isn't quite fair. 08:18.480 --> 08:21.603 Maybe there's a softer side to Harry that he's trying to hide. 08:22.404 --> 08:24.406 The chorus ends on an unresolved chord. 08:24.766 --> 08:26.387 Is there a softer side to Harry? 08:27.168 --> 08:36.772 The verse returns with belly a pause for breath, now sounding emphatic rather than mocking, and provides us with the answer, yes, Harry is not beyond redemption." 08:36.932 --> 08:39.473 For example, Jimmy Rohan used to be a swimming champ. 08:39.993 --> 08:44.074 We're also given an insight into the trauma that may have made Harry the man he is physically and psychologically. 08:44.334 --> 08:53.838 Adam, like James' defence advocate, beseeches the listener to take James' full body shape into consideration, bravely pointing out, even though the line does not rhyme, that it might have left James with feelings of resentment. 08:54.238 --> 08:56.620 as well as more than the average quota of body hair. 08:56.640 --> 09:01.103 The simplicity and brevity of the song belies its complex arguments for acceptance of other lifestyles and appearances. 09:01.364 --> 09:06.928 With its reggae inspired tune, the listener is reminded of the anti-racist scar songs by white performers in the early 80s. 09:07.288 --> 09:09.850 As for Joe's song, nah, it's not as good. 09:11.431 --> 09:27.640 there we go thank you Craig that's fantastic I'm gonna frame that keep that that's amazing so that's that's this week's song wars we'll have another song wars coming up in a bit we have to leave a bit of a gap to clear the air of the stench of amateur music but there will be some more amateur popping 09:28.360 --> 09:45.587 uh you know around 10 o'clock so hold tight now this is not an amateur song is this something that you chose joe yeah what is it bdp yeah this is brilliant this is from um a man joe just had a little brain fart 09:47.448 --> 09:49.810 This is from BDP, they're called Boogie Down Productions. 09:49.850 --> 09:52.472 This is a great album called Ghetto Music, the blueprint of hip-hop. 09:52.812 --> 09:55.174 I thought it was deleted, but then I found it in America. 09:55.354 --> 09:56.435 You must have been so happy that day. 09:56.455 --> 09:57.156 I was so happy. 09:57.296 --> 09:58.397 Oh wicked, I found it. 09:59.338 --> 10:00.558 And this is a track from it. 10:00.599 --> 10:02.260 This is called The Style You Haven't Done Yet. 10:03.502 --> 10:04.824 Yes, the white men are in effect. 10:05.224 --> 10:08.848 Here on BBC Six Music, it's Adam and Joe on a Saturday morning. 10:09.108 --> 10:09.389 Hello. 10:09.709 --> 10:12.652 He had a little lyrical nod to Hall & Oates there. 10:12.833 --> 10:13.113 Did he? 10:13.393 --> 10:14.775 I'm out of touch, you're out of time. 10:15.175 --> 10:15.496 Did he? 10:15.596 --> 10:15.916 Yeah. 10:16.457 --> 10:18.159 I wonder how that relates date-wise. 10:19.243 --> 10:22.224 Well, they were 1981, something like that. 10:22.284 --> 10:24.764 There's a digital cable channel called Main Street. 10:25.045 --> 10:26.125 Did you ever stumble across it? 10:26.285 --> 10:26.905 Oh yeah, sometimes. 10:26.925 --> 10:28.845 And it plays reruns of the old Grey Whistle Test. 10:28.925 --> 10:29.205 Yes. 10:29.285 --> 10:30.766 And Hall of Notes were on it last night. 10:30.786 --> 10:32.646 That's right, they play like whole concerts. 10:32.686 --> 10:34.007 Yeah, it's brilliant. 10:34.887 --> 10:35.567 Was that a good one? 10:35.587 --> 10:40.628 Because I saw... Who did I see on Whistle Test and it wasn't quite so good? 10:40.868 --> 10:43.649 Hall of Notes were playing a song called Abandoned Luncheonette. 10:44.369 --> 11:05.733 it went on for hours they were furious that the luncheonette was abandoned oh i saw tom petty a tom petty special i like tom petty oh it wasn't a very well they're often very very early performances yeah yeah yeah yeah yeah that's the end of that conversation well you know listen i was uh talking about winter earlier on and i didn't want to like talk to you about winter but i just thought it would be nice just so so broad 11:06.073 --> 11:06.894 Yeah, I know it is. 11:06.914 --> 11:08.875 Listen, I'm going to narrow it down for you, right? 11:08.895 --> 11:13.977 Because I thought it'd be worth celebrating the positive aspects of winter that I seldom celebrate it, you know what I mean? 11:14.017 --> 11:18.520 Because people are very pro-summer, everyone writes songs about the summer, that kind of thing. 11:18.860 --> 11:24.703 But there's certain things that really I love about the winter, and I want to tell you about them now. 11:25.003 --> 11:26.904 Here are my top favourite three things about winter. 11:27.344 --> 11:30.566 Getting very cold water out of taps all the time. 11:30.867 --> 11:31.867 Isn't that nice? 11:31.907 --> 11:32.728 Do you not enjoy that? 11:33.148 --> 11:35.309 Like the world is the world is a water cooler. 11:35.389 --> 11:35.970 Exactly. 11:36.190 --> 11:36.450 Yeah. 11:36.870 --> 11:37.471 Yeah, that's true. 11:37.491 --> 11:41.193 You know, you don't have to run it for ages to get the cool stuff in summertime. 11:42.374 --> 11:47.019 You run it for about five minutes there and it's not even getting very cool. 11:47.119 --> 11:48.040 Where? 11:48.120 --> 11:48.521 Just there. 11:48.961 --> 11:53.706 And you start thinking, now I'm wasting water and I'm not even going to get a cool glass of water out of it. 11:54.207 --> 11:58.071 Not a problem in winter, when the freezing water is there instantly. 11:58.331 --> 11:58.871 Delicious. 11:59.312 --> 12:05.137 And I said before that, obviously, I'm taking into it, you know, this is ignoring the fact that winter is a very hard time for a lot of people. 12:05.157 --> 12:05.617 Very difficult. 12:05.917 --> 12:12.302 Very difficult, especially if you're homeless, and if you're a worm, and if you're a farmer, winter is not an enjoyable time. 12:12.322 --> 12:14.864 If you're a worm farmer. 12:15.004 --> 12:19.088 Then it's the worst, the hard earth you have to deal with. 12:20.089 --> 12:21.231 It's a nightmare. 12:21.591 --> 12:23.274 Here's another thing I enjoy about it. 12:23.294 --> 12:23.634 Number two. 12:23.955 --> 12:24.415 Number two. 12:24.956 --> 12:31.706 Not being constantly distracted and confused by attractive people, mainly women, wearing hardly anything. 12:31.726 --> 12:34.590 There's something sexy about too many clothes though. 12:35.111 --> 12:36.132 Well, that's the thing I like. 12:36.192 --> 12:37.893 It's manageable sexiness, though. 12:37.913 --> 12:38.713 Do you know what I mean? 12:38.773 --> 12:39.954 It doesn't scramble your mind. 12:39.974 --> 12:42.595 But you know, the basis of eroticism is concealment. 12:42.655 --> 12:43.876 Well, there you go, of course. 12:43.916 --> 12:46.937 You know, eroticism is about what you can't see, not what you can. 12:47.017 --> 12:55.742 So a woman in a massive puffer jacket, 20 scarves, a hard hat, and massive boots is very sexy to me. 12:56.423 --> 12:58.424 I think, what's she like under all them layers? 12:59.744 --> 13:01.265 All red and sweaty is the answer. 13:01.285 --> 13:01.565 Yeah. 13:01.585 --> 13:02.605 That's sexy. 13:02.625 --> 13:03.325 That's not sexy. 13:03.365 --> 13:04.486 You describing that is nice. 13:04.526 --> 13:05.866 I'm going to play that back later on. 13:07.327 --> 13:15.770 But no, I like it, you know, because in the summertime, sometimes you walk around your days, if you're feeling a little bit, Randy, your day's more or less ruined on a sort of five minute basis. 13:15.790 --> 13:16.850 A little bit Randy Newman. 13:16.930 --> 13:19.531 Yeah, a little bit Randy McDonald. 13:19.671 --> 13:21.152 And then it's just a disaster area. 13:22.192 --> 13:23.692 Here's the final thing I really enjoy. 13:23.712 --> 13:24.933 This is an obvious one about winter. 13:25.633 --> 13:29.095 Just coziness in the... It's cozy, isn't it? 13:29.116 --> 13:31.057 Duvet cocoon. 13:31.237 --> 13:38.742 Sometimes you wake up in the morning, if you don't have to get up for work immediately, and you're in the duvet cocoon, life doesn't get that much better. 13:38.982 --> 13:39.382 It's true. 13:39.542 --> 13:42.024 A lot of people listening to this will be in the duvet cocoon. 13:42.104 --> 13:43.004 Good times. 13:43.585 --> 13:44.766 We wish we were there with you. 13:44.986 --> 13:45.446 Yeah. 13:46.066 --> 13:46.507 Oh, I do. 13:46.647 --> 13:47.347 I do. 13:47.667 --> 13:48.088 Not you. 13:48.828 --> 13:49.108 Me? 13:49.509 --> 13:52.651 No, we'd have the listeners in between us, so we wouldn't have to touch. 13:53.531 --> 13:55.872 each other, but would we be touching them? 13:56.433 --> 13:56.833 Oh yes. 13:56.893 --> 13:57.933 We don't like to touch each other. 13:57.973 --> 14:10.440 We did a photo shoot this week for the BBC and when the photographer asked us to touch our heads together, because they always ask us to do this when you're a kind of duo or whatever and they're taking pictures of you, they always say, can you push your heads right together and do a crazy face, stick your tongue out. 14:10.900 --> 14:11.701 Joe just said nope. 14:12.961 --> 14:13.782 I don't want to touch him. 14:13.922 --> 14:19.545 Imagine us appearing, if you're in bed now listen to this, imagine us appearing like something out of the grudge. 14:21.025 --> 14:22.066 Under your duvet. 14:23.586 --> 14:25.006 Fondling your ankles. 14:25.066 --> 14:25.626 That's right. 14:25.967 --> 14:27.867 You know, here's a segue for you. 14:28.247 --> 14:31.408 This is someone I would really enjoy if she popped up. 14:32.308 --> 14:35.889 My grammar is all over the shop this morning, but I would be delighted if this person... It's early, man. 14:35.949 --> 14:41.271 I think the first hour we... No one expects people to speak properly between 9 and 10 on Saturday. 14:41.471 --> 14:45.112 But if our next artist popped up in the duvet cocoon, I would be sorted. 14:45.172 --> 14:47.072 This is Bjork with Earth Intruders. 14:47.413 --> 14:47.833 Bjork. 14:48.473 --> 14:48.693 Sorry. 14:54.014 --> 14:54.434 Lovely. 14:54.694 --> 14:55.415 Lovely Bjork. 14:55.515 --> 14:55.915 Bjork. 14:56.135 --> 14:57.076 Is that the way to pronounce it? 14:57.096 --> 14:57.516 You said that. 14:57.656 --> 14:58.076 I don't know. 14:58.116 --> 14:59.357 Some people pronounce it Bjork. 14:59.377 --> 14:59.797 Bjork. 15:00.118 --> 15:01.078 Bjork. 15:01.178 --> 15:01.979 She's adorable. 15:01.999 --> 15:05.821 You know, some people, we were talking about our amateur songwriting. 15:06.381 --> 15:09.103 You were a bit worried that it's sort of taking over the programme a bit. 15:09.423 --> 15:15.466 Well, it's one of those things if you, you know, if you're not fond of a feature in a program and you tune in, your heart sinks because you think, oh god. 15:15.486 --> 15:16.627 Because we got it. 15:16.687 --> 15:20.148 We play last week's, then we play this week's, then we play this week's again. 15:20.208 --> 15:24.671 It's sort of spreading all over the show like a fungus or an algae. 15:24.831 --> 15:25.491 Or a rash. 15:25.851 --> 15:26.371 Or a rash. 15:26.732 --> 15:27.832 But some people like it. 15:27.892 --> 15:29.273 Here's an email from James. 15:30.213 --> 15:31.094 Pitten, Dre. 15:31.894 --> 15:37.718 Dear Adam and Jo, I would love to have a copy of Jo's version of Place the Meatballs, any chance of emailing me one? 15:38.658 --> 15:40.079 I can't get it out of my head. 15:40.820 --> 15:44.882 Someone asked me what I was singing in the work kitchen this morning as I was getting my morning coffee. 15:45.022 --> 15:46.083 Place the meatballs. 15:47.264 --> 15:49.285 They must have thought I was a bit weird when I told them. 15:50.085 --> 15:50.846 When I told them. 15:51.206 --> 15:53.347 It was a song about how to cook Ikea Swedish meatballs. 15:53.667 --> 15:55.469 Is his name James Peter Andre? 15:56.349 --> 15:56.769 Possibly. 15:56.789 --> 15:57.570 I hope so. 15:58.090 --> 15:59.171 Yeah, pittendre. 15:59.671 --> 16:00.211 Pittendre. 16:00.291 --> 16:02.112 And here's one flattering about yours, Adam. 16:02.352 --> 16:02.573 Yeah? 16:03.053 --> 16:03.653 Being balanced. 16:04.153 --> 16:05.654 Dear Adam and Jo, but mostly Adam. 16:06.355 --> 16:07.615 This is from Sarah Castro. 16:07.895 --> 16:11.638 Please could you put the scallywack classic Tiny Mobile Speakers back on the BBC website? 16:11.818 --> 16:13.318 Because it's a work of pure genius. 16:13.679 --> 16:19.922 Even after 20 times of hearing it throughout that glorious week after the broadcast, I would always laugh and it has been sorely missed. 16:20.282 --> 16:21.463 My mate Claire agrees. 16:21.843 --> 16:23.884 And it's her birthday this next weekend. 16:24.044 --> 16:24.585 Wow, there you go. 16:24.605 --> 16:25.145 This next weekend. 16:25.485 --> 16:25.866 Don't worry. 16:25.886 --> 16:28.769 Well, these are the kind of things that we'll put in our podcasts when they eventually happen. 16:28.809 --> 16:30.972 We might talk about that a bit later on, give you a bit of an update. 16:31.253 --> 16:33.515 But right now, it's time for the news read by Harvey Cook. 16:37.182 --> 16:39.144 The Foo Fighters with Long Road to Ruin. 16:39.164 --> 16:40.705 That's released on the 3rd of December. 16:40.765 --> 16:43.287 And George Lamb chatted to Dave Grohl on Thursday. 16:43.687 --> 16:46.029 You can hear the interview again if you head to George's page. 16:47.531 --> 16:48.832 I just ended the sentence suddenly. 16:48.852 --> 16:49.232 I like it. 16:49.412 --> 16:50.493 I like it. 16:50.513 --> 16:52.295 It keeps people switched on paying attention. 16:52.335 --> 16:52.735 Absolutely. 16:52.795 --> 16:53.996 I'm going to go to George's page. 16:54.016 --> 16:55.998 I'd like to hear what Dave Grohl has to say. 16:56.999 --> 16:58.320 Is it text the nation time? 16:58.360 --> 16:59.080 I think it is. 17:00.141 --> 17:06.006 Yes, it's Text the Nation, the part of the show unlike any other programme where we ask you to text in... 17:19.634 --> 17:20.575 about things. 17:21.416 --> 17:31.304 You can text 64046 or email actually adamandjoe.6musicatbbc.co.uk and what was the theme we established last week? 17:31.485 --> 17:32.786 You know very well what it was. 17:32.986 --> 17:34.788 Yeah but I'm doing it like a duo thing. 17:34.808 --> 17:39.712 Yeah but I want to put it all on you because I think it's a little bit of a inflammatory one. 17:39.972 --> 17:40.212 Do you? 17:40.232 --> 17:41.573 I think it's dangerous, this one. 17:41.593 --> 17:41.914 Do you? 17:42.154 --> 17:45.597 Because I think it's something that you should be ashamed of. 17:45.977 --> 17:47.398 Like, one should be ashamed of. 17:47.499 --> 17:48.960 Do you know what I mean? 17:49.120 --> 17:55.606 Basically, the idea of the text of the nation is ideas that you think you had before anyone else. 17:56.366 --> 17:56.806 Exactly. 17:57.367 --> 17:57.527 Yeah. 17:57.567 --> 17:59.208 But sometimes it genuinely happens. 17:59.348 --> 18:05.332 I know it genuinely happens, but I think it's a good thing in life, it's an important thing in life to not dwell on it ever. 18:05.492 --> 18:07.953 I agree, but we're allowed to dwell on it for one Saturday morning. 18:07.973 --> 18:08.374 Yeah, of course. 18:08.394 --> 18:10.815 For a couple of hours, just to let off the steam. 18:11.416 --> 18:18.420 Yeah, we're talking about ideas you think you had and then they turned up in the real world, someone else had them, a product or a film or a book or something. 