WEBVTT 00:00.149 --> 00:00.849 Yeah, come on. 00:01.270 --> 00:01.630 Come on. 00:01.930 --> 00:03.311 Alright then, I'm on. 00:03.491 --> 00:04.191 Yeah, good. 00:04.411 --> 00:07.913 That was Spudy Holly by the band, the rock band. 00:08.353 --> 00:09.213 I forgot what they're called. 00:09.353 --> 00:09.954 Weezer. 00:10.034 --> 00:10.494 There you go. 00:10.514 --> 00:12.355 This is Adam and Joe on BBC 6 Music. 00:12.395 --> 00:15.476 Welcome to our brand new Saturday morning show. 00:15.536 --> 00:18.878 Can you believe that they've led us back to do a Saturday morning show? 00:19.158 --> 00:20.658 Into the big British castle. 00:20.739 --> 00:28.122 We're very honoured and we're privileged to serve you listeners with piping hot early morning Saturday musical cakes. 00:28.402 --> 00:31.525 We'll be here for the next 42 weeks. 00:31.545 --> 00:31.945 42,000 weeks. 00:32.646 --> 00:34.847 What does it say on that contract? 00:35.308 --> 00:36.229 It said a year. 00:36.609 --> 00:38.510 A year for a penny a minute. 00:38.711 --> 00:40.272 At least a year for a penny a minute. 00:40.692 --> 00:42.334 And the same thing goes wrong. 00:42.534 --> 00:46.137 You know, because it's easy to put a foot wrong in the big British castle these days. 00:46.517 --> 00:51.779 Remember listeners, we're paid almost nothing, so don't get angry on any kind of, you know, licensed fee level. 00:51.859 --> 00:53.440 No, this is like a charity we're doing here. 00:53.460 --> 00:54.600 We take the tube into work. 00:54.880 --> 00:57.021 They wouldn't even send a little car to take me in. 00:57.041 --> 00:58.162 You can't believe that, can you? 00:58.522 --> 01:01.403 I had to get the tube into work with a man who was sneezing. 01:01.423 --> 01:03.884 I remember of the public with public disease. 01:03.944 --> 01:06.105 Why do you like having cars sent for you? 01:06.125 --> 01:07.386 Because it makes me feel special. 01:07.566 --> 01:08.646 Makes you feel important, doesn't it? 01:08.666 --> 01:10.307 Yeah, and now I just feel normal. 01:11.628 --> 01:12.848 Get used to it, it's the radio! 01:13.028 --> 01:17.390 Anyway, we've got loads of great music coming up for you in the next three hours, is it? 01:17.930 --> 01:22.711 Yeah, and we should say thank you very much to Jen Bristow for taking control over the early morning slot. 01:23.011 --> 01:27.532 Having said that, she has left the studio like a pigsty. 01:27.552 --> 01:28.633 Oh, come on, it's not that bad. 01:28.653 --> 01:31.974 There's some little bits of paper on the floor, I've cleaned those up. 01:32.274 --> 01:37.735 There's still the detritus, the breakfast detritus over there in the corner though, the bran flakes in there. 01:37.815 --> 01:39.696 Is that a new type of cereal, detritus? 01:40.896 --> 01:41.797 It's delicious. 01:42.197 --> 01:42.858 It's really nice. 01:42.898 --> 01:47.061 It's just all the bits that sort of go to the bottom in the cereal factory. 01:47.081 --> 01:48.441 Did you watch QI last night? 01:48.722 --> 01:48.902 No. 01:48.962 --> 01:51.183 They had a little thing about what constitutes dust. 01:51.724 --> 01:54.766 And you know, there's a popular misconception that it's mainly skin. 01:55.186 --> 01:55.426 Really? 01:55.506 --> 01:55.986 Incorrect. 01:56.847 --> 01:59.249 Skin makes up a very small portion. 01:59.409 --> 02:00.589 I've got a story about dust. 02:02.150 --> 02:03.771 How about for the first link of a brand new show? 02:03.931 --> 02:07.852 Before my story about Dust, here's some music from Calvin Harris. 02:08.152 --> 02:10.033 This is called, uh, Colours. 02:10.313 --> 02:21.237 This is the new cycling safety song there from Calvin Harris encouraging you to wear bright colours if you cycle at night now that the evenings are drawing in. 02:21.337 --> 02:22.298 What are you talking about? 02:22.618 --> 02:24.839 I'm telling the listeners what that song's about. 02:25.059 --> 02:25.339 Right. 02:26.135 --> 02:28.176 Cycle proficiency from Calvin Harris. 02:28.196 --> 02:29.036 Yeah. 02:29.116 --> 02:31.657 His diction there, you know, he's very slovenly. 02:31.697 --> 02:32.817 He didn't say much, did he? 02:33.057 --> 02:33.357 Yeah. 02:34.338 --> 02:35.578 It just sounds a little grumpy. 02:35.998 --> 02:37.558 Apparently he is a little bit grumpy. 02:37.759 --> 02:38.059 Really? 02:38.099 --> 02:38.419 Yeah. 02:38.639 --> 02:43.220 Well, are you saying that because he was here in the Six Music Hub while we were doing the breakfast show? 02:43.260 --> 02:50.822 He came in, apparently, and he left a trail of grumpiness like a little... He was slightly uncooperative during the interview, apparently. 02:50.843 --> 02:52.043 What's the word I'm looking for? 02:52.123 --> 02:52.343 Wake. 02:52.816 --> 02:53.876 Like a grumpy wake. 02:54.397 --> 02:55.177 A disco wake. 02:55.797 --> 02:56.097 Yeah. 02:56.177 --> 02:56.698 Well, there we go. 02:56.718 --> 02:57.558 There's his new single. 02:57.578 --> 02:58.278 It's called Colours. 02:58.538 --> 03:02.800 And I'm pleased to say, unlike the... Is it late 80s or early 90s? 03:03.280 --> 03:04.721 That hip-hop film called Colours. 03:04.741 --> 03:05.401 With Dennis Hopper. 03:05.421 --> 03:06.121 With Dennis Hopper. 03:06.161 --> 03:06.522 Colours. 03:06.862 --> 03:07.242 Colours. 03:07.322 --> 03:08.102 Colours. 03:08.462 --> 03:09.363 That's how the song went. 03:09.603 --> 03:09.923 Colours. 03:09.963 --> 03:10.283 Colours. 03:10.323 --> 03:10.683 Colours. 03:11.143 --> 03:11.564 Yeah. 03:11.584 --> 03:12.924 Dennis Hopper and Sean Penn, wasn't it? 03:12.984 --> 03:13.744 It was quite a good film. 03:13.844 --> 03:14.485 It was a good film. 03:14.585 --> 03:16.706 Unlike that film, it's spelt with a U. Yeah. 03:16.866 --> 03:17.026 Yeah. 03:17.186 --> 03:18.826 It's the proper British spelling. 03:18.946 --> 03:19.487 That's right. 03:19.527 --> 03:20.087 Well done, Harris. 03:20.347 --> 03:21.608 Well done, Harris. 03:22.669 --> 03:27.191 Can I just get something off my chest before we hear your story about dust, which I very much want to hear? 03:29.313 --> 03:30.633 How do you spell realized? 03:30.854 --> 03:32.334 Do you spell it with an S or a Z? 03:32.355 --> 03:36.177 S. It's an S in the UK, but it's a Z in America. 03:36.257 --> 03:39.259 They like to use Z, so on your spell check, on your computer. 03:39.739 --> 03:43.362 Yeah, on Microsoft Word and other American programs. 03:43.482 --> 03:44.682 It will highlight those S's. 03:44.842 --> 03:46.464 But I'm sure I go into other Z's. 03:46.884 --> 03:53.788 I go into the preferences of most of my applications and tell them that it's an English spelling set that I require. 03:53.848 --> 03:58.732 And still, I'm told every time I write the word realise that I'm incorrectly spoken. 03:58.752 --> 04:00.873 Well, maybe listeners can help us with that kind of thing. 04:01.113 --> 04:03.835 You can text us adamandjo.6... What? 04:04.035 --> 04:04.295 Yeah. 04:04.476 --> 04:05.536 Is that really... What is that? 04:05.596 --> 04:06.637 Is this all part of the address? 04:06.997 --> 04:07.458 Adamandjo. 04:10.220 --> 04:10.600 at www.bbc.co.uk 04:29.018 --> 04:33.842 And to celebrate that, I've chosen a special track from Haircut 100's album, Pelican West. 04:34.082 --> 04:35.223 That's a peach of an album. 04:35.704 --> 04:36.484 It's an old album. 04:36.524 --> 04:39.266 Younger listeners might not know of it, but it's very good. 04:39.306 --> 04:44.210 We always go on about this album every time we're on the radio, because it's a smash and it bears up very well. 04:44.370 --> 04:46.372 Yeah, His Calling Captain Autumn. 04:46.412 --> 04:48.533 Dust Story coming up by Haircut 100. 04:48.613 --> 04:51.115 Haircut 100 with Calling Captain Autumn. 04:51.135 --> 04:53.037 That's more jazzy, funky than I remember it. 04:53.357 --> 04:55.838 Yeah, it's slightly... I love that song. 04:55.958 --> 04:57.179 It's slightly pathetic, isn't it? 04:57.219 --> 04:57.539 Yeah. 04:57.619 --> 05:09.586 Because it conjures up an image of a superhero called Captain Autumn, and if that isn't bad enough, it also conjures up the image of, like, a gang of grown-up men who need to call him in. 05:10.066 --> 05:16.750 Well, the superhero Captain Autumn is Nick Heywood, and he wears his uniform... He always wears cricket whites, though. 05:16.810 --> 05:22.433 It's a big woolly jumper, and it's tucked into his corduroys, his high-waisted trousers. 05:22.793 --> 05:24.014 That's kept in autumn. 05:24.634 --> 05:29.657 And he just runs around and goes... It's true. 05:29.757 --> 05:33.259 And by going... He makes leaves appear. 05:34.060 --> 05:36.141 And he makes autumn arrive on all the trees. 05:36.161 --> 05:38.162 That's what he... Why are we calling that song pathetic? 05:38.222 --> 05:39.043 It's brilliant. 05:39.423 --> 05:44.926 And so if a baddie comes along, he will command the leaves to swarm over the guy. 05:44.966 --> 05:46.667 Has that even... Like in Brazil? 05:46.687 --> 05:48.148 They've got some dog plops in them. 05:48.148 --> 05:53.391 Remember the scene in Brazil where he's that bloke is covered by bits of paper by red tape. 05:53.612 --> 05:54.933 That's right. 05:54.953 --> 05:56.614 And he could do a similar thing with leaves. 05:56.994 --> 05:58.315 Tell us your dust story. 05:58.555 --> 05:59.816 My dust story very quickly. 06:00.136 --> 06:04.599 Adam was talking about QI that was on last night and they were discussing what dust actually is. 06:05.279 --> 06:11.323 My story was a letter in the 14 times where somebody was, you know, the 14 times like a paranormal magazine. 06:11.884 --> 06:14.786 People who are into the paranormal are obsessed with orbs in photos. 06:15.246 --> 06:16.187 Take a digital photo. 06:16.447 --> 06:17.908 You'll see a little weird orb on it. 06:18.628 --> 06:20.049 Paranormal people think they're ghosts. 06:20.549 --> 06:23.431 The rest of us understand that it's like reflecting off dust. 06:24.152 --> 06:24.952 Yeah, or the lens. 06:25.152 --> 06:28.294 Fourteen times tried to make this clear to one of its readers. 06:29.175 --> 06:31.276 You know, they're not ghosts, it's just dust. 06:32.117 --> 06:35.078 The reader's reply to that was, yes, but what is dust? 06:35.439 --> 06:36.719 That's an important question. 06:36.759 --> 06:38.961 The reader was suggesting dust is actually ghosts. 06:38.981 --> 06:39.261 Ghosts? 06:40.422 --> 06:42.703 They didn't mention that on QI last night. 06:42.723 --> 06:43.564 Well, they're very stupid. 06:44.404 --> 06:46.325 Uh, this is Adam and Joe on BBC Six Music. 06:46.365 --> 06:48.307 This is our new Saturday morning show. 06:48.707 --> 06:49.728 Uh, we're tw- what? 06:50.228 --> 06:50.728 17 minutes in? 06:51.008 --> 06:52.509 It's going okay, isn't it, so far? 06:52.670 --> 06:53.370 It's going very well. 06:53.390 --> 06:54.071 We've got an award. 06:54.431 --> 06:54.831 Have we? 06:54.931 --> 06:55.211 Yeah. 06:55.491 --> 06:55.812 Wow. 06:55.972 --> 06:56.912 We've got sort of an award. 06:56.992 --> 06:57.413 It's a BAFTA. 06:57.433 --> 06:58.734 Cycling Proficiency Award. 06:58.814 --> 06:59.534 No, it's a BAFTA. 06:59.674 --> 07:00.155 Oh, really? 07:00.215 --> 07:02.576 Yeah, for the best- best- first 17 minutes. 07:02.816 --> 07:03.757 It's a new award. 07:03.857 --> 07:05.038 I heard it was for best film. 07:05.598 --> 07:05.918 Is it? 07:05.978 --> 07:06.299 Yeah. 07:06.819 --> 07:07.579 I didn't realise. 07:07.600 --> 07:08.720 Yet it's for best film. 07:08.840 --> 07:09.661 Isn't that exciting? 07:09.681 --> 07:10.221 Come on BAFTA. 07:10.341 --> 07:17.726 Listen, if you want to text us, you can text us on 64046 if there's anything you hear that makes you think a thought. 07:18.547 --> 07:25.212 You know, you can text that thought to us, or you can email us adamandjo.6musicatbbc.co.uk. 07:25.292 --> 07:26.793 Now later on in the show, 07:27.733 --> 07:29.634 We have a couple of exciting features. 07:29.915 --> 07:31.536 Look at my exciting features. 07:32.576 --> 07:34.597 First of them is called Text the Nation. 07:34.698 --> 07:39.020 That's something we did a while back when we were depping for Sean Keefney. 07:39.040 --> 07:40.221 That's what we call it here on the radio. 07:40.241 --> 07:42.102 It's Britain's favourite feature. 07:42.482 --> 07:42.983 That's right. 07:43.623 --> 07:44.263 Text the Nation. 07:44.303 --> 07:45.164 Britain's favourite feature. 07:45.184 --> 07:45.804 It has a jingle. 07:45.824 --> 07:47.045 It's the people's feature. 07:48.266 --> 07:49.967 And we're going to be playing that a bit later on. 07:50.507 --> 07:51.428 I say playing that. 07:52.209 --> 07:54.251 That's really picking it up much too much, isn't it? 07:54.691 --> 07:58.235 But then later on, something that we really will be playing because we need your help. 07:58.315 --> 07:59.956 Well, we need your help for Texanation as well. 08:00.016 --> 08:02.979 But we are going to be playing Song Wars. 08:03.520 --> 08:04.961 Yeah, we're going to have a competition. 08:05.001 --> 08:08.545 Me and Adam basically have composed a new song each. 08:08.565 --> 08:10.006 A brand new piece of song. 08:10.106 --> 08:11.708 We haven't heard one another's songs. 08:12.088 --> 08:13.849 Both the songs are themed. 08:14.009 --> 08:14.510 That's right. 08:14.710 --> 08:15.991 We'll tell you the theme a bit later. 08:16.271 --> 08:20.894 We're going to need you to text in an email in and vote for which song you want to hear played. 08:21.114 --> 08:22.255 The feature's called Song Wars. 08:22.535 --> 08:27.559 It's a bit like Star Wars, only with songs instead of the stars. 08:27.899 --> 08:28.339 Exactly. 08:28.459 --> 08:32.442 And instead of the Rebel Alliance and the Evil Empire, it's like two songs. 08:32.842 --> 08:34.944 Yeah, another of us are really evil. 08:34.984 --> 08:36.605 That would be going too far with me. 08:36.625 --> 08:37.306 I think you're evil. 08:37.726 --> 08:38.046 Really? 08:38.066 --> 08:39.007 You're a little bit evil. 08:39.307 --> 08:39.607 Yeah. 08:40.088 --> 08:40.848 Maybe you're right. 08:40.868 --> 08:41.109 Yeah. 08:41.649 --> 08:44.111 Not badly, not like horribly evil, just a little bit. 08:44.892 --> 08:45.492 Now, cheeky. 08:45.592 --> 08:46.693 Shall we play some music? 08:47.033 --> 08:47.674 Is that what you mean? 08:48.174 --> 08:48.995 Just a bit cheeky. 08:49.415 --> 08:49.976 A trail? 08:50.496 --> 08:51.277 What's in the trail? 08:52.523 --> 08:55.145 This is Jude speaking here in the background. 08:55.185 --> 08:56.647 Oh, fantastic. 08:56.887 --> 08:57.948 That's good, isn't it? 08:58.068 --> 08:59.309 I've never heard that before. 08:59.569 --> 09:02.031 The wedding present, that's a big gap in my musical knowledge. 09:02.071 --> 09:03.393 I've never actually heard that before. 09:03.513 --> 09:04.634 I've never heard that before. 09:04.654 --> 09:06.756 Actually, I've never heard that before. 09:06.856 --> 09:08.957 Ashley, I've never heard that before. 09:09.198 --> 09:11.900 Actually, Ashley, I've never heard that before. 09:13.441 --> 09:14.562 What's the wedding present? 09:15.402 --> 09:16.563 With a song called Kennedy. 09:17.063 --> 09:18.644 Now, what sort of Kennedy would that be? 09:18.664 --> 09:20.085 Is that a song about Sarah Kennedy? 09:20.585 --> 09:25.749 Or is it a song about Kennedy the MTV VJ, who was popular in America in the 80s? 09:25.969 --> 09:30.011 Or is it a song about Kennedy's The Australian Chocolate Snack? 09:30.731 --> 09:36.615 Or is it a song about John F Kennedy, the president of Birmingham? 09:36.875 --> 09:39.458 No, of, well, President Birmingham, that's correct. 09:39.698 --> 09:41.940 This is Adam and Jo, this is BBC Six Music. 09:42.641 --> 09:47.705 This is our brand new Saturday morning show and it's time to launch the first of our important features. 09:47.785 --> 09:50.848 The nation's favourite feature, it's Text the Nation! 09:52.990 --> 09:53.731 Text the Nation! 09:53.871 --> 09:54.172 Text! 09:54.232 --> 09:54.512 Text! 09:54.572 --> 09:54.932 Text! 09:55.032 --> 09:55.773 Text the Nation! 09:55.833 --> 09:56.814 What if I don't want to? 09:57.054 --> 09:57.815 Text the Nation! 09:57.875 --> 09:59.777 But I'm using email, is that a problem? 09:59.817 --> 10:00.638 It doesn't matter, text! 10:03.120 --> 10:03.880 So there you go, that's all. 10:03.900 --> 10:04.601 Was that loud enough? 10:04.801 --> 10:07.842 All you need to know was contained in the body of the jingle there. 10:07.862 --> 10:09.143 That jingle must be played loud. 10:09.523 --> 10:10.363 Text donation. 10:10.383 --> 10:12.964 Yeah, I think it was, but next time keep an eye on that picture. 10:12.984 --> 10:13.825 Text, text, text. 10:13.845 --> 10:14.725 Thanks, thanks a lot. 10:14.785 --> 10:15.806 Can you shut up? 10:16.346 --> 10:17.026 What are you doing? 