WEBVTT 00:00.229 --> 00:01.711 That's you two with desire. 00:01.751 --> 00:02.591 This is Adam and Joe. 00:02.631 --> 00:03.092 Good morning. 00:03.152 --> 00:04.053 It's 7 a.m. 00:04.093 --> 00:04.873 It's Wednesday. 00:05.394 --> 00:07.756 The mysterious midweek day. 00:08.116 --> 00:08.957 The fulcrum. 00:09.397 --> 00:12.000 The axis at the center of the week. 00:12.580 --> 00:15.623 A kind of a pointless day that we're lobbying to have cancelled. 00:16.223 --> 00:17.124 The axis of evil. 00:17.364 --> 00:19.226 How can you have Wednesday cancelled? 00:19.286 --> 00:20.267 It's the best day of the week. 00:20.547 --> 00:21.248 It's a silly day. 00:21.588 --> 00:22.149 Oh, come on. 00:22.349 --> 00:24.511 I don't know anyone who dislikes Wednesday except for you. 00:24.671 --> 00:25.692 I think it should be a holiday. 00:26.730 --> 00:27.051 Really? 00:27.431 --> 00:28.472 Well, that's a good point. 00:28.513 --> 00:31.216 But you know, a lot of the best TV goes out on Wednesday. 00:31.236 --> 00:31.797 Is that true? 00:31.937 --> 00:32.137 Yeah. 00:32.678 --> 00:33.800 What TV goes out on Wednesday? 00:33.840 --> 00:35.021 I'm just saying instinctively. 00:35.061 --> 00:37.905 Certainly in the old days, they used to put the best stuff on a Wednesday. 00:37.925 --> 00:39.948 Our show used to go out on a Wednesday once in a while. 00:39.968 --> 00:40.148 Did it? 00:40.288 --> 00:40.549 Yeah. 00:41.089 --> 00:42.111 Well, that was the best. 00:42.271 --> 00:44.073 ER used to go out on Wednesday. 00:44.974 --> 00:50.559 And, um... Wednesday's a good day for making big decisions at work. 00:50.879 --> 00:51.139 Right. 00:51.520 --> 00:54.802 Having meetings, you've still got two days to implement the results of the meeting. 00:55.183 --> 00:55.423 Yeah. 00:55.503 --> 00:57.905 It's an excellent day for leaving a partner. 00:58.665 --> 00:59.226 That's true. 00:59.746 --> 01:02.468 Or, you know, just doing important things in life. 01:02.509 --> 01:04.750 Leaving a partner, because you've got a couple of days to get over it. 01:04.770 --> 01:06.532 You've had Monday and Tuesday to think about it. 01:06.572 --> 01:06.992 That's right. 01:07.032 --> 01:09.494 Wednesday to action it, as they say. 01:09.574 --> 01:09.794 Nice. 01:09.814 --> 01:11.736 Thursday and Friday to deal with the consequences. 01:11.796 --> 01:13.878 And then on the weekend you can go out and meet someone else. 01:14.298 --> 01:15.318 It's not a big problem. 01:15.338 --> 01:16.059 What's the problem? 01:16.099 --> 01:40.110 What's the problem with Wednesday now coming up in the show today apart from the usual mix of excellent music Can I just say no go on then that that you know, I think six music plays the best mix of music Around I think that's true and you're not just saying that to kind of a cow town curry favor the powers the key to the bosses of the big British castle What curry flavor is there to be flavored? 01:40.550 --> 01:40.770 What? 01:41.110 --> 01:42.651 What a delicious curry flavor. 01:43.151 --> 01:45.792 No, I'm not trying to curry favor, but it's- You know what, I agree with you. 01:45.972 --> 01:46.152 Yeah. 01:46.292 --> 01:50.633 Contemporary radio is play listed, uh, out of existence. 01:50.853 --> 01:51.553 That's true, man. 01:51.993 --> 02:00.116 You know, you switch on your average radio station, you have to plow through a lot of, should we call it, dross, to get to the, uh, delicious chicken McNuggets. 02:00.436 --> 02:23.524 yeah you know you tend to hear the same records every hour that's true over and over again not here at six music no no by no means and apart from that great music uh we have we have the nation's favorite feature which is called text the nation where we invite you to communicate with us about an important topic and we'll be telling you about today's important topic uh very soon but first 02:24.384 --> 02:27.926 Again, I feel guilty about this, but it's, it's, it's Winehouse. 02:27.966 --> 02:32.389 Yeah, what's the BBC's stance on Winehouse's situation? 02:32.569 --> 02:37.373 I was watching TV last night, a Winehouse TV advert comes on encouraging people to... Really? 02:37.713 --> 02:46.699 And I was thinking that's not right, because they are way capitalising on the out-of-control-ocity of... So I think the thing to do, listeners, during this record is just not enjoy it. 02:47.279 --> 02:52.060 Well, you can enjoy it, but try and think about what you're gonna do to help her. 02:52.340 --> 02:53.980 Yeah, or think about your life. 02:54.221 --> 02:54.541 Yeah. 02:54.641 --> 03:01.502 Think about the things you may be addicted to, that's one way or another, and you know, whether you need to go to some kind of a mental rehab. 03:01.562 --> 03:09.464 And if you've just scratched your partner's name into his face or your face, just go back to bed. 03:10.004 --> 03:12.584 She's one talented, whacked-out dame. 03:12.904 --> 03:14.905 She's a crazy, talented girl. 03:16.141 --> 03:17.062 That's Amy Winehouse. 03:17.122 --> 03:17.682 Lovely voice. 03:17.882 --> 03:20.423 Tears dry on their own, this is Adam and Jo. 03:20.803 --> 03:26.827 Here on 6 Music, we've only got a couple more days with you after this, folks, and then... Yeah, and we've only got a couple more hours of the show. 03:26.847 --> 03:27.887 That's true. 03:28.408 --> 03:29.988 Yeah, only... Is that a good way to look at life? 03:30.068 --> 03:30.829 Two hours and fifty minutes. 03:30.849 --> 03:31.629 Everything's running out. 03:31.849 --> 03:32.550 Everything's running out. 03:32.570 --> 03:33.410 Everything's ticking away. 03:33.450 --> 03:34.791 Make the most of it while you can! 03:35.051 --> 03:36.031 Yeah, yeah, yeah. 03:36.071 --> 03:38.032 Live every day like it's your last. 03:38.432 --> 03:44.714 Well, my son said to me very poignantly yesterday, Daddy, why does time work the way it does? 03:45.414 --> 03:46.215 What did you say to that? 03:46.495 --> 03:47.275 I said, what do you mean? 03:48.355 --> 03:55.718 And he said, well, why does everything just get older and older and then goes and then it goes away and then new things come along? 03:56.678 --> 03:59.982 He's getting frightened about the idea of mortality and stuff at the moment. 04:00.062 --> 04:00.463 Really? 04:00.883 --> 04:02.045 What did you say to that? 04:02.906 --> 04:04.487 I said, listen, you're talking to the wrong guy. 04:04.528 --> 04:06.049 Sean Kievny's back next week. 04:06.670 --> 04:08.212 You might like to chat to him about it. 04:08.893 --> 04:11.576 No, I said... I said, that's the way it works, mate. 04:11.676 --> 04:13.157 and there's nothing anyone can do about it. 04:13.357 --> 04:19.121 It just, time goes forward and much as we'd all like to go backwards, you can't think about it like that. 04:19.181 --> 04:23.644 It's fun, there's lots of nice things about getting old and it's great to see new things coming along. 04:24.124 --> 04:26.225 But don't worry about it, we're all in it together, I said. 04:26.245 --> 04:27.306 Do you know what I would have said to him? 04:27.326 --> 04:27.907 What would you have said? 04:28.027 --> 04:29.648 Shut up and watch the telly! 04:30.568 --> 04:32.009 Slap! 04:32.389 --> 04:35.551 Listen, I said that to him afterwards, because he kept on about it. 04:35.931 --> 04:39.213 And so after I'd given him my little pep talk, I just lost my temper. 04:39.253 --> 04:40.854 I kicked him in the groin. 04:40.894 --> 04:43.035 Hey, hey, hey, hey, hey, hey, hey. 04:43.476 --> 04:45.997 We do not tolerate this kind of humour at the Big British Castle. 04:46.057 --> 04:46.457 I'm sorry. 04:46.497 --> 04:49.239 You were saying earlier that Wednesday was a great day for telly. 04:49.779 --> 04:50.179 You know what? 04:50.219 --> 04:50.760 You're right. 04:51.380 --> 04:54.623 There's an Ashton Kusta film on BBC One tonight. 04:55.183 --> 04:58.086 There's The Restaurant, the new reality series on BBC Two. 04:58.546 --> 05:01.109 There's Anne Widdicombe versus The Truance on ITV. 05:01.549 --> 05:03.010 And there's Big Brother on Channel 4. 05:03.551 --> 05:04.151 Widdicombe. 05:04.472 --> 05:06.413 You see a water cooler television. 05:06.433 --> 05:09.937 They put it on Wednesday so that it sort of bleeds throughout the rest of the week like that. 05:10.217 --> 05:11.458 Did you see the last Widdicombe thing? 05:11.658 --> 05:14.680 Well, I was very interested in her versus the hoodies. 05:14.900 --> 05:16.101 That was the first one she did. 05:16.221 --> 05:18.002 Was it last year or earlier this year? 05:18.022 --> 05:18.983 I think it was earlier this year. 05:19.283 --> 05:20.504 And it was ridiculous. 05:21.244 --> 05:23.165 Utterly, utterly pointless and ridiculous. 05:23.786 --> 05:25.807 And that's exactly why they recommissioned it. 05:26.587 --> 05:30.870 Because everybody the next day went, did you see that ridiculous woman being stupid? 05:31.050 --> 05:31.270 Yeah. 05:31.530 --> 05:32.831 And that's good enough for them. 05:32.911 --> 05:36.173 As long as you make something grating enough and ludicrous enough. 05:36.193 --> 05:37.174 For people to talk about. 05:37.314 --> 05:38.475 Yeah, that's the job done. 05:39.555 --> 05:40.576 What else have we got to look for? 05:40.616 --> 05:44.178 Well, actually, there is some good stuff on telly, but it starts at 11.20 on BBC Two. 05:44.278 --> 05:44.938 Brazil is on. 05:45.219 --> 05:45.579 Is it? 05:45.699 --> 05:47.280 Yeah, followed by Arrested Development. 05:47.560 --> 05:48.060 Ooh. 05:48.080 --> 05:50.522 So you've got to stay up really late to catch the good telly these days. 05:50.542 --> 05:51.302 What channel's that on? 05:51.482 --> 05:52.183 BBC Two. 05:52.563 --> 05:54.004 BBC Two! 05:54.344 --> 05:56.065 The second big British castle. 05:56.085 --> 05:57.546 Shall we have some more music now? 05:57.586 --> 05:59.547 This is about, are they from Brazil, CSS? 05:59.627 --> 06:00.247 Yes, they are. 06:00.687 --> 06:05.410 And this is one of these slightly unwieldy, mad-looking bands, you know what I'm saying? 06:05.470 --> 06:05.710 Really? 06:06.231 --> 06:08.192 Their image is to sort of have no image. 