18:18.480 --> 18:21.162 Because you can become a very twisted and bitter person. 18:21.202 --> 18:21.882 Yeah, absolutely. 18:21.942 --> 18:23.944 And one of the important things about being creative 18:25.144 --> 18:29.046 Uh, I'd like to let you know is that you've got to have lots of ideas. 18:29.186 --> 18:29.586 Exactly. 18:29.606 --> 18:32.127 You've got to be able just to throw them out and not worry about it. 18:32.147 --> 18:33.168 And you've got to act on them. 18:33.208 --> 18:34.268 That's the other key thing. 18:34.468 --> 18:36.589 It's no good having an idea and then just sitting on it. 18:36.969 --> 18:39.070 If you don't act on it, you may as well never have had it. 18:39.190 --> 18:41.311 Here's my one, what I had my didn't act on quickly. 18:41.932 --> 18:48.835 I had an idea for, we had an idea for a film about a couple of people who run a video shop and they make all the films that they rent out. 18:49.856 --> 19:03.148 So they get they it was you know gonna be a kind of an Adam and JoJo thing and they were gonna and they were gonna rent out Silly spoof versions of films now Michelle gondry who made What did he make eternal sunshine of the spotless mind? 19:03.168 --> 19:04.830 Yeah, and the science of sleep. 19:04.870 --> 19:05.991 Yeah, he's done it 19:06.451 --> 19:08.311 with Jack Black and Moss Def. 19:08.451 --> 19:08.972 What's it called? 19:09.112 --> 19:10.712 It's called Be Kind Rewind. 19:10.852 --> 19:11.272 There you go. 19:11.352 --> 19:19.233 And it's about Moss Def and Jack Black run a video shop and a meteor passes it, a magnetic meteor and it erases all their VHS tapes. 19:19.794 --> 19:23.574 Don't ask why they're renting VHSs in this day and age. 19:23.774 --> 19:25.195 It's set in the olden times, isn't it? 19:25.315 --> 19:25.715 I think so. 19:25.915 --> 19:28.935 And then they have to make all the... So it's exactly that idea. 19:29.055 --> 19:29.715 Yeah, yeah, yeah. 19:29.975 --> 19:32.316 Now he's done it, I'm sure, a lot better than we would. 19:33.024 --> 19:33.264 Hm? 19:33.564 --> 19:33.965 Or maybe not. 19:34.065 --> 19:36.286 I don't know, I haven't seen it, maybe not. 19:36.326 --> 19:37.226 People say it's pretty good. 19:37.366 --> 19:38.047 I bet it's good. 19:38.107 --> 19:43.810 But that makes me a bit... I can't kind of read about it, or I might feel sick when I go and see it. 19:43.990 --> 19:51.694 My idea that I had a while back, around about 2001 I did this, and I was watching a lot of director commentaries at the time on DVDs. 19:52.274 --> 19:57.678 And I just thought it would be funny to do, like, a spoof director commentary for a show that really didn't deserve one. 19:57.959 --> 19:58.879 Oh, yeah, this is true. 19:59.139 --> 20:04.984 And, yeah, so I did a thing with my character, Ken Corda, who, you know, talks a little bit like this and he's a bit of an idiot. 20:05.064 --> 20:08.507 And I did a whole commentary for an episode of a show called The Priory. 20:09.207 --> 20:10.788 Which was on... Jamie Fixton and Zoe Ball. 20:10.848 --> 20:11.068 Yeah. 20:11.348 --> 20:13.169 And it was, you know, it was a simple idea. 20:13.189 --> 20:13.990 It was just the idea. 20:14.030 --> 20:15.691 It was silly that... The commentaries. 20:15.891 --> 20:21.474 That yeah, spoof commentary for a show that really wouldn't merit one, you know, as wonderful as the Priory was. 20:21.935 --> 20:25.557 So I did the whole thing and like 45 minutes worth of ludicrous commentary. 20:25.617 --> 20:27.238 I made menus for it and everything. 20:27.278 --> 20:29.919 And it was just something I did to amuse myself and my friends. 20:29.959 --> 20:32.861 But then... But then I thought, I'm going to send this idea around. 20:33.341 --> 20:38.386 because people really liked it, and a couple of my friends said, you should pitch this to a TV station or whatever. 20:38.886 --> 20:40.427 So I went around and pitched it to a few people. 20:40.467 --> 20:44.431 Everyone told me to leave the building and get out, and they weren't really interested. 20:44.451 --> 20:46.913 A couple of people were vaguely interested, but they never acted on it. 20:47.313 --> 20:54.639 Two years later, Rob Brydon did the exact same thing, director commentaries, but he did them for old films. 20:54.819 --> 21:01.105 I'm not suggesting that he stole the idea, but it was a piece of synchronicity that was very frustrating for me, I must say. 21:01.645 --> 21:08.190 Anyway, we'd like to hear your ideas that you think you had before anyone else with any kind of supporting evidence. 21:08.671 --> 21:16.257 Yeah, text 64046 or email adamandjoe.sixmusic at pbc.co.uk and we'll read the best ones out. 21:16.878 --> 21:17.638 Now, here's some music. 21:17.658 --> 21:20.981 This is De La Soul with I Know from De La Soul. 21:21.081 --> 21:22.282 Man, that is good stuff. 21:22.382 --> 21:23.563 It sounds fantastic, doesn't it? 21:23.743 --> 21:24.624 Yeah, yeah, yeah, yeah. 21:24.864 --> 21:25.205 I know. 21:25.325 --> 21:26.566 And who are they sampling there? 21:26.847 --> 21:29.530 That's Steely Dan, isn't it? 21:29.610 --> 21:30.110 From Peg. 21:30.151 --> 21:30.911 Yeah, you're right. 21:30.951 --> 21:31.532 Yeah, yeah, yeah. 21:31.552 --> 21:32.814 And that's an amazing song as well. 21:33.234 --> 21:35.597 Anyway, this is Adam and Joe here on BBC 6 Music. 21:35.637 --> 21:38.380 We're with you for the next two and a quarter hours of fun. 21:39.361 --> 21:40.422 Over to you, Joe Cornish. 21:40.462 --> 21:42.644 Coming up now, it's advert analysis time. 21:42.684 --> 21:50.510 I've been watching, as I mentioned earlier, rubbish cable channels, and they're obviously where the worst adverts collect, the kind of Cillip Bang type adverts. 21:50.950 --> 21:57.815 Although, before we continue very briefly, there's an ad that's bled over all channels at the moment for kettle chips. 21:57.835 --> 21:58.596 Have you seen that one? 21:59.317 --> 22:00.137 Is it Vox Pops? 22:00.277 --> 22:00.477 Yeah. 22:00.618 --> 22:03.019 It seems to have been made by a five-year-old for 50 pence. 22:03.900 --> 22:09.986 Well, we've often discussed this, Adam and I, that advertisers obviously go out of their way to make adverts weird. 22:10.566 --> 22:25.280 So there's something sort of unsettling about them that kind of sticks in your brain, and obviously these kind of sync adverts, not adverts for sync, but the ones that sync to the bottom of the barrel that you tend to get on these digital channels are prime examples of that. 22:25.520 --> 22:25.860 That's right. 22:25.880 --> 22:26.480 They're really odd. 22:26.500 --> 22:32.502 They're sort of designed to, if you're a housewife, to kind of educate you, but also freak you out. 22:32.762 --> 22:32.942 Yeah. 22:33.142 --> 22:37.023 And it's well known that, you know, stuff like the Cillip Bang adverts, they're designed to be odd. 22:37.563 --> 22:45.745 They're designed to appeal to students and they're kind of, you know, knowingly designed with an inbuilt sort of culty thing that people get obsessed with them. 22:45.925 --> 22:47.847 Yeah, but they're getting very, very good at this. 22:48.668 --> 22:55.434 It's not like sort of Pleasantville style 50s stuff where everyone's just chirpy and it's this artificial world where everybody talks about products. 22:56.054 --> 22:57.776 It's gone beyond that Truman Show thing. 22:58.076 --> 23:03.301 Now they're starting to be really deliberately abstract in some of the editing and presentation. 23:03.781 --> 23:06.904 And we can't say the name of the brand, can we, on the Big British Castle? 23:06.924 --> 23:07.525 Best not to. 23:07.945 --> 23:09.567 Best not to so I'm going to call it fluffite. 23:10.368 --> 23:12.910 It's a product for making clothes more fluffy. 23:13.270 --> 23:19.196 You stick it in the old washing machine and there's an advert for fluffite and we're going to perform it for you now. 23:20.357 --> 23:20.757 A bedroom. 23:21.198 --> 23:28.465 Lady number one is putting on a jumper while her dark haired friend lady number two lounges sultry on the bed behind her gazing at her bottom. 23:29.125 --> 23:31.988 Lady Number One notices that her jumper is all stretched. 23:32.108 --> 23:32.829 Oh no! 23:33.309 --> 23:34.811 This one's all stretched too! 23:35.271 --> 23:37.934 Sudden cut to a strange man standing in the kitchen. 23:38.254 --> 23:39.315 He's addressing the camera. 23:39.776 --> 23:41.277 Looks like she needs a bit of help. 23:41.758 --> 23:42.418 Back to the bedroom. 23:42.819 --> 23:48.825 In the time it took to say that one line, Lady Number One has taken off the stretched jumper, revealing a sexy white vest. 23:49.305 --> 23:54.367 She's hung the jumper on a hanger and is now inspecting it, her sexy friend standing close behind looking worried. 23:54.727 --> 23:56.548 And I wash everything so carefully! 23:56.948 --> 24:03.890 Suddenly the man reaches out and grabs the jumper, as if he's been in the same room all along, but for some reason was neither audible or visible. 24:03.930 --> 24:05.091 He addresses lady number one. 24:05.331 --> 24:11.933 It's not you, it could be your detergent, weakening the fibres of your clothes, leading to this kind of damage. 24:12.153 --> 24:15.515 We see jumpers damaged by shrinking, bobbling and fibre damage. 24:15.555 --> 24:23.399 The man's disembodied hands gesture over the ruined woolens, finally entering a brown sleeve and popping a finger through a hole in it, giving the camera the finger. 24:24.338 --> 24:31.661 Now he thrusts a big bottle of fluffite with a huge bulbous blue plastic ball on the top towards the woman. 24:31.941 --> 24:33.822 Try new fluffite, stop-stretch. 24:34.142 --> 24:37.163 It's more than just a detergent, it's a safe-turgent. 24:38.043 --> 24:40.724 The woman looks at her friend, impressed at this amazing new word. 24:42.245 --> 24:44.125 Her sexy friend returns her look aroused. 24:44.546 --> 24:49.567 And that means fluffite helps keep all your clothes looking and feeling new for longer. 24:50.888 --> 24:53.249 The word safe-turgent comes up, it's trademarked. 24:54.631 --> 24:56.114 The man holds up two jumpers. 24:56.314 --> 24:57.616 He's suddenly got two jumpers. 24:58.197 --> 25:03.205 He's got the jumper she originally took off and it's suddenly all beautifully ironed and not stretched anymore. 25:03.526 --> 25:04.808 How did he do it so fast? 25:05.309 --> 25:07.232 Fade to black, fade up on the two ladies having coffee. 25:08.359 --> 25:09.659 Wow, new outfit? 25:10.219 --> 25:11.640 No, new detergent! 25:12.180 --> 25:17.521 Lady number two strokes lady number one's arm, then runs her other hand down her thigh, and they snog. 25:18.081 --> 25:18.862 That doesn't happen. 25:19.502 --> 25:23.403 Cut back to the man in the kitchen, an array of bulbous, bulbous bottles before him. 25:23.583 --> 25:35.666 New fluff-eyed stop-stretch gives you the power to become invisible, stop time, break into a beautiful lesbian woman's house, hide in her kitchen, wait until she notices her jumpers are stretching, and then very suddenly give her a product demonstration without anyone noticing anything unusual or calling the police. 25:36.266 --> 25:38.227 So keep an eye out for that one on the telly list list. 25:38.267 --> 25:39.448 You made up that last line there. 25:39.468 --> 25:40.448 I did make up the last bit. 25:40.748 --> 25:42.229 A safe turgent. 25:42.249 --> 25:44.670 I can't believe they actually used the word safe turgent in there. 25:44.690 --> 25:47.392 It's not a detergent, it's a safe turgent. 25:47.412 --> 25:49.493 Well it's worked on us hasn't it because it's stuck in our brains. 25:49.513 --> 25:52.054 Yeah, it's brilliant though because it means all other detergents are unsafe. 25:52.254 --> 25:53.274 Yes, that's right. 25:53.294 --> 25:54.115 You know, by definition. 25:54.275 --> 25:55.896 They're danger turgent. 25:56.016 --> 25:57.356 Danger turgents. 25:57.436 --> 25:58.157 Death turgents. 25:58.357 --> 25:59.397 Death turgents. 26:00.738 --> 26:03.219 Right, now here's a track that I chose for you folks. 26:03.500 --> 26:08.662 This is from an album that I was rooting through the bins of CDs here at BBC Six Music. 26:08.702 --> 26:13.585 There's huge kind of recycling bins with all the multiple copies of CDs that go off to get recycled. 26:13.925 --> 26:15.086 And I found this one at the bottom. 26:15.346 --> 26:27.533 Suburban kids with biblical names they're called and they're from Sweden and they make a kind of lo-fi, low-tech kind of poppy noise that's redolent of early Beck and all sorts of influences there. 26:28.213 --> 26:29.074 But this is a good track. 26:29.094 --> 26:29.534 I hope you like it. 26:29.574 --> 26:32.976 Oh, it reminds me of the monochrome set, early 80s outfit. 26:33.257 --> 26:33.957 Anyway, check this out. 26:33.997 --> 26:36.819 It seems to be on my mind by suburban kids with biblical names. 26:37.247 --> 27:02.012 download them for free now go to bbc.co.uk slash podcasts where's our podcast well where is our podcast that's a good point isn't it we've been a bit slow organizing it finalizing the details i think what's gonna happen is that we are gonna just leave it for the rest of the year and then launch in 2008 oh my it'll be so strong though we'll have all these shows to pick the best bits of we'll record some new stuff 27:02.552 --> 27:03.192 It'll be biotic. 27:03.212 --> 27:06.393 We're going to launch all the heck out of that podcast, folks. 27:06.433 --> 27:07.634 You will not be disappointed. 27:07.714 --> 27:08.834 So just hang on in there. 27:09.574 --> 27:13.295 Before the trail there, you heard suburban kids with biblical names. 27:13.315 --> 27:13.855 That was good. 27:14.015 --> 27:15.056 Yeah, it was a good track, wasn't it? 27:15.156 --> 27:23.478 And it had whistling in it, which is very appetite because this week's song wars, which we'll be doing in 20 or 30 minutes time, is songs with whistling in them. 27:23.538 --> 27:25.479 It's more than that, but it does feature whistling. 27:25.719 --> 27:26.839 Absolutely. 27:27.019 --> 27:27.179 Yeah. 27:27.279 --> 27:27.419 Yeah. 27:27.479 --> 27:27.639 Yeah. 27:27.760 --> 27:29.200 I put an extra little syllable in there. 27:29.787 --> 27:30.387 That was good. 27:30.807 --> 27:31.788 It made the word different. 27:31.848 --> 27:32.488 Thank you very much. 27:32.768 --> 27:34.009 Now, would you like to hear? 27:34.409 --> 27:34.689 No. 27:35.049 --> 27:35.209 No? 27:35.770 --> 27:35.970 What? 27:36.370 --> 27:36.730 Blur. 27:37.110 --> 27:37.370 Yeah. 27:37.670 --> 27:38.031 OK. 27:38.371 --> 27:38.631 Thanks. 27:38.871 --> 27:40.191 Here's a little session track for you. 27:40.212 --> 27:45.854 This was recorded way back in the good old days, 1999, when life was simpler. 27:47.355 --> 27:51.576 Terrorists were just a little glint in the eye of Osama bin Laden. 27:52.137 --> 27:55.138 And that's not, none of that's necessarily true. 27:56.154 --> 28:00.638 But Blur, Blur were past their prime in those days, weren't they really? 28:00.658 --> 28:04.942 They were slightly on the decline there, they were holding it together, Graham, very rude. 28:05.082 --> 28:14.431 Graham Coxen was furious, he was just about to leave, but still they were together and they just released their album 13, I think, around about this time. 28:15.151 --> 28:17.454 And they were playing... This is their Chrissy track, isn't it? 28:17.614 --> 28:19.956 Yeah, they were playing... Oh yeah, so this wasn't from 13. 