10:17.567 --> 10:20.728 Just taking control of the technological logical side of this show. 10:20.748 --> 10:21.969 Do it in your own time. 10:22.069 --> 10:22.929 Sorry mate, keep going. 10:23.269 --> 10:30.915 Uh, so what we want you to do, folks, is text us, or, as it was made clear in the jingle, email us, or you could send a telegram or a written letter. 10:31.155 --> 10:32.356 But not just about anything. 10:32.696 --> 10:32.876 No. 10:33.076 --> 10:33.276 No. 10:33.576 --> 10:34.557 It's about a subject. 10:34.737 --> 10:36.058 A very specific subject. 10:36.198 --> 10:43.663 And this morning's text-the-nation subject is, uh, altications with shopkeepers that have got out of hand. 10:43.984 --> 10:44.304 Right. 10:44.624 --> 10:44.864 Right? 10:45.285 --> 10:46.806 You know what I'm talking about, don't you, Adam? 10:46.886 --> 10:50.068 Man, my whole life is an altercation with a shopkeeper that's got out of hand. 10:50.188 --> 10:56.349 Adam and I are always in shops holding something broken, trying to stand up for our rights. 10:56.809 --> 10:57.930 Listeners, does that happen to you? 10:58.150 --> 11:06.031 Have you been into a shop and had a kind of confrontation with the shopkeeper over something the shop sold you, or you know, some kind of transaction that's gone wrong? 11:06.411 --> 11:09.872 And has that conversation spiralled out of control? 11:10.212 --> 11:12.292 It doesn't even have to be like something you've bought from them. 11:12.372 --> 11:14.273 A lot of times I haven't bought anything. 11:14.673 --> 11:19.854 I'm just at the I'm interested in buying something stage, and suddenly it all gets away from me. 11:20.114 --> 11:22.277 It doesn't take very long, only a minute or something. 11:22.637 --> 11:28.283 It most often happens in the technical zone, in Tottenham Court Road, you know what I mean? 11:28.303 --> 11:34.210 Because those guys, it's like a kind of bargaining market there, and there's a sort of weird... 11:35.191 --> 11:40.214 Blurry line about like is the price fixed or can you haggle for it or what? 11:40.295 --> 11:57.646 So you're never quite sure what's what the rules are right after a song in the news We're gonna tell you our best altercations with shopkeepers, but if you've got one Do text in six four zero four six or email Adam and Joe dot six music at BBC dot co dot UK But right now it's music time. 11:58.146 --> 11:58.427 Yeah. 11:58.527 --> 12:02.790 Oh, this is a this is a song That's what it was a different one, but it's Estelle 12:03.670 --> 12:04.291 Oh, it's not! 12:04.611 --> 12:05.632 No, it is a song! 12:05.992 --> 12:06.693 It's Minkdaville. 12:06.893 --> 12:08.314 I chose this one, it's good, man. 12:08.334 --> 12:09.355 Spanish Stroll, check it! 12:09.615 --> 12:11.497 That's Minkdaville with Spanish Stroll. 12:11.517 --> 12:13.218 This is Adam and Joe here on 6 Music. 12:13.238 --> 12:15.980 Time for the news right now, read by Rachel Matthew. 12:16.261 --> 12:18.523 What if I don't want to? 12:18.543 --> 12:19.583 But I'm using email. 12:19.624 --> 12:20.584 Is that a problem? 12:28.442 --> 12:49.388 there you go the nation's favorite feature before that you heard the dandy warhols with the second of their only two memorable tracks which is uh what was that one called get off get off it was good there wasn't it as good as bohemian like you and considerably better than all the rest of them not as good as princes get off though no no that's true that's true but anyway text the nation 12:49.828 --> 12:54.109 Yeah, Text the Nation is the people's competition, right? 12:54.469 --> 12:58.350 Here on Adam and Jo's radio show on BBC6 Music. 12:58.990 --> 13:04.512 We'd like you to text in or email in on the subject of altercations you've had with shopkeepers in shops. 13:04.812 --> 13:05.072 Yeah. 13:05.252 --> 13:06.052 Okay, so here's mine. 13:06.272 --> 13:06.492 Go on. 13:06.552 --> 13:08.233 And it happened in the Tottenham Court Road this week. 13:08.433 --> 13:08.933 This week? 13:09.073 --> 13:10.053 I was in a bad mood. 13:10.433 --> 13:12.414 I bought a new phone recharger. 13:12.894 --> 13:17.456 That made me angry already, because phone rechargers are like electric toothbrush heads. 13:17.876 --> 13:21.878 They gratuitously design them differently for each model, so you have to buy a new one. 13:21.978 --> 13:22.958 What was wrong with your old one? 13:23.018 --> 13:23.519 Misplaced it? 13:23.859 --> 13:24.179 Blew up. 13:24.439 --> 13:24.759 Blew up. 13:25.279 --> 13:30.261 So I took it into the shop in Tottenham Court Road, and I was not gonna... I was getting it exchanged. 13:30.301 --> 13:31.582 I wasn't gonna stand for anything else. 13:31.642 --> 13:31.882 No. 13:32.162 --> 13:32.782 It had broken. 13:32.862 --> 13:34.223 They'd sold me a chunky charger. 13:34.623 --> 13:35.764 I was having it exchanged. 13:36.204 --> 13:38.705 I'm gonna do the shopkeeper's accents in French. 13:39.265 --> 13:43.469 Even though they weren't French, but it just might be, you know, more acceptable if I do them in French. 13:44.229 --> 13:51.755 So I said, look here, this charge is broken, I bought it, I had the receipt, I bought it a couple of weeks ago, swap it for a new one, please. 13:53.557 --> 13:54.297 Said the shopkeeper. 13:55.538 --> 13:56.339 I said, why not? 13:56.399 --> 13:57.120 I've got the receipt. 13:57.540 --> 13:58.221 You sold it to me. 13:58.261 --> 13:58.801 It's broken. 13:58.821 --> 14:00.083 I want a new one. 14:00.543 --> 14:01.784 Because it is a charger. 14:02.305 --> 14:05.288 You might have plugged it into a plug with the wrong voltage. 14:06.069 --> 14:07.110 Says the shopkeeper. 14:07.871 --> 14:10.593 I'm like, well, yeah, but no, I didn't. 14:11.394 --> 14:14.535 I didn't do that, I used the correct voltage, it blew up. 14:15.075 --> 14:18.417 Uh, surely, and at that point I invoked the Sales Act. 14:18.937 --> 14:22.959 Do you ever go that- Now, I don't know what the Sales Act is. 14:22.999 --> 14:25.159 Does anyone else do this out there, listeners? 14:25.179 --> 14:28.461 Have you ever invoked the Sales Act without knowing what it is? 14:28.481 --> 14:29.821 Start talking about your consumer rights. 14:29.901 --> 14:32.782 I said, now look, now look here, chum. 14:32.982 --> 14:34.003 The Sales Act. 14:34.984 --> 14:37.648 What you're trying to do is against the Sales of Goods Act. 14:39.430 --> 14:42.495 At which point I'm sure I saw him smile slightly. 14:42.535 --> 14:43.216 Of course he did. 14:43.236 --> 14:44.177 Then repress it. 14:45.059 --> 14:47.262 He said, no it does not. 14:48.303 --> 14:49.826 Electrical charges. 14:50.526 --> 15:04.535 No, come on, there is such a thing as the sales act, but he was arguing that it didn't apply to chargers and things that rely on a standard voltage, right? 15:04.975 --> 15:06.936 And he was quite articulate about this. 15:07.236 --> 15:11.459 It was as if he knew what he was talking about, which slightly flummoxed me. 15:11.879 --> 15:12.819 So I was ridiculous. 15:12.879 --> 15:13.380 What's your name? 15:13.960 --> 15:21.002 At this point, I got out a piece of paper and I started... I was thinking I was not gonna have this. 15:21.823 --> 15:22.983 I wanted a new charger. 15:23.483 --> 15:28.325 I noted his name down as if I was gonna contact a solicitor. 15:29.065 --> 15:45.621 I didn't actually say that but I was very all my body language it was like right I've got a solicitor I'm you know this is hardcore you've messed with the wrong guy gonna take this to the bank you've messed with the wrong guy yeah I'm bringing your electronics outlet down at any point did you say I have a radio show on BBC 15:46.802 --> 16:01.925 Now that's tempting and if you're listening and if you have any any kind of role in the media in a situation like this It is always very tempting a bit like being a prefect at school, you know to say but I'm a prefect You've done that before though, haven't you when you've been in confrontations? 16:02.105 --> 16:11.167 You told me that you have well, let's talk about this offer You said I was not relevant to this story because I didn't do it at this point, right? 16:11.627 --> 16:13.088 But I did take out a piece of paper. 16:13.368 --> 16:14.749 I jotted down his name. 16:15.069 --> 16:18.230 He looked quite sad when he gave me his name. 16:19.131 --> 16:22.793 And then he said, did you use the charger abroad? 16:23.353 --> 16:26.735 Because often power fluctuates when you are abroad. 16:27.095 --> 16:29.056 The answer to that question was yes. 16:29.976 --> 16:37.220 I then realized that yes, I'd been in Los Angeles and I tried to charge my phone in Los Angeles and that's where it exploded. 16:37.280 --> 16:40.742 So at that point I realized in my head, oops, I was wrong. 16:41.702 --> 16:42.704 And they were right. 16:43.325 --> 16:44.626 But did I confess that? 16:44.727 --> 16:44.987 No. 16:45.488 --> 16:46.269 I took his name. 16:46.589 --> 16:48.332 I took the name of the man next to him. 16:48.592 --> 16:50.835 I wrote them on the back of a very small receipt. 16:51.436 --> 16:54.861 I tucked them in my wallet and said, right, we'll see about this. 16:55.361 --> 16:56.844 You'll be hearing from me again. 16:57.384 --> 16:58.506 And I walked out of the shop. 16:58.706 --> 17:18.039 well done sir and as i walked out of the shop i thought right for the next two weeks i'm not gonna walk in front of that shop again i'm gonna walk on the other side of the road so there you go an embarrassing altercation in a shop it went too far i came out like an idiot we're gonna have a song before we hear adam's altercation and if you've got like an embarrassing confrontation you had in a shop 17:18.519 --> 17:23.504 text it to us 64046, or if it's too verbose and involved, we love long stories. 17:23.845 --> 17:29.450 Put it in an email and send it to adamandjo.6musicatbbc.co.uk, please! 17:29.731 --> 17:33.174 Now, here's guilt complex with sons and daughters, or is it the other way round? 17:33.355 --> 17:34.376 The other way round. 17:34.416 --> 17:37.339 It's sons and daughters with guilt complex, you complete idiot. 17:38.746 --> 17:40.147 Who delightful. 17:40.187 --> 17:42.929 That's a new addition to the playlist here at Six Music. 17:42.949 --> 17:44.790 That's Sons and Daughters with Guilt Complex. 17:44.830 --> 17:45.470 And here's the thing. 17:45.791 --> 17:48.292 Guilt is spelt G-I-L-D. 17:48.472 --> 17:54.056 No U. So it's like she loves the complex so much that it's, uh, guilt. 17:54.376 --> 17:54.676 You know? 17:54.836 --> 17:57.298 It's shiny and... She doesn't feel guilt with a U, does she? 17:57.338 --> 17:57.598 No. 17:57.698 --> 17:58.979 No, she's guilty about nothing. 17:59.139 --> 17:59.359 Yeah. 17:59.680 --> 18:02.241 Instead, she's got a complex about shiny things. 18:02.261 --> 18:02.902 She's gilded it. 18:03.522 --> 18:03.742 Yeah. 18:03.862 --> 18:04.743 And it's now gilt. 18:05.023 --> 18:06.364 That's what something gilt is, right? 18:06.824 --> 18:08.025 It's something that you've gilded. 18:08.585 --> 18:09.146 Like a lily. 18:09.926 --> 18:10.186 Yeah. 18:10.546 --> 18:11.947 Do you know what I'm doing there? 18:12.027 --> 18:13.568 Does anyone ever gild lilies? 18:14.049 --> 18:14.529 Someone does. 18:14.549 --> 18:15.289 There's a little guy. 18:15.329 --> 18:17.591 And I'm not talking metaphorically. 18:17.811 --> 18:18.211 No, I know. 18:18.311 --> 18:18.692 Literally. 18:18.932 --> 18:19.392 Literally. 18:19.532 --> 18:22.014 There's a guy you can get them done for like birthdays and stuff. 18:22.074 --> 18:22.374 Really? 18:22.654 --> 18:23.234 I'm pretty sure. 18:23.274 --> 18:26.577 What happens when the lily inside the gilt, like, goes rotten? 18:26.817 --> 18:33.802 No, it doesn't, because the act of gilding it keeps it sort of... So it kind of goes rotten and dry inside the... inside the gold, the gilt? 18:33.822 --> 18:36.164 It's like putting something in Aspic or sealing it in resin. 18:36.224 --> 18:36.564 Really? 18:36.684 --> 18:36.885 Yeah. 18:37.605 --> 18:39.166 I learned so much on this program. 18:39.507 --> 18:40.207 From you, Adam. 18:41.508 --> 18:41.948 You'll like it. 18:41.968 --> 18:45.971 You know, if there isn't a service that gilds lilies there should be, surely. 18:46.091 --> 18:46.932 Like, absolutely. 18:46.952 --> 18:47.873 That's a business idea. 18:48.153 --> 18:49.094 You know, for someone... There you go. 18:49.154 --> 18:50.575 Take that into the dragon's den. 18:50.795 --> 18:51.375 Yeah, take that. 18:51.475 --> 18:51.556 Eh? 18:52.316 --> 18:53.617 It's a stupid idea. 18:54.958 --> 18:55.999 It's not gonna sell them. 18:56.019 --> 18:57.199 For that reason, I'm out. 18:59.361 --> 19:00.602 I love your impression of that guy. 19:00.642 --> 19:01.903 Who is that guy? 19:01.963 --> 19:03.484 Duncan Valentine, I think. 19:03.644 --> 19:04.204 I don't know. 19:04.444 --> 19:05.305 Your Scottish accent. 19:05.345 --> 19:05.685 Listen, listen. 19:06.866 --> 19:07.967 I don't know what you're going on about. 19:07.987 --> 19:08.967 I don't understand the word of it. 19:08.987 --> 19:09.988 It sounds very stupid to me. 19:10.108 --> 19:10.388 I'm out. 19:10.709 --> 19:16.613 I love the idea that you would do a French accent because you think it's offensive to do an Asian accent or whatever. 19:16.633 --> 19:18.634 But your Scottish accent you're fine with. 19:19.114 --> 19:21.196 Like with all the Scottish people that would be hearing that accent. 19:21.596 --> 19:25.259 That's not a Scottish accent, that's specifically Duncan Valentine. 19:25.399 --> 19:31.584 If I've got his name right, I may have got his name wrong, and the accent wrong, this is a show where things are wrong. 19:31.724 --> 19:35.307 Now, we are engaged in Text the Nation, the nation's favourite feature. 19:35.348 --> 19:40.712 We are asking people to send in their stories about altercations with shopkeepers that have spiralled out of control. 19:41.433 --> 19:42.814 Joe, have you got any texts there? 19:43.014 --> 19:45.176 I have, Adam, but I'm not going to read any out yet. 19:45.216 --> 19:45.956 Teasing the texts? 19:46.016 --> 19:48.619 Yeah, I need to read through them, I need to filter them and edit them. 19:49.119 --> 19:57.124 Now, I was just trying to think about my most impressive altercation story, but the thing is I've had so many, and many, many of them have been in Tottenham Court Road. 19:57.544 --> 20:00.046 But there was one recently I had that wasn't in Tottenham Court Road. 20:00.306 --> 20:04.329 It was in Regent Street, and it was a big popular toy shop. 20:05.730 --> 20:07.171 I know that big popular toy shop. 20:08.532 --> 20:12.234 And I've told this story elsewhere, but not on the radio recently. 20:12.254 --> 20:15.316 But it was an incident that happened when I went in there. 20:15.356 --> 20:16.277 I bought a load of stuff. 20:17.117 --> 20:22.099 And then the girl, automatically behind the checkout, started putting them in plastic bags. 20:22.479 --> 20:23.979 And I said, it's okay, I don't need a bag. 20:24.019 --> 20:25.020 Thank you, I have a bag. 20:25.880 --> 20:27.781 And she said, oh, you've got to have a bag. 20:28.481 --> 20:29.981 And I said, no, it's okay, I don't need one. 20:30.301 --> 20:31.002 I've got a bag. 20:31.082 --> 20:32.602 Look, I have a bag. 20:32.762 --> 20:33.863 Like you had a rucksack. 20:33.883 --> 20:34.643 I had a rucksack. 20:34.683 --> 20:36.063 I'm a nerd, I carry a rucksack. 20:36.464 --> 20:37.144 I don't need bags. 20:37.944 --> 20:39.264 plus the bags for killing the planet. 20:39.865 --> 20:44.506 And anyway, she refused to let me leave the shop without a bag. 20:44.846 --> 20:46.407 I mean, it was just rank insanity. 20:46.667 --> 20:49.288 And at first, I thought like she was just being a bit silly. 20:50.368 --> 20:56.470 But then it was it suddenly switched within a very few short moments to being so mad. 20:57.210 --> 21:16.251 and also like a fantasy situation you know very seldom like your story that you were just telling about your your guy and your charger you were you found out that you were kind of in the wrong there yeah in fact pretty much totally in the wrong but in this situation I was totally in the right which doesn't happen to me very often and this girl was clearly being unreasonable and had misunderstood the shots 21:16.271 --> 21:21.214 So she wanted, she insisted you put your goods in a bag because she thought they'd think you'd stolen them. 21:21.374 --> 21:22.054 Exactly. 21:22.194 --> 21:24.155 Every customer who bought stuff had to have a plastic bag. 21:24.175 --> 21:24.615 That's right. 21:24.695 --> 21:28.357 She understood incorrectly that it was shop policy to force a bag. 21:28.377 --> 21:29.918 You called her on this, you got in an argument. 21:30.038 --> 21:31.319 Yeah, I said- Voices were raised? 