06:09.152 --> 06:15.958 And yet they're kind of all over the place and sexy and there's a lot of kind of nutty looking women in this band and stuff. 06:15.978 --> 06:17.039 How many people are there in the band? 06:17.059 --> 06:19.120 I don't know, like seven or something? 06:19.421 --> 06:20.001 Thereabouts. 06:20.121 --> 06:21.522 This is a band called CSS. 06:21.582 --> 06:22.683 The track's called Off The Hook. 06:22.923 --> 06:23.404 Enjoy. 06:23.844 --> 06:25.105 She's got a nice voice, hasn't she? 06:25.245 --> 06:25.465 Very nice. 06:25.485 --> 06:27.187 Assuming it's a lady, it might be a small boy. 06:27.387 --> 06:29.208 You never know in pop music these days. 06:29.308 --> 06:30.930 That's right, it's a filthy nightmare. 06:30.950 --> 06:32.171 Could be the new one from Little Chris. 06:32.491 --> 06:34.953 Kate Garraway's hair's different today. 06:35.453 --> 06:41.156 Listen, as Adam Buxton is obsessed with Kate Garroy, who presents GMTV, he's obsessed with her hair. 06:41.396 --> 06:45.038 Well, yesterday she had the most incredible hairstyle I've ever seen. 06:45.118 --> 06:46.878 You should start reading some Lady Max. 06:47.119 --> 06:49.099 They probably cover her hair in some detail. 06:49.159 --> 06:49.840 Maybe I will. 06:50.060 --> 06:56.823 I might go online after this show and look for a gallery that shows all, look, it's just normal today. 06:56.843 --> 06:57.723 She looks lovely today. 06:57.924 --> 07:02.606 Do you remember that show about the sort of modern update of Beauty and the Beast? 07:03.346 --> 07:05.007 Where the Beast lives in the... He lives in the sewer. 07:05.047 --> 07:06.188 In the sewer of New York. 07:06.208 --> 07:06.688 Yeah, I do. 07:06.728 --> 07:08.690 She looks a bit like the chick from that, doesn't she? 07:08.710 --> 07:10.891 Was it not even called just Beauty and the Beast, that show? 07:11.251 --> 07:11.652 Maybe. 07:12.012 --> 07:13.533 She looks a bit like the chick. 07:13.693 --> 07:14.534 You know, I don't remember. 07:14.574 --> 07:19.017 I don't think I ever watched an episode in its entirety, because it was one of the worst programs ever made, wasn't it? 07:19.437 --> 07:25.721 He was just... The Beast looked like... He looks like that guy, Fabio. 07:25.741 --> 07:26.702 Do you remember Fabio? 07:26.722 --> 07:27.743 Yeah, the muscle man. 07:28.063 --> 07:28.743 The muscle man. 07:28.803 --> 07:29.864 He had a big mullet. 07:30.344 --> 07:31.125 I'm getting a mullet. 07:31.545 --> 07:32.286 You know what I'm saying? 07:32.386 --> 07:32.626 Really? 07:32.646 --> 07:33.267 Have you ordered it? 07:33.827 --> 07:35.288 No, it's coming. 07:35.509 --> 07:35.989 It's growing. 07:36.289 --> 07:36.490 Is it? 07:36.570 --> 07:36.970 Yeah. 07:37.430 --> 07:38.131 I need a haircut. 07:38.151 --> 07:38.812 Oh, that's so cool. 07:38.972 --> 07:44.517 One day I'm going to wake up and I will have a mullet after years and years of pointing at other people and saying, look at that mullet. 07:44.917 --> 07:45.397 I'll have one. 07:45.918 --> 07:47.920 And maybe, you know, that's middle age. 07:48.320 --> 07:50.101 No, I'm just appointed about Garraway yesterday. 07:50.141 --> 07:51.761 This link is very rambly. 07:51.781 --> 07:54.002 Have I had permission from the Ramblers Association? 07:54.022 --> 07:54.763 It's about hair. 07:55.103 --> 07:55.343 Is it? 07:55.543 --> 07:56.003 Okay, good. 07:56.223 --> 07:56.924 It's all about hair. 07:57.444 --> 08:06.648 And yesterday, Garraway's hair, it went, it looked as if her hair was just hanging down normally, but then she was wearing a kind of bandana. 08:06.668 --> 08:11.530 No, it was, it was, it was centre parted and braided at the front, right and left. 08:11.590 --> 08:13.250 Yeah, it's, it's a common style. 08:13.291 --> 08:14.471 I think Lisa's probably more to say than that. 08:14.491 --> 08:15.371 I've never seen that style. 08:15.451 --> 08:16.672 I've never seen that style. 08:16.912 --> 08:22.659 that looks as if you're wearing a kind of sweatband, but the sweatband is made out of two braids of your own hair. 08:22.759 --> 08:22.999 Yeah. 08:23.260 --> 08:24.141 It's insane. 08:24.441 --> 08:25.883 It's absolutely insane. 08:26.003 --> 08:29.347 I think she's lovely and she does very well to get up so early and be so perky. 08:29.447 --> 08:34.433 Listen, I never was impugning her presenting skills or her loveliness, because she is lovely. 08:35.154 --> 08:50.623 shall we play some more music yeah we've got some great music coming up uh this hour i've got a an archive session track that i'm really excited about coming up towards the top of the hour my archive session track is coming up after this and it's from the young marble giants but this track right now 08:51.744 --> 08:52.505 is Prefab Sprout. 08:52.545 --> 08:55.007 Now this is not a version that I'm familiar with of this track. 08:55.227 --> 08:56.929 This is not the album version of Appetite. 08:57.069 --> 08:57.429 Weird. 08:58.090 --> 08:58.770 Let's listen to it. 08:59.291 --> 09:05.036 Well now here's some old music on Six Music and just a second ago you heard Prefab Sprout with Appetite. 09:05.276 --> 09:07.378 That's the non-album version and I didn't really like it. 09:07.398 --> 09:08.218 What was that version? 09:08.238 --> 09:08.939 Didn't sound live? 09:10.240 --> 09:12.161 No, I think maybe it was the single version. 09:12.201 --> 09:14.061 They used to do quite different single versions. 09:14.242 --> 09:14.482 Really? 09:14.662 --> 09:14.982 Yeah. 09:15.082 --> 09:16.782 Well, I had the 12 inch and it wasn't like that. 09:16.842 --> 09:21.124 That was pretty much the same apart from the synth and there was no harmonica on there. 09:21.244 --> 09:22.605 And the chorus was different as well. 09:22.625 --> 09:24.745 There were some harmonies there. 09:25.106 --> 09:27.166 But the synth at the beginning of that was horrible. 09:27.346 --> 09:28.407 It was a bit weird, yeah. 09:29.107 --> 09:31.169 Great tracks, still a great tune, I enjoyed hearing that. 09:31.589 --> 09:40.777 Yeah, but right now, here's a track from a band who were around, they were around the same time, maybe a little bit before Prefab Sprout, the Young Marble Giants. 09:41.778 --> 09:47.043 I don't know a huge amount about this band, other than they were very influential in the post-punk scene. 09:47.503 --> 09:52.406 and they pioneered, or at least were part of a very stripped-down sound, you know what I'm saying? 09:52.887 --> 09:58.270 Really minimal, as you'll hear in this John Peel session from August the 18th, 1980. 09:58.350 --> 10:01.773 Hope you like this one, it's called Brand New Life by Young Marble Giants. 10:02.173 --> 10:03.934 Yeah, rocking hard with the woodblock there. 10:04.295 --> 10:05.135 Smash that woodblock! 10:07.336 --> 10:08.737 I like it. 10:09.038 --> 10:09.578 That was good. 10:09.598 --> 10:10.179 That was good. 10:10.219 --> 10:12.581 Young Marble Giants from the John Peel Sessions 1980. 10:13.541 --> 10:15.643 That track was called Brand New Life. 10:15.923 --> 10:16.564 Fact update. 10:17.004 --> 10:21.448 The woman from Beauty and the Beast was actually Linda Hamilton from the Terminator films. 10:21.468 --> 10:22.689 There you go. 10:22.829 --> 10:26.112 That factoid has come courtesy of Tobias Sturt. 10:26.352 --> 10:29.135 The monkey-jawed genius of Linda Hamilton. 10:29.495 --> 10:30.976 And here's someone else who's emailed. 10:30.996 --> 10:35.400 You can email us on adamandjo.sixmusicatbbc.co.uk or text us 10:36.902 --> 10:37.643 are on 64046. 10:38.965 --> 10:40.947 This is from Fitzy from Wales. 10:41.328 --> 10:45.494 Hey Adam and Jo, I'd just like to say I really like the jingle for Text-A-Nation. 10:46.115 --> 10:52.443 I've managed to get it onto my PC and then onto my phone and I've set it as my text received ringtone. 10:53.393 --> 10:55.254 Beep, beep, beep, beep, beep, beep, beep, beep, beep. 10:55.874 --> 10:56.595 That's good, man. 10:57.255 --> 10:58.816 I hope you received many texts. 10:59.816 --> 11:05.079 Wouldn't it be exciting if he, if he texted us his phone number, we could text him. 11:05.639 --> 11:05.879 Right. 11:05.980 --> 11:07.140 And activate the jingle. 11:07.820 --> 11:08.901 And it would, and so. 11:09.061 --> 11:09.922 And it would activate. 11:09.962 --> 11:14.184 He would be part of text summation and the jingle would be on his phone at the same time. 11:14.264 --> 11:14.404 Yeah. 11:14.864 --> 11:17.807 Wouldn't that be an exciting moment of synchrony? 11:17.907 --> 11:18.328 Not a D? 11:18.548 --> 11:20.309 Synchronicity with the police? 11:20.510 --> 11:21.050 Yes, it would. 11:21.190 --> 11:22.592 Yeah, that would be extraordinary. 11:22.752 --> 11:24.033 I don't think anyone would ever get over that. 11:24.774 --> 11:25.875 Is it Back for Lashes time? 11:26.295 --> 11:26.876 Here's Priscilla. 11:27.316 --> 11:28.497 Back for Lashes with Priscilla. 11:28.517 --> 11:30.139 This is Adam and Jo on BBC Six Music. 11:30.199 --> 11:32.081 It's time for the news with Mike and Lucy. 11:32.461 --> 11:34.282 Editors there with an end has a start. 11:34.302 --> 11:36.183 This is Adam and Joe on BBC6 Music. 11:36.603 --> 11:41.565 We were just discussing during that link that I, Joe Cornish, I don't dislike editors. 11:41.605 --> 11:42.466 I think they're brilliant. 11:42.506 --> 11:43.386 Let me make that clear. 11:43.867 --> 11:47.108 But I'm just, I just don't understand that kind of music. 11:47.528 --> 11:49.049 Music with that tone in it. 11:49.329 --> 11:50.210 That level of drama. 11:50.270 --> 11:55.172 Well that level of drama, that level of seriousness, it just seems a bit silly to me. 11:55.532 --> 12:05.723 And I was asking what, like, in an attempt to understand editors and those who like them, what situation in real life would that music really be suitable for? 12:05.963 --> 12:11.870 You know, because sometimes with music you think, I'm in a really good mood, I'll put on this track, or I'm feeling sad, I'll put on this track. 12:12.350 --> 12:16.335 What mood would that be suitable for apart from reading the papers? 12:17.135 --> 12:18.396 Well, very simple. 