WEBVTT 00:00.049 --> 00:02.791 Good morning, this is Adam and Jo on BBC6 Music. 00:02.831 --> 00:04.813 It's a few minutes past seven. 00:04.853 --> 00:07.735 Welcome to our last ever breakfast show. 00:07.755 --> 00:09.036 That's true. 00:09.356 --> 00:14.580 Whatever happens, we will never again wake up this early for two weeks on the trot. 00:15.180 --> 00:15.580 It's true. 00:15.981 --> 00:20.284 Even if there's some kind of crisis, even if like the world, even if they shift the days. 00:20.304 --> 00:22.185 Man, if a big British castle needed us, we would. 00:22.525 --> 00:22.926 That's true. 00:23.186 --> 00:23.987 Don't you think you got it? 00:24.007 --> 00:26.268 You've got to serve the big British castle. 00:26.628 --> 00:27.009 We, yeah. 00:27.489 --> 00:44.143 You know we're very lucky to have been given brief tenure here at the Big British Castle and at the end of today's show we're gonna go back into our little hovel of muddy huts and carry on wittling pipes and baking pigeons or whatever we do normally. 00:44.383 --> 00:45.023 Sieving mud. 00:45.584 --> 00:51.629 Sieving mud for rocks that can be made into necklaces, smooth pebbles and sold in the market. 00:51.809 --> 00:52.849 And a smooth pebble! 00:52.929 --> 00:53.589 Oh, well done! 00:53.609 --> 00:55.790 We'll thread it on the necklace and seal it in the market! 00:55.810 --> 00:56.170 Thank you! 00:56.650 --> 00:57.430 Please don't beat me! 00:57.690 --> 00:58.350 Please don't beat me! 00:58.370 --> 00:59.070 I will beat you! 00:59.150 --> 00:59.751 Thank you! 01:01.191 --> 01:03.191 So yeah, that's what today's got in store for me. 01:03.351 --> 01:03.891 Do you know what? 01:04.311 --> 01:07.052 I'm wondering... What has today got in store for you? 01:07.172 --> 01:07.772 Sieving pebbles. 01:08.012 --> 01:09.632 Oh, pebbles, okay. 01:10.153 --> 01:16.034 I'm wondering if my pass, because you know when you get here to the BBC, they give you like a lovely pass. 01:16.374 --> 01:16.874 That's right. 01:17.814 --> 01:21.455 And on the back of the past there's instructions for how to behave at the BBC. 01:21.495 --> 01:22.976 Have you ever read your instructions? 01:23.256 --> 01:23.456 No. 01:23.476 --> 01:24.977 Have you seriously not? 01:25.117 --> 01:25.317 No. 01:25.917 --> 01:26.757 BBC values. 01:27.257 --> 01:30.038 Trust is the foundation of the BBC. 01:30.439 --> 01:32.639 We are independent, impartial and honest. 01:32.999 --> 01:35.140 Says this on the back of every BBC past. 01:36.121 --> 01:36.601 Audiences... 01:37.741 --> 01:39.482 are at the heart of everything we do. 01:39.882 --> 01:42.664 We take pride in delivering quality and value for money. 01:43.164 --> 01:46.105 Creativity is the lifeblood of our organization. 01:46.246 --> 01:47.466 And it goes on for quite a long time. 01:47.586 --> 01:48.727 My pass is an older pass. 01:48.847 --> 01:49.307 What does yours say? 01:49.327 --> 01:51.868 Because I've been working here at the castle for longer than you have been. 01:52.389 --> 01:55.070 Mine says, this card is the property of the BBC. 01:55.350 --> 01:57.631 And then found, please post to blah blah blah. 01:57.651 --> 01:58.992 And then it has fire safety tips. 01:59.272 --> 01:59.912 No values? 01:59.992 --> 02:01.293 No, I don't need those values. 02:01.533 --> 02:02.154 Oh, no, you have. 02:02.174 --> 02:03.435 You've got a little one at the bottom. 02:03.475 --> 02:04.855 It says, do not use lifts. 02:05.095 --> 02:06.476 It just says, do not use lifts. 02:06.496 --> 02:08.477 That's a little bit of advice, you see. 02:08.858 --> 02:12.740 That's because I was hired here as a lift maintenance worker. 02:12.900 --> 02:17.423 And how long do you think these passes will allow us to switch through doors at the BBC? 02:17.543 --> 02:19.804 I think, at the end of the show today, they'll stop functioning. 02:19.824 --> 02:21.085 They'll immediately stop, yeah. 02:21.705 --> 02:22.905 Yeah, I think that's probably true. 02:23.105 --> 02:27.407 So all our plans for invading other shows are gonna have to be, you know, shelved. 02:27.707 --> 02:34.088 We'll tell you more about what we've got coming up in the show in just a second, but I think it's time for music, because that's what Six Music's all about after all. 02:34.428 --> 02:40.390 Incidentally, you heard Madness with Tomorrow's Just Another Day kicking off the show, and now here's the Kaiser Chiefs with the Angry Mob! 02:40.410 --> 02:48.712 That's a bit of Kaiser Chiefs satire there, and the Angry Mob, the real Angry Mob, will now be firmly put in their place by that song, I think. 02:49.432 --> 02:49.712 Mm. 02:49.732 --> 02:49.772 Mm. 03:09.537 --> 03:10.898 And they push things too far. 03:10.958 --> 03:12.079 They push things over as well. 03:12.099 --> 03:14.461 They end up ripping things apart and pushing them over. 03:14.561 --> 03:15.081 That's true. 03:15.601 --> 03:18.364 An angry mob is not a way to run a country. 03:18.664 --> 03:18.904 No. 03:19.304 --> 03:19.564 No. 03:19.704 --> 03:20.885 Is that the lyrics of the song? 03:21.025 --> 03:22.366 All that stuff you just said? 03:22.447 --> 03:22.667 No. 03:23.507 --> 03:24.848 It's just things I'm thinking. 03:24.928 --> 03:25.729 That's amazing. 03:25.749 --> 03:26.169 In my head. 03:26.229 --> 03:26.550 Because... 03:27.390 --> 03:30.933 Adam and I are using this breakfast show as a platform to get into politics. 03:31.054 --> 03:37.620 That's true, actually, you know, because some people would imagine that mainly we're obsessed with trivial, superficial things. 03:37.940 --> 03:45.367 We're thinking, if Tony B. Liar and Gordon Baroon can do it, why can't... and what's his name? 03:45.667 --> 03:46.328 Mr. Pooter? 03:46.868 --> 03:47.629 David Cameron? 03:48.830 --> 03:50.211 Why can't we do it? 03:50.291 --> 03:50.872 We can do it! 03:51.172 --> 03:55.234 Yeah, if, I tell you the bottom line, if David Cameron can do it, we can flipping do it. 03:55.254 --> 03:56.735 I tell you the planks, my planks. 03:57.035 --> 03:58.136 Do you want to know my planks? 03:58.156 --> 03:58.556 Yeah, go on. 03:59.017 --> 03:59.477 Stop it. 04:00.598 --> 04:00.978 Don't do that. 04:00.998 --> 04:01.598 It's the one of them. 04:01.818 --> 04:01.918 Yeah. 04:01.938 --> 04:03.059 The main one is stop it. 04:03.079 --> 04:03.299 Stop it. 04:03.339 --> 04:04.180 That's my campaign. 04:04.200 --> 04:04.620 Policy number one. 04:04.640 --> 04:05.600 That's our campaigning slogan. 04:05.660 --> 04:05.941 Right, stop it. 04:05.961 --> 04:06.261 Stop it. 04:06.341 --> 04:07.541 Adam and Joe say stop it. 04:07.582 --> 04:07.762 Yeah. 04:08.122 --> 04:10.343 My, my, my next policy. 04:10.383 --> 04:10.603 Yeah. 04:10.703 --> 04:11.304 Put that back. 04:11.844 --> 04:13.645 My, our third policy is shhh. 04:13.665 --> 04:13.885 Shhh. 04:15.066 --> 04:15.146 Shhh. 04:15.166 --> 04:16.066 Just shhh. 04:16.086 --> 04:16.927 That's a good one. 04:17.227 --> 04:17.967 That is a good one. 04:18.248 --> 04:18.428 Yeah. 04:18.448 --> 04:18.548 Yeah. 04:19.128 --> 04:19.508 That's it. 04:19.848 --> 04:21.109 Those are our three prongs. 04:21.189 --> 04:22.069 I've got one more prong. 04:22.329 --> 04:23.249 Stop it, put that back. 04:23.529 --> 04:23.789 Shh. 04:24.049 --> 04:24.650 And sit down. 04:24.910 --> 04:25.950 And just sit down. 04:26.050 --> 04:26.230 Yeah. 04:26.290 --> 04:26.990 Just sit down. 04:27.070 --> 04:28.211 Cos that'll solve a lot of problems. 04:28.231 --> 04:29.171 You know, just sit down. 04:29.191 --> 04:34.192 You get an unruly teenager and he's hell bent on bashing and... On black-blatting. 04:34.412 --> 04:37.173 On black-blatting and bashing with his strap. 04:37.473 --> 04:37.933 Exactly. 04:38.314 --> 04:38.874 Or his gat. 04:39.214 --> 04:39.674 Or his gak. 04:39.894 --> 04:41.114 I don't know what he's using. 04:41.654 --> 04:42.915 And you say, hey, sit down. 04:43.695 --> 04:46.156 and then he sits down and gives him a chance to think about what he's done. 04:46.176 --> 04:46.777 Yeah, yeah. 04:46.797 --> 04:47.457 That's all you need. 04:47.577 --> 04:47.977 That's all you need. 04:47.997 --> 04:48.998 Policies, they're right there. 04:49.418 --> 05:01.124 Now folks, it won't be a surprise to you after that little spiel there that BBC Six Music has been shortlisted in the best radio station category at this year's Digital Music Awards. 05:01.144 --> 05:02.405 They're the most important awards. 05:02.445 --> 05:03.766 They're the most important awards in the world. 05:03.786 --> 05:05.427 They're the music... They're the ones everyone's heard of. 05:05.447 --> 05:07.488 They're the Digital Music Oscars. 05:08.408 --> 05:09.108 The Doscas. 05:09.209 --> 05:09.789 The Doscas. 05:10.009 --> 05:11.310 The Demoscas. 05:11.450 --> 05:16.612 The winner will be decided by you, the public, the AKA the angry mob. 05:17.053 --> 05:21.795 So to vote for six music, go to bbc.co.uk forward slash six music. 05:22.676 --> 05:30.060 And also don't forget while you're there to vote for either my track or Joe's track in today's. 05:30.920 --> 05:32.101 uh, Band-Aid face-off. 05:32.121 --> 05:41.728 It says on the script that you were supposed to say, also, check out the Calvin Harris session for Anita Rani on Tuesday, but you cleverly switched it to our competition. 05:41.888 --> 05:45.010 I was gonna talk about Calvin Harris as a little, uh, final thing. 05:45.030 --> 05:45.570 Don't bother. 05:45.630 --> 05:47.251 It's more important to vote in our competition. 05:47.472 --> 05:47.892 Okay, yeah. 05:48.292 --> 05:52.516 So, right now, get onto bbc.co.uk forward slash six music, okay? 05:52.817 --> 05:56.720 And while we're playing this next track by the marvellous Morchiba, sort all that out. 05:56.820 --> 06:03.006 Vote for six music for the digital music awards and vote for myself or Joe for today's band-aid. 06:03.467 --> 06:04.127 Here's Morchiba. 06:04.808 --> 06:05.689 Morchiba? 06:05.729 --> 06:09.052 Yeah, featuring Dom Jolly there on backing vocals with Trigger Hippie. 06:09.512 --> 06:10.754 Why do you say Dom Jolly? 06:10.794 --> 06:12.135 Because it sounds like Trigger Happy. 06:12.915 --> 06:13.856 It's that simple. 06:13.916 --> 06:14.616 It's that simple. 06:14.656 --> 06:15.756 It's early in the morning. 06:16.437 --> 06:19.358 Simple connections, but simple DJs. 06:20.118 --> 06:21.338 You want more Cheeba? 06:21.559 --> 06:23.099 No, it's wrong to have more Cheeba. 06:23.599 --> 06:26.240 You've got to have modest amounts of Cheeba. 06:26.340 --> 06:28.261 Everything in moderation in life. 06:28.401 --> 06:29.381 Absolutely, exactly. 06:29.882 --> 06:35.164 A little bit of what you fancy does you good and helps your panties. 06:36.224 --> 06:37.045 Is that the end of that, Tim? 06:37.065 --> 06:39.186 Yeah, that's actually the end of that aphorism. 06:39.206 --> 06:39.827 Didn't know that. 06:39.927 --> 06:41.728 This is Adam and Jo on BBC6 Music. 06:41.748 --> 06:42.709 A very good morning to you. 06:42.749 --> 06:43.769 It's a Friday morning. 06:44.430 --> 06:46.691 Friday, the day that doesn't really count. 06:47.051 --> 06:50.114 You know, yes, you're working, but not really. 06:50.134 --> 06:51.354 You don't really have to bother. 06:51.434 --> 06:51.655 No. 06:51.775 --> 06:59.920 You know you can work in a slapdash, lackadaisical fashion while listening to the radio and like wearing brightly coloured clothing and stuff like that. 07:00.381 --> 07:00.481 And... 07:01.081 --> 07:03.002 Go home early, you know? 07:03.082 --> 07:08.206 Go to the pub, have a drink with your friends, and then don't watch Big Brother tonight. 07:08.646 --> 07:09.227 No, why? 07:09.567 --> 07:11.468 Just because, on principle. 07:11.648 --> 07:12.409 Yeah, on principle. 07:12.629 --> 07:14.530 Yeah, go out and do something less boring instead. 07:14.570 --> 07:15.251 Yeah, exactly. 07:15.591 --> 07:18.713 Sitting at home, watching TV, turn it off, it's no good to me. 07:19.414 --> 07:20.374 So, do that. 07:20.795 --> 07:23.817 And also, it's a lovely day in London town. 07:23.877 --> 07:24.697 I don't know about the rest of you. 07:24.717 --> 07:25.358 It's gonna be a cracker. 07:25.658 --> 07:27.159 It's going to be a good weekend though, right? 07:27.279 --> 07:28.099 I'm just making that up. 07:28.259 --> 07:29.159 Yeah, it is, it is. 07:29.179 --> 07:30.640 There's nothing wrong with being positive. 07:30.680 --> 07:31.120 Yeah, yeah. 07:31.480 --> 07:32.140 Even if it's wrong. 07:32.180 --> 07:34.361 But listen, we've got great stuff coming up in the show listeners. 07:34.381 --> 07:35.441 We've got terrific music. 07:35.921 --> 07:41.963 We've already had terrific music, but in the rest of the hour, we've got some smashing pumpkins, some Jose Gonzalez. 07:42.123 --> 07:43.004 Is that how you say it? 07:43.244 --> 07:44.704 Yeah, you say Jose. 07:44.804 --> 07:45.965 Jose Gonzalez. 07:47.065 --> 07:47.885 Some modest mouse. 07:47.945 --> 07:48.866 I'm looking forward to that. 07:48.886 --> 07:49.446 Some Beck. 07:50.266 --> 07:53.287 Oh, it's gonna be great, and of course we've got Serial Thriller coming up at 8. 07:53.807 --> 07:58.289 And the most important aspect of the show is, of course, the climax of Band Aid. 07:58.709 --> 07:59.089 Mmm. 07:59.169 --> 08:05.231 It was Sean Kievny's brilliant segment, where he kind of got a new band, and you had to choose whether to play them or not. 08:05.692 --> 08:08.193 We've kind of hijacked it for our own ends. 08:08.713 --> 08:09.953 Adam and I have written a song each. 08:10.293 --> 08:12.694 There's clips of each on the BBC 6 Music website. 08:13.114 --> 08:15.995 Go there, listen to each clip, vote for which is your favourite. 