WEBVTT 00:00.922 --> 00:02.263 The Undertones with Wednesday Week. 00:02.303 --> 00:05.084 Hello, this is Adam and Joel on BBC Six Music on a Saturday morning. 00:05.464 --> 00:10.347 What more appropriate track to start a Saturday show with than Wednesday Week? 00:10.767 --> 00:12.868 Exactly, that's vintage Undertones, isn't it? 00:13.248 --> 00:13.468 Is it? 00:13.488 --> 00:15.669 I would say so, because that's got Sharky on it, right? 00:15.689 --> 00:17.050 And he's no longer with the band. 00:17.370 --> 00:19.771 They've just released a new album, I believe, The Undertones. 00:20.052 --> 00:20.272 Right. 00:20.292 --> 00:21.672 But it's minus Sharky. 00:21.852 --> 00:22.173 Really? 00:22.313 --> 00:23.493 Yeah, it's supposed to be pretty good. 00:23.573 --> 00:24.314 Sharky's Machine. 00:24.594 --> 00:26.155 Yeah, it's no longer Sharky's Machine. 00:26.215 --> 00:26.515 Really? 00:26.755 --> 00:28.276 They've switched off Sharky's Machine. 00:28.316 --> 00:28.896 Yeah, they have. 00:29.096 --> 00:34.039 Would you invest in an album by a famous band, minus the famous lead singer? 00:34.960 --> 00:35.641 Have you ever done so? 00:35.821 --> 00:36.381 I don't know. 00:36.541 --> 00:39.103 I'd certainly have to listen critically to it. 00:39.283 --> 00:39.543 Yeah. 00:39.984 --> 00:45.047 Like, can you think of any bands that have plodded on without their main asset? 00:45.788 --> 00:47.189 The Doors spring to mind. 00:47.249 --> 00:51.191 They did a couple of albums after Jim Morrison popped his leather clogs. 00:51.912 --> 00:53.013 And they weren't very good. 00:53.353 --> 00:53.853 Very bad. 00:54.013 --> 00:57.435 There was an album called Full Circle, which was the better of the two ones that they did. 00:57.855 --> 00:57.995 Mmm. 00:58.375 --> 00:59.376 And that was a stinky one. 00:59.396 --> 00:59.876 Do you remember that? 00:59.916 --> 01:01.336 I played you a track off that years ago. 01:03.737 --> 01:04.378 I don't remember it. 01:04.418 --> 01:06.559 That's probably evidence that it's not very good. 01:07.019 --> 01:09.520 No, there must be an example of a band that's done well, though, mustn't there? 01:09.940 --> 01:12.641 Without their... Hey, maybe our listeners could help us with that. 01:12.901 --> 01:13.862 The only snag is... 01:14.542 --> 01:16.283 that we're actually on tape this week. 01:16.363 --> 01:16.623 Yeah. 01:16.763 --> 01:25.725 We're not actually here so listeners don't text us otherwise you will be wasting your money and we'll get involved in some terrible financial scandal. 01:26.285 --> 01:28.206 Yes, we'll both be electrocuted. 01:28.586 --> 01:31.867 Yeah, we're actually recording this last Wednesday. 01:32.387 --> 01:32.547 No? 01:32.747 --> 01:33.247 What day is it? 01:33.287 --> 01:33.727 Tuesday? 01:34.307 --> 01:35.108 Is it what day is it? 01:35.228 --> 01:36.308 Well today is Saturday. 01:36.688 --> 01:37.168 Saturday? 01:37.248 --> 01:39.669 But today as we're speaking is Wednesday. 01:39.749 --> 01:43.350 There you go, so in a way that Undertones track was the perfect track to play. 01:43.750 --> 01:45.851 Yeah, we got there eventually. 01:46.111 --> 01:48.611 So coming up in this show, we got great music as usual. 01:48.951 --> 01:50.852 We've got some Sly and the Family Stone coming up. 01:51.312 --> 01:52.792 A bit of Toots and the Maytals. 01:53.452 --> 01:55.653 That's just the first hour, plus we'll be playing. 01:56.353 --> 01:59.554 Text the nation, but remember, don't text us this week. 01:59.894 --> 02:01.454 We're gonna be running that segment. 02:01.674 --> 02:02.414 Running the segment? 02:02.594 --> 02:05.475 Yeah, off of emails we got during the week. 02:06.355 --> 02:07.716 We'll also be doing Song Wars. 02:08.176 --> 02:09.957 It's very complicated because we're on tape. 02:09.997 --> 02:15.800 Song Wars, you can vote for it via email and you'll find out who wins Song Wars next week. 02:15.820 --> 02:17.660 Although you'll hear the tracks this week. 02:17.700 --> 02:19.902 Don't worry, it'll all become clear as we go along. 02:20.062 --> 02:20.982 It's absolutely fine. 02:21.282 --> 02:22.183 Now, here's some more music. 02:22.203 --> 02:24.524 This is a great band, The Young Knives. 02:25.024 --> 02:26.525 I sounded like a very old man there. 02:26.545 --> 02:27.265 This is a great band. 02:27.365 --> 02:27.745 Well done. 02:28.045 --> 02:30.807 They're The Young Knives and this track is called Terra Firm. 02:45.865 --> 02:45.985 What? 02:46.425 --> 02:47.746 Fake brown real steak. 02:48.527 --> 02:49.328 Oh, it wasn't listing. 02:49.348 --> 02:49.968 I was frightened. 02:50.308 --> 02:51.269 Yeah, that is right. 02:51.289 --> 02:51.990 I ran and hid. 02:52.190 --> 02:54.531 You know, they didn't used to be so frightening, the young knives. 02:54.972 --> 02:56.153 They used to be more friendly. 02:56.173 --> 02:59.275 I mean, yeah, one of them is called House of Lords in the band. 02:59.555 --> 02:59.835 Really? 02:59.875 --> 03:00.676 That's his actual name. 03:00.756 --> 03:00.976 Yeah. 03:01.316 --> 03:01.497 Mm. 03:01.817 --> 03:03.398 And which is a good name, I think. 03:03.498 --> 03:03.778 Mm-hmm. 03:03.918 --> 03:06.280 And they were very much a sort of nerd outfit. 03:06.380 --> 03:06.520 Mm. 03:06.740 --> 03:08.922 But now it sounds as if they're furious. 03:09.302 --> 03:10.423 He's called House of Lords. 03:10.583 --> 03:10.803 Yeah. 03:11.104 --> 03:11.924 What's his actual name? 03:12.385 --> 03:13.425 I think House of Lords. 03:14.366 --> 03:15.706 I don't know what his actual name is. 03:15.967 --> 03:18.227 But he's, you know, it's like being called the Edge. 03:18.707 --> 03:23.349 As far as everybody knows... Well, I tell you, there's a difference between being called the House of Lords and the Edge. 03:23.509 --> 03:23.669 What? 03:23.709 --> 03:27.170 And no insults to the young knives, but you too have been around a while. 03:27.330 --> 03:27.550 Yes. 03:27.750 --> 03:28.730 And they're not going away. 03:28.750 --> 03:38.293 What I'd be worried about is if the young knives split up, or maybe, you know, they have 10 amazing years, then they have to, you know, fashions change. 03:38.513 --> 03:38.834 Do they? 03:38.854 --> 03:43.195 Yeah, they have to rethink their, you know, role in the world. 03:43.875 --> 03:45.437 And he's still called the House of Lords. 03:45.797 --> 03:46.178 Right. 03:46.558 --> 03:50.422 That wouldn't be, uh, you know, he couldn't, for instance, be a telephonist. 03:51.523 --> 03:51.903 Hello. 03:51.923 --> 03:54.166 Uh, you're through to John Menzies. 03:54.206 --> 03:55.467 This is the House of Lords speaking. 03:55.687 --> 03:56.628 Yeah, that would be confusing. 03:56.648 --> 03:57.029 Confusing. 03:57.898 --> 03:59.359 What if he worked at the House of Lords? 03:59.780 --> 04:02.622 Well... If he was just an MP... Then he'd kind of cancel himself out. 04:02.922 --> 04:03.242 Right. 04:03.602 --> 04:06.405 He wouldn't appear on any kind of... It would be ex-database. 04:06.565 --> 04:06.745 Yeah. 04:06.765 --> 04:08.506 Because it would confuse the computers. 04:08.526 --> 04:09.947 The right honourable House of Lords. 04:10.088 --> 04:14.851 He might end up having a staff of hundreds of cleaners try and enter him. 04:16.092 --> 04:17.553 And clean up his insides. 04:17.653 --> 04:19.415 I wish... I wish staff of cleaners. 04:19.435 --> 04:20.276 He might have me. 04:20.496 --> 04:23.338 You might get arrested if you protest anywhere near him. 04:23.578 --> 04:23.898 Right. 04:24.419 --> 04:26.140 After he would be a listed building. 04:27.601 --> 04:41.609 and he might be blown up by terrorists but at least he'd get a lovely clean every uh 25 years or so he'd certainly be all scrubbed up nice he'd get really nicely scrubbed when he goes to restaurants oh my goodness does he go order 04:42.849 --> 04:44.029 Well, there's something in there anyway. 04:44.449 --> 04:45.650 Fit that together yourselves. 04:46.190 --> 04:46.590 Bye. 04:47.730 --> 04:53.251 Now, later on in the show, we are going to be unveiling our songs from Song Wars. 04:53.911 --> 05:01.573 And we should remind you that this time, the theme for Song Wars was a... Well, it was suggested to us by a listener. 05:01.593 --> 05:03.253 Do you have the name of the listener by any chance? 05:03.273 --> 05:04.074 Yes, I do. 05:04.234 --> 05:04.674 Who was it? 05:04.694 --> 05:05.814 I'm not going to tell you. 05:05.854 --> 05:07.294 Oh, please tell me, man. 05:07.434 --> 05:10.175 It was from Tony Armstrong. 05:10.575 --> 05:11.656 Tony, that's a good name. 05:11.836 --> 05:13.576 Tony J Armstrong. 05:13.657 --> 05:13.937 Yeah. 05:13.957 --> 05:17.158 It's a good strong and he lives name in Google Mail. 05:17.518 --> 05:17.899 Does he? 05:18.399 --> 05:19.960 Which is a small village in Hampshire. 05:21.100 --> 05:22.341 I don't know that he lives in Hampshire. 05:23.201 --> 05:25.002 But that's all we know about him, his name. 05:25.242 --> 05:26.663 Should we be playing the jingle here? 05:27.983 --> 05:30.285 Well, we can play the jingle when we unveil the songs. 05:30.405 --> 05:32.627 Alright, so this is a pre-unveiling. 05:32.647 --> 05:35.209 Yeah, this is a little tease to sort of set the scene. 05:35.669 --> 05:53.323 Yeah, we asked you listeners to suggest the lyrics for Song Wars this week, and we asked you to get us text, found text, off the back of a instruction manual or maybe a, you know, something, a box, a packet, text that you think could never be made to sound passionate and meaningful. 05:53.483 --> 05:53.663 Yeah. 05:53.863 --> 05:56.205 text that couldn't be used in a song, ever. 05:56.445 --> 05:58.747 Right, so not poems and not stuff from the book. 05:58.787 --> 05:59.147 No, no, no. 05:59.167 --> 06:02.309 Specifically non-poetic text. 06:02.470 --> 06:05.252 Instructions, horoscopes, that kind of thing. 06:05.272 --> 06:07.153 Something deliberately... Yeah, horoscopes. 06:07.173 --> 06:08.334 Proceeding a bit too meaningfully. 06:08.354 --> 06:08.914 Yeah, exactly. 06:09.095 --> 06:09.295 Yeah. 06:09.955 --> 06:26.216 uh and we had an overwhelming response i was overwhelmed yeah if if if one text was whelming then we were overwhelmed right we got like three yeah not even text emails and we chose one which we'll reveal later 06:27.037 --> 06:28.277 Yeah, we're so good at radio. 06:28.678 --> 06:32.359 We know, uh, you don't give listeners all the information at once, you know? 06:32.379 --> 06:34.399 You give them the smallest bit possible. 06:34.479 --> 06:36.840 Double T's, like little hungry birds. 06:37.300 --> 06:40.161 They're waiting for the next old stinky worm. 06:40.501 --> 06:41.781 New to Saturday night. 06:41.801 --> 06:41.901 BBC. 06:45.882 --> 07:04.619 They're just giving up their slime the family stone can't be bothered anymore well you know apparently that's what they were like when they were playing live recently really couldn't be bothered a bit really at the time yeah are they still intact they're still very much intact yeah they were playing a lot of gigs over the summer and what happened they just lost interests and drifted off I read a review of one 07:05.179 --> 07:22.069 particular gig I think it was maybe in Brighton and it was reviewed by several music papers and all of them said it was one of the worst gigs they'd ever seen it was so bad the band was so late and then they played so badly when they arrived on stage that people were just booing and wow and yelling I want my mind back. 07:22.089 --> 07:32.856 There's a thin line even listening to that you know their original stuff there's a thin line between brilliance and laziness yeah and a line that they tread you know uniquely right they fallen off of off of it uh-huh yeah onto the lazy half 07:33.476 --> 07:35.537 This is Adam and Jo on BBC Six Music. 07:35.917 --> 07:37.458 Welcome to our Saturday morning show. 07:38.258 --> 07:41.339 It's time to do song wars. 07:57.671 --> 08:01.295 Yeah, that's right. 08:01.435 --> 08:12.107 Every week, Joe and myself compose an original song for you, the listeners, and it's based on a theme also suggested by you, our friends, the listeners. 08:12.828 --> 08:15.750 And Joe, remind the listeners what the theme was this time. 08:15.770 --> 08:22.615 Yes, the theme this week was... The theme was lyrics that you would never find in a song. 08:22.935 --> 08:29.179 Found lyrics, say from the side of a packet of food or the instruction manual of a new gadget. 08:29.259 --> 08:29.519 Fruit? 08:30.520 --> 08:30.760 What? 08:31.100 --> 08:31.600 Oh no. 08:32.341 --> 08:32.601 What? 08:32.741 --> 08:33.322 No, there's none. 08:33.402 --> 08:33.762 There's none. 08:34.198 --> 08:35.079 Watch it, why? 08:35.139 --> 08:36.680 You're just talking nonsense now. 08:36.820 --> 08:37.480 Instructions? 08:37.981 --> 08:38.601 Uh, there's none. 08:39.062 --> 08:39.962 Are you having a dream? 08:40.262 --> 08:42.724 No, there's no fruit. 08:42.764 --> 08:44.085 The fruit aren't that complicated. 08:44.686 --> 08:46.607 God made them that way. 08:47.628 --> 08:49.269 Sorry, carry on man, I didn't mean to interrupt. 08:49.469 --> 08:56.097 So we asked you to send us some samples of found text that you thought could never make the lyrics to a song. 08:56.397 --> 08:58.740 We had a kind of top three submissions. 08:59.541 --> 09:05.548 One of them was the publishing details on the side of a book that was sent in by David Buchanan from Bristol. 09:06.169 --> 09:08.051 He wanted us to write a song to the following. 09:08.812 --> 09:16.620 This book is sold subject to the condition that it shall not by way of trade or otherwise be lent, resold, hired out or otherwise circulated without the publisher's prior consent in any form of binding. 09:16.680 --> 09:17.400 Oh, you get the idea. 09:17.501 --> 09:17.921 Yeah, yeah. 09:18.081 --> 09:18.281 Yeah. 09:18.321 --> 09:20.984 And would you have done the ISBN number as well, maybe? 09:21.024 --> 09:22.205 That would have been quite a challenge. 09:22.245 --> 09:22.525 Yeah. 09:22.666 --> 09:24.007 We didn't go for David's suggestion. 09:24.047 --> 09:24.808 That was too difficult. 09:24.848 --> 09:25.568 It was too difficult. 09:25.588 --> 09:28.251 We went for this suggestion from Tony Armstrong. 09:28.992 --> 09:29.833 Uh, dear sirs, 09:30.373 --> 09:31.574 See, that's got us already. 09:31.934 --> 09:32.954 Some respect. 09:33.794 --> 09:37.656 I would be most pleased if you could use your jiggery-pogery technical wizardry. 09:38.116 --> 09:40.017 You see, he's like a little hobbit. 09:40.557 --> 09:42.598 He doesn't understand what we do here. 09:42.938 --> 09:44.159 This is our perfect listener. 