21:31.359 --> 21:31.759 That's right. 21:32.019 --> 21:33.860 Well, no, I tried not to raise my balls. 21:33.880 --> 21:34.220 You stayed cool. 21:34.240 --> 21:38.903 Tried to stay cool because I thought, listen, Buxley, this is your one time in the right. 21:39.003 --> 21:39.823 But she got stroppy. 21:39.883 --> 21:40.764 But she got very stroppy. 21:40.784 --> 21:41.664 What sort of thing was she saying? 21:41.784 --> 21:57.641 and sarcastic she was just like look sir can you just take the bag and leave and I'm afraid you do have she was the whole attitude was very unhelpful and sarcastic yeah I mean so I said listen just get the manager will you just get the manager 21:58.161 --> 22:04.285 So she eventually got them, and she was tutting at me, and shaking her head, and stuff like, ugh. 22:04.565 --> 22:07.106 And there was, you know, because people were being held up in the queue and stuff. 22:07.807 --> 22:14.711 Everything about this girl was like, you are an idiot, and you're making my life a misery just by refusing to have this bag. 22:15.431 --> 22:18.373 And of course, eventually, the manager came along and said, no, he doesn't need a bag. 22:18.413 --> 22:18.993 Of course he doesn't. 22:19.374 --> 22:19.974 That's fine. 22:20.354 --> 22:24.637 And then she, and then after the manager had left, very loudly, she said to me in front of the rest of the queue, 22:25.658 --> 22:28.299 Thanks very much for making me look like a total idiot. 22:30.659 --> 22:35.280 I felt like saying, well, you know, that was something that you got yourself into there, pretty much. 22:35.640 --> 22:36.201 Don't you reckon? 22:36.221 --> 22:38.141 Have you got a worse shop altercation? 22:38.221 --> 22:42.022 I think when you call the manager, that's when we're interested, right? 22:42.122 --> 22:52.244 When the manager is summoned, when you try and go over the head of the person who's serving you, text your story, 64046, or email adamandjo.sixmusic at bbc.co.uk. 22:52.544 --> 22:54.985 It's time for an exciting track chosen by Adam, 22:55.225 --> 22:56.846 Now, uh, yeah, this is a lovely track. 22:56.906 --> 22:58.527 This is from the Eels last album. 22:58.747 --> 23:00.227 I think it was their last album, wasn't it? 23:00.587 --> 23:04.109 And it's called, I think, Blinking Lights, and it's a long album title. 23:04.169 --> 23:08.411 It features the words Blinking Lights in it, and it's a brilliant album, and this is a track called To Lick Your Boot. 23:08.591 --> 23:09.571 Hello, how you doing? 23:09.611 --> 23:10.632 This is Adam and Joe. 23:10.652 --> 23:11.332 Fine, thanks. 23:11.412 --> 23:12.633 I wasn't talking to you. 23:13.133 --> 23:16.815 And we're here on 6 Music, uh, this is our new home. 23:17.535 --> 23:22.299 on 6 Music from 9 till 12, every Saturday morning, that's where you'll find us for better or worse. 23:22.760 --> 23:33.889 And before the trail there, you heard Eels with to lick your boots, a track from their album, Blinking Lights and Other Revelations was the name of the album, I think. 23:34.510 --> 23:36.292 Here's a text from Damon. 23:37.032 --> 23:38.654 Damien in Bristol. 23:39.295 --> 23:44.701 He's responded to our request for you to send in stories about terrible altercations in shops. 23:44.761 --> 23:46.402 It's our Text the Nation theme this week. 23:47.964 --> 23:48.785 I think it's Damien. 23:48.845 --> 23:50.827 D-A-M-E-O-N. 23:51.688 --> 23:52.249 Damien. 23:52.509 --> 23:53.970 Damien. 23:54.590 --> 23:59.934 Damien says I bought cheap batteries from an army surplus shop that didn't work in stereo. 24:00.294 --> 24:04.116 I bought cheap batteries from army surplus shop that didn't work in stereo, right? 24:04.136 --> 24:04.817 Does that make sense? 24:05.377 --> 24:06.298 In a stereo. 24:06.398 --> 24:07.979 He hasn't put in the smaller words. 24:08.019 --> 24:08.259 Right. 24:08.639 --> 24:10.080 He's not stealing in big words. 24:10.100 --> 24:12.021 He hasn't got time for little words, Damien. 24:12.561 --> 24:15.843 Because maybe he put the batteries in and suddenly everything was mono. 24:16.404 --> 24:19.446 Took back to shop, Dash refused to give money back. 24:20.782 --> 24:31.885 God angry, Dash, threw batteries across shop into army surplus, said some rude words, went home with new batteries from another shop, didn't work in stereo either, felt bad. 24:32.865 --> 24:37.647 I like the way Damien used synopsize everything, just with the key words. 24:37.687 --> 24:38.587 Well he's texting, isn't he? 24:39.207 --> 24:39.827 No, he's email. 24:39.927 --> 24:40.488 Oh, he's email? 24:40.528 --> 24:40.748 Yeah. 24:41.648 --> 24:44.609 Bought cheap batteries, took back to shop, refused to give money. 24:44.629 --> 24:45.529 They're like bullet points. 24:46.129 --> 24:48.090 It's like Johnny Vaughan language. 24:48.230 --> 24:48.710 That's right. 24:49.390 --> 24:51.752 Uh, but you know you've made several mistakes there, Damien. 24:52.092 --> 24:55.215 You've tried to buy batteries from an army surplus shop? 24:55.475 --> 24:56.996 That's a secondhand store, isn't it? 24:57.477 --> 24:58.958 They're gonna be secondhand batteries. 24:59.738 --> 25:03.562 Then he's, uh, got angry and thrown the batteries across the shop. 25:03.822 --> 25:04.823 That's a very big gesture. 25:04.863 --> 25:05.723 We don't encourage that. 25:05.823 --> 25:07.024 Batteries are heavy things. 25:07.425 --> 25:08.646 If they'd struck a toddler... 25:09.366 --> 25:12.127 or smashed a window, you would have been in terrible trouble. 25:12.147 --> 25:17.870 Man, if they'd gone in, if they'd even like brushed someone's sleeve, that would have been, you could have got sued. 25:18.270 --> 25:20.111 All sorts of legal action could have ensued. 25:20.131 --> 25:23.632 And then it seems that at the end of the day, it was his stereo that didn't work, not the batteries. 25:23.733 --> 25:24.353 That's right. 25:24.913 --> 25:25.794 What are you thinking about? 25:25.854 --> 25:27.715 Keep those texts and messages coming in. 25:27.735 --> 25:28.155 Thank you, Damien. 25:28.555 --> 25:30.156 You know, you're not a buffoon. 25:30.276 --> 25:30.936 I'm wrong about that. 25:30.957 --> 25:32.057 You just had a bad moment. 25:32.177 --> 25:32.657 Yeah, yeah, yeah. 25:32.677 --> 25:33.378 A buffooning moment. 25:33.658 --> 25:35.799 Now, here's a session track chosen by me. 25:36.400 --> 25:38.101 This is Uros Iros. 25:38.481 --> 25:40.402 We're still not quite sure how to pronounce his name. 25:40.682 --> 25:51.008 We had a big debate involving a lot of our Welsh listeners while we were filling in for Shorten, Kivni on the Breakfast Show, on whether to pronounce Uros Child's name, Uros or Iros. 25:51.716 --> 25:53.437 Iros, I think, is the... We think it's Iros. 25:53.957 --> 26:00.520 This was recorded on February the 6th, 2006th, in the hub here at VBC6 Music for the Freak Zone. 26:00.720 --> 26:03.061 That's Stuart McConey's... Excellent show. 26:03.781 --> 26:04.861 This is called My Country Girl. 26:05.282 --> 26:08.463 That was the lovely Iros Childs with Country Girl. 26:09.283 --> 26:10.543 Uh, we love his work. 26:11.043 --> 26:11.563 Absolutely. 26:11.604 --> 26:21.885 We've been into him since day one, man, with gawky psychotic monkey, one of the most underrated bands who split under the pressure of the public's general disinterest. 26:22.065 --> 26:22.385 Really? 26:22.765 --> 26:24.026 Well, that's part of the story. 26:24.086 --> 26:25.726 It's happened to quite a lot of good bands, hasn't it? 26:25.986 --> 26:26.466 Of course. 26:26.626 --> 26:27.646 The list is endless. 26:27.766 --> 26:28.486 Beat a band. 26:28.707 --> 26:30.267 Uh, that's the end of the list. 26:32.087 --> 26:35.148 This is Adam and Jo on BBC Six Music, our new Saturday morning slot. 26:35.788 --> 26:36.448 Um, now, 26:37.148 --> 26:38.690 It's Song Wars time soon. 26:39.070 --> 26:39.250 Yeah. 26:39.531 --> 26:41.793 And Song Wars is another new feature. 26:41.893 --> 26:43.114 What am I saying, another new feature? 26:43.174 --> 26:44.256 It's the new feature. 26:44.476 --> 26:45.557 It's the other new feature. 26:45.897 --> 26:47.159 Adam and I have both written a song. 26:47.799 --> 26:48.740 They're themed songs. 26:49.121 --> 26:51.924 And we're going to ask you to vote for which song you want to hear. 26:52.304 --> 26:52.845 Isn't that right? 26:52.865 --> 26:53.265 That's right. 26:53.285 --> 26:54.206 So stay tuned for that. 26:54.707 --> 26:58.791 But first of all, we have... What are we doing? 27:00.504 --> 27:01.465 Oh, Song by the Cribs! 27:01.505 --> 27:02.967 Sorry, that wasn't very professional, was it? 27:03.027 --> 27:04.228 I'm still a little bit confused. 27:05.569 --> 27:07.532 Well, as to what I'm doing here or who I am. 27:08.172 --> 27:10.755 This is the Cribs with our bovine public. 27:12.297 --> 27:12.597 Here it is. 27:13.037 --> 27:14.759 That's Interpol with Khmer! 27:15.925 --> 27:16.665 into Paul. 27:31.570 --> 27:34.132 He must be fun, you know, just to hang out with. 27:34.152 --> 27:34.993 Have we said this before? 27:35.193 --> 27:39.117 Well, this is the band that we think are going to do the News Night theme pretty soon. 27:39.217 --> 27:39.477 Right. 27:39.618 --> 27:44.582 We think they're going to be employed by BBC News, possibly even to read the news. 27:44.622 --> 27:45.003 That's right. 27:45.063 --> 27:49.247 We think they've kind of... Something very bad has happened somewhere in the world. 27:49.727 --> 27:51.188 That's how he read it. 27:51.288 --> 27:53.049 We think he's friends with Midjure. 27:53.750 --> 27:55.731 And they have, sort of, serious offs. 27:56.411 --> 27:59.373 You know, they go round to each other's houses, eat data. 27:59.734 --> 27:59.954 Right. 28:00.214 --> 28:01.095 Bowls of data. 28:01.835 --> 28:02.776 Have little data bars. 28:02.856 --> 28:03.376 Ticker tape. 28:03.576 --> 28:04.737 And they wear long coats. 28:05.097 --> 28:08.339 And throat cigarettes by Stalinist statues on hills. 28:08.960 --> 28:12.322 And say things like this to each other. 28:13.123 --> 28:15.804 Hello Midjure, you're looking very nice today. 28:16.345 --> 28:19.387 Do I look nice or is nice your prejudice? 28:21.209 --> 28:21.449 Yeah? 28:21.629 --> 28:22.711 Yeah, exactly like that. 28:22.931 --> 28:23.532 I don't know! 28:23.552 --> 28:24.953 I don't know! 28:25.714 --> 28:26.375 Is the reply. 28:26.575 --> 28:28.017 That kind of chat goes on. 28:28.117 --> 28:30.841 There we go, that's what happens in Interpol's daily life. 28:30.861 --> 28:32.943 This is Adam and Jo, this is BBC6 Music, now! 28:34.175 --> 28:41.557 We're obviously running the Text the Nation feature, still keep texting your stories about shop altercations, but we're gonna start another feature. 28:41.897 --> 28:46.979 We haven't quite got the hang of how to arrange our features around our radiophonic face. 28:47.839 --> 28:52.201 It's a slightly beaten up sort of facial features, you know, arrangement. 28:52.301 --> 28:53.621 A little lump and aged. 28:53.861 --> 28:56.482 Because we're gonna bring a new segment into play now. 28:56.722 --> 29:02.004 This is called Song Wars, and before we tell you about the segment, let's just deal with the jingle. 29:02.544 --> 29:09.147 Because the segment's called Song Wars, it's like Star Wars only with songs, so Adam's done a jingle in it, Adam. 29:09.287 --> 29:09.647 Yeah. 29:09.847 --> 29:10.127 Yeah. 29:10.247 --> 29:15.110 So logical thing to do with a feature called Song Wars. 29:15.790 --> 29:18.111 You sing over the music from Star Wars. 29:18.331 --> 29:18.591 Right? 29:18.811 --> 29:24.075 But Adam phoned me up yesterday and he said he wasn't that confident about this jingle. 29:24.515 --> 29:26.076 He wasn't that happy with his singing. 29:26.416 --> 29:30.639 He feels ashamed about ruining the Star Wars theme, a majestic piece of music. 29:30.659 --> 29:33.861 There's a lot of problems with it, you know, because A, it's very hackneyed anyway. 29:33.901 --> 29:35.963 It's a hackneyed area, the whole Star Wars area. 29:35.983 --> 29:37.524 It's pretty well covered, especially by us. 29:37.664 --> 29:39.305 You know, we've used it many times. 29:39.705 --> 29:40.906 Hard to find a fresh laugh. 29:41.186 --> 29:43.708 Hard to find a fresh laugh. 29:43.748 --> 29:45.309 It's such a well-known piece of music. 29:45.749 --> 29:46.910 It's a cliche in itself. 29:47.310 --> 29:49.091 But also, see, it's brilliant. 29:49.131 --> 29:50.112 I mean, it's amazing. 29:50.212 --> 29:54.195 But you were also worried about your register that you needed to sing higher. 29:54.315 --> 29:57.597 And I usually cover the falsettos singing, usually. 29:57.877 --> 29:59.038 We're setting it up too much now. 29:59.398 --> 30:01.820 But listen, have a listen to the jingle. 30:01.860 --> 30:07.384 It's a total cacophony, but it also contains salient facts about what the competition is. 30:07.404 --> 30:09.365 So this is the long version of the jingle, okay? 30:09.685 --> 30:10.166 with the chorus. 30:10.186 --> 30:12.229 This could be the only time this full version is played. 30:12.289 --> 30:12.609 Yeah. 30:12.709 --> 30:12.950 Yeah. 30:13.631 --> 30:15.233 So this is the long version with the intro. 30:15.533 --> 30:15.914 Hit it! 30:23.004 --> 30:24.146 It's time for song. 30:24.855 --> 30:43.489 Wars, it is the song Wars, thank the song, song, song, song, song It's a battle between two songs One song and two songs Whoa, whoa, whoa, whoa Heard the songs 30:43.929 --> 30:51.153 are composed by a dementia themselves and inspired by a given theme. 30:51.553 --> 30:59.237 We play clips and the listeners choose which one they like and the winning song will be played at the end. 31:06.188 --> 31:08.669 Oh, I could have done with a repeat of the chorus there. 31:09.950 --> 31:11.390 Well, that was the verse. 31:11.410 --> 31:13.511 What, you mean the bit that... That sounds like that! 31:13.851 --> 31:17.392 There's some amazing background singing going on there. 31:17.473 --> 31:19.533 I hope you're in a soundproofed room when you did that. 31:19.553 --> 31:19.773 I was. 31:20.154 --> 31:24.655 That's the thing that, when I try and sing that, my voice just naturally goes like that! 31:24.795 --> 31:26.296 Turns into Ken Korda, that's all right. 31:26.576 --> 31:27.316 Yeah, that's good. 31:27.677 --> 31:31.659 But next week I might pop round and add some lady singing to that. 31:31.719 --> 31:32.359 Yeah, good move. 31:32.399 --> 31:33.800 Yes, it'll be even more cacophonous. 31:34.020 --> 31:36.121 But that pretty much sets out the stall listeners. 31:36.721 --> 31:38.382 We've each composed songs. 31:38.843 --> 31:40.443 We haven't heard each other's songs. 31:40.824 --> 31:42.084 We agreed on a theme though. 31:42.885 --> 31:45.506 And during the show, during the next, what is it now? 31:45.566 --> 31:48.568 It's 10 past 10, the next hour and 50 minutes. 31:49.088 --> 31:50.588 We're gonna fight those songs. 31:50.829 --> 31:52.009 We're gonna play you two clips. 31:52.069 --> 31:53.649 Listen, the music's staying appropriate. 31:53.929 --> 31:54.950 The songs are gonna battle. 31:55.350 --> 31:57.090 Only one will survive. 31:58.651 --> 32:02.552 The other will be just crushed. 32:03.792 --> 32:05.433 That's what Darth Vader says, isn't it? 32:05.673 --> 32:06.573 Oh, it's damn funny. 32:07.833 --> 32:08.334 Uh, yes. 32:08.714 --> 32:09.374 So there we go. 32:10.214 --> 32:11.315 This music's too dramatic. 32:11.335 --> 32:12.115 It's too dramatic now, yeah. 32:13.520 --> 32:14.101 Oh, man. 32:14.161 --> 32:14.401 There we go. 32:14.421 --> 32:15.342 It's too much to live up to. 32:15.382 --> 32:16.123 That's the thing, man. 32:16.143 --> 32:18.085 So, are we gonna play the clips of the songs now? 32:18.445 --> 32:18.605 Yeah. 32:18.785 --> 32:27.894 Now, we should say that the songs this week, the theme, every time we do this feature, and we can't guarantee that we're gonna do it every week, because it takes a lot to, like, do a whole song, right? 32:28.194 --> 32:33.159 But when we get it together to do Song Wars, we do the songs on a given theme. 32:33.339 --> 32:35.261 This time the theme was height. 32:35.521 --> 32:40.006 That's right, because if any of you have seen us in the flesh, we have quite different heights. 32:40.046 --> 32:41.668 Adam's on the smaller side. 32:41.708 --> 32:42.849 There is a market disparity. 32:42.869 --> 32:43.990 I'm on the taller side. 32:44.130 --> 32:49.255 It's sort of like a lamppost with a bowling ball sitting at the foot of it, if you see us walking down the street. 32:49.355 --> 32:50.296 It's true. 32:50.957 --> 32:51.498 So there we go. 32:51.538 --> 32:52.639 These songs are about height. 32:52.899 --> 32:55.301 So we're going to play you what, 10 seconds snatches? 32:56.229 --> 32:58.371 and stand by your texting thumbs. 