08:16.015 --> 08:17.556 We're gonna play the winner at the end of the show. 08:17.836 --> 08:20.698 And I think we'll play a clip a little later on as well, won't we? 08:21.079 --> 08:23.320 Yeah, I'll give you a little on-air reminder there. 08:23.340 --> 08:26.323 It's European supermarket versus Jane's Brain. 08:26.403 --> 08:29.886 Two very different track, one's rock, one's sort of Euro house. 08:30.706 --> 08:31.627 Very different subjects. 08:31.687 --> 08:35.830 How's the voting looking at the moment, Jenny's just gonna... Jenny's got a check there. 08:35.890 --> 08:36.631 Is that true? 08:38.152 --> 08:39.213 Have I made a little comeback there? 08:39.233 --> 08:40.433 He's made an enormous comeback. 08:40.473 --> 08:43.415 He's 61% for Adam and 39% for Joe. 08:43.455 --> 08:44.015 Is that true? 08:44.035 --> 08:45.156 Are you sure? 08:45.296 --> 08:46.717 But it was the other way round yesterday. 08:46.737 --> 08:47.577 Yesterday I was sick. 08:47.797 --> 08:48.518 Yesterday Joe had 64%. 08:48.798 --> 08:52.700 That's not very good because, um, shall I tell you a secret? 08:52.720 --> 08:52.800 What? 08:54.401 --> 08:56.242 My track's 30 seconds long. 08:57.022 --> 08:58.522 Have you been voting for yourself? 08:58.542 --> 09:00.463 Because I assumed I was going to lose. 09:00.823 --> 09:02.883 So I only took 30 seconds work. 09:03.443 --> 09:08.124 And then when... So earlier in the week, our producer Lisa said, is it only 30 seconds? 09:08.164 --> 09:09.105 I thought that was just a clip. 09:09.425 --> 09:10.705 Could you like finish the song? 09:11.005 --> 09:12.906 I said, yeah, yeah, I'll finish it, no problem. 09:13.206 --> 09:18.307 But then I saw the voting yesterday and it was like 64% in European supermarkets favor. 09:18.667 --> 09:19.407 I thought, oh, that's okay. 09:19.447 --> 09:22.168 I'm not going to have to finish it then because it's never going to win. 09:22.888 --> 09:26.791 So if Jane's Brain wins today, I mean... We're all in trouble. 09:27.031 --> 09:30.654 We might have to play European supermarket anyway, but that's not how it works. 09:30.714 --> 09:32.976 Hey, the voting hasn't closed yet, right? 09:33.016 --> 09:34.777 There's still a couple of hours of voting left. 09:35.738 --> 09:40.302 Go to the BBC 6 music website, listen to those two snatches and vote for the one. 09:40.522 --> 09:41.323 What is your favourite? 09:41.763 --> 09:42.463 Now, here's some music. 09:42.764 --> 09:44.245 This is Gossip with Jealous Girls. 09:44.605 --> 09:45.606 Sounds like an excellent show. 09:45.646 --> 09:49.829 This is Adam and Jo here on BBC 6 Music, our last day covering for Sean Keveny. 09:49.869 --> 09:50.990 He'll be back with you next week. 09:51.410 --> 09:55.874 And right now, it's time for our first plunder of the John Peel Session Archives. 09:56.494 --> 10:01.178 And I've gone for a track by one of my favourite New Wave acts, magazine. 10:01.638 --> 10:02.839 They formed from the... 10:04.401 --> 10:04.921 sort of ashes. 10:04.961 --> 10:09.304 Well, not the ashes because they carried on, but how Devoto, lead singer of magazine, used to be in the Buzzcocks. 10:09.944 --> 10:19.231 And he was one of the founder members of the Buzzcocks, but he left after their first single came out, I think, and just went on because it was all, he didn't really like punk that very much, didn't he? 10:19.611 --> 10:23.354 No, he wasn't impressed by the shouting and the spitting and that kind of behaviour. 10:23.394 --> 10:25.395 He was too cerebral for that sort of thing. 10:25.696 --> 10:27.437 I'm similar and too perverse. 10:27.497 --> 10:28.918 Yeah, you would have split it up as well. 10:30.158 --> 10:30.899 I'm not perverse. 10:30.939 --> 10:32.259 No, but I'm too cerebral. 10:32.439 --> 10:33.499 You are too cerebral. 10:33.759 --> 10:36.040 That's why you'd never make a good punk rocker. 10:36.560 --> 10:46.123 So Howard went on to form the magazine, a fantastically snooty cerebral and occasionally quite pretentious band, but all in a good way. 10:46.143 --> 10:46.923 Do you know what I mean? 10:47.183 --> 10:48.384 Some of their albums are amazing. 10:48.644 --> 10:51.845 Real life is the one to check out if you're a magazine novice. 10:52.585 --> 10:58.329 I can't remember if this track that they're going to play on the Peel Sessions is on real life or secondhand daylight, but it's called Touch and Go. 10:58.749 --> 11:00.390 Check out the mannered vocals on the man. 11:00.890 --> 11:05.933 I really like someone who maybe is not a great classical singer, but just goes nutty with the voice. 11:05.953 --> 11:07.814 Do you know what I'm saying? 11:07.894 --> 11:09.375 Uses what he's got to the best effect. 11:09.415 --> 11:09.896 Exactly. 11:10.696 --> 11:12.417 Like Kevin Rowland, for example. 11:12.457 --> 11:14.218 A brilliant gymnast vocally. 11:14.738 --> 11:18.761 And David Byrne also, you know, not a powerful singer, but 11:19.281 --> 11:23.122 Very mannered and... Celine Dion, Bette Midler, Characteristics, Streisand. 11:24.462 --> 11:26.022 All good examples of what I'm talking about. 11:26.342 --> 11:31.383 So check out Howard DeVoto here singing with magazine, this is called Touch and Go from 1978 John Peel Session. 11:31.883 --> 11:35.624 Great stuff, that's magazine from their 1978 Peel Session. 11:35.944 --> 11:37.265 That's a track called Touch and Go. 11:37.545 --> 11:43.226 Incidentally, Howard DeVoto's solo album Jerky Versions of the Dream is well worth checking out. 11:43.366 --> 11:44.886 I don't know what you're talking about! 11:45.166 --> 11:46.006 I'm just talking rubbish. 11:46.506 --> 11:51.608 If you like kind of, uh, synthy pop music with a little arty edge to it. 11:52.448 --> 11:53.208 Check it out. 11:53.228 --> 11:54.688 It's one of my favourite albums ever. 11:55.589 --> 11:56.569 Now, yeah, what? 11:56.769 --> 11:58.249 Oh no, carry on, I was just saying now. 11:59.130 --> 12:04.291 One of our, one of the few things sort of new we've done in the last couple of weeks has been our text the nation jingle. 12:04.611 --> 12:04.871 Oh, yeah. 12:05.332 --> 12:09.356 Um, we kind of invented the segment on the Monday that we started. 12:09.836 --> 12:11.158 By Tuesday, I had the jingle. 12:11.258 --> 12:13.680 You came up with the name Text the Nation, didn't you, Joe? 12:13.700 --> 12:16.343 Yeah, it was a brilliant satire of Test the Nation. 12:16.363 --> 12:17.164 Yeah, it was amazing. 12:17.284 --> 12:19.967 And then I went home and I worked on the jingle. 12:20.067 --> 12:20.587 For how long? 12:21.408 --> 12:23.790 I worked on that jingle for half of an hour. 12:23.890 --> 12:24.710 Half of an hour? 12:25.251 --> 12:30.254 And then, by the next day, we received the news that it had become the nation's favourite feature. 12:30.735 --> 12:39.221 I received that news from Adam, who received that news from his imagination, and we were able to announce it to the country. 12:39.581 --> 12:40.301 Very exciting. 12:40.662 --> 12:46.506 And now, in the days that have passed, the text the nation jingle has spread like a kind of a disgusting disease. 12:47.346 --> 12:57.391 Around people's brains like a debilitating illness and we've had various emails requesting I mean for instance here's one from Emma Been loving the show over the past two weeks. 12:57.671 --> 13:08.536 She puts the G on loving I'm unfairly making her sound like Davina McCall good been loving the show over the past two weeks My two boys have been singing the text the nation jingle. 13:08.716 --> 13:09.777 How would you see it though? 13:10.217 --> 13:11.198 How old are the boys? 13:12.038 --> 13:14.700 If they're children, then I think we've got something to answer for. 13:15.140 --> 13:20.563 If they're kind of surly, lackadaisical, late teenagers... It might have snapped them out of their door. 13:20.583 --> 13:22.924 ...and failed to leave home, yeah. 13:23.104 --> 13:24.865 Then that's more acceptable, maybe. 13:24.945 --> 13:32.209 Yeah, normally they come down, they're just monosyllabic and surly, and then suddenly they're coming down going, ticks the nation, ticks, ticks, ticks... Anyway, more of this later. 13:32.249 --> 13:35.111 We'd better go to some news, because it's coming up to Huff Pass 7. 13:35.211 --> 13:36.792 Here is the news with Callum and Adrian. 13:37.692 --> 13:40.195 Wow, that's the Wiggles with Ready Steady Go. 13:40.515 --> 13:43.799 That's like waking up and swigging half a bottle of whiskey. 13:44.399 --> 13:47.082 Listening to that, that's Generation X with Ready Steady Go. 13:47.102 --> 13:55.551 This is Adam and Jo on BBC6 Music on our final breakfast show for our filling in session for Sean W. Kievny, our filling in session. 13:55.991 --> 13:56.892 Mmm, nicely put. 13:56.932 --> 13:57.432 Thanks, man. 13:57.732 --> 13:59.433 Yeah, I like a little filling in session. 13:59.713 --> 14:03.155 Sean Keveny will be enjoying his last couple of lions this morning. 14:03.695 --> 14:04.196 Lions? 14:04.676 --> 14:07.017 Yes, he loves to eat a lion for breakfast. 14:07.037 --> 14:07.838 He eats lions? 14:08.158 --> 14:09.219 Well, it's grotesque. 14:09.239 --> 14:10.159 It's disgusting, isn't it? 14:10.199 --> 14:14.782 He has them specially killed, flown over, his wife plucks them. 14:14.942 --> 14:15.382 Does she? 14:15.502 --> 14:18.063 Yeah, it's quite a skilled job, especially getting the mane out. 14:18.264 --> 14:20.625 Jamie, I saw Jamie Oliver cook some lions once. 14:20.925 --> 14:21.185 Really? 14:21.385 --> 14:29.953 Yeah, a little lion, cheeky little lion, and it's alright, just get his claws out, bush bush bush bush, call out the claws, ooh a lovely cheeky lion, ooh a little cheeky. 14:29.973 --> 14:31.034 That sounds just like Jamie Oliver. 14:31.054 --> 14:32.035 That's a good impression isn't it? 14:32.055 --> 14:32.876 It's as if he's here. 14:33.316 --> 14:40.302 Ooh look, a lovely little bit of tile from the lion, ooh a lovely cheeky chair, fry it all up with a little bit of sauce, ooh a lovely cheeky. 14:40.883 --> 14:41.844 But we've, er, yeah. 14:42.384 --> 14:49.606 We've hijacked, um, Sean Keibney's, uh, special segment Band-Aid, and we've kind of, uh, twisted it for our own use. 14:49.967 --> 14:54.508 We've recorded a song each, Adam and me, and we're asking you to vote for the one you want us to play at the end of the show. 14:54.948 --> 14:59.810 Up until close of business yesterday, I was winning my song, European Supermarket. 14:59.830 --> 15:01.750 He's been winning all week, let's... I've been winning all week. 15:01.830 --> 15:03.651 I was feeling cocky and confident. 15:03.931 --> 15:05.151 I thought I had it in the bag. 15:05.211 --> 15:05.432 Yeah. 15:05.692 --> 15:06.652 But... I was on the run. 15:06.932 --> 15:12.295 typical British public with a sudden 11th hour sway towards the underdog. 15:13.476 --> 15:21.781 Suddenly falling in behind Eddie the Eagle Edwards or Tim Henman or whatever sad sad no-hoper catches their pathetic imagination. 15:22.061 --> 15:26.484 Henman's not a no-hoper he's just had a little run-and-pad like that's all and now he's giving up. 15:27.205 --> 15:27.825 What's wrong with that? 15:30.307 --> 15:41.514 Suddenly, the seesaw has sawseed the other way, and Adam is suddenly inexplicably winning with his 30-second track. 15:41.574 --> 15:43.115 Don't tell and don't remind people about that. 15:43.175 --> 15:44.476 I shouldn't have admitted it earlier on. 15:44.576 --> 15:46.777 It's 60.44% placed 39.56%. 15:47.698 --> 15:50.580 That's literally the opposite of what it was yesterday. 15:50.600 --> 15:50.960 Yeah, I know. 15:51.300 --> 15:52.981 But what a 30... What have you been doing overnight? 15:53.001 --> 15:53.862 What a 30 seconds... Listen. 15:54.742 --> 16:00.829 I considered going home and voting for myself on all my various computers, but I didn't do it. 16:01.069 --> 16:01.710 I didn't do it. 16:01.730 --> 16:02.751 I swear to you, I didn't do it. 16:02.831 --> 16:04.333 I think there's been a technical malfunction. 16:04.393 --> 16:06.115 I didn't even care... a snafu. 16:06.555 --> 16:12.121 So listen, listeners, it's amazingly important that you listen very carefully to these two clips of music. 16:12.862 --> 16:14.623 Um, are we- who's- are we gonna play first? 16:14.863 --> 16:15.063 Adams. 16:15.083 --> 16:16.184 We're gonna play Adams first. 16:16.244 --> 16:18.505 This is a song called... Well, why don't you explain the song, Adam? 16:18.645 --> 16:19.646 This is a rock track. 16:19.786 --> 16:21.047 It's called Jane's Brain. 16:21.367 --> 16:25.710 And it's a little speculation about, uh, the things that might happen inside a woman's brain. 16:25.730 --> 16:26.930 It's condescending to women. 16:26.990 --> 16:30.652 No, it's condescending- a little bit condescending to a woman, Jane. 16:30.672 --> 16:31.833 Here's Jane's Brain. 16:32.133 --> 16:35.535 She'd use a brain to think of things that she didn't have. 16:36.196 --> 16:41.339 She'd think of cars and she'd think of fancy dresses and she'd think of big houses and she'd think of cars. 16:43.032 --> 16:54.139 You know, I only lasts for 10 seconds longer than that 20 20 a lot of things are explained in those 20 seconds and it takes like that There's a whole load of stereo vocal effects that come in and put it this way. 16:54.520 --> 16:57.402 I want to hear it Yeah, but I don't want it to win. 16:57.522 --> 16:58.763 You know, I don't understand. 16:58.803 --> 16:59.663 I want me to win. 16:59.763 --> 17:00.504 What's yours called? 17:00.864 --> 17:12.972 Mine's called European supermarket It's kind of a euro house track about going shopping when you're on holiday in Europe and the the phantasmagoria that is a European supermarket shall we hear it 17:13.152 --> 17:13.772 Mmm. 17:26.089 --> 17:28.230 You were using all the box of tricks there, weren't you? 17:28.570 --> 17:30.051 I'm using GarageBand. 