WEBVTT 00:00.129 --> 00:00.830 Yeah, come on. 00:01.230 --> 00:01.590 Come on. 00:01.890 --> 00:03.271 Alright then, I'm on. 00:03.471 --> 00:04.152 Yeah, good. 00:04.372 --> 00:07.854 That was Spudy Holly by the band, the rock band. 00:07.874 --> 00:09.175 I forgot what they're called. 00:09.315 --> 00:09.916 Weezer. 00:10.016 --> 00:10.456 There you go. 00:10.476 --> 00:12.317 This is Adam and Joe on BBC Six Music. 00:12.357 --> 00:15.459 Welcome to our brand new Saturday morning show. 00:15.499 --> 00:18.842 Can you believe that they've led us back to do a Saturday morning show? 00:19.142 --> 00:20.623 Into the big British castle. 00:20.703 --> 00:28.088 We're very honoured and we're privileged to serve you listeners with piping hot early morning Saturday musical cakes. 00:28.368 --> 00:31.490 We'll be here for the next 42 weeks. 00:31.510 --> 00:31.910 42,000 weeks. 00:32.611 --> 00:34.812 What does it say on that contract? 00:35.273 --> 00:36.193 It said a year. 00:36.574 --> 00:38.475 A year for a penny a minute. 00:38.675 --> 00:40.236 At least a year for a penny a minute. 00:40.656 --> 00:42.297 And the same thing goes wrong. 00:42.497 --> 00:46.100 You know, because it's easy to put a foot wrong in the big British castle these days. 00:46.480 --> 00:48.580 Remember listeners, we're paid almost nothing. 00:48.941 --> 00:51.761 So don't get angry on any kind of, you know, licensed fee level. 00:51.821 --> 00:53.401 No, this is like a charity we're doing here. 00:53.421 --> 00:54.582 We take the tube into work. 00:54.842 --> 00:56.762 They wouldn't even send a little car. 00:57.002 --> 00:58.122 You can't believe that, can you? 00:58.482 --> 01:01.363 I had to get the tube into work with a man who was sneezing. 01:01.383 --> 01:03.844 I'm a member of the public with public disease. 01:03.904 --> 01:06.064 Why do you like having cars sent for you? 01:06.084 --> 01:07.364 Because it makes me feel special. 01:07.524 --> 01:08.745 Makes you feel important, doesn't it? 01:08.845 --> 01:10.265 And now I just feel normal. 01:11.584 --> 01:12.825 Get used to it, it's the radio. 01:13.005 --> 01:17.367 Anyway, we've got loads of great music coming up for you in the next three hours, is it? 01:17.707 --> 01:17.847 Yeah. 01:17.907 --> 01:22.670 Yeah, and we should say thank you very much to Jen Bristow for taking control over the early morning slot. 01:22.970 --> 01:27.432 Having said that, she has left the studio like a pigsty. 01:27.492 --> 01:28.593 Oh, come on, it's not that bad. 01:28.613 --> 01:31.034 There's some little bits of paper on the floor. 01:31.054 --> 01:31.935 I've cleaned those up. 01:32.235 --> 01:37.698 There's still the detritus, the breakfast detritus over there in the corner, though, the brown flakes in there. 01:37.778 --> 01:39.679 Is that a new type of cereal, detritus? 01:40.459 --> 01:41.179 Yeah, it's delicious. 01:41.219 --> 01:41.759 It's delicious. 01:42.160 --> 01:42.840 It's really nice. 01:42.860 --> 01:47.021 It's just all the bits that sort of go to the bottom in the cereal factory. 01:47.041 --> 01:48.421 Did you watch QI last night? 01:48.682 --> 01:48.862 No. 01:48.942 --> 01:51.142 They had a little thing about what constitutes dust. 01:51.682 --> 01:54.723 And you know, there's a popular misconception that it's mainly skin. 01:55.143 --> 01:55.404 Really? 01:55.464 --> 01:55.944 Incorrect. 01:56.804 --> 01:59.205 Skin makes up a very small portion. 01:59.365 --> 02:00.605 I've got a story about dust. 02:00.665 --> 02:01.105 Of dust? 02:02.066 --> 02:03.746 How about for the first link of a brand new show? 02:03.906 --> 02:07.827 Before my story about dust, here's some music from Calvin Harris. 02:08.127 --> 02:09.968 This is called Colors. 02:20.816 --> 02:31.724 This is the new cycling safety song there from Calvin Harris encouraging you to wear bright colours if you cycle at night now that the evenings are drawing in. 02:31.824 --> 02:32.765 What are you talking about? 02:33.105 --> 02:35.327 I'm telling the listeners what that song's about. 02:35.547 --> 02:35.808 Right. 02:36.628 --> 02:37.568 Cycle proficiency. 02:37.608 --> 02:38.649 Yeah, Calvin Harris. 02:38.689 --> 02:40.770 Yeah, he's his diction there. 02:40.810 --> 02:42.130 You know, he's very slovenly. 02:42.190 --> 02:43.311 He didn't say much did he? 02:43.551 --> 02:48.052 Yeah It just sounds a little grumpy Apparently he is a little bit grumpy. 02:48.232 --> 02:48.533 Really? 02:48.573 --> 03:00.637 Yeah Well, was are you saying that because he was here in the six music while we were doing he came in once for sure Apparently and he left a trail of grumpiness like a little mmm He was slightly on corporate jetway. 03:00.977 --> 03:01.838 What's the word? 03:01.878 --> 03:02.858 I'm looking for wake. 03:02.878 --> 03:02.918 Oh 03:03.294 --> 03:04.354 Like a grumpy wake. 03:04.875 --> 03:05.675 A disco wake. 03:06.275 --> 03:06.575 Yeah. 03:06.655 --> 03:07.176 Well, there we go. 03:07.196 --> 03:08.036 There's his new single. 03:08.056 --> 03:08.756 It's called Colours. 03:09.016 --> 03:13.278 And I'm pleased to say, unlike the... Is it late 80s or early 90s? 03:13.758 --> 03:15.199 That hip-hop film called Colours. 03:15.219 --> 03:15.879 With Dennis Hopper. 03:15.899 --> 03:16.599 With Dennis Hopper. 03:16.639 --> 03:17.000 Colours. 03:17.340 --> 03:17.720 Colours. 03:17.800 --> 03:18.580 Colours. 03:18.940 --> 03:19.841 That's how the song went. 03:20.081 --> 03:20.401 Colours. 03:20.441 --> 03:20.761 Colours. 03:20.801 --> 03:21.161 Colours. 03:21.621 --> 03:21.821 Yeah. 03:22.062 --> 03:23.402 Dennis Hopper and Sean Penn, wasn't it? 03:23.462 --> 03:24.222 It was quite a good film. 03:24.322 --> 03:24.963 It was a good film. 03:25.063 --> 03:27.184 Unlike that film, it's spelt with a U. Yeah. 03:27.344 --> 03:27.504 Yeah. 03:27.664 --> 03:29.304 It's the proper British spelling. 03:29.424 --> 03:29.985 That's right. 03:30.005 --> 03:30.565 Well done, Harris. 03:30.825 --> 03:32.086 Well done, Harris. 03:33.147 --> 03:37.650 Can I just get something off my chest before we hear your story about dust, which I very much want to hear? 03:39.792 --> 03:41.113 How do you spell realized? 03:41.333 --> 03:42.814 Do you spell it with an S or a Z? 03:42.834 --> 03:46.657 S. It's an S in the UK, but it's a Z in America. 03:46.737 --> 03:49.760 They like to use Z, so on your spell check, on your computer. 03:50.220 --> 03:53.843 Yeah, on Microsoft Word and other American programs. 03:53.963 --> 03:55.163 It will highlight those S's. 03:55.303 --> 03:56.945 But I'm sure I go into a dessert. 03:57.365 --> 04:04.269 I go into preferences of most of my applications and tell them that it's an English spelling set that I require. 04:04.330 --> 04:09.193 And still, I'm told every time I write the word realise that I'm incorrectly spelling. 04:09.213 --> 04:11.354 Well, maybe listeners can help us with that kind of thing. 04:11.594 --> 04:14.316 You can text us Adamandjo.6 What? 04:14.496 --> 04:14.776 Yeah. 04:14.957 --> 04:15.497 Is that really? 04:15.537 --> 04:16.017 What is that? 04:16.077 --> 04:16.998 Is this all part of the address? 04:20.701 --> 04:26.405 Adamandjo.6musicatbbc.co.uk Now, complicatedly, there is a capital A of the and. 04:26.606 --> 04:27.446 Don't have to worry about it. 04:28.567 --> 04:30.269 It's not case sensitive. 04:30.869 --> 04:38.896 Okay, so it's Adamandjo.6musicatbbc.co.uk Now, the clocks are going back tonight, which means it's officially autumn. 04:39.496 --> 04:44.321 And to celebrate that, I've chosen a special track from haircut 100's album Pelican West. 04:44.561 --> 04:45.702 That's a peach of an album. 04:46.183 --> 04:46.983 It's an old album. 04:47.003 --> 04:49.746 Younger listeners might not know of it, but it's very good. 04:49.786 --> 04:54.691 We always go on about this album every time we're on the radio, because it's a smash, and it bears up very well. 04:54.831 --> 04:56.853 Yeah, his calling Captain Autumn. 04:56.893 --> 04:58.634 Dust Story coming up by haircut 100. 05:10.859 --> 05:39.436 haircut 100 with uh calling captain autumn that's more jazz and funky than i remember it yeah it's slightly i love that song it's slightly pathetic isn't it yeah because it conjures up an image of a superhero called captain autumn and if that isn't bad enough it also conjures up the image of like a gang of uh grown-up men who need to call him in well the superhero captain autumn is nick hayward and he wears his uniform he always wears cricket whites though it's a big 05:39.816 --> 05:44.679 a woolly jumper and it's tucked into his corduroys, his high-waisted trousers. 05:44.919 --> 05:46.260 That's Captain Orton. 05:46.860 --> 05:50.162 And he just runs around and goes... It's true and by going... he makes leaves appear. 05:56.286 --> 05:58.548 And he makes autumn arrive on all the trees. 05:58.588 --> 06:00.390 Why are we calling that song pathetic? 06:00.450 --> 06:00.830 It's brilliant. 06:00.850 --> 06:01.270 It's brilliant. 06:01.651 --> 06:07.156 And so if a baddie comes along, he will command the leaves to swarm over the guy. 06:07.196 --> 06:08.897 Has that even... Like in Brazil? 06:08.917 --> 06:10.278 They've got some dog plops in them. 06:10.298 --> 06:15.623 Do you remember the scene in Brazil where that bloke is covered by bits of paper, by red tape? 06:15.863 --> 06:16.304 That's right. 06:17.024 --> 06:18.845 and he could do a similar thing with leaves. 06:19.205 --> 06:20.546 Tell us your dust story. 06:20.786 --> 06:22.047 My dust story very quickly. 06:22.347 --> 06:26.830 Adam was talking about QI that was on last night and they were discussing what dust actually is. 06:27.510 --> 06:37.015 My story was a letter in the 14 times where somebody was, you know the 14 times like a paranormal magazine, people who are into the paranormal are obsessed with orbs in photos. 06:37.475 --> 06:40.197 Take a digital photo, you'll see a little weird orb on it. 06:40.857 --> 06:42.298 Paranormal people think they're ghosts. 06:42.798 --> 06:45.620 The rest of us understand that it's like reflecting off dust. 06:46.385 --> 06:47.205 Yeah, or the lens. 06:47.386 --> 06:50.527 Fourteen times tried to make this clear to one of its readers. 06:51.388 --> 06:53.509 You know, they're not ghosts, it's just dust. 06:54.349 --> 06:57.311 The reader's reply to that was, yes, but what is dust? 06:58.991 --> 07:01.453 The reader was suggesting dust is actually ghosts. 07:03.083 --> 07:04.924 Did you mention that on QI last night? 07:04.944 --> 07:05.805 Well, they're very stupid. 07:05.825 --> 07:08.567 This is Adam and Jo on BBC6 Music. 07:08.587 --> 07:10.548 This is our new Saturday morning show. 07:11.048 --> 07:12.449 We're what? 07:12.469 --> 07:12.969 17 minutes in? 07:13.230 --> 07:14.751 It's going okay, isn't it, so far? 07:14.911 --> 07:15.611 It's going very well. 07:15.631 --> 07:16.312 We've got an award. 07:16.672 --> 07:17.052 Have we? 07:17.152 --> 07:17.432 Yeah. 07:17.733 --> 07:18.053 Wow. 07:18.213 --> 07:19.153 What sort of award? 07:19.234 --> 07:19.654 It's a BAFTA. 07:19.674 --> 07:20.975 Cycling Proficiency Award. 07:21.055 --> 07:21.755 No, it's a BAFTA. 07:21.915 --> 07:22.396 Oh, really? 07:22.456 --> 07:24.817 Yeah, for the best first 17 minutes. 07:25.037 --> 07:25.998 It's a new award. 07:26.098 --> 07:27.279 I heard it was for best film. 07:27.819 --> 07:28.139 Is it? 07:28.220 --> 07:28.520 Yeah. 07:29.060 --> 07:29.821 I didn't realise. 07:29.841 --> 07:30.962 Yet it's for best film. 07:31.083 --> 07:31.883 Isn't that exciting? 07:31.923 --> 07:32.444 Come on, BAFTA. 07:32.564 --> 07:34.846 Listen, if you want to text us, you can text us on 64046. 07:35.067 --> 07:47.440 If there's anything you hear that makes you think a thought, you know, you can text that thought to us or you can email us adamandjo.6musicatbbc.co.uk. 07:47.540 --> 07:49.041 Now, later on in the show, 07:49.962 --> 07:51.864 We have a couple of exciting features. 07:52.164 --> 07:53.765 Look at my exciting features! 07:54.806 --> 07:56.828 First of them is called Text the Nation. 07:56.948 --> 08:01.251 That's something we did a while back when we were depping for Sean Keveny. 08:01.271 --> 08:02.912 That's what we call it here on the radio, filling in. 08:02.932 --> 08:04.334 It's Britain's favourite feature. 08:04.714 --> 08:05.214 That's right. 08:05.875 --> 08:06.495 Text the Nation. 08:06.535 --> 08:07.396 Britain's favourite feature. 08:07.416 --> 08:08.036 It has a jingle. 08:08.057 --> 08:09.277 It's the people's feature. 08:10.498 --> 08:12.200 And we're going to be playing that a bit later on. 08:12.580 --> 08:13.641 But I say playing that. 08:14.362 --> 08:16.464 That's really picking it up much too much, isn't it? 08:16.924 --> 08:20.467 But then later on, something that we really will be playing because we need your help. 08:20.527 --> 08:22.189 Well, we need your help for Texanation as well. 08:22.229 --> 08:25.211 But we are going to be playing Song Wars. 08:25.732 --> 08:27.193 Yeah, we're going to have a competition. 08:27.233 --> 08:28.755 Me and Adam basically have composed 08:29.315 --> 08:30.736 a new song each. 08:30.756 --> 08:32.218 A brand new piece of song. 08:32.318 --> 08:33.939 We haven't heard one another's songs. 08:34.319 --> 08:36.081 Both the songs are themed. 08:36.241 --> 08:36.741 That's right. 08:36.942 --> 08:38.223 We'll tell you the theme a bit later. 08:38.503 --> 08:43.127 We're going to need you to text in an email in and vote for which song you want to hear played. 08:43.347 --> 08:44.488 The feature's called Song Wars. 08:44.768 --> 08:49.793 It's a bit like Star Wars, only with songs instead of the stars. 08:50.133 --> 08:50.573 Exactly. 08:50.613 --> 08:54.677 And instead of the Rebel Alliance and the Evil Empire, it's like two songs. 08:55.077 --> 08:55.617 Yeah. 08:55.698 --> 08:57.179 And none of us are really evil. 08:57.199 --> 08:58.820 That would be going too far with me. 08:58.860 --> 08:59.540 I think you're evil. 08:59.941 --> 09:00.261 Really? 09:00.281 --> 09:01.222 You're a little bit evil. 09:01.542 --> 09:01.842 Yeah. 09:02.322 --> 09:03.063 Maybe you're right. 09:03.103 --> 09:03.343 Yeah. 09:03.864 --> 09:04.444 Not badly. 09:04.524 --> 09:05.605 Not like horribly evil. 09:05.625 --> 09:06.325 Just a little bit. 09:07.106 --> 09:07.706 Now, cheeky. 09:07.827 --> 09:08.927 Shall we play some music? 09:09.248 --> 09:09.908 Is that what you mean? 09:10.128 --> 09:11.209 A little bit cheeky. 09:11.629 --> 09:12.210 A trail? 09:12.710 --> 09:13.631 What's in the trail? 09:14.752 --> 09:16.873 This is Jude speaking here in the background. 09:16.953 --> 09:18.314 Let's have a telly trail. 09:18.334 --> 09:18.855 Fantastic. 09:25.697 --> 09:26.738 That's good, isn't it? 09:26.878 --> 09:28.119 I've never heard that before. 09:28.379 --> 09:30.841 The wedding present, that's a big gap in my musical knowledge. 09:30.861 --> 09:32.202 I've never actually heard that before. 09:32.322 --> 09:33.563 I've never heard that before. 09:33.583 --> 09:35.565 Actually, I've never heard that before. 09:35.665 --> 09:37.766 Ashley, I've never heard that before. 09:38.007 --> 09:40.689 Actually, Ashley, I've never heard that before. 09:42.229 --> 09:43.370 What's the wedding present? 09:44.230 --> 09:45.371 With a song called Kennedy. 09:45.871 --> 09:47.451 Now what sort of Kennedy would that be? 09:47.471 --> 09:48.892 Is that a song about Sarah Kennedy? 09:49.372 --> 09:54.554 Or is it a song about Kennedy the MTV VJ who was popular in America in the 80s? 09:54.774 --> 09:58.836 Or is it a song about Kennedy's the Australian chocolate snack? 09:59.536 --> 10:05.418 Or is it a song about John F Kennedy, the president of Birmingham? 10:05.698 --> 10:08.259 No, of, well, President Birmingham, that's correct. 10:08.519 --> 10:10.739 This is Adam and Jo, this is BBC Six Music. 10:11.439 --> 10:16.501 This is our brand new Saturday morning show and it's time to launch the first of our important features. 10:16.601 --> 10:19.641 The nation's favourite feature, it's Text-a-nation. 10:21.802 --> 10:24.603 Text-a-nation, text, text, text, text-a-nation. 10:24.643 --> 10:25.643 What if I don't want to? 10:25.863 --> 10:26.583 Text-a-nation. 10:26.603 --> 10:28.584 But I'm using email, is that a problem? 10:28.624 --> 10:29.424 It doesn't matter, text! 10:31.926 --> 10:32.686 So there you go, that's all. 10:32.706 --> 10:33.427 Was that loud enough? 10:33.607 --> 10:36.648 All you need to know was contained in the body of the jingle there. 10:36.668 --> 10:37.948 That jingle must be played loud. 10:38.349 --> 10:39.169 Text the nation. 