32:58.391 --> 33:00.713 I don't think you're allowed to see. 33:00.733 --> 33:00.713 64046. 33:01.173 --> 33:01.693 I just did. 33:02.734 --> 33:04.135 Now, which clip are we playing first? 33:04.495 --> 33:05.256 Joe's or Adam's? 33:05.616 --> 33:07.278 Okay, well, let's play mine, just for the sake of it. 33:08.118 --> 33:12.141 Now, my track is this... That's Adam speaking, by the way, doesn't it? 33:12.221 --> 33:12.301 Yes. 33:12.321 --> 33:17.966 This is a track called Four Foot Club, and it's by my band called Four Foot Club. 33:18.406 --> 33:21.628 And even though I'm not actually four feet high, I'm taller than that, 33:22.750 --> 33:25.634 It's what it feels like sometimes when you're a small man. 33:25.654 --> 33:28.117 So it's like a club, the four-foot club. 33:28.177 --> 33:28.818 Exactly. 33:29.138 --> 33:31.902 So this is for all the smallies in the four-foot club. 33:31.922 --> 33:33.264 So this is just a teaser though. 33:33.324 --> 33:34.285 This is a tiny teaser. 33:34.305 --> 33:35.407 Even less than that. 33:35.447 --> 33:37.370 If you want to hear the whole thing, you have to text 64046. 33:37.430 --> 33:38.071 So here's the teaser. 33:40.246 --> 33:48.688 There you go. 33:49.528 --> 33:50.008 Oh, wow. 33:50.028 --> 33:51.228 That's tantalizing. 33:51.268 --> 33:53.849 I want respect like Napoleon or Danny DeVito. 33:53.869 --> 33:54.609 Were those the lyrics? 33:54.649 --> 33:54.929 Yeah. 33:55.049 --> 33:56.409 I was sort of overwhelmed by it. 33:56.489 --> 33:56.770 I know. 33:56.810 --> 33:58.390 It's hard to pick out the genius in there. 33:58.410 --> 33:58.770 Yeah, yeah, yeah. 33:58.810 --> 33:58.990 Wow. 33:59.010 --> 34:01.551 So if you want to hear that one, that's called Four Foot Club. 34:01.891 --> 34:03.011 The band are called what? 34:03.091 --> 34:03.651 Four Foot Club. 34:03.971 --> 34:07.332 four-foot club, then text 64046. 34:07.693 --> 34:11.734 Alternatively, you might want to vote for my song, Joe's song. 34:12.775 --> 34:15.236 My song is by DJ Nippy Nips. 34:15.496 --> 34:15.816 Okay. 34:16.056 --> 34:16.316 Yeah. 34:16.456 --> 34:16.937 I love Nippy Nips. 34:16.957 --> 34:21.799 He's a new force in the rap scene, and he's written a sort of a rap about being tall. 34:22.119 --> 34:26.981 It's just called Tall, but I think it might be an acronym. 34:27.801 --> 34:30.062 Even though I haven't figured out what it is yet, I will. 34:30.322 --> 34:31.243 T-A-L-L. 34:31.323 --> 34:33.144 T-A-L-L, yeah. 34:33.164 --> 34:34.144 That's what the song's called. 34:34.384 --> 34:36.845 So here's a teaser of my song Tall. 34:37.146 --> 34:41.728 If you want to hear all of this, maybe the acronym could be They All Laughed at Longo. 34:43.789 --> 34:44.689 Maybe it couldn't be that. 34:44.709 --> 34:47.050 Alright, here's a snatch of my song. 34:47.330 --> 34:49.651 I'm six foot three and a half, you know. 34:49.832 --> 34:50.832 That's the heart I go. 34:51.072 --> 34:52.053 And my name is Joe. 34:52.333 --> 34:54.454 Too tall to fit in a photograph. 34:54.734 --> 34:55.654 Or a standard bath. 34:55.894 --> 34:56.835 I'm a man giraffe. 34:57.789 --> 34:58.710 Oh, man. 34:59.011 --> 35:00.312 That's gonna win? 35:00.532 --> 35:01.153 How do you know? 35:01.233 --> 35:03.535 Because I don't think my clip does mine justice. 35:03.835 --> 35:05.917 I mean, mine is insane, anyway. 35:05.937 --> 35:06.758 Yours is good, man. 35:06.838 --> 35:07.619 This is what we thought. 35:07.639 --> 35:11.062 We did this feature before when we were filling in for Sean Keveny on the breakfast show. 35:11.623 --> 35:13.805 I thought I had it in the bag at the eleventh hour. 35:14.045 --> 35:15.547 Everyone swung around to bucko. 35:15.767 --> 35:20.391 It's the thing is that my track was so nutty that my lyrics kind of got lost, you know? 35:20.451 --> 35:21.713 Hey, you see, this is what you do. 35:22.373 --> 35:25.195 You go for the underdog position very early on. 35:25.555 --> 35:26.736 Don't go for this, listeners. 35:26.756 --> 35:27.977 This is premeditated. 35:28.397 --> 35:30.178 Oh dear, I'm never going to win. 35:30.498 --> 35:34.641 I'm suffering like a little... Well, you know, it's manipulative, listeners. 35:34.661 --> 35:35.241 Don't go for it. 35:35.282 --> 35:36.382 So the text number is 64046. 35:39.124 --> 35:40.645 Text Adam or Joe. 35:40.985 --> 35:41.786 Does that make sense? 35:42.046 --> 35:42.746 Here's a reminder. 35:42.766 --> 35:43.567 This is Adam's clip. 35:53.228 --> 35:55.751 Or, if you want this song to win, text Joe to 64046. 36:07.503 --> 36:09.985 There we go, and we'll play the winner at the end of the song. 36:10.445 --> 36:11.406 That was Song Wars. 36:11.786 --> 36:12.867 It continues to be Song Wars. 36:12.887 --> 36:14.648 This is Adam and Jo on BBC Six Music. 36:15.048 --> 36:15.708 It's music time. 36:15.989 --> 36:17.650 Here's Mark Ronson with Valerie. 36:17.970 --> 36:22.573 That was Mark Ronson featuring Amy Winehouse with a lovely track called Valerie. 36:22.593 --> 36:23.894 This is BBC Six Music. 36:23.914 --> 36:25.315 You're listening to Adam and Jo. 36:25.675 --> 36:31.099 Yeah, they make it sound like a sort of perennial classic there, Valerie, which is of course written by the Zootons, wasn't it? 36:31.399 --> 36:35.542 But the way they cover it there, it's as if it was like an old-school stand. 36:35.602 --> 36:36.783 Motown Nugget, you know? 36:36.803 --> 36:36.983 Yeah. 36:37.563 --> 36:38.864 Anyway, sounding good there. 36:38.904 --> 36:39.384 Very good. 36:39.404 --> 36:40.004 A combination. 36:40.044 --> 36:41.445 Well done getting those two together. 36:41.565 --> 36:44.966 Whatever music industry boffin' has that idea, kudos to you. 36:45.827 --> 36:46.647 I tip my hat. 36:47.667 --> 36:47.948 Wow. 36:48.788 --> 36:51.969 If anyone actually ever talks like that in real life, you can slap them. 36:52.630 --> 36:53.130 You know what? 36:53.450 --> 37:00.833 I had a strange moment the other day when I was in Soho and I suddenly felt like I was right in the centre of things because I bumped into someone. 37:00.913 --> 37:04.575 It was the producer of the Peter Serafinowicz show. 37:05.496 --> 37:21.629 brilliant show if you've never seen it folks gotta check it out but this guy James Surfin which Peter's brother he was in Soho and he's I should say first of all he's a lovely bloke and not at all kind of a dick yeah but he was wearing sort of aviator shades 37:22.470 --> 37:31.401 And he was on his mobile and he saw me and he, you know, he was trying to juggle a conversation with me and the mobile. 37:31.842 --> 37:35.145 And it was one of those moments where you want to say hi, but, you know, he's on a call. 37:35.166 --> 37:37.268 So I just said, I'll see you later on. 37:37.869 --> 37:39.991 And he said, yeah, OK, I'll catch you on Facebook. 37:41.272 --> 37:41.893 Oh, no. 37:42.753 --> 37:47.435 And he sort of walked on and... He said that loudly and like other people could hear it. 37:47.875 --> 37:48.635 He said it very loudly. 37:48.655 --> 37:50.436 I didn't say it loudly, so many people could hear it. 37:50.456 --> 37:51.377 Catch you on Facebook. 37:52.417 --> 37:53.978 Did you catch him on Facebook? 37:54.118 --> 37:55.178 I haven't caught him yet on Facebook. 37:55.218 --> 37:58.239 You could see the anxious look on Adam's face now, listeners. 37:58.420 --> 37:58.900 But why? 37:58.920 --> 38:00.120 About being caught on Facebook. 38:00.140 --> 38:03.202 Well, just about standing in Soho and having someone say, catch you on Facebook. 38:03.602 --> 38:04.082 I liked it. 38:04.162 --> 38:05.202 What's your life come to? 38:05.222 --> 38:05.663 I have to tell you. 38:05.683 --> 38:06.643 What's the world come to? 38:07.003 --> 38:07.523 You liked it? 38:07.603 --> 38:08.644 I thought, yeah, I've arrived. 38:09.604 --> 38:12.427 I've arrived in there, so... What a terrible admission. 38:12.887 --> 38:20.994 Okay, now, listeners, it's time for a song that I've chosen because it's featured in the new Wes Anderson film, The Darjeeling Limited. 38:21.314 --> 38:23.476 Now, lots of people don't really like Wes Anderson. 38:23.736 --> 38:27.719 They're annoyed by his films and thinks he makes the same one over and over again. 38:28.220 --> 38:30.442 But I really enjoyed The Darjeeling Limited. 38:30.882 --> 38:36.424 It's about three brothers whose father has just died and they go on a train across India to kind of find themselves. 38:36.764 --> 38:43.667 And it's kind of whimsical and quirky, and slightly annoying like all his films, but it's also beautiful to look at. 38:43.727 --> 38:49.750 His other films include The Life Aquatic, The Royal Tenenbounds, Rushmore... Is there another one in their bottle rocket? 38:50.510 --> 38:51.310 Is that the whole lot? 38:51.490 --> 38:52.351 I think that's the lot, isn't it? 38:52.371 --> 38:53.591 I think that might be the lot, yeah. 38:54.131 --> 38:57.672 But this new one, The Darjeeling Limited, is coming out pretty soon. 38:57.932 --> 39:00.713 I think it's closing the London Film Festival here in London. 39:01.053 --> 39:02.893 Anyway, this song was featured on the soundtrack. 39:03.593 --> 39:03.973 I like it. 39:04.033 --> 39:05.334 I thought it was obscure and quirky. 39:05.354 --> 39:06.454 I'd never really heard it before. 39:06.754 --> 39:08.675 Then when I proposed, we played it on this show. 39:08.695 --> 39:11.715 Our producer, Jude, cast her eyes up to the heavens. 39:12.096 --> 39:13.796 Adam sighed and looked slightly unwell. 39:13.996 --> 39:21.900 Well, he's very good Wes Anderson at kind of recontextualizing songs that have been around for a long time, and he always chooses interesting tracks for his movies. 39:22.400 --> 39:25.942 But this, this is a one that I, it's pretty much hard to defend, I would say. 39:25.982 --> 39:27.823 This is always maybe... You think it's just bad? 39:28.023 --> 39:30.504 It's always made me want to kill people when I wrote this song, yeah. 39:31.064 --> 39:32.824 Jude feels the same. 39:32.844 --> 39:33.605 I loathe it. 39:33.785 --> 39:34.585 She loathe it. 39:34.665 --> 39:37.026 She said this is the sort of thing they play on radio, too. 39:37.366 --> 39:38.206 So I don't know. 39:38.326 --> 39:40.106 Maybe you should have just vetoed this choice. 39:40.967 --> 39:44.887 If it proves to be really unpopular, listeners, if you hate it, just text in. 39:44.907 --> 39:45.808 We'll pull it off the air. 39:46.208 --> 39:50.609 This is Peter Sarstead with Where Do You Go To, My Lovely. 39:50.669 --> 39:53.690 It's just the way he sort of goes. 39:54.130 --> 39:54.850 Oh, you'll hear it. 39:55.370 --> 39:58.151 Your name, it is heard in high places. 40:00.778 --> 40:05.720 That's enough. 40:05.760 --> 40:13.942 Come on, stop it. 40:14.062 --> 40:15.062 Stop it. 40:15.302 --> 40:15.602 Why? 40:15.662 --> 40:16.403 Just because you did that. 40:16.583 --> 40:17.443 Ha ha ha. 40:17.483 --> 40:22.784 You keep a racehorse for Christmas and you pop it inside your boots. 40:22.984 --> 40:23.364 Ha ha ha. 40:23.424 --> 40:24.065 Ha ha ha. 40:26.085 --> 40:28.726 Space Force wouldn't fit inside a pair of boots. 40:28.946 --> 40:30.407 It was big, big boots. 40:31.687 --> 40:32.328 That's what he's saying. 40:32.348 --> 40:33.068 It was a big boot. 40:33.628 --> 40:36.169 I want to look inside your head. 40:36.569 --> 40:38.030 Look in there. 40:38.250 --> 40:38.890 It's your brain. 40:38.910 --> 40:42.292 This is Adam and Jo on BBC6 Music. 40:42.332 --> 40:44.413 That was a very divisive song. 40:44.513 --> 40:47.294 We had a lot of texts during it and it was pretty much 50-50. 40:47.654 --> 40:48.494 Some people love it. 40:49.014 --> 40:49.955 Some people loathe it. 40:50.715 --> 40:52.357 like Wes Anderson himself. 40:52.777 --> 40:54.839 It's the Marmite factor, Jon. 40:54.859 --> 40:55.800 It's the Marmite factor. 40:55.820 --> 40:57.041 That was Peter Sarstead. 40:57.061 --> 40:58.182 Do you hear what I said, though? 40:58.502 --> 40:58.782 I did. 40:58.822 --> 40:59.583 I'm trying to ignore it. 40:59.603 --> 41:00.784 It's the Marmite factor. 41:00.904 --> 41:02.405 Where do you go to, my love? 41:02.425 --> 41:03.386 You either love it or hate it. 41:03.406 --> 41:04.047 Do you hear what I said? 41:04.307 --> 41:13.895 Talking of loving and hating songs, we're also in the middle of song wars, a brand new feature where you have to choose between a song composed by me, Joe, or a song composed by him, Adam. 41:14.616 --> 41:15.516 The text number is 64046. 41:17.898 --> 41:19.919 vote either Adam or Joe. 41:19.939 --> 41:22.479 Now Joe thought that we shouldn't say who was in the lead. 41:23.040 --> 41:25.360 Yeah because again it prejudices people. 41:25.380 --> 41:26.300 He thought there might be a swing. 41:26.540 --> 41:32.402 Well it's putting you again into the underdog position from where you always mount a fight back. 41:32.462 --> 41:33.242 That's not true. 41:33.442 --> 41:39.604 If I'm mounting a fight back then it's on the merits of my track which I think I must say I don't feel my British public. 41:39.944 --> 41:40.204 What? 41:40.424 --> 41:41.405 Eddie the Eagle Edwards. 41:41.445 --> 41:43.446 Listen, don't call me Eddie the Eagle Edwards. 41:43.707 --> 41:47.909 The fact is, listeners, that Joe is way ahead at the moment. 41:48.450 --> 41:49.811 He is winning, he streaks ahead. 41:50.071 --> 41:51.292 And listen, I'm not surprised. 41:51.372 --> 41:53.113 I don't think it's anything to do with me being the underdog. 41:53.513 --> 41:55.895 The fact is, the clip makes his song sound good. 41:55.915 --> 42:01.278 But I'm telling you, there's a lot more to Four Foot Club than just... I'm telling you, I don't think there is. 42:01.779 --> 42:03.580 Let's have a listen to the two snippets again. 42:03.640 --> 42:04.801 Here's to Adam's first. 42:14.246 --> 42:14.646 Yeah? 42:14.866 --> 42:17.527 I'm sick of feeling that I'm too diminutive to be in charge. 42:18.027 --> 42:19.047 Those are the lyrics. 42:19.388 --> 42:20.948 Let your clip speak for itself. 42:21.508 --> 42:22.709 Stop embellishing. 42:24.449 --> 42:25.710 And here's my one. 42:25.750 --> 42:26.690 Here's Joe's clip. 42:37.145 --> 42:44.956 There you go, so if you want to hear the whole of that one, text Joe to 64046, or if you want to hear the whole of Adam's, text Adam to 64046. 42:46.218 --> 42:48.140 And the winning song will be played at the end of the show. 42:48.743 --> 42:51.025 To be honest with you, we might play both at the end of the show. 42:51.065 --> 42:52.346 It's a question of who actually wins. 42:52.366 --> 42:53.346 That makes the competition a nonsense. 42:53.466 --> 42:54.587 No, competitions are nonsense. 42:54.607 --> 42:55.748 Look, this is the Big British Castle. 42:55.768 --> 42:57.549 There are new rules about competitions. 42:57.609 --> 42:57.969 Exactly. 42:58.370 --> 43:02.513 Competitions have to be a nonsense, because if there's any genuine competitive edge to them, then everyone gets fired. 43:02.533 --> 43:06.996 I tell you what, we'll consult the new BBC rules during this next song. 43:07.296 --> 43:08.737 This is The Hold Steady. 43:08.777 --> 43:10.138 Is the band called The Hold Steady? 43:10.178 --> 43:10.298 Yeah. 43:10.458 --> 43:12.579 What's happened to grammar in the world of pop? 43:12.939 --> 43:17.740 Lynne Truss would be outraged at the current state of naming songs and bands. 43:18.100 --> 43:24.421 The Hold Steady with a track called Can You Please Crawl Out Your Window. 43:24.461 --> 43:27.082 That should be of your window and it should be the Hold Steadies. 43:27.482 --> 43:27.922 See me. 43:27.942 --> 43:28.982 That's good stuff. 43:29.342 --> 43:32.163 Hold Steady there with Can You Please Crawl Out Your Window. 43:32.183 --> 43:33.924 This is Adam and Joe here on 6 Music. 43:34.424 --> 43:36.824 Stay tuned for some talking heads coming up after the news. 43:36.864 --> 43:39.905 But first here is Rachel Matthew and Andre Payne with the news. 43:40.285 --> 43:44.068 There you go, that's Talking Heads from their album Little Creatures with Road to Nowhere. 43:44.088 --> 43:45.949 This is Adam and Joe here on Six Music. 43:46.349 --> 43:48.591 We're here every Saturday from 9 till 12 from now on. 43:48.631 --> 43:50.492 Yeah, that was wonderful to hear that again. 43:50.652 --> 43:54.895 I know, it's like a little warm time capsule, especially for you and I. That album meant so much to us. 43:54.915 --> 44:02.140 We were at school together, Adam and I, and when we were about 14 or 15 in the mid-80s, the Talking Heads kind of ruled the world. 44:02.500 --> 44:02.700 Right. 44:02.720 --> 44:08.944 They released their amazing concert movies, stopped making sense, that I think was given away free in a newspaper the other week. 44:09.064 --> 44:10.025 Probably The Daily Mile. 44:11.806 --> 44:14.108 And we were so excited when that album came out, weren't we? 44:14.369 --> 44:15.089 Yeah, that was a smash. 