WEBVTT 00:00.409 --> 00:02.431 Talking heads with psycho killer. 00:02.571 --> 00:03.912 Hi, this is Adam Buxton. 00:04.172 --> 00:05.333 Hey there, this is Joe Cornish. 00:05.393 --> 00:08.475 Welcome to the Adam and Joe breakfast show here on Six Music. 00:08.795 --> 00:09.916 It's up an ultimate show. 00:09.976 --> 00:15.060 Sean Keeney's coming back on Monday, but we're here with you for three hours this morning and tomorrow morning. 00:17.622 --> 00:20.344 There's a little band just playing in the corner of the studio. 00:20.364 --> 00:21.265 That's all we do here. 00:21.645 --> 00:22.305 We come in. 00:22.926 --> 00:25.468 The band's called the Dirty Boys. 00:25.908 --> 00:26.568 Hey, you guys. 00:27.509 --> 00:28.189 Sounding good. 00:28.349 --> 00:30.730 Sounding good this morning, dirty boys. 00:31.470 --> 00:32.150 They're just jamming. 00:32.811 --> 00:37.172 That's what it's like here at the Big British Castle, the home of music that matters, important music. 00:37.412 --> 00:38.272 What is this bed? 00:39.433 --> 00:39.673 Bed? 00:39.693 --> 00:41.193 What are you talking about? 00:41.773 --> 00:42.634 Apostrophe. 00:42.834 --> 00:43.674 Apostrophe. 00:43.694 --> 00:44.714 That's the perfect bed. 00:45.955 --> 00:49.055 This is the wake up, come on, hey, good morning bed. 00:49.476 --> 00:53.897 And then later on when things calm down a bit, James Brown comes out and he plays behind us. 00:54.397 --> 00:59.302 Now, life is difficult for David Bowie fans, just as a rule, isn't it? 00:59.422 --> 01:01.544 Having to endure his... All the changes. 01:01.584 --> 01:06.929 All the changes, having to endure his latest appearances in movies and TV shows. 01:07.490 --> 01:12.995 You know, this morning it's been announced that he might appear in Doctor Who as a villain. 01:13.035 --> 01:13.596 Oh, don't do that. 01:14.176 --> 01:24.567 Now this is something I want to talk about, because Joey and I are big Bowie fans, and I certainly was obsessed by him for quite a long time, so we should chat about this a bit later on. 01:24.928 --> 01:28.091 Also coming up in the show, we have Text to Nation. 01:28.251 --> 01:29.513 It's the Nation's favourite feature. 01:29.933 --> 01:36.457 It's an opportunity for you, ordinary people everywhere, leading ordinary lives, just to get in touch with us. 01:36.918 --> 01:43.282 Joe Cornish and Adam Buxton, we're like geniuses and we'll be moderating a debate. 01:43.842 --> 01:46.364 I'm setting ourselves up for a fall, for a fall, yeah. 01:47.805 --> 01:52.586 We'll be moderating a debate between people all over the... Please start talking, Joe. 01:52.606 --> 01:53.666 Start talking. 01:53.707 --> 01:54.827 Yeah, text the nation. 01:55.187 --> 01:56.607 It's the nation's favourite feature. 01:56.947 --> 01:58.948 It's where you text us and we read them out. 01:59.188 --> 01:59.688 Good. 01:59.728 --> 02:01.649 No-one else does it or you invented it. 02:01.769 --> 02:02.149 We invented it. 02:02.189 --> 02:05.469 But there's, of course, serial thriller coming up at eight o'clock. 02:05.529 --> 02:06.750 Lots of other stuff on the show. 02:06.790 --> 02:13.031 Great music this hour from the likes of Vrente, Baby Shambles, and also The Shains. 02:13.792 --> 02:15.092 But here's some Swixie Swix. 02:15.652 --> 02:16.572 That's how you say it, isn't it? 02:16.592 --> 02:17.433 That's correctly pronounced. 02:17.453 --> 02:18.473 Yeah, with Into a Swan. 02:19.893 --> 02:21.894 This is David Bowie on Six Music. 02:21.934 --> 02:22.914 That was Susie Soon. 02:23.455 --> 02:24.495 Into the Swan, David. 02:24.995 --> 02:27.236 I'll be... I'll be... I'm calling myself David. 02:27.256 --> 02:28.296 You wouldn't do that. 02:28.496 --> 02:30.117 This is David Bowie and... 02:32.349 --> 02:34.570 That sounds less like David Bowie than my one does. 02:34.930 --> 02:35.690 It is, isn't it? 02:35.770 --> 02:38.491 Oh, my one was a lot better than yours. 02:38.771 --> 02:39.051 OK. 02:39.751 --> 02:42.492 What I like most about this programme is the theatricality. 02:42.852 --> 02:45.892 I like the superlattative nature of a lot of the tracks that we play on the show. 02:46.213 --> 02:48.773 The theatricality is superlattative, I think. 02:49.213 --> 02:52.294 I've just finished filming The Prestige with Christopher Nolan. 02:52.794 --> 02:54.435 And Christopher Nolan. 02:54.535 --> 02:55.695 Whoa, whoa, whoa. 02:56.075 --> 02:59.136 What kind of voice do you do on the Prestige with Christopher Nolan? 02:59.336 --> 03:02.097 In the Prestige, I play Nikola Tesla. 03:02.798 --> 03:03.258 Tesla? 03:03.598 --> 03:09.200 I'm trying to do Bowie's voice in the Prestige. 03:09.260 --> 03:10.341 He plays a French guy. 03:10.701 --> 03:15.042 I do a sort of slightly Germanic accent, don't I? 03:15.383 --> 03:19.504 They're interested in the... It's very hard to do. 03:19.804 --> 03:20.104 It is. 03:20.445 --> 03:23.626 My Ted's leg curls have gone all spark. 03:24.727 --> 03:28.291 Yes, but you need the accent as well. 03:28.351 --> 03:29.032 I had the accent. 03:35.086 --> 03:37.207 Yeah, it's difficult to be David Bowie, I tell you. 03:37.267 --> 03:39.749 Hey, this is Adam and Joe, this is BBC Six Music. 03:39.789 --> 03:40.749 Welcome to The Breakfast Show. 03:40.789 --> 03:45.152 We were just discussing the shocking news that David Bowie might be in Doctor Who. 03:45.652 --> 03:53.496 Now, if you're a fan of sort of an icon, especially someone who sort of reached the peak of their creative powers... Ben Shepard. 03:54.156 --> 03:55.957 I am talking about Ben Shepard here, yeah. 03:57.138 --> 03:58.359 And also David Bowie. 03:58.379 --> 03:58.539 Yeah. 03:58.739 --> 04:03.201 Someone who reached the peak of their career, maybe 10 or 15 years ago. 04:03.982 --> 04:04.242 You know? 04:04.502 --> 04:05.742 David he's he's had a good one. 04:05.762 --> 04:17.865 No, but I know he's so high, you know the absolute, you know, Irreturnable pinnacle then you've got to deal with what they do in their autumn years Yeah, how they spin their career out and with for Bowie fans. 04:17.905 --> 04:22.346 It's quite difficult is the rot set in when would you say the rot set in? 04:22.406 --> 04:25.127 I mean something like labyrinth was was difficult for some of us. 04:25.387 --> 04:28.708 Absolutely not so difficult for Adam and me we thought that was a good move, but 04:29.328 --> 04:48.103 I remember the day when we first saw labyrinth and there was javid wearing a big spiky wig dressed as the goblin king juggling babies singing a song called dance baby dance do you remember that yeah we were confused and worried but then but then after a few minutes we thought yes no this is good this is a good new direction for days 04:48.243 --> 04:49.524 Look at the look at the hair. 04:49.864 --> 04:54.526 Since then it's been harder to kind of completely stay with David's creative decisions. 04:55.387 --> 04:57.287 Do you know what the hardest thing for me has been? 04:57.508 --> 04:57.768 What? 04:57.888 --> 05:00.089 And let me just say briefly put this in context. 05:00.449 --> 05:02.010 This is a man that meant everything to me. 05:02.130 --> 05:07.833 I mean, I'm a happily married heterosexual man with two lovely sons, but I loved David Bowie. 05:08.553 --> 05:12.814 Just in every conceivable way I was romantically, I adored the man. 05:12.854 --> 05:13.895 I wouldn't have done anything for him. 05:13.915 --> 05:15.415 I used to dream about him the whole time. 05:15.435 --> 05:16.075 Alright, steady. 05:16.236 --> 05:16.796 He was wonderful. 05:17.256 --> 05:29.700 Anyway, now in the toilet years of my life, I see him doing all these extraordinary things and the most painful thing for me is that he's chummed up with Ricky Gervais. 05:30.040 --> 05:32.482 Now, love Ricky Gervais or hate him. 05:32.562 --> 05:34.283 And I personally love the man. 05:34.503 --> 05:36.944 He's a comedy genius and I love his outfit. 05:36.984 --> 05:40.206 He gives all his profits to charity, which means he's lovely. 05:40.407 --> 05:47.151 I'm a sincere and big fan of both The Office and Extras and many of Gervais' comedy efforts. 05:47.631 --> 05:51.616 But sometimes you don't want two worlds to mix, do you? 05:51.676 --> 05:57.283 You want Ricky to stay in his universe and Bowie to stay in his quite different rock universe. 05:57.304 --> 05:57.604 Exactly. 05:57.664 --> 06:02.650 And if he steps out of his Bowie castle and he starts chumming up with a comedian. 06:03.331 --> 06:04.172 Not him! 06:04.312 --> 06:08.174 You don't want him singing kind of songs written by Ricky Gervais? 06:08.234 --> 06:09.834 No, that was a painful thing. 06:09.894 --> 06:13.216 I mean, you know, I was very conflicted on that episode of Extras that Bowie appeared in. 06:13.236 --> 06:14.177 Because it was a good episode. 06:14.197 --> 06:15.838 It was a good episode, it was a funny song. 06:15.998 --> 06:18.519 But it was mixing things that maybe shouldn't be mixed. 06:18.599 --> 06:21.380 I was the jealousy... And now Doctor Who? 06:21.560 --> 06:23.902 And now Doctor... Can we have him appearing in Doctor Who? 06:24.842 --> 06:26.383 I would rather he appeared in Doctor Who. 06:26.403 --> 06:27.503 Exterminate. 06:28.264 --> 06:29.845 Exterminate. 06:29.985 --> 06:30.945 Time for some music now. 06:31.966 --> 06:35.427 We... Hey, I bet you every breakfast show in the land has made that joke. 06:36.108 --> 06:36.268 What? 06:36.568 --> 06:37.649 Exterminate. 06:37.749 --> 06:38.029 No. 06:38.509 --> 06:39.950 This is the Lars with... There she goes. 06:39.970 --> 06:41.070 That's a brilliant new joke. 06:41.090 --> 06:41.911 Good acting as well. 06:43.490 --> 06:44.631 The Lars, there she goes. 06:44.731 --> 06:46.032 They're quite happy about her leaving. 06:46.092 --> 06:47.593 They didn't really like her in the first place. 06:47.813 --> 06:48.734 It's good that she's gone. 06:49.294 --> 06:50.295 Time's going to be freed up. 06:50.716 --> 06:51.816 You know, hass to themselves. 06:52.317 --> 06:52.977 Yeah, exactly. 06:54.158 --> 06:54.398 Yeah. 06:56.280 --> 06:58.361 It's Adam and Jo on BBC Six Music. 06:58.401 --> 06:59.942 It's just coming up to 20 past seven. 06:59.982 --> 07:02.905 We've got to say a heller. 07:03.045 --> 07:03.565 A heller. 07:04.086 --> 07:08.949 We don't usually say hellos, but we've had a lovely evocative email from Joils. 07:09.570 --> 07:10.270 Joils, Joils. 07:11.611 --> 07:26.822 Giles Rowland he says dear Adam and Joe have really enjoyed listening to your output these past two weeks Please mention me and my brother Leo early on in your show as we are milking our herd of cows Whilst listening to six music from five to eight every morning brackets even Christmas Day 07:27.322 --> 07:27.802 Wow. 07:28.122 --> 07:28.723 That's pretty good. 07:28.743 --> 07:30.324 That's quite a high-tech farm, isn't it? 07:30.344 --> 07:32.925 They've got digital radio in their milking shed. 07:32.985 --> 07:35.166 They've got DAB actually in the cows. 07:35.266 --> 07:35.606 Really? 07:35.646 --> 07:35.886 Yeah. 07:36.247 --> 07:38.168 The cows come with DAB now. 07:38.188 --> 07:42.350 I don't know if you knew... Do the cows occasionally just say, uh, no signal received? 07:42.770 --> 07:43.010 Yes. 07:43.050 --> 07:43.990 Across their eyeballs. 07:44.271 --> 07:44.451 Yeah. 07:44.531 --> 07:44.691 Yeah. 07:44.751 --> 07:44.911 Yeah. 07:44.951 --> 07:48.172 You try and get the station... That's the only annoying thing about digital radio. 07:48.413 --> 07:50.334 No! 07:50.354 --> 07:50.414 Hey! 07:50.774 --> 07:51.094 Quickly! 07:51.114 --> 07:52.735 Next record! 07:53.575 --> 07:54.956 Because they're cows! 07:55.236 --> 07:56.398 Guys, not gonna get better than that. 07:56.538 --> 07:57.320 Let's have the shins. 07:59.093 --> 07:59.513 Hooray! 