12:18.796 --> 12:35.841 You know, situations like you are running from a house where your girlfriend is destroying your possessions and it's raining, there's a lot of lightning, and then you hear a scream as she falls down the stairs. 12:35.901 --> 12:40.943 I tell you what it is, it's kind of like UltraVox, like Midjior type music, isn't it? 12:41.203 --> 12:41.623 Yeah. 12:41.723 --> 12:43.644 Basically, they're Midjior for the noughties. 12:43.664 --> 12:44.804 It's sort of cinematic, I suppose. 12:44.824 --> 12:56.292 Yeah, similar, like a long coat, a pencil moustache, a big, you know, Germanic statues, dry ice, and just standing with the wind blowing, leather boots, kind of thing, smoking a cigarette. 12:56.653 --> 12:57.793 You damn understand! 12:57.813 --> 13:03.918 Maybe that's it, maybe you're smoking a fag from a packet of fags, as the news reader described them, slightly so. 13:04.158 --> 13:07.060 We were surprised by that description on BBC Six Music. 13:07.460 --> 13:11.443 You're holding a fag packet, and you're looking at that picture of diseased lungs. 13:11.703 --> 13:11.863 Yeah. 13:11.904 --> 13:13.625 How far must I go? 13:14.165 --> 13:15.706 That is that kind of moment, isn't it? 13:15.766 --> 13:16.486 That's right. 13:16.806 --> 13:17.126 Yeah? 13:17.466 --> 13:26.529 Anyway, you might be interested to know, um, if you're an editor's fan that Tom from Editors will be appearing on Steve LaMax Show, what day is it? 13:27.109 --> 13:27.609 Friday. 13:27.689 --> 13:30.070 He's gonna be, and what time is Steve LaMax Show on? 13:31.170 --> 13:32.271 Four til seven. 13:32.351 --> 13:33.132 I always listen to it. 13:33.472 --> 13:34.793 I just forget time. 13:34.833 --> 13:44.881 You're just so drunk It's you and Amy Winehouse and Pete Doketin having a big we get together a bowl of jelly That's how we talk when we're together Steve Lamax 13:47.463 --> 13:55.748 Now coming up soon listeners is the nation's favourite feature, text the nation at 8 o'clock, but there's another feature going on on the show at the moment, it's, it's, what do they call it? 13:55.848 --> 13:57.249 Stripped across the week? 13:57.489 --> 14:00.071 There's a special type of media word for that, isn't there? 14:00.131 --> 14:02.212 Spread, banded, something like that? 14:02.232 --> 14:02.452 Wiffled? 14:03.493 --> 14:06.916 That's the one wiffled, it's wiffled through the week, and it's called Band-Aid. 14:06.956 --> 14:12.481 It's a segment we've inherited from Sean W. Kivney, but we've perverted it to our own needs. 14:12.741 --> 14:22.069 Basically, me and Adam have composed a song each, and we'd like you to listen to clips of them, decide which one you'd like to hear the full version of this Friday. 14:22.509 --> 14:29.257 This Friday show is going to be a big show, it's our last show, and one of the biggest events on that big show will be the unveiling of the winner of Band Aid. 14:29.517 --> 14:34.863 You can go to the Six Music website and listen to little extracts from both, and then click. 14:34.983 --> 14:35.524 That's how you vote. 14:35.544 --> 14:36.806 You click on the one you like best. 14:37.226 --> 14:39.789 The votes are collated here by BBC Monkeys. 14:40.109 --> 14:41.731 All you have to do is learn to click. 14:42.752 --> 14:45.075 Um, just extend your finger, give it a flick. 14:45.535 --> 14:59.689 Now, at the moment, let me say that Joe is beating me by around about 200%, and that's depressing to me because I believe that the clip more or less encapsulates everything you're gonna get from Joe's song. 15:00.129 --> 15:01.050 Where is mine? 15:01.110 --> 15:01.650 You're wrong. 15:02.030 --> 15:04.272 Mine is just the tip of the iceberg. 15:04.292 --> 15:08.114 There's all kind of verses and middle-eights and choruses and stuff that you're not even getting into. 15:08.134 --> 15:11.656 I heard yours is an inverted iceberg that floats on its tip. 15:12.377 --> 15:13.677 Oh, with the bottom up in the air. 15:14.498 --> 15:16.099 Well, let's have a listen right now. 15:16.139 --> 15:21.282 This is a clip from mine, Adam Buxton's band-aid track, which is called Jane's Brain. 15:24.051 --> 15:33.223 She'd use her brain to think of things that she didn't have She'd think of cars and she'd think of fancy grasses And she'd think of big houses and she'd think of cars 15:35.049 --> 15:35.409 Wow. 15:38.350 --> 15:44.972 James Brain, if you want to hear the full version of that, go to BBC6 Music and click on that one. 15:44.992 --> 15:45.912 Don't say it like that. 15:45.932 --> 15:46.432 I like it. 15:46.472 --> 15:48.833 I'm laughing with joy and excitement. 15:48.913 --> 15:50.594 It's like, what else is in her brain? 15:50.714 --> 15:51.234 Exactly. 15:51.274 --> 15:51.794 It sounds good. 15:51.814 --> 15:54.915 I like the fact that you repeat the whole car idea. 15:54.935 --> 15:56.635 Well, that is explained. 15:56.715 --> 15:57.956 That's explained in the next verse. 15:58.096 --> 15:58.256 Is it? 15:58.336 --> 15:58.536 Yes. 15:58.676 --> 16:00.616 I genuinely really want to hear the whole thing. 16:00.676 --> 16:02.357 I can't believe that we have to wait till Friday. 16:02.637 --> 16:03.818 Well, yeah, yeah, exactly. 16:03.838 --> 16:04.639 So tantalizing. 16:04.779 --> 16:07.121 So we hear a clip from Joe Cornish's piece right now. 16:07.222 --> 16:08.062 Yeah, this is my track. 16:08.102 --> 16:11.466 It's a kind of Euro house number about shopping when you're abroad. 16:11.806 --> 16:13.287 It's called European Supermarket. 16:25.680 --> 16:28.682 Shall I tell you what is winning it for you so far? 16:28.822 --> 16:29.042 What? 16:29.222 --> 16:31.064 Is that sound you've got in there at the end? 16:32.184 --> 16:33.145 That's the hook, man. 16:33.185 --> 16:35.507 That's the most important part, you know, of the song. 16:35.567 --> 16:36.988 People want to hear more of that. 16:37.188 --> 16:37.928 It's addictive. 16:38.509 --> 16:39.589 I'm addicted to it myself. 16:39.649 --> 16:41.030 I'm addicted to my own work. 16:41.270 --> 16:43.312 I've got some sounds like that in Jane's Brain. 16:44.212 --> 16:45.713 You're tweaking Jane's Brain, aren't you? 16:45.733 --> 16:47.214 I think you're going home and tweaking it. 16:47.935 --> 16:50.757 I was thinking last night, I bet you Adam brings in a new clip. 16:51.457 --> 16:52.217 I was thinking that. 16:52.938 --> 16:54.418 He brings in a new clip. 16:54.939 --> 16:58.340 And I bet he beats me with his new clip. 16:58.700 --> 16:59.300 But you haven't. 16:59.520 --> 17:02.502 You know, I'm winning at the beginning of the week, but it could all change. 17:02.542 --> 17:07.444 There's today's whole day, you know, the one today to vote. 17:07.844 --> 17:09.345 And then there's all of tomorrow's day. 17:09.365 --> 17:10.185 The Thursday. 17:10.305 --> 17:10.985 The Thursday. 17:11.345 --> 17:14.147 And then yes, so there's like 48 hours. 17:14.687 --> 17:16.287 There's over 50 hours left to vote. 17:16.328 --> 17:16.968 Anything could happen. 17:17.028 --> 17:18.168 I don't mind if I'm beaten. 17:18.448 --> 17:19.289 Let me just say that. 17:19.989 --> 17:22.172 But, I don't want to be absolutely thrashed. 17:22.933 --> 17:26.177 You know, I don't want it to be ridiculous, like no one wants to hear Jane's brain. 17:27.843 --> 17:29.924 Well, you're all ready, because a couple of people do. 17:29.944 --> 17:31.944 A couple of people have voted, so you're all right. 17:31.964 --> 17:33.405 Look on the bright side. 17:33.425 --> 17:35.846 Here's Digitalism with Idealistic. 17:36.166 --> 17:37.346 That sounds fantastic, doesn't it? 17:37.386 --> 17:38.867 That's going to be very good, yeah. 17:39.367 --> 17:40.167 All those guys. 17:40.207 --> 17:46.449 There's an amazing article in Mojo the other month all about Hollandosia Holland and all those Motown times. 17:46.489 --> 17:48.750 Well, there's a terrific documentary I saw recently. 17:48.950 --> 17:54.931 I can't recall its name, I'm getting you confused with the Oasis album, but it's in the Shadow of Giants. 17:54.991 --> 17:55.872 It's all about the... 17:56.932 --> 17:59.754 the musicians who played on all of those tracks was called. 17:59.774 --> 18:00.735 Right, yeah, yeah, yeah. 18:00.875 --> 18:01.936 It was called something like that. 18:01.976 --> 18:02.657 Something like that. 18:02.677 --> 18:12.024 It was really good, and it interviewed all the drummers, and it sort of tells you how you can recognize each drummer by very subtle differences in their fills. 18:12.164 --> 18:12.685 Ooh. 18:13.365 --> 18:17.969 And they play all the different fills, and they're some of the best fills I've ever met. 18:18.429 --> 18:21.412 Yeah, and are some of them called fill? 18:21.972 --> 18:42.353 the drummers yeah no oh okay it's time for my archive session track and this is one i'm really excited about hearing one of my favorite bands orange juice uh epon collins has a new album coming out a new solo album coming out soon but this is back from the old days from 1980 and one of the great things about orange juice is they're a terrific live band 18:43.033 --> 18:48.056 A lot of their early albums just sound as if they're recorded in one take, like albums used to be. 18:48.656 --> 18:52.418 So they're guaranteed to sound amazing, if not better, than the album versions. 18:52.518 --> 18:53.618 And this is a classic track. 18:54.239 --> 18:55.960 This is called Falling and Laughing by Orange Juice. 18:56.280 --> 19:03.743 Yeah, that's Orange Juice from the 21st of October, 1980, the John Peel Sessions on Radio 1 with Falling Down. 19:03.944 --> 19:04.504 Fantastic. 19:04.544 --> 19:05.504 Falling and Laughing. 19:05.704 --> 19:06.585 Sorry, Falling Down. 19:06.605 --> 19:10.407 That was Michael Douglas and Joel Shoemaker with Falling Down. 19:10.427 --> 19:10.947 Was that Joel Shoemaker? 19:10.947 --> 19:12.868 You don't like Joel Shoemaker, do you? 19:12.908 --> 19:13.629 Good lord above! 19:27.359 --> 19:29.301 Uh, it's from somebody called Al. 19:29.621 --> 19:33.125 He says he's walking nine miles home from a night shift. 19:33.645 --> 19:35.427 Right, so we should pay attention to what he wants. 19:35.868 --> 19:36.588 This is what he wants. 