10:39.189 --> 10:41.830 Yeah, I think it was, but next time keep an eye on that picture. 10:41.950 --> 10:42.930 Text, text, text. 10:43.111 --> 10:43.531 Thanks a lot. 10:43.591 --> 10:44.611 Can you shut up? 10:45.151 --> 10:45.832 What are you doing? 10:46.392 --> 10:49.533 Just taking control of the technological side of this show. 10:49.553 --> 10:50.774 Do it in your own time. 10:50.894 --> 10:51.734 Sorry mate, keep going. 10:52.094 --> 10:59.740 Uh, so what we want you to do, folks, is text us, or, as it was made clear in the jingle, email us, or you could send a telegram or a written letter. 10:59.980 --> 11:01.161 But not just about anything. 11:01.501 --> 11:01.701 No. 11:01.901 --> 11:02.081 No. 11:02.381 --> 11:03.362 It's about a subject. 11:03.542 --> 11:04.883 A very specific subject. 11:05.003 --> 11:12.488 And this morning's text-the-nation subject is, uh, altercations with shopkeepers that have got out of hand. 11:12.789 --> 11:13.129 Right. 11:13.429 --> 11:13.669 Right? 11:14.090 --> 11:15.631 You know what I'm talking about, don't you, Adam? 11:15.711 --> 11:18.873 Man, my whole life is an altercation with a shopkeeper that's got out of hand. 11:18.993 --> 11:25.158 Adam and I are always in shops holding something broken, trying to stand up for our rights. 11:25.618 --> 11:26.739 Listeners, does that happen to you? 11:26.979 --> 11:34.846 Have you been into a shop and had a kind of confrontation with the shopkeeper over something the shop sold you or, you know, some kind of transaction that's gone wrong? 11:35.226 --> 11:38.689 And has that conversation spiralled out of control? 11:39.049 --> 11:41.111 It doesn't even have to be like something you've bought from them. 11:41.191 --> 11:43.092 A lot of times I haven't bought anything. 11:43.513 --> 11:48.677 I'm just at the I'm interested in buying something stage and suddenly it all gets away from me. 11:48.917 --> 11:57.086 It doesn't take very long, only a minute or something, it most often happens in the technical zone, in Tottenham Court Road, you know what I mean? 11:57.106 --> 12:03.033 Because those guys, it's like a kind of bargaining market there, and there's a sort of weird... 12:03.994 --> 12:09.017 blurry line about like, is the price fixed or can you haggle for it or what? 12:09.097 --> 12:11.879 So you're never quite sure what's what the rules are. 12:12.139 --> 12:16.622 Right after a song in the news, we're going to tell you our best altercations with shopkeepers. 12:16.702 --> 12:23.987 But if you've got one, do text in 64046 or email Adam and Joe dot six music at BBC dot co dot UK. 12:24.367 --> 12:26.468 But right now, it's music time. 12:26.949 --> 12:29.210 Yeah, oh, this is a this is a song. 12:29.890 --> 12:30.751 I thought it was a different one. 12:30.931 --> 12:31.592 But it's Estelle. 12:32.492 --> 12:33.093 Oh, it's not! 12:33.413 --> 12:34.434 No, it is a song! 12:34.794 --> 12:35.495 It's Minktaville. 12:35.695 --> 12:36.455 I chose this one. 12:36.495 --> 12:37.116 It's good, man. 12:37.156 --> 12:37.736 Spanish stroll. 12:37.776 --> 12:38.177 Check it! 12:38.357 --> 12:39.818 What if I don't want to? 12:39.838 --> 12:41.119 But I'm using email. 12:41.279 --> 12:42.700 Is that a problem? 12:50.558 --> 13:11.532 there you go the nation's favorite feature before that you heard the dandy warhols with the second of their only two memorable tracks which is uh what was that one called get off get off it was good though wasn't it as good as bohemian like you and considerably better than all the rest of their songs not as good as prince's get off though no no that's true that's true but anyway text the nation 13:11.952 --> 13:16.235 Yeah, Text the Nation is the people's competition, right? 13:16.595 --> 13:20.478 Here on Adam and Jo's radio show on BBC6 Music. 13:21.118 --> 13:26.642 We'd like you to text in or email in on the subject of altercations you've had with shopkeepers in shops. 13:26.942 --> 13:27.202 Yeah. 13:27.382 --> 13:28.163 Okay, so here's mine. 13:28.403 --> 13:28.623 Go on. 13:28.683 --> 13:30.344 And it happened in the Tottenham Court Road this week. 13:30.584 --> 13:31.065 This week? 13:31.205 --> 13:32.185 I was in a bad mood. 13:32.566 --> 13:34.547 I bought a new phone recharger. 13:35.007 --> 13:39.571 That made me angry already, because phone rechargers are like electric toothbrush heads. 13:39.991 --> 13:43.995 They gratuitously design them differently for each model, so you have to buy a new one. 13:44.095 --> 13:45.096 What was wrong with your old one? 13:45.136 --> 13:45.656 Misplaced it? 13:45.996 --> 13:46.297 Blew up. 13:46.557 --> 13:46.897 Blew up. 13:47.418 --> 13:52.382 So I took it into the shop in Tottenham Court Road, and I was not gonna... I was getting it exchanged. 13:52.442 --> 13:53.703 I wasn't gonna stand for anything else. 13:53.763 --> 13:54.023 No. 13:54.303 --> 13:54.924 It had broken. 13:55.004 --> 13:56.365 They'd sold me a chunky charger. 13:56.745 --> 13:57.886 I was having it exchanged. 13:58.347 --> 14:00.849 I'm gonna do the shopkeeper's accents in French. 14:01.389 --> 14:05.593 even though they weren't French, but it just might be, you know, more acceptable if I do them in French. 14:06.354 --> 14:13.880 So I said, look here, this charge is broken, I bought it, I had the receipt, I bought it a couple of weeks ago, swap it for a new one, please. 14:15.681 --> 14:16.422 Said the shopkeeper. 14:17.663 --> 14:18.463 I said, why not? 14:18.523 --> 14:19.244 I've got the receipt. 14:19.664 --> 14:20.925 You sold it to me, it's broken. 14:20.945 --> 14:22.205 I want a new one. 14:22.665 --> 14:23.906 Because it is a charger. 14:24.426 --> 14:27.407 You might have plugged it into a plug with the wrong voltage. 14:28.188 --> 14:29.228 Says the shopkeeper. 14:29.989 --> 14:32.710 I'm like, well, yeah, but no, I didn't. 14:33.510 --> 14:34.170 I didn't do that. 14:34.270 --> 14:35.551 I used the correct voltage. 14:36.051 --> 14:36.651 It blew up. 14:37.191 --> 14:37.771 Uh, surely. 14:38.131 --> 14:40.532 And at that point I invoked the sales act. 14:41.052 --> 14:41.972 Do you ever go that now? 14:42.732 --> 14:44.713 I don't know what the sales act is. 14:45.013 --> 14:45.713 Is there a sales act? 14:45.733 --> 14:47.274 Does anyone else do this out there, listeners? 14:47.314 --> 14:50.574 Have you ever invoked the sales act without knowing what it is? 14:50.594 --> 14:51.935 Start talking about your consumer rights. 14:52.015 --> 14:54.896 I said, now look, now look here, chum. 14:55.116 --> 14:56.116 The sales act. 14:57.097 --> 14:59.761 What you're trying to do is against the Sales of Goods Act. 14:59.921 --> 15:01.543 Sales of Goods Act. 15:01.563 --> 15:04.628 At which point I'm sure I saw him smile slightly. 15:04.668 --> 15:05.349 Of course he did. 15:05.369 --> 15:06.150 Then repress it. 15:07.172 --> 15:09.395 He said, no it does not. 15:10.416 --> 15:11.939 Electrical charges. 15:16.522 --> 15:26.668 No, come on, there is such a thing as the sales act, but he was arguing that it didn't apply to chargers and things that rely on a standard voltage, right? 15:27.088 --> 15:29.049 And he was quite articulate about this. 15:29.349 --> 15:33.572 It was as if he knew what he was talking about, which slightly flummoxed me. 15:33.992 --> 15:34.952 So I was ridiculous. 15:34.992 --> 15:35.493 What's your name? 15:36.013 --> 15:36.533 What's your name? 15:36.573 --> 15:43.115 At this point, I got out a piece of paper and I started... I was thinking I was not gonna have this. 15:43.255 --> 15:43.475 Yeah. 15:43.936 --> 15:45.096 I wanted a new charger. 15:45.596 --> 15:46.837 I noted his name down. 15:47.137 --> 15:48.277 To give you a badge number? 15:48.417 --> 15:50.498 As if I was gonna contact a solicitor. 15:50.718 --> 15:50.958 Right. 15:51.178 --> 15:57.585 I didn't actually say that, but all my body language, it was like, right, I've got a solicitor. 15:57.605 --> 15:58.426 This is hardcore. 15:58.466 --> 15:59.307 You've messed with the wrong guy. 15:59.327 --> 16:00.429 I'm going to take this to the bank. 16:00.449 --> 16:01.830 You've messed with the wrong guy. 16:01.950 --> 16:04.033 I'm bringing your electronics outlet down. 16:04.133 --> 16:07.817 At any point did you say, I have a radio show on BBC. 16:08.918 --> 16:24.045 Now that's tempting and if you're listening and if you have any any kind of role in the media in a situation like this It is always very tempting a bit like being a prefect at school, you know to say but I'm a prefect You've done that before though, haven't you when you've been in confrontations? 16:24.245 --> 16:33.289 You told me that you have well, let's talk about this offer You said I was not relevant to this story because I didn't do it at this point, right? 16:33.749 --> 16:35.209 But I did take out a piece of paper. 16:35.490 --> 16:36.850 I jotted down his name. 16:37.190 --> 16:40.351 He looked quite sad when he gave me his name. 16:41.251 --> 16:44.912 And then he said, did you use the charger abroad? 16:45.473 --> 16:48.854 Because often power fluctuates when you are abroad. 16:49.194 --> 16:51.174 The answer to that question was yes. 16:52.095 --> 16:59.337 I then realized that yes, I'd been in Los Angeles and I tried to charge my phone in Los Angeles and that's where it exploded. 16:59.377 --> 17:02.858 So at that point I realized in my head, oops, I was wrong. 17:03.818 --> 17:04.840 And they were right. 17:05.440 --> 17:06.742 But did I confess that? 17:06.862 --> 17:07.122 No. 17:07.603 --> 17:08.384 I took his name. 17:08.704 --> 17:10.446 I took the name of the man next to him. 17:10.707 --> 17:12.969 I wrote them on the back of a very small receipt. 17:13.550 --> 17:16.974 I tucked them in my wallet and said, right, we'll see about this. 17:17.495 --> 17:18.957 You'll be hearing from me again. 17:18.977 --> 17:20.619 And I walked out of the shop. 17:20.819 --> 17:21.900 Well done, sir. 17:22.000 --> 17:27.344 And as I walked out of the shop, I thought, right, for the next two weeks, I'm not gonna walk in front of that shop again. 17:27.785 --> 17:29.506 I'm gonna walk on the other side of the road. 17:30.006 --> 17:32.388 So there you go, an embarrassing altercation in a shop. 17:32.448 --> 17:33.149 It went too far. 17:33.529 --> 17:34.590 I came out like an idiot. 17:34.770 --> 17:37.012 We're gonna have a song before we hear Adam's altercation. 17:37.292 --> 17:40.155 And if you've got, like, an embarrassing confrontation you had in a shop, 17:40.635 --> 17:45.619 text it to us 64046, or if it's too verbose and involved, we love long stories. 17:45.980 --> 17:51.565 Put it in an email and send it to adamandjo.6musicatbbc.co.uk, please! 17:51.845 --> 17:55.288 Now, here's guilt complex with sons and daughters, or is it the other way round? 17:55.468 --> 17:56.489 The other way round. 17:56.549 --> 17:59.452 It's sons and daughters with guilt complex, you complete idiot. 18:08.171 --> 18:09.492 Ooh, delightful. 18:09.532 --> 18:12.294 That's a new addition to the playlist here at Six Music. 18:12.314 --> 18:14.156 That's Sons and Daughters with Guilt Complex. 18:14.176 --> 18:14.836 And here's the thing. 18:15.156 --> 18:17.658 Guilt is spelt G-I-L-D. 18:17.839 --> 18:23.423 No U. So it's like she loves the complex so much that it's, uh, guilt. 18:23.723 --> 18:24.023 You know? 18:24.204 --> 18:26.665 It's shiny and... She doesn't feel guilt with a U, does she? 18:26.705 --> 18:26.946 No. 18:27.066 --> 18:28.347 No, she's guilty about nothing. 18:28.487 --> 18:28.727 Yeah. 18:29.027 --> 18:31.589 Instead, uh, she's got a complex about shiny things. 18:31.629 --> 18:32.290 She's gilded it. 18:32.890 --> 18:33.110 Yeah. 18:33.251 --> 18:34.111 And it's now guilt. 18:34.391 --> 18:35.753 That's what something guilt is, right? 18:36.193 --> 18:37.374 It's something that you've gilded. 18:37.674 --> 18:37.914 Yeah. 18:37.934 --> 18:38.494 Like a lily. 18:39.295 --> 18:39.535 Yeah. 18:40.395 --> 18:41.316 Do you know what I'm talking about? 18:41.376 --> 18:42.916 Does anyone ever gild lilies? 18:43.396 --> 18:44.657 Someone does, there's a little guy. 18:44.677 --> 18:46.938 And I'm not talking metaphorically. 18:47.158 --> 18:48.018 No, I know, literally. 18:48.278 --> 18:48.739 Literally. 18:48.859 --> 18:51.360 There's a guy, you can get them done for like birthdays and stuff. 18:51.400 --> 18:51.740 Really? 18:51.900 --> 18:52.580 I'm pretty sure. 18:52.620 --> 18:55.942 What happens when the lily inside the gilt, like, goes rotten? 18:56.162 --> 19:02.844 No, it doesn't because the act of gilding it keeps it sort of... So it kind of goes rotten and dry inside the gold? 19:03.044 --> 19:05.525 It's like putting something in Aspic or sealing it in resin. 19:05.586 --> 19:05.906 Really? 19:06.046 --> 19:06.206 Yeah. 19:06.946 --> 19:09.566 I learned so much on this program from you, Adam. 19:10.847 --> 19:11.287 You'll like it. 19:11.307 --> 19:15.287 You know, if there isn't a service that guilds lilies there should be, surely. 19:15.307 --> 19:15.588 Absolutely. 19:15.748 --> 19:17.188 That's a business day and age. 19:17.848 --> 19:18.428 There you go. 19:18.468 --> 19:19.908 Take that into the dragon's den. 19:20.128 --> 19:20.948 Yeah, take that. 19:21.669 --> 19:22.949 It's a stupid idea. 19:22.969 --> 19:26.029 It's not going to sell them for that reason. 19:26.249 --> 19:26.549 I'm out. 19:28.710 --> 19:29.950 I love your impression of that guy. 19:29.990 --> 19:31.230 Who is that guy? 19:31.310 --> 19:32.830 Duncan Valentine, I think. 19:32.991 --> 19:33.551 I don't know. 19:33.571 --> 19:34.531 Listen, listen. 19:36.191 --> 19:36.452 I'm out. 19:50.964 --> 19:54.605 That's not a Scottish accent, that's specifically Duncan Valentine. 19:54.745 --> 19:58.166 If I've got his name right, I may have got his name wrong and the accent wrong. 19:58.947 --> 20:00.927 This is a show where things are wrong. 20:01.087 --> 20:04.648 Now, we are engaged in Text the Nation, the nation's favourite feature. 20:04.689 --> 20:10.050 We are asking people to send in their stories about altercations with shopkeepers that have spiralled out of control. 20:10.771 --> 20:12.151 Joe, have you got any texts there? 20:12.351 --> 20:14.512 I have, Adam, but I'm not going to read any out yet. 20:14.552 --> 20:15.292 Teasing the texts? 20:15.352 --> 20:17.973 Yeah, I need to read through them, I need to filter them and edit them. 20:18.453 --> 20:26.475 Now, I was just trying to think about my most impressive altercation story, but the thing is, I've had so many, and many, many of them have been in Tottenham Court Road. 20:26.875 --> 20:29.396 But there was one recently I had that wasn't in Tottenham Court Road. 20:29.656 --> 20:33.677 It was in Regent Street, and it was a big popular toy shop. 20:35.057 --> 20:36.518 I know that big popular toy shop. 20:37.878 --> 20:44.680 And I've told this story elsewhere, but not on the radio recently, but it was an incident that happened when I went in there. 20:44.700 --> 20:45.600 I bought a load of stuff. 20:46.480 --> 20:51.444 And then the girl, automatically behind the checkout, started putting them in plastic bags. 20:51.844 --> 20:52.625 And I said, it's okay. 20:52.645 --> 20:53.345 I don't need a bag. 20:53.385 --> 20:53.706 Thank you. 20:53.766 --> 20:54.366 I have a bag. 20:55.227 --> 20:57.128 And she said, oh, you've got to have a bag. 20:57.829 --> 20:58.770 And I said, no, it's okay. 20:58.790 --> 20:59.330 I don't need one. 20:59.650 --> 21:00.351 I've got a bag. 21:00.431 --> 21:01.952 Look, I have a bag. 21:02.132 --> 21:03.213 Like you had a rucksack. 21:03.233 --> 21:03.994 I had a rucksack. 21:04.034 --> 21:04.514 I'm a nerd. 21:04.554 --> 21:05.415 I carry a rucksack. 21:05.815 --> 21:06.515 I don't need bags. 21:07.296 --> 21:08.617 plus the bags for killing the planet. 21:09.217 --> 21:13.859 And anyway, she refused to let me leave the shop without a bag. 21:14.199 --> 21:15.760 I mean, it was just rank insanity. 21:16.020 --> 21:18.641 And at first, I thought like she was just being a bit silly. 21:19.722 --> 21:25.825 But then it was it suddenly switched within a very few short moments to being so mad. 21:26.565 --> 21:46.388 and also like a fantasy situation you know very seldom like your story that you were just telling about your your guy and your charger you were you found out that you were kind of in the wrong there yeah in fact pretty much totally in the wrong but in this situation i was totally in the right which doesn't happen to me very often and this girl was clearly being unreasonable and had misunderstood the shot so she wanted 21:46.488 --> 21:50.570 She insisted you put your goods in a bag because she thought they'd think you'd stolen them. 21:50.710 --> 21:51.370 Exactly. 