07:59.573 --> 08:01.175 That's what's good, isn't it? 08:01.195 --> 08:01.635 That's good. 08:01.675 --> 08:02.836 That's good is what that is. 08:02.856 --> 08:03.437 Yeah, that's good. 08:03.477 --> 08:04.998 That's The Shins with Turn Me On. 08:05.038 --> 08:07.000 This is Adam and John on BBC Six Music. 08:07.120 --> 08:08.901 Alright, yeah, but... Why can't you read? 08:08.941 --> 08:11.643 Because I'm very, you know... Sexy. 08:11.804 --> 08:12.584 Sexy this morning. 08:12.604 --> 08:13.885 Very sexy this morning. 08:14.045 --> 08:15.627 That's a brilliant album, incidentally. 08:15.687 --> 08:16.307 The Shins album. 08:16.327 --> 08:18.309 I want someone to turn me on with their shins. 08:18.469 --> 08:19.470 Wincing the night away. 08:19.490 --> 08:20.110 Is that possible? 08:20.311 --> 08:20.911 It is possible. 08:20.951 --> 08:21.792 It's easily possible. 08:21.812 --> 08:25.275 There's many, many websites dedicated to exactly that. 08:26.257 --> 08:31.892 Now we're going to play a trail very shortly and after that, are we going to come back or am I going to introduce it off the back of the trail? 08:33.072 --> 08:33.292 What? 08:33.512 --> 08:34.892 We're gonna come back off the trail. 08:35.172 --> 08:36.133 This is unorthodox. 08:36.273 --> 08:39.573 A trail usually comes immediately after a song or before a song. 08:39.593 --> 08:41.794 But today, we're gonna talk around the trail. 08:41.814 --> 08:42.874 You're talking around the trail. 08:42.914 --> 08:43.474 Here's the trail. 08:43.814 --> 08:47.635 I wonder what the original Baby Love did sound like for it to be rejected by Berry Gordy. 08:47.675 --> 08:48.015 Like this. 08:48.695 --> 08:50.795 Guys, I love that track. 08:50.835 --> 08:53.616 You don't need to do anything to it. 08:59.017 --> 09:24.019 unfortunately it's been rejected we barely we need to do some tweaking they don't like that yeah that's exactly what it went that's a little extract there's an extra yeah that extract was previously broadcast on BBC two from no radio to on the bank holiday look at the beautiful sunrise there on that telly if it's the weather lady I don't think you should tell the listeners were watching telly I'm not watching it's just 09:24.099 --> 09:28.661 on in a corner in case anything like, you know, in case, in case important news meteorites or something. 09:29.262 --> 09:30.862 Now it's time for my session track. 09:30.882 --> 09:45.990 This is from the John Peel Sessions and it's a track from 1997, 15th of July when Yola Tengo, an American band from Hoboken, New Jersey, went into the BBC studios and laid down a few crazy tracks for John Peel. 09:46.110 --> 09:47.331 Now this is a wonderful band. 09:47.871 --> 09:49.571 Well worth investigating, Joe Cornish. 09:49.611 --> 09:50.172 What does it mean? 09:50.232 --> 09:51.832 What does Yolatango mean? 09:52.072 --> 09:53.112 Yolatango means I have it. 09:53.792 --> 09:54.092 Really? 09:54.172 --> 09:54.393 Yes. 09:55.633 --> 09:58.173 And this is a track called Autumn Sweater. 09:58.313 --> 09:58.753 Enjoy! 09:59.194 --> 10:02.594 Yolatango with Autumn Sweater from the John Peel Sessions. 10:02.614 --> 10:02.974 That's from 1997. 10:03.194 --> 10:08.476 This is Adam and Joe on BBC 6 Music Time now for the news read by Catherine and Lucy. 10:08.676 --> 10:11.496 Yeah, that's a gold frat with train. 10:11.836 --> 10:13.717 We're trying to think while that was playing. 10:14.517 --> 10:19.741 about any other bands or outfits named after the surname of the lead singer? 10:19.782 --> 10:27.948 Yeah, I didn't realise that Alison Goldfrap's real surname was Goldfrap, I thought that might not be her real name, I thought she might have changed it by depot or whatever it is you do. 10:27.968 --> 10:33.213 I can't guarantee that she didn't change it, but I believe that that was her given name, her 10:33.473 --> 10:38.596 Yes, I was asking Adam, are there any other bands who are named after the lead singer's surname? 10:38.656 --> 10:41.038 And Adam suggested Jonathan Stereophonics? 10:41.058 --> 10:43.340 The lead singer of the Stereophonics? 10:43.560 --> 10:45.221 The lead singer of Billy Bee Gees? 10:45.681 --> 10:45.921 Yep. 10:46.682 --> 10:47.462 Any other listeners? 10:47.502 --> 10:48.023 Maybe you know. 10:48.063 --> 10:57.009 By the way, you can text us at any point on 64046 or email us adamandjo.6musicatbbc.co.uk. 10:57.309 --> 11:03.353 Now, we should remind you of the extraordinary week-long kind of voting phenomenon that's going on on the show. 11:04.814 --> 11:14.960 Basically, me and Adam have written a song each, and we're asking you to listen to little clips of those songs and vote for which one you'd like played in its entirety on Friday's show. 11:15.140 --> 11:17.562 It's like Sean Kivme's feature Band Day. 11:18.002 --> 11:23.285 In fact, it's the same feature, but instead of real bands, we've given you two little bogus bits of music. 11:24.546 --> 11:27.389 Uh, now, so we should play you these, uh, snatches again. 11:27.409 --> 11:31.253 Um, to vote, you go to the BBC 6 Music website. 11:31.333 --> 11:32.974 I'm not doing very well on this vote. 11:33.295 --> 11:40.641 In fact, Joe Cornish, with his ludicrous techno track, has accrued something like 64% of the vote so far. 11:40.822 --> 11:42.463 Currently, my song has got 64%, Adam's has got 36%. 36%. 11:46.647 --> 11:47.508 That's not bad, man. 11:47.548 --> 11:48.408 That is bad. 11:48.488 --> 11:50.750 I wouldn't say that the race is won yet. 11:50.910 --> 11:53.512 You know, there's a whole two days play to go, is there? 11:53.532 --> 11:54.252 Or is it just today? 11:54.272 --> 11:54.933 The gap. 11:54.953 --> 11:57.074 Well, there's during the day tomorrow... The gap. 11:57.094 --> 11:59.436 ...basically was going to collate the figures at what point? 11:59.496 --> 12:06.340 Maybe... The last hour of the show would play on Friday, so we'll collate the figures, you know, early morning tomorrow. 12:06.740 --> 12:08.101 So there's... It's all to play for. 12:08.181 --> 12:08.962 Don't give up, Adam. 12:09.062 --> 12:09.682 I am giving up. 12:10.023 --> 12:14.446 Listen, I'm worried that maybe... Because you've been playing my clip first, generally, right? 12:14.466 --> 12:16.487 Because it's Adam and Joe, so you play my clip. 12:17.268 --> 12:19.329 I want you to play Joe's clip first today, all right? 12:19.529 --> 12:23.213 Because I'm worried that maybe the track mic thing is not... That makes no sense! 12:23.313 --> 12:23.913 I don't care. 12:24.233 --> 12:27.997 Usually people don't have the attention span... Oh, I see what you mean, actually. 12:28.017 --> 12:28.617 That could be a point. 12:28.637 --> 12:29.458 It sticks in the head. 12:29.678 --> 12:32.520 Yeah, because the last one they hear sticks in the head. 12:32.540 --> 12:32.861 Exactly. 12:32.921 --> 12:40.347 Or you see, on interactive voting shows, I usually think that the first person to feature in the clip montage has the advantage. 12:40.407 --> 12:40.607 Right. 12:40.667 --> 12:43.209 Because everybody leaps to the phone, the lines then become busy. 12:43.370 --> 12:44.791 Well... You can't vote for later ones. 12:45.151 --> 12:47.132 I want to switch it all around today and see if that changes. 12:47.152 --> 12:50.013 Perhaps people aren't voting in the same numbers for this. 12:50.033 --> 12:50.853 Let's have a look. 12:50.873 --> 12:52.914 Let's see if this... OK, this is a clip from my song. 12:53.114 --> 12:53.894 Vote for this song. 12:54.154 --> 12:59.537 This is a kind of techno track about shopping in European supermarkets. 12:59.597 --> 13:01.577 It's called European Supermarket Ice. 13:03.018 --> 13:03.998 That's the bit. 13:14.569 --> 13:15.290 Ah, amazing. 13:15.310 --> 13:16.310 That goes on for two minutes. 13:16.851 --> 13:17.591 It's brilliant. 13:17.631 --> 13:22.574 If you want to hear the whole of that, just go to BBC Six Music and vote for Joe's song. 13:23.094 --> 13:25.716 I think I could be big on the techno scene. 13:26.016 --> 13:27.057 With that noise, you could. 13:27.077 --> 13:28.418 I mean, I hate to admit it. 13:28.458 --> 13:29.258 It's not just the noise, man. 13:29.278 --> 13:30.619 That's very reductive. 13:31.340 --> 13:34.783 You haven't heard the full two minute version of When You Do You'll Eat Your Hat. 13:34.803 --> 13:36.205 What do you mean when I do? 13:36.485 --> 13:42.092 I'm never gonna hear it because I'm gonna win this and no one will ever hear anything more than that tiny clip of your song. 13:42.132 --> 13:43.573 So here's the other track. 13:44.715 --> 13:45.676 What's this Adam? 13:45.796 --> 13:51.102 This is called Jane's Brain and it's a bit of classic rock about what goes on inside our ladies brain. 13:51.707 --> 14:01.303 She used her brain to think of things that she didn't have She'd think of cars and she'd think of fancy dresses And she'd think of big houses and she'd think of cars 14:02.079 --> 14:03.941 How very condescending to all women. 14:04.221 --> 14:06.102 I think that's why it's not being voted for. 14:06.122 --> 14:11.227 The lyrics seem to go, she used her brain as if that's something that she doesn't do very often. 14:11.247 --> 14:12.127 This is just Jane talking about. 14:12.147 --> 14:13.528 To think of things she didn't have. 14:13.548 --> 14:14.329 This is not all women. 14:14.349 --> 14:23.216 This is suggesting that all women are in a sort of materialistic, obsessive daze and all they think about are cars and dresses and then cars again. 14:23.537 --> 14:24.738 Women don't care about cars. 14:25.318 --> 14:28.281 So not only have you insulted them, you've got them all wrong. 14:28.741 --> 14:30.342 Anyway, so get voting now. 14:30.362 --> 14:31.043 Where do they go to vote? 14:31.483 --> 14:33.043 the BBC 6 Music website. 14:33.484 --> 14:36.604 In this day and age we don't give you the kind of the URL. 14:36.644 --> 14:39.585 It's not just stick 6 Music into Google, it'll be the top hit. 14:39.705 --> 14:40.105 There you go. 14:40.645 --> 14:44.066 Navigate to our little site there and voting's very, very easy. 14:44.446 --> 14:48.507 Now here's a track from a band that I haven't actually heard before, Silver Sun Pickups. 14:48.527 --> 14:49.487 They're big news though, right? 14:49.507 --> 14:53.088 And the guy from Silver Sun Pickups is on Roundtable with Steve LaMac. 14:53.368 --> 14:55.749 It's all happening for the pickups and this is called Lazy Eye. 14:56.309 --> 14:59.592 Is he suggesting that the very thin stars on the red carpet? 14:59.632 --> 15:02.054 What's he suggesting that they've like been absorbed by the carpet? 15:02.074 --> 15:04.836 Yeah, they've slipped through the carpet because it's turned into quicksand. 15:05.136 --> 15:05.977 He's funny. 15:06.297 --> 15:07.658 He's entertaining. 15:07.698 --> 15:08.219 He's brilliant. 15:08.679 --> 15:10.481 That's Harry Hill coming up on Six Music. 15:10.521 --> 15:11.261 That'll be really good. 15:11.281 --> 15:12.342 We recommend you listen to that. 15:12.742 --> 15:17.086 This is Adam and Jo, though, on a more downbeat note on The Breakfast Show. 15:17.106 --> 15:17.787 Here are 15:18.507 --> 15:42.417 until 10 o'clock for you now we were asking whether there were other bands that were named after the surname of the lead singer a bit like gold frat yeah and and thanks listeners uh our listeners respond very promptly efficiently and thoroughly to all music related queries this being six music can you not say query and can't i no it's it's on the list the big british castle insulting words list of words that are no longer acceptable 15:43.077 --> 15:43.397 Mmm. 15:43.678 --> 15:43.958 Okay. 15:44.158 --> 15:44.438 Okay. 15:45.199 --> 15:46.940 Um, so here are some of the responses. 15:46.960 --> 15:48.481 Uh, Karen Carpenter. 15:49.201 --> 15:49.722 Of course. 15:49.982 --> 15:50.702 Yeah, Carpenters. 15:50.722 --> 15:51.923 Then her band the Carpenters. 15:52.083 --> 15:53.004 I suppose you can have that. 15:53.064 --> 15:55.465 Although it's not exactly the same as Goldfract, you know what I mean? 15:55.826 --> 15:57.307 It's like if it was called Carpenter. 