17:30.231 --> 17:30.831 Yeah, yeah. 17:31.692 --> 17:32.912 Crazy vocals and all that. 17:33.673 --> 17:34.333 I like it, though. 17:34.453 --> 17:35.653 That's European supermarket. 17:35.994 --> 17:38.935 So, you know, go to the website, BBC6 Music. 17:38.975 --> 17:40.856 Click on Adam's track or Joe's track. 17:40.896 --> 17:42.817 You can hear those little samples for yourself. 17:43.277 --> 17:47.680 And have a good long think because, you know, this is the last thing we're gonna play on the show. 17:48.100 --> 17:51.242 It's gonna leave either a good or bad taste in people's mouth. 17:51.523 --> 17:54.444 It's gonna resonate down the ages, so it's an important choice. 17:54.865 --> 17:55.265 Exactly. 17:55.945 --> 17:57.366 Now, here's some proper music. 17:57.446 --> 18:00.108 This is The White Stripes with You Don't Know What Love Is. 18:00.448 --> 18:02.730 The brilliant Stephen Merchant there on BBC Six Music. 18:02.750 --> 18:03.571 That's a really good show. 18:03.591 --> 18:04.411 You should listen to that. 18:04.891 --> 18:05.372 It's a peach. 18:05.732 --> 18:06.392 Yeah. 18:06.833 --> 18:10.515 Now, it's time for my archive session track, Joe's archive session track. 18:10.976 --> 18:12.416 And this is kind of... 18:13.417 --> 18:15.858 going out to anybody who's about to get married. 18:16.698 --> 18:19.159 Oh yeah, is it, uh, is it... It's a warning. 18:19.179 --> 18:19.779 What, what, what? 18:20.119 --> 18:21.000 No, it's a warning. 18:21.240 --> 18:21.600 What is it? 18:21.920 --> 18:22.760 Uh, from the Funboy 3. 18:24.021 --> 18:25.421 It's a song called Tunnel of Love. 18:25.641 --> 18:26.042 Oh yeah. 18:26.062 --> 18:35.345 And it's a bit of a depressing choice for our final show here on Friday, but I remember this coming out in 1983 when I was a kid, and, uh, you know, being quite shocked by it. 18:35.545 --> 18:36.085 That's right. 18:36.485 --> 18:40.607 The trial separation worked and ended up. 18:41.127 --> 18:42.128 In a divorce case! 18:42.148 --> 18:46.393 Exactly, it's sort of like an episode of some grim soap opera. 18:47.013 --> 18:48.295 And it's quite a chilling song. 18:49.075 --> 18:52.439 And, you know, it may be why I so far in life haven't got married. 18:52.639 --> 18:58.946 Yeah, well the line, the killer line is you gave up your friends for a new way of life and ended up as ex-husband and wife. 18:59.026 --> 19:00.707 You've lost everything! 19:01.428 --> 19:02.989 So this is a sobering song. 19:03.029 --> 19:08.053 This is from the 16th of January 1983, The Funboy 3 with Tunnel of Love. 19:08.533 --> 19:09.714 Hmm, the irony. 19:10.174 --> 19:10.715 Yeah, there we go. 19:10.775 --> 19:14.497 The Funboy 3 with the Tunnel of Love, a bit of gloomy flamenco there. 19:15.298 --> 19:17.900 And you know, I take back everything I said about marriage. 19:18.160 --> 19:20.142 I think it's a wonderful, a wonderful thing. 19:20.582 --> 19:23.444 And if anybody, I'm just thinking somebody out there might be getting married. 19:23.644 --> 19:23.924 Right. 19:24.084 --> 19:27.807 And maybe they heard me saying that and listened to that track and suddenly thought, what am I doing? 19:27.867 --> 19:28.807 It's unlikely. 19:29.028 --> 19:31.269 It's pretty, it's pretty, it doesn't... But just in case. 19:31.289 --> 19:33.369 It doesn't hold its cards close to its chest, does it? 19:33.389 --> 19:35.590 It's pretty well anti-marriage, yeah. 19:36.031 --> 19:38.152 But, um... Is Terry Hall married? 19:38.752 --> 19:39.972 I don't know, I don't know. 19:40.573 --> 19:43.034 I know he hangs out with Nick Heywood quite a bit. 19:43.194 --> 19:43.694 Does he really? 19:43.714 --> 19:43.814 Hmm. 19:44.434 --> 19:45.155 Nick Heywood. 19:45.295 --> 19:45.555 Yeah. 19:45.655 --> 19:46.755 He's a musical genius. 19:46.895 --> 19:47.296 He is. 19:47.356 --> 19:48.636 They're both musical geniuses. 19:48.676 --> 19:54.939 We did a little bit of filming with Nick Heywood ages ago, ten years ago, over ten years ago for our TV show, and um... 19:55.219 --> 19:57.320 I think they both struggle with gloom. 19:57.680 --> 19:58.160 Yeah. 19:58.320 --> 19:59.340 They have gloom struggles. 19:59.380 --> 20:01.221 Well, a lot of very talented people do, don't they? 20:01.501 --> 20:01.821 I do. 20:02.081 --> 20:02.701 Yeah, do you? 20:03.001 --> 20:03.942 I struggle with the gloom. 20:04.042 --> 20:04.742 No, you don't. 20:05.682 --> 20:08.723 But Nick Heywood, last time we saw him, he was pumped up like an action man. 20:08.763 --> 20:09.744 Yeah, he's a muscle man. 20:09.784 --> 20:10.584 He's a muscle guy. 20:10.604 --> 20:11.284 He's hunchatronic. 20:11.504 --> 20:12.244 Because... He's hench. 20:12.544 --> 20:12.925 Right. 20:13.305 --> 20:16.726 He used to be... He used to be... What's that? 20:16.746 --> 20:17.766 You know that's a real word? 20:17.926 --> 20:18.106 No. 20:18.366 --> 20:19.807 You thought you made that word up, didn't you? 20:19.847 --> 20:20.367 I thought I did, yeah. 20:20.387 --> 20:22.127 But actually, it's a word young people use. 20:22.187 --> 20:22.247 No. 20:22.267 --> 20:23.648 It's like being buff, yeah. 20:24.128 --> 20:42.757 hench since when since a few years i think i'm guessing but at least five years or so four or five years they may have got it off me then i think they might have they might have got it i should copyrighted it but uh what was i gonna say oh yes no i read i've been reading a brilliant book all about the post-punk scene and it's called rip it up and start again by a journalist called simon reynolds 20:43.377 --> 21:00.930 And it's all about the period 1978 to 1984, which he identifies as being a kind of golden era in really creative, different revolutionary music in between punk and the end of punk and the beginning of the kind of Stock Aitken and Waterman pop money-making years, you know what I mean? 21:00.950 --> 21:04.032 Which I regard as a brilliant, innovative era. 21:04.412 --> 21:05.833 What, the Stock Aitken and Waterman years? 21:05.893 --> 21:06.174 Yeah. 21:06.334 --> 21:09.216 I mean, that's for me when things start picking up. 21:09.236 --> 21:10.256 That's Joe Cornish's golden age. 21:12.478 --> 21:14.199 But I think he, yeah, exactly. 21:14.599 --> 21:15.299 Roadblock. 21:15.659 --> 21:16.359 Oooh. 21:16.479 --> 21:17.420 Yeah, I did like that. 21:17.700 --> 21:18.160 Roadblock. 21:18.400 --> 21:27.343 But anyway, in this brilliant book, which I really strongly recommend, called Rip It Up and Start Again, it's loads of little anecdotes and stories about all these amazing bands. 21:28.063 --> 21:38.067 And I think he says that Terry Hall had been dumped very shortly before he wrote that song, Tunnel of Love, and he was very bitter about it and maybe 21:39.207 --> 21:40.849 That was influenced by it, you know? 21:41.269 --> 21:42.930 It was, uh... Sounds like that could be true. 21:43.071 --> 21:43.411 Yeah. 21:43.731 --> 21:44.011 Yeah. 21:44.172 --> 21:46.854 So it's not like a definitive statement on marriage. 21:46.874 --> 21:48.155 But let's cheer ourselves up! 21:48.576 --> 21:52.899 With a little bit of José González with down the line... José González! 21:54.581 --> 22:04.150 Yeah, that was the smashing pumpkins with That's the Way My Love Is, and before that you heard, uh... José González with down the line... Is it racist to say... José González! 22:04.910 --> 22:21.283 Yes it is racist isn't it I was just checking because I said that before as like you know saying his name in a funny way that I thought hang on that's racist it is it's racialistic I'm really sorry to Jorge and any of his fans or any people that I'm ever offended with that racialistic slur 22:21.963 --> 22:26.609 You know, that, uh, Jorge track was a little bit depressing as well. 22:27.450 --> 22:32.115 He was repeating the line, don't let the darkness eat you up over and over again. 22:32.135 --> 22:34.137 I like it when the darkness eats me up. 22:34.157 --> 22:34.458 Do you? 22:34.478 --> 22:35.078 A little bit. 22:35.419 --> 22:35.659 Really? 22:35.679 --> 22:36.780 Yeah, should we have some news? 22:37.401 --> 22:39.623 Yeah, the news is read by Callum and Adrian. 22:40.303 --> 22:40.943 Oh my gosh! 22:41.604 --> 22:43.445 That's Candy Payne with one more chance. 22:43.465 --> 22:45.266 She's got so many things going on in there. 22:45.286 --> 22:50.810 She's got her tubular bells and her psychedelic sounding guitars and her strings in there, you know. 22:51.270 --> 22:53.032 And it sounds wonderful. 22:53.192 --> 22:59.176 Now, this is Adam and Joe here on 6 Music Covering for Sean Kievny and it's time now for our serial thriller. 22:59.216 --> 23:01.937 This is the part of the show when we speak to one of our listeners. 23:02.258 --> 23:07.081 They pick a couple of tracks for us and it enables myself and Joe just to go on a little breakfast mission. 23:07.981 --> 23:09.883 Now, I've got to be honest with you folks. 23:10.083 --> 23:15.327 We were supposed to talk to a lady named Pauline today, but she's not returning our calls. 23:15.507 --> 23:16.748 Yeah, we've tried her number. 23:16.988 --> 23:18.749 It just goes straight through the voicemail. 23:18.849 --> 23:21.111 So Pauline, I really hope you're okay. 23:21.591 --> 23:22.572 I'm sure she's fine. 23:22.652 --> 23:25.574 She's probably just in bed, but wow, you're missing out. 23:25.894 --> 23:28.656 Okay, Pauline, you could have been on the line with me and Joe. 23:28.856 --> 23:29.556 It's not going to happen though. 23:29.897 --> 23:35.040 Luckily, we do have someone on the line, a journalist, I believe, named Simon Boston. 23:35.200 --> 23:35.921 Simon, are you there? 23:36.653 --> 23:37.635 Hello Adam, hi. 23:38.016 --> 23:39.840 Hi Simon, where are you calling from today? 23:40.347 --> 23:42.749 I'm calling from Helsinki, actually, Adam. 23:42.849 --> 23:49.415 I'm doing a piece for the Free City newspaper, City AM, a piece on European fish quotas. 23:49.595 --> 23:51.897 So I'm actually in a hotel in Helsinki. 23:52.057 --> 23:52.337 Are you? 23:52.537 --> 23:53.278 It's freezing. 23:53.298 --> 23:54.519 I'm freezing my cobblers off. 23:54.759 --> 23:57.101 I bet you are in Helsinki. 23:57.421 --> 23:58.362 Yeah, it's weird. 23:58.382 --> 24:02.305 Because Joe just stepped out, actually, for a second. 24:02.365 --> 24:03.526 He went to the Lavi. 24:04.027 --> 24:06.629 And strange, you sound similar. 24:07.659 --> 24:10.041 He's my, of the two of you, he's my favourite. 24:10.241 --> 24:10.701 Busy. 24:10.781 --> 24:12.382 Joe, he's the taller, good-looking one. 24:12.542 --> 24:14.484 Have you been enjoying the show this week, Simon? 24:14.904 --> 24:16.585 Well, I wanted to say I haven't, no. 24:17.206 --> 24:22.489 I do think a lot of what you two prattle on about is pure oil and schoolboy-ish humour. 24:22.509 --> 24:23.130 Oh, I'm sorry. 24:23.170 --> 24:25.431 I'm very much looking forward to Keatney's return. 24:26.192 --> 24:30.735 And, to be honest, I hope you, you know, leave as soon as possible. 24:31.292 --> 24:33.093 Okay, well, I'm sorry too much. 24:33.173 --> 24:33.373 Yeah. 24:33.893 --> 24:39.356 And you don't play enough music, you know, six music, not six chit chat. 24:39.896 --> 24:40.356 Yeah. 24:40.496 --> 24:43.157 And you'd be more suited to radio one, maybe. 24:43.177 --> 24:46.719 I think your humor is sloppy and silly. 24:47.519 --> 24:49.940 And there's very little financial information in the show. 24:50.921 --> 24:55.283 If you've got to keep in touch with the stock market like I do, then honestly, how am I supposed to 24:56.211 --> 24:57.372 with content like yours. 24:57.572 --> 24:57.812 Yeah. 24:58.473 --> 25:00.034 You know, that moves very fast. 25:00.334 --> 25:00.754 Fair point. 25:00.814 --> 25:06.237 And you seem to be incapable of delivering any sort of statistical financial information. 25:06.537 --> 25:07.278 Yeah, good point. 25:07.518 --> 25:08.078 Thanks, Simon. 25:08.659 --> 25:10.860 Now, can I ask you, what's your favorite film? 25:12.121 --> 25:14.982 My favorite film is Filofax with Virgin Belushi. 25:15.142 --> 25:15.303 Is it? 25:15.803 --> 25:16.123 Yeah. 25:16.303 --> 25:16.563 Yeah. 25:17.104 --> 25:17.924 Why do you like that one? 25:19.265 --> 25:22.047 Because... Sorry, it's very cold. 25:23.067 --> 25:24.248 Because of the Filofax. 25:24.739 --> 25:26.460 Yeah, do you really? 25:26.820 --> 25:29.841 And what's your favourite band, Simon Boston? 25:30.761 --> 25:33.222 My favourite band is an American band called Filofax. 25:33.562 --> 25:34.882 Okay, is it? 25:35.562 --> 25:36.243 Yeah, right. 25:36.463 --> 25:37.663 And what have you picked for us today? 25:37.683 --> 25:39.884 Music-wise, Simon Boston? 25:41.104 --> 25:45.745 I'd like if possible to choose a song by Modest Mouse called Float On. 25:45.886 --> 25:47.206 Yeah, do you really like Modest Mouse? 25:47.965 --> 25:52.347 Not particularly I buy most of my CDs on a car boot sales. 25:52.407 --> 26:05.151 Yeah anything that's under 50p I'll go for it just saves a lot of money and Modest Mouse is something I got in a car boot sale in Beck and I mean Kent Yeah, it was 20 pence and I quite like it. 26:05.611 --> 26:07.971 And what about the next track the next track? 26:08.011 --> 26:09.112 I'd like you to play some Beck. 26:09.992 --> 26:12.573 I'd like to hear the new pollution and you big Beck fan and 26:13.204 --> 26:14.465 Uh, not particularly, no. 26:17.226 --> 26:23.730 Why don't you introduce our first track from the serial thriller today and thank you very much indeed for talking to us, Simon Boston. 26:24.171 --> 26:27.573 This is Simon Boston, this is Modest Mouse with Float On. 26:28.513 --> 26:29.714 Cheers, bye, thanks Simon. 