44:15.289 --> 44:21.114 Although it took a little adjusting for me because I had a very clear image in my head of what I wanted talking heads to be, you know what I mean? 44:21.134 --> 44:28.620 And I just about got used to speaking in tongues and then suddenly they come out with this whole sort of Cajun zydeco sound. 44:29.561 --> 44:45.496 that you hear on Road to Nowhere there and that took a little getting used to but I went with it because I love them yeah if you're you know young and you don't really know about the talking heads they're a band you could pretty much just go into a shop and buy their first four albums and you couldn't go wrong any album is good you know 44:46.436 --> 44:49.797 And of course, it was Talking Heads' last album, True Stories. 44:50.037 --> 44:50.718 Was that their last album? 44:50.758 --> 44:57.920 No, no, their last album was Naked, but their penultimate album, some say their worst album, True Stories, that gave Radiohead their name. 44:58.320 --> 45:01.121 There's a track on there called Radiohead, and that's where they... Is that really so? 45:01.221 --> 45:03.522 That's where they got the name from, yes. 45:03.562 --> 45:04.682 And it's a fun track. 45:04.922 --> 45:05.863 Maybe not the best Talking Heads track. 45:05.883 --> 45:06.483 It's just a bit of fun. 45:06.523 --> 45:07.243 Just have fun with it. 45:09.434 --> 45:14.059 Now I want to talk a little later on about some mouse problems that I'm having, Joe Cornish. 45:14.359 --> 45:15.340 That's exciting news. 45:15.380 --> 45:16.241 That's in the next hour. 45:16.281 --> 45:18.664 I'd like to share my mouse problems with you folks. 45:19.124 --> 45:29.575 But I just noticed this article in the Independent about Ratatouille and the fact that the success of the Disney movie has increased the sales of rats. 45:30.842 --> 45:31.582 to children. 45:32.183 --> 45:42.295 Children, the sales of rats have gone like up 50%, pet rats since the movie's been out because all the kids want a rat, like the rat in Ratatouille, and who can blame them? 45:42.315 --> 45:46.120 Because it is a very good film and a nice little cute rat in there. 45:47.621 --> 45:48.042 Exactly. 45:48.142 --> 45:53.429 Maybe the kids will be disappointed when the rats can't speak and cook, but still, they're buying them. 45:53.850 --> 46:02.282 And rodent experts say they're incredibly responsive to learning and can be taught to do amazing tricks much in the same way that dogs can. 46:03.342 --> 46:04.563 So why wouldn't you buy a rat? 46:04.603 --> 46:05.864 But of course, be careful. 46:06.665 --> 46:07.705 Pets at home warned. 46:07.825 --> 46:15.030 We certainly don't want rats to become the next animal victims of a movie craze, said Mr. Fairburn from Pets at Home. 46:15.430 --> 46:24.936 Everyone saw what happened in the case of Ninja Turtles and the subsequent demand and mistreatment of terrapins and other aquatic reptiles that followed. 46:25.117 --> 46:27.378 And we don't want the same thing to start happening with rats. 46:27.678 --> 46:28.539 It's true, isn't it? 46:28.579 --> 46:31.561 Did that happen during the Teenage Mutant Ninja Turtles? 46:31.601 --> 46:32.021 Oh, yeah. 46:32.181 --> 46:32.622 What happened? 46:32.662 --> 46:36.304 Kids were, like, disappointed that the turtles couldn't do karate. 46:36.345 --> 46:36.625 Yeah. 46:36.725 --> 46:38.486 So they were, like, smashing them against each other. 46:38.506 --> 46:39.947 You're not a hero in a half shell. 46:39.987 --> 46:41.188 You're just a kind of a lump. 46:41.208 --> 46:41.929 Is that what happened? 46:41.989 --> 46:46.032 If maybe there was some problem with a gang on the block, they would throw turtles at them? 46:46.132 --> 46:46.652 That's right. 46:46.672 --> 46:47.513 Go deal with it, turtles. 46:48.153 --> 46:48.653 Kick them in. 46:48.734 --> 46:49.054 Go on. 46:49.994 --> 46:51.715 So what's gonna happen with the rat? 46:51.755 --> 46:56.858 Kids are gonna release the rats into the kitchen and expect them to cook, but all they'll do is eat everything and then... 47:06.823 --> 47:09.586 plop on it and then give them tuberculosis or something. 47:10.427 --> 47:19.016 Anyway, it made me think about strange pets and it reminded me of a story I was told the other day by a friend who told me this story about his sister, right? 47:19.036 --> 47:26.183 So this happened to a friend of mine's sister and she is one of these people who has eccentric pets, a bit like Jonathan Ross and family. 47:26.203 --> 47:28.306 You know, they've got a kind of insane menagerie there. 47:28.966 --> 47:31.107 Exotic pets, they like a quirky pet, right? 47:32.088 --> 47:34.669 Let's call this person Claire, okay? 47:35.410 --> 47:39.112 But we'll spell the name Claire, C-L-E-A-H. 47:39.772 --> 47:40.452 Whatever you want. 47:41.013 --> 47:41.253 Okay. 47:41.573 --> 47:45.615 Anyway, Claire, she's one of these people that keeps exotic pets. 47:45.635 --> 47:47.996 She has a pet python, a big python, right? 47:48.096 --> 47:50.618 And she let this python roam around the house. 47:50.638 --> 47:51.218 She's eccentric. 47:51.238 --> 47:54.700 It was a naturalized python, you know, a tame python, whatever you want to call it. 47:55.140 --> 48:00.025 to the extent that she would let the python curl up and sleep at the end of the bed, right? 48:00.386 --> 48:01.127 When she was asleep. 48:01.147 --> 48:04.150 This is a big, long, I don't know, six, seven foot python. 48:04.971 --> 48:12.158 And anyway, Claire was upset because the python, a few weeks back, had stopped eating, right? 48:12.179 --> 48:13.059 It lost its appetite. 48:13.140 --> 48:16.143 It wouldn't eat any of the food that she laid out for it. 48:16.203 --> 48:17.024 She got really worried. 48:17.444 --> 48:18.445 She didn't know what was wrong with it. 48:18.485 --> 48:20.107 She took this python to the vet. 48:20.147 --> 48:21.128 This is a true story, right? 48:21.148 --> 48:22.028 This is not apocryphal. 48:22.649 --> 48:25.472 She took it to the vet, and the vet said, don't worry about it. 48:25.532 --> 48:27.754 You know, the python's just a little off-colour. 48:28.595 --> 48:31.117 It might have looked like a python cold or whatever. 48:31.217 --> 48:33.599 Just leave it for a while, leave it for a week. 48:33.699 --> 48:35.922 If there's no change, come back and see me. 48:35.982 --> 48:37.103 We'll sort the python cold. 48:37.803 --> 48:51.070 Anyway, a few days after the vet visit, Claire wakes up one morning, right, to find the python, still alive, but stretched out in a line and stiff as a board lying next to her. 48:51.170 --> 48:51.930 Like a stick. 48:52.270 --> 48:57.053 Exactly, like a stick or a sort of very long romantic partner. 48:58.033 --> 49:03.596 And so she immediately took it back to the vet, right, and described what had happened to the vet. 49:04.196 --> 49:08.139 And the vet says, okay, this snake is no longer your pet. 49:08.819 --> 49:13.762 It's been off its food because it's starving itself in order to eat you. 49:14.342 --> 49:18.644 It's stretching itself out that way because it's measuring you. 49:18.964 --> 49:23.407 That's what they do before they consume their intended prey. 49:23.427 --> 49:25.508 So usually in the jungle they would kill the thing, 49:26.108 --> 49:32.657 and then they would stretch themselves out just to check the measuring of the situation, then they would start to consume it. 49:32.918 --> 49:33.719 It takes a while. 49:33.939 --> 49:35.662 Wow, I think my cat's doing that. 49:37.985 --> 49:39.226 Is it starving itself? 49:39.246 --> 49:42.291 Well, sometimes I wake up and it's stretched all the way out on the bed. 49:42.671 --> 49:43.131 It's gonna eat you. 49:43.151 --> 49:44.592 With its arms and legs all the way out. 49:44.612 --> 49:45.052 It's going to eat. 49:45.072 --> 49:45.832 Is that what's happening? 49:45.872 --> 49:47.353 But is that a chilling story or what? 49:47.413 --> 49:48.473 That's a chilling story. 49:48.513 --> 49:49.254 What did she do? 49:49.474 --> 49:54.996 Or, hang on, let's leave it as a cliffhanger because we're radio scientists and this is the kind of thing that keeps people listening. 49:55.376 --> 49:58.678 So play a song and we'll find out what happened next after the song, right? 49:58.778 --> 49:59.858 It's not a great cliffhanger. 50:00.058 --> 50:01.539 But anyway, here is Radiohead. 50:01.559 --> 50:05.561 We were speaking about them earlier on and this is a track from their wonderful album, In Rainbows. 50:05.881 --> 50:06.561 How much do you pay for it? 50:07.342 --> 50:08.422 Well, I bought the big box. 50:08.883 --> 50:09.563 Did you never? 50:09.603 --> 50:10.004 Yeah, yeah, yeah. 50:10.124 --> 50:10.604 Loved the box. 50:10.624 --> 50:11.505 You didn't download it? 50:12.165 --> 50:12.906 I downloaded it. 50:13.166 --> 50:14.748 Well, you get a free download with the big box. 50:14.888 --> 50:15.008 Oh. 50:15.528 --> 50:16.829 So I was happy about it. 50:17.109 --> 50:19.151 And this is one of my favorite tracks. 50:19.171 --> 50:20.953 This is one that's divided Radiohead fans. 50:21.033 --> 50:22.174 Some of them think it's very weak. 50:22.354 --> 50:23.234 I think it's amazing. 50:23.695 --> 50:25.496 And it sounds a little like Prince almost. 50:25.556 --> 50:26.997 One of Prince's sexy songs, I think. 50:27.017 --> 50:29.459 You hear Tom York saying, I don't want to be your friend. 50:29.760 --> 50:30.921 I just want to be your lover. 50:31.001 --> 50:33.883 Not a line that I ever expected to hear from Radiohead. 50:33.943 --> 50:35.204 But man, I love this song. 50:35.264 --> 50:35.825 House of Cards. 50:36.425 --> 50:43.648 Hmm, it's like being on a sexy spaceship, cast adrift in a sexy sea with a sexy alien. 50:44.348 --> 50:47.189 I'd like to look round Chiselhurst Caves with Tommy Hawk. 50:48.070 --> 50:48.530 Don't you think? 50:48.550 --> 50:51.671 Because he'd start going... Everything he said would sound amazing. 50:51.731 --> 50:53.812 Yeah, yeah, that's some good reverb on there. 50:53.832 --> 50:54.552 Yeah, I like that. 50:54.692 --> 50:56.513 House of Cards, that's Radiohead. 50:56.793 --> 50:58.434 From their new album In Rainbows. 50:58.474 --> 51:01.755 Now let's check the situation in the Text the Nation house. 51:03.482 --> 51:06.264 Text-a-nation, text, text, text, text-a-nation. 51:06.304 --> 51:07.284 What if I don't want to? 51:07.525 --> 51:08.245 Text-a-nation. 51:08.345 --> 51:09.346 But I'm using email. 51:09.526 --> 51:10.246 Is that a problem? 51:10.286 --> 51:13.248 It doesn't matter, text! 51:13.648 --> 51:16.070 The text-a-nation situation is thus. 51:16.370 --> 51:17.971 We've had three good ones. 51:18.512 --> 51:28.138 With text-a-nation this week, we're asking people to give us their stories about confrontations they have had with shop staff, altercations with shopkeepers that have got way out of hand, that kind of thing. 51:28.578 --> 51:29.539 Okay, this is from Jim. 51:30.439 --> 51:31.180 Hi Adam and Joe. 51:31.300 --> 51:35.002 I was in Curry's Digital in Winchester yesterday and there was a man at the counter. 51:35.222 --> 51:39.084 I think he was an ITV executive or something like that. 51:39.765 --> 51:44.087 He was having technical trouble with a TV he'd bought and the shop were unable to help him. 51:44.467 --> 51:47.009 It sounded like this was because the problem was with the aerial. 51:47.889 --> 51:51.712 When he was told he wouldn't be getting any help, he suddenly raised his voice. 51:52.785 --> 52:01.952 and started saying, yes, I will be getting service from this shop because if I don't get the service I want, I will make your lives a living hell. 52:03.994 --> 52:10.419 I think the shopkeepers then caved because they didn't want to suddenly find themselves being featured on the news at 10. 52:11.520 --> 52:14.864 I wish I'd gone over and told him how big a twit he was being. 52:15.004 --> 52:18.188 Jim doesn't use the word twit, but I'm changing it to twit. 52:19.089 --> 52:26.057 So if your listeners find themselves visiting Winchester, they might want to take things into their own hands and start insulting rich-looking people. 52:26.257 --> 52:30.062 This would help me because I live in the city and wouldn't be able to get away with it for long. 52:30.082 --> 52:31.323 I don't understand that bit at the end. 52:31.363 --> 52:33.264 I'm gonna make your life a living hell. 52:33.504 --> 52:40.229 Do you think... Do you think any shopkeepers or anyone who's had that threat leveled at them... Did you hear what that man just said? 52:40.249 --> 52:42.330 He just threatened to make our lives a living hell. 52:42.350 --> 52:43.711 I don't want... I don't... I've given him a refund. 52:43.811 --> 52:45.933 I really don't want my life to become a living hell. 52:46.373 --> 52:48.174 I think I better cave into his demands. 52:48.434 --> 52:51.276 I will make your lives a living hell! 52:51.416 --> 52:55.159 Imagine if your life did just become a living hell and then you really regret it. 52:55.179 --> 52:57.260 Oh, I should never have crossed that guy. 52:57.300 --> 52:59.622 I shouldn't have sold him the telly with the dodgy aerial. 52:59.642 --> 53:00.603 I hate living in hell. 53:01.944 --> 53:03.388 That's quite strong, isn't it really? 53:03.448 --> 53:07.156 Maybe I should have been more like that during my altercation. 53:07.236 --> 53:08.459 That guy got what he wanted. 53:08.479 --> 53:10.884 Do you think he really did work for ITV? 53:12.173 --> 53:14.134 No, why does the guy think he works for ITV? 53:14.354 --> 53:18.055 I don't know, he said he's made a little logical leap there for no earthly reason. 53:18.075 --> 53:19.695 But it does fit with the theme, doesn't it? 53:19.775 --> 53:32.299 Like if you do work in the media, it's very tempting to try and sort of pull rank and say, look, I've got a show on BBC Six Music and I'm going to talk about this on air and your shop's going to lose business and shut down. 53:32.319 --> 53:34.300 Do you think that's what Nicki Campbell does when he goes around? 53:34.320 --> 53:34.740 All the time. 53:35.040 --> 53:43.035 Yeah, look chum, I present Watchdog and unless you want to be featured on the BBC then pull your socks up and sort your life out. 53:43.135 --> 53:47.082 I think he says, watch it dog, I'm the cambler. 53:48.556 --> 53:49.037 Do you think so? 53:49.197 --> 53:50.538 If I was him, that's what I would say. 53:50.558 --> 53:51.339 Yeah. 53:51.359 --> 53:52.560 You're looking at the cambola. 53:52.860 --> 53:53.440 Watch it, dog. 53:53.881 --> 53:55.122 Here's another one from Dan. 53:55.142 --> 53:55.742 This is an idea. 53:56.483 --> 53:57.144 This says, hi. 53:57.564 --> 54:00.687 Throughout my teenage years, I worked in a variety of different low-level retail jobs. 54:00.707 --> 54:06.552 So most shopkeeper altercations I've been have been from the perspective of the shopkeeper. 54:06.892 --> 54:16.000 I worked in a chip shop and was having a fairly miserable time serving a never-ending line of customers until I came to a group of drunk, middle-aged women who kept insisting that I should smile. 54:16.920 --> 54:22.363 Of course, when you're fed up and angry, the last thing you need is people simply telling you not to be fed up and angry. 54:22.704 --> 54:29.247 So I continue to frown at them while they continue to tell me to cheer up, it's not that bad, might never happen, etc. 54:29.788 --> 54:42.795 In the end, I threw half of their prepared meals onto the counter, threw the chip serving scoop thing on the floor, stormed out of the back of the shop where I sat for about half an hour, being more angry than I think I've ever been in my life before. 54:43.075 --> 54:48.942 You know, this is an interesting thing because he's highlighted a problem there with a lot of particularly British people. 54:48.982 --> 54:51.725 They resent working in the service industry, do you know what I mean? 54:52.206 --> 54:57.251 And they sit there, they feel their individuality is being assailed by their menial position. 54:57.411 --> 54:58.232 Rightly so often. 54:58.453 --> 55:03.799 Yeah, you know, and often they do have to endure rudeness and all kinds of tasks that are beneath them. 55:04.159 --> 55:05.119 in every possible way. 55:05.319 --> 55:07.960 However, they fail to provide the service. 55:07.980 --> 55:08.741 Do you know what I mean? 55:08.781 --> 55:10.501 That they are contracted to provide. 55:10.781 --> 55:13.922 And part of that service is by presenting a smiley demeanor. 55:13.942 --> 55:14.863 This is getting quite serious. 55:14.883 --> 55:16.143 No, but this is a real thing. 55:16.563 --> 55:19.364 Sometimes I know what the guy's saying and I've been in that position before. 