15:58.055 --> 16:23.280 that would be different the carpenters it's not the same because then it's like the cause doesn't count yeah like if it was the whole gold frat family yeah and they called it the gold frats that's not on that's not what we're talking about it's just not as exciting a name is this like someone else texted in Roachford that's what I'm talking about right but he's a solo singer he doesn't really have a band does he did have a band I think I mean he was the same sort of situation as gold frat maybe I'm wrong 16:23.760 --> 16:25.101 Bon Jovi is a good example. 16:25.181 --> 16:25.461 Yeah. 16:25.682 --> 16:27.483 What about Bon Jovi, says Simon and Kent. 16:28.103 --> 16:28.944 Argent? 16:29.284 --> 16:29.665 Argent? 16:29.965 --> 16:30.385 Who are they? 16:30.766 --> 16:31.326 Argent. 16:31.486 --> 16:33.928 Yes, they were around in the 70s, I think. 16:34.228 --> 16:36.250 The White Stripes, Simon is also suggesting. 16:36.290 --> 16:36.450 No. 16:36.890 --> 16:37.191 Wrong. 16:37.351 --> 16:39.833 What, they're called the Stripes, Mr. and Mrs. Stripe? 16:40.693 --> 16:41.554 Meg White Stripes. 16:42.435 --> 16:43.435 Jack White Stripes. 16:43.556 --> 16:44.276 Yeah, no. 16:45.437 --> 16:52.042 And Al in London, this is one of my favourite ones, says The The are named after the lead singer Tim The. 16:53.343 --> 16:54.084 Which is not true. 16:54.104 --> 16:54.604 That's not true. 16:54.624 --> 16:55.564 It'd be nice if it was. 16:56.585 --> 16:58.386 Now Joe, it's time for your session track. 16:58.406 --> 16:59.667 What have you pulled out of the vaults? 16:59.827 --> 17:01.227 Yeah, we're going back to 78. 17:01.928 --> 17:03.729 What a great year 78 was, was it? 17:04.309 --> 17:04.929 What were you doing in 78? 17:05.130 --> 17:07.811 It was the year after the Jubilee, wasn't it? 17:08.551 --> 17:09.332 What was I doing? 17:09.492 --> 17:09.912 I don't know. 17:10.012 --> 17:12.854 Probably, probably collecting Star Wars cards. 17:13.054 --> 17:13.314 Right. 17:13.614 --> 17:16.956 Yeah, probably playing around my friend Alexander McFarland's house. 17:17.476 --> 17:25.418 Pretending that the bed in his spare room was a land speeder and that his little brother was a sand person. 17:25.518 --> 17:26.078 Or an Ewok. 17:26.158 --> 17:27.538 Or an Ewok and throwing him off. 17:27.858 --> 17:29.399 Yeah, yeah, yeah, yeah, violently. 17:29.519 --> 17:31.299 Were you into Smurfs around that stage? 17:31.379 --> 17:32.220 Yeah, yeah I was. 17:32.240 --> 17:32.980 Collecting those smurfs. 17:33.040 --> 17:33.960 Sure I was into Smurfs. 17:34.000 --> 17:34.780 Yeah, sure who was. 17:34.800 --> 17:37.021 Yeah, I was all the way up into Smurfs. 17:37.161 --> 17:38.341 How many Smurfs did you have? 17:38.701 --> 17:40.463 Uh, my brother had the big smurf collection. 17:40.643 --> 17:40.944 Did he? 17:41.004 --> 17:42.725 I probably had about five or six, yeah. 17:43.106 --> 17:43.967 Five or six? 17:44.007 --> 17:45.168 You disgust me! 17:45.248 --> 17:46.389 You disgust me! 17:46.429 --> 17:47.250 Why, is that a lot? 17:47.270 --> 17:48.131 That's nothing! 17:48.612 --> 17:51.635 That's not even... You say, I say, are you into smurfs? 17:51.655 --> 17:53.277 You say, yeah, yeah, I was into smurfs. 17:53.377 --> 17:57.001 And then you say, you weren't an enormously rich family like yours, Adam. 17:57.381 --> 18:01.746 I've worked my way up to this position, I haven't just been dropped here by Chopper like you. 18:01.766 --> 18:05.891 It wasn't about riches, it was about cutting them from petrol stations if you recall. 18:06.111 --> 18:07.874 It's time for my archive session track. 18:08.554 --> 18:12.799 This is back in 1978, this is Elvis Costello... What? 18:13.180 --> 18:13.981 Five or six. 18:14.842 --> 18:17.325 Elvis Costello and the attractions with Pump It Up. 18:19.733 --> 18:23.014 Joe's pick of the BBC Archive. 18:23.374 --> 18:27.295 Wow, another amazing session track there from the Peel session. 18:27.695 --> 18:33.456 Elvis Costello and the Attractions playing Pump It Up on the 13th of March 1978. 18:34.477 --> 18:45.359 Now Adam and I were just having a bit of a tizzy during that song because before the song we were discussing what we were doing in 1978 and this is a query for the more mature listeners. 18:45.419 --> 18:47.200 I thought I told you about saying query. 18:47.620 --> 18:48.000 Sorry. 18:48.220 --> 18:48.560 Thank you. 18:48.960 --> 18:49.961 I'm obsessed with queries. 18:50.041 --> 18:50.702 Inquiry. 18:51.402 --> 18:54.125 No, you can't say quiz. 18:54.706 --> 18:55.486 It's difficult, isn't it? 18:56.327 --> 19:04.014 Do you remember out there a campaign by Unigate Milk in the mid to late 70s to do with stripy straws called Humphreys? 19:04.595 --> 19:06.196 Now, my brother was obsessed with these things. 19:06.957 --> 19:11.161 Basically, you could leave a note out or maybe a bit of money for the milkman and he would leave 19:12.042 --> 19:12.783 See, this is what... 19:30.265 --> 19:31.005 What were you saying? 19:31.105 --> 19:33.806 Well, I'm saying, it's like Newsnight here, isn't it? 19:34.266 --> 19:39.928 But I'm saying that the Humphrey aspect of the whole thing was just part of the advertising campaign. 19:40.248 --> 19:44.690 It was like a phantom presence that was stealing the straws, drinking the milk. 19:44.710 --> 19:46.310 Was Humphrey the straw itself? 19:46.330 --> 19:48.751 Me and my brother used to think the straws were called Humphreys. 19:49.151 --> 19:51.132 Well, I used to think that as a tote as well. 19:51.172 --> 19:55.833 Or was Humphrey a guy that came, a kind of mysterious presence that stole the straw? 19:55.993 --> 19:59.574 Yeah, no, it wasn't so much stealing the straws, it was just drinking all the milk and stuff. 19:59.594 --> 20:01.394 It was like, oh no, someone's drunk my milk! 20:01.414 --> 20:07.736 Because it was all a campaign by Unigate Dairies to make the drinking of milk more attractive to young people. 20:07.796 --> 20:16.218 If you can help us with that, text 64046 or email adamandjoe.6musicatbbc.co.uk What now, music time? 20:16.578 --> 20:19.239 Yeah, here's the breaks with Pacific Visions. 20:19.419 --> 20:22.120 You've just got summer in her hair. 20:23.240 --> 20:23.981 That's disgusting. 20:24.621 --> 20:26.142 That's Breaks with Beatific Visions. 20:26.162 --> 20:29.925 This is Adam and Joe here on 6 Music covering for us Sean Keveny while he's away. 20:30.385 --> 20:31.366 Only one more day. 20:31.386 --> 20:34.688 We've got tomorrow and that's it for us and then Sean's back with you next week. 20:35.308 --> 20:39.211 We haven't had any texts about the Humphrey situation, have we? 20:39.531 --> 20:41.273 Uh, we have, but we're just collating them. 20:41.613 --> 20:42.954 Uh, Jenny and I are collating them. 20:42.994 --> 20:43.675 Doing a little collating. 20:43.695 --> 20:45.496 We're putting them through the various BBC scans. 20:45.516 --> 20:51.962 You know, it's strange because nowadays, of course, uh, milk doesn't have the same cachet that it once did in the medical world. 20:52.383 --> 20:56.787 In fact, there's many respected medical professionals who'll tell you to avoid milk altogether. 20:57.427 --> 20:57.747 Are there? 20:57.967 --> 20:58.928 Yeah, absolutely. 20:59.128 --> 21:01.610 Some people think you've been watching Undercover Mums again, haven't you? 21:01.630 --> 21:01.990 Raw sewage. 21:03.471 --> 21:05.372 You and your Undercover Mums possession. 21:05.932 --> 21:09.414 Right, now it's time for the news, and it's read by Catherine and Lucy. 21:09.654 --> 21:11.435 This is Adam and Jo on BBC6 Music. 21:11.475 --> 21:13.016 That was Interpol with Mammoth. 21:13.796 --> 21:19.800 We're going to talk about Humphreys again in a second, but first it's time for the serial thriller. 21:20.180 --> 21:29.042 This is the part of the show where a listener calls in and chooses two tracks to play back-to-back that give Adam and I a chance to have a bit of breakfast. 21:29.962 --> 21:32.263 And on the line, we've got Marion Mardell. 21:32.303 --> 21:32.923 Hello, Marion. 21:33.383 --> 21:33.883 Good morning. 21:34.243 --> 21:34.643 How are you? 21:34.663 --> 21:35.984 I'm fine this morning. 21:36.284 --> 21:36.744 Very good. 21:37.564 --> 21:37.864 Thank you. 21:37.904 --> 21:38.204 Bye-bye. 21:39.164 --> 21:40.064 That was a joke. 21:40.124 --> 21:41.185 Marion, where are you calling from? 21:41.205 --> 21:42.305 From Cardiff. 21:42.731 --> 21:43.511 Cardiff. 21:43.912 --> 21:45.112 Do you like living in Cardiff? 21:45.572 --> 21:45.833 I do. 21:45.933 --> 21:47.333 I've been here a number of years now. 21:47.473 --> 21:47.974 Yeah, yeah. 21:48.414 --> 21:49.394 And what do you do for a living? 21:49.414 --> 21:50.755 What are you going to do the rest of today? 21:51.155 --> 21:51.635 I'm a nurse. 21:51.936 --> 21:52.856 You're a nurse? 21:53.416 --> 21:57.298 What kind of... Are you an angry nurse or a nice nurse? 21:58.119 --> 21:59.339 Probably a bit of both sometimes. 21:59.559 --> 22:00.120 Really? 22:00.200 --> 22:01.800 She sounds like an angry one. 22:02.021 --> 22:03.641 She sounds like a frightening nurse. 22:03.661 --> 22:06.083 You caress with one hand and spank with the other. 22:06.963 --> 22:07.583 Is that right? 22:08.204 --> 22:09.004 Oh, quite possibly. 22:09.284 --> 22:09.724 Yeah. 22:09.804 --> 22:12.286 Do you smell very slightly of disinfectant? 22:12.667 --> 22:13.207 Not at all. 22:13.467 --> 22:13.987 Not at all. 22:14.048 --> 22:14.228 Good. 22:14.248 --> 22:15.669 I'm very pleased to hear it. 22:16.009 --> 22:17.190 How long have you been a nurse, Marion? 22:17.830 --> 22:18.951 Oh, well over 30 years. 22:19.371 --> 22:20.132 Oh, wow. 22:20.312 --> 22:20.953 Good for you. 22:21.193 --> 22:21.753 Yeah. 22:21.793 --> 22:24.795 We here at the Adam and Jo breakfast show commend you. 22:25.176 --> 22:25.876 We salute you. 22:25.936 --> 22:26.597 We salute you. 22:26.697 --> 22:28.158 A nurse is one of those jobs, though. 22:28.458 --> 22:30.900 When you tell people you're a nurse, do you get this, Marion? 22:31.060 --> 22:33.242 They sort of go, yeah, that's a proper job. 22:33.282 --> 22:33.982 They're impressed. 22:34.022 --> 22:36.264 You know what happens when you tell people you're a nurse, Adam? 22:36.644 --> 22:38.105 That's why I... Yeah, exactly. 22:38.145 --> 22:39.726 That's why I tell people I'm a nurse. 22:40.226 --> 22:44.969 You know, when I don't want to get into the whole thing of, well, I used to do a late night kind of comedy show on... You know what? 22:45.009 --> 22:45.569 I'm a nurse. 22:45.589 --> 22:46.210 I'm a nurse. 22:46.230 --> 22:47.550 Hey, Marion, here's a question for you. 22:47.731 --> 22:53.554 Have you ever been like on a plane or in a non-nursy situation and like saved somebody? 22:54.815 --> 22:55.415 Not particularly. 22:55.455 --> 22:55.915 I've been asked. 22:56.456 --> 23:00.718 I went to someone on a train once when they asked for somebody with medical experience. 23:01.239 --> 23:01.899 Did you save them? 23:02.635 --> 23:10.819 No, he decided, well, I went to him and so did somebody else and the person got off the train at the next station to get attention. 23:11.039 --> 23:13.980 I thought it was going to be a downbeat story. 23:14.501 --> 23:15.421 They got off the train. 23:15.461 --> 23:17.022 No, nothing heroic on a train. 23:17.382 --> 23:20.644 I was asked to help, but I decided not to and he died. 23:21.624 --> 23:23.625 I thought that was the way the story was going to be. 23:24.525 --> 23:27.567 And we've got to hear a sort of a fact sheet about you, Marion. 23:27.647 --> 23:29.788 It says your favourite film is Billy Elliot. 23:30.289 --> 23:31.415 Yeah, one of my favourites. 23:31.476 --> 23:34.091 I like anything sort of musical theatre, musical comedy. 