09:44.199 --> 09:44.719 He's awed. 09:45.379 --> 09:46.640 by the things we do. 09:47.521 --> 09:52.425 Use your technical wizardry to compose a song celebrating the satanic beauty of IKEA meatballs. 09:53.206 --> 09:59.311 I care not for their cheap, flat-packed furnishings, but find their meatballs simply irresistible, as Robert Palmer once sang. 09:59.551 --> 10:00.031 Right, right. 10:00.472 --> 10:03.094 Since discovering their addictive charms, I've gained three stone. 10:03.494 --> 10:06.557 I can eat nought but processed meat produce with a slightly Nordic flavouring. 10:07.097 --> 10:13.384 I quote directly from the cooking instructions below, which fortuitously includes a title for your efforts in bold print. 10:13.664 --> 10:16.307 He's got florid writing style there, doesn't he? 10:16.387 --> 10:17.088 Yeah, I like him. 10:17.448 --> 10:21.792 It's almost as if the manufacturers of this unholy food stuff knew this day would come. 10:22.673 --> 10:23.254 Maybe they did. 10:23.574 --> 10:23.935 You know what? 10:23.995 --> 10:25.496 I forgot the bold title. 10:26.577 --> 10:27.898 I forgot to sing it, but here we go. 10:27.938 --> 10:31.279 Here are the lyrics that he's asked us to turn into a song. 10:32.140 --> 10:33.580 Heating instructions from Frozen. 10:34.161 --> 10:39.003 Place the meatballs in an ovenproof dish and heat at 225 degrees centigrade for about 15 minutes. 10:39.623 --> 10:43.165 In a microwave, 700 watts, place the meatballs in a bowl without a lid. 10:43.485 --> 10:45.506 Heat at full power level for four to five minutes. 10:45.706 --> 10:47.067 Stir after half the time. 10:47.227 --> 10:48.968 That's all we had to work with, folks. 10:49.668 --> 10:51.429 So, would you like to hear the results? 10:51.489 --> 10:57.970 Now, this week, rather than playing clips of the songs, we're still, you know, it's only show three of our tenure here at The British Castle. 10:58.270 --> 11:08.253 We're still kind of feeling our way through, so rather than playing short clips, we thought, as we're, you know, going to play both songs at the end anyway, we may as well play them right the way through, and you can vote. 11:08.373 --> 11:14.995 And don't forget that because we are taping the show this week, you won't find out whose song has been voted as the favourite today. 11:15.175 --> 11:16.215 You'll find out next week. 11:16.335 --> 11:16.715 Exactly. 11:16.795 --> 11:19.537 And all you have to do is vote by emailing us. 11:19.697 --> 11:20.198 Don't text. 11:20.618 --> 11:21.319 No, please don't text. 11:21.359 --> 11:22.860 I wouldn't want to rip you off like that. 11:23.801 --> 11:33.468 And the email address is Adamandjo, all one word, A-N-D, not an ampersand, dot six music, the number six, not the word six, and then the word music, at bbc.co.uk. 11:33.488 --> 11:33.989 Is that clear? 11:34.149 --> 11:36.130 Yeah, say it all again without all the explanation. 11:36.150 --> 11:38.092 Adamandjo.6musicatbbc.co.uk. 11:38.232 --> 11:39.193 Bingo. 11:39.413 --> 11:40.894 So yes, let's hear the songs right now. 11:40.954 --> 11:42.495 You heard those lyrics before. 11:42.876 --> 11:44.117 You heard what we had to work with. 11:44.517 --> 11:45.558 Now, who wants to go first? 11:46.098 --> 11:46.838 I don't know. 11:47.319 --> 11:48.699 I think I'm gonna lose. 11:48.800 --> 11:49.980 I don't think mine's very good. 11:50.080 --> 11:50.300 Really? 11:50.320 --> 11:51.381 Well, I had a tough time. 11:51.521 --> 11:53.482 I went through several versions before. 11:53.502 --> 11:53.902 Did you? 11:54.122 --> 11:54.663 Well, I didn't. 11:54.703 --> 11:55.443 And that's my problem. 11:55.483 --> 11:56.824 I went with the first version. 11:57.624 --> 11:58.165 And this is it. 11:58.185 --> 11:59.605 So play mine first, please, Ben. 12:00.226 --> 12:02.487 Place the meat of the box. 12:02.587 --> 12:04.128 Place the meat of the box. 12:04.168 --> 12:05.428 Place the meat of the box. 12:05.949 --> 12:07.490 Place the meat of the box. 12:08.010 --> 12:09.551 Place the meat of the box. 12:09.731 --> 12:10.711 Place the meat of the box. 12:10.731 --> 12:12.152 Place the meat of the box. 12:12.232 --> 12:14.573 Place the meat of the box. 12:14.613 --> 12:15.414 Place the meat of the box. 12:17.436 --> 12:31.510 Place the meatballs in a oven-proof dish and heat at 225 degrees centigrade for about 15 minutes in a microwave at 700 watts. 12:34.072 --> 12:56.348 Place the meatballs in a bowl without a lid and heat at full power for 45 minutes stuff after half the time I said stir the meatballs after half the time come on Place the meatballs eat the meatballs stir the meatballs you love meatballs we love meatballs come on 12:57.267 --> 12:57.787 There we go. 12:57.867 --> 13:01.769 So I was really trying to infuse those lyrics with passion. 13:01.849 --> 13:02.369 You really did. 13:02.409 --> 13:04.149 You went for the soulful route there. 13:04.610 --> 13:07.711 I was kind of going for a kind of power rock thing. 13:07.751 --> 13:07.951 Yeah. 13:08.151 --> 13:10.852 But I ended up in a sort of Deacon Blue sort of a thing. 13:10.972 --> 13:11.432 I didn't mind it. 13:11.652 --> 13:12.692 You know what it reminded me of? 13:12.932 --> 13:13.753 You didn't mind it. 13:13.793 --> 13:15.213 It's just damning with faint praise. 13:15.293 --> 13:15.753 No, it's not. 13:15.773 --> 13:17.734 I didn't mean it to be faint praise damning. 13:17.754 --> 13:18.874 You meant I loved it. 13:19.675 --> 13:20.295 I didn't mind it. 13:22.516 --> 13:23.117 It was good. 13:24.298 --> 13:26.900 It reminded me of mid-80s David Bowie. 13:27.260 --> 13:27.600 Yes. 13:28.081 --> 13:29.162 That's what I was going for. 13:30.082 --> 13:31.523 In an oven-proof dish. 13:31.683 --> 13:32.444 Stadium Bowie. 13:32.764 --> 13:33.605 Exactly, you know? 13:33.765 --> 13:35.126 Weird inflections and stuff. 13:35.646 --> 13:36.267 Stadium Bowie. 13:36.367 --> 13:37.468 I tried to do Stadium Bowie. 13:37.488 --> 13:38.148 Glass spider era. 13:38.228 --> 13:38.709 Exactly. 13:39.469 --> 13:40.070 His nadir. 13:41.591 --> 13:49.421 I tried to do Stadium Bowie as well, funnily enough, because I thought it would suit the whole thing, but my voice just couldn't hack it. 13:49.841 --> 13:54.226 And then the other direction I went was Pink Floyd, like acoustic Pink Floyd. 13:54.847 --> 13:58.872 And, you know, do it like Roger Waters, and put lots of kind of, you know, 13:59.712 --> 14:01.193 Uh, without a lid. 14:01.253 --> 14:02.334 Look, can we hear it? 14:02.854 --> 14:04.375 Well, no, I didn't go that direction in the end. 14:04.595 --> 14:09.497 The direction I went was kind of like Camp New York art punk. 14:10.098 --> 14:14.380 A bit like Suicide and, um... They're a band, right? 14:14.420 --> 14:15.040 Yeah, yeah, yeah. 14:15.461 --> 14:19.523 And someone was talking about the band Bearsuit from Norwich last week. 14:19.783 --> 14:22.184 I've been listening to them and there's a little bit of Bearsuit in there now. 14:22.224 --> 14:23.605 I can't take much more of this build. 14:23.665 --> 14:24.405 I have to hear it. 14:24.485 --> 14:25.226 Okay, here it goes. 14:29.375 --> 14:39.720 Eating instructions from frozen Place the meatballs in an oven proof dish And heat at 225 centigrade 15:11.136 --> 15:21.343 without a lid heat them at full power level meatballs for four to five minutes stir after half the time 15:37.452 --> 15:43.138 After half the time In a microwave At 700 watts Place the meatballs in a bowl 15:58.194 --> 16:25.653 Meatballs, meatballs, frozen, frozen Meatballs, meatballs, they're frozen, frozen Meatballs, meatballs, frozen, frozen Meatballs, meatballs, they're frozen, frozen 16:29.701 --> 16:34.045 What year is it now? 16:34.105 --> 16:38.909 Because so much time has brought to me. 16:38.929 --> 16:39.429 Is it still 2007? 16:50.183 --> 16:50.944 It was a long one. 16:51.444 --> 16:52.165 Yeah, sorry about that. 16:52.365 --> 16:52.945 That's all right. 16:53.225 --> 16:53.466 Yeah. 16:53.646 --> 16:54.766 What's changed in the world? 16:56.548 --> 16:57.408 That was just a proper song. 16:57.428 --> 16:58.049 No, that was good, man. 16:58.089 --> 16:58.829 That was very good. 16:58.970 --> 16:59.670 No, it wasn't very good. 16:59.710 --> 17:00.551 It was good. 17:00.651 --> 17:01.892 It was just long. 17:01.992 --> 17:02.812 It was very long. 17:02.852 --> 17:03.233 Draining. 17:03.433 --> 17:04.113 Yeah, I know. 17:04.153 --> 17:05.174 There were lots of gaps. 17:05.755 --> 17:07.216 There was lots of negative space. 17:07.436 --> 17:08.457 Well, that's what it's like. 17:08.557 --> 17:10.458 But I'm naive about that school of music. 17:10.498 --> 17:13.741 No, I don't have the critical faculties to appreciate it, perhaps. 17:14.001 --> 17:15.021 I don't think anyone would. 17:16.730 --> 17:18.151 Uh, I think we should move on rapidly. 17:18.211 --> 17:19.332 So there are the two tracks. 17:19.412 --> 17:24.595 You can start voting for them now, although of course the winner won't be announced until next week's show. 17:24.655 --> 17:26.055 Yeah, vote by email only. 17:26.195 --> 17:29.757 Adamandjo.6musicatbbc.co.uk for Adam's song. 17:29.938 --> 17:36.041 They're both called Meatballs, so you'd just be voting for Adam's Meatball song, the experimental kind of New York version, right? 17:36.221 --> 17:36.521 Yeah. 17:36.881 --> 17:40.704 Or Joe's, uh, Meatball song, the, the... Stadium Bowie. 17:40.724 --> 17:42.164 Stadium Bowie, period. 17:42.304 --> 17:42.905 Meatball song. 17:47.614 --> 17:49.115 That was Weezer with the hash pipe. 17:49.435 --> 17:49.695 Yeah. 17:49.875 --> 17:50.535 Disgraceful. 17:51.015 --> 17:54.356 It's just a bad idea to smoke hash browns. 17:54.736 --> 17:54.996 Yeah. 17:55.196 --> 17:55.977 Why would you do that? 17:56.377 --> 17:56.677 Yeah. 17:56.757 --> 17:58.678 What kind of high would you get from hash browns? 17:58.718 --> 17:59.938 Well, what's in hash browns? 17:59.998 --> 18:00.578 Potato? 18:00.698 --> 18:01.498 Mainly potato. 18:01.919 --> 18:02.999 Maybe some bits of onion. 18:03.659 --> 18:04.639 Is that bubble and squeak? 18:04.980 --> 18:05.360 I don't know. 18:05.400 --> 18:07.260 Maybe I certainly shouldn't smoke bubble and squeak. 18:07.640 --> 18:07.820 No. 18:08.441 --> 18:10.721 But smoking hash browns is a bad idea as well. 18:10.901 --> 18:11.562 It's terrible. 18:11.582 --> 18:12.422 They'll burn up your pipes. 18:12.862 --> 18:13.603 Yeah, exactly. 18:13.663 --> 18:14.964 And internally and externally. 18:15.665 --> 18:17.626 Don't do it kids, just ignore the weezer. 18:18.307 --> 18:20.549 This is Adam and Jo here on BBC Six Music. 18:21.450 --> 18:24.052 This is our third show here at the Big British Castle. 18:24.152 --> 18:25.033 We're still finding our feet. 18:25.253 --> 18:28.496 You know, we'll be finding our feet for about three more months. 18:28.877 --> 18:29.117 Yeah. 18:29.177 --> 18:29.938 Just to let you know. 18:30.558 --> 18:32.260 So, you know, bear with us. 18:32.360 --> 18:35.563 Then we'll have an amazing period that look like one show will be amazing. 18:35.723 --> 18:36.803 Yeah, maybe two or three. 18:36.843 --> 18:37.284 Two or three. 18:37.304 --> 18:38.804 Then we'll start on the downward. 18:38.904 --> 18:41.385 On the slow, slippery slope decline, exactly. 18:41.425 --> 18:43.306 So, you know, that's something to look forward to. 18:43.586 --> 18:44.506 Here's a bit more music. 18:44.886 --> 18:46.087 This is a band called Editors. 18:46.707 --> 18:46.947 Yeah? 18:47.147 --> 18:47.627 Yeah, exactly. 18:47.667 --> 18:48.388 Not The Editors. 18:48.428 --> 18:48.788 Editors. 18:48.928 --> 18:50.789 Only a jerk would call them The Editors. 18:50.809 --> 18:51.269 Where are they from? 18:52.269 --> 18:53.490 Um, well, they're British. 18:53.770 --> 18:54.330 Are they British? 18:54.350 --> 18:56.771 Yeah, I always have them as editors in my head because of Zane Lowe. 18:56.791 --> 18:59.813 Zane Lowe, the only person I've ever heard saying their name is Zane Lowe. 18:59.853 --> 19:00.093 Yeah. 19:00.293 --> 19:00.633 Editors. 19:00.733 --> 19:01.114 Editors. 19:01.414 --> 19:02.935 And he says it in... Where's Zane Lowe from? 19:03.495 --> 19:04.415 He's from New Zealand, I think. 19:04.435 --> 19:04.916 There you go. 19:04.996 --> 19:05.176 Yeah. 19:05.596 --> 19:06.016 Editors. 19:06.636 --> 19:10.518 So here's the editors with racing... What accent is that? 19:10.618 --> 19:11.059 I don't know. 19:11.099 --> 19:13.480 Here's the editors with the racing rats. 19:16.241 --> 19:18.122 This is Adam and Jo on BBC Six Music. 19:18.182 --> 19:18.943 It's Saturday morning. 19:19.003 --> 19:22.925 Before that exciting trail, you heard editors with The Racing Rats. 19:23.505 --> 19:27.767 They've titled that song as a kind of man trap for DJs. 19:28.348 --> 19:28.568 Why? 19:28.888 --> 19:33.810 Because there's no thee on editors, but there is a thee on The Racing Rats. 19:33.970 --> 19:34.591 You know what I mean? 19:34.891 --> 19:35.891 They're trying to trip us up. 19:36.252 --> 19:36.892 I know, exactly. 19:36.932 --> 19:37.672 Like, make your mind up. 19:37.712 --> 19:40.314 Do you hate these or not? 19:41.309 --> 19:42.470 Do they hate the word the? 19:42.550 --> 19:42.811 Yeah. 19:43.091 --> 19:43.371 Yeah. 19:43.612 --> 19:45.474 And you would think that they do hate it. 19:45.774 --> 19:48.297 I need to, I actually want to talk to them about that. 19:48.537 --> 19:50.479 You know, he goes out with Edith Bowman, right? 19:50.499 --> 19:50.779 Does he? 19:51.060 --> 19:51.941 So we can get to him. 19:52.281 --> 19:52.902 We could get to him. 19:52.922 --> 19:53.402 It's perverse. 19:53.823 --> 19:56.786 And he's causing a lot of unnecessary anxiety for DJs. 19:56.806 --> 19:57.487 Yeah, exactly. 19:57.567 --> 19:58.307 Sort your life out. 19:58.928 --> 19:59.528 But what a track. 19:59.668 --> 20:00.029 Great track. 20:00.069 --> 20:00.489 What a track. 20:00.529 --> 20:01.009 Great track. 20:01.349 --> 20:06.772 Yes, so I wonder if anybody this week watched one of my favourite TV programmes, Dragon's Den. 20:06.872 --> 20:08.133 Hey man, I watched that. 20:08.173 --> 20:08.873 Did you watch it? 20:09.173 --> 20:09.594 I bet you now. 20:09.614 --> 20:11.054 I'm gonna talk about that lady, right? 20:11.074 --> 20:15.017 I'm gonna talk about the lady and I'm assuming that lots of radio stations have talked about the lady. 20:15.077 --> 20:17.658 I imagine breakfast shows the next morning were buzzing. 20:18.098 --> 20:18.799 about the lady. 20:19.139 --> 20:27.946 If you didn't see it, folks, you know, Dragon's Den is a show where entrepreneurs come and pitch ideas to some kind of panto-style business entrepreneurs. 20:27.966 --> 20:28.587 Millionaires! 