55:19.384 --> 55:21.745 It is horrible when people say, come on, cheer up, it might never happen. 55:22.185 --> 55:23.527 That kind of thing, you do want to smack them. 55:23.887 --> 55:30.394 However, from their point of view, oftentimes, it's a drag to go into a shop and to find some miserable-looking so-and-so serving you. 55:30.855 --> 55:33.277 And you just feel like, God, would a smile kill you? 55:33.337 --> 55:35.700 I'm giving you my custom and I'm not being horrible to you. 55:36.080 --> 55:37.221 Cheer up, you git! 55:37.802 --> 55:38.482 You know what I mean? 55:39.122 --> 55:40.883 So I'm just being devil's advocate. 55:40.923 --> 55:41.663 Yeah, good stuff. 55:42.464 --> 55:43.024 So there we go. 55:43.244 --> 55:44.204 That's Text the Nation. 55:44.944 --> 55:50.486 Keep texting and if you've got really good... I feel we haven't really got the, you know, the king shop altercation. 55:50.546 --> 55:50.766 Right. 55:50.966 --> 55:51.366 We've got time. 55:51.386 --> 55:51.927 Biggest argument. 55:51.947 --> 55:55.788 So keep emailing adamandjoe.6musicatbbc.co.uk. 55:55.868 --> 55:59.269 I feel as if I was letting that guy down by presenting the other side of the argument. 55:59.389 --> 56:03.092 I'm not like saying that he had no cause to be upset, don't think anyone cares. 56:03.272 --> 56:04.072 Do you reckon? 56:04.533 --> 56:07.415 Or text 64046 if you've got a story. 56:07.855 --> 56:10.817 It's time for some music recorded live last night. 56:11.097 --> 56:11.998 Can you believe that? 56:12.658 --> 56:14.520 The Roundhouse in Camden. 56:14.880 --> 56:16.081 The Queens of Noise. 56:17.001 --> 56:42.453 uh are who they are what hang on it says here the queens of noise come live from the roundhouse this afternoon okay with live music from noah and the whale and kid harpoon now are they the same band noah and the whale and kid harpoon or do they just happen to have put a kid with a harpoon next to a band with a whale and if so that's not very good for the for the whale based band is it it's going to be hauled onto kid harpoon's deck and sliced open it's not just thrown together 56:43.191 --> 56:43.611 There you go. 56:43.731 --> 56:47.293 Anyway, this is the Kaiser Chiefs recorded last night live at the Roundhouse. 56:47.813 --> 56:48.354 This is Jet. 56:49.254 --> 56:49.654 There you go. 56:49.674 --> 56:58.299 That was the Kaiser Chiefs playing at last night's Electric Proms, and that was their version of the Wings Track Jet there. 56:59.179 --> 57:00.380 Joe, what are you doing? 57:00.400 --> 57:01.500 You sort of pushed yourself. 57:01.520 --> 57:02.541 Oh, he's eating an apple. 57:02.561 --> 57:03.561 He backed off the mic to his apple. 57:03.581 --> 57:06.463 Oh, he's finishing off a mouthful of delicious Royal Galera. 57:06.603 --> 57:07.243 It's just apple. 57:07.943 --> 57:14.287 Now, we've got a few texts saying that my Python story there was an urban myth, an apocryphal tale. 57:14.667 --> 57:19.369 I was assured by the person that told me the story that it was not an urban myth or apocryphal. 57:19.789 --> 57:22.371 And listen, if I have to go... And with all due respect, Adam Buxton. 57:22.391 --> 57:23.011 Yeah, yeah. 57:23.091 --> 57:29.094 You have, and with all due respect, you have a tiny Achilles heel for this kind of thing. 57:29.174 --> 57:30.735 Very credulous. 57:30.855 --> 57:33.957 You're Adam's the man who believes he can win holidays. 57:34.537 --> 57:57.347 from scratch cards what come free in magazines that's true yeah sometimes when i get like a pop-up window on my computer saying congratulations you are the uh one millionth visitor to this site you have won a two-week holiday a couple of times i've got excited excited excited which is fair enough and it you know it tells of a sort of innocence and it's rather vivre that's very appealing it's nice isn't it but also sometimes 57:58.267 --> 58:08.693 Yeah, sometimes stories that are pure rubbies for hobbies do slip through the net and that snake one may well be you see the idea that it It sort of stiffened into a stick. 58:08.933 --> 58:13.976 Yeah python and then so so what she carried it into the vet like a pole and 58:14.236 --> 58:22.202 No, it's stiffened at one point and then when it had relaxed she took it into the vet and said, listen, I woke up and it had stiffened. 58:22.302 --> 58:24.443 I need some help from someone out there. 58:26.445 --> 58:30.428 We've had one text from Anonymous which is just the words, that's rubbish. 58:30.928 --> 58:33.630 Yeah but that's because that's because his mind can't deal with it. 58:33.650 --> 58:37.893 We've had another one from Steve in New Romney that says I reckon that story's a myth. 58:38.253 --> 58:43.696 A mate told me the same story two weeks ago about someone his mate knew in Wales. 58:43.736 --> 58:45.097 Well that probably happened. 58:45.378 --> 58:51.361 You see Steve is actually actually thinks it might be a true story that's come from the same person in Wales. 58:51.462 --> 58:52.142 It could be Steve you're right. 58:52.182 --> 58:55.705 Right, you're right, you might say the likelihood of that is zero. 58:55.905 --> 59:05.813 It's just natural for six music listeners to be, you know, inquiring and maybe they're, you know, inclined to be a little cynical about these kinds of stories that blow your mind. 59:06.013 --> 59:12.098 Hey, let's let Julian Cope source out this issue by singing us the song, The Greatness and Perfection of Love. 59:12.158 --> 59:14.700 This song contains all the answers to our snake mystery. 59:15.861 --> 59:16.802 It's like the song. 59:17.679 --> 59:20.580 Wars, it is the song! 59:20.640 --> 59:22.961 Wars, thank you for some song! 59:23.021 --> 59:25.362 Wars, song, song, song, song! 59:25.662 --> 59:30.643 It's a battle, bit with two songs! 59:30.864 --> 59:32.084 One song and two songs! 59:32.124 --> 59:34.605 Whoa, whoa, whoa, whoa! 59:34.845 --> 59:35.905 Never gets all that jingle. 59:35.985 --> 59:37.086 It's horrible jingles. 59:37.226 --> 59:38.966 It's the second time we've played it. 59:38.986 --> 59:39.767 Absolutely horrible. 59:40.027 --> 59:40.667 And oh dear. 59:40.687 --> 59:43.748 We're gonna have to sort it out, man, because you can't hear that week in, week out. 59:44.088 --> 59:45.089 We'll fix it up. 59:45.149 --> 59:47.571 We'll do a bit of restoration work during the week. 59:47.591 --> 59:49.312 This is Adam and Jo on BBC6 Music. 59:49.852 --> 59:50.713 Thanks for joining us. 59:51.073 --> 59:51.874 Thanks for listening. 59:52.354 --> 59:55.977 It's not that we're going away or anything, don't get excited, but we're just saying thank you. 59:56.177 --> 59:57.738 It's nice to say thanks every now and again. 59:57.758 --> 59:58.238 Yeah, you know? 59:58.258 --> 59:58.839 It's polite. 59:59.039 --> 59:59.559 It's polite. 59:59.679 --> 01:00:03.222 And we're here for another, like, 52 minutes. 01:00:04.103 --> 01:00:06.825 And we're running this amazing new feature called Song Wars. 01:00:06.885 --> 01:00:08.886 Adam and I have composed a song each. 01:00:09.286 --> 01:00:12.889 We had an email asking us how we actually went about producing 01:00:13.449 --> 01:00:14.029 Don't tell them. 01:00:14.430 --> 01:00:15.210 We can't tell you. 01:00:16.030 --> 01:00:19.071 But they are genuinely recorded by ourselves. 01:00:19.131 --> 01:00:20.592 Yes, they are original compositions. 01:00:20.652 --> 01:00:22.613 And we haven't heard one another's song. 01:00:22.733 --> 01:00:23.893 We've done them in isolation. 01:00:25.073 --> 01:00:28.455 And we'd like you to text in and vote for the one you'd like to hear in full. 01:00:29.195 --> 01:00:31.936 Even though it would be true to say that we are going to play both. 01:00:32.356 --> 01:00:32.536 Yeah. 01:00:32.957 --> 01:00:34.498 No, the thing is that it's an ongoing thing. 01:00:34.518 --> 01:00:38.561 You know, we're going to tot up who wins all these things, and then at the end there'll be some big prize for one of us. 01:00:38.581 --> 01:00:40.002 Well, some of the loser will be punished. 01:00:40.022 --> 01:00:42.544 The loser has to suffer, otherwise there's no point in losing. 01:00:42.605 --> 01:00:45.947 Well, the loser suffers the humiliation of not being appreciated. 01:00:46.147 --> 01:00:50.211 The winner has to win something, otherwise there's no point in winning. 01:00:50.251 --> 01:00:54.614 Well, you win respect, and I get humiliation, because I'm pretty much going to lose this one. 01:00:54.634 --> 01:00:54.915 You know what? 01:00:54.975 --> 01:00:56.036 Respect is worth winning. 01:00:56.516 --> 01:00:56.836 Absolutely. 01:00:56.856 --> 01:00:58.898 On the streets, it's the only thing that counts. 01:00:58.978 --> 01:01:00.139 That's why I got in a gang. 01:01:00.439 --> 01:01:02.801 My whole... I wasn't getting enough respect. 01:01:02.901 --> 01:01:04.362 I thought, join a gang. 01:01:04.382 --> 01:01:05.983 That's why I do the muggings and stuff. 01:01:06.003 --> 01:01:06.463 That's right. 01:01:06.503 --> 01:01:07.564 For respect on the street. 01:01:07.984 --> 01:01:09.025 It's the only way to survive. 01:01:09.085 --> 01:01:13.328 Well, you know, the way I got out of gangs is by doing the music. 01:01:13.789 --> 01:01:14.129 Really? 01:01:14.149 --> 01:01:15.550 Yeah, because I wanted respect. 01:01:15.610 --> 01:01:17.731 Hip hop and football, they're the only way out of gangs. 01:01:17.791 --> 01:01:28.199 The whole song, my song, Four Foot Club, is all about looking for respect and, you know, it says I'm too diminutive to be in charge and I want respect like Napoleon or Danny DeVito. 01:01:28.219 --> 01:01:29.260 Can we hear that clip again? 01:01:29.400 --> 01:01:29.760 Oh yeah! 01:01:30.100 --> 01:01:37.836 I make this far, but my dreams are large I'm sick of feeling that I'm choosing in your tip to be in charge I want respect, like Napoleon or Danny DeVito 01:01:38.203 --> 01:01:38.463 You know? 01:01:38.483 --> 01:01:39.504 Respect like a pony. 01:01:39.804 --> 01:01:40.664 Like Napoleon. 01:01:41.565 --> 01:01:43.226 I may be small but my dreams are large. 01:01:43.326 --> 01:01:49.289 It's exactly that kind of ooh ooh type attitude that the whole song is about giraffe man. 01:01:49.889 --> 01:01:53.451 This is a song we're about height listeners in case you're just joining us. 01:01:53.531 --> 01:02:05.037 Adam's song there is about being diminutive in height because Adam's on the lower side and I'm on the raised up side and I'm a taller one. 01:02:05.097 --> 01:02:06.438 And here's a clip from my song. 01:02:06.479 --> 01:02:10.483 If you want to hear Adam's song in full, text Adam to 64046. 01:02:11.003 --> 01:02:13.786 If you want to hear my song in full, text Joe to 64046. 01:02:14.107 --> 01:02:16.910 Here's a clip of my song about being tall. 01:02:27.489 --> 01:02:33.313 So it's not necessarily to hear the song because we're gonna play them both but it's who which song do you think is better? 01:02:33.353 --> 01:02:34.034 That's as simple as that. 01:02:34.354 --> 01:02:35.174 Which one do you want to win? 01:02:35.194 --> 01:02:36.015 Which is a better song? 01:02:36.055 --> 01:02:36.876 Yeah, it's a song war man. 01:02:36.896 --> 01:02:37.696 Because it's music. 01:02:37.796 --> 01:02:39.778 Everyone who listens is serious about music. 01:02:40.778 --> 01:02:42.700 They have good listening skills. 01:02:42.940 --> 01:02:44.001 Ears. 01:02:44.961 --> 01:02:45.522 So there we go. 01:02:46.262 --> 01:02:48.204 Music time now, proper music time now, is it? 01:02:48.404 --> 01:02:49.905 Can we just say that text number once again? 01:02:50.105 --> 01:02:55.609 And can I remind listeners that mine is slightly better and now I need some votes because I'm not getting no votes at the moment. 01:02:55.629 --> 01:02:56.850 Where are the votes at the moment, Jude? 01:02:57.998 --> 01:02:59.398 You're not even counting them, are you? 01:02:59.698 --> 01:03:01.059 Will is counting them. 01:03:01.079 --> 01:03:01.879 I'd say they're accurate. 01:03:01.979 --> 01:03:03.999 Right, we want proper statistics here, please. 01:03:04.019 --> 01:03:05.159 We want actual numbers. 01:03:05.219 --> 01:03:05.999 Joe's way ahead. 01:03:06.119 --> 01:03:06.780 Joe's way ahead. 01:03:06.820 --> 01:03:07.740 This is Adam speaking. 01:03:07.840 --> 01:03:09.100 I need some votes now. 01:03:09.420 --> 01:03:12.941 Text Adam to... What's the number? 01:03:12.961 --> 01:03:12.941 64023. 01:03:13.521 --> 01:03:15.321 No, don't say that. 01:03:15.401 --> 01:03:18.782 Come on, six... Sorry, that's the wrong number. 01:03:19.102 --> 01:03:18.782 64046. 01:03:19.402 --> 01:03:23.223 64046, text Adam or Joe according to who you think is done the best one. 01:03:23.303 --> 01:03:24.923 Adam, text Adam, text Adam now, please. 01:03:27.677 --> 01:03:30.180 That was Duke Spirit with Lassoo! 01:03:30.200 --> 01:03:32.002 Uh, incorrectly spelt. 01:03:32.662 --> 01:03:33.904 Is that the way you spell Lassoo? 01:03:33.924 --> 01:03:35.646 No, maybe it is the way you spell Lassoo. 01:03:35.666 --> 01:03:36.106 L-A-S-L-O. 01:03:36.126 --> 01:03:37.808 Let's forget about that, no one cares. 01:03:38.209 --> 01:03:39.930 Listen, song wars, right? 01:03:40.511 --> 01:03:41.432 I was upset now. 01:03:41.452 --> 01:03:43.054 During that last track, after... 01:03:43.614 --> 01:03:47.458 You know, I predicted this would happen during your sort of simpering underdog act. 01:03:47.859 --> 01:03:49.200 Now you've had a sudden spurt. 01:03:49.820 --> 01:03:56.087 All I did was galvanize people who were naturally attracted to my music to get on and text. 01:03:56.567 --> 01:03:58.429 The thing is that... What's the score now, Jude? 01:04:00.011 --> 01:04:01.313 I think it's 26.15. 01:04:01.353 --> 01:04:01.753 26.15 to who? 01:04:01.833 --> 01:04:02.134 To me. 01:04:02.154 --> 01:04:02.794 To you, Joe. 01:04:03.175 --> 01:04:04.557 So you're still way ahead, man. 01:04:04.637 --> 01:04:07.481 I don't, I really, I don't, I'd love your song to win. 01:04:08.522 --> 01:04:09.683 You know, you're my best friend. 01:04:09.743 --> 01:04:10.585 I like you a lot. 01:04:10.605 --> 01:04:12.207 I think everything you do is Brills. 01:04:12.747 --> 01:04:13.308 McGill's. 01:04:13.568 --> 01:04:13.929 Yeah. 01:04:14.109 --> 01:04:14.349 Right. 01:04:14.870 --> 01:04:19.413 But I think it's bad for you if people are voting for you. 01:04:19.853 --> 01:04:23.336 Just out of sympathy, it teaches you the wrong approach to life. 01:04:23.436 --> 01:04:23.776 Hey, hey, hey. 01:04:24.236 --> 01:04:26.618 You'll get, you know, you'll come a cropper later in life. 01:04:26.638 --> 01:04:27.799 Giraffe boy, it's okay. 01:04:28.039 --> 01:04:28.980 That's not what's happening. 01:04:29.400 --> 01:04:29.860 It's fine. 01:04:29.880 --> 01:04:31.521 Hey, I call myself a man giraffe. 01:04:31.541 --> 01:04:32.402 You can't say it back to me. 01:04:32.422 --> 01:04:34.543 They are, they're voting for the track. 01:04:34.603 --> 01:04:35.884 They consider most witwoks. 01:04:37.245 --> 01:04:38.986 They don't know what Wickwoks means. 01:04:39.066 --> 01:04:39.487 They do. 01:04:39.767 --> 01:04:40.767 They know exactly what it means. 01:04:40.787 --> 01:04:41.288 Wickitywoks. 01:04:41.688 --> 01:04:42.328 Wicklewokles. 01:04:42.649 --> 01:04:44.050 And they are thinking, you know what? 01:04:44.410 --> 01:04:45.891 Adam's track does sound Wickwoks. 01:04:46.291 --> 01:04:48.833 I'm going to text in and express that fact right now. 01:04:49.073 --> 01:04:53.175 Just because you're shorter, they think you're some sort of little furry animal. 01:04:53.215 --> 01:04:54.036 We'll find out what happens. 01:04:54.076 --> 01:04:57.478 We got another hour and... No, no, we only have 45 seconds. 01:04:57.538 --> 01:05:00.060 Oh my gosh, the winner in about half an hour. 01:05:00.140 --> 01:05:04.423 Text 64046, text either Adam or Joe, depending on which song you want to hear. 01:05:04.443 --> 01:05:06.224 The short song, courtesy of Adam. 01:05:06.724 --> 01:05:07.384 or the tall song. 01:05:07.464 --> 01:05:36.111 Now the question of whether my python story from earlier on was apocryphal or not uh rages on as a point of debate in the uh text forum however uh i i all i can tell you is that i credulously or not believed it to be true when it was told to me by a friend who assured me it was not apocryphal someone says on there that oh yeah i heard rustle brown he read the story out from the metro the other week well consider this maybe the metro were covering the story that i'm talking about 01:05:36.471 --> 01:05:36.691 Yeah? 01:05:37.192 --> 01:05:43.559 Maybe it was a news story and I just happened to hear it from the brother of the person it actually happened to. 01:05:43.599 --> 01:05:44.219 What about that? 01:05:44.239 --> 01:05:46.121 It's not likely, but it's possible. 