19:36.909 --> 19:39.351 Can I beg you not to play Haven to Blue, do you? 19:39.832 --> 19:40.552 It needs a got. 19:40.953 --> 19:43.555 And another have instead of the do. 19:44.696 --> 19:45.277 Or something. 19:45.677 --> 19:46.338 Thanks, fellas. 19:47.679 --> 19:49.822 Oh, it's King Creosote he's talking about. 19:50.422 --> 19:52.163 Oh, he doesn't want me to play that! 19:52.263 --> 19:53.363 You haven't a clue, do you? 19:53.383 --> 19:56.964 He's, uh... Can I beg you not to play, haven't a clue, do you? 19:57.084 --> 19:58.144 He's worried about the grammar. 19:58.404 --> 20:02.425 It needs a got and another have instead of the do. 20:03.206 --> 20:07.347 He's saying you, uh... We can't not play it because of the grammar of the title. 20:07.447 --> 20:11.428 No, that's... If we started doing that, we wouldn't play most popular music. 20:11.668 --> 20:12.048 Exactly. 20:12.108 --> 20:14.369 The grammar's very poor in a lot of modern music. 20:14.529 --> 20:15.769 A lot of... A lot of it. 20:16.570 --> 20:17.511 What was the name of that chap? 20:17.871 --> 20:18.592 He was called. 20:19.192 --> 20:20.314 He is called in fact. 20:21.295 --> 20:22.256 As long as he's still with us. 20:22.936 --> 20:23.477 Al. 20:23.497 --> 20:27.982 I don't know his second name. 20:28.142 --> 20:28.963 Well you said it. 20:29.003 --> 20:31.586 The inflection on the owl was getting ready for us like a name then. 20:31.606 --> 20:32.807 Well I'm crazy with my inflections. 20:32.867 --> 20:33.908 It makes it more interesting. 20:34.409 --> 20:36.751 Oh you dropped me right in the inflection bucket. 20:38.173 --> 20:42.016 It's like there's certain comedians when they when you say it like a number. 20:42.076 --> 20:45.898 Yeah, I was there for 500 Yeah, exactly exactly like that. 20:46.699 --> 20:51.443 I was there for nine The air minutes what no that's exactly wrong. 20:51.583 --> 20:52.623 That's a bad example 20:53.584 --> 20:56.205 Now, Joe Cornish, how do you feel about Courtney Love? 20:56.905 --> 20:59.366 Well, I'm confused about Courtney Love. 20:59.526 --> 20:59.726 Why? 21:00.246 --> 21:09.229 Because she's turning into one of these stars that struggles in America and then comes over to England and tries to kind of establish roots. 21:10.089 --> 21:13.490 Here, she was interfering with Noel Fielding for a while, wasn't she? 21:13.550 --> 21:14.330 The Mighty Boobs. 21:14.390 --> 21:16.911 Then she had a fling with someone else. 21:16.951 --> 21:19.392 Did she try and hit on David Walliams? 21:20.332 --> 21:23.333 I'm sure she'll get her tentacles on Walliams at some stage. 21:23.353 --> 21:24.714 She's been kind of Steve Coogan. 21:24.734 --> 21:25.354 She had a tristate. 21:25.374 --> 21:26.414 There you go, Coogan. 21:26.594 --> 21:28.975 But she's always been an Anglophile, you know. 21:29.055 --> 21:29.895 Could you imagine? 21:29.915 --> 21:37.158 She used to hang around with the teardrop explodes in the Liverpool scene way back when she was always a part of that whole area. 21:37.818 --> 21:43.219 And Britain's been in her blood for a long time. 21:43.259 --> 21:47.341 She's got some kind of crazy book out, hasn't she, where she pictures of her bum. 21:48.181 --> 21:50.903 She's going through a thin stage at the moment, isn't she? 21:51.503 --> 21:53.845 She's on some insane kind of diet. 21:54.265 --> 21:55.426 She actually confuses me. 21:55.646 --> 22:06.894 She reckons she got a little porky towards the end of the last year because she was eating lots of macrobiotic foods and she felt the fact that they were macrobiotic was enough so she could eat as much of them as she wanted. 22:07.374 --> 22:12.337 So she just ate loads and loads of macrobiotic desserts. 22:12.677 --> 22:16.220 I'm confused about her relationship with Kurt Cobain as well. 22:16.500 --> 22:16.740 Right. 22:17.981 --> 22:39.766 rock heroes yeah you love Kobe second untouchable rock god that's right because he seems like such a sensitive soul and she is so much the opposite yeah well what you know was she his yoko oh no oh what does that mean I don't know we can discuss that more after we hear some of whole this is Miss world 22:40.362 --> 22:41.784 Make of that what you will, listeners. 22:42.344 --> 22:44.387 That was whole with Miss World. 22:44.747 --> 22:45.909 She's so defiant. 22:46.449 --> 22:48.532 She hates the Miss World pageant. 22:48.592 --> 22:50.514 She thinks it's a shallow sham. 22:51.479 --> 22:52.780 What's she talking about? 22:52.820 --> 22:54.441 It's a wonderful pageant! 22:54.501 --> 23:01.086 It's about time the Miss World Pageant was targeted and exposed for the ridiculous parade of shallow values it is. 23:01.166 --> 23:01.987 Thanks, Courtney. 23:02.027 --> 23:02.607 Thanks, Courtney. 23:02.787 --> 23:03.928 That's an old track though, isn't it? 23:04.268 --> 23:05.129 Yeah, yeah. 23:05.209 --> 23:06.810 That's from living through this, I think. 23:07.010 --> 23:13.075 Hey, we don't usually do dedications, but Steve in London has texted us twice. 23:13.855 --> 23:14.275 As he? 23:14.355 --> 23:14.655 Yeah. 23:15.236 --> 23:16.536 It's the most text we've ever got. 23:17.016 --> 23:19.717 He says, please wish Sarah from Edinburgh happy birthday. 23:19.977 --> 23:24.139 She's been texting you two over the past couple of weeks. 23:24.979 --> 23:28.000 Just because of that use of pirate English towards the end of the sentence. 23:28.321 --> 23:29.201 We're reading it out. 23:29.381 --> 23:30.661 Yeah, happy birthday, Sarah. 23:30.842 --> 23:31.622 Yeah, happy birthday. 23:31.662 --> 23:33.102 Have a lovely one. 23:33.423 --> 23:36.064 And you know, big cuddles and hugs and kisses from me and Adam. 23:37.104 --> 23:38.224 Are we allowed to say happy birthday? 23:38.705 --> 23:40.505 No, it's... It's copyright, isn't it? 23:40.525 --> 23:40.845 It's copyright. 23:40.865 --> 23:42.246 Yeah, you have to pay about five grand. 23:42.626 --> 23:44.407 Is that, surely that's an urban myth? 23:44.568 --> 23:45.108 No, it's true. 23:45.268 --> 23:45.528 Is it? 23:46.309 --> 23:46.749 It's true. 23:46.869 --> 23:48.911 You can't see it, but people do see it in movies, though. 23:48.971 --> 23:50.832 Yeah, but they pay the money, they splash the cash. 23:50.973 --> 23:51.613 Right. 23:51.693 --> 23:59.019 In fact, that is a way that a lot of musicians try and make extra money is by writing new happy birthday songs. 23:59.039 --> 23:59.859 Ah, Kelly's got one. 24:00.059 --> 24:00.640 There you go. 24:00.740 --> 24:01.380 Yeah. 24:01.461 --> 24:01.801 Who else? 24:01.821 --> 24:02.922 Stevie Wonder, of course. 24:03.042 --> 24:04.383 We should have a compilation of those. 24:04.403 --> 24:08.086 You know, if you can write a happy birthday song better than that classic, 24:08.706 --> 24:10.148 then you could be in the money forever. 24:10.168 --> 24:10.928 I have to work again. 24:11.289 --> 24:17.815 Maybe there'll be something about that on the news right now, which is read by Nikki and... Think, think. 24:18.316 --> 24:23.982 Try and psychically project into the newsroom and see the newsreaders in your mind's eye. 24:24.002 --> 24:24.082 Mike? 24:24.422 --> 24:24.683 Nikki? 24:25.203 --> 24:25.764 Mike and Lucy? 24:26.144 --> 24:27.085 There we go, the coral. 24:27.285 --> 24:32.528 He'd rather die than say goodbye, so it's best stick with him, otherwise he'll kill himself. 24:32.768 --> 24:33.248 There you go. 24:33.468 --> 24:38.131 Not much of a kind of circumstance to operate a relationship under. 24:38.611 --> 24:39.272 No, that's true. 24:39.712 --> 24:42.333 Championed by the Arctic Monkeys, that band are very much. 24:42.734 --> 24:43.874 They support them often, don't they? 24:43.894 --> 24:46.756 And I think we'll be doing so at some of the festivals, or have done so. 24:47.236 --> 24:48.057 Right, right. 24:48.237 --> 24:52.639 They're, uh, yeah, you know, they're a good band and they've got a new album out which is supposed to be very good indeed. 24:53.140 --> 24:55.501 Now, listeners, this is Adam and Jo on BBC Six Music. 24:55.881 --> 24:57.582 It's time for Serial Thriller. 24:58.243 --> 25:04.707 Ah, this is the part of the show where a listener elects two tracks to play back-to-back so that we can have some breccy. 25:05.347 --> 25:08.348 And that, in itself, is thrilling, hence the pun. 25:08.948 --> 25:09.668 Serial thriller. 25:09.748 --> 25:16.150 It's a segment that was invented by the fellow we're sitting in for, the wonderful Sean Kievny, who'll be back on Monday. 25:16.610 --> 25:18.591 But for the moment, we're kind of doing it. 25:19.331 --> 25:19.511 Yeah. 25:19.991 --> 25:22.932 You know, another pun would have been... Yeah. 25:23.312 --> 25:24.553 I'm just stating the obvious there. 25:24.753 --> 25:25.633 Yeah, it's just radio. 25:25.813 --> 25:26.153 Doing it. 25:26.253 --> 25:27.274 It is wicked. 25:28.994 --> 25:33.858 Serial filler they could have had and that would imply the records were just filler, right? 25:34.138 --> 25:34.938 Wrong exactly. 25:34.958 --> 25:37.180 You need the thriller to make it seem more exciting. 25:37.320 --> 25:37.540 Yeah. 25:37.600 --> 25:38.861 Yeah, who've we got on the line today? 25:38.981 --> 25:43.705 We've got you and stone from Exeter Come in you and hello. 25:44.265 --> 25:44.865 How are you doing? 25:45.326 --> 25:45.766 I'm very well. 25:45.806 --> 25:45.986 Thanks. 25:46.046 --> 25:47.007 Who are you? 25:47.147 --> 25:55.313 Well, we're absolutely fine We've got some facts about you here you and so that we can paint more of a picture of your personality there for the listeners Are you ready for these? 25:55.333 --> 25:56.374 I'm ready. 25:56.394 --> 25:56.454 Yep 25:57.023 --> 26:00.705 Okay, your favourite film... What do you think Ewan's favourite film is? 26:00.725 --> 26:02.166 Just listening to his voice there, Adam. 26:02.606 --> 26:06.668 Listening to his voice, I would say his favourite film is The Last Mimsy. 26:09.169 --> 26:10.090 That's so close. 26:10.510 --> 26:10.830 Yeah? 26:11.311 --> 26:12.211 Which one is it, Ewan? 26:12.731 --> 26:13.432 It's Taxi Driver. 26:13.452 --> 26:15.273 Taxi Driver. 