28:19.996 --> 28:20.957 This is their big Christmas hit. 28:21.357 --> 28:26.182 But anyway, this is from Radio 1's session live at the Golders Green Hippodrome March 1999. 28:26.402 --> 28:28.624 This is the Universal from Blur. 28:59.195 --> 29:00.615 There you go, that's the Mighty Blur. 29:02.956 --> 29:03.856 Very well done, Blur. 29:03.896 --> 29:04.717 Well done, Dan. 29:04.877 --> 29:09.918 He's a good singer there, isn't he? 29:09.978 --> 29:10.919 What if I don't want to? 29:10.939 --> 29:13.039 But I'm using email. 29:13.179 --> 29:13.900 Is that a problem? 29:17.116 --> 29:20.739 I feel like I'm on the news when that jingle plays, because we're stacking papers. 29:20.759 --> 29:21.339 That's right. 29:21.379 --> 29:24.802 Getting our papers ready and it's an exciting new style jingle. 29:25.002 --> 29:27.484 And now here is Texternation, read by Joe Cornish. 29:28.064 --> 29:28.745 Good afternoon. 29:30.486 --> 29:30.966 Good afternoon. 29:30.986 --> 29:36.991 The subject of this afternoon's Texternation was ideas that you think you had before anyone else. 29:37.051 --> 29:38.752 I've just been going silent quite a lot this morning. 29:38.812 --> 29:39.433 It's my new trick. 29:39.813 --> 29:42.634 Well it's not necessarily yours, that's an idea that I had before you. 29:43.014 --> 29:47.176 You know I used that last week, now you're all over the going silent before anyone else. 29:47.276 --> 30:00.340 Because of course that's the theme of Texanation, this week it's ideas that you're sure you're convinced you had first before some big company stole it off of you and basically stole your livelihood. 30:00.640 --> 30:01.140 That's right. 30:01.380 --> 30:03.061 Stole a potential fortune for me. 30:03.081 --> 30:04.221 Ripped your future away. 30:04.341 --> 30:04.842 That's right. 30:05.662 --> 30:07.083 And we've got lots of very good ones. 30:08.723 --> 30:12.405 I don't know where to start, but we'll start here with a text from Ellie. 30:12.885 --> 30:19.807 It says, Dear Adam and Joe, my husband is adamant that he coined the phrase Billy No-Mates during a phone call with his friend Joff in 1988. 30:21.528 --> 30:23.149 I fear he is sadly delusional. 30:23.469 --> 30:28.412 Perhaps your listeners could offer proof of use of this phrase in print or other media prior to 1988. 30:28.772 --> 30:40.459 I like that because, on the one hand, it's very broad, Billy No-Mates, but on the other hand, she provides the name of the person who was being called and the year, so that, you know, within reason it's checkable. 30:41.099 --> 30:44.221 But if it was applied to a specific person actually called Billy, 30:44.921 --> 30:45.261 Yes. 30:45.361 --> 30:52.866 Then doesn't that slightly... You think there's like an actual Billy, who was the first Billy to have that used against... Is that not what she's implying? 30:54.226 --> 30:56.408 No, because it was a phone call with his friend, Joff. 30:56.868 --> 30:58.409 Oh, okay, sorry, sorry, I misunderstood. 30:58.629 --> 30:59.950 It should have been Joffy, no mates. 31:00.110 --> 31:01.430 Yeah, yeah. 31:01.571 --> 31:02.611 Well, that's quite possible. 31:02.651 --> 31:05.833 If anyone can find evidence of the use of that phrase before 1988... Don't bother about it. 31:07.754 --> 31:08.415 Give it to yourself. 31:08.435 --> 31:13.422 Here's another one from Lisa in Stockton on tur teas. 31:13.542 --> 31:23.254 While picking up a particularly soft dog poop, it was my dogs in bracket, I invented in my mind dog poo freeze spray, but did nothing about it. 31:23.775 --> 31:36.379 I was in a pet shop last week and there on the shelf, next to poo pickup bags, neither Adam or I have dogs, this is a world we don't really know or understand, but some of you out there do, and you go around picking up their pups. 31:37.139 --> 31:42.161 On the shelf next to poo pickup bags was my product called Only Freeze Spray. 31:42.873 --> 31:43.273 Right. 31:43.553 --> 31:44.254 There you go. 31:44.594 --> 31:45.214 Poo freeze. 31:45.694 --> 31:45.955 Yeah. 31:46.015 --> 31:46.835 That's a good idea. 31:46.915 --> 31:55.839 I mean, that's a little bit like the plot for a whole film, which is about this very thing, which was not a very successful film with who is the director of Tin Men? 31:56.360 --> 31:56.880 Barry Levinson. 31:56.900 --> 31:57.500 Barry Levinson. 31:57.520 --> 32:02.523 He did a thing with Jack Black, all about someone who, and it was Jack Black and... What's it called? 32:02.643 --> 32:02.823 Evil. 32:04.343 --> 32:06.544 No, it was Envy or something like that. 32:06.604 --> 32:07.605 Envy, it was called Envy. 32:07.625 --> 32:08.585 Was it Ben Stiller even? 32:08.605 --> 32:09.145 Yeah, yeah. 32:09.405 --> 32:14.367 And one of them invents a spray that just vaporises dog poo. 32:14.748 --> 32:17.529 And then the other one reckons that he had the idea first. 32:17.549 --> 32:18.009 You're right. 32:18.389 --> 32:20.810 And one of them makes a million. 32:20.970 --> 32:22.371 Anyway, it's all about this very thing. 32:22.651 --> 32:25.352 Here's one that I like for its simple brevity and power. 32:26.793 --> 32:27.695 It's an anonymous one. 32:27.835 --> 32:34.628 I developed the idea for Die Hard many years ago before it came out, but hey, I'm not bitter Tim painting his house and cursing Bruce Willis. 32:35.225 --> 32:40.789 Yeah, I'd develop the idea for Die Hard, but don't matter though, what do you mean develop the idea for Die Hard? 32:41.369 --> 32:43.131 I wonder what the idea, well presumably it was. 32:43.171 --> 32:51.837 What about a film with a bloat, divorce from his wife, going to visit her, get the papers signed, she gets kidnapped by terrorists at the office party. 32:52.217 --> 32:53.978 Call it something like Nakatami Towers. 32:54.518 --> 32:56.260 Yeah, never mind. 32:56.340 --> 33:00.983 And the terrorists sneak in there and he says yippee-ki-yay mother frungler. 33:01.403 --> 33:02.323 That's his catchphrase. 33:02.563 --> 33:03.484 That's your cup of tea. 33:05.384 --> 33:05.984 Well done, Tim. 33:06.004 --> 33:07.085 You must be gutted about that. 33:07.125 --> 33:08.005 You must be gutted. 33:08.025 --> 33:11.066 Here's an idea that I had a long time ago, right? 33:11.366 --> 33:13.206 And I swear I've got the drawings to prove this. 33:13.246 --> 33:22.809 When I was 12, I was thinking, you know, an obvious thing that doesn't exist in the world is a utensil that is a combination of a spoon and a fork. 33:23.069 --> 33:27.530 All you have to do is you have a spoon, but on one side of the spoon there are ridged 33:27.970 --> 33:29.851 Fork-like prongs, you know what I mean? 33:29.911 --> 33:32.793 So that you have the benefits of both the spoon and the fork. 33:33.373 --> 33:35.094 I was going to call it the food. 33:37.155 --> 33:37.955 That's where I went wrong. 33:38.175 --> 33:39.916 Because of course now that exists. 33:39.936 --> 33:42.338 You go to a camping shop and it's easy to find a spork. 33:43.398 --> 33:45.059 Every every camping shop will have a spork. 33:45.179 --> 33:46.060 But I invented them. 33:46.240 --> 33:57.226 Well, some ideas are kind of obvious is the wrong word, but like conjoined words or a simple juxtaposition of two things that already exist, a lot of people will have the idea. 33:57.306 --> 33:57.766 That's right. 33:57.806 --> 34:01.829 Happens a lot in art and, you know, writing and stuff, doesn't it? 34:01.869 --> 34:03.009 Just a dramatic idea. 34:03.069 --> 34:06.091 But the successful people are the people that go out and actually act on it. 34:06.111 --> 34:06.791 Do it, you know? 34:06.831 --> 34:07.852 Yeah, exactly. 34:07.992 --> 34:12.575 So we'll have some more of your texts about ideas that you had first coming up later on in the show. 34:13.276 --> 34:16.038 But right now, here are the... How do you pronounce it? 34:16.058 --> 34:17.759 Is it scat-a-lites or scar-ta-lites? 34:17.779 --> 34:18.260 Scat-a-lites. 34:18.560 --> 34:20.541 Scat-a-lites, okay, with ball of fire. 34:21.622 --> 34:22.943 Mmm, that's Cribs. 34:23.023 --> 34:24.104 Is it just Cribs or the Cribs? 34:24.124 --> 34:26.726 No, it's the Cribs and it's called Men's Kneeds. 34:26.806 --> 34:29.728 I would have listened to that a bit closer if I'd known that was what it was called. 34:29.768 --> 34:30.348 He doesn't really... 34:31.490 --> 34:32.251 I need men's. 34:32.751 --> 34:33.572 Yeah, exactly. 34:33.632 --> 34:35.375 So do I. I need men's. 34:35.895 --> 34:38.018 And that's from the album Men's Needs. 34:38.218 --> 34:38.859 Women's Needs. 34:39.120 --> 34:39.660 Whatever. 34:40.081 --> 34:40.502 Whatever. 34:40.642 --> 34:41.503 Whatever. 34:41.903 --> 34:42.504 That's good, man. 34:42.544 --> 34:43.145 I enjoyed that. 34:43.225 --> 34:43.546 The Cribs. 34:43.566 --> 34:45.708 This is Adam and Jo here on BBC Six Music. 34:46.209 --> 34:50.431 We've got a whole load of exciting things going on that you, the listeners, can get involved with. 34:50.451 --> 34:50.932 It's true, isn't it? 34:50.952 --> 34:51.892 There's almost too much. 34:51.952 --> 34:55.694 There's text the nation on the theme of ideas that you think you've had that other people have stolen. 34:56.014 --> 34:58.276 There's song wars coming up, which we want your votes for. 34:58.756 --> 35:00.917 You can choose the theme of next week's song wars. 35:00.937 --> 35:01.497 Oh my lord. 35:01.517 --> 35:03.939 You can suggest a theme for next week's text the nation. 35:04.499 --> 35:07.621 It's so interactive, I almost wonder why we bother coming in. 35:08.441 --> 35:09.122 I do too. 35:09.342 --> 35:10.042 Do you do too? 35:10.163 --> 35:10.903 Yes I do too. 35:10.943 --> 35:12.784 Yes I do too. 35:14.145 --> 35:26.954 We're going to be launching later on and we thought maybe you could come along but also we're going to be launching this week's Song Wars in just a second or rather we're going to be I'm confused 35:27.254 --> 35:27.854 Don't worry, man. 35:27.934 --> 35:37.017 It's confusing because we're about to play a Kate Nash song, and it's sending out weird nuclear waves of thoughtness. 35:37.037 --> 35:40.319 Hey, before the Kate Nash song, let me tell you a little story. 35:40.879 --> 35:41.099 OK. 35:41.219 --> 35:41.499 OK. 35:41.759 --> 35:43.900 I'm going to tell an old story in this voice. 35:43.960 --> 35:44.400 No, I'm not. 35:44.840 --> 35:45.120 I'm not. 35:45.400 --> 35:46.921 This is something that happened to a friend of mine. 35:46.941 --> 35:49.582 I'm going to change all the names, just in case of sensitivity. 35:50.682 --> 35:53.523 But let's call them Oscar and Leo, OK? 35:54.463 --> 35:55.284 My friend Oscar. 35:56.084 --> 36:10.048 He, about seven, eight years ago, he was walking along the street one day in London town and he saw a kind of sale going on in some groovy part of town of Camden, somewhere like that. 36:10.528 --> 36:19.190 And there was an artist just selling his some crappy little t-shirts and bits of paintings and stuff that he'd done on bits of all wood and cardboard. 36:20.070 --> 36:22.811 Anyway, he snapped one of them up because he thought it was sort of funny. 36:24.111 --> 36:25.352 Can you tell where this is going? 36:25.472 --> 36:26.752 It's going to be amazingly valuable. 36:26.872 --> 36:31.314 Well, it was a spray-on thing. 36:32.134 --> 36:33.754 It's Banksy. 36:33.794 --> 36:45.478 He bought a little piece of Banksy for his mate, Leo, and he paid about 80 quid for it, and he gave it to Leo as a birthday present about eight years ago. 36:46.338 --> 36:51.941 Anyway, Leo had it valued the other day because, of course, Banksy's in the news now. 36:52.101 --> 36:52.861 How much do you reckon? 36:53.401 --> 36:54.161 From 80 quid. 36:54.302 --> 36:56.823 This is just a little... Well, tens of thousands, I imagine. 36:56.843 --> 36:57.263 How big is it? 36:57.703 --> 36:58.183 It's small. 36:58.243 --> 36:59.744 It's like a tiny, crappy little thing. 36:59.804 --> 37:01.945 It's literally on a piece of old rubbishy cardboard. 37:01.965 --> 37:03.045 Well, then probably not tens. 37:03.205 --> 37:07.067 At his LA exhibition, they were selling for, you know, hundreds of thousands, weren't they? 37:07.087 --> 37:07.527 50,000 pounds. 37:10.228 --> 37:15.330 50 grand from an 80 quid investment in a little bit of Banksy. 37:16.270 --> 37:17.131 How cool is that? 37:17.191 --> 37:18.991 And here's the nice part of the story, right? 37:19.271 --> 37:23.353 Because this is when you get into, you know, it could have been me territory. 37:23.393 --> 37:25.573 What's that film with Nick Cage? 37:26.113 --> 37:26.854 It could happen to you. 37:27.454 --> 37:34.916 Anyway, Leo found out how much it was worth and now he's going to split the money with Oscar, who gave it to him. 37:35.156 --> 37:35.717 Isn't that nice? 37:35.757 --> 37:36.757 Just write down the real name. 37:37.038 --> 37:39.585 50-50, I'll tell you the real names while we're listening to Kate Nash. 37:39.625 --> 37:40.007 Not you, me. 37:40.027 --> 37:40.849 Not you, pumpkin soup. 37:43.618 --> 37:46.479 Kate Nash with a track called Pumpkin Soup. 37:46.519 --> 37:47.560 Is that really called Pumpkin Soup? 37:47.580 --> 37:48.700 Yeah, that's confusing, isn't it? 37:48.740 --> 37:49.000 It is. 37:49.040 --> 37:50.281 She doesn't sing about pumpkin soup. 37:50.301 --> 37:50.801 No, pumpkin soup. 37:50.841 --> 37:51.442 Or did I miss it? 37:51.522 --> 37:51.922 Mentioned. 37:52.062 --> 37:53.683 No, it's all about wanting someone's kiss. 37:53.783 --> 37:55.183 Yeah, that's not bad. 37:55.243 --> 37:58.245 It's slightly less irritating than the last one. 37:58.365 --> 37:59.085 That's very nice. 37:59.105 --> 38:00.526 A little bit of damning with faint praise there. 38:00.546 --> 38:05.268 Well, you know, I'm just acknowledging some people's feelings because it's very catchy. 38:05.448 --> 38:05.628 Yeah. 38:05.688 --> 38:08.469 But sometimes things that are catchy in a simple way become irritating. 38:08.489 --> 38:08.989 That's right. 38:09.049 --> 38:10.310 Even though they have innate goodness. 38:10.810 --> 38:11.871 They just get overplayed. 38:11.971 --> 38:12.271 Like us. 38:12.691 --> 38:28.346 yeah yeah yeah um there we go uh listen i've just got an important uh email from joel hues who sent in the suggestion for my song right last week it says morning it's joel hues here from last week's song wars just woke up did we win 38:29.447 --> 38:30.568 Oh, Joel, man, we didn't. 38:30.588 --> 38:33.390 Sorry to say, Joel, but you were trounced so much. 38:33.430 --> 38:34.391 We were trounced. 38:34.411 --> 38:34.631 75% to 25%. 38:34.691 --> 38:36.753 James Rohan and Neanderthal Man won. 38:37.753 --> 38:42.477 But now we have an entirely new set of songs for you in this week's Song Wars. 38:43.418 --> 38:44.579 Play that jingle. 38:45.119 --> 38:48.102 You didn't warn Ben about that, did you? 38:48.122 --> 38:48.822 Sorry, I didn't warn Ben. 38:48.842 --> 38:49.263 I threw him in there. 38:49.283 --> 38:51.705 Adam just pointed at him as if he was going to set it going. 38:51.985 --> 38:52.365 Here we go. 38:52.745 --> 38:53.946 It's time for Song Wars. 39:02.276 --> 39:13.481 Yes, indeedy and this week or other last week we told you that did we I can't remember it's so confusing no, no this week the songs were about They had to incorporate the following elements. 