26:31.693 --> 26:33.074 I like that guy's voice. 26:33.394 --> 26:35.215 Do you think he talks like that always? 26:35.455 --> 26:36.556 Yes, I do. 26:36.576 --> 26:38.617 Uh, can I have some oranges? 26:38.737 --> 26:40.918 Sounds like a very hunky lady. 26:41.158 --> 26:43.059 I'm going inside spot now. 26:43.079 --> 26:43.820 See you. 26:43.840 --> 26:45.061 Oh, you're inside. 26:45.101 --> 26:45.681 Bye. 26:45.701 --> 26:47.142 Oh, it's nice. 26:47.682 --> 26:53.826 Hey, when Sean Keibney comes back on Monday, which some of you might be happy to hear about, he's got a brand new segment. 26:53.866 --> 27:05.014 It's called Happy Days with a Z. And the idea is that you get in touch with him and ask him to play a track that brings back special memories for you that evokes a happy moment. 27:05.314 --> 27:08.876 So if you go to the BBC Six Music website, you'll see a little link called Happy Days. 27:09.417 --> 27:16.161 And Sean would be keen for you to click on that and nominate a track and maybe put in there a little story as well about what it means to you. 27:16.561 --> 27:17.202 Yeah, yeah, yeah. 27:19.103 --> 27:19.364 Yeah. 27:20.585 --> 27:22.426 Hey, I've got a conspiracy theory. 27:22.446 --> 27:24.728 Do you want to hear my conspiracy theory? 27:24.768 --> 27:25.389 Yeah, what, what? 27:25.549 --> 27:28.232 Okay, this is, I'm actually quite excited about this conspiracy theory. 27:28.792 --> 27:29.553 Is it a real one? 27:29.593 --> 27:30.434 Yeah, no, it's a real one. 27:30.554 --> 27:30.934 Come on then. 27:31.114 --> 27:36.099 Do you remember in the paper a couple of days ago, there was a very old woman who got to her 100th birthday 27:37.620 --> 27:41.522 And she had, uh, this photo was in every single newspaper on Wednesday, I think. 27:41.702 --> 27:43.723 And the spin on the story was that she smoked ham. 27:43.783 --> 27:46.745 She smoked all her life from the age of seven to the hundred. 27:47.365 --> 27:54.208 And the photo, the same photo appeared in all the newspapers, and it was of her birthday candles, which were three candles, a one, a zero, and a zero. 27:54.969 --> 27:59.691 And the candles were alight, and she was lighting a fag off the number one. 28:00.892 --> 28:02.773 What a lovely way to celebrate your birthday. 28:02.794 --> 28:03.494 With a cigarette. 28:03.514 --> 28:05.556 Light a cigarette off the cake candle. 28:05.596 --> 28:07.398 Delicious cigarette. 28:07.438 --> 28:10.320 That is bad, mate. 28:10.881 --> 28:11.842 What have you got mate? 28:12.122 --> 28:13.723 Oh, cigarette. 28:15.505 --> 28:20.990 So I was thinking this is a bit weird that this strange photo appeared in all the papers. 28:21.130 --> 28:23.932 I was thinking who supplied that photo to the papers? 28:24.753 --> 28:47.031 And then is it a coincidence that the following day the government announced the special new shocking photos horror photos They were gonna put on cigarettes right and the next day all the papers had Copies of these photos that they're gonna put on cigarette packets to put you off smoking one of a man with a huge tumor on his neck Yeah, another of open heart surgery. 28:47.191 --> 28:49.613 Yeah another of a man in a guest mask. 28:49.733 --> 28:50.313 It's all bad. 28:50.514 --> 28:51.214 It's all bad 28:52.375 --> 28:53.716 It's a good conspiracy theory, don't you think? 28:53.976 --> 28:54.876 Yeah, that's probably true. 28:54.896 --> 29:00.239 I think the photo of the old lady, because that's the most pro-smoking photo you could possibly have. 29:00.319 --> 29:00.839 That's right. 29:00.919 --> 29:05.642 A happy old lady celebrating her birthday by lighting a fag off the cake candles. 29:05.802 --> 29:07.623 Yeah, it certainly cheered me up a little bit. 29:07.823 --> 29:08.503 It cheered you up? 29:08.523 --> 29:12.505 Because I have the occasional... The occasional tab smoker must have felt very happy. 29:12.605 --> 29:12.906 Yeah. 29:13.286 --> 29:21.250 And then when I saw the horror photos the next day, I'm sure I thought back to that old... I thought, oh, that looks horrible, but what about the old lady? 29:22.637 --> 29:22.997 She's fine. 29:23.017 --> 29:25.219 Some reporter out there needs to... So what do you say? 29:25.239 --> 29:27.441 Are you doubting the veracity of the actual story? 29:27.521 --> 29:35.648 I'm saying that a vast percentage of stuff that you see in newspapers and magazines these days actually has a kind of secret agenda behind it. 29:35.708 --> 29:36.588 I'm sure that's true. 29:37.089 --> 29:41.772 I don't doubt that that story was placed there to counteract the negative associations of all the horror photos. 29:47.837 --> 29:56.839 It was a preemptive strike by the smoking industry, but do you reckon even that the old lady was not a sincere 100-year-old tab smoker? 29:57.039 --> 29:59.179 She's a real person, I think. 29:59.739 --> 30:03.240 But being exploited by the tobacco lobby. 30:03.300 --> 30:06.961 Imagine if we went undercover and found out that she wasn't Mums. 30:07.081 --> 30:10.042 Actually, she'd never smoked a tab in her life, and she was just a model. 30:10.062 --> 30:11.382 She had one put in her hand. 30:12.022 --> 30:12.583 What a scandal that would be. 30:12.603 --> 30:13.163 What a scandal that would be. 30:13.183 --> 30:13.804 What a scandal that would be. 30:13.824 --> 30:14.384 What a scandal that would be. 30:14.404 --> 30:14.965 What a scandal that would be. 30:14.985 --> 30:15.545 What a scandal that would be. 30:15.565 --> 30:16.126 What a scandal that would be. 30:16.146 --> 30:16.706 What a scandal that would be. 30:16.726 --> 30:17.287 What a scandal that would be. 30:17.307 --> 30:17.867 What a scandal that would be. 30:17.887 --> 30:18.448 What a scandal that would be. 30:18.468 --> 30:19.028 What a scandal that would be. 30:19.048 --> 30:19.629 What a scandal that would be. 30:19.649 --> 30:20.269 What a scandal that would be. 30:20.290 --> 30:20.870 What a scandal that would be. 30:20.890 --> 30:21.471 What a scandal that would be. 30:21.491 --> 30:22.051 What a scandal that would be. 30:22.071 --> 30:22.632 What a scandal that would be. 30:22.652 --> 30:23.212 What a scandal that would be. 30:23.232 --> 30:23.793 What a scandal that would be. 30:23.813 --> 30:24.373 What a scandal that would be. 30:24.393 --> 30:24.954 What a scandal that would be. 30:24.974 --> 30:25.534 What a scandal that would be. 30:25.554 --> 30:26.115 What a scandal that would be. 30:26.135 --> 30:26.695 What a scandal that would be. 30:26.715 --> 30:27.276 What a scandal that would be. 30:27.296 --> 30:27.856 What a scandal that would be. 30:27.876 --> 30:28.437 What a scandal that would be. 30:28.457 --> 30:29.017 What a scandal that would be. 30:29.037 --> 30:29.598 What a scandal that would be. 30:29.618 --> 30:30.178 What a scandal that would be. 30:30.198 --> 30:30.759 What a scandal that would be. 30:30.839 --> 30:40.703 I assume they were stags because their whole raison d'etre, the pigeon detectives, as far as I can tell, is kind of ladish fighting behaviour and being dirty. 30:40.803 --> 30:45.825 Yeah, there's a lot of elk-like creatures on music posters at the moment. 30:45.845 --> 30:47.706 There's one with a big kudu on it, you know? 30:47.766 --> 30:50.868 A kudu's a kind of an African creature with curly horns. 30:52.288 --> 30:53.909 Well, there's Interpol, the Interpol album. 30:53.929 --> 30:54.229 That's Interpol. 30:54.269 --> 30:55.329 The kudu is on Interpol. 30:55.389 --> 30:55.630 Right. 30:55.850 --> 30:56.050 Yeah. 30:56.110 --> 30:58.331 And it's being taken down by some tigers, isn't it? 30:59.091 --> 30:59.751 Yeah, I think so. 30:59.952 --> 31:03.033 That's right, a tiger attacking a kudu. 31:03.073 --> 31:04.494 Very noble creature, the kudu. 31:04.874 --> 31:06.675 Do you know a lot about the kudu, then? 31:06.795 --> 31:08.576 I do know a certain amount about the kudu. 31:08.656 --> 31:10.337 I have a kudu head in my house. 31:10.697 --> 31:11.117 You do? 31:11.297 --> 31:14.239 Yeah, my grandpa shot it years and years and years ago. 31:14.259 --> 31:14.719 What? 31:14.959 --> 31:16.480 Well, when he was, he's dead now. 31:16.660 --> 31:16.840 Yeah. 31:16.920 --> 31:18.701 But he shot it like... He was shot by a kudu. 31:19.642 --> 31:20.902 No, the kudu didn't shoot him. 31:21.263 --> 31:22.123 They can't hold guns. 31:22.143 --> 31:22.943 They haven't got fingers. 31:23.043 --> 31:23.484 Can they not? 31:23.644 --> 31:23.764 No. 31:24.184 --> 31:24.985 Have they not got special? 31:25.045 --> 31:27.006 Uh, he shot it when that sort of thing was acceptable. 31:27.066 --> 31:27.286 Right. 31:27.466 --> 31:28.286 Years and years ago. 31:28.727 --> 31:30.368 And he was so ashamed of what he did. 31:30.548 --> 31:30.748 Right. 31:31.228 --> 31:32.629 Uh, he became a vegetarian. 31:33.289 --> 31:36.931 And he kept the, uh, kudu head so he could sort of apologize to it. 31:37.152 --> 31:37.532 Did he? 31:37.712 --> 31:37.992 Yeah. 31:38.212 --> 31:38.893 Well, every morning. 31:38.993 --> 31:39.493 Sorry. 31:39.553 --> 31:39.833 Yeah. 31:40.153 --> 31:40.614 Sorry, mate. 31:41.414 --> 31:43.894 Sorry about the, uh, shooting head. 31:44.295 --> 31:48.595 Yeah, but we recently had it restored because it was a bit kind of, it was getting a bit old. 31:48.735 --> 31:51.936 Did you put a little voice box in it so it could say, hello, it's all right mate. 31:52.076 --> 31:52.956 Every time you said sorry. 31:52.996 --> 31:57.537 We actually, we actually, uh, had it reanimated by wizards. 31:58.377 --> 32:00.177 We went to, uh, King's cross. 32:00.217 --> 32:00.618 Dreamworks. 32:00.678 --> 32:02.618 We went to the Harry Potter platform. 32:02.638 --> 32:04.898 We managed to run into the pillar. 32:05.218 --> 32:05.939 We got through. 32:06.059 --> 32:06.319 Yes. 32:06.799 --> 32:07.779 We went to Hogwarts. 32:08.959 --> 32:10.461 You know where this is heading, don't you? 32:10.481 --> 32:10.621 Yes. 32:10.781 --> 32:11.321 Yes, I do. 32:11.502 --> 32:12.843 Anyway, they managed to... Go and say it. 32:12.903 --> 32:16.826 They went, Kuduium restoriatus. 32:18.047 --> 32:19.348 And it came back to life. 32:19.408 --> 32:19.688 Yeah. 32:20.349 --> 32:25.493 And now it lives in my kitchen and it does big kudu pops all over the floor. 32:25.513 --> 32:26.234 Mm-hmm. 32:26.534 --> 32:27.615 That's a good story, man. 32:28.516 --> 32:29.957 Now, will you tell us about what? 32:29.997 --> 32:30.437 Go on. 32:30.457 --> 32:31.218 You had something else to say. 32:31.238 --> 32:31.398 Nothing. 32:31.418 --> 32:33.300 You were going to say, how do potter, weren't you? 32:33.380 --> 32:33.940 No, I wasn't. 32:34.040 --> 32:34.441 Okay, then. 32:35.861 --> 32:37.842 Now, tell us about the... Harry Potter. 32:38.022 --> 32:38.863 Harry Potter. 32:39.103 --> 32:39.523 Here we go. 32:39.703 --> 32:40.904 What's the name of this feature again? 32:41.444 --> 32:42.845 This is called the Rebel Playlist. 32:42.865 --> 32:43.445 There you go. 32:43.605 --> 32:45.546 It's a feature from Steve LaMax Show. 32:46.186 --> 32:54.450 Check out Steve LaMax Page on the Six Music website or listen from 4pm Monday to Friday for details of this week's Rebel Playlist vote. 32:54.730 --> 32:58.572 I think the Rebel Playlist is a kind of Rebel Playlist. 32:59.432 --> 32:59.612 Yeah. 32:59.872 --> 33:02.495 The normal playlist is, uh, a Bay's orders. 33:02.915 --> 33:03.095 Right. 33:03.135 --> 33:04.917 It's very disciplined, subservient. 33:05.337 --> 33:09.641 This playlist doesn't give up, uh, potato about anything. 33:09.701 --> 33:10.141 That's right. 33:10.161 --> 33:14.705 It's stuff that you wouldn't find on the exef- uh, sorry, on the, uh, six music playlist normally. 33:14.725 --> 33:16.066 That's my first slip, kind of. 33:16.086 --> 33:16.566 I haven't done that. 33:17.347 --> 33:19.689 Uh, and, uh, what's the track that we're going to play? 33:19.729 --> 33:24.373 This is Gallows, uh, within the belly of a shark from the Reverend playlist. 33:26.050 --> 33:46.791 yeah boy what a frightful business that was gallows within the belly of a shark i like that i enjoy shouting music the belly of a whale isn't good enough for them it was good enough for jonah but as far as gallows are from the bible yeah but as far as gallows are concerned uh being in the belly of a whale is for wussies they've got in the belly of a shark exactly 33:47.412 --> 33:49.493 And there's teeth on the inside of this one. 33:49.533 --> 33:50.113 Is that true? 33:50.533 --> 33:50.693 No. 33:50.913 --> 33:53.954 Having said that, it's not that impressive to be in the belly of a shark. 33:53.994 --> 34:04.517 You might have just been in your SpongeBob SquarePants swimming trunks on a lilo, maybe with an inflatable duck's head, listening to Buck's Fizz. 34:05.238 --> 34:07.738 Suddenly, you're consumed by a shark. 34:07.758 --> 34:08.539 Well, this is the thing. 34:08.919 --> 34:15.241 If you're in the belly of a whale, like Jonah, or many of the other people who've been in whales... Who else has been in whales? 34:15.481 --> 34:15.801 A whale. 34:16.589 --> 34:40.049 uh kelly jones yeah the styrofoonyx yeah the guy from the cider advert doesn't he end up in the belly of a whale do you remember that advert yeah man there's a load of pinocchio that's true well done with japetto uh does japetto go in there too yeah he ends up in the whale yeah they they have to tickle it every most people at some point or another have been in in the belly of a whale they have to tickle the whale's uvula 34:40.669 --> 34:41.930 I've been in the belly of a whale. 34:42.050 --> 34:42.330 Have you? 34:42.550 --> 34:42.831 Yeah. 34:43.051 --> 34:44.352 I've been in the belly of an architect. 34:44.592 --> 34:44.952 Really? 