21:51.530 --> 21:53.511 Every customer who bought stuff had to have a plastic bag. 21:53.531 --> 21:53.951 That's right. 21:54.031 --> 21:57.693 She understood incorrectly that it was shop policy to force a bag. 21:57.713 --> 21:58.353 You called her on this. 21:58.393 --> 21:59.253 You got an argument. 21:59.393 --> 22:00.654 Yeah, I said... Voices were raised. 22:00.694 --> 22:01.114 That's right. 22:01.354 --> 22:03.215 Well, no, I tried not to raise my voice. 22:03.235 --> 22:03.555 You stayed cool. 22:03.575 --> 22:08.237 Tried to stay cool because I thought, listen, Buxley, this is your one time in the right. 22:08.337 --> 22:09.157 But she got stroppy. 22:09.217 --> 22:10.118 But she got very stroppy. 22:10.138 --> 22:10.998 What sort of thing was she saying? 22:11.118 --> 22:26.998 and sarcastic she was just like look sir can you just take the bag and leave and I'm afraid you do have she was the whole attitude was very unhelpful and sarcastic yeah I mean so I said listen just get the manager will you just get the manager 22:27.518 --> 22:33.643 So she eventually got them, and she was tutting at me, and shaking her head, and stuff like, ugh. 22:33.923 --> 22:36.445 And there was, you know, because people were being held up in the queue and stuff. 22:37.146 --> 22:44.052 Everything about this girl was like, you are an idiot, and you're making my life a misery just by refusing to have this bag. 22:44.772 --> 22:47.735 And of course, eventually the manager came along and said, no, he doesn't need a bag. 22:47.755 --> 22:48.335 Of course he doesn't. 22:48.715 --> 22:49.316 That's fine. 22:49.716 --> 22:54.020 And then she, and then after the manager had left, very loudly she said to me in front of the rest of the queue, 22:54.992 --> 22:57.634 Thanks very much for making me look like a total idiot. 23:00.015 --> 23:05.539 I felt like saying, well, you know, that was something that you got yourself into there, pretty much, don't you reckon? 23:05.579 --> 23:07.500 Have you got a worse shop altercation? 23:07.580 --> 23:11.383 I think when you call the manager, that's when we're interested, right? 23:11.463 --> 23:21.589 When the manager is summoned, when you try and go over the head of the person who's serving you, text your story 64046, or email adamandjo.6music at bbc.co.uk. 23:21.909 --> 23:24.351 It's time for an exciting track chosen by Adam. 23:24.571 --> 23:26.192 Now, yeah, this is a lovely track. 23:26.252 --> 23:27.872 This is from the Eels' last album. 23:28.092 --> 23:29.573 I think it was their last album, wasn't it? 23:29.933 --> 23:33.454 And it's called, I think, Blinking Lights, and it's a long album title. 23:33.514 --> 23:37.836 It features the words Blinking Lights in it, and it's a brilliant album, and this is a track called To Lick Your Boots. 23:40.566 --> 23:41.526 Hello, how are you doing? 23:41.546 --> 23:42.587 This is Adam and Joe. 23:42.707 --> 23:43.267 Fine, thanks. 23:43.347 --> 23:44.548 I wasn't talking to you. 23:45.088 --> 23:47.589 And we're here on 6 Music. 23:47.629 --> 23:48.810 This is our new home. 23:49.490 --> 23:54.032 On 6 Music from 9 till 12, every Saturday morning, that's where you'll find us, for better or worse. 23:54.712 --> 24:05.797 And before the trail there, you heard Eels with to lick your boots, a track from their album, Blinking Lights and Other Revelations was the name of the album, I think. 24:06.457 --> 24:10.600 Here's a text from Damon in Bristol. 24:11.241 --> 24:16.665 He's responded to our request for you to send in stories about terrible altercations in shops. 24:16.705 --> 24:18.346 It's our Text the Nation theme this week. 24:19.907 --> 24:20.728 I think it's Damien. 24:20.788 --> 24:21.468 D-A-M-E-O-N. 24:23.630 --> 24:24.230 Damien. 24:24.451 --> 24:25.171 Damien. 24:25.251 --> 24:25.931 Damien. 24:26.552 --> 24:31.874 Damien says I bought cheap batteries from an army surplus shop that didn't work in stereo. 24:32.235 --> 24:36.077 I bought cheap batteries from army surplus shop that didn't work in stereo, right? 24:36.097 --> 24:36.757 Does that make sense? 24:37.337 --> 24:38.238 In a stereo. 24:38.338 --> 24:39.939 He hasn't put in the smaller words. 24:40.079 --> 24:40.199 Right. 24:40.579 --> 24:42.020 He's not stealing in big words. 24:42.040 --> 24:43.981 He hasn't got time for little words, Damien. 24:44.501 --> 24:47.803 Because maybe he put the batteries in and suddenly everything was mono. 24:48.343 --> 24:51.385 Took back to shop, Dash refused to give money back. 24:52.725 --> 25:03.828 God angry, Dash, threw batteries across shop into army surplus, said some rude words, went home with new batteries from another shop, didn't work in stereo either, felt bad. 25:04.808 --> 25:09.589 I like the way Damien used synopsize everything, just with the key words. 25:09.609 --> 25:10.529 Well he's texting, isn't he? 25:11.170 --> 25:11.770 No, he's email. 25:11.870 --> 25:12.450 Oh, he's email? 25:12.490 --> 25:12.690 Yeah. 25:13.590 --> 25:16.551 Bought cheap batteries, took back to shop, refused to give money. 25:16.571 --> 25:17.471 They're like bullet points. 25:17.871 --> 25:20.052 It's like Johnny Vaughan language. 25:20.172 --> 25:20.652 That's right. 25:21.332 --> 25:23.715 Uh, but you know you've made several mistakes there, Damien. 25:24.035 --> 25:27.158 You've tried to buy batteries from an army surplus shop. 25:27.418 --> 25:28.960 That's a secondhand store, isn't it? 25:29.420 --> 25:30.902 They're gonna be secondhand batteries. 25:31.683 --> 25:35.506 Then he's, uh, got angry and thrown the batteries across the shop. 25:35.767 --> 25:36.708 That's a very big gesture. 25:36.728 --> 25:37.669 We don't encourage that. 25:37.789 --> 25:38.970 Batteries are heavy things. 25:39.390 --> 25:40.591 If they'd struck a toddler... 25:41.292 --> 25:56.314 or smashed a window you would have been in terrible trouble man if they'd gone in if they'd even like brushed someone's sleeve that would have been you could have got sued all sorts of legal action could have ensued and then it seems that at the end of the day it was his stereo that didn't work not the batteries that's right 25:56.855 --> 25:57.736 What are you thinking about? 25:57.796 --> 25:59.657 Keep those texts and messages coming in. 25:59.677 --> 26:00.118 Thank you, Damien. 26:00.518 --> 26:02.099 You know, you're not a buffoon. 26:02.220 --> 26:02.880 I'm wrong about that. 26:02.920 --> 26:04.001 You just had a bad moment. 26:04.121 --> 26:04.602 Yeah, yeah, yeah. 26:04.622 --> 26:05.322 A buffoonie moment. 26:05.602 --> 26:07.744 Now, here's a session track chosen by me. 26:08.365 --> 26:10.046 This is Uros Iros. 26:10.426 --> 26:12.348 We're still not quite sure how to pronounce his name. 26:12.628 --> 26:22.957 We had a big debate involving a lot of our Welsh listeners while we were filling in for Shorten, Kivni on the breakfast show on whether to pronounce Uros Child's name, Uros or Iros. 26:23.661 --> 26:25.382 Iros, I think, is the... We think it's Iros. 26:25.902 --> 26:32.467 This was recorded on February the 6th, 2006, in the hub here at VBC6 Music for the Freak Zone. 26:32.667 --> 26:34.988 That's Stuart McConey's... Excellent show. 26:35.729 --> 26:36.809 This is called My Country Girl. 26:37.170 --> 26:40.412 That was the lovely Iros Childs with Country Girl. 26:41.432 --> 26:42.393 We love his work. 26:42.953 --> 26:43.453 Absolutely. 26:43.493 --> 26:53.776 We've been into him since day one, man, with Corky, Psygotic, Monkey, one of the most underrated bands who split under the pressure of the public's general disinterest. 26:53.956 --> 26:54.276 Really? 26:54.676 --> 26:55.916 Well, that's part of the story. 26:55.976 --> 26:57.616 It's happened to quite a lot of good bands, hasn't it? 26:57.876 --> 26:58.357 Of course. 26:58.537 --> 26:59.537 The list is endless. 26:59.657 --> 27:00.377 Peter Band. 27:01.497 --> 27:02.177 That's the end of the list. 27:03.978 --> 27:07.059 This is Adam and Jo on BBC Six Music, our new Saturday morning slot. 27:08.179 --> 27:08.339 Now, 27:09.039 --> 27:10.580 It's Song Wars time soon. 27:10.980 --> 27:11.141 Yeah. 27:11.441 --> 27:13.682 And Song Wars is another new feature. 27:13.782 --> 27:15.003 What am I saying, another new feature? 27:15.063 --> 27:16.144 It's the new feature. 27:16.384 --> 27:17.465 It's the other new feature. 27:17.785 --> 27:19.046 Adam and I have both written a song. 27:19.686 --> 27:20.627 They're themed songs. 27:21.007 --> 27:23.809 And we're going to ask you to vote for which song you want to hear. 27:24.189 --> 27:24.730 Isn't that right? 27:24.750 --> 27:25.130 That's right. 27:25.170 --> 27:26.091 So stay tuned for that. 27:26.591 --> 27:30.674 But first of all, we have... What are we doing? 27:32.398 --> 27:33.359 Oh, Song by the Cribs. 27:33.399 --> 27:34.859 Sorry, that wasn't very professional, was it? 27:34.920 --> 27:36.120 I'm still a little bit confused. 27:37.481 --> 27:39.422 Well, as to what I'm doing here or who I am. 27:40.062 --> 27:42.644 This is the Cribs with our bovine public. 27:43.825 --> 27:45.566 That's Interpol with Khmer! 27:46.724 --> 27:47.485 into Paul. 28:02.375 --> 28:04.938 He must be fun, you know, just to hang out with. 28:04.958 --> 28:05.799 Have we said this before? 28:05.999 --> 28:09.943 Well, this is the band that we think are going to do the News Night theme pretty soon. 28:10.024 --> 28:10.284 Right. 28:10.424 --> 28:13.347 We think they're going to be employed by BBC News. 28:13.367 --> 28:15.389 Possibly even to read the news. 28:15.409 --> 28:15.810 That's right. 28:15.870 --> 28:20.055 We think they've kind of... Something very bad has happened somewhere in the world. 28:20.535 --> 28:21.396 That's how he read it. 28:21.576 --> 28:26.539 We think we think he's friends with Midjure and they have sort of serious offs. 28:27.200 --> 28:30.161 You know, they go around to each other's houses, eat data. 28:30.522 --> 28:30.762 Right. 28:31.002 --> 28:31.863 Bowls of data. 28:32.643 --> 28:33.584 Have little data bars. 28:33.644 --> 28:34.184 Ticker tape. 28:34.364 --> 28:35.525 And they wear long coats. 28:35.885 --> 28:39.127 And stroke cigarettes by Stalinist statues on hills. 28:39.748 --> 28:43.110 And say things like this to each other. 28:43.911 --> 28:46.592 Hello, Midjure, you're looking very nice today. 28:47.133 --> 28:50.175 Do I look nice or is nice your prejudice? 28:51.996 --> 28:52.256 Yeah? 28:52.416 --> 28:53.517 Yeah, exactly like that. 28:53.717 --> 28:54.317 I don't know! 28:54.337 --> 28:55.778 I don't know! 28:56.498 --> 28:57.179 Is the reply. 28:57.359 --> 28:58.820 That kind of chat goes on. 28:58.920 --> 29:01.621 There we go, that's what happens in Interpol's daily life. 29:01.641 --> 29:03.743 This is Adam and Jo, this is BBC Six Music, now! 29:04.977 --> 29:12.343 We're obviously running the Text the Nation feature, still keep texting your stories about shop altercations, but we're going to start another feature. 29:12.683 --> 29:17.767 We haven't quite got the hang of how to arrange our features around our radiophonic face. 29:18.627 --> 29:22.991 It's a slightly beaten up sort of facial features, you know, arrangement. 29:23.091 --> 29:24.412 A little lump and aged. 29:24.672 --> 29:27.274 Because we're going to bring a new segment into play now. 29:27.514 --> 29:28.775 This is called Song Wars. 29:29.415 --> 29:32.798 And before we tell you about the segment, let's just deal with the jingle. 29:33.098 --> 29:33.238 Mmm. 29:33.358 --> 29:36.962 Because the segment's called Song Wars, it's like Star Wars only with songs. 29:37.342 --> 29:39.945 So Adam's done a jingle in it, Adam. 29:40.085 --> 29:40.445 Yeah. 29:40.645 --> 29:40.925 Yeah. 29:41.046 --> 29:45.930 So logical thing to do with a feature called Song Wars. 29:46.230 --> 29:46.391 Yeah. 29:46.591 --> 29:48.913 You sing over the music from Star Wars. 29:49.213 --> 29:49.393 Right? 29:49.593 --> 29:54.857 But Adam phoned me up yesterday and he said he wasn't that confident about this jingle. 29:55.317 --> 29:56.878 He wasn't that happy with his singing. 29:57.218 --> 30:01.441 He feels ashamed about ruining the Star Wars theme and majestic piece of music. 30:01.461 --> 30:04.643 There's a lot of problems with it, you know, because A, it's very hackneyed anyway. 30:04.683 --> 30:06.745 It's a hackneyed area, the whole Star Wars area. 30:06.765 --> 30:08.306 It's pretty well covered, especially by us. 30:08.466 --> 30:10.107 You know, we've used it many times. 30:10.507 --> 30:11.708 Hard to find a fresh laugh. 30:11.968 --> 30:14.490 Hard to find a fresh laugh. 30:14.550 --> 30:16.091 It's such a well-known piece of music. 30:16.551 --> 30:17.712 It's a cliche in itself. 30:18.112 --> 30:19.873 But also, see, it's brilliant. 30:19.933 --> 30:20.894 I mean, it's amazing. 30:20.994 --> 30:24.536 But you were also worried about your register that you needed to sing higher. 30:25.117 --> 30:28.399 And I usually cover the falsetto singing, usually. 30:28.679 --> 30:29.820 We're setting it up too much now. 30:30.200 --> 30:32.602 But listen, have a listen to the jingle. 30:32.642 --> 30:38.166 It's a total cacophony, but it also contains salient facts about what the competition is. 30:38.206 --> 30:40.167 So this is the long version of the jingle, okay? 30:40.487 --> 30:40.868 with the chorus. 30:40.888 --> 30:43.412 This could be the only time this full version is played. 30:43.512 --> 30:43.752 Yeah. 30:44.413 --> 30:46.036 So this is the long version with the intro. 30:46.336 --> 30:46.717 Hit it! 30:53.768 --> 30:54.970 It's time for song. 30:55.640 --> 31:14.271 Wars, it is the song Wars, thank the song, song Wars, song, song, song, song It's a battle between two songs One song and two songs Whoa, whoa, whoa, whoa Heard the songs 31:14.751 --> 31:29.982 are composed by a dementia themselves and inspired by a given theme we play clips and the listeners choose which one they like and the winning song when we play as we love 31:37.310 --> 31:47.334 I could have done with a repeat of the chorus there Well that man that was the verse what you mean the bit that There's some amazing background singing going on there. 31:47.374 --> 31:54.637 Yeah, I hope you're in a soundproofed room when you did that I was that's the thing that when I try and sing that home my voice just not right 31:57.538 --> 31:58.098 That's good. 31:58.478 --> 32:02.440 But next week, I might pop round and add some lady singing to that. 32:02.500 --> 32:03.160 Yeah, good move. 32:03.180 --> 32:04.580 Yes, it'll be even more cacophonous. 32:04.821 --> 32:06.901 But that pretty much sets out the stall listeners. 32:07.521 --> 32:09.162 We've each composed songs. 32:09.642 --> 32:11.223 We haven't heard each other's songs. 32:11.623 --> 32:12.863 We agreed on a theme though. 32:13.664 --> 32:16.304 And during the show, during the next, what is it now? 32:16.344 --> 32:19.385 It's 10 past 10, the next hour and 50 minutes. 32:19.886 --> 32:21.386 We're gonna fight those songs. 32:21.626 --> 32:22.787 We're gonna play you two clips. 32:22.847 --> 32:24.447 Listen, the music's staying appropriate. 32:24.727 --> 32:25.748 The songs are gonna battle. 32:26.148 --> 32:26.688 Only one. 32:27.068 --> 32:49.388 will survive the other will be yes that's what Darth Vader says oh it's damn funny uh yes so there we go are we gonna play this music's too dramatic it's too dramatic now yeah oh man there it's too much to live up to that's the thing man so are we gonna play the clips of the songs now yeah 32:49.588 --> 32:58.694 Now we should say that the songs this week, the theme, every time we do this feature, and we can't guarantee that we're going to do it every week, because it takes a lot to do a whole song, right? 32:58.974 --> 33:03.977 But when we get it together to do song wars, we do the songs on a given theme. 33:04.137 --> 33:06.058 This time the theme was height. 33:06.318 --> 33:10.801 That's right, because if any of you have seen us in the flesh, we have quite different heights. 33:10.841 --> 33:12.462 Adam's on the smaller side. 33:12.502 --> 33:13.643 There is a market disparity. 33:13.663 --> 33:14.783 I'm on the taller side. 33:14.923 --> 33:17.365 It's sort of like a lamppost with a bowling ball sitting. 33:17.785 --> 33:20.026 foot of it, if you see us walking down the street. 33:20.126 --> 33:21.067 It's true. 33:21.727 --> 33:26.070 So there we go, these songs are about height, so we're gonna play you what, ten seconds of snatches? 