39:13.901 --> 39:19.203 Yes to be a sincere Yes, because we were having a discussion about how both Adam and I tended to sort of wrap up 39:19.463 --> 39:34.728 songs because we were a bit embarrassed about actually singing or do silly voices and stuff in a sincere way so we decided that this week's song we'd both try and sing in a sincere way so we had to pick a subject that we could be sincere and passionate about and that subject is global warming. 39:34.788 --> 39:41.630 Yeah climate change and that kind of thing and also the other element because we were listening to that Peter Bjorn and John track 39:42.910 --> 39:57.903 what's it called again young folks there you go with the wonderful whistling there and we thought that's the way to get a hit you know we've got to get some whistling so it had to be sincere it had to be about climate change and it had to incorporate whistling how do you think you've done on those three elements there Joe 39:58.820 --> 39:59.300 I don't know. 39:59.440 --> 40:00.901 I'm not that confident this week. 40:00.941 --> 40:01.841 How's the sincerity? 40:02.702 --> 40:06.563 The sincerity's... I don't know, man. 40:06.643 --> 40:07.523 You'd be the judge of that. 40:07.603 --> 40:09.444 It's very difficult, isn't it? 40:09.464 --> 40:11.405 I mean, even trying to be sincere. 40:11.785 --> 40:16.247 My lyrics about global warming, about climate change, are pretty much from the heart. 40:16.827 --> 40:21.529 And I was thinking back, like, they're sort of embarrassing because they're so stupid. 40:21.789 --> 40:22.729 Stupid. 40:22.829 --> 40:23.990 But I am a bit stupid. 40:24.150 --> 40:24.990 Do you try and sing? 40:26.231 --> 40:29.093 I'm really trying to sing my Knackers off. 40:30.013 --> 40:31.254 So anyway, shall we play the songs? 40:31.754 --> 40:33.115 Who wants to go first this week? 40:33.135 --> 40:33.916 Do you want to go first? 40:34.056 --> 40:34.696 I'll go first. 40:35.217 --> 40:35.777 What the hell? 40:36.838 --> 40:37.999 Yeah, this is my song. 40:38.219 --> 40:40.240 It's just called The Global Warming Song. 40:40.280 --> 40:41.601 I'm no good with naming the songs. 40:41.741 --> 40:44.023 No, mine is called Sincere Whistling Eco Song. 40:44.383 --> 40:46.304 That's more imaginative than my title. 40:46.985 --> 40:49.586 And this is kind of in the style of the Kings of Convenience. 40:49.906 --> 40:50.127 Right. 40:50.587 --> 40:50.887 Yeah. 40:51.247 --> 40:53.029 So it's kind of balladee and noodley. 40:53.429 --> 40:54.329 It has some whistling 40:56.270 --> 40:58.751 And it's also got the sound of a distressed polar bear. 40:59.352 --> 41:00.752 Oh, I thought about polar bears as well. 41:00.772 --> 41:01.032 Did you? 41:01.092 --> 41:02.333 Yeah, I've got a lyrical nod. 41:02.633 --> 41:04.033 So this is my track. 41:04.073 --> 41:05.854 This is called The Global Warming Song. 41:07.115 --> 41:09.015 No, Ben, stop. 41:09.115 --> 41:09.916 Stop, Ben. 41:09.936 --> 41:10.896 That's the wrong one. 41:11.856 --> 41:12.977 That could have been disastrous. 41:12.997 --> 41:13.977 If you've got the right one now. 41:14.217 --> 41:15.758 OK, this is my song, Joe's song. 41:15.798 --> 41:17.318 It's called The Global Warming Song. 41:17.458 --> 41:22.200 The world is dying. 41:22.220 --> 41:23.941 The world is dying. 41:26.025 --> 41:48.598 In a couple of years we will all be frying But don't worry about it, it might not be true A channel for documentary said everything might be cool 41:51.169 --> 42:05.172 Your voice procured to sleep provocative After all, the public's trust in TV is dying A book painter, arts and tech, who can we trust anymore? 42:11.920 --> 42:13.161 I don't know, it's confusing. 42:14.722 --> 42:17.444 It's the fact that it's sunny. 42:18.225 --> 42:21.408 A good thing or a bad thing. 42:21.948 --> 42:24.830 The coyote's so proto cold. 42:24.850 --> 42:27.573 It's cold and cold and cold. 42:27.593 --> 42:28.934 It fakes a lot Tony Blair. 42:28.954 --> 42:32.657 But the limits the government set are so low. 42:32.757 --> 42:36.119 It's a balling balling balling. 42:48.184 --> 42:52.641 rising and the polar bears feel pain 43:25.385 --> 43:27.847 There we are. 43:27.867 --> 43:29.248 That's the Global Warming song. 43:29.349 --> 43:29.709 Wow. 43:30.029 --> 43:30.610 That's good, man. 43:31.270 --> 43:33.512 I've got a few of those themes in there. 43:35.013 --> 43:36.194 I didn't go for Al Gore though. 43:36.214 --> 43:37.616 I tried to hold myself back on that one. 43:37.916 --> 43:38.436 Maidly. 43:38.696 --> 43:39.397 What's Maidly done? 43:39.417 --> 43:41.038 Maidly does the extreme weather program. 43:41.078 --> 43:42.720 He profits from global warming. 43:43.060 --> 43:45.022 While the world suffers, he's coining it. 43:45.422 --> 43:47.083 You have raised your game there, man. 43:47.143 --> 43:47.643 Do you think? 43:47.763 --> 43:51.145 You have raised... That took me less time than any other song I've ever done. 43:51.165 --> 43:51.425 No, did it? 43:51.645 --> 43:53.246 That's my favourite one of all the ones you've done. 43:53.326 --> 43:54.526 I really phoned that one in. 43:54.826 --> 43:55.747 That was good. 43:56.027 --> 43:56.987 I'm in trouble. 43:57.447 --> 43:57.908 Do you think? 43:58.028 --> 43:59.248 I'm in a little bit of trouble. 43:59.268 --> 44:00.049 It doesn't bode well. 44:00.449 --> 44:03.570 But musically, I've gone in a totally different direction, though. 44:04.110 --> 44:07.092 You're going to need to really put some volume beef into this, Ben. 44:08.232 --> 44:11.434 And mine is called the Sincere Whistling Eco Song. 44:11.534 --> 44:12.194 Check it out. 44:24.927 --> 44:34.376 People look around you cause your hold is disappearing People stop your whistling cause time is running out Can you forgive me baby, what have I done? 44:34.416 --> 44:44.807 You know I never meant to hurt you and I'm not the only one I was flying to the beach, I was driving just for fun Won't you listen to me whistle while I'm dying in the sun? 44:45.267 --> 44:48.050 Oh, people stop your whistling and think about the climb 45:16.229 --> 45:45.732 The polar bears are drowning and the seas are rising up And all because we like to drink out of a plastic cup The world will be a desert, or maybe under ice I can't remember which it is, but it will not be nice There might be time if we change our ways for ways That he starts with the scientific community says Although it is confusing, cause sometimes we disagree But changing our behavior should be good for you and me So if we stop and we're so little 45:46.232 --> 45:47.354 about the future. 45:47.374 --> 45:49.237 Keep on stopping with some later. 45:49.278 --> 45:50.560 Think about the kids. 46:08.872 --> 46:11.233 It's very low down. 46:11.393 --> 46:12.874 That's some more casserole strings in there. 46:12.894 --> 46:17.316 Did you put the backing track together or is that one that comes packaged? 46:17.396 --> 46:24.078 No, that was the little, I think it's called Island Reggae. 46:24.118 --> 46:25.719 That was pre-packaged, the rest of it. 46:25.779 --> 46:26.539 That's original. 46:26.840 --> 46:27.160 Really? 46:27.200 --> 46:29.320 Buxton skills. 46:29.541 --> 46:34.783 One of the many things I liked about that was that the lyrics and whistling just stopped for quite long periods. 46:34.803 --> 46:34.943 Yeah. 46:35.783 --> 46:36.903 Yeah, that was good, man. 46:37.023 --> 46:37.404 Thank you. 46:37.484 --> 46:45.006 It showed a confidence and both of us hitting there, the rising sea levels and the polar bears, obviously one of both of our chief concerns. 46:45.086 --> 46:50.328 And also, you know, talking about the fact that there is still a little controversy. 46:51.028 --> 46:56.830 There's no controversy about the fact that the climate is changing, but scientists are still disagreeing on key points. 46:57.990 --> 47:08.392 So listen, your job, please, it's not really a job, we're asking you, please, please do it, help us, Doctor, is to text and let us know which of those songs you think is the better one. 47:08.992 --> 47:12.693 Text 64046 during the show, vote Adam or Joe. 47:13.973 --> 47:16.374 Or while the song's off, if you're listening to this, what? 47:16.634 --> 47:24.576 While the show's off, if you're listening to this on Listen Again, you can email adamandjoe.sixmusicatbbc.co.uk. 47:24.896 --> 47:25.576 Yes, there you go. 47:26.497 --> 47:28.499 Now, do we have time for another track before the news? 47:28.719 --> 47:28.979 Yes. 47:29.079 --> 47:30.761 Okay, Joe, this is one that I think you chose. 47:30.781 --> 47:31.482 Well, that's nice. 47:31.522 --> 47:32.363 A bit of Cheap Trick. 47:32.643 --> 47:33.424 Yeah, this is great. 47:33.464 --> 47:38.009 This is from my favourite film ever, Over the Edge, directed by Jonathan Kaplan. 47:38.289 --> 47:43.495 It's by an American band from the 70s called Cheap Trick, and it's called Surrender. 47:45.566 --> 47:47.928 There you go, that's the Shins with Sea Legs. 47:48.008 --> 47:56.193 That's going to be their new single released on December the 3rd from their album, Wintzing the Night Away, which you should really get if you haven't got already. 47:56.253 --> 47:56.654 Wintzing. 47:57.054 --> 47:57.594 Wintzing. 47:57.895 --> 47:58.195 Yeah. 47:58.995 --> 47:59.456 Wintzing. 47:59.696 --> 48:01.217 How do you wince the night away? 48:01.437 --> 48:03.618 Yeah, you just go, oh dear, oh dear. 48:03.659 --> 48:05.019 You just wander around going, ooh. 48:05.140 --> 48:05.280 Why? 48:05.300 --> 48:07.161 Because you're in the company of embarrassing people. 48:07.361 --> 48:08.222 Yeah, I would say so. 48:08.242 --> 48:09.542 He's socially awkward, you know? 48:09.563 --> 48:11.304 Sounds a bit aloof of the shins. 48:11.484 --> 48:12.524 They are a little bit aloof. 48:12.625 --> 48:12.865 Are they? 48:12.885 --> 48:15.967 I mean, they spend the whole evening wincing at other people's behaviour. 48:15.987 --> 48:17.027 That's what they're going to be doing. 48:17.047 --> 48:19.509 They're going to be going around going, oh, I don't belong here. 48:19.529 --> 48:20.810 I'm a creep. 48:21.010 --> 48:21.851 I'm a weirdo. 48:22.271 --> 48:23.171 What am I doing here? 48:23.312 --> 48:24.412 I don't belong here. 48:24.772 --> 48:26.954 You know, it's a classic theme for the indie popsters. 48:27.094 --> 48:27.454 It's true. 48:28.015 --> 48:29.456 But what an amazing song. 48:29.516 --> 48:31.017 And what a fantastic band. 48:31.077 --> 48:33.098 That's one of the... It's one of my albums of the year, John. 48:33.338 --> 48:33.878 Is it really? 48:33.939 --> 48:34.859 Yeah, wincing an iron one. 48:38.161 --> 48:39.301 It's text the nation time. 48:39.341 --> 48:40.962 Thanks to everybody who's been texting in. 48:40.982 --> 48:51.287 We're going to catch up with some of your texts about ideas you believe have been stolen from you or that you had first and then have appeared, sponsored and marketed by someone else who's coining the cash that should be yours. 48:51.727 --> 48:56.550 This is one from Richard Flight and he's in the climber's shop. 48:57.230 --> 48:59.491 Did we have someone else texting from the climbing shop? 48:59.651 --> 49:03.333 He was the web guy from the climbers shop before who texted I think. 49:03.413 --> 49:05.014 Well we're reading out another one from him then. 49:05.034 --> 49:05.374 Okay. 49:05.755 --> 49:08.276 Hi Adam and Jo on the subject of having ideas before they were popular. 49:08.296 --> 49:15.100 When I was a kid the wallpaper in my parents' toilet, the room, not the toilet itself, the papers are toilet. 49:15.640 --> 49:16.360 No, exactly. 49:16.640 --> 49:18.981 ...was a repetitive pattern of some flower or other. 49:19.561 --> 49:27.084 I happened to notice one day that if you weren't focusing on the wall itself, they sometimes all converged and started to look three-dimensional. 49:27.744 --> 49:32.406 I thought at the time how cool that was, and I used to do it a lot whilst revealing myself. 49:32.926 --> 49:36.227 I even tried to make some drawings that did the same thing and became three-dimensional. 49:36.247 --> 49:39.868 Well, obviously I was just a kid, didn't have a fully formed marketing plan, so forgot about it. 49:40.188 --> 49:43.890 Lo and behold, a few years later, magic eye pictures were all the rage. 49:43.990 --> 49:44.470 Magic eye! 49:44.810 --> 49:50.415 Every kid had one on their bedroom wall and every spare person was selling them on street corners. 49:50.475 --> 49:51.095 Damnation! 49:51.436 --> 49:52.016 That's right. 49:52.296 --> 49:55.639 That's a nice way of categorising the people that sell things like that as well. 49:55.899 --> 49:56.200 What? 49:56.260 --> 49:56.980 Spare people? 49:57.361 --> 49:58.882 Well, he didn't use the word people. 49:59.282 --> 50:02.004 He used a word that I'm not sure I can say on radio. 50:02.185 --> 50:02.885 Almost certainly not. 50:03.225 --> 50:03.826 That's a good one. 50:03.866 --> 50:04.306 Thanks for that. 50:04.767 --> 50:05.327 Yeah. 50:05.447 --> 50:06.768 Dean Mitchell from Trowbridge. 50:07.369 --> 50:09.451 The gateway to the gateway to Bath. 50:10.091 --> 50:11.051 But whose phone was that? 50:11.231 --> 50:11.992 Don't think it was mine. 50:12.032 --> 50:12.992 Mine just buzzes. 50:13.112 --> 50:13.312 Oops. 50:14.473 --> 50:20.635 Dean says, I was the first person in the world to attach card with pegs to my rally tomahawk and latterly my chopper. 50:20.915 --> 50:21.015 No. 50:21.095 --> 50:23.996 It made a clicking noise which sounded a bit like a moped but not really. 50:24.076 --> 50:24.817 You're insane. 50:24.857 --> 50:27.258 People have been doing that since the 50s for goodness sake. 50:27.598 --> 50:27.978 Do you think? 50:28.098 --> 50:28.698 Yes. 50:29.058 --> 50:30.139 Dean reckons it was him. 50:30.199 --> 50:30.979 It wasn't you, Dean. 50:31.239 --> 50:35.021 But that's a good example of someone with an inflated sense of significance. 50:35.061 --> 50:35.261 Yeah. 50:36.201 --> 50:36.862 Wouldn't you say? 50:37.002 --> 50:37.982 Yeah, definitely. 50:38.343 --> 50:40.684 Here's what David Oldham offers us. 50:40.985 --> 50:43.186 Oh, his name's Dave, offers us three ones. 50:43.847 --> 50:44.827 Here's my favourite of the three. 50:44.847 --> 50:49.471 My brother has been known to write short stories in the postmodern slash Paul Auster style. 50:50.191 --> 50:51.172 I wouldn't know what that was. 50:51.312 --> 50:52.553 You've never read any Paul Auster? 50:52.653 --> 50:52.933 No. 50:53.314 --> 50:54.695 New York trilogy, wasn't that his? 50:54.715 --> 50:55.876 Does he write for Heat magazine? 50:56.196 --> 50:56.396 No. 50:56.416 --> 50:57.837 Oh, in that case, I'm not familiar with it. 50:57.857 --> 50:58.057 He can't. 50:58.217 --> 50:58.598 He can't. 50:58.638 --> 51:00.519 He sends them stuff, but they will not publish it. 51:00.539 --> 51:01.079 He won't do it. 51:01.760 --> 51:02.320 He's brilliant. 51:02.400 --> 51:04.102 He writes really clever stuff. 51:04.722 --> 51:05.822 and you should read a book. 51:05.982 --> 51:08.043 I'm gonna go and find one of them. 51:08.103 --> 51:09.723 Where do you find these books? 51:10.243 --> 51:10.724 Stations. 51:11.244 --> 51:11.784 Stations? 51:11.804 --> 51:12.704 Train stations, yeah. 51:12.724 --> 51:14.565 Okay, I'm gonna go to a train station. 51:14.605 --> 51:26.928 He writes kind of very, kind of intellectual, you know, postmodern but brilliant, really good stories and they're always profoundly meaningful and amazing connections and stuff about tramps who are actually millionaires and that sort of business. 