34:45.072 --> 34:45.933 Yeah, it was amazing. 34:45.973 --> 34:46.733 Was it? 34:46.773 --> 34:48.214 What was it like in the belly of a whale? 34:48.654 --> 34:49.395 It's stinky. 34:49.795 --> 34:50.015 Yeah. 34:50.095 --> 34:52.157 But it was the only way I could afford to get to Calais. 34:52.697 --> 34:53.338 Exactly. 34:53.518 --> 34:55.299 It's cheaper than the hovercraft. 34:55.699 --> 34:59.462 Well, that brings us very neatly to news time. 34:59.682 --> 35:04.305 And it's read by two of our favourite news readers, Callum and Adrian. 35:06.597 --> 35:07.418 Textination! 35:07.478 --> 35:07.779 Text! 35:07.839 --> 35:08.139 Text! 35:08.199 --> 35:08.560 Text! 35:08.640 --> 35:09.381 Textination! 35:09.441 --> 35:10.423 What if I don't want to? 35:10.663 --> 35:11.405 Textination! 35:11.485 --> 35:12.547 But I'm using email. 35:12.687 --> 35:13.388 Is that a problem? 35:13.428 --> 35:13.989 It doesn't matter! 35:14.009 --> 35:14.269 Text! 35:16.764 --> 35:19.585 It's time for Text the Nation, the fav- the wha- oh dear. 35:19.945 --> 35:22.407 The nation's favorite feature. 35:22.567 --> 35:22.767 Yeah. 35:23.107 --> 35:26.248 We should put that jingle up on the Six Music website, shouldn't we? 35:26.268 --> 35:29.009 And then people could download it and use it as a text sound. 35:29.049 --> 35:29.290 Yeah. 35:29.450 --> 35:30.030 As a text sound. 35:30.110 --> 35:31.871 Maybe it'll become the new national anthem. 35:32.171 --> 35:33.291 Maybe the Queen will hear it. 35:33.551 --> 35:34.552 We could charge for it. 35:34.732 --> 35:36.373 You know, we never charge for these things, man. 35:36.393 --> 35:37.513 We should charge a lot for it. 35:37.533 --> 35:40.354 This is why we are struggling this, you know. 35:40.454 --> 35:41.095 Struggling what? 35:41.275 --> 35:42.275 Struggling minstrels. 35:42.295 --> 35:43.196 Struggling full stop. 35:43.276 --> 35:43.456 Yeah. 35:44.216 --> 36:02.735 uh we should charge maybe 50 pounds 50 pounds people down easily pay for that well a couple would and you'd make more money out of a couple of stupid people than you would if you charged a little that's right sensible people make a hundred pounds that's how shops like harrods operate right from stupid people who willing to say they're really rich idiots 36:02.975 --> 36:03.215 Yeah. 36:03.776 --> 36:05.037 That's just our opinion, of course. 36:05.197 --> 36:06.419 Yeah, that's not true, actually. 36:06.439 --> 36:08.320 Not the views of the big British castle. 36:08.581 --> 36:12.404 Last time I went to Harrods, I walked past Mohammed Al Fayed. 36:12.525 --> 36:12.965 Did you? 36:13.145 --> 36:16.649 Yeah, it was like going to Willy Wonka's chocolate factory and meeting Willy Wonka. 36:17.149 --> 36:21.694 Well, you know, he was... Al Fayed was shopping in the King's Road the other day when I happened to be down there. 36:22.374 --> 36:26.116 And there was a huge crowd of people gathered around outside the shop. 36:26.476 --> 36:28.317 There was cops holding people back. 36:28.397 --> 36:28.657 Really? 36:28.717 --> 36:29.618 Traffic was stopping. 36:29.638 --> 36:31.738 I was like, who's in there, for goodness sake? 36:32.179 --> 36:33.419 Cameron Diaz? 36:33.919 --> 36:35.600 And it was, no, it's Alfired. 36:35.620 --> 36:36.741 I was amazed. 36:37.381 --> 36:43.966 Anyway, it's text the nation time, and this is the part of the show where we ask you to text us, and we read them out. 36:44.306 --> 36:45.207 It's as simple as that. 36:45.307 --> 36:46.268 It's really that simple. 36:46.348 --> 36:53.173 But, there's one added complexity, the texts need to be on a particular theme, and the theme today is disastrous parties. 36:53.273 --> 36:54.274 Party disasters. 36:54.374 --> 36:55.334 Disastrous parties. 36:55.895 --> 37:01.359 And, you know, everyone has got, surely, at least one story of a party disaster. 37:01.459 --> 37:13.427 Parties are supposed to be a brilliant time when everyone's having fun and stuff, especially birthday parties or a party for a special occasion, but more often than not, they turn into a disaster. 37:13.667 --> 37:16.749 And this is any kind of party, as you mentioned, you know, birthday party. 37:16.769 --> 37:18.751 It could be like a child's birthday party. 37:19.091 --> 37:23.094 It could be a celebration for your 80-year-old father or whatever. 37:23.494 --> 37:25.555 It doesn't have to be like a raucous team party. 37:25.856 --> 37:28.798 It could be any sort of party anecdote or disastrous story. 37:29.638 --> 37:31.740 What are your ones that spring to mind, Joe Cornish? 37:32.020 --> 37:38.824 Well, the key party in my memory is one that my brother had when he was about maybe 16 or 15. 37:39.104 --> 37:40.045 When you would have been how old? 37:40.205 --> 37:43.267 When I would have been about 12 or 13, sort of thing. 37:44.448 --> 37:45.128 Proto-party. 37:45.268 --> 37:45.829 That was a very early one. 37:45.849 --> 37:46.829 It was a proto-party. 37:47.570 --> 37:52.013 My brother decided he would boost his popularity at school by having a big party. 37:52.193 --> 37:52.833 Yeah, good move. 37:52.853 --> 37:56.956 Now, it still happens these days, but kind of school parties always get out of control, don't they? 37:57.116 --> 37:58.757 Difficult move at 16, I would say. 37:58.777 --> 38:01.039 Because you don't know when to stop inviting people. 38:01.479 --> 38:09.305 And the whole invitation thing can snowball, word gets out, before you know it, the entire school is heading to your little house on a Saturday night, you know? 38:09.466 --> 38:13.569 And not so much because they care about hanging out with you, because they want to destroy your house. 38:13.589 --> 38:15.310 They pretty much just want somewhere to destroy. 38:15.390 --> 38:26.699 So this kind of happened to my brother, my parents went away for the weekend, and suddenly on a Saturday night, hundreds of drunk kind of old, they seem to me old, old people came piling into my house. 38:27.179 --> 38:27.539 Yeah. 38:27.559 --> 38:27.639 Yeah. 38:27.659 --> 38:27.739 Yeah. 38:27.759 --> 38:27.860 Yeah. 38:46.851 --> 38:55.257 I felt as if a hundred horrible stinking burglars had broken in to my sacrosanct palace of selfness. 38:55.998 --> 39:01.982 My mummy and daddy, your fortress of solitude, and they were behaving like out of control Vikings. 39:02.562 --> 39:07.205 They pulled the sink away from the wall in a pee bathroom. 39:07.245 --> 39:07.686 Did they? 39:07.746 --> 39:08.186 They did. 39:08.246 --> 39:13.970 They spilled wine on the wall of the sitting room. 39:14.110 --> 39:15.193 Mommy and daddy. 39:15.213 --> 39:16.657 Daddy painted that wall. 39:16.677 --> 39:19.224 And some brutish man. 39:20.279 --> 39:21.640 Spilt red wine on it. 39:22.040 --> 39:42.212 What did they did anyway, so I was very grumpy and I decided well I'll go and try and join him So I went down and I tried to tell jokes at the party to an older girl and she liked it She was very drunk I think she sort of fancied me in a kind of a cute sort of pet sort of way Yeah, and she tried to impress me by driving me around the block in her car. 39:42.292 --> 39:44.133 What she was very drunk. 39:44.193 --> 39:45.074 This is a recipe for that 39:45.134 --> 39:50.856 So she was wavering from the right to the left, trying to impress me with her drunken driving skills. 39:50.876 --> 39:51.616 That's terrifying. 39:51.656 --> 40:10.664 I was very glad to be alive when we got back, and at the end of this story is, that traumatised me so much I went back up to my room, locked the door, there's like horrible noise coming up from the room below, and I hid under my desk, and I wrote on my desk in felt pen, I hate parties. 40:11.024 --> 40:13.285 I will never have one in my life. 40:14.325 --> 40:16.566 I wrote in green felt pen. 40:17.526 --> 40:17.806 Yeah. 40:17.826 --> 40:18.446 So there you go. 40:18.486 --> 40:20.046 Have you got a similar story? 40:20.686 --> 40:24.487 I'll tell you my party disaster stories in just a second, but we'd like to hear from you. 40:24.527 --> 40:25.887 What's the Deets, Joe? 40:26.068 --> 40:26.848 The one? 40:27.208 --> 40:28.668 That's what the kids say, isn't it? 40:28.828 --> 40:36.870 The Deets are 64046 to text and email adamandjo.6musicatbbc.co.uk. 40:36.930 --> 40:37.670 That is the Deets. 40:38.170 --> 40:44.376 Get me and this are this is the song of the builders song all about the stuff you use It's a catalyst. 40:44.456 --> 40:45.457 It's a kind of catalyst. 40:45.817 --> 40:46.658 I forget what it does. 40:46.858 --> 40:48.219 This is Cajun dance party. 40:48.319 --> 40:49.000 There you go Sean. 40:49.020 --> 40:53.404 Keep me back with you next week And this is Adam and Joe here filling in for him. 40:53.424 --> 41:00.170 We've had a wonderful time for the last couple of weeks Yeah into the last 77 minutes of our fill-in tenure here at BBC six music. 41:00.750 --> 41:01.992 We've had a great time by the way 41:02.492 --> 41:05.074 We'll say proper thank yous at the end of the show, but we've loved doing it. 41:05.314 --> 41:06.254 Yeah, it's been very good. 41:06.274 --> 41:07.075 Yeah, I hope you've liked it too. 41:07.095 --> 41:16.200 Thanks a lot for all your messages and texts, and we are asking you to keep those texts and messages coming in right now, because we're right in the middle of our feature text donation. 41:16.800 --> 41:22.904 And today, I'll stop doing that voice, we are asking you to tell us about party disasters you've had. 41:23.124 --> 41:28.247 We've already got quite a witty, I'm starting that voice again, text in from someone called John. 41:28.507 --> 41:28.947 Was it a cool job? 41:28.967 --> 41:29.848 No, James and Fulham. 41:30.168 --> 41:33.570 James and Fulham has texted us in saying, the Tory party. 41:33.850 --> 41:34.851 That's pretty disastrous. 41:34.911 --> 41:36.331 Thanks very much for that one, James. 41:36.392 --> 41:37.412 Pass it on to Moc the Week. 41:37.492 --> 41:38.072 I like that one. 41:38.092 --> 41:38.473 I can use that one. 41:38.493 --> 41:39.633 I liked it very much. 41:40.294 --> 41:40.594 True. 41:41.274 --> 41:41.594 Okay. 41:43.956 --> 41:52.321 Now, we were talking about, Joe was reminiscing further about that little party nightmare that he had there and basically saying that ever since that time, 41:53.061 --> 41:55.683 You know, he's not really enjoyed parties very much, per se. 41:56.144 --> 41:56.985 And I agree. 41:57.225 --> 41:58.746 You know, parties are overrated. 41:58.786 --> 42:04.572 The older you get, the more you realise one thing that's better than a party is not going to a party. 42:04.812 --> 42:11.118 You know, uh, sorry to interrupt the essence, but it might be interesting for you to note that Adam and I have known each other since we were 13. 42:11.598 --> 42:14.861 And we pretty much made a tactical decision aged, what, 14 or 15? 42:16.242 --> 42:39.831 That we didn't really like big parties knew and that our preferred social gathering was about six carefully vetted close friends Well, also that that was act coupled with the fact that we didn't know any girls right made made it quite sort of you know that the best idea for us for a Friday night was six of us would go round to our mates house sometimes it was our We wouldn't call him a mate though 42:40.391 --> 42:42.372 No, not in those days. 42:42.512 --> 42:44.492 A friend, a chum. 42:45.392 --> 42:50.714 And one of our chums had a lovely big house in Fulham somewhere. 42:51.214 --> 42:52.554 It was a really posh man. 42:52.614 --> 42:54.334 And his parents were away, do you remember this? 42:55.335 --> 42:56.035 For a weekend. 42:56.595 --> 42:58.956 And so we went round there, we were really excited. 42:58.976 --> 42:59.776 Is this your story now? 42:59.916 --> 43:00.116 Yeah. 43:00.156 --> 43:00.736 Your party disaster. 43:00.756 --> 43:02.256 Because we had the run of the place, yeah. 43:03.057 --> 43:05.137 And we were well overexcited. 43:05.557 --> 43:08.958 So we thought, okay, what we should do is dress up. 43:10.123 --> 43:11.803 Even though it's just six boys. 43:11.823 --> 43:15.985 Well hang on a second, wasn't it Halloween? 43:16.345 --> 43:16.565 No. 43:17.225 --> 43:17.845 Are you sure? 43:17.885 --> 43:27.548 Yeah, there was one on Halloween we did dress up, but another time... We just dressed up because it was Friday and we were going to have a little party. 43:27.568 --> 43:28.828 What did we dress up in? 43:29.388 --> 43:31.309 So we dressed up in... 43:31.869 --> 43:46.277 we raided the cupboard in the guy's house and we dressed up in his parents clothes we put his dad's suit jackets on there's photographs of all this I might try and put some up on my website one day and there's a photograph of me 43:47.117 --> 43:56.583 Uh, with no shirt on, but just a jacket on, and a Stetson hat, and one of the guys, one of the bloke's father's ties tied round my head. 43:57.244 --> 44:00.306 And I'm, uh, and you're wearing more or less, you're wearing a dinner jacket. 44:00.326 --> 44:02.747 You've also got no shirt on, but you've got a bow tie. 44:04.688 --> 44:06.550 Like a very thin Chippendale. 44:07.791 --> 44:14.157 We both look like the gayest little boys ever in the world. 44:14.558 --> 44:15.318 I think we were. 44:15.338 --> 44:15.779 Yeah. 44:16.259 --> 44:18.882 And we had a wonderful time at these things. 44:18.902 --> 44:20.884 That's the one award we've won in our career. 44:20.964 --> 44:21.625 That's right. 44:22.186 --> 44:23.267 The gayest little boys ever. 44:23.347 --> 44:23.587 Yeah. 44:25.169 --> 44:25.509 Award. 44:26.870 --> 44:29.752 We used to have a blast, man, and anyway, we had a great time. 44:29.772 --> 44:31.073 It was a perfect party, you know? 44:31.253 --> 44:32.513 That's not a disaster, though, is it? 44:32.593 --> 44:33.914 It ended up in disaster. 