20:28.747 --> 20:32.850 Millionaires who fly in jets and eat golden toothpaste. 20:32.910 --> 20:33.270 Nuggets. 20:33.651 --> 20:33.951 Nuggets. 20:35.072 --> 20:38.114 Anyway, this week there was a lady who'd written a book called Dance of the Goblins. 20:38.194 --> 20:45.320 It was a sort of epic fantasy novel and she was a sort of a mystic stone-wearing sort of goth lady. 20:45.820 --> 20:46.421 Mm-hmm. 20:46.841 --> 20:49.522 There was a touch of the Julie T Wallace from Lifes and Loves of Ashida. 20:49.542 --> 20:50.043 There was. 20:50.083 --> 20:53.445 She had a sort of distant, slightly demented look in her eye. 20:53.485 --> 20:57.027 But was that the dementia of genius or the dementia of madness? 20:57.167 --> 20:57.988 She was hard to tell. 20:58.008 --> 20:59.689 She was very nervous as well, wasn't she? 20:59.709 --> 21:00.329 She was nervous. 21:00.769 --> 21:02.910 Who wouldn't be when faced by those dragons? 21:03.411 --> 21:04.732 That's so scary. 21:05.092 --> 21:06.753 One of them runs a company that makes pants. 21:07.613 --> 21:08.654 That's as scary they are. 21:09.014 --> 21:10.155 Anyway, she was very nervous. 21:10.215 --> 21:15.859 She'd bought in her book and basically the entrepreneurial idea she was pitching was to make a movie out of her book. 21:16.440 --> 21:23.805 She decided to circumvent the usual process of filmmaking, you know, going to production companies and studios and writing scripts and all that sort of stuff. 21:24.146 --> 21:25.867 She decided to do it all off our own back. 21:26.187 --> 21:30.994 Yeah, she was just gonna go to the Dragons, get some startup capital, and just make the movie completely independently. 21:31.374 --> 21:38.183 She was gonna produce it, she was gathering together the crew, and amongst the people she'd gathered together was an actor whose name she wouldn't divulge. 21:38.544 --> 21:41.327 That's right, she said it was a famous top star. 21:41.347 --> 21:42.289 It was a big name actor. 21:42.309 --> 21:42.749 Yeah, yeah. 21:43.550 --> 21:45.352 She gave two clues as to who this actor was. 21:45.372 --> 21:47.133 She gave one big clue as to who the actor was. 21:48.014 --> 21:51.937 She said he was in Pirates of the Caribbean and Phantom of the Opera. 21:52.037 --> 21:56.701 So, I imagine 90% of people watching reached for their laptops. 21:56.881 --> 21:57.081 Yeah. 21:57.401 --> 21:58.122 And went online. 21:58.142 --> 21:58.622 Did you, Adam? 21:59.443 --> 22:00.284 Only because I couldn't. 22:00.364 --> 22:03.266 I didn't because I couldn't get a... You didn't have access? 22:03.366 --> 22:05.548 Didn't have no Wi-Fi in the telly room. 22:05.628 --> 22:06.209 Well, I did. 22:06.229 --> 22:06.309 Yeah. 22:07.009 --> 22:11.112 And me and the rest of the country looked at IMDb for those two films. 22:11.653 --> 22:14.555 And it soon became apparent that it's the actor Kevin McNally. 22:14.995 --> 22:17.857 Kevin... Now he's not a big star, McNally. 22:18.517 --> 22:22.280 He's done one or two films, The Spy Who Loved Me, The Long Good Friday. 22:22.320 --> 22:23.401 He's been around for a while. 22:23.841 --> 22:24.442 But he's not. 22:24.462 --> 22:26.343 This woman had pledged him a million pounds. 22:27.224 --> 22:32.768 She said that he was a big star and he was going to get paid a million pounds in gross profit points. 22:33.068 --> 22:34.149 She said that... 22:36.638 --> 22:38.879 was it profit points or that was up front though, wasn't it? 22:38.939 --> 22:49.204 Because she was saying to the... I think, I understood that she was saying to the dragons, I'm gonna need like a million and a half quid and a million of that is going straight to the actor. 22:49.844 --> 22:51.105 I'm not sure, I can't remember. 22:51.185 --> 22:56.887 I think she said it was points because the way I understood it, I thought he was gonna get the money up front. 22:56.987 --> 22:58.848 That's why they were so outraged. 22:58.908 --> 23:00.489 And they were saying, you're insane. 23:00.709 --> 23:03.370 I mean, he must be a really big actor and you can't even tell us his name. 23:03.770 --> 23:04.631 And I was thinking like, 23:05.351 --> 23:09.033 This guy, whoever he is... So my question's up. 23:09.073 --> 23:17.497 First of all, the interesting thing was by the next day, Kevin McNally's Wikipedia entry had been updated with his involvement in Dance of the Goblins. 23:18.118 --> 23:19.659 That's pretty good for Wikipedia, isn't it? 23:20.759 --> 23:23.981 Also, I think sales of Dance of the Goblins must have gone up. 23:24.701 --> 23:26.142 And I'm now quite interested in seeing the film. 23:26.602 --> 23:26.782 Yeah. 23:26.922 --> 23:28.903 I think the country's quite interested in seeing the film. 23:29.023 --> 23:30.404 Well, that's exactly what my wife said. 23:30.424 --> 23:35.446 She said, wouldn't it be great if she made the film, it turned out to be an absolute smash, and the dragons were sussed. 23:35.486 --> 23:39.808 Yeah, the dragons were sussed, and that clip would haunt them for the rest of their lives the way they treated her. 23:40.228 --> 23:50.952 Well, there are already things that the dragons have poo-pooed, that they've plop-plopped, pop-popped, have gone on to be smash hits, like the man who made the fan of wedges for restaurant tables. 23:51.492 --> 23:54.574 You know, a wobbly cafe table, and you have a little fan of wedges. 23:54.594 --> 23:54.894 Brilliant. 23:55.294 --> 23:57.515 But he's now a multi-pounder. 23:57.615 --> 23:57.975 Is he? 23:58.175 --> 23:58.475 Yeah. 23:58.515 --> 23:58.915 Genius. 23:59.355 --> 24:00.196 That's the pasta. 24:00.476 --> 24:02.276 Anyway, Kevin McNally, what are you playing at? 24:02.556 --> 24:02.777 Right. 24:03.017 --> 24:06.398 He's going round, making deals with kind of amateurs. 24:07.738 --> 24:10.159 Raising their hopes unnecessarily. 24:10.319 --> 24:12.700 No, what I was thinking is because... You know what I was thinking? 24:12.720 --> 24:12.820 What? 24:13.020 --> 24:13.840 You could do the same. 24:14.100 --> 24:20.782 Well... You've had small parts in Stardust and Hot Fuzz and Son of Rambo as yet unreleased. 24:21.263 --> 24:22.303 You could start doing that. 24:22.802 --> 24:33.729 I think every actor is approached to be in all kinds of projects and generally you would say yes, and especially if it's a small production, you would do everything within your power to help them out, you know what I mean? 24:34.930 --> 24:41.014 But I was thinking, but if you're approached for something that you don't necessarily want to be in, one good way of getting out of it 24:41.514 --> 24:44.555 is by inflating your price ludicrously. 24:44.675 --> 24:49.177 And I bet you he was thinking, man, I'm going to price myself out of this situation. 24:49.237 --> 24:50.558 Well, it's backfired, hasn't it? 24:50.578 --> 24:53.699 Because now everyone reckons he's the star of Dance of the Gnomes. 24:54.119 --> 24:55.740 Hey, listen, here's a track chosen by Adam. 24:55.760 --> 24:58.441 This has been a long link, so we better tell you about this track after it. 24:58.761 --> 24:59.481 But who's this by? 24:59.822 --> 25:03.803 This is by a band called Seventeen Evergreen, and I really hope you enjoyed it. 25:03.843 --> 25:07.165 Sounds very much like Stephen Maltoness, but none the worse for that. 25:07.245 --> 25:08.685 It's called Haven't Been Yourself Lately. 25:14.983 --> 25:16.184 It's nice and mellow. 25:16.684 --> 25:18.506 It's outcast with prototype. 25:18.766 --> 25:29.595 If you were going out with big boy or Andre 3000 and he said that to you, you might not be the one, but even if you're not the one, you're the prototype. 25:30.195 --> 25:32.417 Would you be flattered by that as a woman? 25:33.118 --> 25:33.538 Yeah. 25:33.726 --> 25:34.006 Yeah? 25:34.146 --> 25:34.887 He's good-looking. 25:34.947 --> 25:36.388 Both of those guys are good-looking. 25:36.508 --> 25:42.133 Yeah, but he's saying he might chuck you for something similar to you, but maybe with one or two improvements. 25:42.153 --> 25:43.133 It's good enough, man. 25:43.173 --> 25:44.034 It's good enough, isn't it? 25:44.094 --> 25:44.895 Yeah, you get your go. 25:44.915 --> 25:45.135 Yeah. 25:45.195 --> 25:45.735 What's wrong? 25:45.775 --> 25:46.436 Yeah, exactly. 25:46.556 --> 25:53.922 Before that, you heard a track that I chose for you called Seven... called Haven't Been Yourself Lately by a band called Seventeen Evergreen. 25:54.382 --> 25:58.085 That was also a nice laid-back track for a Saturday morning. 25:58.585 --> 26:10.513 And, incidentally, if you can be bothered, there's a great video for that track, uh, on YouTube, just type in Seventeen Evergreen, you should find it, by a video-making outfit called Encyclopaedia Pictura. 26:11.013 --> 26:18.879 And you should check out their website as well, because their stuff is amazing, it's mind-blown, they've got a truly individual video-making style. 26:19.619 --> 26:22.201 Now, I talk like a young person, have you noticed that? 26:22.301 --> 26:26.324 I don't understand what you're saying, Adam, I'm frightened of you, I think you're gonna stab me or download me. 26:26.604 --> 26:27.785 I will be if you dislike... 26:28.505 --> 26:28.766 Chips. 26:28.926 --> 26:29.166 Yes. 26:29.687 --> 26:39.159 Okay, it's time to go back in time now to 1984, the year of, um, big brother George Orwell and all that kind of business. 26:39.280 --> 26:39.480 Yeah. 26:39.820 --> 26:43.465 Yeah, and this is a session track by the Smiths. 26:43.485 --> 26:44.386 Have you heard of the Smiths? 26:44.967 --> 26:45.448 never heard of them. 26:45.468 --> 26:49.591 They've got a sort of a grumpy lead singer with a quiff that lives in LA called Morrissey. 26:49.991 --> 26:52.133 Lots of Japanese girls really fancy him. 26:52.673 --> 27:00.379 And this is a track called How Soon Is Now and it was recorded for the Peel Sessions on Radio 1 on the 1st of August 1984. 27:01.120 --> 27:05.163 BBC Music Classic BBC Session Track 27:17.330 --> 27:27.176 I am the sun, I am the air All the shyness, that's what's gonna happen, don't you? 27:27.256 --> 27:35.101 I am the sun and the air I do nothing, everything in particular 27:40.084 --> 27:43.686 To find out more, go to bbc.co.uk slash podcasts. 27:43.926 --> 27:45.567 She said slash podcasts. 27:45.788 --> 27:46.948 She's a naughty lady. 27:46.968 --> 27:49.130 This is Adam and Jo on BBC Six Music. 27:49.190 --> 27:55.413 Before that trail, you heard the Smiths with a session track recorded for John Peel on the 1st of August 1984 called How Soon Is Now. 27:55.493 --> 27:56.514 You might have heard that before. 27:56.534 --> 27:58.295 It's one of their big smasharoons. 27:58.475 --> 27:58.675 You know? 27:58.695 --> 27:59.696 It was used on a jeans advert. 27:59.736 --> 28:00.256 Yeah, yeah. 28:00.336 --> 28:06.580 Well, when that track was out, I remember when we were at school, that was a favourite track of Some of the Bully Boys. 28:07.080 --> 28:11.362 Well, you know, the bully boys bullied me, but I bought that track on a 12-inch. 28:11.462 --> 28:13.003 Maybe to show that I was cool as well. 28:13.063 --> 28:14.863 You know, bullies often like good music. 28:16.224 --> 28:18.505 Well, bullies are conflicted, aren't they? 28:18.605 --> 28:18.845 Yeah. 28:18.945 --> 28:21.506 They're not angry with you, they're angry with themselves. 28:21.746 --> 28:24.768 You know, because they're Nazis, they were into some good music. 28:24.928 --> 28:25.248 Were they? 28:25.348 --> 28:27.269 Yeah, Wagner, that kind of stuff. 28:27.429 --> 28:27.769 Fair enough. 28:27.929 --> 28:30.330 It's good stuff, but they were bullies. 28:31.270 --> 28:32.411 You know, what's your point? 28:32.831 --> 28:33.291 I don't know. 28:33.851 --> 28:39.334 Also, I remember some of the bullies at school used to be into music that I scorned at the time, and now I love it. 28:39.734 --> 28:40.734 Jesus and Mary Jane? 28:40.934 --> 28:42.575 Actually, I never got into the Jesus and Mary chain. 28:42.595 --> 28:45.016 I was thinking mainly of Van Morrison, some of the hippie bullies. 28:45.376 --> 28:46.256 Oh, they weren't bullies. 28:46.316 --> 28:47.257 They were just confused. 28:47.297 --> 28:48.817 They were just tired. 28:48.897 --> 28:49.778 They were bullying me. 28:49.798 --> 28:50.718 They were overtired. 28:50.778 --> 28:55.120 There's a difference between being a bully and being overtired because you've been up late listening to hippie music. 28:55.540 --> 28:56.580 Smoking Rollies. 28:56.900 --> 28:58.201 Nation's favourite feature? 28:58.461 --> 28:59.041 Yes, please. 29:01.542 --> 29:02.383 Text-a-nation! 29:02.423 --> 29:03.485 Text, text, text! 29:03.585 --> 29:04.326 Text-a-nation! 29:04.406 --> 29:05.368 What if I don't want to? 29:05.608 --> 29:06.349 Text-a-nation! 29:06.429 --> 29:07.451 But I'm using email. 29:07.631 --> 29:08.332 Is that a problem? 29:08.372 --> 29:09.193 It doesn't matter, text! 29:11.580 --> 29:13.481 Oh, that's got the stench of tea time about it. 29:13.802 --> 29:14.622 What are you talking about? 29:14.682 --> 29:17.744 It sounds like something from, uh, 15 to 1. 29:17.984 --> 29:18.905 Yeah, that's true. 29:18.925 --> 29:20.766 Or, uh, can I have a pee, please, Bob? 29:20.806 --> 29:21.387 What was that called? 29:21.407 --> 29:22.027 Blockbusters. 29:22.107 --> 29:22.848 Blockbusters. 29:22.928 --> 29:25.529 It sounds, you know, a sort of tea, like a tea time sound. 29:25.609 --> 29:26.710 Quiz, tea time quiz sound. 29:26.790 --> 29:27.050 Yeah. 29:27.471 --> 29:33.735 Which is appropriate because it is a sort of a tea time quiz, because it's Saturday morning time for tea, and it's a quiz. 29:34.235 --> 29:35.597 But it's not a quiz. 29:35.777 --> 29:36.518 It's not a quiz. 29:36.578 --> 29:39.001 It's in no way a quiz or a competition of any kind. 29:39.042 --> 29:39.502 No, that's true. 29:39.562 --> 29:40.123 That's true. 29:40.143 --> 29:42.706 Because if it were, we would immediately be vaporised. 29:42.827 --> 29:48.394 And in fact, the other inaccuracy about it is we're not asking you to text this week because this show's pre-recorded. 29:48.835 --> 29:48.915 Shh. 29:49.175 --> 29:52.557 Don't tell anyone who's just tuned in, because they can believe that it's live. 29:52.737 --> 29:56.479 But it's actually pre-recorded, and we simply will not receive your texts. 29:56.899 --> 30:00.080 No, it's a temporal impossibility. 30:00.581 --> 30:01.481 Do you know what I mean? 30:01.621 --> 30:05.223 Unless you had invented some kind of time-shifting device. 30:05.243 --> 30:07.104 It's possible with our calibre of listeners. 