01:05:46.902 --> 01:05:48.484 Anyway, here's a story that did happen to me. 01:05:48.524 --> 01:05:48.724 This is... 01:05:50.114 --> 01:05:53.576 Uh, this is genuine and it's not a story so much, it's just a problem I'm having. 01:05:53.976 --> 01:05:58.658 I keep getting mouse infestations in my house where I live, uh, a mouse house. 01:05:59.239 --> 01:06:07.043 And, you know, after several unsuccessful attempts to destroy the mice and everything they stand for, they are back in, in Bucky Land. 01:06:07.543 --> 01:06:09.604 And, uh, you can tell they're back, right? 01:06:09.944 --> 01:06:11.685 How can you tell the mice are around you? 01:06:12.005 --> 01:06:16.690 because of the tiny little black mouse droppings or nonsense, as I call them. 01:06:17.311 --> 01:06:23.017 And the mouse nonsense is sprinkled all over the cereal cupboard and they... You're right. 01:06:23.057 --> 01:06:23.798 It is nonsense. 01:06:24.098 --> 01:06:24.338 Yeah. 01:06:24.659 --> 01:06:24.939 Yeah. 01:06:25.259 --> 01:06:25.980 It's mouse nonsense. 01:06:26.040 --> 01:06:26.881 Rejected nonsense. 01:06:26.941 --> 01:06:27.402 Exactly. 01:06:28.022 --> 01:06:40.126 And, you know, this is obviously distressing from our hygiene point of view, but of course it's most especially troublesome when it comes to breakfast, because they tend to really go for the cereals and stuff and then leave their nonsense. 01:06:40.606 --> 01:06:44.228 And I enjoy a bowl of organic muesli from time to time, okay? 01:06:44.268 --> 01:06:47.989 And do you mistake the mouse nonsense for hearty grains? 01:06:48.009 --> 01:06:48.609 Well, this is the thing. 01:06:48.969 --> 01:07:04.023 You know, the other day, when I poured the milk into my organic muesli, I was mortified to discover, floating on the top of the milk, separated from the rest of the muesli, where it had lain, camouflaged, a little flotilla of mouse nonsense. 01:07:05.945 --> 01:07:12.150 Now revolted, obviously, and freaked out because, you know, I was just about to tuck into this little poo bowl. 01:07:13.011 --> 01:07:22.999 I chucked the whole thing down the waste disposal, even though I don't have one, and opened up a brand new packet of muesli that I had in standby for just this occasion. 01:07:23.420 --> 01:07:27.283 However, when I poured the milk into the muesli, it looked 01:07:27.363 --> 01:07:29.165 pretty much the same that time. 01:07:29.205 --> 01:07:36.552 So the thing is, I'm now paranoid, you know, the seeds and the mouse nonsense look very similar. 01:07:37.073 --> 01:07:41.637 So now I can't really eat anything vaguely seedy during the infestation. 01:07:41.658 --> 01:07:42.178 Do you know what I mean? 01:07:42.198 --> 01:07:48.244 The whole muesli thing is off the menu because I just, I can't guarantee that the little mice haven't gone in there and left their muesli. 01:07:48.284 --> 01:07:49.606 You know, it's probably good for you. 01:07:50.086 --> 01:07:50.306 Why? 01:07:50.627 --> 01:07:51.288 Mouse gibberish. 01:07:51.708 --> 01:07:52.089 Really? 01:07:52.169 --> 01:07:52.529 Yeah. 01:07:52.769 --> 01:07:55.152 It's probably the kind of thing they should put in the muesli anyway. 01:07:56.073 --> 01:07:56.374 Yes? 01:07:56.454 --> 01:07:56.714 Yeah. 01:07:56.894 --> 01:07:57.735 Slice some banana. 01:07:57.756 --> 01:07:58.156 Mm-hmm. 01:07:58.436 --> 01:07:59.277 Couple of straws. 01:07:59.498 --> 01:08:01.700 They carry a lot of diseases though, mice. 01:08:01.901 --> 01:08:02.722 You know, they really do. 01:08:02.762 --> 01:08:03.242 They love disease. 01:08:03.262 --> 01:08:04.844 Yes, but it inoculates you. 01:08:05.205 --> 01:08:05.825 Really? 01:08:05.886 --> 01:08:07.267 The right amount of mouse... 01:08:08.949 --> 01:08:12.193 You reckon you could buy them from Holland and Barrett or whatever? 01:08:12.213 --> 01:08:15.697 I think Holland and Barrett do do little jars of mouse thoughts. 01:08:15.737 --> 01:08:16.438 Mouse nonsense. 01:08:16.658 --> 01:08:16.918 Yeah. 01:08:17.799 --> 01:08:19.081 That's interesting. 01:08:19.421 --> 01:08:21.964 Well, that's... I just wanted to share that with you right now. 01:08:22.004 --> 01:08:23.826 This is a track that Joe's picked out for the listeners. 01:08:23.846 --> 01:08:24.086 Yeah, yeah. 01:08:24.106 --> 01:08:26.449 This is from a Talibquale... What? 01:08:26.509 --> 01:08:27.610 How do you say his name? 01:08:27.890 --> 01:08:28.451 Talibquale. 01:08:29.452 --> 01:08:30.633 Taleb Quele. 01:08:30.793 --> 01:08:31.254 I like him. 01:08:31.294 --> 01:08:34.196 I don't know how to say his name, but this is a really good album, what he's done. 01:08:34.837 --> 01:08:36.138 Now, this is a song called Hot Thing. 01:08:36.518 --> 01:08:40.061 It features Will.i.am, who's from the Black Eyed Peas, right? 01:08:40.502 --> 01:08:46.447 And he's usually that kind of man that might make you feel a bit depressed and sad about things, generally. 01:08:46.867 --> 01:08:48.028 It's because of his antics. 01:08:48.088 --> 01:08:49.049 Is he a bit like Wyclef? 01:08:49.530 --> 01:08:50.651 He is, yeah, I don't know. 01:08:50.811 --> 01:08:55.295 When he comes onto the telly or into the room, you just feel like doing something else, usually. 01:08:55.895 --> 01:08:57.737 But he's done a good one. 01:08:58.157 --> 01:08:58.437 Well done. 01:08:58.457 --> 01:08:59.378 Yeah, I love this song. 01:08:59.398 --> 01:09:02.179 This is called Hot Thing by Talib Kwale and will I am? 01:09:13.163 --> 01:09:14.143 Oh dear listeners. 01:09:15.344 --> 01:09:20.706 Now this is the instrumental version of Hot Thing by Talib Kwale that frankly doesn't sound very impressive. 01:09:20.746 --> 01:09:22.827 It sounds like a man in a beatbox. 01:09:23.507 --> 01:09:25.188 Nice nice little track there. 01:09:26.892 --> 01:09:29.074 There was no need to talk about where I am. 01:09:29.134 --> 01:09:29.954 There you go. 01:09:30.075 --> 01:09:32.276 There's how it goes. 01:09:32.296 --> 01:09:35.218 Go on, do more. 01:09:35.679 --> 01:09:38.621 I don't know the word. 01:09:39.802 --> 01:09:41.123 That kind of thing, you know? 01:09:41.463 --> 01:09:43.164 Who loaded in the instrumental version? 01:09:44.085 --> 01:09:50.250 Will, at this point, listeners, we should introduce you to Will, who is our sort of kind of technical backup man. 01:09:50.851 --> 01:09:51.651 Let's see Will's face. 01:09:51.691 --> 01:09:52.632 How do I move your head a bit? 01:09:52.652 --> 01:09:53.112 There he is. 01:09:53.453 --> 01:09:54.854 He's looking not ashamed enough. 01:09:54.914 --> 01:09:57.336 No, because Will loaded the only version that was available to him. 01:09:57.716 --> 01:09:58.076 Really? 01:09:58.937 --> 01:10:00.818 Do you not listen to the tracks first, Will? 01:10:01.239 --> 01:10:03.160 Well, he was thinking you wanted an instrumental track. 01:10:03.260 --> 01:10:05.102 How did he know that it was the rapping you were into? 01:10:05.182 --> 01:10:08.545 I tell you what, next week we'll play the one with the rapping in it. 01:10:11.046 --> 01:10:19.771 yes yes yes sorry man everything conspires against oh don't star you're gonna win the song wars what more do you want you know I'm gonna win the song 01:10:23.814 --> 01:10:26.335 You know the other person they could have had playing on the bill with 01:10:44.919 --> 01:10:46.980 Noah and the well and what are the harpoon? 01:10:47.000 --> 01:10:48.261 Kid harpoon would be seal. 01:10:48.881 --> 01:10:49.702 It's true, isn't it? 01:10:49.762 --> 01:10:50.022 Yeah. 01:10:50.562 --> 01:10:53.364 Yeah, and then kid harpoon could club seal to death. 01:10:53.444 --> 01:10:56.005 Well, that they could call, what are you, hey. 01:10:56.265 --> 01:10:58.666 Hey, that's what they do with seals, man. 01:10:58.846 --> 01:10:59.487 Yeah, I know. 01:11:02.449 --> 01:11:03.330 Well, what were you gonna say? 01:11:03.350 --> 01:11:04.531 I was gonna say that. 01:11:05.032 --> 01:11:07.194 This is Adam and Jo on BBC Six Music. 01:11:07.314 --> 01:11:15.684 As you know, we're in the middle of an exciting new feature called Song Wars, where a song composed by me goes up against a song composed by Adam and you, the listeners vote. 01:11:16.004 --> 01:11:22.272 And because we both, you know, genuinely, separately wrote and recorded these songs, we feel quite passionate. 01:11:22.472 --> 01:11:25.273 Well, Joe's already got it, but he's taken it all very personally, I think. 01:11:25.293 --> 01:11:30.155 I'm quite upset because I was clearly winning in the lead, and then this is exactly what happened on the Breakfast Show. 01:11:30.175 --> 01:11:35.898 But this is Adam cleverly positioned himself as the underdog, and now it's 33 to 31. 01:11:35.938 --> 01:11:37.178 Adam's winning. 01:11:37.218 --> 01:11:39.199 This is what happens with votes, man. 01:11:39.239 --> 01:11:41.980 It's not like a question of a sympathy thing. 01:11:42.000 --> 01:11:49.023 You know, you think that it's just me preying on people's sympathy and saying, come on, please pay for me, because my foot hurts. 01:11:49.443 --> 01:11:51.223 That's exactly what I'm talking about. 01:11:51.263 --> 01:11:51.744 No, it's not. 01:11:51.804 --> 01:11:56.124 People out there are just, you know, they're listening to their songs, they're purely voting for this. 01:11:56.164 --> 01:11:58.485 It's not a popularity contest, Joe Cornish. 01:11:58.825 --> 01:12:01.005 This is all about the music, yeah? 01:12:01.726 --> 01:12:02.726 And I know that. 01:12:03.086 --> 01:12:12.648 And so all I'm saying is that the people that voted for my song, Four Foot Club, which is about being small, 01:12:13.628 --> 01:12:18.192 Just took a little longer to get their votes in and now you're all upset about come on tallies out there mobile. 01:12:18.352 --> 01:12:21.155 This isn't about the music Yeah, this isn't about you and me. 01:12:21.455 --> 01:12:24.037 This is about tall people versus short people. 01:12:24.097 --> 01:12:26.459 Listen, let's have one more reminder This is the last reminder. 01:12:26.479 --> 01:12:37.809 We're gonna play you of what we're talking about right now There are clips from the tracks and the next time we hear these it'll be the end of the show and we will have a winner Okay, now here's four-foot club Oh, yeah, I'm gonna solve a much in time. 01:12:37.829 --> 01:12:40.491 I just think of feeling that I'm too familiar 01:12:44.933 --> 01:12:48.555 Rockalocious, and now here's a little bit from DJ Nippy Nips. 01:12:48.755 --> 01:12:51.836 These songs are longer obviously, not that much. 01:12:51.856 --> 01:12:54.878 No, they're both clocking at just under a minute. 01:13:05.123 --> 01:13:09.968 But, you know, they're both great, both very different genres. 01:13:10.028 --> 01:13:10.568 Very good. 01:13:10.608 --> 01:13:18.257 So text 64046, text Adam if you want to hear the short people song, or Joe if you want to hear the tall people song, 64046. 01:13:19.218 --> 01:13:24.143 And we'll play both the losing song and the winning song a bit later. 01:13:24.343 --> 01:13:30.045 But what we're gonna do is week in, you know, week on week, we'll tot up who is getting the most winning votes on these things. 01:13:30.645 --> 01:13:36.386 And then the loser person will have some sort of forfeit, a humiliating forfeit. 01:13:36.406 --> 01:13:39.347 If you've got an idea for a forfeit, listeners, you could email us that. 01:13:39.547 --> 01:13:46.309 The other thing you could do, listeners, actually, in this last half hour is suggest a theme for next week's Song Wars, okay? 01:13:46.629 --> 01:13:50.070 So we kicked it off this week with a theme we chose ourselves, which was height. 01:13:51.210 --> 01:13:56.972 Can you think of a good theme for myself and Joe to compose songs on for next week's Song Wars? 01:13:56.992 --> 01:13:57.592 There's a lot to do. 01:13:57.612 --> 01:13:58.912 There's a lot for the listeners to do. 01:13:59.092 --> 01:13:59.512 There is. 01:13:59.532 --> 01:14:00.833 You've got to vote for your favourite song. 01:14:01.093 --> 01:14:02.993 You've got to suggest a theme as well. 01:14:03.273 --> 01:14:04.534 Listen, you don't have to do any of this. 01:14:04.574 --> 01:14:09.195 You can just sit back and relax and make yourself a cocktail, have a bath. 01:14:09.815 --> 01:14:10.296 I don't care. 01:14:10.556 --> 01:14:13.120 But if you want to get involved, I'm just saying this is the option. 01:14:13.220 --> 01:14:14.221 You could suggest a theme. 01:14:14.802 --> 01:14:23.455 But coming up right now on 6 Music here at the BBC, the big British castle, we have the news, which is read to you by Rachel Matthew and Andre Payne. 01:14:23.935 --> 01:14:24.676 The strokes. 01:14:25.017 --> 01:14:26.219 They're so hot right now. 01:14:26.579 --> 01:14:27.979 That was called Someday. 01:14:27.999 --> 01:14:30.340 This is Adam and Joe here on BBC Six Music. 01:14:30.720 --> 01:14:46.264 And now, folks, if you're a regular listener of our shows and you are curious about what the podcast situation was going to be from these programmes, let me tell you now that we haven't exactly nailed down the details, but I can tell you that it won't be a weekly podcast that we're doing from this show. 01:14:46.685 --> 01:14:52.666 You have the option to listen again if you choose to, which means, you know, you can listen to the show whenever you like. 01:14:52.726 --> 01:14:54.427 I think that stays up for a week or two. 01:14:54.687 --> 01:14:55.247 Yeah, one week. 01:14:55.607 --> 01:14:59.549 You just go to the BBC 6 Music website and there you go. 01:15:01.230 --> 01:15:10.675 Or the other option that we're discussing is to do something monthly which will be a sort of selection of highlights from these programmes as well as brand new nuggets. 01:15:11.656 --> 01:15:13.337 Oh, I love new nuggets. 01:15:13.357 --> 01:15:13.877 I love it. 01:15:13.997 --> 01:15:15.158 Delicious new nuggets. 01:15:15.498 --> 01:15:19.682 And that'll be something like a big one-hour bumper podcast that comes out once a month. 01:15:19.762 --> 01:15:20.743 But once- We haven't quite figured out. 01:15:20.783 --> 01:15:21.783 We haven't quite thrashed up. 01:15:21.803 --> 01:15:24.866 I've nailed down the, uh... Yeah, we're talking to worldwide about that. 01:15:24.886 --> 01:15:25.306 That's right. 01:15:25.627 --> 01:15:27.588 Um, yeah, there'll be some meetings next week. 01:15:27.608 --> 01:15:29.790 But once we find out, we'll keep you in the loop. 01:15:29.870 --> 01:15:30.311 Absolutely. 01:15:30.351 --> 01:15:35.515 You can always check what's going on on my website, which is Adam-Buckston.co.uk. 01:15:35.815 --> 01:15:39.118 Or, uh, you can check out the Adam and Jo Six Music website as well. 01:15:39.218 --> 01:15:40.079 What's the address for that? 01:15:40.499 --> 01:15:42.902 Well, you can find it by just going onto the BBC website. 01:15:42.922 --> 01:15:43.262 It's easy. 01:15:43.502 --> 01:15:49.886 Hey, and we're here until noon, and then Liz Kershaw's back, uh, from 12 till 2, uh, which is exciting. 01:15:50.146 --> 01:15:50.867 So she'll be here. 01:15:50.927 --> 01:15:51.587 Stay tuned for that. 01:15:52.188 --> 01:15:57.191 Now, uh, I just, I'm just looking at the Independence, uh, the Information magazine. 01:15:57.211 --> 01:15:58.472 Do you like the information, Joe? 01:15:59.032 --> 01:16:01.934 I have no emotions about the Independence Information magazine. 01:16:01.954 --> 01:16:03.555 Do you like information in general? 01:16:03.716 --> 01:16:04.616 I love information. 01:16:04.636 --> 01:16:05.937 It keeps me informed. 01:16:06.217 --> 01:16:06.838 Yeah. 01:16:06.898 --> 01:16:07.638 That's true. 01:16:07.798 --> 01:16:08.259 Absolutely. 01:16:08.279 --> 01:16:09.099 That's a good point. 01:16:09.119 --> 01:16:13.262 When you work in the city, like I do, it's important to be up to date with information. 01:16:14.122 --> 01:16:17.285 Yeah, you've got the end of the word there. 01:16:18.125 --> 01:16:20.807 Now, they've got like a little film recommendation. 01:16:20.927 --> 01:16:24.209 If you're staying in, they say film's on television, it's helpful. 01:16:24.910 --> 01:16:28.832 And they do a rundown, all the films to watch out for every day of the week here. 01:16:29.373 --> 01:16:33.515 But I'm always slightly upset and baffled by the rating system they employ in these things. 01:16:33.535 --> 01:16:37.618 Now, the Independent use a rating system that I think they stole from Hello! 01:16:37.658 --> 01:16:40.820 magazine involving a lady in... Do they? 01:16:40.840 --> 01:16:42.501 Is it a lady in a chair? 01:16:42.722 --> 01:16:43.422 Is it just stars? 