23:34.505 --> 23:36.666 Now, have you seen the stage production of Billy Elliot? 23:36.887 --> 23:37.807 I haven't yet, no. 23:38.167 --> 23:39.088 Oh, you've got to see it. 23:39.128 --> 23:40.129 Apparently, it's amazing. 23:40.149 --> 23:40.669 It's amazing. 23:40.749 --> 23:41.449 I went to see it. 23:41.570 --> 23:43.251 I thought, I'm not going to like this. 23:43.571 --> 23:45.612 What did you go and see it? 23:45.632 --> 23:49.074 Because my girlfriend's company did help do the publicity for it. 23:49.094 --> 23:50.355 And we could get free tickets. 23:51.096 --> 23:52.076 So I thought I'd go and see it. 23:52.316 --> 23:53.897 I thought I'll walk out by the interval. 23:54.158 --> 23:54.798 I won't like this. 23:55.418 --> 23:55.979 Not at all. 23:56.099 --> 23:57.140 It was amazing. 23:57.660 --> 23:58.941 It shivers down my spine. 23:59.401 --> 24:00.382 It was so exciting. 24:00.422 --> 24:01.442 It's really, really good. 24:01.462 --> 24:02.283 You'd love it, Marion. 24:02.583 --> 24:04.544 Yeah, I'm sure I will, and I can say eventually. 24:04.704 --> 24:08.967 If this wasn't the BBC, we'd like a range for tickets for you to go and see it. 24:09.087 --> 24:13.230 But it is the BBC, we can't do competitions, but there's no soliciting. 24:14.231 --> 24:16.592 Now, what kind of music have you picked out for us this morning, Marianne? 24:16.812 --> 24:20.415 This morning I've chosen for you Arcade Fire's No Cars Goes. 24:20.835 --> 24:21.516 Oh, yeah. 24:21.596 --> 24:23.437 Now, are you a big fan of the band? 24:24.742 --> 24:26.343 Yeah, it's very different music. 24:26.643 --> 24:29.944 We're going to see them in Cardiff in October, I believe. 24:30.064 --> 24:30.904 Have you seen them before? 24:31.044 --> 24:31.244 No. 24:31.584 --> 24:32.624 It's quite an experience. 24:33.004 --> 24:36.846 It's really sort of almost like a religious gathering. 24:36.886 --> 24:38.466 It's amazing. 24:38.546 --> 24:39.506 You'll really enjoy that. 24:39.766 --> 24:40.567 That's a great track. 24:40.787 --> 24:42.207 And what's the other one you've picked for us? 24:42.227 --> 24:45.168 The other one is Burn My Shadow by Uncle. 24:45.208 --> 24:49.949 Again, a very different band I'd never heard of before, June. 24:50.349 --> 24:52.710 And I couldn't wait to buy the album when it came out in July. 24:53.086 --> 24:55.147 Who's getting you into all this crazy music, Marion? 24:55.547 --> 24:57.367 Oh, my husband has a big part to play here. 24:57.768 --> 24:58.528 Okay, what's his name? 24:58.888 --> 24:59.188 Andy. 24:59.628 --> 24:59.908 Andy. 24:59.968 --> 25:01.709 Shout out to Andy, maximum respect. 25:02.009 --> 25:02.989 Nice choices, Marion. 25:03.009 --> 25:06.271 We're going to start with the Uncle Trap Burn My Shadow. 25:06.611 --> 25:07.291 Thanks for calling. 25:07.331 --> 25:08.271 Thanks for listening, Marion. 25:08.411 --> 25:08.971 You're welcome. 25:09.032 --> 25:09.892 Very nice to talk to you. 25:09.912 --> 25:12.393 Have a great day, and here's Burn My Shadow by Uncle. 25:12.593 --> 25:12.913 Thank you. 25:16.789 --> 25:20.191 Yes, this is Adam and Jo, BBC Six Music at the Breakfast Show. 25:20.251 --> 25:23.612 Before that, you heard a great serial thriller courtesy of Marion Mardell. 25:23.653 --> 25:24.293 Thanks, Marion. 25:24.693 --> 25:28.195 Burn My Shadow by Uncle and Arcade Fire with No Cars Go. 25:28.775 --> 25:33.778 I always feel a little embarrassed when I talk to people like nurses, you know what I'm saying? 25:33.798 --> 25:35.739 It's like we're not good enough to talk to them. 25:35.759 --> 25:41.402 That's right, because I just feel like... They should be above our kind of, you know, sink of trivial love. 25:41.442 --> 25:41.602 Yeah. 25:41.922 --> 25:43.763 Our cathedral of ludicrousness. 25:45.003 --> 25:49.026 Anyway, it was really nice to talk to you, Marion, and very much enjoyed those tracks. 25:49.306 --> 25:50.927 She brought a bit of class to the show. 25:51.147 --> 25:51.927 Lovely little bow. 25:52.007 --> 25:52.788 Look at that. 25:52.808 --> 25:53.868 Oh, beautiful nerves. 25:53.928 --> 25:54.689 Lovely nerves. 25:54.709 --> 25:55.069 Look at that. 25:55.109 --> 25:56.230 Bringing a bit of class. 25:57.070 --> 25:57.891 Ooga-booga. 25:57.911 --> 25:58.671 We're now removing it. 25:59.051 --> 26:01.333 But shall we settle the whole Humphrey situation? 26:01.373 --> 26:01.873 Yeah, yeah. 26:01.913 --> 26:12.619 We were talking about the Humphrey campaign, a campaign by Unigate, the dairy, that was on in the 70s in the days when they used to deliver little glass milk bottles to your doorstep every morning. 26:12.959 --> 26:40.715 probably still goes on in many parts of the country but certainly kind of stopped here in London unfortunately before they discovered that milk was indigestible sewage they had a campaign to encourage kids to drink milk and we were a bit confused about the specifics of this campaign we knew there was something called a Humphrey we weren't sure whether it was the straw itself Adam was doubting that the actual straws existed Joe was going on about straws filled with straws straws 26:41.015 --> 26:43.817 There might be straws filled with strawberry powder that you've stirred into a drink. 26:43.937 --> 26:45.138 I didn't remember that part of it. 26:45.218 --> 26:53.605 I thought that the Humphrey element was just a sort of spectre saying, you better drink your milk quick, children, otherwise Humphrey's going to come and steal it with his big long straw. 26:53.625 --> 26:56.006 Well, you know, we were both slightly right, because that's true. 26:56.307 --> 26:58.248 I don't think that Humphrey was the straw itself. 26:58.408 --> 27:06.855 Humphrey was the kind of off-screen spectre who kind of had a really long straw that he would extend into the frame of the advert. 27:07.095 --> 27:07.856 Like Phil Spectre. 27:08.616 --> 27:14.442 and dip into the milk and steal the milk of either Rod Hall or Frank Muir or whoever was in the advert. 27:15.203 --> 27:18.846 And in fact, thanks to the magic of YouTube, you can see those adverts quite easily. 27:18.967 --> 27:24.853 Yeah, we just had a look at the Rod Hall and Emu one and it very clearly shows you that there are 27:25.473 --> 27:28.595 strawberry powder filled straws that you can purchase. 27:28.635 --> 27:29.836 10p, you get three straws. 27:29.876 --> 27:30.797 Three for 10p. 27:30.977 --> 27:31.457 Not bad. 27:31.537 --> 27:38.422 My older brother, a couple of years older, he coveted his stripy straws to a ludicrous extent. 27:39.063 --> 27:40.164 He kept them all. 27:40.304 --> 27:41.705 He refused to drink them and open them. 27:41.745 --> 27:42.325 He kept them all. 27:42.345 --> 27:47.249 He thought they'd increase in value enormously as a kind of investment. 27:47.649 --> 27:49.710 We were about like three and five at this point. 27:50.231 --> 27:53.113 And so he hid them under a floorboard in his bedroom. 27:53.993 --> 28:08.785 Together with a sheet of hump free stickers that you got free from from the milkman Yeah, and I was so jealous of those straws right when he went out to play with friends I used to go round and open up his secret floorboard and look at them and consider stealing them Just look at them. 28:08.825 --> 28:10.046 You never actually nicked one. 28:10.246 --> 28:17.492 Maybe I did all you did I might have and I remember they were there until he was about 17 So he did keep them for about 11 years. 28:17.632 --> 28:20.635 They're probably still there and then one night had a strawberry milk and 28:21.275 --> 28:38.328 crazy party and yeah he snorted strawberry milk powder offer pop stars boobs nice uh that's something that we can all look forward to if we get sufficiently successful now here's one of your favorite bands joe yeah is this yeah oh yeah this is ben fold's five this is a great trip this is brick 28:39.079 --> 28:40.160 Ben falls five with break. 28:40.201 --> 28:41.843 This is Adam and Joe on BBC 6 Music. 28:42.303 --> 28:49.713 Now on Monday, Sean W. Kievny is back and he's got a new feature that we'd like to encourage you to kind of get in touch about. 28:50.013 --> 28:50.975 It's called Happy Days. 28:52.096 --> 28:53.458 What were you thinking you'd had surgery? 28:53.558 --> 28:54.840 I thought he had the third nipple. 28:55.180 --> 28:55.460 Really? 28:55.601 --> 28:57.042 Yeah, I thought you were going to talk about that. 28:57.222 --> 28:58.464 No, that's a secret. 28:58.584 --> 28:59.465 That's a secret feature. 28:59.805 --> 29:07.473 His new feature is called Happy Days, and he wants you to let him know about a track that has got some kind of special meaning or memory attached to it. 29:07.573 --> 29:09.895 You didn't even tell people how Happy Days was spelt. 29:10.276 --> 29:12.198 With a Z. You're right, that is important. 29:12.218 --> 29:16.482 It's spelt with a Z, because that distinguishes it from the entertaining program about the 50s. 29:17.483 --> 29:17.904 Exactly. 29:18.464 --> 29:18.905 So there you go. 29:18.945 --> 29:26.012 If you've got a track that makes you feel really happy, got lovely memories attached to it, go to the Six Music website, click on the Happy Days link. 29:26.392 --> 29:27.994 You have to fill in a brief form. 29:28.414 --> 29:34.920 It'll ask for your national insurance number, your income, you know, all sorts of personal details like that. 29:34.981 --> 29:38.404 You'll be vetted by a team of... BBC researchers. 29:38.744 --> 29:38.945 Yeah. 29:39.765 --> 29:45.607 Um, and, and if you're successful, you know, maybe you'll get a track played on the show and you'll get to speak to him on the phone and stuff. 29:46.167 --> 29:46.948 It'll be wicked. 29:47.568 --> 29:49.088 We're j- we're joking, of course. 29:49.228 --> 29:55.471 Not about the whole feature, but it's very, very easy to, um, get on there and get your track, uh, requested. 29:55.651 --> 29:58.492 So, uh, check out the BBC Six music website. 29:59.472 --> 30:04.294 And, um, also, of course, you should be voting for our band-aid tracks. 30:04.394 --> 30:05.635 More about that in a while. 30:05.775 --> 30:07.015 But now, here's a bit more music. 30:07.055 --> 30:09.296 Here's Jefferson Airplane with White Rabbit. 30:09.396 --> 30:11.297 Ooh, crazy drugs, crazy! 30:12.057 --> 30:13.698 What if I don't want to? 30:13.778 --> 30:14.679 But I'm using email. 30:14.699 --> 30:15.339 Is that a problem? 30:15.499 --> 30:16.719 It doesn't matter, text! 30:25.333 --> 30:42.923 it's yeah that's the jingle that set the nation on fire set the nation literally on fire and there's a big fire situation now and police are trying to put out the fire using hey that's insensitive because there was a fire in one of the royal parks yesterday so how insensitive that's very 30:44.624 --> 30:46.945 It is, of course, time for the nation's favourite feature. 30:47.366 --> 30:53.889 It's Text the Nation, the important part of the show, where we ask you to respond to a special question. 30:54.689 --> 30:57.911 We accept your texts on 64046. 30:59.052 --> 31:03.414 And, of course, as the jingle made perfectly clear, we will accept emails as well. 31:03.514 --> 31:13.079 To Adam and Jo, all one word with A-N-D, not an ampersand, dot 6, the number 6 music at bbc.co.uk, the world's most complicated email address. 31:13.639 --> 31:24.226 Now, today we are talking about times in your life when you thought you were so cool, when in fact you were absolutely nothing of the kind. 31:24.306 --> 31:25.126 You were an idiot. 31:25.186 --> 31:34.392 Yeah, maybe it was a time, say, five or ten years ago, maybe it was a time when you were a teenager, or when you were kind of a different kind of a person. 31:36.393 --> 31:49.298 and you thought you were being the coolest person in the world but now in retrospect you realize with a sort of shiver of fear that you were a complete twazzle. 