51:27.868 --> 51:28.889 Is it like Roald Dahl? 51:28.949 --> 51:31.030 It's like the Channel 4 series The Secret Millionaire. 51:31.130 --> 51:31.570 Okay, good. 51:31.630 --> 51:31.790 Yeah. 51:32.211 --> 51:34.472 He once told me the outline of a story he was working on. 51:34.492 --> 51:37.754 It was about a girl who is ignored by friends and colleagues. 51:38.294 --> 51:40.996 After being ignored for so long, she eventually becomes invisible. 51:41.176 --> 51:41.396 Yeah. 51:41.776 --> 51:42.417 Yeah, that's good. 51:42.537 --> 51:43.037 That is good. 51:43.557 --> 52:02.176 uh he's she's sort of erased by people ignoring her right yeah he'd got the whole thing planned out he was going to write it up he looked gutted when i told him that what he just described was an episode of buffy the vampire slayer yeah i know that he can't have nicked it from buffy because his girlfriend considers buffy porn and won't let him watch this 52:03.096 --> 52:21.946 quite right that is very frustrating when you have that that kind of synchronous thing you're just not aware of the fact that this is going on in the world already I remember when I was at college I was doing a lot of kind of goofy parodies of the news and it was all about the delivery of the news you know the way news readers I remember that pre-day today yeah and 52:23.067 --> 52:32.091 And then, of course, and I wasn't listening to the radio at the time, but if I had been, I would have known that Chris Morris and Amanda Inucci were doing the radio version of the day-to-day, which was called On The Hour. 52:32.291 --> 52:38.134 And that was pointed out to me by my tutor at college, who suggested that I equate myself with what was going on in the world. 52:38.174 --> 52:39.675 And of course, they were doing it slightly better. 52:40.195 --> 52:40.835 Oh dear. 52:41.695 --> 52:43.396 Here's another one from Kerry McNabb. 52:44.196 --> 52:47.477 Uh, dear Adam and Joe, firstly it's marvellous to hear you on the airwaves again. 52:47.797 --> 52:48.737 Just had to read that for now. 52:48.757 --> 52:49.357 That's nice, isn't it? 52:49.517 --> 52:50.437 Uh, but I have to rant. 52:50.617 --> 52:55.479 My flatmate and I had the idea for the film Run Fat Boy Run, way before Peg came up with it. 52:56.119 --> 52:59.419 We not only wrote our idea down, but also cast it as well. 52:59.479 --> 53:03.200 Then, lo and behold, it was made without our consultation, which is rude. 53:03.340 --> 53:06.221 This is like the lady who was on Dragon's Den the other day. 53:06.741 --> 53:32.321 with her bizarre film idea yeah you know see they cast it as well what they were going to cast peg swimmer didn't swimmer come up with that peg rewrote the script i'm not sure that the peg came up with the actual idea it was set in america then then he wrote rewrote it for england right but uh yeah that's frustrating i haven't seen run fat boy run have you no still haven't seen it it was it did very well didn't extremely well it's the peg factor man he's gold that guy he's gold everything he touches yeah there you go 53:33.861 --> 53:36.602 So we have a few more of these a bit later on, we'll wrap that up in a second. 53:37.582 --> 53:40.743 But right now, here is the Queen of the Stone Age. 53:40.783 --> 53:44.684 This reminds me that we haven't replied to Zane's invitation yet, have you? 53:45.144 --> 53:46.824 Zane Lowe's party invitation, no. 53:46.844 --> 53:48.905 He's gonna be anxious. 53:49.085 --> 53:50.425 This is one of his favourite bands. 53:50.685 --> 53:52.206 My email's been down, that's my excuse. 53:52.286 --> 53:53.886 Anyway, here's Queen of the Stone Age, enjoy it. 53:56.249 --> 54:00.431 That's the Queens of the Stone Age with make it wit chew. 54:01.231 --> 54:02.312 Does that mean Chewbacca? 54:02.932 --> 54:03.472 Yes, it does. 54:03.552 --> 54:05.053 He wants to make love to Chewbacca. 54:05.073 --> 54:07.954 He wants to have a little hairy snog with a wookie. 54:08.154 --> 54:10.715 Yeah, I wouldn't go further than a snog because they're violent animals. 54:11.096 --> 54:14.277 Their mating habits are quite bizarre. 54:14.557 --> 54:16.378 I don't even want to think about the implications. 54:16.578 --> 54:19.039 I wouldn't, but take it from me. 54:19.459 --> 54:21.840 They have two shampoo all over afterwards. 54:22.000 --> 54:22.781 Yeah, yeah, yeah. 54:22.801 --> 54:23.061 A wookie. 54:24.121 --> 54:27.543 Now, Joe, I know that you're not a fan of I'm a celebrity, get me out of here. 54:28.304 --> 54:28.844 That's true. 54:28.944 --> 54:31.786 Despite the fact that, you know, Ant and Dec presented. 54:32.286 --> 54:33.207 It's true, they're brills. 54:33.607 --> 54:34.728 I love Ant and Dec, you know? 54:34.748 --> 54:40.171 I do my best to dislike them because it seems to be like that's what a sort of cynical person would do. 54:40.691 --> 54:42.813 But I can't do it because they're good, man. 54:42.853 --> 54:43.593 I like them. 54:43.673 --> 54:44.314 They're amusing. 54:44.454 --> 54:45.914 I chuckle at all their lame gags. 54:46.295 --> 54:47.656 They do a good job on that programme. 54:47.676 --> 54:50.717 Do you remember I ran into them in Los Angeles earlier in the year? 54:50.737 --> 54:51.038 Did you? 54:51.278 --> 54:51.578 Yeah. 54:51.978 --> 54:52.699 In a restaurant. 54:52.739 --> 54:53.159 How was that? 54:53.839 --> 54:54.460 Which one's which? 54:55.181 --> 54:57.743 Ant is the taller of the two, with a slightly more dough-like head. 54:57.763 --> 54:58.524 He looked depressed. 54:59.205 --> 55:00.066 He didn't say much. 55:01.007 --> 55:02.808 He fixed me with a slightly surly gaze. 55:02.868 --> 55:03.789 Did he? 55:03.809 --> 55:05.851 The other one... Deck, Declan. 55:05.891 --> 55:06.712 ...was really lovely. 55:06.952 --> 55:13.019 I'm not saying that that's their characters, but just at that particular moment, tall ones seemed quite tired. 55:13.099 --> 55:15.641 Yeah, Ant is more volatile, I get the impression. 55:15.661 --> 55:16.782 They were sitting in silence. 55:17.663 --> 55:19.824 Well, I'm sure they're talked out. 55:19.864 --> 55:22.364 The restaurant was quite empty and they were sat there in complete silence. 55:22.384 --> 55:23.205 Like a married couple. 55:23.245 --> 55:24.045 With a blonde lady. 55:24.205 --> 55:27.586 Probably like what you and me would be like if we were in LA in a restaurant. 55:27.886 --> 55:28.786 What would we say to each other? 55:28.806 --> 55:29.446 We'd be excited. 55:29.466 --> 55:31.567 We'd be unwrapping DVDs and stuff. 55:31.967 --> 55:32.707 That's right. 55:32.727 --> 55:33.868 And flicking through mags. 55:35.328 --> 56:01.310 Anyway, anyway, it wasn't that in the deck that I was going to talk about, and I'm sure that, you know, everybody's been talking about this if they have been watching the show, but Mark Bannerman, I didn't even know who this guy was last week, but do you remember I mentioned the fact that I was concerned for his girlfriend because there was a burgeoning romance on the programme between EastEnders star, as I now understand that he is, Mark Bannerman and Kerris Matthews, former singer of Catatonia, who's been on the show, and they were flirting like nobody's business for the first week out there. 56:02.171 --> 56:05.593 And it was really sort of pretty sexy, steamy stuff. 56:06.273 --> 56:08.034 Nothing actually happened, okay? 56:08.474 --> 56:13.417 Nothing more extremely physical than a hug here and there, but there were some very lingering looks going on. 56:13.797 --> 56:17.519 And you could really tell that they felt something intense was happening. 56:17.539 --> 56:19.620 Intense and spiritual was going on. 56:19.660 --> 56:25.783 And of course, the program makers edited it to make it look like it was more or less a done sexy deal. 56:26.003 --> 56:26.143 Yeah. 56:26.683 --> 56:29.766 So I was worried for the girlfriend of Mark Bannerman. 56:29.786 --> 56:33.649 I don't think Kerris is in a relationship at the moment, but Mark Bannerman was. 56:33.669 --> 56:36.711 I was thinking, man, this guy is going to pay the price when he gets out. 56:36.991 --> 56:39.433 Sure enough, this week he was the first to be booted out. 56:40.194 --> 56:45.958 And not waiting for him there was his girlfriend, who had flown out a few days before him. 56:45.978 --> 56:46.799 Not waiting for him? 56:46.999 --> 56:47.720 She didn't show up? 56:47.860 --> 56:51.323 She'd gone out to Australia a few days before, but while she was on the plane, 56:52.003 --> 56:53.284 things had got even steamier. 56:53.465 --> 57:00.952 So when she arrived in Australia, she was confronted with a load more steamy footage and... What sort of thing had been happening? 57:01.743 --> 57:03.405 The looks had got even more lingering. 57:03.525 --> 57:05.147 The toad ain't gone in the hole. 57:05.327 --> 57:07.710 No, no, there was no whole toad action. 57:08.531 --> 57:15.759 It was just that it was the writing was very much on the war, you know, and he was even saying to the other members of the camp, you know, I think I'm in real trouble. 57:15.799 --> 57:17.661 I think I'm really in so many words. 57:17.681 --> 57:20.745 He was saying, I think I'm falling in love with her, you know, with the Welsh songstress. 57:20.905 --> 57:22.166 Yeah, with the popstrel. 57:23.127 --> 57:25.348 Um, I'm never going to say pop still again in my life. 57:25.649 --> 57:34.754 Um, but you know, at first, when, when his girlfriend turned up, I think she's called Sarah at the airport and there was loads of paparazzi round her all snapping away. 57:34.994 --> 57:39.517 She seemed fairly upbeat to the extent that I thought maybe it's not even a real relationship. 57:39.537 --> 57:40.037 Do you know what I mean? 57:40.077 --> 57:44.599 Maybe, maybe he was just saying like, look, pretend to be my, it's a panto. 57:45.700 --> 57:50.605 And you can stand a hotel, but I don't think that's true. 57:50.685 --> 57:53.348 I think she just didn't realise how steamy it had gotten. 57:53.849 --> 57:57.653 Anyway, by the time he was ejected, she had left. 57:57.893 --> 58:00.456 She had gone on a plane and gone back. 58:00.656 --> 58:01.938 She wasn't having any more of it. 58:02.598 --> 58:11.645 So he gets out of the show and sits down with that in deck to have the post-prandial chat and have the glass of champagne and look back at some clips and be all upbeat about it. 58:12.166 --> 58:13.246 And he's like, where's Sarah? 58:13.287 --> 58:14.988 And they said she's flown back. 58:15.308 --> 58:22.754 And he was absolutely ashen-faced, mortified to the extent that he couldn't really indulge in any of the upbeat banter. 58:23.374 --> 58:24.255 He couldn't do anything. 58:24.275 --> 58:26.417 They were saying, so give us some gossip from the camp. 58:26.437 --> 58:28.038 He's like, mate, I can't. 58:28.398 --> 58:29.499 I've embarrassed her. 58:29.519 --> 58:30.440 I've embarrassed myself. 58:30.640 --> 58:52.635 so they had to fill like half an hour of telly uh they had to they had to do a little bit of filling they had lots of packages they could throw to but the packages compounded his uh mortification because he saw the way he'd come across and i've never seen anything so viscerally real on tv for quite some time this guy was totally destroyed in terms of his emotional reaction yeah i felt bad for him i mean obviously he'd behaved like a bit of a prat 58:53.515 --> 58:57.276 in some ways, but on the other hand, he was clearly gutted. 58:57.596 --> 59:10.039 And not only that, but the weeks were stretching ahead of him, the idea that not only could he not enjoy the hotel and everything that's laid on for them out there, he had to get right back on the plane and head back to what was going to be a pretty miserable time. 59:10.059 --> 59:10.339 Patch Adams. 59:10.579 --> 59:12.860 Yeah, do some serious Patch Adams work. 59:13.520 --> 59:18.521 And then later on I went over to ITV2 and they had Matt Willis from Busted who won last year presenting. 59:19.321 --> 59:38.509 and he got a little interview with Mark Bannerman but Matt Willis was in no way equipped to deal with the raw levels of emotion so he was saying so how was it and he's like mate I can't even talk to you now I've got I've got to get on a plane I've got a phone call to make I'm in real trouble he's like yeah yeah but I mean funny stories or anything I can't look I just can't 59:38.909 --> 59:43.233 And Matt Willis was totally in trouble because the rawness was too intense. 59:43.253 --> 59:43.874 I've got to see that. 59:43.894 --> 59:44.695 I've got to YouTube that. 59:44.715 --> 59:45.756 Yeah, yeah. 59:45.876 --> 59:47.177 It was a pretty extraordinary moment. 59:47.397 --> 59:48.158 Anyway, there you go. 59:48.198 --> 59:53.543 Now here's a track from The Fall that I've chosen for you listeners after that long diversion into the jungle. 59:53.924 --> 59:54.705 I hope you enjoy this. 59:54.765 --> 59:59.669 This is from their album The Unutterable and they're never less than interesting The Fall and 01:00:00.470 --> 01:00:02.192 sonically, orally, hourly. 01:00:02.532 --> 01:00:12.880 This is sort of weird for the four, very electronically, but I like it particularly because it ends with Marky Smith sort of reading from what appears to be an article about the DJ Pete Tong. 01:00:13.220 --> 01:00:22.587 So he starts reading out little facts about Pete Tong from this article about what he carries around with him in his purse or whatever, to the extent that he sort of cracks himself up while he's reading it. 01:00:22.627 --> 01:00:23.068 Hope you enjoy it. 01:00:23.088 --> 01:00:24.789 This is called Dr. Buck's Letter by the Four. 01:00:33.325 --> 01:00:35.400 The essence of time now. 01:00:42.262 --> 01:00:42.923 Checklist. 01:00:43.543 --> 01:00:46.005 I never leave home without one. 01:00:46.385 --> 01:00:47.806 Sunglasses. 01:00:48.126 --> 01:00:54.330 I wear them all year round and seem to need them more often. 01:00:54.530 --> 01:00:56.071 It's a habit. 01:00:56.251 --> 01:00:56.812 Music. 01:00:57.372 --> 01:00:57.933 Cassettes. 01:00:58.773 --> 01:00:59.333 CDs. 01:01:01.195 --> 01:01:03.116 Three palm pilots. 01:01:03.897 --> 01:01:05.097 It's my lifeline. 01:01:05.518 --> 01:01:08.279 I think it's my PA's computer. 01:01:09.360 --> 01:01:11.622 She runs my diary and I download it. 01:01:13.003 --> 01:01:14.363 Four of our phone. 01:01:16.124 --> 01:01:18.066 Five Amex card. 01:01:19.386 --> 01:01:21.828 They made such a fuss about giving it to me. 01:01:22.808 --> 01:01:27.471 But I spent four times getting it turned down. 01:01:29.913 --> 01:01:32.975 I was in the realm of the essence of Tong. 01:01:45.489 --> 01:01:46.230 Very exciting. 01:01:46.870 --> 01:01:49.472 Arctic Monkeys with a track called Teddy Picker. 01:01:49.492 --> 01:01:52.354 Do you remember when we first heard about the Arctic Monkeys? 01:01:52.394 --> 01:02:01.040 You came into the studio when we were back at XFM and you had an article that you cut out and you said, look at this, these guys, can you believe there's a band called the Arctic Monkeys? 01:02:01.080 --> 01:02:01.360 Did I? 01:02:01.600 --> 01:02:01.880 Yeah. 01:02:02.161 --> 01:02:04.242 And you said, I've been reading all this hype about them. 01:02:04.282 --> 01:02:05.243 I'm sick of them already. 01:02:05.263 --> 01:02:05.743 Did I? 01:02:05.763 --> 01:02:07.404 I haven't even heard a bit of their music yet. 01:02:07.444 --> 01:02:07.624 Yeah. 01:02:07.644 --> 01:02:09.586 And we were both pouring scorn all over the notion. 