30:07.344 --> 30:07.564 Yeah. 30:07.705 --> 30:10.007 But you know, we set this feature up in last week's show. 30:10.047 --> 30:16.595 We asked you to send us in examples of childhood misconceptions, things that you got wrong about the world when you were a little kid, right? 30:17.156 --> 30:22.742 Adam, you were talking about how you believed until quite recently that Concord travelled at the speed of light. 30:22.903 --> 30:24.505 Not until quite recently. 30:24.685 --> 30:25.946 Well, how recently? 30:26.667 --> 30:35.111 Well, I was in my teens, and I was around 14, still believing that Concorde travels at the speed of light. 30:35.712 --> 30:35.932 Yeah. 30:36.172 --> 30:45.397 Which was a little humiliating, and I got in an argument and was, of course, sussed all over the shop about it, because it travels at the... or it travelled at the speed of sound. 30:47.561 --> 30:51.842 I believed when I was a kid that Bob Dylan and Dylan Thomas were the same people. 30:52.322 --> 30:54.943 Yeah, which that's not that far-fetched, is it? 30:54.983 --> 30:57.663 They're both kind of shambolic, crazy-haired poets. 30:59.003 --> 31:02.264 My parents had a seven-inch of a Bob Dylan poem. 31:02.504 --> 31:04.705 You see, it's still happening. 31:04.965 --> 31:09.586 My parents had a seven-inch of a Dylan Thomas poem, so I assumed that he was a singer. 31:10.026 --> 31:10.226 Right. 31:10.846 --> 31:11.806 Bob Dylan, Dylan Thomas. 31:11.986 --> 31:12.826 Easy mistake to make. 31:13.287 --> 31:15.027 I thought that temping agencies 31:15.487 --> 31:16.688 distributed tampons. 31:16.948 --> 31:17.308 Right. 31:17.668 --> 31:19.789 Tamp, tamp, tampon, tamping. 31:20.449 --> 31:31.835 I thought that the girl on the on the Kelly girl advert on the side of the bus walking confidently down a street in in a trouser suit jacket was confident because she was well padded. 31:32.315 --> 31:32.635 Nice. 31:32.715 --> 31:34.156 On her under areas. 31:35.017 --> 31:37.098 And just these are just examples listeners. 31:38.158 --> 31:43.921 When my mum took me for the first time to Wimbledon Common I was terrified that I'd encounter a womble. 31:44.341 --> 31:45.021 Terrified? 31:45.061 --> 31:45.681 Yeah, terrified. 31:45.701 --> 31:46.061 Not excited. 31:46.322 --> 31:47.922 Well, I had no idea how big they'd be. 31:48.102 --> 31:48.362 Yes. 31:48.642 --> 31:52.283 Because on the telly, they're the size of giant people. 31:52.383 --> 31:53.523 Mm-hmm. 31:53.603 --> 31:56.444 It just blew my mind because I was literally expecting a wumble. 31:57.004 --> 32:03.206 You know, I thought, well, will it really be all felty or, you know... Had you not seen them on top of the pops playing Remember You're a Wumble? 32:03.226 --> 32:03.566 Yes, yes. 32:04.366 --> 32:05.827 Therefore, I believe they existed. 32:06.047 --> 32:06.387 Okay. 32:06.487 --> 32:08.268 I just didn't understand what they'd be like. 32:08.628 --> 32:08.868 Yeah. 32:09.448 --> 32:14.971 Because I knew that when adults turned animals into children's things, they made them soft and cuddly. 32:15.071 --> 32:15.211 Mm-hmm. 32:15.371 --> 32:17.172 So I thought, what would a real one look like? 32:17.192 --> 32:18.213 Oh, I see, yeah. 32:18.233 --> 32:21.094 You know, like scaly and that stinking breath. 32:21.374 --> 32:25.958 It's cool rubbish as everyone knows wumbles are actually just tramps. 32:26.498 --> 32:35.065 Yeah, they collect rubbish eco tramps man They were way ahead of the curve with the eco anyway Thank you to everybody who's emailed in over the last week with their childhood misconceptions. 32:35.085 --> 32:36.706 Do you want a couple here from our listeners Adam? 32:36.726 --> 32:38.187 Yeah, I'd love to hear some okay. 32:38.507 --> 32:40.049 This is from Rachel kitty 32:41.178 --> 32:47.639 She says, dear Adam and Jo, when I was 24 I was in the doctor's surgery waiting room when a little boy came up to me and asked what was wrong. 32:48.239 --> 32:49.299 I said I had the flu. 32:50.000 --> 32:52.500 I asked him what was wrong with him and he said he had germ and measles. 32:53.140 --> 32:59.441 I laughed at his sweet little mispronunciation and kindly informed him that he'd meant to say, germs and measles. 33:00.781 --> 33:03.942 His mum then shook her head gently and told me that, no, he was right. 33:04.582 --> 33:08.563 I thought germs and measles made much more sense, as in, oh, I've got germs and measles and all sorts. 33:08.683 --> 33:09.823 Ooh, I'm in a terrible way. 33:11.063 --> 33:12.604 I got German measles, you know. 33:13.004 --> 33:14.185 Twenty-four, she was. 33:14.205 --> 33:15.065 Twenty-four. 33:15.085 --> 33:16.206 That's pretty good, Rachel. 33:16.586 --> 33:17.246 That's great. 33:17.546 --> 33:18.166 Here's another one. 33:19.687 --> 33:20.147 Hello, Adam. 33:20.167 --> 33:20.648 Hello, Joe. 33:20.668 --> 33:21.728 This is from Scott Spencer. 33:21.988 --> 33:25.010 When I was around six years old, I was taken to the park by my slightly older uncles. 33:25.050 --> 33:26.690 The three of them must have been between 11 and 16 years old. 33:28.331 --> 33:31.212 For an impressionable child like myself this was a very exciting experience. 33:31.252 --> 33:35.574 It was the first time I'd been in the park after dark, unaccompanied by an adult. 33:36.375 --> 33:40.457 In the park we met a group of my uncle's friends who were introduced to me as Dex's Midnight Runners. 33:41.397 --> 33:46.439 I'll spare you the details but we messed about and did the kinds of things you'd expect kids to get up to in a park at night with no adults around. 33:46.720 --> 33:51.702 From this point on I was convinced I'd met Dex's Midnight Runners in the park at the end of my road. 33:52.182 --> 33:55.364 Whenever anybody mentioned Dexes, I'd relate the story of how I'd met them. 33:55.945 --> 33:57.706 It seemed to me totally credible. 33:58.126 --> 34:01.609 To back this up, they did live kind of locally to me in Birmingham. 34:01.989 --> 34:04.771 It was dark, but I'm sure they were wearing dungarees. 34:06.452 --> 34:10.415 It wasn't until I was well into my twenties that I began to question the truthfulness of my introduction. 34:11.336 --> 34:13.297 Yam yam, my uncles had given me. 34:14.078 --> 34:17.020 I began to doubt it was Dexes' Midnight Runners that I'd met that night. 34:17.320 --> 34:17.860 There you go. 34:18.160 --> 34:20.482 Well, is he absolutely sure it wasn't? 34:21.343 --> 34:21.563 Well, 34:22.981 --> 34:24.782 I think it probably couldn't have been, right? 34:26.123 --> 34:26.504 I don't know. 34:26.524 --> 34:28.465 When he was around six, he doesn't tell us how old he is now. 34:28.986 --> 34:31.367 That's a strange lie to tell to a child. 34:31.467 --> 34:34.430 No, it's just the kind of thing you would... I can see that happening. 34:35.070 --> 34:44.157 Because as adults, you're perfectly comfortable with speaking in terms of analogy and metaphor and just introducing a friend as, oh, this is Margaret Thatcher. 34:44.717 --> 34:45.678 Yeah, Superman. 34:46.199 --> 34:47.020 There's a kitty, a what? 34:47.781 --> 34:48.361 Superman? 34:49.403 --> 34:49.903 That's good. 34:50.224 --> 34:53.507 So there's a couple, we've got lots more coming up, but maybe we should have some music first. 34:54.048 --> 34:55.790 Yes, this is a track from The Go Team. 34:56.170 --> 34:59.795 It's called Roth of Maris and it's out on the 26th of November. 35:00.155 --> 35:02.117 It's from their album, Proof of Youth. 35:02.438 --> 35:03.939 Check it out. 35:14.776 --> 35:17.999 They sound like a kind of charming youth orchestra, don't they, the go team? 35:18.480 --> 35:21.903 Yeah, that was the go team with a track called Roth of Maris. 35:22.524 --> 35:24.305 I've noticed something pop-culturally, Adam. 35:24.786 --> 35:28.329 And it's something I am calling primary school chic. 35:28.790 --> 35:29.030 Right. 35:29.210 --> 35:29.410 Yeah? 35:30.211 --> 35:31.232 I've coined that phrase. 35:31.553 --> 35:34.937 And it's spreading through the media like wildfire is evident in that go team track. 35:34.997 --> 35:37.479 It's also evident in almost every commercial on TV. 35:38.000 --> 35:45.468 The latest thing seems to be to get a group of trendily dressed young adults mixed with children and have them engaged in some kind of street 35:46.449 --> 36:09.039 art kind of collective art performance oh yeah there's one advert where a whole bunch of people roll multi-colored ribbons out of windows and down streets you've seen that one seen that one it's the orange ones where the stupid gypsy mental woman makes does the sort of cardboard cutout caravan show have you seen that one with like clouds on strings there's another one where a whole family of idiots 36:09.759 --> 36:13.201 create giant telephones out of furniture and stuff, have you seen that one? 36:13.841 --> 36:15.301 And there's another, there's another one. 36:15.602 --> 36:23.245 But this, like, all adverts seem to be about, like, community groups getting together and doing something kind of fey and arty and pointless in the streets. 36:23.265 --> 36:30.128 There's some idents for Channel 5 where they shoot them from above and it's loads of people making the shape of, like, a person walking along, you know what I mean? 36:30.668 --> 36:31.328 They're all holding hands. 36:31.428 --> 36:37.271 It's all about working together, it's all about the environment, all these key buzz words, and it's also about 36:37.751 --> 36:41.496 buying stupid rubbish, mainly buying rubbish. 36:41.736 --> 36:49.165 But you know it would be wrong for me to include the go team in that kind of thing, because they're not a cynical bunch of advertisers, they're artists. 36:49.746 --> 36:53.651 And they've merely been pollined by that dreadful advertising movement. 36:54.551 --> 36:57.632 But there we go, the go team with Roth of Maris. 36:57.672 --> 36:59.552 This is Adam and Jo on BBC6 Music. 37:00.212 --> 37:03.353 It's time for some more music, this time from the Pigeon Detectives. 37:03.373 --> 37:04.513 This is called I Found Out. 37:04.533 --> 37:07.174 There you go, that's the Pigeon Detectives with I Found Out. 37:07.594 --> 37:16.896 That's being re-released on the 12th of November because the first time it came out, you idiots didn't realize that it was amazing. 37:17.456 --> 37:19.957 It just totally went in one ear and out the other. 37:20.397 --> 37:21.257 But in the interim, 37:22.372 --> 37:25.876 you found out that they're... You're being given a second chance by record buying publics. 37:25.996 --> 37:28.379 This is... This is your last chance. 37:28.479 --> 37:30.862 If you don't make it hit now, then it's just your stupid fault. 37:31.082 --> 37:34.345 Do you think... Have bands re-released singles more than once? 37:35.347 --> 37:35.847 Uh, yes. 37:36.207 --> 37:36.388 Yeah. 37:36.688 --> 37:38.310 Yeah, very, very famous ones have. 37:38.630 --> 37:39.150 Yeah, I guess. 37:39.190 --> 37:40.051 Like, after years and years. 37:40.091 --> 37:42.191 But you mean it as an attempt to make it into a hit? 37:42.532 --> 37:42.852 Yeah. 37:42.912 --> 37:44.472 A band that just will not give up. 37:44.912 --> 37:46.113 They won't accept the truth. 37:46.233 --> 37:47.994 Every three months they just re-release the stakes. 37:48.014 --> 37:48.454 Could you do that? 37:48.474 --> 37:49.654 Could you just, yeah, the same song. 37:50.294 --> 37:52.795 Why not just use that as an approach to the whole industry? 37:53.276 --> 37:54.056 Come on, public. 37:54.336 --> 37:56.057 The adverts will just get bigger and bigger. 37:56.797 --> 37:58.397 Marketing spend larger and larger. 37:58.557 --> 37:59.618 They should do that with films. 37:59.778 --> 38:01.959 I guess it's not financially practical, is it? 38:02.819 --> 38:02.979 No. 38:02.999 --> 38:04.480 It isn't. 38:04.920 --> 38:11.244 But there we go, the pigeon detectives, they've had a brilliant summer, loads of smashing performances at festivals. 38:11.305 --> 38:12.645 That's a word young people use, isn't it? 38:12.665 --> 38:13.006 Smashing. 38:13.026 --> 38:13.886 Smashing, yes they do. 38:13.946 --> 38:16.848 Yeah, and they've done really well, and well done and all that stuff. 38:16.888 --> 38:27.615 Now we're in the middle of text, the nation, even though we're not accepting texts, only emails, and the subject this week has been misconceptions as a child, things that you kind of got wrong-headed when you were a kid, 38:29.116 --> 38:34.881 A couple of the ones that I had, I've talked about this before, but the phrase, going through it with a fine tooth comb. 38:36.542 --> 38:40.646 Now, I, like many people, believe- Is this to do with tooth and tooth? 38:40.866 --> 38:41.727 Yeah, yeah. 38:42.367 --> 38:46.671 Is that a misconception or just something you didn't sort of know the truth about? 38:46.731 --> 38:47.712 Same thing, really. 38:47.852 --> 38:50.354 Well, I thought it was a fine tooth comb. 38:50.755 --> 38:53.617 Do you know what I mean? 38:53.637 --> 38:54.618 And what's a tooth comb? 38:55.098 --> 38:58.924 Yeah, it's like, why do you need a comb for your teeth? 38:59.625 --> 39:02.990 And many people still say it today, you know, I'm going through it with a fine tooth comb. 39:03.170 --> 39:03.450 Really? 39:03.470 --> 39:05.713 You're using a tooth comb there. 39:05.814 --> 39:09.559 And of course the real phrase is, it's a fine toothed comb, yeah. 39:11.281 --> 39:13.202 Here's one from Matt Garner. 39:13.523 --> 39:14.923 Thanks for emailing Matt. 39:16.144 --> 39:18.305 He says, hey, good to hear you're back on the radio. 39:18.345 --> 39:19.026 Hey, thanks Matt. 39:19.226 --> 39:26.851 Hey, I just heard your plea for misconceptions for next week's show, and this isn't one of my... I don't know why I'm reading your email in this voice, Matt. 39:27.231 --> 39:27.851 I'm going to continue. 39:28.291 --> 39:31.954 It's not one of my own, but I can pass on something my wife let's slip the other day. 39:32.914 --> 39:33.795 I'm going to stop the voice now. 39:34.355 --> 39:50.970 It was only when watching a recent Nigella Lawson TV programme, in which La Lawson made Honeycomb as a gift for the hosts of a dinner party she was to attend, that my wife realised that Honeycomb, of the type one finds in crunchy bars etc, is not in actual fact a bee-derived product. 39:51.811 --> 39:54.814 Apparently she had wondered how the bees made it so small. 39:56.158 --> 39:56.818 That's good. 39:57.218 --> 40:03.800 Now, if I caught my girlfriend making a, like a miss, whatever it is, conception like that, I'd be very happy. 40:03.840 --> 40:09.081 But somehow for one's wife to do it, to be married and for that to happen, isn't that must be extra brilliant? 