31:50.439 --> 32:01.504 Now I reckon the holy grail of this text the nation would be to find someone who is up for admitting that actually they did a little cool gaffe really quite recently. 32:01.664 --> 32:02.744 You know what I mean? 32:02.764 --> 32:04.585 Because most of the ones that I can recall 32:05.365 --> 32:07.888 just initially are from my teenage years. 32:07.928 --> 32:10.812 That's when you make most of your errors, your cool errors. 32:10.852 --> 32:12.494 So let's give a couple of examples. 32:14.156 --> 32:19.322 I used to go on holiday in Devon to a little town called Dulverton, a beautiful town. 32:19.402 --> 32:21.745 And you thought it was so cool to go on holiday in Devon. 32:22.666 --> 32:27.208 No, they had, every summer they had a kind of a festival, a street party. 32:27.349 --> 32:27.549 Yeah. 32:28.089 --> 32:33.052 And I forget which summer it was, but it was the summer that Come On Eileen by Dex's Midnight Runners came out. 32:33.612 --> 32:33.052 81. 32:34.192 --> 32:35.633 And there was a disco in the street. 32:36.093 --> 32:37.654 They played that track very loudly. 32:37.914 --> 32:37.654 82. 32:38.374 --> 32:41.296 And I danced like I'd never danced before. 32:41.656 --> 32:42.036 Right. 32:42.216 --> 32:45.138 Leaping around, doing amazing moves. 32:45.278 --> 32:49.080 I was possessed by some kind of dancing spirit demon. 32:49.380 --> 32:49.600 Yeah. 32:49.940 --> 32:55.522 And I danced so amazingly that a big space cleared in the street party. 32:56.122 --> 32:59.483 There was like a radius of, say, 10 meters around me. 33:00.043 --> 33:01.264 I was leaping around. 33:01.704 --> 33:04.305 I was thinking, wow, my dancing amazing. 33:05.085 --> 33:05.965 Everybody's watching. 33:05.985 --> 33:07.005 This is amazing. 33:07.246 --> 33:08.106 Everyone's looking at me. 33:09.196 --> 33:13.121 And I went over to my mum, like mid-dance. 33:13.241 --> 33:15.223 I went, God, this is really fun, mum. 33:15.824 --> 33:19.648 And she said, yes, you're a really good dancer, Joe. 33:20.088 --> 33:21.750 You're dancing so stylish. 33:23.252 --> 33:25.755 I remember her saying, I carried on dancing. 33:25.795 --> 33:27.777 It was incredible, cleared the whole dance floor. 33:28.237 --> 33:29.899 Now, of course, I realized. 33:30.800 --> 33:32.281 I realised I was just an idiot. 33:32.361 --> 33:35.141 I was dancing like some kind of epileptic squid. 33:35.682 --> 33:38.982 People had to back away just to keep themselves physically safe. 33:39.843 --> 33:42.724 And God knows what they were saying about me in the crowd. 33:42.804 --> 33:43.064 Yeah. 33:43.304 --> 33:44.864 But you know, there's an example at the time. 33:45.284 --> 33:47.505 I thought I was kind of John Travolta. 33:48.125 --> 33:51.226 Now I realise I was in terrible, terrible social trouble. 33:52.807 --> 33:53.887 I think that sounds sweet. 33:53.947 --> 33:55.227 I bet your mum was digging it. 33:55.347 --> 33:57.488 Or maybe I was really good. 33:58.168 --> 33:59.950 Maybe the dancing was incredible. 33:59.970 --> 34:00.750 Well, this is the thing. 34:00.790 --> 34:08.235 There's always the chance with these things, you know, that actually it's sometimes it's just a natural impulse to be a little embarrassed of things you've done. 34:08.655 --> 34:10.437 Actually, maybe you were onto something. 34:10.497 --> 34:11.577 Give us your example, Adam. 34:11.757 --> 34:16.060 Well, one thing I often think about is one of my many fashion faux pas. 34:16.080 --> 34:22.284 In fact, a friend of mine the other day was looking through some photographs of me and we were looking through some old pics and stuff. 34:22.645 --> 34:25.527 He was like, man, the clothes you used to wear 34:26.087 --> 34:26.928 And I was like, what do you mean? 34:27.308 --> 34:30.190 He's like, well, you used to turn up in some pretty weird stuff. 34:30.851 --> 34:33.953 And I just never, I never thought of myself like that at all. 34:34.013 --> 34:39.297 I just always thought I was fairly normal, but I would do, I would occasionally wear sort of slightly stupid things. 34:39.357 --> 34:51.687 Like I went through a phase of wearing kind of very big high top Dr. Martin boots, very highly polished up with white socks, big thick white socks, which I would pull. 34:51.707 --> 34:53.068 Well, this wasn't that long ago either. 34:53.248 --> 34:54.389 This was early twenties. 34:55.169 --> 35:18.398 uh early 20s yeah this was uh about 15 years ago you know at school you used to sometimes dress like a kind of a rock priest rock priest quite a short rock priest yes you had a very long coat that made you sort of look a bit like a some kind of stop-motion character that didn't have any feet yeah and then you'd wear a a collarless shirt with the top button done up 35:18.798 --> 35:28.800 Mmm, and well what I wanted to look like was David Byrne in stop making sense I thought that's that's what I'm like except instead of David Byrne You know I was the physical opposite of David Byrne. 35:28.840 --> 35:30.221 I was short and squat. 35:30.541 --> 35:46.524 Yeah, and like Donald So I go around in my with my top button done up and I'd wear like a black jacket one of my dad's old black suit jackets and I think I'm exactly like David Byrne and then I would start embellishing and 35:46.664 --> 35:49.104 And one night I remember I went to the pub with a friend of mine. 35:49.405 --> 35:51.665 There was a pub that would serve us even though we were underage. 35:52.245 --> 35:57.026 And, um, we went there and I thought, I'm gonna make a splash in the pub tonight with a fashion idea. 35:57.606 --> 35:59.306 And I got a load of safety pins. 35:59.706 --> 36:02.247 And I made a chain out of the safety pins. 36:02.647 --> 36:06.688 And I pinned one end of the chain to my left shoulder. 36:07.068 --> 36:09.848 And then I pinned the other end to my right shoulder. 36:10.148 --> 36:13.089 So it was just a kind of... You were like Colonel Clips. 36:13.249 --> 36:13.529 Yes! 36:14.009 --> 36:17.210 You were like the general of the stationery army. 36:17.250 --> 36:19.631 Decorated for services to fashion. 36:20.571 --> 36:26.573 And the guy at the pub, who was like a big old bloke, he just stared at me and then he laughed. 36:27.013 --> 36:28.393 He just laughed to himself. 36:28.853 --> 36:31.334 And he's like, well, you're prepared for any emergency, aren't you? 36:31.634 --> 36:34.875 So we're not specifically talking about fashion faux pas, that would be too narrow. 36:34.895 --> 36:41.577 We're just talking about times you thought you were the coolest person in the world, but in retrospect, you realise you were an idiot. 36:42.017 --> 36:48.781 text 64046 or email adamandjoe.6musicatbbc.co.uk Is it time for some editors? 36:48.921 --> 36:49.582 It certainly is. 36:49.842 --> 36:51.043 An end has a start. 36:52.549 --> 36:54.631 That's Editors, with an end as a start. 36:55.392 --> 37:01.379 Tom Smith, the lead singer of Editors, will be on Steve LaMac's show tomorrow from 4pm, here on BBC6 Music. 37:01.419 --> 37:02.240 That's exciting, isn't it? 37:02.360 --> 37:04.442 It's good news for Editors fans, certainly. 37:05.083 --> 37:10.388 Now, the breakfast single of the week, this week, is one that's been chosen by Joe Cornish. 37:10.468 --> 37:14.413 Yes, it's Kinkriosote with You've No Clue Do You. 37:15.253 --> 37:17.055 Uh, and yeah, we're gonna play it right now. 37:17.395 --> 37:20.537 Sounds very good, that show, I'm gonna be listening to that one. 37:20.557 --> 37:24.720 Oh look, it's my favourite ad that was just on the telly in the corner here in the studio. 37:25.181 --> 37:31.785 It was the lone advert where the woman is filming her husband-stroke boyfriend while he asks for a loan. 37:32.186 --> 37:35.248 Cos that's something, you know, that's a memory that you wanna keep, always. 37:35.268 --> 37:40.051 Do you remember when we were so hard up, things were so bad that you had to ask for a loan? 37:41.252 --> 37:41.552 Yeah. 37:41.612 --> 37:43.494 They should pawn that camcorder for a start. 37:43.694 --> 37:47.497 And he's having a good time, and he's chuckling away, and it's a really, it's a fun afternoon, you know. 37:47.517 --> 37:49.119 Hey, should we ask for a loan again? 37:49.159 --> 37:50.740 Because the last time we did it was a laugh. 37:51.140 --> 37:51.661 Yeah, go on. 37:51.941 --> 37:56.665 Let's ask for a loan, then we'll get a takeaway, and go to bed, and make sweet love. 37:57.386 --> 38:13.407 uh there you go anyway um we are testing texting the nation or asking the asking the nation to text us about times you thought you were being cool when in fact in retrospect it appears that you were nothing of the kind and we've got a few people who've been uh 38:14.188 --> 38:14.989 communicating with us. 38:15.029 --> 38:15.709 Is that right, Joe? 38:15.750 --> 38:16.170 Yeah, yeah. 38:16.210 --> 38:17.371 We've had some good texts. 38:18.051 --> 38:19.412 Here's one from Bev in London. 38:20.193 --> 38:20.794 This is a good one. 38:20.834 --> 38:25.357 She says, in the swimming baths once, I started humming memories from cats. 38:26.158 --> 38:27.499 Some kids gathered to hear. 38:29.300 --> 38:31.122 So I began to sing out loud. 38:31.702 --> 38:32.843 So she started with the humming. 38:32.863 --> 38:33.704 Wait a second. 38:34.124 --> 38:35.866 Some kids gathered to hear. 38:36.006 --> 38:36.846 Listen to that humming. 38:37.127 --> 38:38.167 There's a lady over there. 38:38.187 --> 38:38.788 She's humming. 38:39.488 --> 38:41.990 We don't know whether she was a kid or an adult either. 38:42.130 --> 38:43.171 We hope she was a kid. 38:43.571 --> 38:45.272 But maybe she was an adult. 38:47.333 --> 38:48.034 The kids gather. 38:48.414 --> 38:50.595 And they're alone in the moonlight. 38:50.936 --> 38:52.897 So I begun to sing out loud. 38:53.277 --> 38:54.638 Then do arm gestures. 38:55.974 --> 39:06.543 Thought I was a wonderful actress When I finished the kids just drifted away looking depressed like they'd seen their future She was an adult. 39:06.763 --> 39:10.987 She is an adult Bev is that wow, that's brave of you to confess Bev. 39:11.087 --> 39:12.148 That's just a pseudonym. 39:12.188 --> 39:16.612 It's actually Elaine Paige from Bez That's extraordinary. 39:16.632 --> 39:18.513 That's exactly the kind of thing we're looking for 39:19.494 --> 39:21.496 Wow, here's another one from Robin Birmingham. 39:21.516 --> 39:22.036 Nice! 39:34.568 --> 39:40.032 As it came from the awful return of Bruno album by Bruce, I thought it would make me popular with the girls. 39:40.392 --> 39:41.172 Good idea. 39:41.292 --> 39:44.955 Wow, I bet you wish you had that on video, instead of all your loan applications. 39:44.975 --> 39:45.595 Who's that from? 39:45.775 --> 39:47.096 That's from Rob in Birmingham. 39:47.496 --> 39:48.317 That's excellent Rob. 39:48.857 --> 39:50.778 And here are some more sort of smaller ones. 39:51.659 --> 39:56.302 James in Rochester reminding us of the existence of global hyper colour t-shirts. 39:57.083 --> 40:00.627 They were big like in the early 90s when raving and all that business was popular. 40:01.288 --> 40:04.252 And they were kind of heat sensitive, heat reactive. 40:04.292 --> 40:05.554 I think they probably still exist. 40:05.974 --> 40:10.200 But when your body heated up they changed colour in a sort of psychedelic way. 40:10.720 --> 40:12.363 But unfortunately what would happen is 40:13.664 --> 40:28.996 It would just mean you'd get big purple emanations from your armpits and then you'd sweat a lot so you'd get one kind of wave of colour that was just sweaty blackness and then a kind of a mildewy, creamy yellow radiating from that. 40:30.197 --> 40:31.418 Yeah, they were a bad idea. 40:31.478 --> 40:35.542 That was around the time of magic eye paintings as well, wasn't it? 40:35.862 --> 40:36.943 Yeah, maybe a little earlier. 40:36.963 --> 40:37.663 I don't know. 40:37.683 --> 40:38.164 Maybe you're right. 