01:02:09.646 --> 01:02:10.466 We were stupid. 01:02:10.607 --> 01:02:12.428 We were stupid because they turned out to be wickles. 01:02:12.748 --> 01:02:13.749 What a couple of idiots. 01:02:16.011 --> 01:02:16.732 Wickle wackles. 01:02:16.872 --> 01:02:17.773 I forgot about that. 01:02:17.793 --> 01:02:18.633 Yeah, there you go. 01:02:18.814 --> 01:02:20.355 It is a bad name for a band, though, still. 01:02:20.795 --> 01:02:21.256 I like it. 01:02:21.276 --> 01:02:21.636 Do you? 01:02:21.656 --> 01:02:21.856 Yeah. 01:02:21.876 --> 01:02:22.697 You're not used to it now. 01:02:22.717 --> 01:02:23.458 They don't exist. 01:02:23.898 --> 01:02:25.280 They couldn't survive in the Arctic. 01:02:25.960 --> 01:02:27.301 I thought they were Arctic monkeys. 01:02:27.401 --> 01:02:28.162 They do exist. 01:02:28.442 --> 01:02:30.064 They can survive in the Arctic. 01:02:30.144 --> 01:02:33.207 Maybe not in the Arctic, but I'm thinking of that film as it happened. 01:02:33.227 --> 01:02:34.028 I like to say the sea. 01:02:34.208 --> 01:02:34.988 Power cut sea. 01:02:35.109 --> 01:02:35.449 Arctic. 01:02:35.749 --> 01:02:41.251 Arctic nice and hard in them our cat see or one of those films. 01:02:41.311 --> 01:02:54.997 No, it's it's a who Kawa Nitzkwa Boracu Boracu Boracu Boracu Boracu, you know, it's one of the films about with long shots of sunsets and people yeah, it is and stuff and quite an it's so yeah power cat see and quite a scotchy 01:02:55.817 --> 01:02:58.198 I think it's Boracar, the tree people, or whatever it was. 01:02:58.218 --> 01:03:04.442 That's got a monkey with ice on its head and it's in a lake that's peeking out of the freezing. 01:03:04.462 --> 01:03:05.783 Borac should do a film like that. 01:03:06.143 --> 01:03:06.663 That's a good idea. 01:03:06.683 --> 01:03:07.804 Boraczkan Krowski. 01:03:08.484 --> 01:03:12.286 If you'd just be wandering around in, like, Mexican salt mines. 01:03:12.426 --> 01:03:14.147 Are there salt mines in Mexico? 01:03:14.187 --> 01:03:15.488 We can find some for you. 01:03:15.708 --> 01:03:16.889 Aye, we don't know what we're talking about. 01:03:17.169 --> 01:03:19.430 This is Adam and Jo on BBC Six Music. 01:03:19.611 --> 01:03:21.412 We should probably wrap up Text the Nation now. 01:03:21.432 --> 01:03:23.753 Could we just have the Text the Nation jingle one more time there? 01:03:26.670 --> 01:03:28.131 Text, text, textination. 01:03:28.191 --> 01:03:29.152 What if I don't want to? 01:03:29.392 --> 01:03:30.132 Textination. 01:03:30.212 --> 01:03:31.213 But I'm using email. 01:03:31.393 --> 01:03:32.133 Is that a problem? 01:03:32.153 --> 01:03:35.095 It doesn't matter, text. 01:03:35.555 --> 01:03:38.557 This is an email sent from GP. 01:03:39.258 --> 01:03:39.498 What? 01:03:39.578 --> 01:03:40.298 From your GP. 01:03:40.939 --> 01:03:44.521 His name's Giles Pocklington, but he shortens it to GP. 01:03:44.701 --> 01:03:45.261 He's a GP. 01:03:45.461 --> 01:03:46.462 Yeah. 01:03:46.562 --> 01:03:46.922 Here we go. 01:03:46.962 --> 01:03:50.484 Dear Adam and Joe, this is a list of things I'm sure I thought of years before they appeared in the marketplace. 01:03:50.524 --> 01:03:52.806 Number one, the hard drive video recorder. 01:03:53.246 --> 01:03:56.752 I told my mum about my great idea when I was 13, 23 years ago. 01:03:57.192 --> 01:04:01.939 Maybe my mum sold her son's idea to EnormoCorp, but I haven't experienced any trickle down yet. 01:04:02.160 --> 01:04:06.066 Wait a second, hard drive video, so what would his description have been then? 01:04:06.486 --> 01:04:08.709 Uh, recording video images onto a computer hard disk. 01:04:09.770 --> 01:04:12.211 Yeah. 01:04:12.231 --> 01:04:12.851 23 years ago. 01:04:12.871 --> 01:04:14.752 23, he reckons. 01:04:14.892 --> 01:04:15.613 I think that's a lie. 01:04:16.073 --> 01:04:17.753 Because also it would have been meaningless back then. 01:04:17.793 --> 01:04:18.554 Did you hear that, GP? 01:04:18.574 --> 01:04:19.174 GP, I'm not having it. 01:04:19.194 --> 01:04:20.094 I'm just calling you a liar. 01:04:20.134 --> 01:04:24.196 Because what would... I don't understand what your idea would have been because it would have been totally meaningless. 01:04:24.216 --> 01:04:26.357 You needed the capacity and back... You're picking a fight with GP. 01:04:26.377 --> 01:04:30.578 Back then, like, a big computer back then was about 200 megabytes of space, you know what I mean? 01:04:30.598 --> 01:04:31.739 Yeah, you could still come up with a premise. 01:04:32.339 --> 01:04:33.981 Yeah, right hold off on your anger. 01:04:34.181 --> 01:04:51.837 Here's the second one dog it the yogurt for dogs This started out as a weak joke actually a spin-off from my cat cheese idea But that's a good idea But then I thought that dog owners are generally so soppy that they would buy this again Someone has stolen my brainwaves and he includes a picture of a dog with a four-pack of dog. 01:04:51.917 --> 01:04:53.499 There you go That's a good idea, man 01:04:54.259 --> 01:05:03.004 You know, and the fact that he says it's a weak joke, self-effacing, admitting, you know, that that weakness, to me, strengthens the probability that the hardest recorder is true. 01:05:03.404 --> 01:05:04.945 I think he's honest with himself. 01:05:04.985 --> 01:05:06.726 Maybe he's a visionary like Dr. Nakamats. 01:05:06.746 --> 01:05:08.187 Maybe, and you just can't accept it. 01:05:08.687 --> 01:05:16.171 Idea number three, I also had an idea about a mesh that could be woven into an aircraft's fuselage, which could tell the pilot if any damage had occurred on the plane. 01:05:16.711 --> 01:05:31.888 Based on my own extensive experience of building Lego fighter planes next year It appeared on tomorrow's world and I'd like to say that he puts an apostrophe before the P of plane Which again is attention to detail that to me suggests that this you do that as well They put an apostrophe in front of its correct English. 01:05:32.108 --> 01:05:34.190 Yeah, do I have to phone phone? 01:05:34.390 --> 01:05:34.831 I'm cool 01:05:35.912 --> 01:05:37.873 And I think I get on very well with GP. 01:05:38.333 --> 01:05:39.554 GP, I believe all of that. 01:05:39.854 --> 01:05:42.356 Man, GP, act on some of these ideas, guy. 01:05:42.396 --> 01:05:42.996 For goodness sake. 01:05:43.016 --> 01:05:44.097 Yeah, the next one, do it. 01:05:44.157 --> 01:05:45.398 Yeah, seriously. 01:05:45.578 --> 01:05:46.138 Patented. 01:05:46.659 --> 01:05:48.080 Here's one from Steve Banjo. 01:05:48.680 --> 01:05:49.721 Stevie Banjo. 01:05:49.741 --> 01:05:50.561 Steven Banjo. 01:05:51.182 --> 01:05:56.045 Three years ago, I was at a lavish corporate drinks stew and ended up chatting to the director of communications for McDonald's. 01:05:56.545 --> 01:06:01.929 I got really rather drunk in Larry and began telling him that I knew McDonald's marketing strategy at the time was all wrong, mate. 01:06:02.530 --> 01:06:04.872 All about trying to convince us how healthy McD's was. 01:06:04.912 --> 01:06:07.614 They do salads, lower salt content, etc, etc, rubbish. 01:06:08.054 --> 01:06:09.135 You're barking up the wrong tree. 01:06:09.155 --> 01:06:13.418 It's not healthiness that'll get your average middle-class taxpayer into Mickey D's. 01:06:13.458 --> 01:06:14.579 I said it's quality. 01:06:15.040 --> 01:06:16.821 People don't expect a burger to be healthy. 01:06:17.041 --> 01:06:18.582 They just want it made out of proper meat. 01:06:19.563 --> 01:06:19.863 Okay? 01:06:19.883 --> 01:06:20.363 Right. 01:06:20.443 --> 01:06:26.605 So instead of trying to convince us it's healthy, which will never work, just add a completely premium burger to the menu, I argued. 01:06:26.845 --> 01:06:28.945 You could get Aberdeen Angus steak even. 01:06:29.205 --> 01:06:33.526 You've got the supply chain, the contacts, the farmers, the marketing, the outlets, everything you need. 01:06:33.566 --> 01:06:34.227 It'd be easy. 01:06:34.667 --> 01:06:39.148 All you do is buy good steak meat, cook it properly, slap it on the menu for $5.99. 01:06:40.068 --> 01:06:42.749 If you just had that one burger on the menu, I'd go to McDonald's. 01:06:43.009 --> 01:06:46.310 You can call it, I said in a moment of inspiration, the McAngus. 01:06:47.010 --> 01:06:47.710 And they have one. 01:06:48.484 --> 01:06:57.788 Yeah, he didn't listen to me, but one year later, I was walking down Queensway and was arrested by a massive banner in the window of McDonald's... Burger... I'm having to skip bits that are quite rude about McDonald's. 01:06:57.828 --> 01:06:58.028 Right. 01:06:58.468 --> 01:07:00.209 Uh... Oh no, it's in Burger King. 01:07:00.229 --> 01:07:01.689 The... in the window of Burger King. 01:07:02.169 --> 01:07:05.151 Knew that Angus Burger made with Aberdeen Angus steak meat. 01:07:05.351 --> 01:07:06.031 There you go. 01:07:06.131 --> 01:07:09.572 So Mickey D didn't even pay attention when a gift horse was looking him in the mouth. 01:07:09.732 --> 01:07:12.314 He probably mentioned it drunkenly to the Burger King guy. 01:07:12.414 --> 01:07:12.694 Right. 01:07:12.794 --> 01:07:14.434 At one of the secret Burger King things. 01:07:14.454 --> 01:07:16.015 The clown got wasted and he was sick. 01:07:16.235 --> 01:07:27.749 Staggering over the muck bohemian Grove he went over to the king and the king was there looking creepy at the ATM or whatever And he just mentioned the Angus idea Well, you shouldn't be giving ideas to evil corporations, you know 01:07:28.268 --> 01:07:29.309 Yeah, it's true. 01:07:29.669 --> 01:07:30.890 You should be trying to bring them down. 01:07:31.010 --> 01:07:32.851 Yeah, like Mark Thomas, speaking of which. 01:07:33.551 --> 01:07:34.592 Did you see the coke thing? 01:07:35.392 --> 01:07:38.094 Here's another one from Peter Green and Seward Zend, Safran Walden. 01:07:38.374 --> 01:07:45.558 Dear Adam and Jo, my brother unashamedly claims to have invented the noise and insult that you make when you're challenging someone's mental ability. 01:07:45.819 --> 01:07:49.781 You know, the noise you make when you push your tongue into the mouth. 01:07:49.861 --> 01:07:51.262 It's called the meh. 01:07:51.422 --> 01:07:52.182 It's called the meh. 01:07:52.583 --> 01:07:54.084 Below your bottom lip and make the noise. 01:07:55.645 --> 01:07:58.186 It's a great relief to him that no money has ever been made from it. 01:07:58.706 --> 01:08:01.808 That's quite common, you know, thinking you've thought of a phrase or a joke first. 01:08:02.089 --> 01:08:04.110 Like, I'm convinced I thought of Mickey Bubbles. 01:08:04.770 --> 01:08:05.711 For Michel Bublé. 01:08:05.811 --> 01:08:06.972 Yes, I think you did too. 01:08:06.992 --> 01:08:07.272 V singer. 01:08:07.512 --> 01:08:07.712 Yeah. 01:08:07.812 --> 01:08:11.374 But then I saw him hosting the Paul O'Grady show and he was using it himself. 01:08:11.735 --> 01:08:12.795 I bet he heard it off you. 01:08:12.815 --> 01:08:13.315 Do you think? 01:08:13.356 --> 01:08:13.916 Definitely. 01:08:14.236 --> 01:08:15.737 Do you think I was the first to say Mickey Bubbles? 01:08:15.757 --> 01:08:17.198 You're certainly the first that I heard. 01:08:17.218 --> 01:08:20.880 I remember when you said that first and I thought, Joe's clever, I like him. 01:08:23.262 --> 01:08:23.322 Oh. 01:08:24.523 --> 01:08:25.284 There we go. 01:08:25.624 --> 01:08:26.245 We do have more. 01:08:26.285 --> 01:08:28.767 We might come back to them if we have any more brilliant ones. 01:08:28.807 --> 01:08:33.593 You can still text 64046 or email adamandjo.sixmusicatbbc.co.uk. 01:08:33.953 --> 01:08:38.758 Don't forget we're looking for your ideas for Song Wars next week, plus any suggestions for Text the Nation next week. 01:08:39.038 --> 01:08:40.940 Basically, just write the show. 01:08:41.341 --> 01:08:43.323 If you want to present it, give us a call. 01:08:44.264 --> 01:08:44.965 I need a cleaner. 01:08:45.365 --> 01:08:46.926 Yeah, I need a haircut. 01:08:47.147 --> 01:08:49.749 I need some kind of nutritionist as well. 01:08:50.730 --> 01:08:52.871 I'll tell you the other thing I need, my email's gone down. 01:08:52.911 --> 01:08:54.072 If anyone could sort that out. 01:08:54.132 --> 01:08:57.375 I phoned up the... I like snogging attractive people. 01:08:57.816 --> 01:08:58.176 Yeah. 01:08:58.216 --> 01:08:59.397 Anyone who wants a snog? 01:08:59.897 --> 01:09:01.358 Nude photos, that kind of thing. 01:09:01.419 --> 01:09:03.220 Yeah, and just send us anything. 01:09:03.320 --> 01:09:03.961 That would be ideal. 01:09:04.621 --> 01:09:05.702 Right now, here is a song. 01:09:05.722 --> 01:09:08.464 This is the first single I ever bought, Joe Cornish. 01:09:08.805 --> 01:09:09.906 Oh no, what's it gonna be? 01:09:10.046 --> 01:09:11.367 It's Kraftwerk with the model. 01:09:22.563 --> 01:09:25.626 That's a different version to the one I've got on my Greatest Hits collection. 01:09:25.666 --> 01:09:27.728 I think that might be a live version, might it? 01:09:28.369 --> 01:09:33.294 Our notes here say recorded for dot, dot, dot, dot, so it might be a... Oh, right, and then a session thing. 01:09:33.334 --> 01:09:33.574 Yeah. 01:09:33.654 --> 01:09:34.015 There you go. 01:09:34.035 --> 01:09:37.979 That was XTC with Life Begins at the Hop, and before that you heard Kraftwerk with the model. 01:09:38.119 --> 01:09:41.222 Yeah, you know when people say the hop, it reminds me of the Walton hop. 01:09:41.802 --> 01:09:43.204 Mmm, you know what happened there. 01:09:43.766 --> 01:09:44.446 Yes, we do. 01:09:45.027 --> 01:09:46.787 It's creepy. 01:09:46.807 --> 01:09:51.529 This is Adam and Jo on BBC Six Music, the station where music matters. 01:09:52.169 --> 01:09:52.810 How much though? 01:09:53.050 --> 01:09:53.790 A great deal. 01:09:54.090 --> 01:09:56.171 Oh, what would it do for music? 01:09:56.571 --> 01:09:57.452 Anything. 01:09:57.472 --> 01:10:01.973 If there was a problem with the music, it would do its own music. 01:10:02.033 --> 01:10:02.393 Yeah. 01:10:02.834 --> 01:10:04.474 Would it get in a fight for the music? 01:10:04.534 --> 01:10:04.774 Yeah. 01:10:05.315 --> 01:10:05.695 Really? 01:10:05.815 --> 01:10:06.015 Yeah. 01:10:06.075 --> 01:10:06.595 To the death? 01:10:06.855 --> 01:10:07.015 Yeah. 01:10:07.315 --> 01:10:08.016 Oh my lord. 01:10:08.036 --> 01:10:08.216 Yeah. 01:10:08.736 --> 01:10:09.696 It's actually a problem. 01:10:10.057 --> 01:10:10.917 We wouldn't though, would we? 01:10:11.697 --> 01:10:12.417 We might have to. 01:10:12.738 --> 01:10:13.018 Yeah. 01:10:13.718 --> 01:10:14.558 Because we work here. 01:10:14.718 --> 01:10:15.158 Scary. 01:10:15.578 --> 01:10:18.139 Hey listen, this week I went to see a film. 01:10:18.660 --> 01:10:19.020 Well done. 01:10:19.240 --> 01:10:20.140 Thank you very much. 01:10:20.180 --> 01:10:23.801 I don't go to the films very often because of the children factor. 01:10:24.402 --> 01:10:30.724 It's very hard to get out of the house but we made it to a special screening of a new film that has a friend of ours in it. 01:10:31.164 --> 01:10:38.226 The film is called No Country for Old Men and it's the new film by the Coen brothers and the friend of ours that's in it is Kelly McDonald. 