44:34.034 --> 44:34.314 Okay. 44:34.414 --> 44:51.664 Because, you know, we were having a couple of drinkies, we'd seen the film Betty Blue, and in that film they do this thing called Instant Margaritas or something, and basically you do, like, the ingredients of a margarita in a shot glass, and then you add a little bit of fizzy lemonade or whatever at the last moment, and then you slam it. 44:51.744 --> 44:53.625 They're sort of tequila slammers, I guess, but they're... 44:54.185 --> 45:17.272 Fizzy and so we were doing these we were getting pretty tooty Then things got out of hand and we started grooving around to maybe the house Martins or something like that and then someone Shoved someone I think wasn't it you and Louis through maybe yeah and Louis shoved me and I went backwards onto the glass table valuable glass a valuable glass table in the room of this really posh house 45:18.352 --> 45:19.734 The table smashed, didn't it? 45:19.774 --> 45:21.355 Yeah, it smashed into a million pieces. 45:21.895 --> 45:25.639 And after that, we were just like, okay, this is bad, this is really bad. 45:25.759 --> 45:35.467 And it was like the Yellow Pages advert, because the parents were coming back the next day, early the next day, early flight, and we were all pretty mashed, and we couldn't figure out what we were going to do about this. 45:35.947 --> 45:37.469 It was really bad. 45:38.750 --> 45:41.813 And it ended badly, it ended pretty badly, because it was irreparable. 45:41.833 --> 45:43.234 There was no way we were going to get it fixed. 45:43.754 --> 45:45.656 So no more parties around at his place. 45:46.076 --> 45:49.500 Anyway, we want to hear more about your party disasters in just a second. 45:49.520 --> 45:51.222 Keep texting us and emailing us. 45:51.262 --> 45:54.565 But right now, here's a classic from a little band called The Beatles. 45:54.846 --> 45:55.827 They're pretty good, aren't they? 45:55.847 --> 45:57.509 The Beatles with I'm Looking Through You. 45:57.549 --> 45:59.230 This is Adam and Joe here on Six Music. 45:59.511 --> 46:01.333 You know, can I say something controversial? 46:01.733 --> 46:02.354 Oh, go on then. 46:03.054 --> 46:04.475 I've never really got into the Beatles. 46:04.575 --> 46:05.876 Well, you think they're overrated, do you? 46:05.936 --> 46:07.597 No, I don't have any opinion, really. 46:07.617 --> 46:09.558 I like the ones that are famous. 46:10.218 --> 46:11.099 What's your problem? 46:11.119 --> 46:11.899 They just overplayed. 46:11.919 --> 46:13.420 You think, well, there's nothing for me here. 46:14.060 --> 46:14.440 Kind of. 46:14.781 --> 46:15.121 Yeah. 46:15.321 --> 46:15.881 Is that wrong? 46:16.021 --> 46:16.522 That is wrong. 46:16.562 --> 46:18.983 I kind of feel as if I'm saving them up for later in life. 46:19.363 --> 46:19.643 Maybe. 46:20.204 --> 46:20.444 Yeah. 46:20.884 --> 46:23.645 Well, they're not overplayed anyway, because you can't license Beatles tracks. 46:23.685 --> 46:24.426 They're not played that much, actually. 46:24.486 --> 46:25.466 No, generally. 46:25.506 --> 46:26.967 Like, they don't turn up on commercials. 46:27.227 --> 46:28.488 One day I'll get heavily into them. 46:28.628 --> 46:29.449 They're wicked, man. 46:29.669 --> 46:30.269 They're really good. 46:30.309 --> 46:31.350 So I hear, so I hear. 46:31.370 --> 46:31.510 Yeah. 46:32.490 --> 46:34.931 We've been asking you to text in your party disasters. 46:35.551 --> 46:40.533 Fantastic nights of jubilation that turn into hideous nights of traumatisation. 46:41.573 --> 46:43.294 The text number is 64046. 46:43.954 --> 46:46.955 The email is adamandjo.6musicatbbc.co.uk. 46:47.275 --> 46:48.255 Are you ready for Samadam? 46:48.676 --> 46:49.016 Hit me. 46:49.556 --> 46:50.416 Okay, here we go. 46:50.876 --> 46:53.697 Once at Halloween, this is from Pops in Kent. 46:53.777 --> 46:54.077 Pops? 46:54.277 --> 46:54.618 Pops! 46:55.058 --> 46:55.418 Pops! 46:56.278 --> 47:00.581 Uh, once at Halloween, I had a party, and only one friend made a costume. 47:00.981 --> 47:01.341 Aha. 47:01.561 --> 47:05.844 She was so upset, she slammed a hot pizza into my face like a mud pie. 47:06.064 --> 47:06.484 Whoa. 47:06.745 --> 47:08.065 It's okay, I'm not scarred. 47:08.586 --> 47:10.847 She was upset because she just felt humiliated. 47:10.887 --> 47:11.908 She was the only one dressed up. 47:12.528 --> 47:13.869 Yeah, why would she be upset? 47:14.609 --> 47:16.331 That's the reason I just said that. 47:16.491 --> 47:17.271 It's strange, isn't it? 47:17.291 --> 47:19.412 But that doesn't sound like a satisfactory reason to me. 47:19.753 --> 47:21.434 No, there was something else going on, surely. 47:22.349 --> 47:23.490 That sounds like a bad one though. 47:23.510 --> 47:23.730 Oh my lord! 47:40.373 --> 47:43.234 That's just from some awful Asbo family somewhere. 47:43.634 --> 47:45.514 That's funny blurs Britain for you. 47:45.534 --> 47:46.534 Britain's worst family. 47:46.614 --> 47:47.914 Thanks for that text though. 47:48.374 --> 47:48.975 Keep them coming in. 47:49.175 --> 47:51.115 Here's Edwin Collins right now with You'll Never Know. 47:51.515 --> 47:53.475 The fantastic Edwin Collins with You'll Never Know. 47:53.495 --> 47:55.276 This is Adam and Jo on BBC 6 Music. 47:55.636 --> 47:59.676 It's time for the news read by Callum and Adrian. 48:00.537 --> 48:01.357 Text-a-nation. 48:01.397 --> 48:02.477 Text, text, text. 48:02.577 --> 48:03.317 Text-a-nation. 48:03.377 --> 48:04.337 What if I don't want to? 48:04.597 --> 48:05.297 Text-a-nation. 48:05.417 --> 48:06.398 But I'm using email. 48:06.598 --> 48:07.318 Is that a problem? 48:07.338 --> 48:07.898 It doesn't matter. 48:07.938 --> 48:08.198 Text! 48:10.549 --> 48:12.710 It's the nation's favorite feature. 48:12.810 --> 48:14.630 Text the nation here on Six Music. 48:14.670 --> 48:21.712 This is Adam and Joe and we are asking you to email us or text us about party disasters you've had. 48:21.892 --> 48:27.054 Things that have gone wrong or whole parties that have just turned out to be a complete nightmare. 48:27.474 --> 48:28.895 And Joe, you've got a couple of messages. 48:29.235 --> 48:31.295 Yeah, I've set my microphone a bit too high. 48:31.335 --> 48:32.056 You know what you can do? 48:32.456 --> 48:32.736 What? 48:33.356 --> 48:34.276 It'll make a noise. 48:34.316 --> 48:34.996 Move it down. 48:35.016 --> 48:35.897 There we go. 48:36.097 --> 48:36.377 Okay. 48:37.457 --> 48:39.459 Dear Adam and Jo, this is an email from Sam. 48:40.099 --> 48:42.201 The worst party of my life was a few years ago. 48:42.762 --> 48:48.366 It was the beginning of the last year of school and one of the cool gang at school was having a huge birthday party. 48:48.386 --> 48:49.767 Watch out for the cool gang. 48:49.987 --> 48:54.330 I went with my friend, got extremely drunk extremely quickly and started throwing up. 48:55.131 --> 49:04.845 For some reason, even though I was outside when I started throwing up, I ran inside to find a bathroom, but they were all being used, so I ran into a bedroom and threw up on the bed. 49:04.905 --> 49:05.345 Nice. 49:05.906 --> 49:07.008 Then I passed out. 49:08.049 --> 49:09.211 Presumably in the vomit. 49:09.611 --> 49:10.412 Good times. 49:10.452 --> 49:11.734 Something I added, a bit of colour. 49:12.555 --> 49:19.799 When I woke up, I was surrounded by chaffs, listening to jungle music and telling each other to, quote, take off his pants. 49:20.219 --> 49:20.539 What? 49:20.799 --> 49:22.000 I was in a state of torpor. 49:22.220 --> 49:22.880 Oh, this is a bloke. 49:23.321 --> 49:25.101 Yeah, well, yeah, Sam, we don't know. 49:25.822 --> 49:28.623 I was in a state of torpor and couldn't move for a few minutes. 49:29.124 --> 49:33.406 I just had to lie there, paralyzed, enduring the terror of being violated. 49:34.066 --> 49:39.189 Eventually, I managed to get up and I found that I was covered in shaving foam and toothpaste and hair. 49:40.009 --> 49:45.293 I felt around my head and realised that my ponytail, I had long hair at the time, had been cut off. 49:45.893 --> 49:47.654 Both my eyebrows had been shaved. 49:48.355 --> 49:59.002 Running downstairs, I found my friend Max, who explained that the cutting had been done by my then-best friend in front of almost everybody at the party while I was unconscious. 49:59.242 --> 50:05.106 Throughout this, I still had toothpaste caked into my face and was in a zombie-like state of incoherence. 50:10.029 --> 50:10.429 before him. 50:10.509 --> 50:15.913 The nightmare lived on for the whole year in school as so many people had been present. 50:16.453 --> 50:17.894 Oh man, that is horrific. 50:17.994 --> 50:18.934 Sam, that's terrible. 50:18.954 --> 50:23.117 That's a good one as well because I've seldom heard the story from the other person's point of view. 50:23.137 --> 50:24.157 From the other person's point of view, yeah. 50:24.177 --> 50:28.780 And like magazines like Loaded used to be full of pictures of like people who'd done that to one another. 50:29.160 --> 50:33.723 But there is beautifully expressed the suffering from the other side of that fence. 50:33.743 --> 50:34.223 Of the victim. 50:34.243 --> 50:35.224 The flip side of the coin. 50:35.484 --> 50:37.184 Thank you very much indeed for that one, Sam. 50:37.224 --> 50:42.366 Keep those texts and emails coming in on the subject of party, disasters, stroke, nightmares. 50:42.786 --> 50:43.926 Time for my free choice now. 50:43.966 --> 50:46.247 This is my last free choice of our stint. 50:46.787 --> 50:52.028 And I can't resist playing another track from Spoon's amazing album, Ga Ga Ga Ga Ga. 50:52.348 --> 50:54.009 This one is called Don't You Ever. 50:54.269 --> 50:54.589 Dig it! 50:55.353 --> 51:01.818 That spoon with Don't You Ever from their album GAR GAR GAR GAR GAR, which is an embarrassment of riches, I strongly recommend. 51:01.838 --> 51:02.599 That's good, that track. 51:02.879 --> 51:05.521 In fact, I preferred it to the one you played all last week. 51:05.781 --> 51:13.487 Yeah, well, The Underdog we played last week as our single, Breakfast Single of the Week, and it's... The Underdog is less typical of the album as a whole, and I would say that track is more typical. 51:14.068 --> 51:16.690 Now, it's time for the Breakfast Single of the Week. 51:16.710 --> 51:17.630 This is your one, isn't it? 51:17.650 --> 51:19.732 Why can't we have some more party disasters first? 51:19.872 --> 51:20.873 Yeah, let's have a couple more. 51:21.053 --> 51:24.934 Okay, we're asking you to text in your party disasters in our Text the Nation feature. 51:25.555 --> 51:29.776 Things that have gone hideously wrong are nights that are supposed to be brilliantly right. 51:30.737 --> 51:31.297 That's good, wasn't it? 51:31.437 --> 51:32.137 Yeah, very nice. 51:32.417 --> 51:34.318 Here's one from Becky, who's e-mail. 51:34.338 --> 51:37.939 I won't give out the full e-mail, but it's Becky at Wax Worlds. 51:38.960 --> 51:41.741 Is that some kind of fantastic wax museum, do you think? 51:42.561 --> 51:45.242 Or just the country's biggest candle shop? 51:45.982 --> 51:49.423 Or a big kind of ear cleaning laboratory? 51:49.523 --> 51:51.404 A giant sort of ear wax factory. 51:51.864 --> 51:52.324 Who can tell? 51:52.624 --> 51:53.905 But here's her party disaster. 51:54.245 --> 51:55.025 Hi Adam, hi Joe. 51:55.285 --> 51:58.166 My party nightmare story happened when we were at uni. 51:58.587 --> 52:02.148 There was a house party and of course a bonfire in the back garden. 52:02.828 --> 52:05.189 Now, I've got to interrupt the text or the email at that point. 52:05.730 --> 52:08.651 Parties where people sort of start impromptu bonfires. 52:09.131 --> 52:10.732 I'd say that's bad, isn't it? 52:10.812 --> 52:11.673 It's instantly bad. 52:11.693 --> 52:12.433 It's instantly bad. 52:12.453 --> 52:16.855 When people start piling stuff up in their garden and setting light to it, that's the Lord of the Flies behaviour. 52:16.895 --> 52:17.135 Pretty much. 52:17.155 --> 52:18.216 Yeah, no good keep up with that. 52:18.256 --> 52:19.697 That's like tribal sort of stuff. 52:19.777 --> 52:22.058 Exactly, because it gets primal at that point, you know? 52:22.118 --> 52:24.439 A mix of bonfire and booze, that's disaster. 52:24.519 --> 52:26.380 Fire, you just don't want fire around. 52:26.400 --> 52:26.880 It's total disaster. 52:26.920 --> 52:31.843 Anyway, as the fire started to die down, we were picking up anything to hand and chucking it on. 52:32.763 --> 52:39.525 A girl at our university was in a wheelchair and had come to the party with crutches too so she could move around the party easier. 52:40.285 --> 52:41.126 Thanks for that detail. 52:41.566 --> 52:44.607 She came into the garden asking, has anyone seen my crutches? 52:45.727 --> 52:47.948 Just in time to see them burning on top of the bonfire. 52:48.128 --> 52:48.388 Nice. 52:49.788 --> 52:51.810 Uh, it wasn't funny, but we couldn't stop laughing. 52:52.470 --> 52:56.293 So they must have been wooden crutches as well, not those kind of metal NHS ones. 52:57.074 --> 52:58.455 Here's one from Ricky Toner. 52:58.475 --> 52:59.095 Uh-huh. 52:59.856 --> 53:00.736 Uh, it's a good surname. 53:01.037 --> 53:03.979 It sounds like it could be one of those Simpsons names, you know. 53:03.999 --> 53:04.699 Yeah. 53:05.080 --> 53:08.382 Does it, uh, spell any- does that- What, is it an anagram or something? 53:08.522 --> 53:11.443 No, Ricky, if you say it in a different way, does it say it means something? 53:11.483 --> 53:12.284 Like topsy-kretts. 