40:38.204 --> 40:38.884 Yeah, maybe you're right. 40:39.987 --> 40:41.507 Here's another one from Steven Stains. 40:41.787 --> 40:43.028 This is a contemporary story. 40:43.348 --> 40:48.189 A teacher friend of mine tried to get in with the kids by referring to the well-known rapper 50%. 40:48.629 --> 40:50.650 Nice. 40:50.910 --> 40:52.650 His cred really went up. 40:53.230 --> 40:56.011 If he was a maths teacher, that would actually be quite a good way to teach maths. 40:56.231 --> 40:56.711 Yeah, yeah. 40:56.891 --> 41:00.652 Well, if he was the leader of the Tory party, that would be a legitimate way of... 41:01.573 --> 41:04.195 So keep them coming in. 41:04.816 --> 41:09.701 Text your stories of when you thought you were really cool, but in retrospect you were the exact opposite. 41:09.721 --> 41:14.386 Text 64046 or email Adam and Jo.6musicatbbc.co.uk. 41:14.726 --> 41:20.292 Jo, here's a song from Manson and this may be shocking to you but it's about a stripper vicar. 41:20.592 --> 41:21.053 Quite right. 41:21.754 --> 41:26.119 Manson there exposing the scandalous ease with which strippers can get away with uh, vickering. 41:26.459 --> 41:28.341 Or indeed, vickers can get away with strippering. 41:28.381 --> 41:30.464 This is Adam and Jo on BBC 6 Music. 41:30.504 --> 41:32.266 It's time for the news with Catherine and Lucy. 41:32.967 --> 41:34.168 Ah, so ironical, man. 41:34.228 --> 41:35.750 It's like a big irony cake. 41:36.150 --> 41:43.252 with irony icing and like a big, ironical candle on the top of it. 41:43.392 --> 41:45.893 We're playing that Amy Winehouse track as a public service. 41:45.933 --> 41:48.334 Of course, you're not allowed to buy her records anymore. 41:48.374 --> 41:50.635 It'll only encourage her to spend the money on bad things. 41:51.435 --> 41:55.356 So we're letting you hear the music for free in order to keep you happy and her safe. 41:55.656 --> 41:56.436 That's true, exactly. 41:56.456 --> 41:58.257 BBC working for Britain there. 41:58.897 --> 42:03.200 This is Adam and Jo on Six Music on the Breakfast Show filling in for Sean W Keveny. 42:03.520 --> 42:04.681 It's our penultimate show. 42:04.921 --> 42:06.162 Tomorrow will be our last show. 42:06.442 --> 42:07.423 It's going to be a big show. 42:07.443 --> 42:09.104 It's going to be like Christmas Day tomorrow. 42:09.324 --> 42:10.085 It's going to be amazing. 42:10.165 --> 42:15.048 Friday, it's going to be like Cracker Jack mixed in with the premiere of Star Wars. 42:15.728 --> 42:20.712 And a big rock and roll show with the Arctic Monkeys playing and climbing. 42:22.433 --> 42:25.115 and David Bowie as a support act. 42:25.696 --> 42:26.777 David Bowie, cleaning up. 42:27.017 --> 42:36.785 And at the end of tomorrow, you will hear, played in full, the winner of the band-aid musical face-off between myself and Joe. 42:37.065 --> 42:41.589 We urge you to go to the Six Music website now, BBC Music. 42:41.989 --> 42:45.111 Just go find the Six Music. 42:45.292 --> 42:46.853 Just type in Six Music, you'll find it. 42:47.473 --> 42:52.557 And you can vote for the track by Joe or myself on that website there. 42:52.677 --> 42:54.739 And Joe is, at the moment, in the lead, folks. 42:54.979 --> 43:01.684 Despite the fact that his effort rests entirely on the attractive sound of one... I can't believe you keep saying this. 43:01.744 --> 43:04.646 It's so rude and insulting. 43:04.806 --> 43:05.286 It's true. 43:05.426 --> 43:05.647 I know. 43:05.747 --> 43:07.688 I'm just playing dirty because I'm so far behind. 43:07.708 --> 43:08.429 You are playing dirty. 43:08.489 --> 43:10.010 It'll, you know, it won't work. 43:10.250 --> 43:10.430 I know. 43:10.450 --> 43:10.850 It's not gonna work. 43:10.870 --> 43:11.191 It regresses. 43:11.431 --> 43:11.771 I know. 43:11.791 --> 43:14.733 I just can't believe... People won't sympathize with such an evil man. 43:15.894 --> 43:18.016 It's true, isn't it? 43:18.056 --> 43:27.562 Listen, you can listen to samples from both the tracks on the 6th Music website and you can make an informed decision without relying to the canton bile of a jealous loser. 43:28.223 --> 43:30.184 The canton bile of a jealous loser. 43:30.944 --> 43:33.546 That's a type of medieval song structure, isn't it? 43:33.606 --> 43:34.307 The canton bile. 43:35.067 --> 43:37.489 Anyway, you join us in the middle of Text the Nation. 43:37.909 --> 43:41.211 It's our special feature where we ask you to text us and we read them out. 43:41.311 --> 43:42.792 It's something no other show does. 43:43.273 --> 43:43.993 We invented it. 43:44.233 --> 43:44.874 We invented them. 43:44.914 --> 43:45.574 It's exciting. 43:46.094 --> 43:54.240 So we've been asking you today to text us in with stories about when you thought you were super cool, but in the end, we're actually a super fool. 43:54.740 --> 43:55.401 Super fool. 43:56.401 --> 44:01.923 I just remembered that I used to I had a number of makeup decisions that I made Yeah, you went through a phase. 44:02.003 --> 44:03.123 This was even posed. 44:03.303 --> 44:18.247 Well, I guess let's start this from the beginning I mean everyone when they're a teenager and their skin goes funny considers using makeup if they're a man Because there are those clear asil products that basically are sort of medicated makeup Yeah, if you're gonna put that on your spots 44:18.647 --> 44:23.230 Why not go the whole hog and slap on some foundations of eyeliner, some lippy and a wig? 44:23.330 --> 44:26.513 I didn't do foundation and lippy and a wig. 44:26.693 --> 44:28.254 I was going too far for comic effect. 44:28.294 --> 44:33.277 But I did do the other ones because my mum one day handed me her cover-up stick, you know? 44:33.298 --> 44:36.680 That's what I was talking about, medicated foundation. 44:36.860 --> 44:39.061 But it wasn't medicated found, it was just foundation found. 44:39.121 --> 44:39.461 Okay. 44:39.721 --> 44:47.783 And she said, there you go, this is a little trick that us women use when we're looking a bit rough and just cover up that spot with this, you'll be sorted. 44:48.143 --> 44:50.843 And then I thought, this is amazing, it's a miracle cure. 44:51.763 --> 44:52.564 And so I nicked it. 44:53.304 --> 44:58.265 I nicked it off and then I started experimenting with all the other things you could do with a cover up stick. 44:58.485 --> 44:59.285 What else can you do with it? 44:59.305 --> 45:01.906 The first thing I did was use it as lippy. 45:02.946 --> 45:03.206 What? 45:03.246 --> 45:04.867 To try and eradicate your mouth? 45:05.107 --> 45:07.927 To make my lips look kind of white and blanched. 45:09.207 --> 45:11.608 Like, as if I was a sort of robot man. 45:12.108 --> 45:12.628 At school? 45:12.928 --> 45:13.128 Yeah. 45:13.188 --> 45:14.108 Or on a night out? 45:14.269 --> 45:15.369 On a night out, generally. 45:15.549 --> 45:15.929 Really? 45:15.969 --> 45:18.049 And then I would... And then I wouldn't want to do that. 45:18.229 --> 45:25.531 I would embellish... I don't know, because there was something... Sometimes you see it, it's a look, you know, your lips are all... I suppose it's a kind of a Gary Newman type thing. 45:25.751 --> 45:26.491 Exactly, yeah. 45:26.531 --> 45:28.292 Yeah, I'm like a Newman, I know what you mean. 45:28.452 --> 45:30.432 And I put a little bit of eyeliner on there. 45:30.592 --> 45:33.874 as well because I thought maybe I looked like the guy from Clockwork Orange. 45:33.914 --> 45:34.235 Yeah. 45:35.235 --> 45:42.440 It's amazing how important it is to look really futuristic when you're learning maths. 45:42.620 --> 45:42.800 Yeah. 45:43.060 --> 45:50.425 And I'd stand there on the platform at Earl's Court station and I would think genuinely to myself, I'm pretty cool. 45:50.786 --> 45:56.629 And I imagine that a lot of people are looking at me right now and thinking, look at that kind of robot and regime. 45:57.350 --> 45:59.992 I tell you one thing that a lot of people probably did. 46:00.692 --> 46:18.841 is when they were kids, and when you were running along the pavement, did you ever make that tactical decision to like, instead of running with your fists clenched, you'd think, wow, if I extend my palms into like blades, I bet you I'll be more aerodynamic, I'll run a bit faster. 46:19.842 --> 46:24.524 I used to think I could run so fast that people were looking at me and suspecting I was bionic. 46:24.844 --> 46:26.465 Yeah, well, you are partly bionic, aren't you? 46:26.485 --> 46:27.265 It's true, yeah. 46:27.626 --> 46:29.467 Now, Joe, it's time for your free choice. 46:30.587 --> 46:31.788 Sorry, bionic. 46:32.509 --> 46:36.252 It's time for your free choice and you've picked a French band. 46:36.332 --> 46:38.574 I like it's a French band. 46:38.594 --> 46:40.796 Le Musique de France. 46:40.936 --> 46:44.400 It's called, you can blame it on anybody. 46:44.520 --> 46:45.741 It's by a band called Phoenix. 46:45.921 --> 46:51.025 And while you listen to this, imagine the lead singer making love to Sophia Coppola. 46:51.246 --> 46:52.106 Because that's what he does. 46:52.287 --> 46:53.167 That's what he does for a living. 46:54.608 --> 46:54.908 Bye-bye. 46:55.189 --> 46:55.309 Bye. 46:55.709 --> 46:57.309 I like that Phoenix track there, Joe. 46:57.329 --> 46:57.690 What was it? 46:57.710 --> 46:59.010 There was loads of people in the back. 47:00.191 --> 47:03.612 I was just thinking maybe I should have played their previous single. 47:04.052 --> 47:05.273 The backing singers going... 47:07.935 --> 47:11.538 You know, they don't, they, they just get thick people to do the backing vocals, Phoenix. 47:11.598 --> 47:20.245 You know, uh, Aphex Twin, that window liquor single was very similar, had some kind of breathy, but he made a sort of advantage of doing it all wonkles. 47:20.785 --> 47:25.289 Anyway, that's just a sort of, uh, Phoenix taste of their previous single was a bit better than that one. 47:25.429 --> 47:27.030 Their last album was very good. 47:27.150 --> 47:28.231 Yeah, they are good. 47:28.571 --> 47:30.153 They're called Phoenix, they're from France. 47:30.193 --> 47:34.396 They're from France, they like it, they know they like ladies, what is the problem? 47:35.697 --> 47:38.279 It's a big problem, I like ladies, so what? 47:38.959 --> 47:40.180 Why is it so bad? 47:40.200 --> 47:44.083 Can we have the text the nation jingle? 47:44.803 --> 47:46.765 Just to clear the air? 47:46.785 --> 47:54.650 I like ladies, why is it a big problem on us and in the time like... Text the nation, text, text, text, text the nation. 47:54.710 --> 47:55.691 What if I don't want to? 47:55.931 --> 47:56.672 Text the nation. 47:56.752 --> 47:57.772 But I'm using email. 47:57.953 --> 47:58.653 Is that a problem? 47:58.673 --> 47:59.534 It doesn't matter, text! 48:01.812 --> 48:06.798 Yes, it's time for Text the Nation, the feature when we ask you to text us in about things. 48:07.699 --> 48:08.720 Here are some texts we've got. 48:08.760 --> 48:14.307 The theme today is moments when you thought you were super cool, but in retrospect, you realize you were an idiot. 48:14.768 --> 48:16.169 Here's one from Sam in the Wirral. 48:18.355 --> 48:23.556 When I was about 10, I went through a slightly obsessive phase of eating bread in one go. 48:23.936 --> 48:27.477 That is, folding the bread, then stuffing each piece into my mouth and chewing. 48:28.137 --> 48:36.258 One day, a slightly older, significantly cooler boy saw me doing this and thought it was the most amazing thing he'd ever seen. 48:37.038 --> 48:42.479 For about two years following, I had older boys coming to me asking to eat pieces of bread they bought me. 48:43.600 --> 48:43.800 What? 48:43.820 --> 48:45.500 So they were bringing him bits of bread? 48:45.520 --> 48:45.800 Yeah, hey. 48:46.647 --> 48:48.108 I hear you eat bread in a cool way. 48:50.289 --> 48:50.889 Here's a piece. 