33:27.034 --> 33:29.176 And stand by your texting thumbs. 33:29.316 --> 33:31.518 I don't think you're allowed to say that. 33:31.538 --> 33:31.518 64046. 33:31.958 --> 33:32.498 I just did. 33:33.519 --> 33:34.940 Now, which clip are we playing first? 33:35.280 --> 33:36.041 Joe's or Adam's? 33:36.401 --> 33:38.083 Okay, well, let's play mine just for the sake of it. 33:38.903 --> 33:41.745 Now, my track is this... That's Adam speaking, by the way. 33:41.805 --> 33:42.006 Yes. 33:42.786 --> 33:48.751 This is a track called Four Foot Club, and it's by my band called Four Foot Club. 33:49.191 --> 33:52.413 And even though I'm not actually four feet high, I'm taller than that, 33:53.534 --> 33:56.435 It's what it feels like sometimes when you're a small man. 33:57.415 --> 33:58.896 So it's like a club, the four-foot club. 33:58.956 --> 33:59.376 Exactly. 33:59.556 --> 34:02.677 So this is for all the smallies in the four-foot club. 34:02.697 --> 34:04.038 So this is just a teaser though. 34:04.098 --> 34:06.179 This is a tiny teaser, even less than that. 34:06.219 --> 34:08.139 If you want to hear the whole thing, you have to text 64046. 34:08.199 --> 34:08.839 So here's the teaser. 34:11.019 --> 34:20.263 There you go. 34:20.303 --> 34:20.804 Oh, wow. 34:21.104 --> 34:22.024 It's tantalizing. 34:22.064 --> 34:24.625 I want respect like Napoleon or Danny DeVito. 34:24.645 --> 34:25.386 Were those the lyrics? 34:25.426 --> 34:25.706 Yeah. 34:25.846 --> 34:27.187 I was sort of overwhelmed by it. 34:27.267 --> 34:27.547 I know. 34:27.607 --> 34:29.227 It's hard to pick out the genius in there. 34:29.247 --> 34:29.568 Yeah, yeah, yeah. 34:29.608 --> 34:29.768 Wow. 34:29.788 --> 34:32.349 So if you want to hear that one, that's called Four Foot Club. 34:32.689 --> 34:33.770 The band are called what? 34:33.890 --> 34:34.450 Four Foot Club. 34:34.750 --> 34:37.932 four-foot club, then text 64046. 34:38.472 --> 34:42.514 Alternatively, you might want to vote for my song, Joe's song. 34:43.555 --> 34:46.016 My song is by DJ Nippy Nips. 34:46.276 --> 34:46.597 Okay. 34:46.837 --> 34:47.117 Yeah. 34:47.237 --> 34:47.717 I love Nippy Nips. 34:47.737 --> 34:52.580 He's a new force in the rap scene, and he's written a sort of a rap about being tall. 34:52.900 --> 34:57.763 It's just called Tall, but I think it might be an acronym. 34:58.583 --> 35:00.845 Even though I haven't figured out what it is yet, I will. 35:01.105 --> 35:02.025 T-A-L-L. 35:02.105 --> 35:03.466 T-A-L-L, yeah. 35:03.946 --> 35:04.927 That's what the song's called. 35:05.167 --> 35:07.628 So here's a teaser of my song, Tall. 35:07.929 --> 35:12.511 If you want to hear all of this, maybe the acronym could be They All Laughed at Longo. 35:14.572 --> 35:15.473 Maybe it couldn't be that. 35:15.493 --> 35:17.834 Alright, here's a snatch of my song. 35:18.114 --> 35:20.436 I'm six foot three and a half, you know. 35:20.476 --> 35:21.636 That's the heart I go. 35:21.876 --> 35:22.857 And my name is Joe. 35:23.117 --> 35:25.238 Too tall to fit in a photograph. 35:25.499 --> 35:26.459 Or a standard bath. 35:26.539 --> 35:27.640 I'm a man giraffe. 35:28.554 --> 35:29.495 Oh, man. 35:29.795 --> 35:31.076 That's gonna win? 35:31.316 --> 35:31.936 How do you know? 35:32.016 --> 35:34.318 Because I don't think my clip does mine justice. 35:34.618 --> 35:36.679 I mean, mine is insane anyway. 35:36.699 --> 35:37.540 It's yours is good, man. 35:37.620 --> 35:38.400 This is what we thought. 35:38.420 --> 35:41.842 We did this feature before when we were filling in for Sean Keatony on the breakfast show. 35:42.403 --> 35:44.404 I thought I had it in the bag at the eleventh hour. 35:44.424 --> 35:44.544 Yeah. 35:44.824 --> 35:46.305 Everyone swung around to bucko. 35:46.525 --> 35:51.087 It's the thing is that my track was so nutty that my lyrics kind of got lost, you know? 35:51.107 --> 35:52.587 Hey, now, you see, this is what you do. 35:53.167 --> 35:55.949 You go for the underdog position very early on. 35:56.349 --> 35:57.529 Don't go for this, listeners. 35:57.549 --> 35:58.770 This is premeditated. 35:59.190 --> 36:00.951 Oh, dear, I'm never going to win. 36:01.271 --> 36:05.432 I'm suffering like a little... Well, you know, it's manipulative, listeners. 36:05.452 --> 36:06.013 Don't go for it. 36:06.073 --> 36:08.133 So the text number is 64046. 36:09.914 --> 36:11.435 Text Adam or Joe. 36:11.755 --> 36:12.575 Does that make sense? 36:12.815 --> 36:13.536 Here's a reminder. 36:13.556 --> 36:14.336 This is Adam's clip. 36:14.776 --> 36:17.438 Or, if you want this song to win, text Joe to 64046. 36:38.288 --> 36:40.773 There we go, and we'll play the winner at the end of the song. 36:41.234 --> 36:42.196 That was Song Wars. 36:42.577 --> 36:43.659 It continues to be Song Wars. 36:43.679 --> 36:45.443 This is Adam and Jo on BBC6 Music. 36:45.843 --> 36:46.505 It's music time. 36:46.785 --> 36:48.369 Here's Mark Ronson with Valerie. 36:49.485 --> 36:55.370 That was Mark Ronson featuring Amy Winehouse with a lovely track called Valerie This is BBC six music. 36:55.390 --> 36:56.811 You're listening to Adam and Joe. 36:57.191 --> 37:02.576 Yeah, they make they make it sound like a sort of perennial classic there Valerie was of course written by the Zootons, wasn't it? 37:02.896 --> 37:10.122 But they the way they cover it there It's as if it was a like an old-school stand Motown nugget, you know, yeah Anyway, it's not good. 37:10.142 --> 37:11.503 They're very good combination. 37:11.563 --> 37:18.129 Well done getting those two together We have a music industry bottom has that idea to you I tip my hat 37:19.149 --> 37:20.210 Wow, imagine. 37:20.270 --> 37:23.451 If anyone actually ever talks like that in real life, you can slap them. 37:24.111 --> 37:24.632 You know what? 37:24.932 --> 37:32.335 I had a strange moment the other day when I was in Soho and I suddenly felt like I was right in the centre of things because I bumped into someone. 37:32.395 --> 37:36.057 It was the producer of the Peter Serafinowicz show. 37:36.797 --> 37:38.579 A brilliant show if you've never seen it folks. 37:39.019 --> 37:39.760 Gotta check it out. 37:40.260 --> 37:49.809 But this guy James Surfin, which Peter's brother, he was in Soho and he's, I should say first of all, he's a lovely bloke and not at all kind of a dick. 37:50.389 --> 37:53.131 Yeah, he was wearing sort of aviator shades. 37:53.952 --> 38:02.903 And he was on his mobile and he saw me and he, you know, he was trying to juggle a conversation with me and the mobile. 38:03.343 --> 38:06.647 And it was one of those moments where you want to say hi, but, you know, he's on a call. 38:06.667 --> 38:08.749 So I just said, I'll see you later on. 38:09.350 --> 38:11.492 And he said, yeah, OK, I'll catch you on Facebook. 38:12.773 --> 38:13.333 Oh, no. 38:13.353 --> 38:18.915 And he sort of walked on and he said that loudly and not like like other people could hear it. 38:19.355 --> 38:20.135 He said it very loudly. 38:20.155 --> 38:22.856 I didn't say it loudly so on Facebook. 38:23.916 --> 38:25.476 Did you catch him on Facebook? 38:25.616 --> 38:26.677 I haven't caught him yet on Facebook. 38:26.697 --> 38:29.737 You could see the anxious look on Adam's face now listeners. 38:29.917 --> 38:31.978 But why about being caught on Facebook. 38:31.998 --> 38:34.679 Standing in Soho and having someone say catch you on Facebook. 38:35.099 --> 38:35.599 I like that. 38:35.639 --> 38:39.000 I have to live come to I have to tell you the world come to you liked it. 38:39.100 --> 38:39.440 I thought it. 38:39.460 --> 38:40.140 Yeah, I've arrived. 38:41.060 --> 38:43.923 I've arrived in there, so... What a terrible admission. 38:44.364 --> 38:52.473 Okay, now, listeners, it's time for a song that I've chosen because it's featured in the new Wes Anderson film, The Darjeeling Limited. 38:52.813 --> 38:54.975 Now, lots of people don't really like Wes Anderson. 38:55.235 --> 38:59.220 They're annoyed by his films and thinks he makes the same one over and over again. 38:59.700 --> 39:01.943 But I really enjoyed The Darjeeling Limited. 39:02.363 --> 39:07.926 It's about three brothers whose father has just died and they go on a train across India to kind of find themselves. 39:08.246 --> 39:15.170 And it's kind of whimsical and quirky and slightly annoying like all his films, but it's also beautiful to look at. 39:15.230 --> 39:21.294 His other films include The Life Aquatic, The Royal Tenenbounds, Rushmore... Is there another one in there, Bottle Rocket? 39:22.034 --> 39:22.775 Is that the whole lot? 39:22.995 --> 39:23.795 I think that's the lot, isn't it? 39:23.815 --> 39:25.076 I think that might be the lot, yeah. 39:25.616 --> 39:29.177 But this new one, The Darjeeling Limited, is coming out pretty soon. 39:29.437 --> 39:32.197 I think it's closing the London Film Festival here in London. 39:32.558 --> 39:34.398 Anyway, this song was featured on the soundtrack. 39:35.078 --> 39:35.478 I like it. 39:35.518 --> 39:36.819 I thought it was obscure and quirky. 39:36.839 --> 39:37.959 I'd never really heard it before. 39:38.239 --> 39:40.180 Then when I proposed, we played it on this show. 39:40.200 --> 39:43.200 Our producer, Jude, cast her eyes up to the heavens. 39:43.601 --> 39:45.221 Adam sighed and looked slightly unwell. 39:45.481 --> 39:53.385 Well, he's very good Wes Anderson at kind of recontextualizing songs that have been around for a long time, and he always chooses interesting tracks for his movies. 39:53.885 --> 39:57.427 But this, this is a one that I, it's pretty much hard to defend, I would say. 39:57.467 --> 39:59.328 This is always maybe... You think it's just bad? 39:59.508 --> 40:01.989 It's always made me want to kill people when I wrote this song, yeah. 40:02.549 --> 40:04.310 Jude feels the same. 40:04.331 --> 40:05.091 I loathe it. 40:05.271 --> 40:06.072 She loathe it. 40:06.152 --> 40:08.514 She said this is the sort of thing they play on radio too. 40:08.854 --> 40:09.695 So, I don't know. 40:09.815 --> 40:11.596 Maybe you should have just vetoed this choice. 40:12.457 --> 40:16.380 If it proves to be really unpopular, listeners, if you hate it, just text in. 40:16.400 --> 40:17.301 We'll pull it off the air. 40:17.321 --> 40:22.105 This is Peter Sarstead with Where Do You Go to My Lovely. 40:22.165 --> 40:24.627 It's just the way he sort of goes... Oh, you'll hear it. 40:24.647 --> 40:24.927 Check it out. 40:32.925 --> 40:37.867 That's enough. 40:37.907 --> 40:46.070 Come on, stop it. 40:46.210 --> 40:47.211 Stop it. 40:47.451 --> 40:47.751 Why? 40:47.811 --> 40:48.551 Just because you did that. 40:48.611 --> 40:49.592 Ha ha ha. 40:49.652 --> 40:54.934 You keep a racehorse like a racehorse and you pop it inside your boots. 40:55.134 --> 40:55.814 Ha ha ha ha. 40:55.994 --> 40:56.695 Ha ha ha ha. 40:56.855 --> 40:57.435 Ha ha ha ha. 40:58.295 --> 41:00.876 Racefuls wouldn't fit inside a pair of boots. 41:01.076 --> 41:02.537 It was big, big boots. 41:03.837 --> 41:04.458 That's what he's saying. 41:04.478 --> 41:05.218 It was a big boots. 41:05.778 --> 41:08.319 I want to look inside your head. 41:08.719 --> 41:10.180 Look in there. 41:10.400 --> 41:11.080 It's your brain. 41:12.601 --> 41:14.442 This is Adam and Jo on BBC6 Music. 41:14.482 --> 41:16.563 That was a very divisive song. 41:16.643 --> 41:19.444 We had a lot of texts during it and it was pretty much 50-50. 41:19.804 --> 41:20.664 Some people love it. 41:21.164 --> 41:22.105 Some people loathe it. 41:22.865 --> 41:24.507 like Wes Anderson himself. 41:24.927 --> 41:26.989 It's the Marmite factor, Jon. 41:27.009 --> 41:27.950 It's the Marmite factor. 41:27.970 --> 41:29.191 That was Peter Sarstead. 41:29.211 --> 41:30.332 Do you hear what I said, though? 41:30.652 --> 41:30.932 I did. 41:30.972 --> 41:31.733 I'm trying to ignore it. 41:31.753 --> 41:32.934 It's the Marmite factor. 41:33.054 --> 41:34.555 Where do you go to, my love? 41:34.575 --> 41:35.536 You either love it or hate it. 41:35.556 --> 41:36.197 Do you hear what I said? 41:36.457 --> 41:46.045 Talking of loving and hating songs, we're also in the middle of song wars, a brand new feature where you have to choose between a song composed by me, Joe, or a song composed by him, Adam. 41:46.746 --> 41:47.646 The text number is 64046. 41:50.049 --> 41:52.071 vote either Adam or Joe. 41:52.091 --> 41:54.633 Now, Joe thought that we shouldn't say who was in the lead. 41:55.194 --> 41:57.516 Yeah, because again, it prejudices people. 41:57.536 --> 41:58.457 He thought there might be a swing. 41:58.697 --> 42:04.563 Well, it's putting you again into the underdog position from where you always mount a fight back. 42:04.603 --> 42:05.404 That's not true. 42:05.605 --> 42:11.771 If I'm mounting a fight back, then it's on the merits of my track, which I must say I don't feel my British public. 42:12.091 --> 42:12.351 What? 42:12.571 --> 42:13.552 Eddie the Eagle Edwards. 42:13.572 --> 42:15.593 Listen, don't call me Eddie the Eagle Edwards. 42:15.853 --> 42:20.055 The fact is, listeners, that Joe is way ahead at the moment. 42:20.596 --> 42:21.296 He is winning. 42:21.336 --> 42:21.956 He streaks ahead. 42:22.217 --> 42:23.437 And listen, I'm not surprised. 42:23.517 --> 42:25.258 I don't think it's anything to do with me being the underdog. 42:25.658 --> 42:28.040 The fact is, the clip makes his song sound good. 42:28.060 --> 42:31.922 But I'm telling you, there's a lot more to a four-foot club than Joe's. 42:31.942 --> 42:33.423 I'm telling you, I don't think there is. 42:33.923 --> 42:35.724 Let's have a listen to the two snippets again. 42:35.784 --> 42:36.985 Here's to Adam's first. 42:37.205 --> 42:39.186 Oh, yeah, I made this all, but my dreams are large. 42:39.266 --> 42:41.347 If you're feeling that I'm too 42:46.376 --> 42:49.658 Yeah, I'm sick of feeling that I'm too diminutive to be in charge. 42:50.178 --> 42:51.178 Those are the lyrics. 42:51.538 --> 42:53.079 Let your clip speak for itself. 42:53.659 --> 42:54.840 Stop embellishing. 42:56.580 --> 42:57.841 And here's my one. 42:57.881 --> 42:58.821 Here's Joe's clip. 43:09.278 --> 43:09.698 There you go. 43:09.738 --> 43:12.119 So if you want to hear the whole of that one, text Joe to 64046. 43:12.459 --> 43:17.081 Or if you want to hear the whole of Adams, text Adam to 64046. 43:18.361 --> 43:20.342 And the winning song will be played at the end of the show. 43:20.882 --> 43:23.183 To be honest with you, we might play both at the end of the show. 43:23.223 --> 43:23.963 It's a question of who... 43:24.363 --> 43:25.504 Competition are nonsense. 43:25.604 --> 43:26.744 No, competitions are nonsense. 43:26.764 --> 43:27.885 Look, this is the Big British Castle. 43:27.905 --> 43:29.686 There are new rules about competition. 43:29.746 --> 43:30.126 Exactly. 43:30.507 --> 43:34.429 Competitions have to be a nonsense, because if there's any genuine competitive edge to them, then everyone gets fired. 43:34.529 --> 43:39.152 I tell you what, we'll consult the new BBC rules during this next song. 43:39.432 --> 43:42.413 The Hold Steady is the band called The Hold Steady. 43:42.594 --> 43:44.735 What's happened to grammar in the world of pop? 43:45.095 --> 43:49.898 Lynne Truss would be outraged at the current state of naming songs and bands. 43:50.258 --> 43:51.279 The Hold Steady... 43:52.419 --> 44:10.366 with a with a track called can you please crawl out your window that should be of your window and it should be the hold steadies see me there you go that's talking heads from their album little creatures with road to nowhere this is Adam and Joe here on six music we're here every Saturday from 9 till 12 from yeah that was wonderful to hear that again 44:10.546 --> 44:14.790 I know, it's like a little warm time capsule, especially for you and I, that album meant so much to us. 44:14.810 --> 44:22.036 We were at school together, Adam and I, and when we were about 14 or 15 in the mid-80s, the Talking Heads kind of ruled the world. 44:22.616 --> 44:28.841 They released their amazing concert movies, stopped making sense, that I think was given away free in a newspaper the other week. 44:28.962 --> 44:29.942 Probably the Daily Mile. 44:31.223 --> 44:34.006 And we were so excited when that album came out, weren't we? 44:34.266 --> 44:34.987 Yeah, that was a smash. 44:35.187 --> 44:41.031 Although it took a little adjusting for me because I had a very clear image in my head of what I wanted talking heads to be, do you know what I mean? 44:41.051 --> 44:48.517 And I just about got used to speaking in tongues and then suddenly they come out with this whole sort of Cajun zydeco sound. 