53:12.524 --> 53:12.784 Yeah. 53:13.544 --> 53:14.205 I don't think so. 53:14.325 --> 53:14.545 Okay. 53:15.145 --> 53:15.925 Party disaster. 53:16.205 --> 53:26.730 At a crazy party, when NWA came on the stereo with a siren noise in the background, our friend thought it was a police bust and jumped out a first-story window, then disappeared into a dark field. 53:27.190 --> 53:27.510 Whoa. 53:27.731 --> 53:29.871 He missed the rest of the party, which was great. 53:31.707 --> 53:32.788 I'm glad it ended like that. 53:32.808 --> 53:38.011 I thought it was going to say he jumped out of a first-story window, broke his legs, never walked again. 53:38.031 --> 53:41.313 No, he was just a very guilty man who'd done something wrong. 53:41.673 --> 53:43.674 He heard the siren on the record and scarpered. 53:44.535 --> 53:45.275 That's OK then. 53:45.435 --> 53:46.756 Here's one from Chris from Newcastle. 53:47.016 --> 53:54.561 I once had a student party in which a piano was dragged from a friend's house, then smashed to bits and burned in our front garden. 53:54.721 --> 53:55.101 What? 53:55.361 --> 53:57.443 You see, this is why parties are so wrong. 53:58.143 --> 54:07.886 People are so desperate to have fun that they realize they're not going to have any, like, touchy-feely fun, so they decide the only way they can have fun is by destroying things. 54:08.186 --> 54:09.126 A piano! 54:09.246 --> 54:10.486 Such a beautiful machine! 54:11.146 --> 54:17.548 So intricate, capable of making such lovely sounds, beaten to death by brutish troglodytes. 54:17.588 --> 54:24.750 Well, this is the thing, is that at that age, especially when you're a teenager, the main thing on your mind is pants and trousers. 54:25.050 --> 54:48.599 Yeah, you know you want you would like to see some pants and trousers being taken off so you go there of course the mixture of booze and high expectations is not conducive to Romantic behavior a lot of times you know what I mean so the best you can get is a Fumble that you'll probably regret the next day and the very worst you get I've never regretted a fumble is totally destructive behavior and people going completely mental and 54:49.139 --> 54:50.820 So, here's the end of this text. 54:50.840 --> 54:52.480 They've got the piano, they've dragged it into the garden. 54:52.721 --> 54:57.162 We thought the neighbours might ring the police, but instead, they bought their toddler out to watch. 54:58.043 --> 54:59.724 Well, they're happy about it in the end. 54:59.844 --> 55:00.644 Blur's Britain. 55:01.044 --> 55:02.325 Thanks very much, Tony Blur. 55:02.405 --> 55:03.725 So, breakfast single of the week, Joe. 55:03.745 --> 55:04.405 This is your one. 55:05.046 --> 55:06.586 Yeah, we've been playing this all week. 55:06.626 --> 55:11.408 This is the terrific King Creosote with a track called... What's it called? 55:11.508 --> 55:14.170 You've no clue, do you? 55:14.210 --> 55:15.030 You've no clue, do you? 55:15.290 --> 55:22.395 This is BBC Six Music, this is Adam and Jo, the last 37 minutes of our final fill-in breakfast show, filling in here for Sean Kievny. 55:22.935 --> 55:27.898 Coming up pretty soon we've got the result of, what's it called, Band-Aid. 55:28.258 --> 55:29.719 Adam and I, we wrote a song each. 55:30.480 --> 55:35.423 You've been logging onto the website and voting for which one you want to hear via a little sample of each on the website. 55:36.184 --> 55:53.680 Up until yesterday I was winning, my Euro track European supermarket was winning, but overnight something strange has happened which I'm sure has something to do with Adam breaking into the big British castle and messing with the electronics of the computer and his track has leapt into the lead. 55:53.980 --> 55:56.643 Yeah, it's quite a significant lead now as well. 55:56.703 --> 55:58.565 But might the runner-up get played as well? 55:59.125 --> 56:05.208 Yeah, the runner-up will get played, but the runner-up doesn't get the sort of the king spot at the very, very end of the show. 56:05.228 --> 56:05.668 The kudos. 56:05.948 --> 56:07.029 I love kudos. 56:07.649 --> 56:09.510 Could I have another slice of kudos, please? 56:09.590 --> 56:10.511 Mmm. 56:10.571 --> 56:10.951 Tasty. 56:11.831 --> 56:13.912 Okay, we're still in the middle of Text the Nation. 56:14.533 --> 56:18.135 The most, yeah, you know what I'm going to say. 56:18.155 --> 56:18.935 It's a good one, isn't it? 56:18.955 --> 56:20.616 You know, it's the feature and all that, isn't it? 56:20.936 --> 56:22.897 And we've had another text of him, right, Adam? 56:23.177 --> 56:24.758 This is from Nico in Dusseldorf. 56:25.118 --> 56:25.898 Oh, hello, Nico. 56:25.938 --> 56:26.419 Hello, Nico. 56:27.519 --> 56:28.420 I had a party when I was 16. 56:29.440 --> 56:30.981 Far too many people came. 56:31.501 --> 56:36.364 They were all crowding outside and climbing through the windows in a Night of the Living Dead style. 56:37.004 --> 56:37.544 That's nice. 56:37.944 --> 56:42.807 I had to lock all the windows and doors, but then got so drunk that I lost the keys. 56:43.367 --> 56:46.929 It's not finished, I'm just pausing in the middle there for a bit of editorial. 56:47.649 --> 57:06.006 That's an interesting point because of course parties if you have your own party, you're expected to Control it right but also have fun which is utterly contradictory Yeah, so you get slowly drunk and this is one of the main problems with parties and you become unable to control your own environment That's right. 57:06.026 --> 57:09.069 You're so wazzled stumbling around right word. 57:09.109 --> 57:10.210 Yes, that is the correct term 57:10.350 --> 57:14.073 I had to lock all the doors and windows but then got so drunk that I lost the keys. 57:14.713 --> 57:20.197 Some of them climbed the drain pipe and came in through the tiniest toilet window you can imagine. 57:20.818 --> 57:21.678 It's like a horror film. 57:21.738 --> 57:22.459 It is a horror film. 57:22.499 --> 57:24.040 The problem is they broke the toilet. 57:24.520 --> 57:29.044 First I knew of it was when filthy water started pouring through the kitchen ceiling. 57:29.364 --> 57:29.944 Oh no! 57:29.964 --> 57:30.465 Nico! 57:30.945 --> 57:35.529 When everyone finally started leaving, the only way out was through my bedroom window. 57:36.309 --> 57:38.350 My older cousin arrived to discover the scene. 57:38.830 --> 57:42.492 Her punishment for me was to make me cut the lawn with scissors." 57:44.153 --> 57:44.873 That's poetic. 57:45.313 --> 57:46.454 That sounds nightmarish. 57:46.514 --> 57:47.775 That is horrific. 57:47.935 --> 57:52.737 You know, when you're in that state as well at the end of the night, you're already starting to get a little bit hungover. 57:52.757 --> 57:53.317 Do you know what I mean? 57:53.337 --> 57:53.597 Yeah. 57:53.858 --> 57:57.939 And the house stinks of sigs and everywhere is just a mess. 57:58.200 --> 58:00.901 And you've got a major plumbing problem on your hands. 58:01.101 --> 58:01.501 You know what I mean? 58:01.521 --> 58:02.202 It's a plumbing problem. 58:02.302 --> 58:07.206 And it's coming through the ceiling, and especially if it's revolting, filthy toilet water or whatever. 58:07.787 --> 58:08.807 Your brain is reeling. 58:08.828 --> 58:11.750 You're just thinking, I... what am I gonna do? 58:11.770 --> 58:12.170 What? 58:12.250 --> 58:15.913 Because I don't know plumbing, yeah, and... Oh, it's a terrible business. 58:15.933 --> 58:16.434 And you know what? 58:16.494 --> 58:17.935 These are quite retro stories. 58:18.376 --> 58:20.317 I think parties have got even worse. 58:20.397 --> 58:20.898 Even more horrific. 58:20.918 --> 58:23.080 Because of MySpace and texting. 58:23.800 --> 58:28.603 Like, imagine how many people used to come in our day when you had to actually pick up the phone to communicate with somebody. 58:29.223 --> 58:37.368 Now, you post your party on Myspace, and by the next morning, it's like a crazy episode of sexy E4 sitcom Skins. 58:37.388 --> 58:39.710 That's what it's like, isn't it? 58:39.770 --> 58:41.251 Gulls, boys, who cares? 58:41.411 --> 58:41.771 Skins. 58:41.931 --> 58:43.312 We've got the muse... the muse? 58:43.472 --> 58:44.092 Here is the muse. 58:44.312 --> 58:48.855 No, the news is coming up soon, but first, here's a lovely track from Jonathan Richmond and the modern lovers. 58:48.875 --> 58:50.116 This is Egyptian Reggae. 58:52.389 --> 58:53.050 Very good indeed. 58:53.210 --> 58:55.511 That's Jonathan Richmond with Egyptian Reggae. 58:55.551 --> 58:56.412 Hey, this is Adam and Jo. 58:56.432 --> 58:58.273 We're on six music covering for Sean Keveney. 58:58.293 --> 58:59.114 This is our last day. 59:00.055 --> 59:02.156 Only half an hour left of the program. 59:02.336 --> 59:07.800 A moment ago, Adam made a false declaration that the news was coming up, and it scared the news readers. 59:07.940 --> 59:14.565 You might think that they're hardened, battle-scarred types reading all the terrible news every day, but no, they're like timid little sweet mice. 59:14.585 --> 59:20.031 Because it's not like Radio 4, there's no pips, you know, so we just have to sort of approximate that the news is going to come up. 59:20.051 --> 59:21.332 Well, now you're just making excuses. 59:21.412 --> 59:21.772 On the half-hour. 59:21.792 --> 59:22.773 Do you have a mis-announcement? 59:23.114 --> 59:24.635 Well, no, I was teasing the news. 59:24.675 --> 59:26.577 They've sent us an email saying, you scared us. 59:26.757 --> 59:27.799 We thought we were on air. 59:28.039 --> 59:28.940 Yeah, sorry, guys. 59:29.400 --> 59:32.023 Well, very soon, you will be on air. 59:32.103 --> 59:36.928 In fact, right now, because here is the BBC 6 music news, read by Callum and Adrian. 59:37.248 --> 59:39.253 Squeeze with pulling muscles from a shell. 59:39.413 --> 59:41.157 This is Adam and Joe here on 6 Music. 59:41.418 --> 59:45.508 Now I think we should probably wrap up Text-o-Nation right now, which is our... 59:46.997 --> 59:47.738 favourite feature. 59:48.578 --> 59:50.299 The nation's not ours, we hate it. 59:50.720 --> 59:52.521 The nation love it though and demand it continues. 59:53.301 --> 59:56.544 We had a strange text in from somebody called Tim. 59:57.244 --> 59:59.205 We've been asking for kind of party disasters. 59:59.626 --> 01:00:01.887 I don't know, these don't seem like disasters to me. 01:00:02.428 --> 01:00:02.948 Shall I read it? 01:00:03.048 --> 01:00:06.991 I held a small gathering for the boozy boys, that's myself and Ian and his brother Neil. 01:00:07.431 --> 01:00:12.815 Chaos ensued when Neil drank too many cans of calling and went to the toilet and was nearly sick. 01:00:13.955 --> 01:00:15.817 So he wasn't actually sick, he was nearly sick. 01:00:16.457 --> 01:00:17.238 The text continues. 01:00:17.418 --> 01:00:19.059 The havoc didn't end there. 01:00:19.439 --> 01:00:20.140 Was that havoc? 01:00:20.560 --> 01:00:21.340 Being nearly sick? 01:00:21.981 --> 01:00:24.242 Neil later trod on my copy of Who's Next? 01:00:24.643 --> 01:00:26.024 which had been misplaced on the floor. 01:00:26.284 --> 01:00:29.406 Don't worry though, the disc itself was in the player and not scratched. 01:00:30.226 --> 01:00:35.230 It was one cracked CD case, too many though, and we haven't drunk or spoken since. 01:00:35.570 --> 01:00:36.070 Whoa! 01:00:36.290 --> 01:00:37.131 Who's that from, Neil? 01:00:37.531 --> 01:00:37.791 Tim. 01:00:37.871 --> 01:00:38.152 Tim. 01:00:38.252 --> 01:00:38.512 Tim. 01:00:38.892 --> 01:00:39.813 Tim sounds fair. 01:00:39.853 --> 01:00:41.894 He's like got a tight rein on his life. 01:00:41.914 --> 01:00:43.635 Going around Tim's house is like walking on eggshells. 01:00:43.715 --> 01:00:44.176 It really is. 01:00:44.516 --> 01:00:45.937 Walking on Who's CD sleeves. 01:00:46.937 --> 01:00:48.458 A, that's not really a party, Tim. 01:00:48.478 --> 01:00:51.199 That's just two friends coming round and having one bit of beer. 01:00:51.539 --> 01:00:55.960 B, nearly being sick, does not constitute havoc, or even an accident. 01:00:56.400 --> 01:00:58.341 And C, cracking a CD case. 01:00:58.761 --> 01:01:00.902 You know, most people wouldn't worry about that. 01:01:01.262 --> 01:01:03.543 Just during an average day, let alone during a party. 01:01:03.623 --> 01:01:04.303 Give them a call. 01:01:04.363 --> 01:01:05.964 I think maybe it's time to bury the hatchet. 01:01:06.404 --> 01:01:07.124 What a party, though. 01:01:07.404 --> 01:01:08.686 I'm nearly being sick! 01:01:09.066 --> 01:01:10.047 Woohoo! 01:01:10.347 --> 01:01:13.190 I think I've tried to know what are your CDs. 01:01:13.270 --> 01:01:14.752 I like punk music. 01:01:15.072 --> 01:01:16.754 I hate the world and the system. 01:01:18.376 --> 01:01:20.798 To demonstrate it, everybody watch closely. 01:01:21.159 --> 01:01:23.121 I'm going to stamp on a CD case. 01:01:23.401 --> 01:01:24.682 But take the CD out first. 01:01:24.702 --> 01:01:25.783 Take the CD out. 01:01:25.803 --> 01:01:27.605 It's okay, the CD's fine. 01:01:29.067 --> 01:01:29.928 I stamped on the who. 01:01:30.208 --> 01:01:32.350 Mike's fallen over in the corridor! 01:01:32.390 --> 01:01:33.110 Mike said bum! 01:01:33.891 --> 01:01:36.033 Mike calling the party off, Mike says bum, go home. 01:01:36.333 --> 01:01:36.813 Who said bum? 01:01:37.274 --> 01:01:37.754 Who said bum? 01:01:37.774 --> 01:01:38.855 Get out of my house. 01:01:39.555 --> 01:01:40.216 Thanks for your help. 01:01:40.236 --> 01:01:41.917 That sounds like our kind of party, actually. 01:01:41.937 --> 01:01:42.818 Yeah, I like that party. 01:01:42.918 --> 01:01:44.139 It's time for the album of the day. 01:01:44.819 --> 01:01:48.182 The album of the day here on Six Music is Public Enemy's new album. 