48:51.129 --> 48:51.549 Show us. 48:51.769 --> 48:52.350 Demonstrate. 48:53.070 --> 48:59.873 At the time I thought it was because I was so hip, but with hindsight I feel I was the centre of a warped bread fetish. 49:01.133 --> 49:03.815 Maybe they were just taking the Mickey out of you. 49:04.035 --> 49:04.455 Exactly. 49:04.475 --> 49:05.315 Hey, bread freak. 49:05.335 --> 49:07.736 It does sound quite cool actually. 49:07.776 --> 49:08.457 I'm picturing it. 49:08.817 --> 49:09.057 Wow. 49:09.497 --> 49:13.100 He folds it up into a ball and then he shoves it into his mouth. 49:13.140 --> 49:14.341 I mean, I used to do bread balls. 49:14.361 --> 49:17.303 I used to pull the crust off and then do a squidgy ball from there. 49:17.524 --> 49:21.287 I think it's just the en-suisseance of just eating a whole bit of bread. 49:21.767 --> 49:24.089 I mean, only a man could do that kind of thing. 49:24.109 --> 49:24.709 That's true, isn't it? 49:24.789 --> 49:25.690 Only a powerful man. 49:25.770 --> 49:27.432 It's like when I first went to New York. 49:27.992 --> 49:30.394 and first had a, like a New York pizza. 49:30.815 --> 49:35.499 I remember my American friend, he took a slice of the pizza, and he folded it in half. 49:35.759 --> 49:36.019 Mmm. 49:36.119 --> 49:38.321 And just shoved it in his mouth like a big sandwich. 49:38.521 --> 49:39.402 Like a Calzone. 49:39.442 --> 49:41.504 Yeah, I thought that was the coolest thing I'd ever seen. 49:41.904 --> 49:42.024 Mmm. 49:42.325 --> 49:43.666 It's a similar kind of thing, isn't it? 49:43.686 --> 49:45.387 And do you still eat your pizza that way ever since? 49:45.407 --> 49:45.848 Yeah, I like to. 49:45.868 --> 49:47.069 It gives me a bit of a thrill. 49:47.129 --> 49:52.053 Well, you don't ball it up in one piece and shove it in your mouth in one go like Breadboy, though, do you? 49:52.073 --> 49:52.654 Yes, I don't. 49:52.934 --> 49:53.374 No, I don't. 49:54.335 --> 49:55.035 Here's another one. 49:55.316 --> 49:56.156 Thanks, that was Samin. 49:56.176 --> 49:57.177 We're all that's very good. 49:57.197 --> 49:59.238 We're not going to read that one out. 50:00.258 --> 50:01.179 Hang on a second. 50:01.699 --> 50:04.541 Here's one from Gil Kelsell. 50:04.821 --> 50:05.401 I think that's right. 50:05.461 --> 50:06.402 Or Jill, I'm not sure. 50:06.862 --> 50:07.502 Now of Reading. 50:08.003 --> 50:09.363 Picture the scene dot dot dot. 50:09.763 --> 50:17.808 A rather rotund, incredibly short 11-year-old riding around the mean streets of Hull on a second-hand burgundy shopper bicycle 50:18.328 --> 50:20.929 with a backpedal break, with a basket on the front. 50:21.409 --> 50:28.051 In said basket, there is an enormous stereo, the ones where the batteries are the girth of a small child's thigh. 50:28.772 --> 50:34.173 Blasting out at some considerable volume is Give It Up by Casey and the Sunshine Bank. 50:34.414 --> 50:34.954 That was me. 50:35.294 --> 50:35.494 It was 1984. 50:35.854 --> 50:37.735 I thought this was cool. 50:38.155 --> 50:39.295 I was sorely mistaken. 50:39.355 --> 50:40.316 I don't think he was mistaken. 50:40.356 --> 50:41.416 No, he sounded very cool. 50:41.656 --> 50:47.360 No no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no 51:03.912 --> 51:05.013 I think that sounds perfectly cool. 51:05.034 --> 51:09.258 It sounds like the opening sequence to some Spielberg, you know, suburban Spielberg. 51:09.278 --> 51:10.159 That's romantic, man. 51:10.560 --> 51:20.691 You know, one time I just remembered this with a bread freak there, thinking that I was the coolest because I was watching Top of the Pops in the school common room one time. 51:21.552 --> 51:33.715 It was on, I used to go to a boarding school and the highlight of Thursday evenings was being allowed to watch Top of the Pops, and UltraVox's Vienna was at number two in the charts, held off the top spot by Joel Dolce. 51:34.296 --> 51:34.776 Rightly so. 51:35.176 --> 51:35.936 Shut up your face. 51:36.496 --> 51:40.817 And the video for Vienna was amazing, as you'll recall, it was like a cinematic masterpiece. 51:40.837 --> 51:42.598 We were describing it yesterday, I believe. 51:42.958 --> 51:43.258 Were we? 51:43.518 --> 51:45.479 Yeah, in relation to the editor's music. 51:45.699 --> 51:47.659 Oh yes, yes, exactly. 51:48.339 --> 51:50.120 Long coats and great skies. 51:50.741 --> 51:52.128 And I was doing the drumming. 51:52.228 --> 51:53.153 I was doing air drumming. 51:56.653 --> 51:58.314 like just drumming in the air with my hands. 51:58.374 --> 51:58.834 That's cool. 51:58.914 --> 52:02.757 And I was watching the screen but I was very much aware that some people were watching me, do you know what I mean? 52:03.097 --> 52:06.559 So I was thinking, and it was like I was completely wrapped. 52:09.941 --> 52:20.087 And I was right on the beat with my air drumming and this guy, one of the seniors was watching me and he was stood by the TV and he went, look at this guy, look at this guy down here doing this drumming. 52:20.467 --> 52:21.308 He's amazing, look at him. 52:22.168 --> 52:24.209 And I just thought, wow, I'm the coolest. 52:24.569 --> 52:29.151 What I'm leaving out of this story is that he was the biggest dork in the whole school, this guy. 52:29.171 --> 52:30.031 Well, that's OK. 52:30.192 --> 52:31.792 You didn't want any props from this bloke. 52:32.272 --> 52:35.674 Now, Joe, it's time to get into the gravel pit. 52:35.874 --> 52:37.094 Ah, this is fantastic. 52:37.114 --> 52:38.855 The music's been quite good this morning. 52:38.895 --> 52:40.896 We've had Boops by Sly and Robbie. 52:41.156 --> 52:42.677 Yesterday we had Tribe Called Quest. 52:43.117 --> 52:44.198 Now we've got some Wu. 52:44.218 --> 52:45.698 This is the Wu-Tang Clan with gravel. 52:45.838 --> 52:47.079 That is Freinte. 52:47.679 --> 52:49.641 with bizarre love triangle. 52:49.961 --> 52:52.163 What a lovely little sound that was. 52:52.183 --> 52:53.424 I was waiting for it to kick in, though. 52:54.385 --> 52:55.305 It wasn't going to. 52:55.485 --> 52:56.186 No, it never did. 52:56.286 --> 52:57.988 They do not do the kicking. 52:58.148 --> 52:59.569 I don't like the kicking. 52:59.829 --> 53:00.630 I don't like it. 53:01.210 --> 53:07.235 This is Adam and Joel on BBC6 Music, just coming up to 9.30, the last half hour of our show, and tomorrow it's the final show. 53:08.256 --> 53:16.603 All sorts of special things happening, including the unveiling of the winner of the Band-Aid competition, Adam and my sort of songs we've written going up against each other, 53:17.424 --> 53:22.168 So that'll be exciting, and as it's our final show, tomorrow, listeners, you can wear what you want. 53:22.629 --> 53:23.309 Yeah, exactly. 53:23.349 --> 53:25.772 No need to wear your Adam and Jo breakfast show uniforms. 53:26.773 --> 53:28.534 You can come in, in Mufti. 53:29.015 --> 53:32.418 And, what's more, you can bring in some games, if you like. 53:32.438 --> 53:32.798 Yeah. 53:32.859 --> 53:34.941 Well, that's one of our texts as suggested. 53:35.741 --> 53:36.202 Who was it? 53:36.302 --> 53:36.522 It was... 53:37.703 --> 53:38.303 In-in-is. 53:38.683 --> 53:39.504 I double n-e-s. 53:39.584 --> 53:39.884 In-is? 53:40.224 --> 53:40.524 In-is? 53:40.544 --> 53:41.024 I don't know. 53:41.044 --> 53:41.424 In-is. 53:41.785 --> 53:42.045 Uh, from? 53:42.085 --> 53:42.305 In-is. 53:42.725 --> 53:42.945 From? 53:43.065 --> 53:44.205 Why stop moving it, Jenny? 53:44.225 --> 53:44.946 I've lost it now. 53:45.266 --> 53:46.106 I had it a second. 53:46.126 --> 53:47.086 You've got to stop it. 53:47.106 --> 53:48.067 Ooh. 53:48.287 --> 53:48.767 Where is it? 53:48.947 --> 53:49.567 Now I've lost it. 53:49.607 --> 53:50.048 Yeah, there we go. 53:50.068 --> 53:50.588 In Teddington. 53:51.008 --> 53:55.009 Good morning, Adam and Jo, as tomorrow's your last show on 6 Music, can we bring a toy from home? 53:55.329 --> 53:55.950 Yes, you can. 53:56.130 --> 53:56.490 You can. 53:56.590 --> 53:56.970 You can. 53:57.030 --> 53:57.770 Yeah, absolutely. 53:57.810 --> 54:01.011 As long as it's clearly marked with your name on the underside. 54:01.752 --> 54:04.993 Um, now, pretty much we're gonna wrap up, I think, uh, text the nation. 54:05.553 --> 54:06.514 With another couple of quickies? 54:06.614 --> 54:06.814 Yeah. 54:07.054 --> 54:07.695 Here's a quickie? 54:07.755 --> 54:07.995 No! 54:08.315 --> 54:10.097 Lisa says no, we've got to go to the news right now. 54:10.137 --> 54:11.178 We'll wrap it up after the news. 54:11.218 --> 54:13.059 Here is the news with Katherine and Lucy. 54:13.279 --> 54:16.002 Maximo Park with Girls Who Play Guitars. 54:16.042 --> 54:26.690 This is Adam and Joe here on BBC 6 Music covering for Sean Keveny for the rest of today and there's only 20 minutes left of that for our show and then we'll be back with you tomorrow and that's it. 54:26.790 --> 54:27.731 Sean's back next week. 54:28.011 --> 54:30.814 He'll be glad to hear if Sean's your man. 54:31.354 --> 54:34.576 Joe Cornish, have you got a couple more texts to wrap up our textination? 54:34.676 --> 54:35.937 Yeah, we've got a couple more. 54:36.097 --> 54:37.378 Here's one from Kerry. 54:37.458 --> 54:45.924 Of course, listeners, we've been asking you to get in touch with us with moments in which you thought you were cool, but actually, in retrospect, realize you were a fool. 54:45.964 --> 54:47.065 Here's one from Kerry. 54:47.385 --> 54:48.486 This is quite an interesting one. 54:48.806 --> 54:58.953 After finding out I needed glasses at 12, I persuaded my mum to let me get tinted lenses to fool people into thinking I was wearing sunglasses. 55:00.154 --> 55:02.576 Now, I remember kids at school who did that. 55:02.876 --> 55:05.978 Yeah, they got prescription shades, but they were a little bit too cool. 55:06.058 --> 55:06.418 Yeah. 55:06.438 --> 55:07.058 Just functional. 55:07.218 --> 55:08.099 So they were tinted. 55:08.199 --> 55:10.440 I used to think they were just partially sighted. 55:10.540 --> 55:14.203 Uh, it used to give them a kind of a Mr. Magoo feel. 55:14.683 --> 55:17.505 Sometimes people, I remember someone turning up with aviator shades. 55:17.905 --> 55:18.245 Really? 55:18.485 --> 55:18.805 Yeah. 55:19.186 --> 55:19.486 Wow. 55:19.526 --> 55:21.827 Didn't Omar Fadli turn up with aviator shades? 55:21.847 --> 55:22.508 Very probably. 55:23.308 --> 55:29.190 And when he was asked to take them off by the teacher, he'd go, no, because they're actually prescription lenses. 55:31.170 --> 55:32.251 Quite a crafty tactic. 55:32.391 --> 55:33.731 Yeah, I actually did think that was cool. 55:34.011 --> 55:41.814 You know, sunglasses are a funny thing because every time you put them on, I mean, they're great in a way because obviously they fulfill a useful purpose. 55:42.734 --> 55:44.055 But a useful function even. 55:44.855 --> 55:47.457 But you do think you're cool when you're wearing them though, don't you? 55:47.697 --> 55:48.658 A little bit of you is fine. 55:48.678 --> 55:49.658 They make you mysterious. 55:49.718 --> 55:50.039 Yeah. 55:50.379 --> 55:51.680 Who could no one can see your eyes? 55:51.720 --> 55:52.900 Who knows what you're thinking? 55:53.260 --> 55:57.523 The eyes of the window to the soul and you shut that window because you've got no soul because you're too cool. 55:57.563 --> 55:58.444 Too cool to have a soul. 55:58.464 --> 56:01.125 You've seen too much killing and too many wars. 56:02.066 --> 56:03.527 You know, you've lived too much. 56:04.207 --> 56:19.541 yeah and I've seen a couple of pictures I mean you know maybe it's just because I'm getting a bit older now but the pictures of me from last summer wearing my shades no I don't look cool anymore really yeah I still look cool like this year I suddenly thought 56:20.161 --> 56:22.222 No, I don't look cool in shades. 56:22.242 --> 56:22.703 You know what I mean? 56:22.723 --> 56:24.764 Like anyone can look cool in shades. 