26:15.693 --> 26:18.174 That's a strange one to have as your absolute favourite, though. 26:18.234 --> 26:20.215 Are you a seething nutball? 26:20.315 --> 26:20.655 Yeah. 26:21.376 --> 26:21.936 Pretty much, yeah. 26:21.956 --> 26:23.037 Have you got a lot of rage? 26:23.939 --> 26:25.800 I've got a lot of rage, but I keep it locked up. 26:26.100 --> 26:26.520 You and that? 26:26.540 --> 26:28.901 I mean, that's unquestionably a great film. 26:29.281 --> 26:33.483 Ah, of course, directed by Martin Scorsese starring Robert De Niro, but apparently so. 26:34.023 --> 26:37.405 And I was just pointing it out for any five-year-olds listening, you know what I mean? 26:37.565 --> 26:37.825 Thanks. 26:37.905 --> 26:38.345 You never know. 26:38.365 --> 26:38.425 But... 26:40.906 --> 26:42.629 It's difficult to watch, though. 26:42.689 --> 26:44.571 Here's a fact about Taxi Driver. 26:45.172 --> 26:49.958 The only scene in Taxi Driver that doesn't have Travis Bickle in it is what, Euan? 26:50.679 --> 26:54.564 The entire film is told through Travis Bickle's eyes apart from one scene. 26:54.844 --> 26:55.845 What is that scene? 26:57.327 --> 26:57.407 Um... 26:58.342 --> 26:58.722 I don't know. 26:59.502 --> 27:05.504 Isn't it the scene with Lady from Moonlighting and she's in the campaign offices? 27:05.524 --> 27:07.805 No, because you can see through the window. 27:08.065 --> 27:14.107 The only scene is where Harvey Keitel's pimp, you know, chats to pimp character. 27:14.727 --> 27:16.747 There's a little scene with him and Jodie Foster, isn't there? 27:17.408 --> 27:18.648 Yeah, but he beats it up. 27:19.229 --> 27:21.051 Does he beat her up or does he dance with her? 27:21.972 --> 27:23.074 I think he dances with her. 27:23.094 --> 27:23.735 And then beats her up. 27:24.055 --> 27:24.996 And then beats her up. 27:25.056 --> 27:26.398 Isn't that a fascinating fact? 27:26.478 --> 27:27.860 That is fascinating, Joe Cornish. 27:27.880 --> 27:28.661 Joe films Cornish. 27:31.965 --> 27:33.447 And Euan, what do you do? 27:33.507 --> 27:34.849 How do you make your living? 27:36.391 --> 27:38.193 I work in IT and finance. 27:38.576 --> 27:41.738 And you're going on holiday to Italy this weekend, Ewan. 27:42.058 --> 27:42.559 Hooray! 27:42.579 --> 27:43.839 Yeah, that'll be fun. 27:43.960 --> 27:45.020 Whereabouts in Italy are you going? 27:45.961 --> 27:46.521 Le Marche. 27:47.902 --> 27:48.502 Le Marche? 27:48.783 --> 27:49.463 Mark Le Marche. 27:49.803 --> 27:51.244 Wow, that's a very angry town. 27:51.264 --> 27:53.025 That's where they make... Obsessed with pop facts. 27:53.045 --> 27:54.066 They make real cream there. 27:55.467 --> 27:58.489 And do you, before you go on holiday, are you going for a week, Ewan? 27:58.929 --> 27:59.410 A week, yep. 27:59.710 --> 28:04.493 Before you go on holiday, will you check the 10 day weather forecast or will you just leave it to chance? 28:05.106 --> 28:07.666 I think I'll go as far as the 5-day weather forecast. 28:08.047 --> 28:08.527 That's good. 28:09.247 --> 28:11.527 Leave a bit of kind of a mystery to the holiday. 28:11.707 --> 28:11.947 Right. 28:11.967 --> 28:12.247 Yeah. 28:12.387 --> 28:18.128 Because it can be depressing if you check that 10-day forecast, you go out there and it's totally rubbish and you just think, why am I even bothering? 28:18.488 --> 28:20.569 Because usually it's right, you know, that's the thing. 28:20.609 --> 28:23.209 You think, wow, weather forecasts, they're not always right, are they? 28:23.569 --> 28:25.670 Yeah, pretty much they are, when you go on holiday. 28:25.910 --> 28:32.791 Our final fact about Ewan, and maybe the most fascinating fact of all, is that Ewan is currently engaged in the making of his very own film. 28:32.831 --> 28:33.531 Is that right, Ewan? 28:33.971 --> 28:34.672 That is right, yes. 28:34.992 --> 28:35.893 Are you doing a film course? 28:36.593 --> 28:37.634 I'm doing a film course, yep. 28:37.774 --> 28:39.415 Nice for a time when I'm not at work. 28:39.956 --> 28:42.738 Are you making a short film, or are you launching into your first feature? 28:43.278 --> 28:46.620 I'm starting off with a short, and probably ending with a short, to be honest. 28:46.660 --> 28:47.181 What's it called? 28:47.921 --> 28:48.822 It's called The Busker. 28:49.322 --> 28:50.003 The Busker. 28:50.103 --> 28:50.804 The Busker. 28:51.164 --> 28:51.684 I like it. 28:51.764 --> 28:53.005 Is it, uh, pornographic? 28:54.566 --> 28:56.248 No, it's a family friendly film. 28:56.408 --> 28:56.708 No. 28:56.888 --> 28:57.468 Good, good, good. 28:57.528 --> 28:58.049 No, it's not. 28:58.189 --> 28:59.130 Where's your accent from? 28:59.310 --> 29:01.031 That's not an Exeter accent, is it, Ewan? 29:01.491 --> 29:02.052 No, Scotland. 29:02.765 --> 29:03.506 Abadine of a choice. 29:03.706 --> 29:05.268 Abadine, right. 29:05.489 --> 29:13.279 I like the fact that our callers, we question them so much, you hear a certain weariness in their voices by the end of our questioning. 29:13.559 --> 29:14.480 How long has this been going on for? 29:14.560 --> 29:15.201 Six minutes? 29:15.982 --> 29:18.245 It's like, why did I call that show? 29:18.485 --> 29:20.468 So tell us about the music you've picked out for us, Ewan. 29:22.669 --> 29:30.038 Well, the two films are hit the city by Mark Lanigan and touched and voted by Deus, who is my favourite artist. 29:30.179 --> 29:34.524 The Mark Lanigan band and Deus not tracks that I'm familiar with at all, actually. 29:35.245 --> 29:36.267 Well, hopefully you'll like them. 29:36.607 --> 29:37.688 Yeah, well, thank you very much. 29:38.108 --> 29:41.411 I am looking forward to making their acquaintance. 29:42.432 --> 29:43.893 Hey, Ewan, thanks for putting up with this. 29:43.933 --> 29:44.934 Thanks for calling. 29:46.015 --> 29:52.421 If you listeners out there want to do a serial thriller, then get in touch with us via email or by text. 29:53.221 --> 29:54.983 But Ewan, have a fantastic time in Italy. 29:55.043 --> 29:57.945 I really hope the weather is perfect for you. 29:58.205 --> 29:58.826 Have a good break. 29:58.986 --> 29:59.707 Have a great day. 29:59.987 --> 30:01.949 And here's the Mark Lanigan band with Hit The City. 30:03.266 --> 30:06.907 Wow, all those different sounds and they were all in a sequence. 30:06.927 --> 30:07.587 Six music. 30:08.968 --> 30:09.288 Six music. 30:09.448 --> 30:11.208 Terry, we're doing a trail on Friday. 30:11.448 --> 30:16.990 At about 4.42, can you just call from your phone and say six music? 30:17.870 --> 30:18.230 You alright? 30:18.910 --> 30:19.210 Sure. 30:19.530 --> 30:20.251 Yeah, thanks. 30:20.431 --> 30:22.691 And I'll record you and then I'll put it in the trail. 30:22.831 --> 30:23.992 Six music. 30:24.012 --> 30:27.633 Make it sound quite urgent, as if someone's going, what's the best radio station quickly? 30:28.013 --> 30:28.493 Six music. 30:30.496 --> 30:31.436 I love trails like that. 30:32.117 --> 30:45.381 Before that you heard the two music choices of our caller today, our serial thriller Ewan who is out there in Exeter and he chose for us the Mark Lanigan band and Dais with a track called Suds and Soda. 30:45.981 --> 30:51.063 Before that you heard Adam Buxton being very rude about Hollywood filmmaker Joel Shoemaker. 30:51.123 --> 31:04.029 Now I feel a bit bad about it because you've, Joe's been talking in his defence and because Joe is one of the people that listens to the commentaries on a lot of movies on DVDs and Joe's telling me what a nice guy he sounds like on his movies 31:04.209 --> 31:06.070 But I was making the point... I don't care how old he is! 31:06.230 --> 31:08.451 I thought you were going to say an industrial accident. 31:08.511 --> 31:08.731 Right. 31:20.755 --> 31:22.036 He's a gay man. 31:23.016 --> 31:25.797 He had a terrific time in the 70s by the looks of things. 31:26.058 --> 31:26.278 Right. 31:26.418 --> 31:27.858 Doing all sorts of bits and bobs. 31:27.878 --> 31:30.039 He's a little ravage now. 31:30.079 --> 31:30.800 He's a little ravage. 31:30.900 --> 31:37.283 And then, you know, when I was a kid and didn't really have much taste in films, he made some classics. 31:37.343 --> 31:38.063 The Lost Boys. 31:38.744 --> 31:39.484 I love that film. 31:39.844 --> 31:43.066 Your affection for him is more or less based on The Lost Boys. 31:43.166 --> 31:43.806 And also St. 31:43.866 --> 31:44.506 Elmo's Fire. 31:45.027 --> 31:45.247 St. 31:45.367 --> 31:46.027 Elmo's Fire. 31:46.067 --> 31:47.948 Now I did watch that recently. 31:48.268 --> 31:50.329 Yeah, it's a terrible, terrible, terrible film. 31:50.349 --> 31:50.749 I never watched it. 31:50.769 --> 31:56.732 But when it was released in 1980, whatever, it seemed like the most glamorous, sophisticated and exciting thing in the world. 31:57.072 --> 31:56.732 1985. 31:57.652 --> 32:00.513 1985. 31:58.232 --> 32:00.513 Well, it was a Brat Pack film, wasn't it? 32:00.653 --> 32:00.933 Yeah. 32:01.113 --> 32:05.135 So it had the likes of Andrew McCarthy in it, and who else was in it? 32:05.195 --> 32:06.716 All those fellas. 32:07.076 --> 32:08.036 Roderick O'Dell. 32:08.076 --> 32:08.756 Demi Moore. 32:09.357 --> 32:11.498 Simon Thompson. 32:11.658 --> 32:12.758 All the Brat Pack. 32:13.839 --> 32:14.619 John Turner. 32:14.799 --> 32:15.719 Phil Robespierre. 32:15.799 --> 32:16.500 Felicity Huck. 32:18.020 --> 32:22.582 Here's another email, Adam, that might make you think again about your dislike for Joel Shoemaker. 32:22.662 --> 32:22.942 Oh, yeah. 32:23.162 --> 32:23.662 Who's it from? 32:23.742 --> 32:25.083 It's from Sean McDonald. 32:25.543 --> 32:26.283 Hello, Adam and Jo. 32:26.843 --> 32:31.805 As I turned on the radio this morning, I caught you describing Joel Shoemaker as, quote, an absolute toilet bowl. 32:31.885 --> 32:32.405 That's true. 32:32.445 --> 32:33.046 That's true. 32:33.066 --> 32:33.446 I can prove it. 32:33.466 --> 32:37.327 When I was living in New York in 1998, I met up with a friend who now lives in Toronto. 