40:09.261 --> 40:09.481 Yeah. 40:09.661 --> 40:12.862 That must be quite a good, you know, bit of ammunition. 40:13.142 --> 40:13.522 Exactly. 40:13.562 --> 40:15.623 You can get a couple of years of teasing out of that. 40:15.823 --> 40:16.403 Exactly. 40:18.303 --> 40:20.124 Another one that I had when I was younger, 40:20.684 --> 40:23.525 was I lived in Wales for a time, okay? 40:24.085 --> 40:27.906 And in the morning, we would all say the Lord's Prayer. 40:28.766 --> 40:30.686 Our Father, who art in heaven... At school, you mean. 40:30.826 --> 40:30.986 Yeah. 40:31.026 --> 40:31.666 Not in your house. 40:31.866 --> 40:32.607 No, at school. 40:32.627 --> 40:33.747 You weren't like Carrie White. 40:34.687 --> 40:35.507 No, no, I wasn't. 40:37.068 --> 40:43.349 And we would all say the Lord's Prayer and it would be, you know, mainly in a Welsh accent because most of the students were Welsh. 40:44.130 --> 40:54.886 And so our Father who art in heaven, hallowed be thy name, and the head boy at that point in this little primary school where I was, was called 40:56.877 --> 40:57.097 Right? 40:57.778 --> 41:01.980 And I thought that we were saying, our Father who art in heaven, I led be thy name. 41:02.840 --> 41:08.364 Because I was like, whoever gets to be head boy, they get their name inserted into the Lord's prayer. 41:08.384 --> 41:08.664 Wow. 41:09.124 --> 41:10.785 For like massive Jesus props. 41:11.786 --> 41:14.267 And I was thinking, I wish that was me. 41:14.327 --> 41:15.428 I wish I could be head boy. 41:15.828 --> 41:18.730 Our Father who art in heaven, Adam be thy name. 41:19.230 --> 41:19.590 Yeah? 41:20.150 --> 41:22.612 Thy kingdom come, I was thinking, then I be the king! 41:23.260 --> 41:27.503 And, of course, I was gutted to find out that it was no such thing. 41:27.803 --> 41:29.425 It was always... Wow. 41:29.865 --> 41:30.145 Halloween. 41:30.265 --> 41:32.947 So, it's actually saying that that would be God's name, isn't it? 41:32.967 --> 41:40.833 Yeah, it was basically... So you thought that God took the name of whoever the head boy of... Yeah, or the head boy becomes divine in some way. 41:40.993 --> 41:41.734 Wow. 41:42.354 --> 41:42.614 Wow. 41:42.775 --> 41:43.735 That's amazing. 41:44.456 --> 41:48.399 That was the teardrop explodes with reward, the sound of Joe and BBC Six music. 41:48.599 --> 41:49.920 That's just got me all fired up. 41:50.242 --> 41:51.002 It was exciting. 41:51.042 --> 41:51.863 They're a great band. 41:52.123 --> 41:52.523 Yeah. 41:52.543 --> 41:53.624 And what a terrific name. 41:53.644 --> 41:54.264 Uh-huh. 41:54.544 --> 41:57.445 Capturing a tiny moment there. 41:57.685 --> 41:59.006 It was from a comic book, wasn't it? 41:59.026 --> 41:59.366 Was it? 41:59.446 --> 41:59.706 Yeah. 41:59.966 --> 42:00.527 Ah, brilliant. 42:01.367 --> 42:02.207 Anyway, there you go. 42:02.227 --> 42:07.430 This is Adam and Joe here on Six Music from the Big British Castle, the BBC. 42:07.670 --> 42:09.431 Yes, it's our new Saturday morning show. 42:09.811 --> 42:16.454 Now, if you're podcast fans, maybe you listened to one of the podcasts we did for previous bad radio stations, 42:17.795 --> 42:21.858 Then we should let you know that we are working on doing a podcast of this show. 42:22.458 --> 42:24.740 We're talking to people at BBC Worldwide. 42:25.661 --> 42:31.846 It will be a free podcast and at the moment we're thinking about doing kind of like a fortnightly digest, right? 42:32.486 --> 42:33.786 Yeah, I think that's the idea. 42:33.946 --> 42:36.427 Like a digest book with extra new stuff as well. 42:36.467 --> 42:37.547 Yeah, it'll have new stuff in it. 42:37.827 --> 42:42.328 But, you know, be patient because the longer we leave it, the higher quality it'll be. 42:42.348 --> 42:43.448 The more nutritious it'll be. 42:43.488 --> 42:44.129 Yeah, exactly. 42:44.429 --> 42:50.730 Now, we're in the middle of text the nation, which this week, of course, is email the nation, as this show is should be recorded. 42:51.310 --> 42:52.710 But just pretend it's live, it's fine. 42:53.991 --> 42:59.392 And we were asking you for your childhood misconceptions, stuff that you believed as a child that you now realize was stupid. 43:00.974 --> 43:02.055 Are you ready for some more, Adam? 43:02.416 --> 43:02.977 Yes, please. 43:03.277 --> 43:03.998 Yes, please. 43:04.519 --> 43:07.323 This is from Imogen in Cambridge. 43:07.904 --> 43:10.547 She says she's a long time Adam and Jo's show podcast listener. 43:10.707 --> 43:11.248 Oh, I'm sorry. 43:11.308 --> 43:11.789 This isn't it. 43:12.750 --> 43:13.652 Childhood misconceptions. 43:13.692 --> 43:16.916 My sister used to get confused between Michael Jackson and John Major. 43:17.745 --> 43:19.166 Michael Jackson and John Major. 43:19.206 --> 43:22.488 I think the reason was they both have J and M in the initials. 43:23.589 --> 43:28.211 She said that she must have been at least under 10 because the Prime Minister was still John Major during that time. 43:28.832 --> 43:29.912 That's very bizarre. 43:30.393 --> 43:31.033 Isn't it strange? 43:31.133 --> 43:33.134 Do you know who I think John Major looks very like? 43:33.515 --> 43:33.575 Who? 43:33.855 --> 43:34.435 Mark Hamill. 43:34.915 --> 43:35.596 You're right! 43:36.236 --> 43:41.640 If there was a young, a film and you needed kind of like a young John Major, it doesn't work tight. 43:41.660 --> 43:43.361 Because they're probably about similar ages, probably. 43:43.401 --> 43:43.541 Yeah. 43:44.461 --> 43:49.124 But, you know, Mark Hamill would have been a brilliant choice in the late 70s to play a young John Major. 43:49.244 --> 43:49.744 That's true. 43:50.044 --> 43:54.126 Well, are you talking pre or post car crash, Mark Hamill? 43:55.007 --> 43:57.068 Well, a car crash happened between Star Wars and Empire, didn't it? 43:57.108 --> 43:57.768 Yeah, that's right. 43:57.808 --> 44:05.992 Yeah, so, well, I don't know, because part of the thing is the top lip that makes him look like John Major, and maybe that was slightly damaged in the crash. 44:06.172 --> 44:06.813 Yeah, there you go. 44:06.833 --> 44:07.613 I don't know there, Adam. 44:07.953 --> 44:10.715 Interesting little point there. 44:12.720 --> 44:14.161 Here's another one, youthful misconceptions. 44:14.181 --> 44:20.247 A friend of mine, Lucy, this is from Andrew Davy in Chester, a friend of mine, Lucy, got a song lyric very wrong. 44:20.787 --> 44:25.512 When they were young, they thought that a particular song had the lyrics, it's my party and I'll cry if you want me to. 44:27.534 --> 44:31.397 As a result, she would go up to her friends at parties and say, would you like me to cry? 44:31.677 --> 44:33.239 Because she thought it might be etiquette. 44:33.719 --> 44:35.381 No, she did not. 44:35.742 --> 44:37.183 I don't believe that one, do you? 44:37.203 --> 44:37.984 Don't know. 44:38.785 --> 44:40.287 Read it out, didn't I? 44:41.228 --> 44:42.149 Here's one from Simon. 44:42.469 --> 44:42.790 Hello. 44:42.990 --> 44:48.456 When I was young and lived in West Bromwich, I used to get confused whenever my auntie said she was going to the market in Walsall. 44:49.217 --> 44:51.940 I always thought she was going to Warsaw in Poland instead. 44:54.673 --> 44:58.976 You know, I used to have a tough time with when people would say, say when? 45:00.077 --> 45:03.259 And I didn't understand if I was supposed to say, that's fine, thank you. 45:03.479 --> 45:05.300 Or if I was supposed to actually say, when? 45:06.141 --> 45:06.341 Right. 45:07.037 --> 45:11.480 Because I was thinking like, why you wouldn't say the actual word when because that doesn't make any sense. 45:11.940 --> 45:12.721 But what? 45:13.461 --> 45:19.125 So sometimes I would just not say anything until like the people would just carry on saying, say when. 45:19.165 --> 45:20.546 You know what I mean? 45:20.726 --> 45:23.168 Yeah, tricky situation there. 45:23.728 --> 45:25.589 We got some quite strange ones, to be honest. 45:25.729 --> 45:25.849 Yeah. 45:26.049 --> 45:31.433 Craig in retil says I used to think that dilute to taste on the side of squash bottles meant that it went out of date in July. 45:32.694 --> 45:34.256 That's just a complete non sequitur. 45:34.577 --> 45:35.598 Diluted taste. 45:35.798 --> 45:41.406 John Packham from Hartlepool says, up until the age of 34, I believe that if I unscrewed my belly button, my bum would fall off. 45:41.866 --> 45:42.387 But you know what? 45:42.427 --> 45:43.448 They're just silly, those ones. 45:43.468 --> 45:43.909 Yeah, they're ludicrous. 45:43.929 --> 45:44.970 And I'm not gonna read them out. 45:45.291 --> 45:45.792 Well done. 45:47.033 --> 45:47.354 Thank you. 45:47.734 --> 45:49.115 All right, it's time for more music. 45:49.155 --> 45:51.377 This is one of your choices, Adam, isn't it, Mr. clarinet? 45:51.397 --> 45:53.759 What is this, some kind of new children's record? 45:53.819 --> 45:58.102 Well, no, we were talking about music that the bullies enjoyed earlier on, right? 45:58.162 --> 45:59.543 This was one that the bullies loved. 45:59.943 --> 46:01.144 They loved the birthday party. 46:01.184 --> 46:05.487 That was Nick Caves, one of Nick Caves' early bands, if not his first band. 46:06.288 --> 46:10.311 And this is a track that I came to very late on in life. 46:11.211 --> 46:15.535 Only just heard it, well, a couple of years ago, actually, on one of the rough trade box sets. 46:16.255 --> 46:16.937 but it's a smash. 46:17.017 --> 46:17.659 Hope you enjoy it. 46:17.699 --> 46:19.102 It's called Mr. Clarinet by The Bursary. 46:36.448 --> 46:37.769 It's gone a bit nutty there at the end. 46:37.969 --> 46:40.931 Someone was trying to kickstart a moped during that, weren't they? 46:41.071 --> 46:47.055 It's kind of an enjoyable gothic cacophony there from Nick Cave and The Birthday Party. 46:47.455 --> 46:50.017 Certainly one of the songs that made me into a caveman. 46:50.678 --> 46:50.978 Yeah? 46:51.098 --> 46:51.438 Yeah? 46:51.558 --> 46:51.858 Yeah. 46:51.998 --> 46:52.339 Okay. 46:53.139 --> 46:53.499 Okay then. 46:54.480 --> 46:56.361 This is Adam and Jo on BBC Six Music. 46:56.441 --> 46:57.862 It's our Saturday morning show. 46:58.462 --> 47:06.886 We're going to wrap up our text the nation, which of course isn't text the nation this week because we're reading emails that you sent to us during the week. 47:06.926 --> 47:11.488 Here's one from Bill, who's aged 37 and a half in Derby in the UK. 47:12.009 --> 47:16.631 And this Adam is, I think, a misconception that you had until very recently. 47:17.531 --> 47:18.012 One of many. 47:18.712 --> 47:19.172 Hi lads! 47:19.673 --> 47:24.856 One of mine was that I didn't realise that the Republic of Ireland was NOT a part of the UK until I was about 20. 47:25.156 --> 47:30.540 That's a badly constructed sentence with hilarious ambiguity, but I can't be bothered to re-write it. 47:30.940 --> 47:31.880 You know what I mean, though? 47:32.301 --> 47:36.403 The realisation that it was an entirely separate political entity really twisted my box-up. 47:36.904 --> 47:38.144 I just never thought to question it. 47:38.204 --> 47:39.705 It was obviously part of the UK. 47:40.126 --> 47:41.647 It's part of the British Isles, after all. 47:42.327 --> 47:45.348 Now, I believe that you had some Ireland problems as well. 47:45.528 --> 47:45.948 No, I did. 47:45.988 --> 47:48.308 I think I had a bit of an argument about it on a plane once. 47:48.388 --> 47:48.768 Did we? 47:49.028 --> 47:49.228 Yeah. 47:49.248 --> 47:50.809 Luckily, there was someone there to back me up. 47:51.109 --> 47:53.469 I've I've screened that one out of my memory box. 47:54.089 --> 47:57.070 I think it was either that you thought the whole of Ireland was British. 47:57.490 --> 47:57.810 That's right. 47:57.850 --> 48:02.191 I don't think you realize that Ireland was its own country, its own nation state. 48:02.431 --> 48:04.591 Is it absolutely necessary to bring this up? 48:04.631 --> 48:09.052 Yeah, because because, you know, some little bit of me is really happy. 48:09.252 --> 48:11.233 Yeah, of course, getting its revenge. 48:12.593 --> 48:13.394 Oh my god. 48:13.755 --> 48:14.256 So there we go. 48:15.457 --> 48:16.078 Here's another one. 48:17.199 --> 48:18.320 Oh, that one's a bit tricky. 48:18.340 --> 48:19.402 I don't think I can read that out. 48:19.986 --> 48:25.449 It's to do with the disease aids and a misconception about that, and it's just not fluffy enough for a Saturday morning. 48:25.809 --> 48:27.010 You can't say that! 48:27.130 --> 48:27.510 Alright then. 48:28.050 --> 48:33.674 Dear Adam and Jo, as a young child in the late 80s, I was undoubtedly not alone in being scared witnessed by the television campaign for AIDS awareness. 48:34.274 --> 48:42.799 Obviously there's nothing funny about the AIDS virus, but it's likely that a few others misunderstood the information supplied to safeguard oneself against the disease in the same way that I did. 48:43.539 --> 48:48.183 As I remember, a lot of emphasis was placed on the possibility of transferring the illness by sharing a toothbrush. 48:48.684 --> 48:54.009 However, at the time, I understood this to mean that by sharing a toothbrush, you created the virus. 48:54.930 --> 49:00.955 I remember being at cub camp and jumping onto the back of a fellow cub who had accidentally picked up my toothbrush thinking it was his. 49:01.316 --> 49:03.898 He thought it would be fun to hold onto the toothbrush and keep it out of my reach. 49:04.118 --> 49:07.401 I thought I was saving him from the AIDS virus. 49:08.502 --> 49:12.645 As I hung on and tried to grab back my toothbrush, the little legs of my fellow cub gave way. 49:12.925 --> 49:16.728 He fell, his face collided with the communal sink of the cub camp toilets. 49:17.309 --> 49:28.017 While he went to hospital to have the retina reattached to his left eye, Aquila and me had a little chat about AIDS, and about how I had done little to protect the health of my friend. 49:28.497 --> 49:30.438 That's from Peter Green in Saffron Walden. 49:30.819 --> 49:32.360 Peter Green from Fleetwood Mac. 49:33.093 --> 49:37.615 Uh, you know, notice how I just, uh, you know, I didn't make a big deal out of the fact that you didn't know how to pronounce Arkayla. 49:38.035 --> 49:38.996 I just glossed over it. 49:39.016 --> 49:40.156 That's a person's name, though. 49:40.176 --> 49:41.276 It could be pronounced the way I said it. 49:41.677 --> 49:42.337 No, it couldn't. 49:42.417 --> 49:43.697 There's no, there's no possible way. 49:43.958 --> 49:45.938 He's got a little PS, though, as well, here. 49:46.298 --> 49:56.062 He says that, um, as a child, I thought that Roy Castle of kids' TV program, Record Breakers, and celebrated trumpet player had lost his hair because he blew his trumpet too hard. 49:56.082 --> 49:56.963 Well, that might be true. 49:57.623 --> 50:02.825 But the whole toothbrush sharing thing, I don't think you can get AIDS from sharing a toothbrush anyway. 