01:01:48.522 --> 01:01:52.886 Now Adam and I are kind of obsessed with Public Enemy and the way they title their albums. 01:01:53.406 --> 01:01:55.688 Early in their career they had some quite clever titles. 01:01:56.269 --> 01:01:58.891 But then their album titling started to go wrong. 01:01:59.532 --> 01:02:04.777 We think about the time that they released the album Apocalypse 91, The Enemy Strikes Back. 01:02:05.277 --> 01:02:07.499 That's when it started just getting a bit cumbersome. 01:02:07.939 --> 01:02:10.462 Then they released the album Muse Sick. 01:02:13.623 --> 01:02:19.244 This funny technique of, like, taking a phrase and splitting it into separate words and trying to make it mean two things. 01:02:20.465 --> 01:02:21.685 You know, that was a reasonable one. 01:02:21.745 --> 01:02:24.026 Muse, sick, un, our, mess, age. 01:02:24.506 --> 01:02:25.406 What does that actually mean? 01:02:26.026 --> 01:02:30.067 The Muse is sick because of the messiness of the age. 01:02:30.247 --> 01:02:30.567 Okay. 01:02:30.887 --> 01:02:32.668 Then they released one in 2005 called New Whirl Oda. 01:02:32.688 --> 01:02:32.788 Yeah. 01:02:36.989 --> 01:02:38.270 Like New World or do you see? 01:02:38.310 --> 01:02:42.132 But no, it's a new world odour. 01:02:42.152 --> 01:02:43.812 That's like a stinky ballroom dancer. 01:02:44.012 --> 01:02:47.594 I know, it just makes you think of... Does a twirl and like emanates a bit of a stench. 01:02:47.754 --> 01:02:50.336 Toilet fresheners or whatever, you know, like toilet dock or whatever. 01:02:50.356 --> 01:02:50.716 Do you think? 01:02:51.016 --> 01:02:54.638 And the new album is called... What is it called? 01:02:54.918 --> 01:02:55.598 Oh yes, here we go. 01:02:55.718 --> 01:02:56.158 Check it out. 01:02:56.218 --> 01:03:01.301 The new album by Public Enemy is called How to Sell Soul to Soulless People Who Sold Their Soul. 01:03:02.302 --> 01:03:09.012 I mean, you don't need to go into that, because if they're soulless, yeah, that's the nature of having sold your soul, is being soulless. 01:03:09.413 --> 01:03:11.977 So you don't need to spell it out, Professor Griff. 01:03:12.057 --> 01:03:13.739 Is he still in public enemy, Professor Griff? 01:03:13.759 --> 01:03:14.921 I think he was chucked out, wasn't he? 01:03:14.961 --> 01:03:15.802 He was chucked out. 01:03:15.822 --> 01:03:17.004 He was a bit anti-Semitic, I think. 01:03:17.024 --> 01:03:17.204 Yeah. 01:03:18.005 --> 01:03:20.768 Anyway, sorry, that's hardly being too radical, being anti-Semitic. 01:03:20.788 --> 01:03:22.709 He was just a bad, nasty man. 01:03:23.170 --> 01:03:24.731 Yeah, I think he said sorry, though. 01:03:24.991 --> 01:03:26.472 Maybe they took him back, anyway. 01:03:27.553 --> 01:03:31.857 But Public Enemy, Talented Band, and this is, they've been around 20 years. 01:03:31.957 --> 01:03:34.519 No, no, 20 years ago, it takes a nation of millions to hold this band. 01:03:34.539 --> 01:03:35.400 Yeah, they happen around 20 years. 01:03:35.560 --> 01:03:36.120 There you go. 01:03:36.321 --> 01:03:41.484 And this song, Eve of Destruction, is a cover of Barry Maguire's 1965 protest song. 01:03:41.504 --> 01:03:44.746 And you can hear more tracks from this album throughout the day here on 6 Music. 01:03:44.806 --> 01:03:46.528 Here's Public Enemy, Eve of Destruction. 01:03:46.748 --> 01:03:50.410 There you go, Steven Merchant's show coming up on Sunday on 6 Music between 3 and 5. 01:03:51.471 --> 01:03:54.533 Now, it's, uh, we've closed the voting on Band Aid. 01:03:54.653 --> 01:03:54.913 Yeah. 01:03:55.273 --> 01:04:10.341 Uh, the exciting part of the show that we sort of hijacked from Sean Keveny, but we changed it from being a young unsigned band to being two tracks specially authored by Adam and I. It was my sort of Euro house track European supermarket versus Adam's track, uh, Jane's Brain. 01:04:10.842 --> 01:04:12.783 Are we, are we going to unveil the winner right now? 01:04:13.383 --> 01:04:13.984 No we're not. 01:04:14.224 --> 01:04:16.066 We're gonna tease it a little bit more. 01:04:17.527 --> 01:04:19.909 But, dear's a clue, I'm angry. 01:04:22.531 --> 01:04:24.373 I'm not just upset. 01:04:24.393 --> 01:04:26.635 I'm actually angry. 01:04:26.815 --> 01:04:27.496 He's genuinely angry. 01:04:27.516 --> 01:04:27.996 I don't mind... 01:04:28.937 --> 01:04:31.599 You know, were it the case that I hadn't won, I wouldn't mind. 01:04:32.099 --> 01:04:36.361 It's just the fact that life seems to make, you know, it seems to torture me. 01:04:36.381 --> 01:04:42.265 It makes me think I've done something good right until the last minute, then it punches me in the face. 01:04:42.585 --> 01:04:49.669 Listen, it's happened again today and I've got psychological problems and this just might be the straw that breaks the camel's back. 01:04:49.729 --> 01:04:51.570 Who can vouch for the whims of the public? 01:04:51.690 --> 01:04:55.392 Might be the day to do the thing I've always tried to stop myself from doing. 01:04:55.932 --> 01:04:56.853 What's that going to the gym? 01:04:57.253 --> 01:04:58.114 Yeah. 01:04:58.614 --> 01:05:00.515 Start exercising. 01:05:00.615 --> 01:05:03.917 Anyway, we're going to reveal the amazing result of Band-Aid in a second. 01:05:03.937 --> 01:05:05.958 But first, it's time for my free play. 01:05:06.418 --> 01:05:07.799 Now, I've got a confession to make. 01:05:07.939 --> 01:05:15.263 When we first started doing this show, I just dragged a whole lot of tunes out of my computer onto a CD that I'd like to hear on the radio. 01:05:15.283 --> 01:05:18.445 A couple of them I might have accidentally dragged over. 01:05:19.225 --> 01:05:20.986 You know, by mistake. 01:05:22.247 --> 01:05:23.728 I might have been a bit slapdash. 01:05:25.009 --> 01:05:26.190 This isn't one of those, though. 01:05:26.250 --> 01:05:27.671 This is a track I love. 01:05:29.192 --> 01:05:33.054 It's either by the Jimmy Carter Bunch or the Jimmy Carter Bunch. 01:05:33.114 --> 01:05:33.735 We're not sure. 01:05:33.815 --> 01:05:34.896 It's called It's Just Begun. 01:05:34.916 --> 01:05:35.796 I love this. 01:05:36.096 --> 01:05:37.077 Let's hear it. 01:05:37.137 --> 01:05:38.318 Nice accidental choice. 01:05:38.558 --> 01:05:39.119 That's good, man. 01:05:39.159 --> 01:05:40.579 It can't be the Jimmy Carter Bunch. 01:05:40.599 --> 01:05:41.760 It's got to be the Jimmy Carter Bunch. 01:05:41.800 --> 01:05:42.681 Yeah, I've just begun. 01:05:42.821 --> 01:05:45.883 Famously sampled in a lot of very good hip-hop, including the Jungle Brothers. 01:05:46.203 --> 01:05:46.704 There you go. 01:05:46.764 --> 01:05:48.024 So good accidental choice there. 01:05:48.044 --> 01:05:48.405 Yeah. 01:05:49.505 --> 01:05:56.229 Now, of course, it is time in the last seven minutes of the show for us to announce the winner of Band Aid. 01:05:56.409 --> 01:05:56.829 Yeah. 01:05:56.909 --> 01:05:58.730 For this week. 01:05:58.770 --> 01:06:00.331 We don't have a drum roll or anything like that. 01:06:00.351 --> 01:06:02.652 No, but here is the result in that golden envelope. 01:06:05.154 --> 01:06:06.114 Let's open the envelope. 01:06:06.154 --> 01:06:08.095 That's the envelope opening, isn't it? 01:06:08.115 --> 01:06:08.876 That's good, man. 01:06:09.176 --> 01:06:09.976 That's wicked. 01:06:10.136 --> 01:06:12.357 The winner with 60% against 40% 01:06:15.737 --> 01:06:18.698 is Adam with Jane's Brain. 01:06:18.738 --> 01:06:19.519 Thank you very much. 01:06:19.599 --> 01:06:20.359 Thank you listeners. 01:06:20.679 --> 01:06:25.921 I feel as if you've made the right choice on the one hand, but then on the other hand, I feel a little bit guilty. 01:06:26.181 --> 01:06:37.346 Yeah, listen to these tracks, listeners, and then, you know, think about yourselves, think about your lives, think about the criteria you use for making not just this decision, but all decisions in your life. 01:06:37.426 --> 01:06:44.008 Come on, the clip was pretty powerful stuff, but we're not gonna hear my song first because it's the winning track, so... Right, here's the losing track. 01:06:44.148 --> 01:06:46.149 This is a song I wrote. 01:06:46.189 --> 01:06:47.149 My name's Joe Cornish. 01:06:47.649 --> 01:06:52.511 I wrote it about, you know, what it's like to go shopping in Europe in a supermarket. 01:06:53.311 --> 01:06:54.172 I don't know why I bothered. 01:06:54.852 --> 01:06:56.732 But here it is, European supermarkets. 01:08:18.422 --> 01:08:20.318 I'm gonna be in a suit that I'm not kidding on 01:08:49.232 --> 01:08:55.019 What the heck was going on in the chorus there? 01:08:55.820 --> 01:08:57.341 That was European supermarkets. 01:08:58.142 --> 01:09:06.451 You're going to be hearing that a lot in Ibiza, you know, on European dance floors in the kind of gay house scene. 01:09:06.471 --> 01:09:07.633 That's going to be really big. 01:09:07.953 --> 01:09:09.154 That was the losing track. 01:09:09.995 --> 01:09:11.757 Um, ladies and gentlemen in Band-Aid this week. 01:09:11.777 --> 01:09:12.958 Well, that was very good, man. 01:09:13.018 --> 01:09:13.939 I really liked that one. 01:09:13.959 --> 01:09:14.500 Thanks, man. 01:09:14.840 --> 01:09:18.204 Um, so, if that was the losing track... How good could the good track be? 01:09:18.224 --> 01:09:19.285 How good could the good track be? 01:09:19.405 --> 01:09:22.048 Well, you know, my... I've always liked short songs, you know? 01:09:22.068 --> 01:09:22.128 Mmm. 01:09:22.729 --> 01:09:24.751 Uh, Great Balls of Fire by Jerry Lee Lewis. 01:09:24.791 --> 01:09:25.431 How long was that? 01:09:25.512 --> 01:09:28.615 That was about one minute, uh, forty seconds. 01:09:28.775 --> 01:09:31.057 Right, that was over three times the length of yours. 01:09:31.117 --> 01:09:31.398 Maybe! 01:09:32.138 --> 01:09:33.819 Uh, Pixies, Alison. 01:09:33.839 --> 01:09:34.659 How long was that? 01:09:34.679 --> 01:09:36.380 Around one minute, twenty seconds. 01:09:36.400 --> 01:09:37.780 Mmm, three times the length of yours. 01:09:37.800 --> 01:09:42.602 Um... Okay, so mine is more of a... It's almost like a jingle mine. 01:09:42.842 --> 01:09:46.943 But I believe that great rock music shouldn't outstay its welcome. 01:09:47.423 --> 01:09:48.624 And... Hey, what are you implying? 01:09:49.324 --> 01:09:51.067 I'm about European supermarket. 01:09:51.127 --> 01:09:52.730 Well, it's not really rock track though yours. 01:09:52.911 --> 01:09:54.514 That's true. 01:09:54.554 --> 01:09:56.878 Mine is in the tradition of the Ramones, something like that. 01:09:56.918 --> 01:09:58.962 It's very brief and punchy and explosive. 01:10:00.023 --> 01:10:00.965 Let's just hear it, shall we? 01:10:01.005 --> 01:10:02.308 This is called Jane's Brain. 01:10:04.631 --> 01:10:06.012 Oh yeah, her name was Jane. 01:10:06.032 --> 01:10:08.373 She had a brain and it lived in her head. 01:10:08.393 --> 01:10:11.515 She used her brain to think of things that she didn't have. 01:10:12.396 --> 01:10:18.300 She'd take her cars and she'd think of fancy dresses and she'd take her big houses and she'd make her cars. 01:10:18.800 --> 01:10:21.342 She liked cars very much indeed. 01:10:21.462 --> 01:10:24.724 If she had one, she would drive around and go shopping. 01:10:24.784 --> 01:10:32.949 She'd use the car to put her shopping inside and then she'd drive back to her house and unpack her shopping and she'd eat it. 01:10:33.930 --> 01:10:35.231 Both shopping related songs. 01:10:35.571 --> 01:10:35.891 Yeah. 01:10:36.091 --> 01:10:40.094 You know what, Adam, I'm going to give you European supermarket and maybe you could put it up on your website. 01:10:40.154 --> 01:10:40.574 I will do. 01:10:40.734 --> 01:10:49.200 So, you know, anybody who liked it, the 40% of intelligent listeners, refined listeners can download it and enjoy it. 01:10:49.300 --> 01:10:49.741 Yeah. 01:10:49.761 --> 01:10:52.483 You can find my website at Adam-Buckston.co.uk. 01:10:53.103 --> 01:11:05.407 In fact, if you've enjoyed our tenure here at BBC Six Music, I want to find out more about our silly birdlings, then just pop our names into the internet and you can follow a sort of digital bread trail that'll lead you to all sorts of audio-visual nuggets. 01:11:05.527 --> 01:11:12.350 And if you were infuriated and disgusted by our tenure here, we apologise humbly, but it's over now, don't worry about it, Sean. 01:11:12.370 --> 01:11:13.190 Yeah, and Sean Kievny will be back. 01:11:13.710 --> 01:11:14.270 on Monday morning. 01:11:14.310 --> 01:11:18.972 We'd very much like to thank our producer Lisa and Jenny, our lovely lady assistant. 01:11:19.232 --> 01:11:19.612 And Millie. 01:11:19.952 --> 01:11:21.673 And Millie, yeah, who've been great support. 01:11:21.693 --> 01:11:23.634 Thanks very much for listening everybody for the last couple of minutes. 01:11:23.654 --> 01:11:25.615 And what's the name of the little chap in the jellyfish suit? 01:11:25.695 --> 01:11:26.595 Oh yeah, quickly Phil. 01:11:27.055 --> 01:11:30.516 And we, you know, we want to really, I'm feeling really well, aren't I? 01:11:30.777 --> 01:11:39.040 We really want to thank you for all your messages and texts and everything, but we just got a really lovely one from a little, a little chap who was sent us a picture of him in a jellyfish suit. 01:11:39.060 --> 01:11:39.940 It's gone, it's gone. 01:11:40.361 --> 01:11:42.887 Oh, he's got thanks to the parents of the little boy in the jellyfish shoe. 01:11:42.907 --> 01:11:44.210 I think his name is Harvey Harvey. 01:11:44.230 --> 01:11:44.611 There you go. 01:11:44.752 --> 01:11:46.396 Thanks a lot Cheers for listening Harvey. 01:11:46.416 --> 01:11:47.118 We'll see you soon. 01:11:47.158 --> 01:11:47.358 Yeah. 01:11:47.799 --> 01:11:48.381 Thanks for having us. 01:11:48.421 --> 01:11:48.661 Bye