01:10:38.266 --> 01:10:39.627 Hang on, when you say we and ours, 01:10:40.447 --> 01:10:43.488 Who you taught me and my beautiful wife. 01:10:44.308 --> 01:10:47.109 So we went along and checked it out. 01:10:47.309 --> 01:10:48.310 It is wicked, man. 01:10:48.810 --> 01:10:49.790 Ooh, it's so good. 01:10:50.871 --> 01:10:54.172 And I'm not like the Coen brothers have had a run of slightly stinky films. 01:10:54.192 --> 01:10:55.772 They've had some problems with the Lady Killers. 01:10:56.653 --> 01:10:58.333 They had some problems with the Lady Killers. 01:10:58.413 --> 01:10:59.194 That wasn't so bad. 01:10:59.214 --> 01:11:00.154 It was almost invisible. 01:11:00.174 --> 01:11:01.294 Oh my lord. 01:11:01.314 --> 01:11:03.355 They did a film that nobody even saw. 01:11:03.575 --> 01:11:07.096 There was one with Clooney and Zeta Jones in it that I saw. 01:11:07.116 --> 01:11:07.677 That's the one. 01:11:07.697 --> 01:11:08.077 Oh my gosh. 01:11:08.797 --> 01:11:09.998 I can't even remember what it was called. 01:11:10.058 --> 01:11:11.179 It was just a disgrace. 01:11:11.219 --> 01:11:13.600 It was like a sort of romantic screwball comedy. 01:11:14.481 --> 01:11:14.941 Yeah. 01:11:15.041 --> 01:11:15.861 But they're back on form. 01:11:15.882 --> 01:11:16.402 It was shocking. 01:11:16.642 --> 01:11:18.563 Back on form in a big way. 01:11:18.943 --> 01:11:20.444 In a very big way. 01:11:20.845 --> 01:11:23.826 And it's like fairly familiar territory for them. 01:11:23.927 --> 01:11:24.487 It's fargonic. 01:11:24.787 --> 01:11:25.928 Yeah, it's very far gone. 01:11:25.948 --> 01:11:32.312 A lot of thematically similar things going on there and some of the extreme violence you feel as if they've done before. 01:11:32.352 --> 01:11:40.858 But they've certainly put like an amazing new sheen on the whole thing and packed it with enough new flourishes to make it well worth the visit. 01:11:41.198 --> 01:11:43.220 Unfortunately, he's not in it. 01:11:43.760 --> 01:11:45.101 He's not an amazing new Sheen. 01:11:45.261 --> 01:11:48.102 I was disappointed by the lack of the amazing Sheen. 01:11:48.262 --> 01:11:49.023 Where's his kids? 01:11:49.843 --> 01:11:50.303 Charlie's. 01:11:50.424 --> 01:11:52.645 Yeah, there should be a new generation of Sheens. 01:11:52.785 --> 01:11:53.525 There should be. 01:11:53.725 --> 01:11:54.366 Absolutely right. 01:11:54.386 --> 01:11:54.826 Mr Sheen. 01:11:55.026 --> 01:11:55.786 Mr Sheen. 01:11:55.866 --> 01:11:56.787 Get with it, Charlie. 01:11:56.827 --> 01:11:58.608 He's too busy being selfish, though, isn't he? 01:11:58.948 --> 01:11:59.308 It's true. 01:11:59.328 --> 01:11:59.968 To have children. 01:12:00.109 --> 01:12:02.270 Anyway, Josh Brolin is in it. 01:12:02.370 --> 01:12:02.990 He's sexy. 01:12:03.610 --> 01:12:08.473 And there's a guy in it called Javier Bardem. 01:12:08.573 --> 01:12:09.393 Are you familiar with him? 01:12:09.513 --> 01:12:10.234 Yeah, yeah. 01:12:10.774 --> 01:12:11.955 He's a Spanish actor, right? 01:12:12.135 --> 01:12:12.716 What kind of stuff? 01:12:12.776 --> 01:12:13.917 Do you know what he's been in before? 01:12:13.937 --> 01:12:14.818 All sorts of films. 01:12:15.158 --> 01:12:20.203 He looks like a kind of chunkier, more thick set Antonio Banderas, kind of heavily lidded eyes. 01:12:20.243 --> 01:12:20.983 He's hot right now. 01:12:21.124 --> 01:12:22.365 He's so hot right now. 01:12:22.805 --> 01:12:30.432 But he plays this kind of pure psychopathic killer man in this film. 01:12:31.033 --> 01:12:32.974 And it's like a classic 01:12:33.755 --> 01:12:36.156 Villain being born right before your eyes, you know what I mean? 01:12:36.436 --> 01:12:40.737 He goes around and his modus operata Well, some of it's in the trailer. 01:12:40.977 --> 01:12:56.780 Okay, so in the trailer you see that he goes around and he carries with him an oxygen tank with this Sort of air gun thing that's used to kill cattle and stuff like that You know, they put it up to their foreheads and bang a bolt comes out and it just kills them instantly and 01:12:57.180 --> 01:13:00.841 And this is what this guy uses to dispatch a lot of his victims, right? 01:13:01.181 --> 01:13:01.802 That's not new. 01:13:02.362 --> 01:13:03.422 Ah, who else has used that? 01:13:03.442 --> 01:13:04.783 Michael Hanneker's Benny's video. 01:13:05.343 --> 01:13:05.643 Really? 01:13:05.683 --> 01:13:06.163 There you go. 01:13:06.263 --> 01:13:08.344 Anyway, well this, he cuts an amazing figure. 01:13:08.384 --> 01:13:09.404 You see this guy walking around. 01:13:09.424 --> 01:13:11.445 Does he go around with the oxygen tank in Benny's video? 01:13:11.625 --> 01:13:11.765 No. 01:13:12.145 --> 01:13:12.265 No. 01:13:12.685 --> 01:13:14.467 Well this is what makes it so cool this time. 01:13:14.507 --> 01:13:17.311 And he's also got an amazing mad haircut this guy. 01:13:17.351 --> 01:13:23.578 The Coen brothers have like got this incredibly sinister, creepy, long, fringe haircut. 01:13:23.638 --> 01:13:24.499 It's difficult to describe. 01:13:24.519 --> 01:13:27.643 It looks like a lady's wig that this guy's wearing almost. 01:13:28.143 --> 01:13:28.864 And he's such a... 01:13:29.665 --> 01:13:30.906 They are creeped, aren't they? 01:13:31.366 --> 01:13:32.506 And he's a frightening figure. 01:13:32.666 --> 01:13:42.230 Anyway, there's a brilliant bit in the film where after an incredibly exciting intense shoot up where a lot of people get injured and the injuries are really horrific in this film. 01:13:42.250 --> 01:13:45.991 You see all the misery of gunplay. 01:13:46.391 --> 01:13:51.313 Joe loves a bit of gunplay misery where you'll be happy with this because he gets badly shot in the leg, right? 01:13:51.433 --> 01:13:58.136 And there's a great scene and it's like a sort of, he gets peppered with, you know, shot from a shotgun kind of thing. 01:13:58.656 --> 01:14:00.417 and he has to go and operate on himself. 01:14:00.657 --> 01:14:05.919 You see that in itself is brilliant because most movies don't bother with the repercussions of injury. 01:14:06.039 --> 01:14:06.239 Yeah. 01:14:06.340 --> 01:14:07.880 But when they do it's always a winner. 01:14:08.100 --> 01:14:10.321 When Rambo has to sew up his big stitch. 01:14:10.341 --> 01:14:10.741 That's right. 01:14:10.781 --> 01:14:15.443 That brilliant bit in what's the Clooney war film? 01:14:15.484 --> 01:14:16.784 Three Kings. 01:14:17.024 --> 01:14:18.465 When they show you the exact 01:14:19.145 --> 01:14:35.420 uh anatomy of a gunshot wound do you remember that going into the gut and yeah exactly because really there's enough drama in just being shot once exactly and the subsequent uh debilitation and pain that that would uh but it's it's a brilliant thing i love it in movies when people have to operate on themselves 01:14:36.220 --> 01:14:39.583 And this is an all-time classic of self-operation, right? 01:14:40.163 --> 01:14:46.127 Javier Bardem sewing up his gunshot wound in No Country for Old Men is just excruciating. 01:14:46.147 --> 01:14:47.108 Where is the wound in the leg? 01:14:47.208 --> 01:14:50.830 It's in the leg, and he's brilliant because he's got like a real doctor's mind on him. 01:14:50.850 --> 01:14:53.071 This guy's really smart, so he knows exactly what to do. 01:14:53.091 --> 01:14:56.634 He kind of breaks into a pharmacy, gets all the equipment, then goes home. 01:14:57.114 --> 01:14:58.175 sloppy self-operation. 01:14:58.255 --> 01:14:59.076 No, he's good, man. 01:14:59.136 --> 01:14:59.756 He's good. 01:15:00.036 --> 01:15:02.518 And you know another one that's similar is Ronin. 01:15:02.779 --> 01:15:03.339 Do you remember that? 01:15:03.399 --> 01:15:06.141 Where De Niro gets a gunshot wound, I think, there as well. 01:15:06.181 --> 01:15:12.907 And he has to, he basically has to lie on the table and instruct his mates how to extract the bullet and stuff. 01:15:13.867 --> 01:15:15.829 And he's, ah, it's really painful. 01:15:15.849 --> 01:15:17.750 It's one of my favourite self-operation moments. 01:15:17.770 --> 01:15:18.511 Shall I injure you? 01:15:19.071 --> 01:15:19.552 If you could. 01:15:19.572 --> 01:15:20.753 You could operate on yourself. 01:15:20.773 --> 01:15:21.914 That's what I was working around to. 01:15:21.934 --> 01:15:23.395 Shall I do that to you for Christmas? 01:15:23.655 --> 01:15:27.759 Yeah, well maybe you could do it to me while we're listening to the pipettes right now. 01:15:27.779 --> 01:15:28.660 I'll use this bar. 01:15:29.040 --> 01:15:30.161 This is Paul Shapes. 01:15:35.794 --> 01:15:36.254 There you go. 01:15:36.274 --> 01:15:37.655 That's Paul Shapes by the pipettes. 01:15:37.755 --> 01:15:38.615 It's exciting, isn't it? 01:15:38.635 --> 01:15:40.036 It's like being tickled by schoolgirls. 01:15:40.236 --> 01:15:41.057 It was very upbeat. 01:15:41.077 --> 01:15:41.577 It was nice. 01:15:41.597 --> 01:15:43.518 I don't know what it's like being tickled by schoolgirls. 01:15:43.638 --> 01:15:45.779 I do, and it's exactly like that song. 01:15:45.819 --> 01:15:46.239 It's nice. 01:15:46.619 --> 01:15:46.999 Very nice. 01:15:47.039 --> 01:15:55.523 Hey, somebody texted in, Steve in Leicester says, let's not forget the Swayze moment in Road House where he stitches his own wound. 01:15:55.624 --> 01:15:56.004 Brilliant. 01:15:56.164 --> 01:15:56.504 I love it. 01:15:56.704 --> 01:15:59.865 You know, I can't believe that Joe says he hasn't seen that film. 01:15:59.945 --> 01:16:00.725 Not all the way through. 01:16:00.905 --> 01:16:02.045 It's My Way or The Highway. 01:16:02.165 --> 01:16:03.526 I've heard of its reputation. 01:16:03.806 --> 01:16:04.686 Ah, it's a peach. 01:16:04.826 --> 01:16:05.306 Is it really? 01:16:05.466 --> 01:16:09.047 Yeah, you can get that film for like £1.50 or something on DVD. 01:16:09.087 --> 01:16:09.327 Wow. 01:16:09.647 --> 01:16:11.048 It's well worth a look. 01:16:11.088 --> 01:16:13.608 That's an enjoyable slice of Swayze right there. 01:16:13.648 --> 01:16:16.789 Some of my favourite operation moments in films. 01:16:17.289 --> 01:16:18.569 I like the bit in Day of the Dead. 01:16:18.849 --> 01:16:20.730 I like an operation where someone wakes up. 01:16:21.310 --> 01:16:22.251 Yeah, in a film. 01:16:22.692 --> 01:16:24.073 I like the bit in Day of the Dead. 01:16:24.193 --> 01:16:35.043 It's a zombie so it's not really a person but he's on the table and his guts are open and he sits up and all his guts fall. 01:16:35.303 --> 01:16:37.244 I like that bit. 01:16:38.205 --> 01:16:39.787 There's a great German film called Autopsy. 01:16:39.847 --> 01:16:41.008 Actually it's not great, it's rubbish. 01:16:41.548 --> 01:16:43.490 That's all about people being awake during a break. 01:16:43.550 --> 01:16:46.331 I mean, that is the most horrific thing that you could possibly imagine, isn't it? 01:16:46.371 --> 01:16:55.575 When you read stories about people who are conscious during their operations but unable to say anything, so they can hear all the sounds, they don't actually necessarily feel all the pain and everything. 01:16:55.635 --> 01:16:57.576 This is unsuitable for early Saturday morning. 01:16:57.736 --> 01:16:58.637 Oh my lord. 01:16:58.677 --> 01:16:59.597 Terminator as well. 01:16:59.717 --> 01:17:02.698 I mean, he's a robot as well, but there's some very good self-operation in Terminator 1 and 2. 01:17:04.119 --> 01:17:07.662 Yeah, yeah, yeah, and we mentioned Rambo, of course, total recall as well. 01:17:07.963 --> 01:17:09.864 That kind of counts when he... Stuffing that thing up his nose. 01:17:09.904 --> 01:17:13.488 Yeah, we mentioned it the other day, to get the thing out of his brain, the little beeper. 01:17:14.348 --> 01:17:14.949 It's good. 01:17:15.089 --> 01:17:17.651 And there's a great beeper moment in No Country for Old Men, as well. 01:17:17.671 --> 01:17:18.132 It's very good. 01:17:18.192 --> 01:17:21.715 I'm having a sort of an idea about a group of surgeons. 01:17:22.015 --> 01:17:23.116 Okay, have we got the news? 01:17:23.456 --> 01:17:24.678 I'll do the idea after the news. 01:17:24.738 --> 01:17:25.258 No, I'm excited. 01:17:25.278 --> 01:17:25.939 It's a cliffhanger. 01:17:26.259 --> 01:17:27.220 No, wait, it's a cliffhanger. 01:17:27.260 --> 01:17:27.740 What's the news? 01:17:27.760 --> 01:17:28.501 Teasing me about the surgeons? 01:17:28.521 --> 01:17:29.422 We're gonna make money off of this. 01:17:29.742 --> 01:17:33.268 Okay, it's coming up to half past 11 here on BBC 6 Music. 01:17:33.289 --> 01:17:33.930 This is Adam and Joe. 01:17:33.990 --> 01:17:37.937 Half an hour left of our show, but right now here is the news read to you by Harvey Cooke. 01:17:40.922 --> 01:17:42.563 Ben Folds with Rock in the Suburbs. 01:17:43.043 --> 01:17:45.165 This is Adam and Joe on BBC Six Music. 01:17:45.725 --> 01:17:47.587 We left you on a cliffhanger before the news. 01:17:47.767 --> 01:17:52.590 Joe is just about to reveal his amazing idea for a bit of self-surgery film action. 01:17:52.790 --> 01:18:00.215 Well, I think we can all agree that it's an exciting component in any feature film when somebody injures themselves and has to operate on it themselves. 01:18:00.255 --> 01:18:01.396 A bit of auto-surgery. 01:18:01.596 --> 01:18:04.939 So how about going with that idea and kind of building a whole film around it? 01:18:05.239 --> 01:18:08.361 My idea is for a film about a group of the world's top surgeons. 01:18:08.982 --> 01:18:12.384 And they're flying in a private jet to a top surgeon conference. 01:18:12.745 --> 01:18:12.985 Right. 01:18:13.565 --> 01:18:15.907 They fly over some area of the Amazon. 01:18:16.047 --> 01:18:16.267 Yeah. 01:18:16.508 --> 01:18:18.129 That's inhabited by cannibals. 01:18:18.349 --> 01:18:18.469 Oh. 01:18:18.909 --> 01:18:20.270 And the plane crashes. 01:18:20.331 --> 01:18:20.611 Yeah. 01:18:21.071 --> 01:18:25.394 So the top surgeons are stuck in the jungle and they're attacked by the cannibals. 01:18:25.454 --> 01:18:25.895 I like it. 01:18:26.375 --> 01:18:42.650 uh they're really they're completely vicious they're vicious they're cannibals they attack them in all sorts of new ways injuring them in ways previously unknown the surgeons surgery skills are pushed to the limit and they're even attacked while they're doing surgery 01:18:43.411 --> 01:18:44.672 Some of them are separated. 01:18:44.992 --> 01:18:46.893 They've got all their equipment as well. 01:18:46.973 --> 01:18:50.574 So we're moving this whole genre beyond the needle and thread. 01:18:50.975 --> 01:18:52.515 Stitching up a wound thing. 01:18:52.855 --> 01:19:05.621 It's like brain operations going on on one end of the body simultaneously reattaching a leg while another guy's reattaching the leg of the guy who's reattaching the leg and the cannibals are attacking. 01:19:05.661 --> 01:19:06.802 He's chewing on the toes. 01:19:06.842 --> 01:19:08.202 He's chewing on the toes. 01:19:08.523 --> 01:19:10.303 There's not enough cameras to cover the action. 01:19:10.724 --> 01:19:11.384 It's in iMac. 01:19:12.084 --> 01:19:13.365 and digital DTS. 01:19:13.485 --> 01:19:14.066 I like it. 01:19:14.146 --> 01:19:14.826 It's amazing. 01:19:15.066 --> 01:19:15.867 I like it. 01:19:15.927 --> 01:19:16.427 I like it. 01:19:16.667 --> 01:19:17.428 It's got a deal. 01:19:17.668 --> 01:19:21.791 It's a bit like a live meets cannibal Holocaust. 01:19:21.911 --> 01:19:22.251 Yes. 01:19:23.332 --> 01:19:24.312 Maybe that would be the pitch. 01:19:24.813 --> 01:19:25.093 Yeah. 01:19:25.173 --> 01:19:25.553 Meets. 01:19:26.174 --> 01:19:27.595 What's a good surgeon film? 01:19:29.416 --> 01:19:30.216 Sammy the surgeon. 01:19:30.637 --> 01:19:32.558 I had another idea for a love Sammy the surgeon. 