50:03.365 --> 50:05.145 So he was wrong on all those counts. 50:05.786 --> 50:09.307 But my commiserations, especially to the chap who lost his retina. 50:10.287 --> 50:12.348 You sound proud that you can confidently say he's wrong. 50:13.268 --> 50:13.468 Yeah. 50:13.808 --> 50:14.008 Yeah. 50:14.389 --> 50:14.809 Yeah. 50:14.869 --> 50:15.089 Good. 50:15.269 --> 50:17.550 Well, am I gonna find out that you can get it from sharing these questions? 50:17.570 --> 50:17.890 No, no, no. 50:17.910 --> 50:18.311 No, you're right. 50:18.371 --> 50:18.651 It's wrong. 50:18.671 --> 50:19.511 That is definitely wrong. 50:19.531 --> 50:19.711 Okay. 50:20.392 --> 50:21.212 Um, a couple more? 50:21.412 --> 50:21.832 Or is that it? 50:22.253 --> 50:22.673 Yeah, go on. 50:22.813 --> 50:23.473 Hit me with one more. 50:23.613 --> 50:23.913 Okay. 50:24.194 --> 50:24.754 Hi, Adam and Jo. 50:24.774 --> 50:25.774 This is from Dawn Wilson. 50:26.034 --> 50:28.896 From Western Australia brackets, the home of evil. 50:30.157 --> 50:32.198 I'm not sure why she's put that in, but there we go. 50:32.798 --> 50:42.863 I remember as a child looking at photographs of the Earth from space and imagining that we lived inside it and that the outer edge of the sphere, which I now know to be the Earth's surface, was the sky. 50:44.195 --> 50:45.036 that we look up at. 50:45.316 --> 50:45.476 Yeah. 50:45.656 --> 50:51.720 This memory came flooding back to me the other day when my seven-year-old daughter commented that we live inside the earth when she looked at a globe of the world. 50:52.781 --> 50:55.323 That seems to me quite a lovely misconception. 50:55.343 --> 50:55.723 Yeah, that is. 50:55.783 --> 50:56.604 It's nice and poetic. 50:56.684 --> 50:57.264 Of a dreamer. 50:57.705 --> 51:03.409 Oh, she's saying that it's the home of evil because last week we were talking about me doing the Australian satanic preacher go. 51:03.509 --> 51:04.890 Oh, there you go. 51:05.110 --> 51:05.650 There you go. 51:05.750 --> 51:07.672 So that's a lovely one, Dawn and Robert. 51:07.832 --> 51:09.153 Whoever which one of you thought that? 51:09.233 --> 51:09.453 Dawn. 51:09.873 --> 51:13.714 Thanks for sending that in, and thanks to everybody who texted us with their childhood misconceptions. 51:14.094 --> 51:15.975 No, didn't text us, emailed us during the week. 51:16.395 --> 51:19.336 We'll have another superb text the nation next week. 51:19.376 --> 51:23.317 Yeah, we're gonna let you know what the subject is before the end of this show so you can start getting your aura out. 51:23.337 --> 51:24.417 I said it was superb. 51:25.117 --> 51:26.178 What's wrong with superb? 51:26.318 --> 51:27.918 That's the kind of thing DJs do, isn't it? 51:27.958 --> 51:29.699 They call their own segment superb. 51:29.979 --> 51:30.259 Listen. 51:30.319 --> 51:34.740 It's acceptable on the radio, that kind of casual, wrong self-aggrandizement. 51:34.800 --> 51:36.541 We'll have another disastrous... 51:37.381 --> 51:39.963 kind of stumbly text the nation next week. 51:40.083 --> 51:41.344 Gotta big up yourself, man. 51:41.364 --> 51:42.225 That's what it's all about. 51:42.565 --> 51:43.345 Right, what have we got now? 51:43.926 --> 51:45.007 We've got a new band. 51:45.047 --> 51:46.528 We think they're new because we haven't heard of them. 51:46.788 --> 51:51.071 They're called Glass Vegas, a brilliant conjunction of Glasgow and Vegas. 51:51.171 --> 51:51.652 Yeah, exactly. 51:51.672 --> 51:57.276 Because the lead singer feels that the Glaswegian accent has its own kind of Hollywood poetry. 51:57.296 --> 51:57.596 Glamour. 51:57.716 --> 51:58.697 You know, in glamour. 51:58.857 --> 51:59.978 This is a track called Daddy's. 52:01.319 --> 52:03.080 Neat, neat, neat, by the dammed there. 52:03.100 --> 52:05.782 This is Adam and Joe here on BBC Six Music. 52:05.982 --> 52:11.527 Man, this morning we're playing nothing but music that was listened to by people we didn't like when we were young. 52:11.807 --> 52:13.888 That's true, that was another favourite with the bullies, wasn't it? 52:13.948 --> 52:17.731 Yeah, with the naughty bullies and their winkle picker shoes. 52:17.831 --> 52:25.297 Adam and I were sort of soft theatrical types at school and our lives were made of misery by tougher kids, mainly your life actually. 52:25.317 --> 52:25.958 Mainly my life. 52:25.998 --> 52:29.761 Yeah, who smoked and wore winkle pickers and listened to scary music. 52:30.932 --> 52:32.973 Yeah, and they've all turned out to be very nice though. 52:32.993 --> 52:39.595 That's the thing about bullies You know is that if you if you just give them about ten years they they generally shape up. 52:39.835 --> 52:41.215 Yeah Exactly. 52:41.535 --> 52:49.238 They're upset with themselves more than they are you yeah, that's right That's what I didn't realize at the time listen two more quick childhood misconceptions. 52:49.278 --> 52:50.278 All right two more quick ones. 52:50.298 --> 52:50.338 Oh 52:50.478 --> 52:54.680 Yeah, this is from our Text the Nation feature, and yeah, let's polish it off with these two. 52:54.900 --> 52:56.921 Yeah, okay, this is from Michael Smith in Norwich. 52:57.341 --> 53:09.346 He says, I was watching Police Academy the other day, and for the first time ever, I realized that Sergeant Lavelle Jones, the actor Michael Winslow, doesn't actually do all of those crazy sound effects from out of his mouth. 53:09.467 --> 53:10.547 Wait a second. 53:10.627 --> 53:11.307 Well, exactly. 53:11.427 --> 53:12.168 I felt broken. 53:12.768 --> 53:14.088 I'm not sure about it, though. 53:14.148 --> 53:15.549 Maybe he really did, did he? 53:16.189 --> 53:17.249 Thanks, Michael Smith. 53:17.309 --> 53:19.230 So this isn't a childhood misconception. 53:19.250 --> 53:23.951 This is something that Michael and Adam Buxton are still struggling with. 53:24.031 --> 53:27.932 Did Sergeant Lavelle Jones from Police Academy really make those noises? 53:27.952 --> 53:29.152 Well, obviously, yes. 53:29.612 --> 53:29.812 Why? 53:29.892 --> 53:32.593 Because you think that if he didn't, it would just be cheating. 53:32.961 --> 53:33.501 Well, yes! 53:33.561 --> 53:34.721 What's the point otherwise? 53:34.821 --> 53:42.623 Well, you could equally say, like, what's the point in pretending that, you know, David Copperfield made the Statue of Liberty disappear if it didn't. 53:42.663 --> 53:44.243 It's a bit different, come on! 53:44.383 --> 53:44.543 Is it? 53:44.603 --> 53:49.344 If the guy's whole stock in trade is the fact that you can mangle his voice to make amazing sounds. 53:49.364 --> 53:52.025 What if they discovered there was an actor with this capability? 53:52.625 --> 53:57.406 They wrote him into the script, but then to make some plot points work, he had to do some sounds that he couldn't actually do. 53:58.386 --> 54:00.550 So in early scenes, he's really doing them. 54:00.850 --> 54:05.939 But by the climax of the film, when it comes down to gunshots, to chase the gangs away, remember? 54:06.099 --> 54:06.340 Yeah. 54:06.860 --> 54:11.308 Or megaphone, you know, feedback, maybe they popped some foley in. 54:11.676 --> 54:18.359 I mean, it's true, obviously, that they would have had to re-record a lot of stuff anyway because they couldn't have used the original sound. 54:18.519 --> 54:21.961 But I would think that they would still be him making the noises in an RDR booth. 54:22.041 --> 54:22.601 That's right. 54:23.442 --> 54:25.223 You can't fake that kind of stuff! 54:25.463 --> 54:27.264 The Police Academy scandal! 54:27.824 --> 54:29.585 That would take the whole franchise down. 54:30.325 --> 54:57.305 surely yeah we don't we can't answer that for you get off come on that one i would say in my long uh experience in the movie business having made all the films i have um i would say that it's probably a mix of the two mix of the two well listen i wouldn't put it past them it's always that message from michael smith in norwich listen mike i'm with you i'm heartbroken there's his number actually i'm gonna yeah talk it through you have a drink and cry together here's another quick one this is from dorm wilson 54:57.805 --> 54:58.285 No, hang on. 54:58.706 --> 54:59.446 It's the wrong one. 54:59.747 --> 55:01.148 Don't we tell them Wilson's one? 55:01.248 --> 55:03.029 No, that was entirely pornographic. 55:04.050 --> 55:04.890 Ross in Edinburgh. 55:05.291 --> 55:10.835 He says, on my first day in college at the age of 20 we were shown into a lecture theatre designed in the late 1970s. 55:11.275 --> 55:15.438 The carpet didn't stop at the edge of the floor but went up the walls as well. 55:16.139 --> 55:20.382 I was just about to blur it out to my new friends that this must be what they mean by wall-to-wall carpeting. 55:20.862 --> 55:23.024 A phrase I'd heard as a child had never understood. 55:23.044 --> 55:23.804 That's fair enough. 55:23.824 --> 55:26.667 The misconception had remained unchallenged in my brain for all those years. 55:27.347 --> 55:29.508 I'll tell you one final misconception from me, right? 55:30.629 --> 55:31.929 This was quite a humiliating one. 55:32.330 --> 55:35.231 Until I was about 13 or maybe 14 again. 55:35.251 --> 55:39.073 14 was a momentous year, a lot of things were explained to me, finally. 55:39.494 --> 55:47.738 But I believed that it was possible for adults to procreate via asexual reproduction as well as sexual reproduction. 55:48.198 --> 55:48.558 i.e. 55:49.018 --> 56:17.511 fertilize themselves exactly so it was the choice of every woman whether she would reproduce with her mate this is with another person to deal onto the table or or she could just you know if you wanted to have a baby she could just concentrate really hard and then she'd get one okay that's the cliffhanger we're gonna have some music uh by the zombies she's not there and we'll come back to your mad misconception well no one told me about her 56:22.628 --> 56:25.969 That was yet another favourite of the tough chaps when we were at school. 56:26.069 --> 56:26.950 The tough chaps. 56:27.010 --> 56:29.071 That was the psychedelic furs with President Gass. 56:29.111 --> 56:30.871 This is Adam and Joel on BBC Six Music. 56:31.212 --> 56:32.052 President Gass. 56:32.832 --> 56:33.232 I know. 56:33.312 --> 56:36.534 That's, uh, you know, a president that's been eating badly. 56:36.894 --> 56:37.734 He's got gas. 56:37.994 --> 56:39.395 He talks nothing but gas. 56:39.555 --> 56:39.875 Exactly. 56:39.895 --> 56:44.177 He's only interested in gas, which is American for fuel, which is oil. 56:44.657 --> 56:46.118 That's all they care about. 56:46.138 --> 56:46.838 That's right. 56:46.938 --> 56:49.459 Psychedelic furs hitting the nail on the head there. 56:49.990 --> 56:51.451 Absolutely! 56:51.471 --> 56:54.833 How's my little impression of Rick Bucklar? 56:55.073 --> 57:13.504 Now before the top of the hour listeners, Adam revealed an extraordinary fact that up until the age of 14 he believed that women were capable of asexual and sexual reproduction, therefore could choose between mating with a man or somehow self-pollinating. 57:14.745 --> 57:15.646 How would they do this? 57:15.746 --> 57:17.249 How would they self-pollinate? 57:19.592 --> 57:22.376 It would not always happen, but there would be cycles. 57:22.396 --> 57:23.979 What do you mean? 57:23.999 --> 57:24.760 Lady cycles. 57:24.800 --> 57:26.322 You knew about lady cycles, but you didn't. 57:30.308 --> 57:36.610 No, no, I didn't necessarily know about lady cycles, but I had some kind of notion that there was a cycle. 57:37.111 --> 57:46.554 And so at a certain time, you'd wait for the right time, and then you'd eat properly and exercise, and then you'd concentrate really hard. 57:47.754 --> 57:52.016 And then if you were very lucky... Are you just making this up? 57:52.216 --> 57:57.218 No, I swear to you, I thought... You really thought that if a woman thought really hard, she could make herself 57:57.458 --> 57:59.320 Listen, I hadn't figured out all the details. 57:59.461 --> 58:02.804 All I knew, I was in a biology class when all this actually came out. 58:02.824 --> 58:03.866 OK, but this is what I was going to say. 58:04.006 --> 58:06.148 Yeah, this all came out in a biology class, right? 58:06.769 --> 58:15.058 And we were talking about asexual reproduction in plants and the teacher said, you know, is there any other kind of species that does reproduce asexually? 58:15.078 --> 58:16.881 And I put it on my hand and I said, yes, human beings. 58:17.681 --> 58:22.145 And everyone laughed and I said, what's the big joke? 58:22.746 --> 58:27.190 And the teacher said, human beings, human beings reproduce asexually, is that what you're saying? 58:27.610 --> 58:29.672 And I said, yeah, I mean, yeah. 58:30.553 --> 58:36.178 And so then it was explained to me at humiliating length that that was not the case. 58:36.458 --> 58:39.541 All human reproduction was necessarily sexual. 58:40.262 --> 58:42.323 And that was a shock to me and also 58:43.104 --> 58:48.126 just embarrassing because I had assumed that my parents had reproduced asexually. 58:49.346 --> 58:58.769 And then, you know, I had to go home and look my parents in the face and I just thought you are two absolutely revolting people. 58:59.009 --> 59:00.450 How could you? 59:01.090 --> 59:02.650 How could you have done this? 59:03.671 --> 59:07.712 You know, I was obviously just a little bit backward about all matters sexual. 59:08.320 --> 59:08.680 Yeah. 59:08.880 --> 59:17.707 And, well, you weirdly, nowadays, of course, women can reproduce merely by... You have to do a bit more than think about it. 59:18.287 --> 59:22.831 Yeah, you have to get some turkey-basting equipment and a whirling participant. 59:23.411 --> 59:25.632 But, you know, it's a shame. 59:25.692 --> 59:26.913 I still think it would be nice. 59:27.213 --> 59:28.674 I think women would agree. 59:28.694 --> 59:30.295 It would be nice if you had that option. 59:30.855 --> 59:36.919 You know, just to really eat right, concentrate, and then you're away. 59:37.439 --> 59:39.340 Jelly, maybe if you ate enough jelly babies. 59:39.620 --> 59:40.140 You reckon? 59:40.380 --> 59:40.701 Yeah. 59:40.861 --> 59:43.302 But then maybe you actually just birthed to a jelly baby. 59:43.322 --> 59:44.522 Maybe, jelly baby. 59:44.902 --> 59:46.263 Man, that might be quite sweet. 