44:49.458 --> 45:05.394 that you hear on Road to Nowhere there and that took a little getting used to but I went with it because I love them yeah if you're you know young and you don't really know about the talking heads they're a band you could pretty much just go into a shop and buy their first four albums and you couldn't go wrong any album is good you know 45:06.335 --> 45:09.698 And of course, it was Talking Heads' last album, True Stories. 45:09.939 --> 45:10.619 Was that their last album? 45:10.680 --> 45:17.827 No, no, their last album was Naked, but their penultimate album, some say their worst album, True Stories, that gave Radiohead their name. 45:18.248 --> 45:21.031 There's a track on there called Radiohead, and that's where they... Is that really so? 45:21.131 --> 45:23.434 That's where they got the name from, yes. 45:23.474 --> 45:24.595 And it's a fun track. 45:24.835 --> 45:25.816 Maybe not the best Talking Heads track. 45:25.836 --> 45:26.417 It's just a bit of fun. 45:26.457 --> 45:27.158 Just have fun with it. 45:29.332 --> 45:33.957 Now I want to talk a little later on about some mouse problems that I'm having, Joe Cornish. 45:34.257 --> 45:35.258 That's exciting news. 45:35.278 --> 45:36.159 That's in the next hour. 45:36.199 --> 45:38.582 I'd like to share my mouse problems with you folks. 45:39.022 --> 45:49.473 But I just noticed this article in the Independent about Ratatouille and the fact that the success of the Disney movie has increased the sales of rats. 45:50.399 --> 45:51.480 to children. 45:52.081 --> 46:02.211 Children, the sales of rats have gone like up 50%, pet rats, since the movie's been out because all the kids want a rat, like the rat in Ratatouille, and who can blame them? 46:02.231 --> 46:05.715 Because it is a very good film and a nice, cute rat. 46:07.536 --> 46:22.164 Exactly, maybe the kids will be disappointed when the rats can't speak and cook but still they're buying them and rodent experts say they're incredibly responsive to learning and can be taught to do amazing tricks much in the same way that dogs can. 46:23.264 --> 46:24.465 So why wouldn't you buy a rat? 46:24.505 --> 46:25.765 But of course, be careful. 46:26.565 --> 46:27.606 Pets at home warned. 46:27.726 --> 46:34.908 We certainly don't want rats to become the next animal victims of our movie craze, said Mr. Fairburn from Pets at Home. 46:35.328 --> 46:47.292 Everyone saw what happened in the case of Ninja Turtles and the subsequent demand and mistreatment of terrapins and other aquatic reptiles that followed, and we don't want the same thing to start happening with rats. 46:47.572 --> 46:48.433 It's true, isn't it? 46:48.473 --> 46:51.456 Did that happen during the Teenage Mutant Ninja Turtles? 46:51.516 --> 46:51.917 Oh, yeah. 46:52.077 --> 46:52.517 What happened? 46:52.557 --> 46:56.201 Kids were, like, disappointed that the turtles couldn't do karate. 46:56.261 --> 46:56.522 Yeah. 46:56.622 --> 46:58.424 So they were, like, smashing them against each other. 46:58.444 --> 46:59.845 You're not a hero in a half shell! 46:59.885 --> 47:01.106 You're just a kind of a lump! 47:01.126 --> 47:01.847 Is that what happened? 47:01.887 --> 47:05.931 If maybe there was some problem with a gang on the block, they would throw turtles at them? 47:06.032 --> 47:06.512 That's right. 47:06.532 --> 47:07.413 Good deal with it, turtles! 47:07.773 --> 47:08.574 Kick him in! 47:08.634 --> 47:08.955 Go on! 47:09.895 --> 47:18.598 So what's gonna happen with the rat they're gonna Release kids are gonna release the rats into the kitchen and expect them to cook all they'll do is eat everything in them 47:26.721 --> 47:29.504 plop on it and then give them tuberculosis or something. 47:29.784 --> 47:30.084 Wow. 47:30.324 --> 47:38.912 Anyway, it made me think about strange pets and it reminded me of a story I was told the other day by a friend who told me this story about his sister, right? 47:38.932 --> 47:46.079 So this happened to a friend of mine's sister and she is one of these people who has eccentric pets, a bit like Jonathan Ross and family. 47:46.099 --> 47:48.201 You know, they've got a kind of insane menagerie there. 47:48.861 --> 47:51.002 Exotic pets, they like a quirky pet, right? 47:52.003 --> 47:54.584 Let's call this person Claire, okay? 47:55.304 --> 47:59.006 But we'll spell the name Claire, C-L-E-A-H. 47:59.686 --> 48:00.347 Whatever you want. 48:00.907 --> 48:01.147 Okay. 48:01.467 --> 48:05.509 Anyway, Claire, she's one of these people that keeps exotic pets. 48:05.529 --> 48:07.891 She has a pet python, a big python, right? 48:07.991 --> 48:10.512 And she let this python roam around the house. 48:10.532 --> 48:11.112 She's eccentric. 48:11.132 --> 48:14.594 It was a naturalized, you know, a tame python, whatever you want to call it. 48:15.054 --> 48:19.916 to the extent that she would let the python curl up and sleep at the end of the bed, right? 48:20.277 --> 48:21.017 When she was asleep. 48:21.057 --> 48:24.039 This is a big, long, I don't know, six, seven foot python. 48:24.859 --> 48:31.982 And anyway, Claire was upset because the python, a few weeks back, had stopped eating, right? 48:32.002 --> 48:32.923 It lost its appetite. 48:32.943 --> 48:36.044 It wouldn't eat any of the food that she laid out for it. 48:36.084 --> 48:36.905 She got really worried. 48:37.345 --> 48:38.346 She didn't know what was wrong with it. 48:38.386 --> 48:40.008 She took this python to the vet. 48:40.028 --> 48:41.029 This is a true story, right? 48:41.049 --> 48:41.910 This is not apocryphal. 48:42.551 --> 48:45.374 She took it to the vet and the vet said, don't worry about it. 48:45.434 --> 48:47.636 You know, the python's just a little off colour. 48:48.497 --> 48:51.039 It might have looked like a python cold or whatever. 48:51.120 --> 48:52.601 Just leave it for a while. 48:52.781 --> 48:53.502 Leave it for a week. 48:53.602 --> 48:55.824 If there's no change, come back and see me. 48:55.884 --> 48:57.006 We'll sort the python cold. 48:57.706 --> 49:10.981 Anyway, a few days after the vet visit, Claire wakes up one morning, right, to find the python, still alive, but stretched out in a line and stiff as a board lying next to her. 49:11.061 --> 49:11.842 Like a stick. 49:12.162 --> 49:16.967 Exactly like a stick or a sort of very long romantic partner. 49:17.928 --> 49:23.489 And so she immediately took it back to the vet, right, and described what had happened to the vet. 49:24.089 --> 49:28.010 And the vet says, okay, this snake is no longer your pet. 49:28.710 --> 49:33.651 It's been off its food because it's starving itself in order to eat you. 49:34.232 --> 49:38.532 It's stretching itself out that way because it's measuring you. 49:38.853 --> 49:43.253 That's what they do before they consume their intended prey. 49:43.273 --> 49:45.394 So usually in the jungle they would kill the thing, 49:45.994 --> 49:52.541 and then they would stretch themselves out, just to check the measuring of the situation, then they would start to consume it. 49:52.802 --> 49:53.623 It takes a while. 49:53.843 --> 49:55.545 Wow, I think my cat's doing that. 49:57.867 --> 49:59.108 Is it starving itself? 49:59.128 --> 50:02.152 Well, sometimes I wake up and it's stretched all the way out on the bed. 50:02.572 --> 50:03.032 It's gonna eat you. 50:03.052 --> 50:04.493 With its arms and legs all the way out. 50:04.513 --> 50:04.953 It's going to eat. 50:04.973 --> 50:05.733 Is that what's happening? 50:05.773 --> 50:07.254 But is that a chilling story or what? 50:07.314 --> 50:08.354 That's a chilling story. 50:08.414 --> 50:09.155 What did she do? 50:09.375 --> 50:14.897 Or, hang on, let's leave it as a cliffhanger because we're radio scientists and this is the kind of thing that keeps people listening. 50:15.277 --> 50:18.558 So play a song and we'll find out what happened next after the song, right? 50:18.658 --> 50:19.758 It's not a great cliffhanger. 50:19.959 --> 50:21.419 But anyway, here is Radiohead. 50:21.459 --> 50:25.461 We were speaking about them earlier on and this is a track from their wonderful album, In Rainbows. 50:25.781 --> 50:26.461 How much did you pay for it? 50:27.221 --> 50:28.322 Well, I bought the big box. 50:28.782 --> 50:29.102 Did you? 50:29.162 --> 50:29.902 Yeah, yeah, yeah. 50:30.003 --> 50:30.483 Love the box. 50:30.503 --> 50:31.403 You didn't download it? 50:32.063 --> 50:32.784 I downloaded it. 50:33.064 --> 50:34.645 Well, you get a free download with the big box. 50:34.765 --> 50:34.885 Oh. 50:35.425 --> 50:36.705 So I was happy about it. 50:37.006 --> 50:38.926 And this is one of my favourite tracks. 50:38.946 --> 50:40.847 This is one that's divided Radiohead fans. 50:40.907 --> 50:42.068 Some of them think it's very weak. 50:42.228 --> 50:43.128 I think it's amazing. 50:43.588 --> 50:45.369 And it sounds a little like Prince almost. 50:45.449 --> 50:46.890 One of Prince's sexy songs, I think. 50:46.910 --> 50:49.331 You hear Tom York saying, I don't want to be your friend. 50:49.631 --> 50:50.812 I just want to be your lover. 50:50.892 --> 50:53.773 Not a line that I ever expected to hear from Radiohead. 50:53.813 --> 50:55.073 But man, I love this song. 50:55.133 --> 50:55.714 House of Cards. 51:03.305 --> 51:10.509 Hmm, it's like being on a sexy spaceship, cast adrift in a sexy sea with a sexy alien. 51:11.210 --> 51:14.052 I'd like to look round Chiselhurst Caves with Tommy Hawk. 51:14.932 --> 51:15.392 Don't you think? 51:15.413 --> 51:18.534 Because he'd start going... Everything he said would sound amazing. 51:18.614 --> 51:20.656 Yeah, yeah, there's some good reverb on there. 51:20.696 --> 51:21.416 Yeah, I like that. 51:21.556 --> 51:23.397 House of Cards, that's Radiohead. 51:23.658 --> 51:25.299 From their new album In Rainbows. 51:25.339 --> 51:28.621 Now let's check the situation in the Tex-the-Nation house. 51:30.345 --> 51:33.126 Text-a-nation, text, text, text, text-a-nation. 51:33.167 --> 51:34.147 What if I don't want to? 51:34.387 --> 51:35.108 Text-a-nation. 51:35.128 --> 51:36.208 But I'm using email. 51:36.388 --> 51:37.109 Is that a problem? 51:37.149 --> 51:40.110 It doesn't matter, text! 51:40.510 --> 51:42.932 The text-a-nation situation is thus. 51:43.232 --> 51:44.793 We've had three good ones. 51:44.813 --> 51:54.998 With text-a-nation this week, we're asking people to give us their stories about confrontations they have had with shop staff, altercations with shopkeepers that have got way out of hand, that kind of thing. 51:55.438 --> 51:56.419 Okay, this is from Jim. 51:57.299 --> 51:58.060 Hi, Adam and Joe. 51:58.160 --> 52:01.862 I was in Curry's Digital in Winchester yesterday and there was a man at the counter. 52:02.082 --> 52:05.944 I think he was an ITV executive or something like that. 52:06.625 --> 52:10.947 He was having technical trouble with a TV he'd bought and the shop were unable to help him. 52:11.327 --> 52:13.869 It sounded like this was because the problem was with the aerial. 52:14.769 --> 52:18.572 When he was told he wouldn't be getting any help, he suddenly raised his voice. 52:19.645 --> 52:28.792 and started saying, yes, I will be getting service from this shop because if I don't get the service I want, I will make your lives a living hell. 52:30.854 --> 52:37.279 I think the shopkeepers then caved because they didn't want to suddenly find themselves being featured on the news at 10. 52:38.400 --> 52:41.724 I wish I'd gone over and told him how big a twit he was being. 52:41.864 --> 52:45.048 Jim doesn't use the word twit, but I'm changing it to twit. 52:45.969 --> 52:52.917 So if your listeners find themselves visiting Winchester, they might want to take things into their own hands and start insulting rich looking people. 52:53.137 --> 52:56.922 This would help me because I live in the city and wouldn't be able to get away with it for long. 52:56.962 --> 52:58.183 I don't understand that bit at the end. 52:58.223 --> 53:00.124 I'm gonna make your life a living hell. 53:00.344 --> 53:09.310 Do you think... Do you think any shopkeepers or anyone who's had that threat leveled at them... Did you know that man just threatened to make our lives a living hell? 53:09.711 --> 53:12.793 I don't want... I really don't want my life to become a living hell. 53:13.233 --> 53:15.034 I think I better cave into his demands. 53:15.294 --> 53:18.116 I will make your lives a living hell! 53:18.276 --> 53:22.019 Imagine if your life did just become a living hell and then you really regret it. 53:22.039 --> 53:24.120 Oh, I should never have crossed that guy. 53:24.160 --> 53:26.482 I shouldn't have sold him the telly with the dodgy aerial. 53:26.502 --> 53:27.463 I hate living in hell. 53:28.803 --> 53:30.244 That's quite strong, isn't it really? 53:30.304 --> 53:34.006 Maybe I should have been more like that during my altercation. 53:34.086 --> 53:35.307 That guy got what he wanted. 53:35.327 --> 53:37.728 Do you think he really did work for ITV? 53:39.036 --> 53:40.978 No, why does the guy think he works for ITV? 53:41.218 --> 53:44.922 I don't know, he said he's made a little logical leap there for no earthly reason. 53:44.942 --> 53:46.544 But it does fit with the theme, doesn't it? 53:46.624 --> 53:59.177 Like, if you do work in the media, it's very tempting to try and sort of pull rank and say, look, I've got a show on BBC Six Music, and I'm going to talk about this on air, and your shop's going to lose business and shut down. 53:59.197 --> 54:01.199 Do you think that's what Nicky Campbell does when he goes around? 54:01.239 --> 54:01.600 All the time. 54:01.900 --> 54:09.868 Yeah, look chum, I present Watchdog and unless you want to be featured on the BBC then pull your socks up and sort your life out. 54:09.988 --> 54:13.932 I think he says, watch it dog, I'm the cambler. 54:15.430 --> 54:15.890 Do you think so? 54:16.050 --> 54:17.431 If I was him, that's what I would say. 54:18.111 --> 54:18.351 Yeah. 54:18.371 --> 54:19.412 You're looking at the cambola. 54:19.712 --> 54:20.292 Watch it, dog. 54:20.733 --> 54:21.973 Here's another one from Dan. 54:21.993 --> 54:22.593 It's just an idea. 54:23.334 --> 54:23.994 This says, hi. 54:24.414 --> 54:27.536 Throughout my teenage years, I worked in a variety of different low-level retail jobs. 54:27.576 --> 54:33.398 So most shopkeeper altercations I've been have been from the perspective of the shopkeeper. 54:33.739 --> 54:42.843 I worked in a chip shop and was having a fairly miserable time serving a never-ending line of customers until I came to a group of drunk, middle-aged women who kept insisting that I should smile. 54:43.783 --> 54:56.110 Of course, when you're fed up and angry, the last thing you need is people simply telling you not to be fed up and angry, so I continue to frown at them while they continue to tell me to cheer up, it's not that bad, it might never happen, etc. 54:56.651 --> 55:09.658 In the end, I threw half of their prepared meals onto the counter, threw the chip serving scoop thing on the floor, stormed out of the back of the shop where I sat for about half an hour, being more angry than I think I've ever been in my life before. 55:09.938 --> 55:15.804 You know, this is an interesting thing because he's highlighted a problem there with a lot of particularly British people. 55:15.844 --> 55:18.567 They resent working in the service industry, do you know what I mean? 55:19.068 --> 55:24.093 And they sit there, they feel their individuality is being assailed by their menial position. 55:24.274 --> 55:25.095 Right, so often. 55:25.315 --> 55:31.962 Yeah, you know, and often they do have to endure rudeness and all kinds of tasks that are beneath them in every possible way. 55:32.182 --> 55:34.825 However, they fail to provide the service. 55:34.845 --> 55:35.606 Do you know what I mean? 55:35.626 --> 55:37.368 That they are contracted to provide. 55:37.649 --> 55:40.772 And part of that service is by presenting a smiley demeanor. 55:40.792 --> 55:41.734 This is getting quite serious. 55:41.754 --> 55:43.015 No, but this is a real thing. 55:43.436 --> 55:46.239 Sometimes I know what the guy's saying and I've been in that position before. 55:46.259 --> 55:48.622 It is horrible when people say, come on, cheer up, it might never happen. 55:49.042 --> 55:49.603 That kind of thing. 