32:37.587 --> 32:41.809 Whilst we were having lunch in a deli, in came Joel Shoemaker with another guy. 32:42.529 --> 32:46.580 My friend Jason Walker looked directly at him and booed him. 32:46.600 --> 32:47.924 Ooh, I wouldn't do that. 32:48.104 --> 32:48.866 I was shocked. 32:49.665 --> 32:52.467 My friend turned to me and said, that was for Batman and Robin. 32:52.707 --> 32:53.628 That's rough, man. 32:53.648 --> 32:56.110 Joel Shoemaker looked sadly at the ground. 32:56.950 --> 32:57.851 I think he knew. 32:59.012 --> 33:02.734 Another friend of mine once booed Hale and Pace when he was getting money out of a cash line in Aberdeen. 33:02.975 --> 33:04.616 You've got the wrong friends, guy. 33:04.636 --> 33:08.018 Listen, I'm not advocating people going, I would never boo the bloke. 33:08.078 --> 33:10.880 And I was not saying that he as a human being was a toilet bottle. 33:11.781 --> 33:14.543 Joel Shoemaker, he's a very soft and self 33:15.023 --> 33:15.923 deprecating man. 33:32.090 --> 33:33.391 He is ashamed. 33:33.471 --> 33:35.513 What does he talk about on the commentary for The Client then? 33:35.653 --> 33:38.496 One of the most unwatchable films ever made with Susan Sarandon? 33:38.596 --> 33:39.717 You like courtroom thrillers. 33:40.037 --> 33:40.598 Not that one. 33:40.798 --> 33:43.500 That was a test of my affection for courtroom thrillers and it failed. 33:43.520 --> 33:44.901 He discovered Brad Renfro. 33:45.902 --> 33:45.982 Oh. 33:48.585 --> 33:48.945 Okay. 33:49.245 --> 33:50.166 Who Brad Renfro? 33:50.246 --> 33:56.252 He's the guy that got high on drugs and tried to steal a boat whilst forgetting to unchain it from the dock. 33:57.813 --> 33:58.294 He's brilliant. 33:58.314 --> 33:59.095 He's a brilliant actor. 33:59.135 --> 34:01.137 He's in Larry Clark's Bully. 34:01.437 --> 34:01.757 Right. 34:01.797 --> 34:02.618 He's really good in that. 34:02.658 --> 34:03.599 He's in all sorts of good things. 34:03.880 --> 34:06.362 Listen, I'm not saying that he's an entirely worthless person. 34:06.382 --> 34:07.964 I don't want to have him killed or anything. 34:08.405 --> 34:11.007 But eight millimetre with Nick Cage. 34:11.067 --> 34:12.909 But it does contain the line. 34:13.750 --> 34:16.232 Uh, you can't unsee what you see. 34:16.893 --> 34:17.633 I like that line. 34:17.653 --> 34:18.034 Yeah. 34:18.374 --> 34:23.538 And, of course, the number 23, which Joel Schumacher directed, uh, which came out earlier this year starring Jim Carrey. 34:23.578 --> 34:29.323 Yeah, that's, that's, um, one of Adam and my favourite films of this year, the number 23, just because of its breathtaking awfulness. 34:29.903 --> 34:36.589 Uh, it includes a mysterious book, uh, full of kind of mysterious, uh, clues and stuff, and sort of prophetic. 34:36.889 --> 34:38.150 Jim Carrey finds this book. 34:38.210 --> 34:40.432 It's given to him as a present for his birthday by his... Yeah, he's obsessed 34:40.472 --> 34:59.200 with numbers why he's obsessed in particular with the number 23 it's this idea that the number 23 is everywhere in the world yeah that I hadn't heard of before this film and I quit that I quickly forgot any number but anyway he discovers this mysterious book in a bookshop and the author of the book is a woman called Topsy Kretz 35:01.022 --> 35:04.526 Top Secrets! 35:05.167 --> 35:06.088 Top Secrets! 35:22.904 --> 35:23.885 It's amazing. 35:23.985 --> 35:26.006 You should kind of see it just for that moment. 35:26.026 --> 35:26.246 Yeah. 35:26.346 --> 35:29.207 Here's some Maximo Park with girls who play guitars. 35:29.568 --> 35:32.909 Maximo Park no longer talking about girls who play guitars. 35:33.069 --> 35:34.990 Now they just talk about politics. 35:35.010 --> 35:35.431 Politics. 35:36.571 --> 35:37.091 George Bush. 35:37.412 --> 35:37.712 George Bush. 35:37.732 --> 35:39.012 They like to talk about George Bush. 35:39.072 --> 35:39.933 He's drunk with power. 35:40.313 --> 35:41.294 He is drunk with power. 35:42.114 --> 35:44.955 Yeah, and Gordon Brown, he's a breath of fresh air. 35:45.196 --> 35:46.876 He's a fresh of breath air. 35:47.176 --> 35:55.480 Everyone's forgotten about the bad old days and all the mistakes that Tony Belya made and it's a fresh start not only for the country but for the Labour Party itself. 35:55.740 --> 35:57.942 A jug-eared Scottish breath of fresh air. 35:59.422 --> 36:04.026 Now we just had an email, a message from someone who was listening in Finland. 36:04.246 --> 36:15.435 Yes, his name's Tim Burt, he's a journalist, editor and photographer, and he says to Adam and Jo, I've been listening to you for two weeks, and I have no idea who you are. 36:15.895 --> 36:18.637 There's no biography on the website, so who the hell are you? 36:18.878 --> 36:19.818 And where do you come from? 36:19.958 --> 36:20.199 Are you... 36:20.859 --> 36:21.539 Comedians? 36:21.920 --> 36:23.060 You're quite funny, by the way. 36:23.340 --> 36:25.401 Tim Bird, journalist, editor, photographer. 36:25.982 --> 36:26.302 Finland. 36:26.602 --> 36:32.285 Well, thanks very much for your message, Tim, and thanks for not ending that email with a stream of abuse. 36:33.425 --> 36:35.786 Which I thought that was the direction I thought it was going to go in. 36:36.267 --> 36:38.268 Does Wikipedia exist in Finland? 36:38.988 --> 36:39.548 It must do. 36:39.909 --> 36:41.149 Pop us into Wikipedia. 36:41.229 --> 36:43.170 We're on Wikipedia. 36:43.230 --> 36:45.532 There should be a biog for us on 6 Music. 36:45.612 --> 36:51.495 Basically, Joe and I used to do a TV show on Channel 4, which we started doing in 1997. 36:52.135 --> 36:55.897 It was kind of a cutlery and dishware review show. 36:56.337 --> 36:59.159 We used to review all the latest table furnishings. 36:59.599 --> 37:00.360 Joe's joking. 37:00.660 --> 37:01.160 He's joking. 37:01.220 --> 37:02.061 I'm a comedian. 37:02.201 --> 37:03.301 He's a kind of comedian. 37:03.541 --> 37:06.503 It was like a pop culture review show, Tom. 37:06.743 --> 37:06.983 Tim? 37:07.143 --> 37:07.784 What was his name again? 37:08.644 --> 37:10.846 Tony Tom Timm Tom Timm from Finland. 37:11.207 --> 37:11.527 Sorry. 37:11.687 --> 37:15.671 I forgot your name there for a second and Yeah, we used to make it ourselves. 37:15.751 --> 37:16.531 So it was a homemade. 37:16.551 --> 37:23.318 It was like Wayne's world except real it was the way I used to explain it sometimes and And that was it. 37:23.358 --> 37:31.325 We made that for a few years and after that we appeared on on some top hundred shows talking about scariest movies and things like that and 37:31.905 --> 37:37.708 And now we mainly beg on street corners and we do this. 37:38.348 --> 37:41.529 Hey, we noticed in the last news bulletin, he didn't say fag packets. 37:41.950 --> 37:43.470 He changed it to cigarette packets. 37:43.510 --> 37:44.671 We've had an effect on the news. 37:45.451 --> 37:46.332 We're powerful. 37:47.132 --> 37:50.673 And now here is the news on BBC 6 Music, read by Mike and Lucy. 37:53.014 --> 37:53.835 Text-a-nation! 37:53.895 --> 37:54.935 Text, text, text! 37:55.055 --> 37:55.796 Text-a-nation! 37:55.856 --> 37:56.836 What if I don't want to? 37:57.076 --> 37:57.797 Text-a-nation! 37:57.897 --> 37:58.897 But I'm using email. 37:59.077 --> 37:59.797 Is that a problem? 37:59.817 --> 38:00.618 It doesn't matter, text! 38:03.277 --> 38:26.841 time for the nation's favorite feature text the nation where we throw the phone lines open as opposed to the rest of the show when they're open anyway they're just sort of open they're just they creak open but right now we're throwing them open and we are encouraging you to communicate with us on today's text the nation subject which is today's text the nation subject Adam is 38:27.972 --> 38:30.976 I'm just opening the envelope that's come from the Houses of Parliament. 38:32.458 --> 38:33.559 See what the subject is. 38:33.579 --> 38:38.985 And today's text the nation subject is disappointing encounters with famous people. 38:39.166 --> 38:39.907 That's a good one. 38:40.027 --> 38:41.388 It's disappointing only, is it? 38:41.889 --> 38:42.410 I think so. 38:42.450 --> 38:43.771 We like to be downbeat on this show. 38:43.791 --> 38:45.754 I thought we were going to have best and worst. 38:45.794 --> 38:46.975 Let's keep it moribund. 38:47.356 --> 38:47.636 All right. 38:47.856 --> 38:49.557 Well, we could have some good ones as well. 38:49.597 --> 38:53.520 Basically encounters with famous people, specifically your heroes. 38:53.860 --> 39:02.886 If there's somebody who you kind of worshipped and always imagined what they would really be like and then maybe you ran into them or met them, did they live up or... 39:03.246 --> 39:04.706 Do down your expectations. 39:04.786 --> 39:05.447 Is that a phrase? 39:05.827 --> 39:06.327 Do down. 39:06.387 --> 39:07.127 Do down. 39:07.247 --> 39:07.787 Do down. 39:07.907 --> 39:08.328 Do down. 39:08.468 --> 39:10.788 That's the kind of duvet I have that's made from do down. 39:10.868 --> 39:11.308 Do down. 39:12.869 --> 39:16.710 So let's give the listeners some examples, but quickly we'll give you the text number. 39:17.050 --> 39:25.713 It's 64046, or you can email adamandjo.6musicatbbc.co.uk with your encounters with the famous. 39:26.053 --> 39:29.234 You know, I was just thinking, sorry to go on a tiny bit of a tangent here, but 39:29.634 --> 39:30.935 that very sad story. 39:31.235 --> 39:36.117 I thought it was tragic about the Joel Schumacher incident with that being booed. 39:36.617 --> 39:37.157 That's rough. 39:37.177 --> 39:38.898 Well, that's an encounter with a famous person. 39:38.978 --> 39:42.000 I guess it is, but I was thinking like it would be interesting not that it would ever happen. 39:42.040 --> 39:46.982 But if you got like a load of celebrities to call in with their worst encounter with a normal people with a muggle. 39:47.662 --> 39:51.925 What about, now that Sparks record, which was a great record we just heard there. 39:52.026 --> 39:53.206 We met Sparks, didn't we? 39:53.347 --> 39:54.487 When we did the Cure Awards. 39:54.688 --> 39:55.228 Years ago. 39:55.909 --> 39:58.210 Now they were, they're people you particularly like. 39:58.230 --> 39:59.732 Yeah, but that was a painful day. 39:59.872 --> 40:03.655 I don't know about you, Joe, but I didn't feel we did our best work hosting the Cure Awards. 