59:46.283 --> 59:51.765 Sorry to go on a little revolting tangent here for you, but I saw The Fly 2 the other day. 59:51.785 --> 59:52.966 The Fly 2's a very good film. 59:53.286 --> 59:56.948 Along with Amityville 2, it's one of my, and Superman 2, it's one of my favourite number twos. 59:57.028 --> 01:00:01.009 Well that has a absolutely shocking bursing at the beginning. 01:00:01.190 --> 01:00:02.550 It's got a brilliant bursing, yeah. 01:00:02.770 --> 01:00:03.531 It's superb. 01:00:04.831 --> 01:00:11.435 I mean, if anybody wants to come to my house and watch a triple bill of Amityville 2, uh, what's the other one I said? 01:00:11.955 --> 01:00:14.196 Superman 2, and the Fly 2. 01:00:14.296 --> 01:00:18.018 And while we're at it, I might stick the Exorcist 2 on as well. 01:00:18.118 --> 01:00:21.560 Well, the style Empire Strikes Back, I guess, counts as a number 2, isn't it? 01:00:21.580 --> 01:00:23.101 Hasn't got the number 2 in the title. 01:00:23.121 --> 01:00:23.501 Fair enough. 01:00:24.582 --> 01:00:25.722 Now, let's have some more music. 01:00:25.762 --> 01:00:27.983 This is Calvin Harris, uh, with colours. 01:00:29.404 --> 01:00:31.425 Yeah, it's a little abrupt, the ending there. 01:00:31.545 --> 01:00:33.927 Calvin Harris with colors, he got angry there and left. 01:00:33.947 --> 01:00:37.148 And he's a very tall man, and tall people tend to do that. 01:00:37.368 --> 01:00:40.670 It says here he has contributed two songs to the new Kylie album. 01:00:41.230 --> 01:00:43.672 He must be very, very pleased. 01:00:44.072 --> 01:00:45.273 Yes, is that a good thing? 01:00:45.293 --> 01:00:46.233 I don't know. 01:00:46.333 --> 01:00:46.873 Who can tell? 01:00:47.033 --> 01:00:47.934 She's an icon, man. 01:00:47.974 --> 01:00:49.595 People think she's one of the most important. 01:00:49.615 --> 01:00:50.555 I've never understood it. 01:00:50.635 --> 01:00:54.798 No, neither have I. Anyway, this is Adam and Joel on BBC Six Music. 01:00:55.158 --> 01:00:57.359 It's time to return to Song Wars. 01:01:08.834 --> 01:01:21.407 Yes, Song Wars is the segment of the show where we ask you to pick a theme, and then we both write songs on that theme, and the songs are battled against each other like a couple of musical Beatles. 01:01:22.388 --> 01:01:24.770 you kind of vote for them, vote for which one you like best. 01:01:24.850 --> 01:01:36.937 It was tough this week because not only were the lyrics not our own, the whole point of this week's one was that they were suggested by a listener, but also we didn't have as much time to create the songs as we normally would. 01:01:36.957 --> 01:01:40.739 We didn't have the full week because we're pre-recording this show. 01:01:41.219 --> 01:01:46.602 I just finished mixing my tune, which you'll hear in a second, five minutes before I came into the studio. 01:01:46.662 --> 01:01:48.243 I offer no excuses for my tune. 01:01:48.263 --> 01:01:50.184 This is the best I could possibly do. 01:01:50.384 --> 01:01:51.145 Well, yeah. 01:01:51.685 --> 01:01:54.386 So, have we got our caller on the line? 01:01:54.406 --> 01:01:55.007 Hello, Tony. 01:01:55.027 --> 01:01:55.847 Hi there. 01:01:56.147 --> 01:02:01.790 Hey, now, Tony, listeners, is the gentleman who suggested the lyrics for our songs this week. 01:02:01.810 --> 01:02:11.554 So, Tony, we asked you to come up with kind of found text, like, text that would be impossible to make sound like a good lyric. 01:02:11.654 --> 01:02:12.335 Does that make sense? 01:02:12.775 --> 01:02:13.275 Yes, yes. 01:02:13.635 --> 01:02:19.498 I was just making some Ikea meatballs in my kitchen quite hungover at the time when I was at your show and... 01:02:20.039 --> 01:02:24.811 look down front of me and there it was and it even had a title and bold for you don't know if you used it of course but there you go 01:02:25.251 --> 01:02:32.396 So it was the instructions to a packet of meatballs, and these are meatballs that you're quite familiar with. 01:02:32.436 --> 01:02:35.298 You know, you see these... Yeah, I think there's something wrong with them. 01:02:35.318 --> 01:02:36.940 I can't seem to stop eating them. 01:02:37.100 --> 01:02:42.083 I don't really want any pro or anti-meatballs to say, but... You're sort of addicted to them. 01:02:43.645 --> 01:02:44.305 Well, that's good. 01:02:45.066 --> 01:02:52.311 So therefore, if we have imbued these words with meaning and passion, you're the man who will be able to pick up on it, right? 01:02:52.952 --> 01:02:56.773 Well, either me or the head of gear, but you're probably the devil to me. 01:02:56.853 --> 01:02:57.773 I think you're the man. 01:02:57.873 --> 01:03:01.314 You're the absolute ultimate arbiter of the quality of these songs. 01:03:01.755 --> 01:03:02.655 You're Dicky Arbiter. 01:03:03.095 --> 01:03:08.276 So now, Tony, I want you to listen to, first of all, Joe's track and tell us what you think. 01:03:08.537 --> 01:03:09.117 Well, now, hang on. 01:03:09.177 --> 01:03:09.797 Wait, wait. 01:03:10.137 --> 01:03:11.998 Let's let him listen to both tracks. 01:03:12.278 --> 01:03:15.519 We'll come back to you in between them and then tell us what you think after both tracks. 01:03:15.559 --> 01:03:16.479 It's more dramatic. 01:03:16.859 --> 01:03:17.099 Okay. 01:03:17.239 --> 01:03:17.599 Trust me. 01:03:18.019 --> 01:03:19.540 So here's my track, Tony. 01:03:19.560 --> 01:03:20.460 Listen carefully to this one. 01:03:22.796 --> 01:03:30.562 Place the meatballs Place the meatballs Place the meatballs Place the meatballs 01:03:38.448 --> 01:03:52.547 Place the meatballs in a oven-proof dish and heat at 225 degrees centigrade for about 15 minutes in a microwave at 700 watts. 01:03:55.090 --> 01:04:18.094 Place the meatballs in a bowl without a lid and heat at full power for four to five minutes stuff after half the time I said stir the meatballs after half the time come on Place the meatballs, eat the meatballs, stir the meatballs You love meatballs, we love meatballs, come on meatballs 01:04:20.185 --> 01:04:21.065 You're still there, Tony? 01:04:21.326 --> 01:04:21.806 Yes, yes. 01:04:21.826 --> 01:04:22.586 That's a good sign. 01:04:22.866 --> 01:04:26.048 So there, I was really trying to go for some passion. 01:04:26.088 --> 01:04:29.210 I was trying to go for kind of a stadium rock feel. 01:04:30.030 --> 01:04:30.590 I did like it. 01:04:30.610 --> 01:04:32.891 It sounds a bit like John Denver Goes Techno. 01:04:33.091 --> 01:04:34.132 It was very, very good. 01:04:34.212 --> 01:04:35.173 John Denver Goes what? 01:04:35.253 --> 01:04:35.653 Techno. 01:04:36.693 --> 01:04:37.734 Oh, Disco, sorry. 01:04:37.774 --> 01:04:38.294 It was Disco. 01:04:38.394 --> 01:04:39.415 OK, thank you very much. 01:04:39.495 --> 01:04:42.816 All right, with no further ado, we're going to play you Adam's track now. 01:04:43.016 --> 01:04:44.637 This is a bit of a marathon, this track. 01:04:44.657 --> 01:04:45.358 Sorry about that. 01:04:45.958 --> 01:04:46.558 It's very long. 01:04:46.598 --> 01:04:47.859 I should call it a Snickers maybe. 01:04:48.179 --> 01:04:49.860 But yeah, see what you think. 01:04:54.324 --> 01:05:05.788 Eating instructions from frozen Placing meatballs in an ovenproof dish And heat at 225 centigrade For about 50 minutes 01:05:27.875 --> 01:05:44.919 At 700 watts Place the meatballs in a bowl Without a lid Heat them at full power level The meatballs for four to five wins 01:05:53.428 --> 01:05:55.109 Stir after half the time. 01:05:55.129 --> 01:05:57.471 Stir them after half the time. 01:05:57.711 --> 01:05:59.292 Then I'll microwave 700 watts. 01:05:59.312 --> 01:06:01.594 Place the meatballs in a bowl. 01:06:23.129 --> 01:06:51.378 Meatballs, meatballs, frozen, frozen Meatballs, meatballs, they're frozen Meatballs, meatballs, they're frozen Meatballs, meatballs, meatballs, they're frozen Meatballs, meatballs, meatballs, they're frozen Meatballs, meatballs, meatballs, they're frozen Meatballs, meatballs, meatballs, they're frozen Meatballs, meatballs, meatballs, meatballs, they're frozen Meatballs, meatballs, meatballs, meatballs, meatballs, meatballs, meatballs, meatballs, meatballs, meatballs, meatballs, meatballs, meatballs, meatballs, meatballs, meatballs, meatballs, meatballs, meatballs, meatballs, meatballs, meatballs, meatballs, meatballs, meatballs, meatballs, meatballs, meatballs, meatballs, meatballs, meatballs, meatballs, meatballs, meatballs, meatballs, meatballs, meatballs, meatballs, meatballs, meatballs, meatballs, meatballs, meatballs, meatballs, meatballs 01:06:51.710 --> 01:06:53.171 So it's a tough choice there, Tony. 01:06:53.211 --> 01:07:00.697 You must feel like Simon Cowell having to reject one of two of his own acts at the climax of a particularly exciting episode of The X Factor, do you? 01:07:01.157 --> 01:07:03.319 My pants aren't that tight, so no, not really. 01:07:03.499 --> 01:07:03.859 Aren't they? 01:07:04.660 --> 01:07:04.940 No. 01:07:06.121 --> 01:07:11.665 Now, yours is not the deciding vote, unfortunately, Tony, but he can have a major influence. 01:07:11.745 --> 01:07:12.165 Exactly. 01:07:12.185 --> 01:07:14.187 It would be interesting to see which way you're going to go. 01:07:14.267 --> 01:07:16.408 In a way, you're a collaborator with us. 01:07:16.448 --> 01:07:19.711 You know, you're a lyricist in our respective bands. 01:07:20.651 --> 01:07:23.172 Oh, I hear I've got intellectual property rights, I'm afraid. 01:07:23.192 --> 01:07:23.792 That's true. 01:07:23.832 --> 01:07:24.633 That is true, actually. 01:07:24.773 --> 01:07:25.473 Well, well said. 01:07:26.773 --> 01:07:29.354 So which, which, so give us more opinion there, Tony. 01:07:30.154 --> 01:07:32.455 I think I'm gonna have to go for Adam's, Joe. 01:07:32.475 --> 01:07:33.035 Nice. 01:07:33.055 --> 01:07:36.897 Because I thought it was A, the better tune and Adam is behind at the moment. 01:07:37.297 --> 01:07:38.537 Well, listen, observed. 01:07:38.697 --> 01:07:43.139 Tony, I wish you hadn't said that last bit, because now Joe's gonna think it's all about sympathy. 01:07:43.259 --> 01:07:43.699 You know what? 01:07:43.779 --> 01:07:44.519 I think Adam does. 01:07:44.579 --> 01:07:47.840 I think Adam has the more original take on it. 01:07:48.341 --> 01:07:48.641 I do. 01:07:48.741 --> 01:07:49.041 I think. 01:07:50.121 --> 01:08:01.765 I was saying, I was aiming for stadium rock and I felt at the end of the day mine was a bit Deacon Bluey and it does go out of tune very badly towards the chorus. 01:08:02.785 --> 01:08:05.386 The bit I'm happy about is the way I say 15 minutes. 01:08:06.186 --> 01:08:09.407 I think I'd to claim that with more importance than necessary. 01:08:09.987 --> 01:08:12.688 Tony, thank you so much for proffering those lyrics. 01:08:13.248 --> 01:08:13.728 No problem. 01:08:13.868 --> 01:08:15.169 Thanks for listening to the show. 01:08:15.469 --> 01:08:16.630 Yeah, we really appreciate it. 01:08:16.670 --> 01:08:17.230 Cheers, Tony. 01:08:17.270 --> 01:08:17.930 Good to talk to you. 01:08:18.050 --> 01:08:20.431 Yeah, have a lovely rest of your Saturday. 01:08:21.552 --> 01:08:21.812 Bye-bye. 01:08:22.372 --> 01:08:22.873 Okay, bye. 01:08:23.413 --> 01:08:25.254 Lovely Tony Armstrong there talking to us. 01:08:25.314 --> 01:08:27.975 He provided us with our song lyrics for Song Wars this week. 01:08:28.355 --> 01:08:32.637 And of course, you can vote for which track you think was the best throughout the week. 01:08:32.837 --> 01:08:35.398 You can hear those tracks on the Six Music website. 01:08:35.478 --> 01:08:38.560 If not immediately, then they will be up there in a few days' time. 01:08:39.320 --> 01:08:43.603 So next week, we'll be able to tell you which one you thought was the winning track. 01:08:43.843 --> 01:08:45.965 But right now, time for some real music. 01:08:46.585 --> 01:08:48.866 This is the king of real music, David Bowie, of course. 01:08:48.906 --> 01:08:52.209 This is in his pre-stadium rock days. 01:08:52.569 --> 01:08:54.630 In fact, it's the peak of his powers, more or less, 1971. 01:08:55.070 --> 01:08:58.793 Here's Bowie recording Kooks for Bob Harris on Radio 1. 01:08:58.913 --> 01:08:59.213 Enjoy. 01:09:12.500 --> 01:09:29.059 When you're stayin' I love the story If you stay, you won't be sorry Cuz we believe in you Soon you'll grow, so take a G When you're stayin' I love the story 01:09:32.986 --> 01:09:34.227 Classic stuff there. 01:09:34.247 --> 01:09:37.512 That's David Bowie singing Kooks for Bob Harris' show. 01:09:37.532 --> 01:09:38.192 David? 01:09:38.513 --> 01:09:41.276 On Radio 1, that's in 1971 he was doing that. 01:09:41.296 --> 01:09:43.980 Yeah, uh, who would that have been on the bass there? 01:09:44.360 --> 01:09:45.762 And singing the harmony, do you know? 01:09:45.782 --> 01:09:48.205 Ahhh... That's in Europe. 01:09:48.265 --> 01:09:49.367 You're a Bowie expert. 01:09:49.767 --> 01:09:51.008 Who would that have been? 01:09:51.088 --> 01:09:53.350 Well, it probably a spider, I would think. 01:09:53.570 --> 01:09:54.351 One of the spiders? 01:09:54.931 --> 01:09:56.192 Um, although I'm not sure. 01:09:56.252 --> 01:09:56.673 I'm not sure. 01:09:56.713 --> 01:09:58.474 That's that test's no Bowie knowledge. 01:09:58.694 --> 01:09:59.235 Beautiful though. 01:09:59.275 --> 01:09:59.755 There we go. 01:09:59.775 --> 01:10:01.817 That was the first song I ever learned how to play on the guitar. 01:10:01.897 --> 01:10:02.157 Really? 01:10:02.177 --> 01:10:02.618 Yeah. 01:10:02.718 --> 01:10:03.138 Wowza. 01:10:03.578 --> 01:10:05.100 I learned how to play that for my wife. 01:10:05.300 --> 01:10:05.580 Bowie. 01:10:05.860 --> 01:10:10.264 When we got married, I played that to her on our wedding day and it was, uh, you were there. 01:10:10.794 --> 01:10:11.554 I was there, yes. 01:10:11.734 --> 01:10:12.695 It was very emotional. 01:10:13.035 --> 01:10:14.636 It was very emotional. 01:10:15.176 --> 01:10:18.798 It was a sort of wonderful mixture of poignance. 01:10:19.398 --> 01:10:19.758 Poignance? 01:10:19.798 --> 01:10:20.278 Is that a word? 01:10:20.318 --> 01:10:20.958 No, it's not, is it? 01:10:20.999 --> 01:10:21.379 Poignancy. 01:10:21.419 --> 01:10:22.279 Yes. 01:10:23.620 --> 01:10:24.420 And embarrassment. 01:10:24.760 --> 01:10:25.621 Yeah. 01:10:25.661 --> 01:10:26.261 For all concerned. 01:10:27.201 --> 01:10:34.347 Now, in just a second, I just started saying that before I even thought about what would happen in just a second. 01:10:34.407 --> 01:10:36.209 It was just a phrase I was falling back on. 01:10:36.749 --> 01:10:38.671 In just a second, it's a very good phrase. 