55:49.623 --> 55:50.384 You do want to smack them. 55:50.744 --> 55:57.251 However, from their point of view, oftentimes, it's a drag to go into a shop and to find some miserable-looking so-and-so serving you. 55:57.712 --> 56:00.134 And you just feel like, God, would a smile kill you? 56:00.194 --> 56:02.557 I'm giving you my custom and I'm not being horrible to you. 56:02.937 --> 56:04.078 Cheer up, you git! 56:04.659 --> 56:05.320 You know what I mean? 56:05.980 --> 56:07.742 So I'm just being devil's advocate. 56:07.782 --> 56:08.522 Yeah, good stuff. 56:09.323 --> 56:09.884 So there we go. 56:10.104 --> 56:11.065 That's Text the Nation. 56:11.805 --> 56:17.350 Keep texting and if you've got really good, I feel we haven't really got the, you know, the king shop altercation. 56:17.410 --> 56:17.631 Right. 56:17.831 --> 56:18.211 We've got time. 56:18.231 --> 56:18.772 Biggest argument. 56:18.812 --> 56:22.655 So keep emailing adamandjoe.sixmusicatbbc.co.uk. 56:22.735 --> 56:26.118 I feel as if I was letting that guy down by presenting the other side of the argument. 56:26.238 --> 56:29.922 I'm not like saying that he had no cause to be upset, don't think anyone cares. 56:30.123 --> 56:30.944 Do you reckon? 56:31.384 --> 56:34.288 Or text 64046 if you've got a story. 56:34.708 --> 56:37.671 It's time for some music recorded live last night. 56:37.952 --> 56:38.853 Can you believe that? 56:39.514 --> 56:41.316 The Roundhouse in Camden. 56:41.736 --> 56:45.557 The Queens of Noise are who they are. 56:45.617 --> 56:45.837 What? 56:46.057 --> 56:46.357 Hang on. 56:46.617 --> 56:49.637 It says here, The Queens of Noise come live from the Roundhouse this afternoon. 56:49.857 --> 56:50.178 Okay. 56:50.418 --> 56:53.538 With live music from Noah and the Whale and Kid Harpoon. 56:53.918 --> 56:56.759 Now, are they the same band, Noah and the Whale and Kid Harpoon? 56:57.179 --> 57:01.199 Or do they just happen to have put a kid with a harpoon next to a band with a whale? 57:01.520 --> 57:05.000 And if so, that's not very good for the whale-based band, is it? 57:05.560 --> 57:08.361 It's going to be hauled onto Kid Harpoon's deck and sliced open. 57:08.381 --> 57:09.341 It's not just thrown together. 57:10.034 --> 57:10.474 There you go. 57:10.575 --> 57:14.138 Anyway, this is the Kaiser Chiefs recorded last night live at the Roundhouse. 57:14.678 --> 57:15.199 This is Jet. 57:17.301 --> 57:17.701 There you go. 57:17.721 --> 57:26.349 That was the Kaiser Chiefs playing at last night's Electric Proms, and that was their version of the Wings Track Jet there. 57:27.230 --> 57:28.431 Joe, what are you doing? 57:28.471 --> 57:29.572 You sort of pushed yourself? 57:29.593 --> 57:30.593 Oh, he's eating an apple. 57:30.613 --> 57:31.654 He backed off the mic to his apple. 57:31.674 --> 57:34.517 I was finishing off a mouthful of delicious Royal Galera. 57:34.537 --> 57:35.298 It's just apple. 57:35.998 --> 57:42.342 Now, we've got a few texts saying that my Python story there was an urban myth, an apocryphal tale. 57:42.722 --> 57:47.424 I was assured by the person that told me the story that it was not an urban myth or apocryphal. 57:47.844 --> 57:50.426 And listen, if I have to go... And with all due respect, Adam Buxton. 57:50.446 --> 57:50.646 Yeah. 57:50.846 --> 57:51.086 Yeah. 57:51.146 --> 57:57.169 You have... And with all due respect, you have a tiny Achilles heel for this kind of thing. 57:57.209 --> 57:57.650 Very credulous. 57:57.670 --> 57:58.790 You're quite credulous. 57:58.910 --> 58:02.012 You're Adam's the man who believes he can win holidays. 58:02.572 --> 58:23.105 from scratch cards what come free in magazines that's true yeah sometimes when i get like a pop-up window on my computer saying congratulations you are the uh one millionth visitor to this site you have won a two-week holiday a couple of times i got excited excited which is fair enough and it you know it tells of a sort of innocence and a joie de vivre that's very appealing 58:23.545 --> 58:24.986 It's nice, isn't it? 58:25.006 --> 58:32.669 Yeah, sometimes stories that are pure rubbies do slip through the net and that snake one may well be. 58:32.989 --> 58:41.873 You see, the idea that it sort of stiffened into a stick, this python, and then so what, she carried it into the vet like a pole. 58:42.273 --> 58:49.159 No, it's stiffened at one point, and then when it had relaxed, she took it into the vet and said, listen, I woke up and it had stiffened. 58:49.880 --> 58:52.502 I need some help from someone out there. 58:54.484 --> 58:58.468 We've had one text from Anonymous which is just the words, that's rubbish. 58:58.968 --> 59:19.525 yeah but that's because that's because his mind can't deal with it we've had another one from steve in new romney that says i reckon that story's a myth a mate told me the same story two weeks ago about someone his mate knew in wales well that's probably happened from wales you see steve is actually actually thinks it might be a true story that's come from the same person it could be 59:19.565 --> 59:20.886 It could be Steve, you're right, you're right, you're right. 59:20.926 --> 59:23.747 I'd say the likelihood of that is zero. 59:23.947 --> 59:33.851 It's just natural for six music listeners to be, you know, inquiring and maybe they're, you know, inclined to be a little cynical about these kinds of stories that blow your mind. 59:34.051 --> 59:40.154 Hey, let's let Julian Cope source out this issue by singing us the song, The Greatness and Perfection of Love. 59:40.194 --> 59:42.555 This song contains all the answers to our snake mystery. 59:42.795 --> 59:43.996 It's true, it's true. 59:44.016 --> 59:44.136 BBC. 59:44.196 --> 59:44.376 Six. 59:44.396 --> 59:44.876 Music. 59:47.957 --> 59:48.858 It's like the song. 59:49.813 --> 59:52.736 Wars, it is the song! 59:52.776 --> 59:55.098 Wars, magnificent song! 59:55.138 --> 59:57.400 Wars, song, song, song, song! 59:57.801 --> 01:00:02.765 It's a battle, bit with two songs! 01:00:03.005 --> 01:00:05.027 One song and two songs! 01:00:05.288 --> 01:00:06.349 Whoa, whoa, whoa, whoa! 01:00:06.969 --> 01:00:30.438 never gets all that jingle it's horrible it's the second time we've played it horrible and oh dear we're gonna have to sort it out man because you can't hear that week in week out we'll fix it up restoration work during the week this is Adam and Jo on BBC six music thanks for joining us thanks for listening it's not that we're going away or anything don't get excited but we're just saying thank you it's nice to say thanks every now and again you know it's 01:00:30.538 --> 01:00:30.958 It's polite. 01:00:31.138 --> 01:00:38.941 It's polite and we're here for another like 52 minutes and we're running this amazing new feature called Song Wars. 01:00:39.001 --> 01:00:40.982 Adam and I have composed a song each. 01:00:41.402 --> 01:00:45.564 We had an email asking us how we actually went about producing the songs. 01:00:45.604 --> 01:00:46.524 Don't tell them. 01:00:46.564 --> 01:00:47.345 We can't tell you. 01:00:48.165 --> 01:00:51.186 But they are genuinely recorded by ourselves. 01:00:51.246 --> 01:00:52.707 Yes, they are original compositions. 01:00:52.767 --> 01:00:54.748 And we haven't heard one another's song. 01:00:54.868 --> 01:00:56.028 We've done them in isolation. 01:00:57.189 --> 01:01:00.571 And we'd like you to text in and vote for the one you'd like to hear in full. 01:01:01.331 --> 01:01:04.073 Even though it would be true to say that we are going to play both. 01:01:04.473 --> 01:01:04.673 Yeah. 01:01:05.073 --> 01:01:06.634 No, the thing is, it's an ongoing thing. 01:01:06.654 --> 01:01:08.715 You know, we're going to tot up who wins all these things. 01:01:08.755 --> 01:01:10.696 And then at the end, there'll be some big prize for one of us. 01:01:10.716 --> 01:01:12.137 Well, some of the loser will be punished. 01:01:12.157 --> 01:01:13.157 The loser has to suffer. 01:01:13.197 --> 01:01:14.658 Otherwise, there's no point in losing. 01:01:14.718 --> 01:01:18.061 Well, the loser suffers the humiliation of not being appreciated. 01:01:18.261 --> 01:01:22.325 The winner has to win something, otherwise there's no point in winning. 01:01:22.365 --> 01:01:23.426 Well, you win respect. 01:01:23.687 --> 01:01:26.689 And I get humiliation, because I'm pretty much going to lose this one. 01:01:26.710 --> 01:01:27.030 You know what? 01:01:27.090 --> 01:01:28.151 Respect is worth winning. 01:01:28.631 --> 01:01:28.952 Absolutely. 01:01:28.972 --> 01:01:31.014 On the streets, it's the only thing that counts. 01:01:31.094 --> 01:01:32.275 That's why I got in a gang. 01:01:32.555 --> 01:01:34.916 My whole... I wasn't getting enough respect. 01:01:35.016 --> 01:01:36.477 I thought, join a gang. 01:01:36.497 --> 01:01:38.098 That's why I do the muggings and stuff. 01:01:38.138 --> 01:01:38.598 That's right. 01:01:38.618 --> 01:01:39.679 For respect on the street. 01:01:40.099 --> 01:01:41.119 It's the only way to survive. 01:01:41.199 --> 01:01:45.442 Well, you know, the way I got out of gangs is by doing the music. 01:01:45.922 --> 01:01:46.242 Really? 01:01:46.262 --> 01:01:47.663 Yeah, because I wanted respect. 01:01:47.843 --> 01:01:49.844 Hip-hop and football, they're the only way out of gangs. 01:01:49.904 --> 01:02:00.309 The whole song, my song, Four Foot Club, is all about looking for respect and, you know, it says I'm too diminutive to be in charge and I want respect like Napoleon or Danny DeVito. 01:02:00.329 --> 01:02:01.370 Can we hear that clip again? 01:02:01.530 --> 01:02:01.890 Oh yeah! 01:02:02.210 --> 01:02:04.193 I'm ready to solve, but my dreams are lost. 01:02:04.253 --> 01:02:07.258 If you're feeling that I'm losing, then you're just a fear, just I want to see. 01:02:10.316 --> 01:02:10.576 You know? 01:02:10.596 --> 01:02:11.617 Respect like a pony. 01:02:11.937 --> 01:02:12.778 Like Napoleon. 01:02:12.798 --> 01:02:15.340 I may be small but my dreams are large. 01:02:15.440 --> 01:02:21.406 It's exactly that kind of oh-ho-ho type attitude that the whole song is about giraffe man. 01:02:22.006 --> 01:02:25.569 This is a song we're about height listeners in case you're just joining us. 01:02:25.649 --> 01:02:35.658 Adam's song there is about being diminutive in height because Adam's on the lower side and I'm on the raised up side. 01:02:35.898 --> 01:02:36.619 He's in the mic. 01:02:37.199 --> 01:02:38.560 And here's a clip from my song. 01:02:38.600 --> 01:02:42.603 If you want to hear Adam's song in full, text Adam to 64046. 01:02:43.124 --> 01:02:45.906 If you want to hear my song in full, text Joe to 64046. 01:02:46.226 --> 01:02:49.029 Here's a clip of my song about being tall. 01:02:59.605 --> 01:03:02.247 So it's not necessarily to hear the song, because we're gonna play them both. 01:03:02.587 --> 01:03:05.429 But it's who, which song you think is better? 01:03:05.469 --> 01:03:06.150 That's as simple as that. 01:03:06.470 --> 01:03:07.290 Which one do you want to win? 01:03:07.310 --> 01:03:08.111 Which is a better song? 01:03:08.131 --> 01:03:08.932 Yeah, it's a song war, man. 01:03:08.952 --> 01:03:09.812 Because this is six music. 01:03:09.912 --> 01:03:11.894 Everyone who listens is serious about music. 01:03:12.894 --> 01:03:16.657 They have good listening skills, you know? 01:03:16.757 --> 01:03:17.097 Ears. 01:03:17.117 --> 01:03:17.638 So there we go. 01:03:18.378 --> 01:03:20.320 Music time now, proper music time now, is it? 01:03:20.540 --> 01:03:22.021 Can we just say that text number once again? 01:03:22.221 --> 01:03:27.725 And can I remind listeners that mine is slightly better and that I need some votes, because I'm not getting no votes at the moment. 01:03:27.745 --> 01:03:28.966 Where are the votes at the moment, Jude? 01:03:30.114 --> 01:03:31.514 You're not even counting them, are you? 01:03:31.814 --> 01:03:33.335 Will is counting them. 01:03:33.515 --> 01:03:36.096 I'd say they're... Right, we want proper statistics here, please. 01:03:36.136 --> 01:03:37.276 We want actual numbers. 01:03:37.336 --> 01:03:38.116 Joe's way ahead. 01:03:38.236 --> 01:03:38.896 Joe's way ahead. 01:03:38.936 --> 01:03:39.876 This is Adam speaking. 01:03:39.956 --> 01:03:41.217 I need some votes now. 01:03:41.537 --> 01:03:45.078 Text Adam to... What's the number? 01:03:45.098 --> 01:03:45.078 64023. 01:03:45.638 --> 01:03:47.458 No, don't say that. 01:03:47.518 --> 01:03:50.519 Come on, six... Sorry, that's the wrong number. 01:03:50.899 --> 01:03:50.519 64046. 01:03:51.519 --> 01:03:55.340 64046, text Adam or Joe according to who you think is done the best one. 01:03:55.420 --> 01:03:57.041 Adam, text Adam, text Adam now, please. 01:04:00.933 --> 01:04:03.436 That was Duke Spirit with Lassoo! 01:04:03.456 --> 01:04:05.758 Uh, incorrectly spelt. 01:04:05.918 --> 01:04:07.160 Is that the way you spell Lassoo? 01:04:07.180 --> 01:04:08.621 No, maybe it is the way you spell Lassoo. 01:04:08.942 --> 01:04:09.382 L-A-S-L-O. 01:04:09.402 --> 01:04:11.064 Let's forget about that, no one cares. 01:04:11.485 --> 01:04:13.166 Listen, song wars, right? 01:04:13.186 --> 01:04:14.708 Yeah, John is upset now. 01:04:14.728 --> 01:04:16.330 During that last track, after... 01:04:16.870 --> 01:04:20.714 You know, I predicted this would happen during your sort of simpering underdog act. 01:04:21.115 --> 01:04:22.456 Now you've had a sudden spurt. 01:04:23.077 --> 01:04:29.323 All I did was galvanize people who are naturally attracted to my music to get on and text. 01:04:29.824 --> 01:04:31.686 The thing is that... What's the score now, Jude? 01:04:32.968 --> 01:04:34.590 I think it's 26.15. 01:04:34.630 --> 01:04:35.010 26.15 to who? 01:04:35.091 --> 01:04:35.371 To me. 01:04:35.391 --> 01:04:36.052 To you, Joe. 01:04:36.453 --> 01:04:37.834 So you're still way ahead, man. 01:04:37.855 --> 01:04:40.739 I don't, I really, I don't, I'd love your song to win. 01:04:41.780 --> 01:04:43.823 You know, you're my best friend, I like you a lot. 01:04:43.843 --> 01:04:45.465 I think everything you do is Brills. 01:04:46.006 --> 01:04:46.567 McGill's. 01:04:46.847 --> 01:04:47.208 Yeah. 01:04:47.368 --> 01:04:47.628 Right. 01:04:48.129 --> 01:04:52.672 But I think it's bad for you if people are voting for you. 01:04:53.112 --> 01:04:56.594 Just out of sympathy, it teaches you the wrong approach to life. 01:04:56.694 --> 01:04:57.034 Hey, hey, hey. 01:04:57.495 --> 01:04:59.716 You'll get, you know, you'll come a cropper later in life. 01:04:59.736 --> 01:05:01.057 Giraffe boy, it's okay. 01:05:01.297 --> 01:05:02.237 That's not what's happening. 01:05:02.658 --> 01:05:03.038 It's fine. 01:05:03.058 --> 01:05:04.779 Hey, I call myself a man giraffe. 01:05:04.799 --> 01:05:05.659 You can't say it back to me. 01:05:05.679 --> 01:05:07.801 They are, they're voting for the track. 01:05:07.861 --> 01:05:09.141 They consider most witwoks. 01:05:10.522 --> 01:05:12.243 They don't know what WICKWOCKS means. 01:05:12.323 --> 01:05:12.763 They do. 01:05:13.023 --> 01:05:14.023 They know exactly what it means. 01:05:14.043 --> 01:05:14.543 WICKEDY WOCKS. 01:05:14.944 --> 01:05:15.584 WICKLE WOCKLES. 01:05:15.904 --> 01:05:17.304 And they are thinking, you know what? 01:05:17.664 --> 01:05:19.145 Adam's track does sound WICKWOCKS. 01:05:19.545 --> 01:05:22.086 I'm going to text in and express that fact right now. 01:05:22.326 --> 01:05:26.427 Just because you're shorter, they think you're some sort of little furry animal. 01:05:26.487 --> 01:05:27.308 We'll find out what happens. 01:05:27.328 --> 01:05:30.729 We've got another hour and... No, no, we only have 45 seconds. 01:05:30.789 --> 01:05:33.310 Oh my gosh, the winner in about half an hour. 01:05:33.390 --> 01:05:37.671 Text 64046, text either Adam or Joe, depending on which song you want to hear. 01:05:37.691 --> 01:05:39.472 The short song, Curse of Adam. 01:05:40.713 --> 01:05:49.398 Now the question of whether my Python story from earlier on was apocryphal or not rages on as a point of debate in the text forum. 01:05:49.778 --> 01:05:58.583 However, all I can tell you is that I, credulously or not, believed it to be true when it was told to me by a friend who assured me it was not apocryphal. 01:05:59.004 --> 01:06:03.887 Someone says on there that, oh yeah, I heard Russell Brand, he read the story out from the Metro the other week. 01:06:04.227 --> 01:06:05.247 Well, consider this. 01:06:05.668 --> 01:06:09.390 Maybe the Metro were covering the story that I'm talking about. 01:06:09.750 --> 01:06:09.950 Yeah? 01:06:10.451 --> 01:06:16.839 Maybe it was a news story and I just happened to hear it from the brother of the person it actually happened to. 01:06:16.859 --> 01:06:17.480 What about that? 01:06:17.500 --> 01:06:19.383 It's not likely, but it's possible. 