01:16:43.622 --> 01:16:59.976 stars I'm just worried about this my favorite rating system is a silhouette of a lady in a chair and they used to use it in hello do you remember in the 80s if it's a boring film she's slumped in her chair she hates it this is boring and it's like an office the interesting she's set up going hmm 01:17:00.576 --> 01:17:01.117 What is this? 01:17:01.417 --> 01:17:01.637 Yeah. 01:17:02.018 --> 01:17:09.426 If it's really quite good, she's sat forward, I believe, with her chin held in her hand going, and this has drawn me slightly closer to the screen. 01:17:10.146 --> 01:17:12.309 And if she loves it, she's standing up and clapping. 01:17:12.669 --> 01:17:14.951 Hooray for the new series of Prank Suspect! 01:17:16.253 --> 01:17:16.934 That kind of thing. 01:17:17.014 --> 01:17:18.355 But I don't think Hello do it anymore. 01:17:18.415 --> 01:17:21.058 And I think a daily newspaper has stolen it. 01:17:21.378 --> 01:17:22.680 Who is that woman in that chair? 01:17:23.892 --> 01:17:24.773 It's my mum. 01:17:25.273 --> 01:17:25.793 It's your mum? 01:17:25.813 --> 01:17:26.514 It's my mum, yeah. 01:17:26.534 --> 01:17:27.355 She's the model for that one. 01:17:27.375 --> 01:17:28.295 She's got that taste. 01:17:28.315 --> 01:17:30.016 I thought you were going to say something else there for a second. 01:17:30.036 --> 01:17:32.198 She's got golden gold as well. 01:17:32.258 --> 01:17:35.700 Now, so, yeah, the independent, they just use red stars. 01:17:36.060 --> 01:17:45.146 And so, for example, Blue Velvet, which is on at 10.45pm on Sky Movies Indie next Thursday night, that gets five red stars. 01:17:45.447 --> 01:17:45.967 Right, so. 01:17:46.207 --> 01:17:47.388 But rightly so. 01:17:47.468 --> 01:17:55.473 Dead Man's Shoes, Shane Meadows' grimly-crippin' Gorilla Roots drama, which is also on Thursday on Film 4 at 10.50pm. 01:17:55.873 --> 01:17:57.634 That gets four red stars. 01:17:57.794 --> 01:17:58.414 Wrongly so. 01:17:58.474 --> 01:17:59.955 I'd say that also deserves five. 01:17:59.995 --> 01:18:00.856 I would give that five. 01:18:00.936 --> 01:18:01.076 Easily. 01:18:01.176 --> 01:18:02.977 It's not one star worse than Blue Velvet. 01:18:03.217 --> 01:18:20.533 Okay, Sunday, this coming Sunday, tomorrow night, Star Wars, don't know if you've seen this film, Star Wars, directed by George Lucas, it says, the American graffiti director's laser-targeted space opera packs more drive and charm than its CGI stunted prequels. 01:18:20.813 --> 01:18:28.520 The mix of background mythologies with Mark Hamill's game hero, Harrison Ford's space rogue, Alec Guinness's old sage and Carrie Fisher's funny hair, 01:18:28.940 --> 01:18:33.141 provide fairytale fun for young or helplessly nostalgic viewers. 01:18:33.581 --> 01:18:34.441 Three stars. 01:18:34.782 --> 01:18:36.522 Three stars for Star Wars. 01:18:36.542 --> 01:18:38.322 Well, you know what they're doing? 01:18:38.342 --> 01:18:39.903 They're provoking genuine debate. 01:18:39.923 --> 01:18:40.663 Star Wars. 01:18:40.683 --> 01:18:41.443 Star Wars. 01:18:41.463 --> 01:18:45.724 They want people to get angry about their star rating, so they'll have a taste of Star Wars. 01:18:45.784 --> 01:18:52.066 Meanwhile, me, you and everyone we know, and Spellbound, both perfectly reasonable films, they get four stars each. 01:18:52.086 --> 01:18:52.906 Better than Star Wars. 01:18:52.926 --> 01:18:53.926 Better than Star Wars? 01:18:53.946 --> 01:18:54.887 I'm not having that. 01:18:54.987 --> 01:18:55.307 Come on. 01:18:56.007 --> 01:18:56.287 You know? 01:18:56.447 --> 01:18:58.709 And Videodrome, that gets four stars as well. 01:18:59.610 --> 01:19:00.530 Anyway. 01:19:00.570 --> 01:19:02.311 You're just reading from the paper now. 01:19:02.592 --> 01:19:02.872 Yeah. 01:19:03.372 --> 01:19:04.153 That's true, isn't it? 01:19:04.973 --> 01:19:05.233 Now, okay. 01:19:05.253 --> 01:19:05.774 Music time. 01:19:05.814 --> 01:19:06.334 Music time. 01:19:06.534 --> 01:19:12.038 And after this, folks, we are going to announce who has won The Song Wars. 01:19:12.218 --> 01:19:14.039 Okay, that's why I was thinking about Star Wars. 01:19:14.360 --> 01:19:17.522 But before that, here is the new single from the Foo Fighters album. 01:19:18.222 --> 01:19:22.285 Echoes, Patience, Silence, Grace, Arithmetic, Sellotape. 01:19:22.905 --> 01:19:24.827 This is called Long Road to Ruin, and it's a beach! 01:19:26.400 --> 01:19:29.764 Oh dear, horrible. 01:19:29.804 --> 01:19:37.952 The sound is particularly bad mixed in with the end of the Foo Fighters there. 01:19:37.992 --> 01:19:38.453 So disgrace. 01:19:44.999 --> 01:19:46.000 Horrible, horrible stuff. 01:19:46.380 --> 01:19:48.061 We're gonna prove that for next week. 01:19:48.101 --> 01:19:49.562 You'll never have to hear that again. 01:19:49.822 --> 01:19:53.344 Even if it means that we have to rename the feature, do you know what I'm saying? 01:19:53.464 --> 01:19:53.644 Yeah. 01:19:53.984 --> 01:19:57.046 To give it some different jingle action because that is horrible. 01:19:57.186 --> 01:20:01.649 So this is it listeners, this is the end of the first ever inaugural song wars competition. 01:20:02.309 --> 01:20:06.251 If you've just tuned in Adam and Joe, Adam and I have written a song each. 01:20:06.752 --> 01:20:08.293 What a terrible development. 01:20:08.313 --> 01:20:08.833 Very good. 01:20:12.895 --> 01:20:16.796 Yeah, we've written songs anyway, and you've been voting for which one you want to hear. 01:20:17.857 --> 01:20:20.457 And it's been a rollercoaster ride of emotions. 01:20:20.897 --> 01:20:30.580 We decided that next week, because what happened this week, right, folks, is that Will and also Jude told us as we were going along what the scores were, right? 01:20:30.620 --> 01:20:30.800 Yeah. 01:20:30.860 --> 01:20:33.701 And that immediately pitted myself and Joe against each other. 01:20:33.861 --> 01:20:35.182 In a hideous personal way. 01:20:35.222 --> 01:20:37.462 Like a couple of rabid queens. 01:20:40.003 --> 01:21:01.617 Trannies, you know, and so what's gonna happen next week is that we it'll be a total mystery We won't have any idea of who's winning until I just arranged what I said to will next week at the end of the show bring the scores in in a sealed envelope Yeah, yeah love envelopes being opened live Well get seal to bring in the envelope in a seat seal with a sealed envelope. 01:21:01.637 --> 01:21:01.838 Yeah 01:21:02.608 --> 01:21:03.268 That's a good idea. 01:21:03.288 --> 01:21:04.109 Do you think he'll do it? 01:21:04.349 --> 01:21:04.669 Yes. 01:21:05.130 --> 01:21:05.990 He lives in Paris. 01:21:06.030 --> 01:21:08.512 He could sing a kiss from a rose beforehand. 01:21:09.092 --> 01:21:10.854 And then he could announce the winner. 01:21:11.314 --> 01:21:12.335 Let's organise that. 01:21:12.755 --> 01:21:16.197 But for this week, I'm afraid we're without a seal or a sealed envelope. 01:21:16.437 --> 01:21:22.181 So instead, we're just going to have Jude, our sexy producer, say what the scores are. 01:21:22.401 --> 01:21:23.622 But first, here we go. 01:21:23.702 --> 01:21:23.842 Yeah. 01:21:24.603 --> 01:21:25.063 The stab. 01:21:25.363 --> 01:21:28.285 Oh, I'm excited. 01:21:35.121 --> 01:21:35.241 Oh! 01:21:35.582 --> 01:21:40.166 In second place, with 36 votes... Let it be Joe, let it be Joe. 01:21:40.207 --> 01:21:41.027 Please don't let it be Adam. 01:21:41.087 --> 01:21:42.028 It's Adam. 01:21:42.148 --> 01:21:42.569 Oh no! 01:21:43.109 --> 01:21:45.152 Well I'm a member of the Four Foot Club. 01:21:45.232 --> 01:21:47.854 I always have a lot of trouble getting sucked into the pub. 01:21:47.914 --> 01:21:50.557 I got a job keyin' to turn the nucleus up. 01:21:50.617 --> 01:21:52.799 Cause I'm the only one that fits inside. 01:21:53.380 --> 01:21:53.800 Oh yeah! 01:21:54.081 --> 01:21:56.043 I made this fall, but my dreams are lost. 01:21:56.283 --> 01:21:58.225 And people feelin' that I'm sweeter than your tips. 01:21:58.565 --> 01:21:58.745 Yeah? 01:21:58.826 --> 01:22:00.647 I might be small but my dreams are large! 01:22:00.687 --> 01:22:01.528 Yes! 01:22:16.583 --> 01:22:17.464 You should have one man. 01:22:17.524 --> 01:22:18.164 That was good. 01:22:18.725 --> 01:22:19.505 You was rough. 01:22:19.685 --> 01:22:20.506 That was really good. 01:22:20.526 --> 01:22:23.868 Oh, yeah, well so dense and it was too dense That's the thing. 01:22:23.888 --> 01:22:29.432 I think that might have been the problem because mine's a bit sparser than that exactly I've got it next time I'm gonna go spa. 01:22:29.472 --> 01:22:33.395 Yeah, because I don't know but there you go That was that was the losing one. 01:22:33.735 --> 01:22:35.897 So short people have lost generally. 01:22:35.917 --> 01:22:36.357 I know 01:22:36.797 --> 01:22:39.681 It was really good. 01:22:39.921 --> 01:22:40.982 You know what I think we should do? 01:22:41.943 --> 01:22:42.704 Is release an album. 01:22:42.924 --> 01:22:43.845 We should release an album. 01:22:43.865 --> 01:22:46.388 If we do this for... How many tracks do you need for an album? 01:22:46.949 --> 01:22:47.369 Three? 01:22:48.551 --> 01:22:49.031 No, come on. 01:22:49.251 --> 01:22:50.753 For a Norman album. 01:22:51.013 --> 01:22:53.236 It used to be like 14, didn't it? 01:22:53.336 --> 01:22:53.396 Or 12. 01:22:53.957 --> 01:22:55.098 Our tracks are going to be a lot shorter. 01:22:55.118 --> 01:22:56.139 They're going to be about one minute. 01:22:56.159 --> 01:22:57.120 The Ramones used to... 01:22:58.281 --> 01:22:59.282 do very short songs. 01:22:59.303 --> 01:23:04.068 Some of their songs were like, their first album was 14 tracks and 28 minutes. 01:23:04.108 --> 01:23:06.110 After 10 weeks, we'll have 20 songs. 01:23:06.391 --> 01:23:07.632 Yes, enough for an album, isn't it? 01:23:07.692 --> 01:23:08.693 It is enough for an album, yeah. 01:23:08.713 --> 01:23:09.114 20 songs. 01:23:09.154 --> 01:23:09.935 We're gonna be rich. 01:23:10.555 --> 01:23:10.876 Well... 01:23:13.038 --> 01:23:13.678 I'm not so sure. 01:23:13.878 --> 01:23:15.659 So here's the winning song with how many votes? 01:23:17.200 --> 01:23:15.659 55. 01:23:17.220 --> 01:23:19.901 55. 01:23:17.260 --> 01:23:19.901 You have to have the ignomineer Adam of introducing my song. 01:23:20.841 --> 01:23:22.282 That's your punishment. 01:23:22.582 --> 01:23:24.903 And what's more, you've got to sound really excited about it. 01:23:24.963 --> 01:23:25.303 All right. 01:23:25.763 --> 01:23:29.765 I am excited, you know, because this is a brilliant track by one of my favorite artists. 01:23:29.785 --> 01:23:30.666 Hey, hey, hey, come on. 01:23:30.726 --> 01:23:32.346 That doesn't sound as if you mean it. 01:23:32.486 --> 01:23:33.487 I'm very upset. 01:23:34.467 --> 01:23:38.529 Here's DJ nippy nips yay with a track called what's it called? 01:23:38.569 --> 01:23:40.929 It's called tall tall ta double album. 01:23:40.969 --> 01:23:41.890 Do you know what it stands for? 01:23:42.230 --> 01:23:49.673 Yeah, but I've forgotten The tallies are Laughing long maybe something like that. 01:23:49.813 --> 01:23:50.753 Anyway DJ nippy nips. 01:23:50.773 --> 01:23:53.234 Here's the winning track This is Joe Cornish with his song 01:23:55.618 --> 01:24:19.151 I'm six foot three and a half, you know, that's the heart I go, and my name is Cho Two tall, two fit in a photograph, or a standard bath, I'm a man giraffe, damn airplane seats are too small for me, I get DVT in economy, change like Bob without a chair at all, in the Albert Hall, I'm a sender ball, hit my head a whole lot more than y'all, I'm a human wall, I've got far too full, 01:24:19.551 --> 01:24:21.612 Do I look like Robert Duval at all? 01:24:21.832 --> 01:24:43.301 Cos I'm tally tall, I'm not smally small My clothing has more material, I'm imperial Cos I'm really tall, my clothes friends tend to be rather small I don't mind at all, it's acceptable So sing this song if you're six foot one Or Jeff Godblum, or Dolph Lundgren I'm six foot three and a half, you know That's the height I go, and my name is Joe 01:24:44.278 --> 01:24:44.839 Yeah. 01:24:45.099 --> 01:24:45.480 Yeah. 01:24:46.521 --> 01:24:49.045 I mean, can I just say a couple of things though? 01:24:49.425 --> 01:24:49.946 Middle eight? 01:24:50.146 --> 01:24:50.907 Question mark? 01:24:51.127 --> 01:24:51.588 Chorus? 01:24:51.768 --> 01:24:52.569 Question mark? 01:24:53.270 --> 01:24:54.011 Where were they? 01:24:54.031 --> 01:24:55.694 You have the past, Grandad. 01:24:56.575 --> 01:24:58.357 Kids don't want that sort of thing anymore. 01:24:58.397 --> 01:25:00.720 They just want hardcore lyrics and a 01:25:01.321 --> 01:25:17.028 Mac in the club in the space of 45 seconds had our first verse a chorus but come on that was just an outro coda section I assembled that song from elements of on garage band listen that the lyrics were good there but 01:25:18.533 --> 01:25:19.134 Well, there you go. 01:25:19.714 --> 01:25:19.954 What? 01:25:20.395 --> 01:25:25.220 Yeah, don't forget to text in your suggestions for themes for next week's Song Wars. 01:25:25.860 --> 01:25:29.544 In fact, don't text them, listeners, because the text doesn't function when we're off air. 01:25:29.864 --> 01:25:31.506 It does, but just for other DJs. 01:25:32.327 --> 01:25:39.454 Email us at our special email address, Adamandjo.6music at bbc.co.uk, with suggestions for next week's theme. 01:25:39.554 --> 01:25:45.140 And we should stress that there's a possibility we may not use one of your suggestions and just go with one of our own. 01:25:45.400 --> 01:25:49.905 Listen, we don't want like a whole cookie sock blue piece of situation happening. 01:25:49.945 --> 01:25:50.165 No. 01:25:50.305 --> 01:25:53.429 OK, so I just want to lay it out for you just so we're all clear. 01:25:53.789 --> 01:25:56.692 But we will value your suggestions and already we've got a few good ones in. 01:25:57.253 --> 01:26:00.216 I'm thinking public transport is a very good suggestion. 01:26:00.356 --> 01:26:01.377 It's a very good one. 01:26:01.597 --> 01:26:02.198 Who was it from? 01:26:02.538 --> 01:26:04.440 It's a very good person. 01:26:05.020 --> 01:26:05.961 Thank you person. 01:26:06.281 --> 01:26:09.163 Now it's time for a trail and no it's not. 01:26:09.524 --> 01:26:14.348 Oh I'm looking at the wrong box and funnily enough this next track is called the box by Johnny Flynn. 01:26:15.028 --> 01:26:21.854 That's just a guy that was playing outside the tube as I came into work today using a biscuit tin as a drum. 01:26:22.234 --> 01:26:24.276 We thought he was good so we stuck him on there. 01:26:24.756 --> 01:26:25.356 Not really. 01:26:25.616 --> 01:26:26.057 Not really. 01:26:26.077 --> 01:26:29.998 It was Johnny Flynn with the Sussex Whit with the track called The Box. 01:26:30.038 --> 01:26:34.820 He's actually going to be playing on Stephen Merchant's show next weekend, not tomorrow. 01:26:35.000 --> 01:26:35.861 Yeah, next Sunday. 01:26:35.921 --> 01:26:37.001 Sunday week, in fact. 01:26:37.081 --> 01:26:37.882 Yeah, that was good. 01:26:37.902 --> 01:26:42.524 And it reminded me a little bit of a band called The Ralph Band, who fans of the Mighty Boosh would be familiar with. 01:26:42.564 --> 01:26:42.964 They often 01:26:43.544 --> 01:26:46.186 pop up in the Boosh's shows and play live at some of their gigs. 01:26:46.606 --> 01:26:48.547 Check out the Ralph Band, that's my suggestion. 01:26:48.727 --> 01:26:50.889 Hey, and if... Sorry to interrupt you there, Adam. 01:26:50.929 --> 01:26:51.229 Go ahead. 01:26:51.249 --> 01:26:52.390 I do apologise. 01:26:52.550 --> 01:27:07.520 If you liked either of our songs, what we played a moment ago, then they will be available to listen to on the BBC 6 Music, Stroke, Adam and Jo website until next week, when, if we get round to it, there'll be two new songs. 01:27:08.220 --> 01:27:12.865 Thing is, man, if they're available on the website, people are gonna just keep them and then they won't buy the album. 01:27:14.187 --> 01:27:19.833 Maybe we're gonna have to put some kind of DRM, you know, some kind of thing where they wipe themselves or something. 01:27:19.954 --> 01:27:22.577 Right, or emit a very high-pitched squeal. 01:27:22.597 --> 01:27:23.878 They've been painful to listen to. 01:27:24.098 --> 01:27:24.499 Exactly. 01:27:26.301 --> 01:27:28.904 They've got like inbuilt, what's it called? 01:27:29.244 --> 01:27:33.186 You know, you know, I'm talking about a run out of words because it's the end of the show. 01:27:33.266 --> 01:27:35.047 Yeah, Liz Kershaw coming up next. 01:27:35.348 --> 01:27:39.670 Hey, thanks a lot to everybody who's texted an email here on our first show. 01:27:39.710 --> 01:27:45.053 We'll be back at the same time next week, Saturday morning, 9am till noon till noon. 01:27:45.073 --> 01:27:46.054 We're delighted to be here. 01:27:46.094 --> 01:27:46.594 Thanks a lot. 01:27:46.774 --> 01:27:48.135 And have a wonderful week. 01:27:48.335 --> 01:27:48.635 Yeah. 01:27:48.955 --> 01:27:49.255 Cheerio. 01:27:49.275 --> 01:27:49.376 Bye. 01:27:49.396 --> 01:27:49.496 Bye.