40:03.675 --> 40:04.916 No, well it's a tough gig. 40:05.236 --> 40:05.876 But there we go. 40:06.277 --> 40:08.799 That day I met Tom York from Radiohead. 40:08.859 --> 40:11.561 I found myself, sort of, we gave them an award or something, didn't we? 40:11.581 --> 40:15.204 And then I found myself walking off the stage with Tom York. 40:15.864 --> 40:20.189 Uh, and he said to me, um, uh, how does he speak, Tommy, or what's his speaking voice like? 40:20.289 --> 40:21.710 It's very much like his singing voice. 40:21.871 --> 40:24.393 Kind of like that. 40:24.453 --> 40:27.496 Well, he said to me, are you having a nice time, mate? 40:27.797 --> 40:28.998 Is that a good impression? 40:29.058 --> 40:30.079 Yeah, okay, well thanks. 40:30.439 --> 40:32.501 I said, yeah, yeah, God, I'm having a brilliant time, you know. 40:32.902 --> 40:35.745 It's just brilliant, you know, amazing just to be standing on a stage with you. 40:35.765 --> 40:37.667 He said, oh, don't be stupid, shut up. 40:39.246 --> 40:41.128 And not as if he was going, oh, don't be stupid. 40:41.148 --> 40:42.409 It was like, don't, don't act. 40:42.429 --> 40:43.149 You're making me sick. 40:43.230 --> 40:44.090 You don't be stupid. 40:44.110 --> 40:44.451 Shut up. 40:44.611 --> 40:45.131 Shut up. 40:45.151 --> 40:45.892 Shut up. 40:46.252 --> 40:46.673 I went, oh. 40:47.994 --> 40:50.776 That was pretty much that for my relationship with Tom York. 40:51.357 --> 40:52.718 What do you say, though, to that? 40:52.738 --> 40:55.320 If someone says, oh, you know, meeting people like you, it's amazing. 40:55.881 --> 40:56.802 I'd say wicked. 40:56.922 --> 40:57.322 Thanks. 40:57.362 --> 40:58.563 It must be for you. 40:58.903 --> 41:00.125 Do you want me to punch you? 41:00.385 --> 41:01.506 Would that be wicked for you? 41:01.646 --> 41:02.467 Yes, it probably would. 41:03.688 --> 41:06.449 So there's my disappointing encounter with a famous person. 41:06.750 --> 41:13.915 I tell you what my best encounter with a famous person would probably be when I interviewed Dustin Hoffman for BBC Radio 4. 41:14.235 --> 41:15.296 He was amazing. 41:15.516 --> 41:15.916 You know what? 41:15.976 --> 41:17.697 I've got a Dustin Hoffman story as well. 41:17.737 --> 41:18.718 Yeah, what's yours first then? 41:19.038 --> 41:21.880 Well, it was just an interview and he was just really charming. 41:21.960 --> 41:22.561 Yeah. 41:22.601 --> 41:28.285 He talked about how tall I was and he said, I got this another good impression coming up. 41:28.965 --> 41:33.928 He said, I got a brother who's really small, but he wishes he was tall. 41:34.228 --> 41:39.771 So every time he comes through a door, he bends over as if it was too short for him. 41:41.957 --> 41:42.818 That's a good anecdote. 41:42.838 --> 41:43.459 Good anecdote. 41:43.719 --> 41:44.821 Yeah, but he was just lovely. 41:44.881 --> 41:48.786 That's lovely, isn't it, to make that effort to connect with you, especially someone like you. 41:48.806 --> 41:51.850 It's true. 41:51.870 --> 41:53.412 It is true. 41:53.832 --> 41:54.753 You know what I mean? 41:54.914 --> 41:58.358 And my Dustin Hoffman anecdote was when I was working as a... 42:00.080 --> 42:25.647 a bartender in a fifties themed restaurant in the west end it was at the top of uh... somewhere called the trocadero which still exists the trocadero still exists in piccadilly circus but the restaurant doesn't it was called the rock island diner and i used to work there and my girlfriend at the time was one of the waitresses she was lovely beautiful uh... lady called karen and uh... one day Dustin Hoffman came in with his with his family and he was having a meal there 42:27.367 --> 42:34.729 as suddenly he got up and he started, the DJ was playing a song, because we had a DJ in there who was playing a song by Elvis. 42:34.749 --> 42:36.729 They used to encourage the punters to dance. 42:36.789 --> 42:37.470 That's right, yeah. 42:37.870 --> 42:44.011 And I DJ'd there occasionally, played a lot of fifties music and stuff, and I think maybe a Bobby Darin song came on beyond the sea or something. 42:44.031 --> 42:45.091 Does Dustin start dancing? 42:45.251 --> 42:45.872 Dancing Dustin? 42:46.212 --> 42:47.092 Dustin got up! 42:47.592 --> 42:50.393 And he started dancing with my girlfriend, Karen. 42:51.233 --> 42:52.653 And he did an amazing job, though. 42:52.693 --> 42:53.573 It was really beautiful. 42:53.593 --> 42:54.774 He was a brilliant dancer. 42:55.154 --> 42:57.254 And Karen was literally swept off her feet. 42:57.294 --> 42:58.174 She was on roller skates. 42:58.214 --> 43:00.115 And Karen was very tall as well. 43:00.175 --> 43:01.795 And Hoffman's a little fella. 43:01.815 --> 43:02.255 He's tiny. 43:02.275 --> 43:03.315 I mean, he's really tiny. 43:03.355 --> 43:04.596 So it was a sort of a funny sight. 43:04.616 --> 43:05.816 But he was so graceful. 43:06.356 --> 43:06.916 It was brilliant. 43:06.956 --> 43:09.116 Everyone was just completely captivated, you know. 43:09.136 --> 43:11.757 And it was an amazing moment. 43:11.797 --> 43:13.517 And he was just totally charming. 43:13.557 --> 43:14.458 Gave her a massive tip. 43:14.558 --> 43:15.858 And he's the man. 43:16.758 --> 43:22.522 So text us with your disappointing, I think we're focusing on, meetings with famous people. 43:22.582 --> 43:26.645 People who you idolise, who maybe let you down or been a bit rude to you. 43:26.805 --> 43:28.747 We can let successful meetings in there as well. 43:28.767 --> 43:30.628 Yeah, but they're not as fun as disappointing ones. 43:30.688 --> 43:32.630 Alright then, alright. 43:32.670 --> 43:37.113 Text 64046 or email adamandjoe.6music at bbc.co.uk. 43:37.293 --> 43:39.735 Joe, we've been invited to a Cajun dance party. 43:40.055 --> 43:40.556 I'm busy. 43:40.836 --> 43:41.176 Are you? 43:41.716 --> 43:42.477 Oh, please come. 43:42.557 --> 43:43.177 No, I can't. 43:43.237 --> 43:43.898 Well, I'm going. 43:44.298 --> 43:45.019 Here's analyse. 43:45.559 --> 43:46.880 This is BBC6 Music. 43:46.920 --> 43:49.702 Before that, you heard Amalays with Cajun Dance Party. 43:49.802 --> 43:51.043 Adam, Amalays. 43:51.423 --> 43:53.225 Oh, oh, oh, I know it's called Amalays. 43:53.545 --> 43:56.227 I was saying analyse because I was handing you that copy of the book. 43:56.247 --> 43:57.167 Something to analyse. 43:57.247 --> 43:59.489 Yeah, yeah, yeah, I was saying analyse. 43:59.509 --> 44:00.730 Can you analyse this? 44:01.030 --> 44:01.550 Analise this? 44:01.610 --> 44:02.271 Analise that. 44:02.651 --> 44:02.931 Yeah? 44:03.312 --> 44:06.414 Analyze This is a great film by, with Justin Hartman. 44:06.514 --> 44:09.175 I know, and so is Analyze That is the sequel. 44:09.215 --> 44:09.556 That's right. 44:09.576 --> 44:10.837 What would the third one be called? 44:11.617 --> 44:15.580 Um... Analyze This, Analyze That, Analyze The Other. 44:16.080 --> 44:16.680 There you go! 44:16.700 --> 44:17.341 There you go. 44:17.401 --> 44:17.641 Nice. 44:17.661 --> 44:18.662 That's why they didn't make it. 44:19.262 --> 44:25.987 Um, you join us in the midst of the nation's favourite radio feature, Text The Nation, where we ask you to text us... things. 44:26.667 --> 44:32.291 Um, and today we've asked you to text us your most disappointing encounters with celebrities. 44:33.011 --> 44:34.592 And you can also email, incidentally. 44:34.632 --> 44:34.852 Yeah. 44:35.052 --> 44:37.213 Adam and Jo are in the jingle. 44:37.433 --> 44:37.633 Stop. 44:37.733 --> 44:39.654 Dot six music at bbc.co.uk. 44:39.934 --> 44:40.174 Here we go. 44:40.194 --> 44:40.734 Are you ready, Adam? 44:40.874 --> 44:41.014 Yeah. 44:41.674 --> 44:43.915 I met Adam and Jo at the NME Awards in 2000. 44:44.455 --> 44:45.876 Adam bought me a drink. 44:46.176 --> 44:46.776 Jo didn't. 44:47.236 --> 44:49.097 From Emma Leatherbarrow in Sheffield. 44:49.697 --> 44:52.199 Emma, did you have as bad a time as we had? 44:52.439 --> 44:57.762 I left those awards because I thought it was a miserable event and I'd rather be anywhere else in the world. 44:57.862 --> 44:58.462 At the Bratz. 44:58.662 --> 45:08.068 We were there because we were picking up an award for Travis who were on tour at the time and they asked if we would go and pick up their award for them for Best Live Act. 45:08.228 --> 45:10.510 And it was like a pathetic school assembly. 45:10.990 --> 45:15.013 All the acts were trying to be as like anti-establishment as they possibly could. 45:15.413 --> 45:17.995 They were all grumpy and throwing things and heckling. 45:18.015 --> 45:19.196 But in a very pathetic way. 45:19.216 --> 45:27.382 I mean, the atmosphere was charged with violence and animosity because Blur and Oasis were in the room together for the first time since their spat. 45:28.363 --> 45:36.545 And Super Furry Animals were doing a lot of heckling and Mogwai were particularly vocal and just heckling absolutely everybody. 45:36.805 --> 45:44.487 And Griff from the Super Furry Animals went up to collect one of the first awards of the night and Steve LaMac was hosting, I remember. 45:44.967 --> 45:49.868 And Griff very, very slowly walked over to the podium and just pushed it over. 45:50.228 --> 45:52.110 but pushed it over so slowly. 45:52.350 --> 45:53.552 Everyone was watching it. 45:53.572 --> 45:54.112 Was that him? 45:54.272 --> 45:54.973 Yeah. 45:55.073 --> 45:56.655 And it all just sort of like the sound of it now. 45:56.675 --> 46:05.584 It kind of collapsed very slowly and then the mic fell over gradually and then there was a little bit of feedback and Steve LaMac was like, oh, the mic's falling over. 46:05.604 --> 46:06.986 I have to pick that up. 46:07.446 --> 46:11.049 And then Graff, you know, he sort of picked it up, but Graff kind of stayed on stage. 46:11.069 --> 46:13.611 You know, there was no sort of like, there was no bravado. 46:13.711 --> 46:15.993 It was like, that's for you, the man. 46:16.214 --> 46:16.654 Okay. 46:16.914 --> 46:17.334 The man. 46:17.354 --> 46:18.235 How'd you like that? 46:18.315 --> 46:19.356 I pushed over that thing. 