01:06:20.164 --> 01:06:21.746 Anyway, here's a story that did happen to me. 01:06:21.786 --> 01:06:21.986 This is... 01:06:23.374 --> 01:06:26.838 Uh, this is genuine and it's not a story so much, it's just a problem I'm having. 01:06:27.238 --> 01:06:31.922 I keep getting mouse infestations in my house where I live, uh, a mouse house. 01:06:32.503 --> 01:06:40.311 And, you know, after several unsuccessful attempts to destroy the mice and everything they stand for, they are back in, in Bucky Land. 01:06:40.811 --> 01:06:42.873 And, uh, you can tell they're back, right? 01:06:43.213 --> 01:06:44.775 How can you tell the mice around you? 01:06:44.975 --> 01:07:00.642 because of the tiny little black mouse droppings or nonsense as I call them and the mouse nonsense is sprinkled all over the cereal cupboard and they're right it is nonsense yeah yeah it's mouse nonsense rejected nonsense exactly 01:07:01.282 --> 01:07:13.389 And, you know, this is obviously distressing from our hygiene point of view, but of course it's most especially troublesome when it comes to breakfast, because they tend to really go for the cereals and stuff and then leave their nonsense. 01:07:13.869 --> 01:07:17.512 And I enjoy a bowl of organic muesli from time to time, okay? 01:07:17.532 --> 01:07:21.234 And do you mistake the mouse nonsense for hearty grains? 01:07:21.254 --> 01:07:21.814 Well, this is the 01:07:22.214 --> 01:07:37.045 You know, the other day, when I poured the milk into my organic muesli, I was mortified to discover, floating on the top of the milk, separated from the rest of the muesli, where it had lain, camouflaged, a little flotilla of mouse nuts. 01:07:39.207 --> 01:07:45.391 Now revolted, obviously, and freaked out because, you know, I was just about to tuck into this little poo bowl. 01:07:46.251 --> 01:07:56.237 I chucked the whole thing down the waste disposal, even though I don't have one, and opened up a brand new packet of muesli that I had in standby for just this occasion. 01:07:56.658 --> 01:08:00.520 However, when I poured the milk into the muesli, it looked 01:08:00.600 --> 01:08:02.401 pretty much the same that time. 01:08:02.461 --> 01:08:09.804 So the thing is, I'm now paranoid, you know, the seeds and the mouse nonsense look very similar. 01:08:10.325 --> 01:08:14.867 So now I can't really eat anything vaguely seedy during the infestation. 01:08:14.887 --> 01:08:15.407 Do you know what I mean? 01:08:15.427 --> 01:08:21.350 The whole muesli thing is off the menu because I just, I can't guarantee that the little mice haven't gone in there and left there. 01:08:21.370 --> 01:08:22.851 You know, it's probably good for you. 01:08:23.351 --> 01:08:40.507 why mouse gibberish really yeah it's probably the kind of thing they should put in the muesli anyway yes yeah slice some banana mm-hmm couple of straws they carry a lot of diseases though mice you know they really do they love disease it inoculates you the right amount of mouse 01:08:42.188 --> 01:09:01.417 you reckon you could buy them from holland and barrett or whatever i think holland and barrett do do little jars of of mouse thoughts mouse nonsense yeah that's interesting well that's just i just wanted to share that with you right now this is a track that joe's picked out yeah yeah this is from a talib quoi what how do you say his name say it 01:09:02.697 --> 01:09:03.478 Talib Quele. 01:09:03.578 --> 01:09:03.878 Quele. 01:09:04.038 --> 01:09:04.519 I like him. 01:09:04.559 --> 01:09:07.441 I don't know how to say his name, but this is a really good album, what he's done. 01:09:08.101 --> 01:09:09.402 Now, this is a song called Hot Thing. 01:09:09.783 --> 01:09:13.326 It features Will I Am, who's from the Black Eyed Peas, right? 01:09:13.766 --> 01:09:19.691 And he's usually that kind of man that might make you feel a bit depressed and sad about things, generally. 01:09:20.111 --> 01:09:21.272 It's because of his antics. 01:09:21.352 --> 01:09:22.313 Is he a bit like Wyclef? 01:09:22.773 --> 01:09:23.434 He is, yeah. 01:09:23.514 --> 01:09:23.914 I don't know. 01:09:24.054 --> 01:09:28.538 When he comes onto the telly or into the room, you just feel like doing something else, usually. 01:09:29.158 --> 01:09:30.980 But he's done a good one. 01:09:31.420 --> 01:09:31.700 Well done. 01:09:31.720 --> 01:09:32.620 Yeah, I love this song. 01:09:32.640 --> 01:09:35.441 This is called Hot Thing by Talib Kwale, and will I am? 01:09:44.763 --> 01:09:45.743 Oh, dear listeners. 01:09:46.884 --> 01:09:52.285 Now, this is the instrumental version of Hot Thing by Talib Kwale that frankly doesn't sound very impressive. 01:09:52.325 --> 01:09:54.825 It sounds like a man in a beatbox. 01:09:55.085 --> 01:09:56.766 Nice, nice little trap there. 01:09:58.479 --> 01:10:00.941 There was no need to talk about where I am. 01:10:01.141 --> 01:10:01.481 There you go. 01:10:01.501 --> 01:10:02.301 There's how it goes. 01:10:02.361 --> 01:10:03.882 Go on, do more. 01:10:03.922 --> 01:10:08.505 I don't know the word. 01:10:11.387 --> 01:10:12.687 That kind of thing, you know? 01:10:13.048 --> 01:10:14.769 Who loaded in the instrumental version? 01:10:15.669 --> 01:10:21.835 Well, at this point, listeners, we should introduce you to Will, who is our sort of kind of technical backup man. 01:10:22.435 --> 01:10:23.256 Let's see Will's face. 01:10:23.276 --> 01:10:24.217 How do I move your head a bit? 01:10:24.257 --> 01:10:24.697 There he is. 01:10:25.038 --> 01:10:26.439 He's looking not ashamed enough. 01:10:26.499 --> 01:10:28.921 No, because Will loaded the only version that was available to him. 01:10:29.322 --> 01:10:29.662 Really? 01:10:30.523 --> 01:10:32.425 Do you not listen to the tracks first, Will? 01:10:32.825 --> 01:10:34.767 Well, he was thinking you wanted an instrumental track. 01:10:34.847 --> 01:10:36.708 How did he know that it was the rapping you were into? 01:10:36.789 --> 01:10:40.152 I tell you what, next week we'll play the one with the rapping in it. 01:10:42.634 --> 01:10:51.380 yes yes yes sorry man everything conspires against oh don't star you're gonna win the song wars what more do you want you know I'm gonna win the song 01:10:55.845 --> 01:10:57.806 Now this is Adam and Jo on Six Music by the way. 01:10:58.566 --> 01:10:59.807 That won't happen again listeners. 01:11:00.247 --> 01:11:00.627 No, no. 01:11:00.647 --> 01:11:01.668 I promise you. 01:11:01.988 --> 01:11:02.728 Don't you promise Will? 01:11:02.748 --> 01:11:03.689 That won't happen again, will it? 01:11:04.189 --> 01:11:05.229 He's saying yes it will. 01:11:07.150 --> 01:11:09.672 Okay, this is a track from a Six Music Hub session. 01:11:09.732 --> 01:11:12.373 This is the wonderful Frank Black with I Burn Today. 01:11:13.621 --> 01:11:19.188 You know, the other person they could have had playing on the bill with, uh, Noah and the Well and, uh, what are the harp- Kid Harpoon. 01:11:19.208 --> 01:11:20.489 Kid Harpoon would be Seal. 01:11:21.090 --> 01:11:21.891 It's true, isn't it? 01:11:21.931 --> 01:11:22.211 Yeah. 01:11:22.772 --> 01:11:25.555 Yeah, and then Kid Harpoon could- could Club Seal to death? 01:11:25.655 --> 01:11:28.218 Well, that they could call- no, what are you- what are you- Hey. 01:11:28.479 --> 01:11:30.882 Hey, that's what they do with- with Seals, man. 01:11:31.042 --> 01:11:31.703 Yeah, I know. 01:11:31.723 --> 01:11:31.763 Oh. 01:11:34.704 --> 01:11:35.544 Well, what were you going to say? 01:11:35.724 --> 01:11:36.705 I was going to say that. 01:11:37.225 --> 01:11:39.386 This is Adam and Joel on BBC Six Music. 01:11:39.506 --> 01:11:47.870 As you know, we're in the middle of an exciting new feature called Song Wars, where a song composed by me goes up against a song composed by Adam and you, the listeners vote. 01:11:48.190 --> 01:11:54.453 And because we both, you know, genuinely separately wrote and recorded these songs, we feel quite passionate. 01:11:54.673 --> 01:11:57.474 Well, Joe's already got it, but he's taken it all very personally, I think. 01:11:57.514 --> 01:12:02.354 I'm quite upset because I was clearly winning in the lead, and then this is exactly what happened on the Breakfast Show. 01:12:02.374 --> 01:12:07.775 But this is Adam cleverly positioned himself as the underdog, and now it's 33 to 31. 01:12:08.095 --> 01:12:09.376 But this is what happens. 01:12:09.396 --> 01:12:11.376 This is what happens with votes, man. 01:12:11.436 --> 01:12:14.177 It's not like a question of a sympathy thing. 01:12:14.197 --> 01:12:21.218 You know, you think that it's just me preying on people's sympathy and saying, come on, please pay for me, because my foot hurts. 01:12:21.658 --> 01:12:23.419 That's exactly what I'm talking about. 01:12:23.459 --> 01:12:23.939 No, it's not. 01:12:23.999 --> 01:12:28.322 People out there are just, you know, they're listening to their songs, they're purely voting for this. 01:12:28.362 --> 01:12:30.683 It's not a popularity contest, Joe Cornish. 01:12:31.024 --> 01:12:33.205 This is all about the music, yeah? 01:12:33.925 --> 01:12:34.926 And I know that. 01:12:35.286 --> 01:12:44.852 And so all I'm saying is that the people that voted for my song, Four Foot Club, which is about being small, 01:12:45.832 --> 01:12:50.376 Just took a little longer to get their votes in and now you're all upset about come on tallies out there mobile. 01:12:50.536 --> 01:12:53.338 This isn't about the music Yeah, this isn't about you and me. 01:12:53.639 --> 01:12:56.241 This is about tall people versus short people. 01:12:56.281 --> 01:12:58.663 Listen, let's have one more reminder This is the last reminder. 01:12:58.683 --> 01:13:12.434 We're gonna play you of what we're talking about right now There are clips from the tracks and the next time we hear these it'll be the end of the show and we will have a winner Okay, now here's four-foot club Oh, yeah, I made this all but my dreams are large and sick of feeling that I'm soothing in your teeth 01:13:17.136 --> 01:13:20.758 Rock, rockalocious, and now here's a little bit from DJ Nippy Nips. 01:13:20.958 --> 01:13:22.920 These songs are longer obviously, not that much. 01:13:22.940 --> 01:13:25.341 No, they're both clocking at just under a minute. 01:13:37.328 --> 01:13:40.290 But, you know, they're both great, both very different genres. 01:13:40.771 --> 01:13:50.439 So text 64046, text Adam if you want to hear the Short People song, or Joe if you want to hear the Tall People song, 64046. 01:13:51.420 --> 01:13:56.344 And we'll play both the Losing song and the Winning song a bit later. 01:13:56.544 --> 01:14:02.247 But what we're going to do is week in, you know, week on week, we'll tot up who is getting the most winning votes on these things. 01:14:02.847 --> 01:14:08.570 And then the loser person will have some sort of forfeit, a humiliating forfeit. 01:14:08.630 --> 01:14:10.511 You've got an idea for a forfeit, listeners. 01:14:10.531 --> 01:14:11.552 You could email us that. 01:14:11.752 --> 01:14:18.515 The other thing you could do, listeners, actually, in this last half hour is suggest a theme for next week's Song Wars, okay? 01:14:18.835 --> 01:14:22.257 So we kicked it off this week with a theme we chose ourselves, which was height. 01:14:23.397 --> 01:14:29.159 Can you think of a good theme for myself and Joe to compose songs on for next week's Song Wars? 01:14:29.179 --> 01:14:29.799 There's a lot to do. 01:14:29.819 --> 01:14:31.099 There's a lot for the listeners to do. 01:14:31.300 --> 01:14:31.720 There is. 01:14:31.760 --> 01:14:33.020 You've got to vote for your favourite song. 01:14:33.280 --> 01:14:35.181 You've got to suggest a theme as well. 01:14:35.461 --> 01:14:36.741 Listen, you don't have to do any of this. 01:14:36.761 --> 01:14:41.422 You can just sit back and relax and make yourself a cocktail, have a bath. 01:14:42.003 --> 01:14:42.483 I don't care. 01:14:42.763 --> 01:14:45.324 But if you want to get involved, I'm just saying this is the option. 01:14:45.424 --> 01:14:46.364 You could suggest a theme. 01:14:46.984 --> 01:14:55.572 But coming up right now on 6 Music here at the BBC, the big British castle, we have the news, which is read to you by Rachel Matthew and Andre Payne. 01:14:55.733 --> 01:14:56.473 The strokes. 01:14:56.814 --> 01:14:58.075 They're so hot right now. 01:14:58.395 --> 01:14:59.876 That was called Someday. 01:14:59.977 --> 01:15:02.159 This is Adam and Joe here on BBC 6 Music. 01:15:02.539 --> 01:15:09.706 And now, folks, if you're a regular listener of our shows and you are curious about what the podcast situation was going to be from these programmes, 01:15:10.406 --> 01:15:18.070 Let me tell you now that we haven't exactly nailed down the details, but I can tell you that it won't be a weekly podcast that we're doing from this show. 01:15:18.490 --> 01:15:24.473 You have the option to listen again if you choose to, which means, you know, you can listen to the show whenever you like. 01:15:24.533 --> 01:15:26.254 I think that stays up for a week or two. 01:15:26.514 --> 01:15:27.094 Yeah, one week. 01:15:27.434 --> 01:15:31.336 You just go to the BBC 6 Music website and there you go. 01:15:33.038 --> 01:15:42.488 Or the other option that we're discussing is to do something monthly which will be a sort of selection of highlights from these programs as well as brand new nuggets. 01:15:43.489 --> 01:15:45.171 Oh, I love new nuggets. 01:15:45.191 --> 01:15:45.691 I love it. 01:15:45.832 --> 01:15:46.973 Delicious new nuggets. 01:15:47.313 --> 01:15:51.496 And that'll be something like a big one-hour bumper podcast that comes out once a month. 01:15:51.576 --> 01:15:52.557 But once- We haven't quite figured out. 01:15:52.597 --> 01:15:53.638 We haven't quite thrashed up. 01:15:53.658 --> 01:15:56.680 I've nailed down the, uh... Yeah, we're talking to worldwide about that. 01:15:56.700 --> 01:15:57.040 That's right. 01:15:57.060 --> 01:15:59.402 Um, yeah, there'll be some meetings next week. 01:15:59.422 --> 01:16:01.623 But once we find out, we'll keep you in the loop. 01:16:01.683 --> 01:16:02.124 Absolutely. 01:16:02.164 --> 01:16:07.327 You can always check what's going on on my website, which is Adam-Buckston.co.uk. 01:16:07.628 --> 01:16:10.950 Or, uh, you can check out the Adam and Jo Six Music website as well. 01:16:11.030 --> 01:16:11.891 What's the address for that? 01:16:12.311 --> 01:16:14.753 Well, you can find it by just going onto the BBC website. 01:16:14.773 --> 01:16:15.093 It's easy. 01:16:15.322 --> 01:16:21.706 Hey, and we're here until noon, and then Liz Kershaw's back, uh, from 12 till 2, uh, which is exciting. 01:16:21.966 --> 01:16:22.687 So she'll be here. 01:16:22.727 --> 01:16:23.407 Stay tuned for that. 01:16:24.008 --> 01:16:29.011 Now, I just, I'm just looking at the independence, uh, the information magazine. 01:16:29.031 --> 01:16:30.292 Do you like the information, Joe? 01:16:30.832 --> 01:16:33.794 I have no emotions about the independence information magazine. 01:16:33.814 --> 01:16:35.375 Do you like information in general? 01:16:35.536 --> 01:16:36.476 I love information. 01:16:36.516 --> 01:16:37.737 It keeps me informed. 01:16:38.037 --> 01:16:38.638 Yeah. 01:16:38.718 --> 01:16:39.458 That's true. 01:16:39.598 --> 01:16:40.079 Absolutely. 01:16:40.099 --> 01:16:40.919 That's a good point. 01:16:40.939 --> 01:16:44.982 When you work in the city, like I do, it's important to be up to date with inform... 01:16:45.922 --> 01:16:48.224 You know, you've got the end of the word there. 01:16:48.264 --> 01:16:49.846 There you go. 01:16:49.946 --> 01:16:52.608 Now, they've got like a little film recommendation. 01:16:52.668 --> 01:16:55.450 Things, if you're staying in, they say films on television. 01:16:55.490 --> 01:16:55.990 It's helpful. 01:16:56.691 --> 01:17:00.614 And they do a rundown, all the films to watch out for every day of the week here. 01:17:01.154 --> 01:17:05.437 But I'm always slightly upset and baffled by the rating system they employ in these things. 01:17:05.457 --> 01:17:09.401 Now, the Independent use a rating system that I think they stole from Hello! 01:17:09.441 --> 01:17:12.583 magazine involving a lady in... Do they? 01:17:12.603 --> 01:17:14.284 Is it a lady in a chair? 01:17:14.504 --> 01:17:15.245 Is it just stars? 