01:19:32.918 --> 01:19:40.661 I had another idea for a film this week about a stuntman and he's a very famous stuntman. 01:19:41.002 --> 01:19:42.722 He gets infected by a virus. 01:19:43.703 --> 01:19:49.265 It's called Resident Evil Knievel and he gets infected with a zombie virus. 01:19:49.825 --> 01:19:53.127 But this makes him a more famous stuntman because he can do amazing stunts. 01:19:53.848 --> 01:20:01.219 And it doesn't matter because he's immortal, he's a zombie, but his manager has a tough time because he keeps trying to eat everybody. 01:20:01.459 --> 01:20:05.245 Wait a second, isn't that a bit, what was the dreadful Nick Cage film? 01:20:05.285 --> 01:20:06.026 The Ghost Rider? 01:20:07.014 --> 01:20:08.354 Yeah, not the same. 01:20:08.374 --> 01:20:09.895 It's got a little bit of that in it though. 01:20:10.615 --> 01:20:17.396 It's not one I will pursue because it's derivative of Hot Rod and there's an Australian film called The Devil Made Me Do It About a Stunt Man. 01:20:17.716 --> 01:20:19.496 It's too similar to a lot of other stuff out there. 01:20:19.517 --> 01:20:20.337 It's good stuff though. 01:20:20.357 --> 01:20:21.537 You've sorted with the surgeons. 01:20:21.597 --> 01:20:23.177 It's good enough for a radio link. 01:20:23.197 --> 01:20:25.978 We need a title for the surgeons film though. 01:20:26.358 --> 01:20:31.879 We couldn't think of anything immediately because, you know, Resident Evil Knievel, that's great stuff. 01:20:32.339 --> 01:20:35.540 Heal, it might be called heal thyself or something, you know? 01:20:35.921 --> 01:20:36.801 Yes, exactly. 01:20:36.881 --> 01:20:37.441 Something like that. 01:20:38.241 --> 01:20:41.083 We thought another good self-operation bit is in Apokolipto. 01:20:41.103 --> 01:20:47.065 There's a terrific little bit where the mother of a little boy sews up a wound in his arm or leg with ants' heads. 01:20:47.085 --> 01:20:53.308 She gets the ants to bite the wound together and then she pulls the bodies off the ants, so just the heads are left. 01:20:53.688 --> 01:20:55.889 He's clever, that anti-semite, isn't he? 01:20:56.189 --> 01:20:57.709 That's Mel Gibbons. 01:20:57.850 --> 01:20:59.230 He's brilliant, he's brilliant. 01:20:59.250 --> 01:21:00.090 The genius racist. 01:21:01.591 --> 01:21:02.672 Yeah, that's what I call him. 01:21:03.193 --> 01:21:04.654 And there's lots more, in fact. 01:21:04.694 --> 01:21:09.638 Somebody else mentioned the bit in Pan's Labyrinth, where Captain Medell sews up the side of his mouth. 01:21:10.239 --> 01:21:12.080 Pan's Labyrinth was almost too much for me. 01:21:12.301 --> 01:21:13.341 It's way too much. 01:21:13.361 --> 01:21:14.963 I'm a big fan of Guillermo del Toro's work. 01:21:15.003 --> 01:21:17.065 I'm not a massive fan of Pan's Labyrinth. 01:21:17.225 --> 01:21:17.605 It's good. 01:21:17.645 --> 01:21:20.027 It's imaginative stuff, but some of it is so extreme. 01:21:20.067 --> 01:21:21.008 It's hard to justify. 01:21:21.028 --> 01:21:24.591 There's one bit in there where, if you've seen the film, you'll know what I'm talking about. 01:21:24.631 --> 01:21:26.313 It involves some face bashing. 01:21:26.613 --> 01:21:27.594 bottle of man's face. 01:21:27.754 --> 01:21:29.075 One bit is the opening scene. 01:21:29.235 --> 01:21:34.319 It's the most upsetting bit of violence that I've ever, ever seen in a film. 01:21:34.499 --> 01:21:39.803 It's really hard to take, but pretty, you know, pretty good film all in all. 01:21:40.203 --> 01:21:42.184 Do we have a little bit of chirpy music now? 01:21:42.324 --> 01:21:42.505 No. 01:21:42.905 --> 01:21:43.205 Okay. 01:21:43.345 --> 01:21:43.605 Okay. 01:21:43.645 --> 01:21:43.806 Yes. 01:21:44.286 --> 01:21:45.627 Are we going to do, what is this? 01:21:45.727 --> 01:21:48.609 It's a trail we're going to play right now for the Ravenettes playing in the hub. 01:21:48.649 --> 01:21:49.109 Is that right? 01:21:49.650 --> 01:21:51.031 Oh, we're going to do Interpol. 01:21:51.391 --> 01:21:56.419 I was always excited about the trails and the news, very upset to hear about Bonjay de Role splitting. 01:21:56.760 --> 01:21:57.721 I didn't know they'd formed. 01:21:57.822 --> 01:21:59.304 No, I don't know who they are. 01:21:59.524 --> 01:22:01.267 I mean, Bonjay de Role? 01:22:01.528 --> 01:22:02.850 Is that a big band right now? 01:22:03.250 --> 01:22:05.915 It's very upsetting for them, but anyway, here's Interpol. 01:22:07.878 --> 01:22:10.980 That's Interpol with number one in threesome. 01:22:11.380 --> 01:22:15.662 This is Adam and Joe here on BBC six music coming up to the end of our show. 01:22:15.682 --> 01:22:17.503 We've got less than quarter of an hour left. 01:22:17.563 --> 01:22:17.863 I know. 01:22:17.943 --> 01:22:19.384 And we've got a lot to pack in, actually. 01:22:19.424 --> 01:22:25.087 So let's get straight on with reminding people who may have just tuned in of the two songs up for Song Wars this week. 01:22:25.527 --> 01:22:32.273 This is the part of the show where Adam and I compose songs individually on a theme, and then you have to vote for which one you think is the best. 01:22:32.333 --> 01:22:35.115 This week's theme, it was a kind of three-pronged theme. 01:22:35.516 --> 01:22:40.480 It had to be sung sincerely, it was about global warming, and it had to have a whistling passage in it. 01:22:40.620 --> 01:22:41.320 Yeah. 01:22:41.360 --> 01:22:42.401 So let's start with mine. 01:22:42.862 --> 01:22:47.886 This is simply called the global warming song, and it's done in the style of the kings of convenience. 01:23:07.260 --> 01:23:11.862 Now we were actually, that was just a little tease there, but I thought we were going to play the whole thing. 01:23:11.962 --> 01:23:13.443 We should play the whole thing, shouldn't we? 01:23:13.463 --> 01:23:16.144 We should play the whole thing, yeah. 01:23:16.164 --> 01:23:16.505 Oh, here we go. 01:23:16.525 --> 01:23:20.907 The world is dying. 01:23:23.465 --> 01:23:28.794 In a couple of years we will all be frightened 01:23:43.562 --> 01:23:46.063 said everything might be cool. 01:23:46.083 --> 01:23:47.803 I saw that documentary. 01:23:48.163 --> 01:23:51.225 A Channel 4 might be lying. 01:23:51.445 --> 01:23:54.326 A Channel 4 is quick, you are to sleep provocative. 01:23:54.446 --> 01:24:00.228 After all, the public's trust in TV is dying. 01:24:00.328 --> 01:24:01.368 I'm both Peter, Branson, Tech. 01:24:01.408 --> 01:24:02.809 Who can we trust anymore? 01:24:04.089 --> 01:24:07.110 How much spring comes early? 01:24:07.570 --> 01:24:08.931 Should I be happy? 01:24:12.180 --> 01:24:12.881 It's confusing. 01:24:12.901 --> 01:24:14.921 It's the fact that it's sunny. 01:24:15.682 --> 01:24:18.843 A good thing or a bad thing. 01:24:19.403 --> 01:24:24.565 The Kyoto protocol is calling, calling, calling. 01:24:24.645 --> 01:24:26.225 Thanks a lot Tony Blair. 01:24:26.305 --> 01:24:30.107 But the limits the government set are so low. 01:24:30.207 --> 01:24:33.688 It's a balling, balling, balling. 01:24:33.708 --> 01:24:34.348 Double reports. 01:24:45.060 --> 01:24:50.109 Still rising, and the polar bears feel pain 01:25:24.019 --> 01:25:24.400 There we go. 01:25:24.420 --> 01:25:26.182 How much more sincere than that can you get? 01:25:26.242 --> 01:25:26.783 That was good. 01:25:26.883 --> 01:25:28.885 It starts with a real sucker punch about the world dying. 01:25:29.006 --> 01:25:30.928 And you say you phoned that one in, man. 01:25:31.169 --> 01:25:31.990 I can't believe that. 01:25:32.010 --> 01:25:32.751 Those harmonies and stuff? 01:25:32.771 --> 01:25:33.612 I gotta try this hard. 01:25:33.772 --> 01:25:34.052 Nah. 01:25:34.393 --> 01:25:34.934 Top of the head. 01:25:35.174 --> 01:25:36.375 No way. 01:25:36.416 --> 01:25:38.618 Sometimes the best stuff just comes out like that. 01:25:39.039 --> 01:25:39.420 There we go. 01:25:39.860 --> 01:25:41.722 If you like that one, then vote Jo. 01:25:41.803 --> 01:25:43.044 Text 64046. 01:25:43.465 --> 01:25:47.810 Or if you're listening again, email adamandjo.6music at pbc.co.uk. 01:25:49.032 --> 01:25:51.314 It's that song versus this song, Adam's song. 01:25:51.375 --> 01:25:55.660 Yeah, this is the sincere whistling eco song, and I've taken a different tack musically. 01:25:55.680 --> 01:25:57.883 This is more of a pop approach to the whole problem. 01:26:10.322 --> 01:26:20.011 People look around you cause your hold is disappearing People stop your whistling cause time is running out Can you forgive me baby, what have I done? 01:26:20.052 --> 01:26:30.442 You know I never meant to hurt you and I'm not the only one I was flying to the beach, I was driving just for fun Won't you listen to me whistle while I'm dying in the sun? 01:26:30.882 --> 01:26:33.845 Oh, people stop your whistling and think about the clowns 01:27:01.863 --> 01:27:29.041 The polar bears are drowning and the seas are rising up And all because we like to drink out of the plastic cup The world will be a desert, or maybe under ice I can't remember which it is, but it will not be nice There might be time if we change our ways for waste At least that's what the scientific community says Although it is confusing, cause sometimes we disagree But changing our behaviour should be good for you and me 01:27:31.903 --> 01:27:34.004 Did you layer up that whistling? 01:27:55.737 --> 01:27:57.097 Yeah, boy, I layer everything up. 01:27:57.217 --> 01:27:57.477 Yeah. 01:27:57.597 --> 01:28:08.860 Because if you've got a weak voice, I'm not saying you do, you're a good singer, but my voice isn't really, you know, I'm no Tom York, so I have to layer it up about five times before I get any tunefulness out of it. 01:28:09.040 --> 01:28:11.821 So those are the songs to choose from listeners on this week's Song Wars. 01:28:12.341 --> 01:28:19.043 Text Adam or Joe to 64046, or if you want to vote after the show ends, then email AdamandJoe.6Music at BBC. 01:28:21.024 --> 01:28:22.845 Now, here's a track that I've chosen for you, friends. 01:28:23.205 --> 01:28:30.350 This is from, I don't know, it's not really anybody's favourite Lou Reed album, I don't think, The Bells, but... I hate it. 01:28:30.550 --> 01:28:33.612 Yeah, Joe absolutely hates... I haven't even heard it, and I hate it. 01:28:33.632 --> 01:28:33.992 The Bells. 01:28:34.492 --> 01:28:42.918 But I've got a soft spot for this track, which is track one on The Bells, and it almost sounds as if Lou Reed is doing a parody of himself, the way he's... I call it The Balls. 01:28:43.118 --> 01:28:44.659 Ooh, dear, dear. 01:28:45.319 --> 01:28:49.341 Joe Cornish absolutely slams the bells by Lou Reed there on BBC six music. 01:28:49.741 --> 01:28:51.022 But yeah, check this out. 01:28:51.102 --> 01:28:54.144 His accent is ludicrous in a very enjoyable way. 01:28:54.204 --> 01:28:54.764 Hope you like this. 01:28:54.824 --> 01:28:55.825 It's called Stupid Man. 01:28:55.845 --> 01:28:58.526 Stupid man. 01:29:07.159 --> 01:29:08.340 It's like a Muppet song, yeah. 01:29:08.400 --> 01:29:10.601 It's from Muppets Take Manhattan. 01:29:24.489 --> 01:29:24.830 I love it. 01:29:25.150 --> 01:29:25.550 It's good. 01:29:27.512 --> 01:29:31.116 Are times nearly up from... I'm going to reconstruct that sentence. 01:29:31.216 --> 01:29:33.739 I'm going to give that sentence reconstructive surgery. 01:29:33.779 --> 01:29:34.820 I like the beginning of it. 01:29:34.940 --> 01:29:37.903 Are times nearly up for... You could have gone anyway. 01:29:37.943 --> 01:29:39.845 Why do you lose confidence with that one? 01:29:40.986 --> 01:29:41.446 I don't know. 01:29:41.507 --> 01:29:42.087 I'm tired. 01:29:42.427 --> 01:29:42.767 Are you? 01:29:42.787 --> 01:29:43.968 I had fun last night. 01:29:44.048 --> 01:29:44.328 Did you? 01:29:44.348 --> 01:29:44.908 What were you doing? 01:29:45.209 --> 01:29:45.989 I was on my own. 01:29:46.729 --> 01:29:47.010 Oh. 01:29:47.770 --> 01:29:48.691 On your own fun. 01:29:48.731 --> 01:29:51.952 Listen, it's nearly time for the end of the show. 01:29:52.092 --> 01:29:53.213 Thanks very much for listening. 01:29:53.233 --> 01:29:54.514 We'll be back at the same time. 01:29:54.934 --> 01:29:56.595 Next Saturday morning, 9 till 12. 01:29:57.075 --> 01:29:58.816 I thought I said something while someone texted in. 01:29:58.836 --> 01:29:59.096 You did. 01:29:59.116 --> 01:30:02.498 Yeah, thanks to Taff and Lauren Bristol, who've sent in an email. 01:30:03.119 --> 01:30:04.119 I'll read every word of it. 01:30:04.379 --> 01:30:06.441 Are you sure that Interpoltrack isn't called? 01:30:07.501 --> 01:30:09.081 No, no, what? 01:30:09.222 --> 01:30:10.382 I'm confused about what it's called. 01:30:10.402 --> 01:30:11.682 Number one in threesome. 01:30:11.822 --> 01:30:14.663 I said it was called number one in threesome, of course it's called no I in threesome. 01:30:14.683 --> 01:30:21.305 But you see Taff and Laura, you don't make that distinction, because it's the N-O space and then just a straight line. 01:30:21.425 --> 01:30:22.525 Is it a one or an I? 01:30:22.585 --> 01:30:23.565 That's where I went wrong. 01:30:23.645 --> 01:30:23.985 You know? 01:30:24.606 --> 01:30:26.426 But you're right, Adam did get it wrong. 01:30:26.986 --> 01:30:33.528 They also say, by the way, I'm glad you qualified the statement, I love it when people wake up during operations with in films. 01:30:35.551 --> 01:30:37.255 I don't like it in real life when that happens. 01:30:37.576 --> 01:30:40.121 But that brings us on to the theme of Text the Nation next week. 01:30:40.943 --> 01:30:43.870 We've decided it's going to be horror film ideas. 01:30:45.106 --> 01:30:45.586 Don't you think? 01:30:45.746 --> 01:30:46.907 Yeah, we can try. 01:30:46.927 --> 01:30:47.527 Yeah? 01:30:48.007 --> 01:30:48.687 Yeah, why not? 01:30:49.288 --> 01:30:53.269 We don't have too long to set this up, but the idea is that horror films are quite played out. 01:30:53.489 --> 01:30:56.750 Yeah, well, it's all just, I mean, the lowest common denominator is torture porn, isn't it? 01:30:57.030 --> 01:30:57.190 Yeah. 01:30:57.290 --> 01:31:02.092 And there's not that much imaginative stuff that goes into that because Eli Roth brought the genre to its knees. 01:31:02.152 --> 01:31:03.733 We were looking at the poster for shrooms. 01:31:04.433 --> 01:31:06.073 The market seems to be swamped with rubbish. 01:31:06.374 --> 01:31:10.295 So we'd like your ideas for taking the horror genre in a new direction. 01:31:10.575 --> 01:31:13.558 Yeah, some really imaginative, scary ideas we want from you chaps. 01:31:14.218 --> 01:31:16.020 OK, let's lick this problem together. 01:31:16.060 --> 01:31:16.520 We can do it. 01:31:16.561 --> 01:31:17.621 I'm pretty sure we can. 01:31:17.641 --> 01:31:18.462 Yeah. 01:31:18.502 --> 01:31:22.826 But listen, until then, thank you so much for all your texts and emails and for listening to the show in general. 01:31:22.906 --> 01:31:23.947 We really appreciate it. 01:31:24.968 --> 01:31:26.610 And anything else to add to that, Joe? 01:31:27.030 --> 01:31:28.131 No, thanks very much, Adam. 01:31:28.972 --> 01:31:30.053 Liz Kershaw is coming up. 01:31:30.633 --> 01:31:32.375 And that's it for another week. 01:31:32.655 --> 01:31:33.956 Here's Mars with Pump Up the Poly. 01:31:33.976 --> 01:31:34.677 We'll see you next week. 01:31:34.817 --> 01:31:35.117 Bye. 01:31:35.177 --> 01:31:35.337 Bye. 01:31:35.377 --> 01:31:35.598 Love you. 01:31:35.618 --> 01:31:35.778 Bye.