56:24.964 --> 56:26.464 This year it wasn't working. 56:26.705 --> 56:27.045 Really? 56:27.065 --> 56:29.046 Oh man, I felt so ancient. 56:29.666 --> 56:32.388 I have developed a thing where I just don't care anymore. 56:32.608 --> 56:32.948 Have you? 56:33.168 --> 56:33.888 I lost my shades. 56:33.928 --> 56:38.551 I had to buy some at short notice, so I bought this really ugly pair. 56:39.191 --> 56:45.534 Uh, and the brand is Animal, and they've got the word animal in gold along the side of the, uh, the sticks, you know. 56:46.235 --> 56:50.637 And they're horrible, they're really pinched, they make me look like some kind of giant insect. 56:51.238 --> 56:53.179 And I just don't care, any more. 56:53.579 --> 56:54.899 I used to have a pair of shades. 56:54.959 --> 56:57.601 Actually, this was one time I did think I was cool, and I clearly wasn't. 56:57.981 --> 56:59.922 Do you remember those circular shades? 56:59.962 --> 57:00.822 Thomas Dolby used to wear them. 57:00.842 --> 57:01.403 Lennon shades. 57:01.643 --> 57:02.543 Lennon shades, right. 57:02.823 --> 57:07.566 But in the early 80s, there would be an extra pair of shades. 57:07.586 --> 57:08.206 That's right. 57:08.226 --> 57:09.707 That would slip down. 57:09.747 --> 57:10.587 You can still get those. 57:10.627 --> 57:13.269 I bet you can get those in Camden marketplaces right now. 57:13.289 --> 57:15.269 That's the kind of thing that pet shop boys might have worn. 57:15.289 --> 57:15.870 That's super cool. 57:15.890 --> 57:20.252 And if you're in the middle of a sentence and wanted the second half of the sentence to have particular effect, 57:21.100 --> 57:22.021 Flick the top layer down. 57:22.041 --> 57:23.122 Flick the top layer down. 57:23.422 --> 57:23.722 Yeah. 57:23.962 --> 57:25.724 Now, here is Uros Charles. 57:25.844 --> 57:26.864 We've been... Oh, Iros. 57:26.985 --> 57:27.805 Oh, we had the Iros. 57:27.825 --> 57:29.386 We don't know how to say his name still. 57:29.787 --> 57:31.308 Eros Iros Uros. 57:31.448 --> 57:31.748 Okay? 57:31.888 --> 57:34.070 Take your pick of how you want to pronounce his name. 57:34.290 --> 57:41.255 This is exciting because his new album, The Miracle Inn, is the album of the day here on 6 Music, so tracks will be being played from it all day. 57:41.555 --> 57:42.876 And it's a wonderful album. 57:42.916 --> 57:44.197 This track is called Horse Riding. 57:44.437 --> 57:45.578 That's brilliant, brilliant. 57:45.738 --> 57:47.238 Ooh, that is wicked stuff, man. 57:47.278 --> 57:53.161 That is Eros Childs, Eros Childs, whatever, with a track called Horse Riding from his new album, Miracle Inn. 57:53.381 --> 58:00.465 And that album is out this week and available for you to purchase in the record shops and it's going to be played, tracks from it all day. 58:00.885 --> 58:02.326 Does that make sense as a sentence? 58:02.526 --> 58:07.008 And it's going to be played, tracks from it all day, thickth music on it in it. 58:07.208 --> 58:08.089 That is good enough. 58:08.109 --> 58:09.770 The kids understand that. 58:09.870 --> 58:11.852 No one goes to record shops and buys things. 58:11.952 --> 58:12.792 Man, what are you talking about? 58:12.832 --> 58:13.453 Yeah, they do. 58:13.653 --> 58:14.253 Physical? 58:14.353 --> 58:14.674 No. 58:14.894 --> 58:16.555 Our sold people do. 58:16.595 --> 58:17.656 No one does the physical. 58:18.176 --> 58:23.360 We, us old people, still love to go into shops and wander around and look at things and touch them. 58:23.500 --> 58:25.182 But you actually do their physical purchasing? 58:25.662 --> 58:26.343 Yeah, I do actually. 58:26.543 --> 58:26.883 Are you? 58:27.063 --> 58:28.384 I thought you were a doctor online. 58:29.205 --> 58:30.486 No, I like to own an album. 58:30.766 --> 58:31.026 Right. 58:31.226 --> 58:34.128 Especially if it's someone like Eros Aros Oros Childs. 58:34.168 --> 58:34.309 Yeah. 58:35.009 --> 58:43.477 Yeah, because he's got lovely sleeve designs, and it means that if my computer crashes, or goes corrupt, I'll still have a backup. 58:43.857 --> 58:44.979 Absolutely. 58:45.039 --> 58:45.819 Good thinking, Joe. 58:45.899 --> 58:49.803 Do you like the Inspiral Carpets? 58:49.943 --> 58:50.183 No. 58:50.203 --> 58:50.784 Okay. 58:50.844 --> 58:53.767 Well, you're going to enjoy this one then. 58:53.787 --> 58:55.268 This is a classic from the carpets. 58:55.328 --> 58:56.209 I'll be off to the loop. 58:56.289 --> 58:57.450 This is how it feels. 58:57.510 --> 58:57.831 Bye. 58:58.091 --> 59:00.093 That's more like a torture than a trail now. 59:00.413 --> 59:02.996 When are they going to tell us what the original Baby Love sounded like? 59:03.297 --> 59:04.538 We've got to listen to the show and find out. 59:04.558 --> 59:06.361 They're ranging us repeatedly about that. 59:06.381 --> 59:08.143 This is Adam and Jo here on Six Music. 59:08.944 --> 59:18.456 Anita Rani's coming up shortly, in around about a quarter of an hour, and she's got the band Architecture in Helsinki from Melbourne, Australia, actually playing live in the hospital. 59:18.456 --> 59:26.199 Yeah, we can just about see the corner of the hub from our studio here and there's all kinds of thrilling looking people setting up amazing equipment. 59:26.939 --> 59:31.281 You're saying, Adam, that that band are a bit like a bit like the Talking Heads or that kind of thing? 59:31.681 --> 59:36.543 Well, no, not exactly, but they've got like sort of, you know, what's it called? 59:38.024 --> 59:41.685 Tom Tom Club era Talking Heads, that kind of thing. 59:42.706 --> 59:45.887 You can hear some little elements of that in their music, but that 59:46.127 --> 59:47.448 pins it down too specifically. 59:47.508 --> 59:48.489 They're a really good band. 59:48.509 --> 59:52.451 You should check them out and they'll be playing live in the Hub on Anita Rani's show. 59:53.232 --> 59:55.553 Now it's time for my free choice today. 59:55.613 --> 01:00:04.159 This is Bob Dylan with a track from an album called Another Side of Bob Dylan and it's called Spanish Harlem Incident. 01:00:04.199 --> 01:00:05.180 It's pretty stripped down. 01:00:05.420 --> 01:00:06.100 You'll enjoy it. 01:00:06.461 --> 01:00:12.245 Amazing lyrics in this one and even though it was late 60s or whatever, it sounds amazingly contemporary. 01:00:12.325 --> 01:00:13.345 I'll be the judge of that. 01:00:13.365 --> 01:00:13.826 Stick you on. 01:00:13.946 --> 01:00:14.206 Enjoy. 01:00:14.386 --> 01:00:15.206 Bob Dylan on there. 01:00:15.366 --> 01:00:16.606 That was Adam's free choice. 01:00:17.086 --> 01:00:18.487 A Spanish Harlem incident. 01:00:18.847 --> 01:00:21.887 That was amazingly stripped down, and it had amazing vocals. 01:00:22.447 --> 01:00:23.088 It was good, man. 01:00:23.108 --> 01:00:25.028 And the lyrics from that, you can't beat those. 01:00:25.048 --> 01:00:25.988 That's what I meant, lyrics. 01:00:26.048 --> 01:00:29.929 On the crest of your wildcat charms I'm riding, he's the king! 01:00:29.949 --> 01:00:33.989 I don't think there's any point in really saying that Bob Dylan's no good, do you know what I mean? 01:00:34.069 --> 01:00:36.210 Fair enough if you don't like him, if he's not your cup of tea. 01:00:36.430 --> 01:00:38.810 But every now and again you meet people and say, pfft, Bob Dylan. 01:00:39.130 --> 01:00:39.710 What a phony. 01:00:39.750 --> 01:00:40.651 He's totally overrated. 01:00:40.951 --> 01:00:42.011 It's just not true, man. 01:00:42.051 --> 01:00:42.611 He's wicked. 01:00:42.751 --> 01:00:45.314 My parents used to have some Bob Dylan singles. 01:00:45.334 --> 01:00:49.598 They also used to have some Dylan Thomas poetry being read on seven inch. 01:00:49.638 --> 01:00:51.661 So anything Dylan... I got very confused. 01:00:51.701 --> 01:00:53.643 We used to think Dylan Thomas and Bob Dylan. 01:00:53.903 --> 01:00:54.884 They were both poets. 01:00:55.685 --> 01:00:57.767 They were both weird and kind of foreign sounding. 01:00:57.787 --> 01:00:59.649 That's why Dylan chose the name I think. 01:00:59.689 --> 01:01:00.170 Is it really? 01:01:00.210 --> 01:01:00.410 Yeah. 01:01:00.670 --> 01:01:01.191 There you go. 01:01:01.911 --> 01:01:02.953 He reveled in the confusion. 01:01:03.533 --> 01:01:05.033 Now, it's time for a bit of music. 01:01:05.073 --> 01:01:08.774 Well, we almost have to say goodbye to Anita Rani's coming up very shortly. 01:01:08.855 --> 01:01:12.355 As I said, architecture and Helsinki playing live in the hub in her show. 01:01:12.836 --> 01:01:15.456 But right now, here's a bit more music from Digitalism. 01:01:15.716 --> 01:01:20.838 This is a track called Idealistic, and there's a lot of frightening futuristic sounds in this, so watch out! 01:01:21.958 --> 01:01:26.741 The music of the future can only be listened to by robots. 01:01:27.041 --> 01:01:32.885 Yeah, it's like in the Terminator when the world's being blasted by the machines. 01:01:32.925 --> 01:01:35.366 That's the sort of, what are you saying, Jenny? 01:01:35.626 --> 01:01:37.107 What's she called in the Terminator? 01:01:37.127 --> 01:01:38.108 She's not called Jenny. 01:01:38.228 --> 01:01:38.608 Linda. 01:01:39.068 --> 01:01:39.749 What's she called? 01:01:40.709 --> 01:01:41.970 She is, isn't she? 01:01:42.130 --> 01:01:43.610 Sara, Sara, Sara. 01:01:43.951 --> 01:01:44.871 How did you forget that? 01:01:44.891 --> 01:01:45.591 That's the character name. 01:01:45.611 --> 01:01:49.754 That's because I've been listening to that song by tongue that goes, Jenny, Jenny. 01:01:50.194 --> 01:01:51.434 Someone out there will understand that. 01:01:51.554 --> 01:01:52.615 Jenny. 01:01:52.895 --> 01:01:55.556 Well, that's pretty much it for our show today, ladies and gentlemen. 01:01:55.576 --> 01:01:56.657 Thank you so much for listening. 01:01:56.677 --> 01:01:57.798 We've really appreciated it. 01:01:58.178 --> 01:02:01.579 Yeah, thanks to everyone who's texted and, sorry to interrupt you there. 01:02:01.920 --> 01:02:03.100 I was talking absolutely. 01:02:03.480 --> 01:02:04.701 That's why I interrupted. 01:02:05.241 --> 01:02:07.183 to talk my own rubbish. 01:02:07.343 --> 01:02:09.705 Thanks to everyone who's emailed and texted and listened. 01:02:10.045 --> 01:02:13.508 It's our final show for our little filling in session tomorrow. 01:02:13.568 --> 01:02:17.370 And don't forget, we'll be unveiling the winner of the Band Aid competition. 01:02:17.391 --> 01:02:19.832 But first you have to vote for the winner, okay? 01:02:19.872 --> 01:02:27.018 You have to go onto the Six Music website, locate the Adam and Jo page there, and you'll be able to choose either my track, 01:02:27.498 --> 01:02:30.740 Jane's Brain or Joe's Track European Supermarket. 01:02:30.760 --> 01:02:31.660 Please vote for my iceberg. 01:02:31.780 --> 01:02:35.082 I'm not saying make me win, just so it's not totally humiliating. 01:02:35.322 --> 01:02:35.442 What? 01:02:35.462 --> 01:02:36.003 Prepare something. 01:02:49.850 --> 01:02:49.990 Yeah. 01:02:50.010 --> 01:02:51.051 Just as it's the last show. 01:02:51.071 --> 01:02:51.391 How about that? 01:02:51.432 --> 01:02:51.712 Really? 01:02:51.852 --> 01:02:52.112 Yeah. 01:02:52.252 --> 01:02:54.534 Sort of think of something before we come into the studio and... Yep. 01:02:55.335 --> 01:02:55.475 Mmm. 01:02:55.975 --> 01:02:56.496 That's interesting. 01:02:56.516 --> 01:02:57.036 Okay, we won't. 01:02:57.277 --> 01:02:57.517 Alright. 01:02:57.757 --> 01:03:00.319 So we'll see you tomorrow morning from 7am till 10. 01:03:00.379 --> 01:03:01.420 Thanks for listening. 01:03:01.560 --> 01:03:02.641 Stick around for Anita Rani. 01:03:02.681 --> 01:03:03.242 Yeah, have a good day. 01:03:03.262 --> 01:03:04.983 With architecture in Helsinki playing in the hub. 01:03:05.023 --> 01:03:05.704 Have a wonderful day. 01:03:05.724 --> 01:03:06.104 Bye! 01:03:06.124 --> 01:03:06.344 Bye-bye.