01:10:39.051 --> 01:10:42.094 I'll pick that up for you, Puckson, because that's the charm of a double act. 01:10:42.134 --> 01:10:46.317 We're going to be playing you Rakes with We Dance Together, another band that don't have a thee. 01:10:46.778 --> 01:10:48.179 They're just rakes, apparently. 01:10:48.999 --> 01:10:51.321 And in fact, those couple of seconds have elapsed. 01:10:52.302 --> 01:10:55.485 So here it is, Rakes with We Dance Together. 01:10:57.872 --> 01:11:04.355 That's the sound of the Lemonheads, of course. 01:11:04.716 --> 01:11:06.897 With If I Could Talk, I'd Tell You. 01:11:07.277 --> 01:11:08.958 Before that you heard a fantastic trail. 01:11:09.238 --> 01:11:11.299 Don't confuse it with modern music, it was a trail. 01:11:11.719 --> 01:11:14.681 Before that you heard Baby Shambles with You Talk. 01:11:15.061 --> 01:11:24.546 And of course, if you were eagle-eared with the Baby Shambles track there, you would have heard a little cowbell opening that was an absolute rip of the beginning of Baggy Trouses by Madness. 01:11:25.046 --> 01:11:26.467 Maybe it was a conscious nod. 01:11:27.367 --> 01:11:33.570 from the delightful junkie to madness, I don't know. 01:11:34.671 --> 01:11:38.473 Anyway, folks, you're listening to Adam and Jo here on BBC Six Music. 01:11:38.853 --> 01:11:42.175 We're in the final hour of our show here this Saturday afternoon. 01:11:43.696 --> 01:11:45.817 Even though, to be frankly honest with you, 01:11:46.537 --> 01:11:47.738 for us it's Wednesday. 01:11:47.838 --> 01:12:05.750 We're pre-recording this program because at the moment I, Adam Buxton, am making my way back from Oxford where last night I was helping Radiohead with their webcast which I will tell you a little bit more about next week perhaps and I might tell you later on in this show a little anecdote connected with that. 01:12:06.650 --> 01:12:13.856 But we need some help from you for next week's features, both Text the Nation and Song Wars. 01:12:13.936 --> 01:12:14.897 Joe, would you like to...? 01:12:15.177 --> 01:12:16.178 Thanks a lot, Adam, yeah. 01:12:16.659 --> 01:12:28.309 Let's deal with those features one at a time, and let's deal with Song Wars, because we would like you listeners to send us in a subject for next week's Song Wars, and that subject is this. 01:12:30.563 --> 01:12:35.525 We'd like you to send in the name and a character profile of a close friend of yours. 01:12:35.865 --> 01:12:38.806 It could be somebody you love or someone maybe you don't like. 01:12:38.887 --> 01:12:44.509 We'd like you to tell us their name and say like seven or eight facts about them. 01:12:44.669 --> 01:12:44.869 Yeah. 01:12:44.989 --> 01:12:48.731 That we can then turn into the lyrics of a song about that friend. 01:12:48.871 --> 01:12:49.271 Exactly. 01:12:49.311 --> 01:12:51.412 As if we knew that person we were writing about. 01:12:51.472 --> 01:12:54.473 You can give these songs to that friend as a special prezzy. 01:12:54.593 --> 01:12:57.954 Imagine the joy that that would result in. 01:12:58.115 --> 01:12:58.235 Yeah. 01:12:58.255 --> 01:12:58.655 Adam and who? 01:12:59.535 --> 01:13:00.035 Six what? 01:13:00.435 --> 01:13:00.975 Did what? 01:13:01.615 --> 01:13:02.276 That kind of thing. 01:13:02.356 --> 01:13:03.736 You could pretend it was Anton Tegg. 01:13:04.036 --> 01:13:04.256 Yeah. 01:13:04.616 --> 01:13:15.398 So send in the name of the friend and some facts about them that you think might make good lyrics to adamandjo.6musicatbbc.co.uk. 01:13:15.418 --> 01:13:16.938 That's the email address. 01:13:18.279 --> 01:13:23.460 Send them in, you know, in the next few days because we'll be writing this song midweek next week. 01:13:23.480 --> 01:13:25.060 So send them in on the Monday or the Tuesday. 01:13:25.941 --> 01:13:27.022 Uh, and who knows? 01:13:27.422 --> 01:13:35.492 We could get you on the phone, you could be kind of helping to judge those songs next Saturday, and you could have two songs written by us for your best friend for nothing. 01:13:35.893 --> 01:13:39.117 It's like a kind of pathetic service that we're providing, isn't it? 01:13:39.137 --> 01:13:40.659 Yeah, that's the idea anyway, you know? 01:13:40.719 --> 01:13:44.484 If no one emails in, we might have to change it, but that's the plan. 01:13:44.964 --> 01:13:46.445 Listen, man, we could always cheat. 01:13:46.486 --> 01:13:48.087 We could just pretend that someone emailed us. 01:13:48.107 --> 01:13:49.528 This is the Big British Castle. 01:13:49.548 --> 01:13:51.630 There will be no deception of any kind. 01:13:51.670 --> 01:13:52.251 I'm sorry. 01:13:52.391 --> 01:13:57.455 The Big British Castle and the King of the Castle, who is... What's his name? 01:13:57.475 --> 01:13:58.076 I can't remember. 01:13:58.096 --> 01:13:58.697 Lord Thompson. 01:13:58.877 --> 01:13:59.097 Is it? 01:13:59.317 --> 01:14:00.078 Lord Thompson. 01:14:00.738 --> 01:14:03.341 He will not tolerate such scurrilous behaviour. 01:14:03.381 --> 01:14:04.162 No, fair enough. 01:14:04.342 --> 01:14:09.066 Yeah, so... And then the other thing we need your help with, of course... Hey, hey, man. 01:14:09.246 --> 01:14:09.466 What? 01:14:09.606 --> 01:14:10.928 Let's talk about that in the next link. 01:14:11.596 --> 01:14:12.296 Spread it all out, you mean? 01:14:12.316 --> 01:14:13.317 Yeah, spread it all out! 01:14:13.797 --> 01:14:18.879 For instance, right now, I say we hear some rikes up, and a track called Eppel. 01:14:19.419 --> 01:14:20.819 Eppel, you're pronouncing it Eppel, are you? 01:14:21.019 --> 01:14:21.380 Eppel. 01:14:21.480 --> 01:14:22.540 I would pronounce it Eppelay. 01:14:22.800 --> 01:14:23.380 Eppelay. 01:14:24.021 --> 01:14:24.501 Eppelay. 01:14:24.801 --> 01:14:25.241 Eppelay. 01:14:25.261 --> 01:14:25.581 Eppelay. 01:14:25.801 --> 01:14:26.682 Eppelay. 01:14:27.142 --> 01:14:27.502 Eppelay. 01:14:27.662 --> 01:14:28.322 Here it is, anyway. 01:14:28.342 --> 01:14:29.563 Let's see how they pronounce it. 01:14:29.583 --> 01:14:30.023 Eppel. 01:14:42.168 --> 01:14:47.979 So he doesn't even say the, he doesn't, you know, we get no help from the guy as far as pronunciation goes. 01:14:48.159 --> 01:14:49.061 Call that music. 01:14:49.181 --> 01:14:50.684 Because it's all just wibbles and wobbles. 01:14:50.704 --> 01:14:52.448 Sounds like a computer malfunctioning. 01:14:53.394 --> 01:15:03.364 Now this is Adam and Joe here on BBC 6 Music and now we're going to ask for yet more help with yet another feature, next week's Text the Nation. 01:15:03.825 --> 01:15:12.134 That's right, next week normal service will be resumed on Text the Nation but we'd like you to suggest, what do we want from them? 01:15:12.674 --> 01:15:19.079 We want you, the theme this week, or rather next week, will be... What superpowers would you like? 01:15:19.119 --> 01:15:20.160 Superpowers, basically. 01:15:20.240 --> 01:15:20.940 Superpowers. 01:15:21.000 --> 01:15:24.663 What would your choice of superpowers be if you could have one like him? 01:15:24.683 --> 01:15:26.264 You know, do you watch Heroes, Joe? 01:15:26.724 --> 01:15:30.367 Uh, I watched a bit of Heroes, but word on the street is... Right. 01:15:30.807 --> 01:15:32.829 Series 2, down the laugh. 01:15:32.889 --> 01:15:33.650 Bit of a stinker. 01:15:33.810 --> 01:15:35.371 Plummeting down the laugh, so I hear. 01:15:35.931 --> 01:15:36.772 Right, right, right. 01:15:36.912 --> 01:15:37.834 Well, that doesn't surprise me. 01:15:37.934 --> 01:15:47.005 I watched the whole of series one, struggled a little bit, I must say, and yeah, watched the first episode of series two and haven't bothered to return so far. 01:15:47.105 --> 01:15:52.351 Just because there's a few too many of those chaps in Heroes with powers that are... 01:15:53.052 --> 01:15:55.755 just rubbish and not anything you're talking about. 01:15:55.975 --> 01:15:57.056 Well, let me see. 01:15:57.136 --> 01:16:00.800 There's one woman who has a split personality. 01:16:01.341 --> 01:16:02.702 So she looks in the mirror. 01:16:03.743 --> 01:16:08.528 But the thing is that the split personalities manifest themselves in a physical way. 01:16:08.548 --> 01:16:09.850 Do you know what I mean? 01:16:09.870 --> 01:16:11.151 So she's like a shape shifter. 01:16:11.841 --> 01:16:19.668 Yeah, like it's it's it's hard to describe recently It's nice, but it's not as simple as being a shapeshifter because shapeshifting is a good power. 01:16:20.008 --> 01:16:30.757 She always she's always herself It's always herself, but sometimes it's her evil self and sometimes or not It's not even as straightforward as it being the evil self It's like a feisty version of herself and a regular. 01:16:30.817 --> 01:16:32.018 It's just a bit rubbish. 01:16:32.178 --> 01:16:34.720 I'm confused Yeah, what um, what power would you have? 01:16:35.380 --> 01:16:37.002 Well, I can't tell you this week. 01:16:37.022 --> 01:16:40.125 We're going to find out next week about all the powers. 01:16:40.425 --> 01:16:42.828 But we want to know what powers you, the listeners, would have. 01:16:42.888 --> 01:16:44.069 And what you would use it for. 01:16:44.489 --> 01:16:44.910 Exactly. 01:16:45.090 --> 01:16:45.931 Yeah. 01:16:46.031 --> 01:16:51.677 So it can be a fairly conventional superpower, like a flight or jumping. 01:16:52.938 --> 01:16:55.661 Or... That's the only other one I can think of. 01:16:56.201 --> 01:16:56.661 Offhand. 01:16:57.622 --> 01:16:58.703 No, what are the classic powers? 01:16:58.783 --> 01:17:00.804 I mean, like... X-ray vision. 01:17:00.944 --> 01:17:01.645 X-ray vision. 01:17:01.985 --> 01:17:02.405 Flying. 01:17:02.706 --> 01:17:03.086 Flying. 01:17:03.246 --> 01:17:03.686 Jumping. 01:17:03.806 --> 01:17:04.367 Stretching. 01:17:05.007 --> 01:17:05.688 Stretching. 01:17:05.708 --> 01:17:07.849 I mean, that's a bit of a stupid power anyway. 01:17:08.670 --> 01:17:10.191 But you get the picture. 01:17:10.211 --> 01:17:10.451 Yeah. 01:17:10.731 --> 01:17:12.172 So, just email us. 01:17:12.252 --> 01:17:14.794 The email address, once again, is AdamandJoe. 01:17:14.814 --> 01:17:16.175 What is it? 01:17:16.576 --> 01:17:17.016 So wrong. 01:17:17.136 --> 01:17:17.796 AdamandJoe. 01:17:20.318 --> 01:17:21.119 AdamandJoe. 01:17:21.857 --> 01:17:24.579 So please email us immediately with your suggestions. 01:17:24.599 --> 01:17:28.681 We'll collect them over the week and read out the best of those next weekend. 01:17:43.470 --> 01:17:44.891 Now it's time for a session track. 01:17:45.051 --> 01:17:49.875 This was recorded for the John Peele show on Radio 1 on the 25th of September 1977. 01:17:51.176 --> 01:17:51.437 Wow. 01:17:51.597 --> 01:17:56.441 And this is a track that features in the film Stranger Than Fiction. 01:17:56.581 --> 01:17:59.003 Don't know if you saw that, Will Ferrell, in there. 01:17:59.163 --> 01:18:03.326 And there's a little bit in that film where he decides that he's going to learn how to play the guitar. 01:18:03.366 --> 01:18:05.068 And this is the song that he learns how to play. 01:18:05.088 --> 01:18:06.229 But don't hold that against it. 01:18:06.309 --> 01:18:08.110 It's Reckless Eric with Whole Wide World. 01:18:18.277 --> 01:18:19.398 Besides a lot of girl. 01:18:19.838 --> 01:18:23.140 I love King Creosote, and that's called Home in a Sentence. 01:18:24.121 --> 01:18:32.446 It was released on the 5th of November, and before that you heard a session track, Reckless Eric with Whole Wide World. 01:18:32.786 --> 01:18:35.688 And this has been Adam and Joe here on 6th Music on a Saturday morning. 01:18:36.568 --> 01:18:46.593 Now, next weekend, I will tell you a little bit more about my experience with the Mighty Radiohead, with whom I was doing a little bit of work last night, as you're listening to this. 01:18:47.814 --> 01:18:52.696 And last weekend, I made the mistake of actually mentioning that I was doing this at all. 01:18:52.956 --> 01:18:53.877 Why was that a mistake? 01:18:53.977 --> 01:18:55.398 It was supposed to be a secret. 01:18:55.518 --> 01:18:55.978 How were they? 01:18:56.298 --> 01:18:58.779 So you basically blew the lid on the whole thing? 01:18:58.799 --> 01:18:59.179 Yeah. 01:18:59.319 --> 01:19:00.700 Without asking permission. 01:19:00.820 --> 01:19:01.461 Big mouth. 01:19:01.821 --> 01:19:05.162 Because I didn't realize no one said anything to me about it being a secret. 01:19:05.242 --> 01:19:06.083 What were they planning? 01:19:06.523 --> 01:19:16.765 They were planning to, like, go right up till about an hour before and then announce it on their website, Dead Airspace, so it would just be like a hardcore fan thing. 01:19:16.885 --> 01:19:17.145 Right. 01:19:17.426 --> 01:19:21.947 Instead, you announced it a week before? 01:19:21.967 --> 01:19:22.047 Yeah. 01:19:22.327 --> 01:19:23.167 Yeah. 01:19:23.847 --> 01:19:24.347 Oh, dear. 01:19:24.607 --> 01:19:24.907 Oh, dear. 01:19:24.967 --> 01:19:28.068 And what happened when they realized that? 01:19:29.017 --> 01:19:50.749 Well, I guess they just had to abandon all that because you realize kind of realized that as you said it last week in the show And I could see you looking quite sick and ill yeah I mean I wasn't I wasn't planning on talking about it But we mentioned the fact that we were gonna have to pre-record this show and then you Forced me to explain why okay, and then because I just cannot lie I can't I simply that's the reason I can't think on my feet. 01:19:50.989 --> 01:19:52.130 Do you know what was very actual? 01:19:52.170 --> 01:19:52.530 What was that? 01:19:52.570 --> 01:19:53.010 What's that? 01:19:53.030 --> 01:19:53.611 What did Tom say? 01:19:54.291 --> 01:19:55.552 Quickly, just quickly. 01:19:55.612 --> 01:19:56.512 He said it was okay. 01:19:56.553 --> 01:19:57.653 He said it wasn't the end of the world. 01:19:58.474 --> 01:19:59.354 He was nice about it. 01:19:59.494 --> 01:20:00.055 He was nice. 01:20:00.175 --> 01:20:01.115 You know, I mean, they're nice. 01:20:01.135 --> 01:20:01.836 He's very angry. 01:20:01.856 --> 01:20:02.576 They're a nice bunch of chaps. 01:20:02.616 --> 01:20:05.318 You know, that kind of thing works in an inverse way. 01:20:06.458 --> 01:20:09.500 They're not going to be trusting me with too many more of their secrets, I would imagine. 01:20:10.040 --> 01:20:10.441 There we go. 01:20:10.481 --> 01:20:11.521 This has been Adam and Joe. 01:20:11.781 --> 01:20:12.462 Thanks for listening. 01:20:12.502 --> 01:20:15.363 Thanks to everybody who texted an email during the week. 01:20:15.383 --> 01:20:18.665 We'll be back live with you at 9am next Saturday morning. 01:20:18.725 --> 01:20:21.627 Have a great week and all that sort of a business. 01:20:21.907 --> 01:20:22.368 Yeah, cheers. 01:20:22.428 --> 01:20:22.668 Bye. 01:20:22.808 --> 01:20:22.988 Bye.