01:17:15.405 --> 01:17:31.407 stars I'm just worried about this my favorite rating system is a silhouette of a lady in a chair and they used to use it in hello do you remember in the 80s if it's a boring film she's slumped in her chair she hates it this is boring and it's like an office the interesting she's set up going 01:17:32.348 --> 01:17:32.909 What is this? 01:17:33.209 --> 01:17:33.429 Yeah. 01:17:33.789 --> 01:17:41.214 If it's really quite good, she's sat forward, I believe, with her chin held in her hand going, and this has drawn me slightly closer to the screen. 01:17:41.935 --> 01:17:44.096 And if she loves it, she's standing up and clapping. 01:17:44.437 --> 01:17:46.738 Hooray for the new series of Prank Suspect! 01:17:48.039 --> 01:17:48.720 That kind of thing. 01:17:48.780 --> 01:17:50.141 But I don't think Hello do it anymore. 01:17:50.181 --> 01:17:52.823 And I think a daily newspaper has stolen it. 01:17:53.163 --> 01:17:54.444 Who is that woman in that chair? 01:17:55.664 --> 01:17:56.544 It's my mum. 01:17:57.065 --> 01:17:57.585 It's your mum? 01:17:57.605 --> 01:17:58.285 It's my mum, yeah. 01:17:58.325 --> 01:17:59.125 She's the model for that one. 01:17:59.145 --> 01:18:00.026 She's got great taste. 01:18:00.046 --> 01:18:01.826 I thought you were going to say something else there for a second. 01:18:02.106 --> 01:18:03.967 She's got great views as well. 01:18:04.047 --> 01:18:07.488 Now, so, yeah, the Independent, they just use red stars. 01:18:07.848 --> 01:18:16.932 And so, for example, Blue Velvet, which is on at 10.45pm on Sky Movies Indie next Thursday night, that gets five red stars. 01:18:17.232 --> 01:18:17.732 Right, so. 01:18:17.992 --> 01:18:19.173 but rightly so. 01:18:19.253 --> 01:18:27.261 Dead Man's Shoes, Shane Meadows' grimly-crippin' Gorilla Roots drama, which is also on Thursday on Film 4 at 10.50pm. 01:18:27.682 --> 01:18:29.424 That gets four red stars. 01:18:29.584 --> 01:18:30.204 Wrongly so. 01:18:30.264 --> 01:18:31.746 I'd say that also deserves five. 01:18:31.786 --> 01:18:32.647 I would give that five. 01:18:32.727 --> 01:18:32.867 Easily. 01:18:32.967 --> 01:18:34.749 It's not one star worse than Blue Velvet. 01:18:34.989 --> 01:18:52.293 Okay, Sunday, this coming Sunday, tomorrow night, Star Wars, I don't know if you've seen this film, Star Wars, directed by George Lucas, it says, the American graffiti director's laser-targeted space opera packs more drive and charm than its CGI stunted prequels. 01:18:52.573 --> 01:19:00.275 The mix of background mythologies with Mark Hamill's game hero, Harrison Ford's space rogue, Alec Guinness's old sage and Carrie Fisher's funny hair, 01:19:00.735 --> 01:19:04.916 provide fairytale fun for young or helplessly nostalgic viewers. 01:19:05.356 --> 01:19:06.236 Three stars. 01:19:06.557 --> 01:19:08.317 Three stars for Star Wars. 01:19:08.337 --> 01:19:10.097 Well, you know what they're doing? 01:19:10.137 --> 01:19:12.398 They're provoking genuine Star Wars. 01:19:12.458 --> 01:19:13.218 Star Wars. 01:19:13.238 --> 01:19:17.539 They want people to get angry about their star rating, so they'll have a taste of Star Wars. 01:19:17.579 --> 01:19:23.841 Meanwhile, me, you and everyone we know, and Spellbound, both perfectly reasonable films, they get four stars each. 01:19:23.861 --> 01:19:24.681 Better than Star Wars. 01:19:24.701 --> 01:19:25.701 Better than Star Wars? 01:19:25.721 --> 01:19:26.682 I'm not having that. 01:19:26.782 --> 01:19:27.082 Come on. 01:19:27.782 --> 01:19:28.082 You know? 01:19:28.222 --> 01:19:30.484 And Videodrome, that gets four stars as well. 01:19:31.385 --> 01:19:31.705 Anyway. 01:19:32.345 --> 01:19:34.086 You're just reading from the paper now. 01:19:34.367 --> 01:19:34.647 Yeah. 01:19:35.147 --> 01:19:35.928 That's true, isn't it? 01:19:36.748 --> 01:19:37.088 Now, okay. 01:19:37.108 --> 01:19:37.569 Music time. 01:19:37.609 --> 01:19:38.109 Music time. 01:19:38.309 --> 01:19:43.813 And after this, folks, we are going to announce who has won the Song Wars. 01:19:44.013 --> 01:19:45.834 Okay, that's why I was thinking about Star Wars. 01:19:46.135 --> 01:19:49.317 But before that, here is the new single from the Foo Fighters album. 01:19:49.997 --> 01:19:54.060 Echoes, Patience, Silence, Grace, Arithmetic, Cellotape. 01:19:54.680 --> 01:19:56.622 This is called Long Road to Ruin, and it's a beach! 01:20:00.212 --> 01:20:00.972 Oh dear, horrible. 01:20:01.012 --> 01:20:05.855 The sound is particularly bad mixed in with the end of the Foo Fighters there. 01:20:06.095 --> 01:20:07.176 I should disgrace. 01:20:16.202 --> 01:20:17.202 Horrible, horrible stuff. 01:20:17.582 --> 01:20:19.263 We're gonna prove that for next week. 01:20:19.283 --> 01:20:20.763 You'll never have to hear that again. 01:20:21.003 --> 01:20:24.544 Even if it means that we have to rename the feature, do you know what I'm saying? 01:20:24.664 --> 01:20:24.844 Yeah. 01:20:25.184 --> 01:20:28.245 To give it some different jingle action because that is horrible. 01:20:28.385 --> 01:20:32.846 So this is it listeners, this is the end of the first ever inaugural song wars competition. 01:20:33.506 --> 01:20:37.447 If you've just tuned in Adam and Joe, Adam and I have written a song each. 01:20:37.948 --> 01:20:39.488 What a terrible development. 01:20:39.508 --> 01:20:40.008 Very good. 01:20:44.089 --> 01:20:47.990 Yeah, we've written songs anyway, and you've been voting for which one you want to hear. 01:20:49.050 --> 01:20:51.651 And it's been a rollercoaster ride of emotions. 01:20:52.091 --> 01:21:01.773 We decided that next week, because what happened this week, right, folks, is that Will and also Jude told us as we were going along what the scores were, right? 01:21:01.813 --> 01:21:01.993 Yeah. 01:21:02.073 --> 01:21:04.894 And that immediately pitted myself and Joe against each other. 01:21:04.914 --> 01:21:06.374 In a hideous, personal way. 01:21:06.414 --> 01:21:08.674 Like a couple of rabid queens. 01:21:11.215 --> 01:21:33.029 trannies you know and so what's gonna happen next week is that we it'll be a total mystery we won't have any idea of who's winning until I just arranged what I said to will next week at the end of the show bring the scores in in a sealed envelope yeah yeah love envelopes being opened live well get seal to bring in the envelope in a seat seal with a sealed envelope yeah 01:21:33.780 --> 01:21:34.480 That's a good idea. 01:21:34.520 --> 01:21:35.321 Do you think he'll do it? 01:21:35.541 --> 01:21:35.861 Yes. 01:21:36.341 --> 01:21:37.202 He lives in Paris. 01:21:37.222 --> 01:21:39.683 He could sing a kiss from a rose beforehand. 01:21:39.703 --> 01:21:40.143 He could. 01:21:40.303 --> 01:21:42.044 And then he could announce the winner. 01:21:42.505 --> 01:21:43.545 Let's organise that. 01:21:43.945 --> 01:21:47.367 But for this week, I'm afraid we're without seal or a sealed envelope. 01:21:47.627 --> 01:21:53.390 So instead, we're just going to have Jude, our sexy producer, say what the scores are. 01:21:53.611 --> 01:21:54.831 But first, here we go. 01:21:54.871 --> 01:21:56.252 Yeah, let's stand. 01:21:58.313 --> 01:21:59.874 Oh, I'm excited. 01:22:06.772 --> 01:22:09.273 in second place with 36 votes. 01:22:09.353 --> 01:22:11.194 Let it be Joe, let it be Joe. 01:22:11.394 --> 01:22:12.914 Please don't let it be Adam. 01:22:13.074 --> 01:22:13.775 It's Adam. 01:22:14.315 --> 01:22:16.356 Well I'm a member of the Fall Foot Club. 01:22:16.416 --> 01:22:19.036 I always have a lot of trouble getting sucked into the pub. 01:22:19.116 --> 01:22:21.757 I got a job keying tubes and a nuclear sub. 01:22:21.797 --> 01:22:23.998 Cause I'm the only one that fits inside. 01:22:24.018 --> 01:22:29.400 Oh yeah, I'm in this bar but my dreams are large and people fear that I'm freezing in your tips again. 01:22:29.760 --> 01:22:29.960 Yeah? 01:22:30.040 --> 01:22:32.042 I might be small but my dreams are large! 01:22:32.483 --> 01:22:32.703 Yes! 01:22:47.782 --> 01:23:07.625 you should have won man that was good you was rough that was really good oh yeah well so dense and it was too dense that's the thing i think that might have been the the problem because mine's a bit sparser than that exactly i've got it next time i'm going to go sparse whatever it is i don't know but there you go that was that was the losing one so short people have have lost generally i know 01:23:08.005 --> 01:23:10.886 It was really good. 01:23:11.106 --> 01:23:13.907 You know what I think we should do is release an album. 01:23:14.127 --> 01:23:15.187 We should release an album. 01:23:15.227 --> 01:23:17.588 If we do this for... How many tracks do you need for an album? 01:23:18.148 --> 01:23:18.549 Three. 01:23:19.749 --> 01:23:20.229 No, come on. 01:23:20.269 --> 01:23:21.950 For a Norman album. 01:23:22.210 --> 01:23:24.430 It used to be like 14, didn't it? 01:23:24.530 --> 01:23:24.591 Or 12. 01:23:25.131 --> 01:23:26.291 Our tracks are going to be a lot shorter. 01:23:26.311 --> 01:23:27.331 They're going to be about one minute. 01:23:27.351 --> 01:23:28.312 The Ramones used to... 01:23:29.492 --> 01:23:30.493 to very short songs. 01:23:30.514 --> 01:23:35.259 Some of their songs were like, their first album was 14 tracks and 28 minutes. 01:23:35.319 --> 01:23:37.301 After 10 weeks, we'll have 20 songs. 01:23:37.602 --> 01:23:37.882 Yes. 01:23:37.942 --> 01:23:38.863 Enough for an album, isn't it? 01:23:38.903 --> 01:23:39.644 It is enough for an album. 01:23:39.664 --> 01:23:39.904 Yeah. 01:23:39.924 --> 01:23:40.285 20 songs. 01:23:40.305 --> 01:23:41.146 We're going to be rich. 01:23:41.766 --> 01:23:42.007 Well. 01:23:44.249 --> 01:23:44.909 I'm not so sure. 01:23:45.070 --> 01:23:46.851 So here's the winning song with how many votes? 01:23:48.412 --> 01:23:46.851 55. 01:23:48.432 --> 01:23:52.294 55. 01:23:48.452 --> 01:23:52.294 You have to have the ignominy Adam of introducing my song. 01:23:52.314 --> 01:23:53.495 That's your punishment. 01:23:53.915 --> 01:23:56.156 What's more, you've got to sound really excited about it. 01:23:56.176 --> 01:23:56.517 All right. 01:23:56.957 --> 01:24:00.959 I am excited, you know, because this is a brilliant track by one of my favorite artists. 01:24:00.979 --> 01:24:01.900 Hey, hey, hey, come on. 01:24:01.940 --> 01:24:03.561 That doesn't sound as if you mean it. 01:24:03.681 --> 01:24:04.682 I'm very upset. 01:24:05.682 --> 01:24:07.644 Here's DJ nippy nips. 01:24:07.664 --> 01:24:09.726 Yay with a track called what's it called? 01:24:09.786 --> 01:24:13.089 It's called tall tall ta double L. Do you know what it stands for? 01:24:13.449 --> 01:24:20.876 Yeah, but I've forgotten The tallies are Laughing long maybe something like that. 01:24:21.016 --> 01:24:21.957 Anyway DJ nippy nips. 01:24:21.977 --> 01:24:24.439 Here's the winning track This is Joe Cornish with his song 01:24:26.818 --> 01:24:45.511 I'm six foot three and a half, you know That's the heart I go, and my name is Cho Too tall to fit in a photograph Or a standard bath, I'm a man giraffe Damn airplanes, these are too small for me I get DVT in economy Change light bulbs without a chair at all In the Albert Hall, I'm a sender ball 01:24:45.971 --> 01:24:52.835 Hit my head a whole lot more than y'all I'm a human wall, I've got far to fall Do I look like Robert Duval at all? 01:24:53.035 --> 01:25:14.487 Cuz I'm tally tall, I'm not smally small My clothing has more material I'm inferior, cuz I'm really tall My close friends tend to be rather small I don't mind at all, it's acceptable So sing this song if you're six foot one Or Jeff Goblin, or Dolph Lundgren I'm six foot three and a half, you know That's the height I go, and my name is Joe 01:25:15.473 --> 01:25:16.694 Yeah, yeah. 01:25:17.735 --> 01:25:20.238 I mean, can I just say a couple of things though? 01:25:20.618 --> 01:25:21.158 Middle eight? 01:25:21.339 --> 01:25:22.119 Question mark? 01:25:22.340 --> 01:25:22.780 Chorus? 01:25:22.960 --> 01:25:23.781 Question mark? 01:25:24.462 --> 01:25:25.202 Where were they? 01:25:25.222 --> 01:25:26.904 Yeah, the past grandad. 01:25:27.785 --> 01:25:31.909 Kids don't want that sort of thing anymore, they just want hardcore lyrics and a 01:25:32.529 --> 01:25:48.244 Mac in fourth club in the space of 45 seconds had our first verse a chorus but come on that was just an outro coda section I assemble that song from elements of on garage band listen that the lyrics were good there but 01:25:49.726 --> 01:25:51.948 Well, there you go. 01:25:51.988 --> 01:25:56.432 Don't forget to text in your suggestions for themes for next week's Song Wars. 01:25:57.052 --> 01:26:00.756 In fact, don't text them listeners, because the text doesn't function when we're off air. 01:26:01.056 --> 01:26:02.718 It does, but just for other DJs. 01:26:03.538 --> 01:26:10.645 Email us at our special email address, Adamandjo.6music, at bbc.co.uk, with suggestions for next week's theme. 01:26:10.765 --> 01:26:16.347 And we should stress that there's a possibility we may not use one of your suggestions and just go with one of our own. 01:26:16.587 --> 01:26:21.108 Listen, we don't want like a whole cookie sock blue piece of situation happening. 01:26:21.148 --> 01:26:21.348 No. 01:26:21.488 --> 01:26:24.629 Okay, so I just want to lay it out for you just so we're all clear. 01:26:24.969 --> 01:26:27.870 But we will value your suggestions and already we've got a few good ones in. 01:26:28.430 --> 01:26:31.411 I'm thinking public transport is a very good suggestion. 01:26:31.731 --> 01:26:32.572 It's a very good one. 01:26:32.792 --> 01:26:33.392 Who was it from? 01:26:33.752 --> 01:26:35.653 It's a very good person. 01:26:36.234 --> 01:26:37.174 Thank you, person. 01:26:37.474 --> 01:26:40.356 Now, it's time for a trail and no, it's not. 01:26:40.736 --> 01:26:42.017 Oh, I'm looking at the wrong box. 01:26:42.237 --> 01:26:45.439 And funnily enough, this next track is called The Box by Johnny Flynn. 01:26:46.564 --> 01:26:53.390 That's just a guy that was playing outside the tube as I came into work today using a biscuit tin as a drum. 01:26:53.751 --> 01:26:55.812 We thought he was good, so we stuck him on there. 01:26:56.293 --> 01:26:56.893 Not really. 01:26:57.154 --> 01:26:57.594 Not really. 01:26:57.614 --> 01:27:01.538 It was Johnny Flynn with the Sussex wits with a track called The Box. 01:27:01.578 --> 01:27:06.302 He's actually going to be playing on Stephen Merchant's show next weekend, not tomorrow. 01:27:06.522 --> 01:27:07.383 Yeah, next Sunday. 01:27:07.443 --> 01:27:08.524 Sunday week, in fact. 01:27:08.604 --> 01:27:09.404 Yeah, that was good. 01:27:09.424 --> 01:27:14.048 And it reminded me a little bit of a band called the Ralph Band, who fans of the Mighty Boosh would be familiar with. 01:27:14.088 --> 01:27:17.731 They often pop up in the Boosh's shows and play live at some of their gigs. 01:27:18.132 --> 01:27:20.073 Check out the Ralph Band, that's my suggestion. 01:27:20.274 --> 01:27:22.435 Hey, and if... Sorry to interrupt you there, Adam. 01:27:22.455 --> 01:27:22.756 Go ahead. 01:27:22.776 --> 01:27:23.917 I do apologise. 01:27:24.097 --> 01:27:33.725 If you liked either of our songs, what we played a moment ago, then they will be available to listen to on the BBC 6 Music, Stroke, Adam and Joe website. 01:27:34.485 --> 01:27:39.068 until next week when, if we get round to it, there'll be two new songs. 01:27:39.749 --> 01:27:44.392 Thing is, man, if they're available on the website, people are gonna just keep them and then they won't buy the album. 01:27:45.713 --> 01:27:51.357 Maybe we're gonna have to put some kind of DRM, you know, some kind of thing where they wipe themselves or something. 01:27:51.477 --> 01:27:53.999 Right, or emit a very high-pitched squeal. 01:27:54.019 --> 01:27:55.399 They're being painful to listen to. 01:27:55.620 --> 01:27:56.020 Exactly. 01:27:57.821 --> 01:28:00.423 They've got like inbuilt, what's it called? 01:28:00.763 --> 01:28:02.224 You know, you know what I'm talking about. 01:28:02.244 --> 01:28:04.705 I've run out of words, which is handy because it's the end of the show. 01:28:04.785 --> 01:28:05.205 Yeah. 01:28:05.265 --> 01:28:06.566 Liz Kershaw coming up next. 01:28:06.866 --> 01:28:11.187 Hey, thanks a lot to everybody who's texted an email here on our first show. 01:28:11.227 --> 01:28:14.409 We'll be back at the same time next week, Saturday morning, 9 a.m. 01:28:14.749 --> 01:28:15.709 till noon. 01:28:16.190 --> 01:28:16.570 Till noon. 01:28:16.590 --> 01:28:17.570 We're delighted to be here. 01:28:17.610 --> 01:28:18.110 Thanks a lot. 01:28:18.290 --> 01:28:19.651 And have a wonderful week. 01:28:19.851 --> 01:28:20.151 Yeah. 01:28:20.471 --> 01:28:20.671 Cheerio. 01:28:20.692 --> 01:28:20.772 Bye. 01:28:20.792 --> 01:28:21.292 Thanks for listening. 01:28:21.332 --> 01:28:21.552 Bye.