46:19.757 --> 46:22.839 He just pushed it over very slowly, then quite the wall. 46:23.119 --> 46:27.363 And then he shook Steve LaMac's hand and then he went off and stuff like that again. 46:27.662 --> 46:29.044 Here's another one, this is from Ross. 46:29.464 --> 46:31.287 Paul Daniels stopped at traffic lights. 46:31.567 --> 46:33.409 Mate taps on car window and screams. 46:33.790 --> 46:35.692 Do some magic, you little turd. 46:37.735 --> 46:38.936 Daniel's just sat there. 46:39.357 --> 46:40.038 Disappointing. 46:40.418 --> 46:43.021 Now, Ross, I wouldn't encourage that kind of behaviour. 46:43.342 --> 46:45.825 Daniel's bought magic to many millions of people. 46:46.005 --> 46:46.486 Seriously. 46:46.926 --> 46:48.787 Absolutely, he's much misunderstood for the bad guys. 46:48.807 --> 46:50.148 Yeah, you've got to value these people. 46:50.528 --> 46:51.989 Imagine the poor man's life. 46:52.370 --> 46:55.291 He drives around in a car with a fancy number plate, doesn't he? 46:55.712 --> 46:58.433 I think it might be... Madge One Guy. 47:00.194 --> 47:00.895 Or something like that. 47:01.956 --> 47:03.817 Anyway, okay, here's another one from Roger in Norwich. 47:04.277 --> 47:11.081 I got to meet Kim Deal after seeing the Pixies at Allie Pally, and she was completely lovely, cooler than you can possibly imagine. 47:11.201 --> 47:12.242 I bet, I bet. 47:12.282 --> 47:13.243 Thumbs up for Kim Deal. 47:13.303 --> 47:13.663 Good one. 47:13.883 --> 47:14.864 I'm not surprised by that. 47:14.884 --> 47:15.465 Have you met Kim Deal? 47:15.946 --> 47:16.466 Never met her. 47:16.486 --> 47:17.307 Would love to meet her. 47:17.327 --> 47:18.108 She's adorable. 47:18.168 --> 47:20.371 She's absolutely... Apparently she really is. 47:20.391 --> 47:20.851 Here's another one. 47:21.252 --> 47:22.573 This is from Ellen from Liverpool. 47:22.874 --> 47:25.277 My boyfriend Jim and I met Colin from Radiohead. 47:25.957 --> 47:27.780 I was ready, poised with a camera. 47:28.641 --> 47:28.901 What? 47:29.282 --> 47:31.223 No, my boyfriend Jim and I met Colin from Radiohead. 47:31.263 --> 47:38.188 I was ready poised with a camera when Jim asked for a photo with him, but Colin shut us down immediately, refusing point-blank. 47:38.468 --> 47:38.748 No! 47:39.108 --> 47:40.149 No photographs! 47:40.489 --> 47:43.031 Well, it doesn't put the anecdote in context there. 47:43.071 --> 47:44.652 Maybe it wasn't a good time, you know. 47:44.692 --> 47:45.492 Do you know Colin? 47:45.893 --> 47:46.473 I've met Colin. 47:46.493 --> 47:47.154 Yeah, he's nice. 47:47.214 --> 47:47.814 Nice guy. 47:48.094 --> 47:49.395 He's very obliging as well. 47:49.435 --> 47:51.837 He's not the kind of person that would shut someone down for no reason. 47:52.017 --> 47:53.018 Maybe he's a vampire. 47:53.058 --> 47:54.459 We need more context than that anecdote. 47:54.479 --> 47:54.939 Maybe he doesn't. 47:55.319 --> 48:24.421 come out in photos or mirrors we're going to have some more of these in just a second but first here's a track that you thoroughly approve of joe oh yeah this is great this is uh tribe called quest with check the rhyme i'm going to enjoy this the pigeon detectives take our back this is adam and joe on bbc6 music just coming up to nine o'clock we're here for another hour and a couple of minutes it's nearly the news but first here are some more responses to text the nation this has come in from gary ready for this adam yeah just to remind people we're talking about celebrity encounters mainly ones that were a great disappointment maybe some good ones too 48:24.901 --> 48:25.642 Hey, Adam and Jo. 48:25.922 --> 48:28.625 When I was a kid, I went to the motor show at the NEC. 48:28.985 --> 48:33.090 At the top gear stand, I saw Jeremy Clarkson, the Clarkmeister. 48:33.330 --> 48:35.793 I asked him to autograph my motor show program. 48:36.313 --> 48:41.659 When he said to me, you're supposed to buy a top gear magazine for me to autograph, you little bustard. 48:42.660 --> 48:44.241 Except he didn't say it like that, did he? 48:44.442 --> 48:46.143 No, he said the word bustard properly. 48:46.444 --> 48:47.385 I was gobsmacked. 48:48.154 --> 48:49.015 I was only a kid. 48:49.336 --> 48:50.517 Clarkson was my hero. 48:51.038 --> 48:55.403 Quentin Wilson, who stood next to Clarkson, just looked down at me and said, just ignore him. 48:55.783 --> 48:58.527 He's a... Now, how can I say this word? 48:58.967 --> 49:00.189 Is it the C word? 49:00.209 --> 49:00.529 A twit. 49:00.890 --> 49:01.330 A twit. 49:01.751 --> 49:02.532 Just ignore him. 49:02.832 --> 49:03.593 He's a twit. 49:03.873 --> 49:05.576 Only with an A instead of the I. 49:06.056 --> 49:06.697 Yeah. 49:06.777 --> 49:08.818 That's pretty disappointing from Clarkson there. 49:08.838 --> 49:10.720 Well Clarkson was just joshing surely. 49:11.000 --> 49:11.600 Here's a good one. 49:11.781 --> 49:14.042 This is from John David in Stretton. 49:14.483 --> 49:15.243 Good morning gentlemen. 49:15.323 --> 49:20.507 I met a really sober, just after filming Harry Potter, Gary Oldman at my graduation ball. 49:20.888 --> 49:24.591 He's a total hero of mine, but sadly I was drunk when I was introduced. 49:25.191 --> 49:44.041 I was told by the Dracula playing character that he liked my record collection, as I'd been DJing earlier that night, and I, in a blurred and impassioned tone, as if I was conveying information that he needed to know, in the embarrassingly forceful voice that only a drunk man produced, said, Oh, and I love your films! 49:45.202 --> 49:50.247 To which he was ushered away like lightning away from my booze-tinged admiration. 49:50.467 --> 49:51.368 That's okay, man. 49:51.689 --> 49:53.270 You acquitted yourself admirably there. 49:53.310 --> 49:54.792 I think Gary would have been happy with that. 49:55.753 --> 49:57.095 Nothing to be worried about at all. 49:57.695 --> 49:59.097 Anyway, it's time for the news now. 49:59.117 --> 50:03.662 We'll have some more texts and some more... Oh, yes, yes, Joe's just reminding me. 50:04.082 --> 50:05.043 Who the news is read by? 50:05.063 --> 50:05.663 Who the news is read by. 50:05.683 --> 50:07.404 In case there's another embarrassing slippage. 50:07.544 --> 50:10.185 Look, I don't want any fights with the news guys. 50:11.026 --> 50:14.287 So, maximum respect to Mike and Lucy reading the news for you now. 50:14.627 --> 50:17.189 Nancy Boy by Placebo. 50:17.609 --> 50:18.309 Placebo. 50:18.649 --> 50:19.950 Now, what's his name? 50:19.970 --> 50:20.951 Brian Molko, isn't it? 50:21.251 --> 50:24.432 Brian Molko was someone who had a celebrity encounter with my dad. 50:24.933 --> 50:26.373 Now, which was the biggest celebrity? 50:26.413 --> 50:27.154 That's the question. 50:27.294 --> 50:30.876 My dad interviewed Brian when we were at... It's rather insulting to Brian. 50:30.896 --> 50:31.316 Well, yeah. 50:31.856 --> 50:40.062 When we were at V97, we were backstage trying to get famous people to talk to my dad for our TV show, The Adam and Jo Show. 50:40.442 --> 50:46.586 And Brian Mulco was one of the few people that agreed to chat to my... Your dad said, this is your boy or a girl. 50:47.307 --> 50:49.368 Didn't know what sex Brian Mulco was. 50:49.388 --> 50:55.232 Brian Mulco was absolutely charming, very nice indeed to my dad, unlike the stereophonics. 50:55.892 --> 50:56.533 Oh. 50:57.114 --> 50:58.495 They were a disgrace. 50:58.595 --> 51:00.117 They had a pipe up their nose. 51:00.317 --> 51:00.718 Yeah. 51:01.018 --> 51:01.759 Is that an expression? 51:01.899 --> 51:02.319 I don't know. 51:02.339 --> 51:03.340 I don't know what that means. 51:03.360 --> 51:03.861 A loof-ness. 51:04.241 --> 51:04.842 A loof-ness. 51:04.862 --> 51:07.445 They certainly did have pipes in their trousers. 51:07.965 --> 51:13.591 And they were, they were so like kind of pathetic with him and they were just totally off, you know what I mean? 51:13.611 --> 51:16.114 Like totally disrespectful to a 70 year old man. 51:16.134 --> 51:17.635 I don't care whose father he is. 51:18.416 --> 51:21.557 You know, you don't treat a septuagenarian that way. 51:21.597 --> 51:26.619 You've got to have respect for the elders, it's one of the values that people have forgotten in anarchy UK. 51:26.979 --> 51:39.485 And Kelly Jones was just sort of surly and off hand, and that guy, that goofbag that they fired, Richard Cable, whatever his name was, he was okay actually, he was the nicest one of the lot, but still he was just a bit of a jackass. 51:39.765 --> 51:41.725 We're asking you, sorry to interrupt you there. 51:41.745 --> 51:42.806 That's quite alright, that's pretty much it. 51:43.346 --> 51:52.512 We're asking you to text in your most disappointing or exciting encounters with famous people, the text number 64046, or you can email Adam and Jo.6music at vbc.co.uk. 51:52.872 --> 51:55.234 Here's one that's coming from Daniel from Durham. 51:55.834 --> 52:04.179 I was able to interview famous psychic Derek Acora, and I was in awe of his psychic ability. 52:04.259 --> 52:05.460 You know that, fella, don't you, Adam? 52:05.520 --> 52:05.840 Yeah, yeah. 52:05.940 --> 52:06.941 On Ghost Mostly Ghostly. 52:06.961 --> 52:08.222 Sickly Sense, he does, doesn't he? 52:08.982 --> 52:09.582 Does he do that? 52:09.622 --> 52:10.182 He might do that. 52:10.222 --> 52:11.463 That might be his solo show. 52:11.883 --> 52:17.023 He's definitely on Mostly Ghostly a lot with Becky Turnbull, whatever her name is. 52:17.303 --> 52:18.944 I'm just making up all the names. 52:18.984 --> 52:20.284 Don't really watch those ghosty shows. 52:20.364 --> 52:22.504 Anyway, I walked into the room. 52:22.564 --> 52:33.586 He was smoking like a chimney and had a really growly voice until I switched on the microphone and his voice suddenly became ethereal and floaty for the benefit of the audience. 52:34.186 --> 52:35.006 Can you imagine that? 52:35.306 --> 52:35.647 Yeah. 52:35.667 --> 52:38.167 What does his voice sound like before the microphone went on? 52:40.309 --> 52:42.530 And what would you sound like when the microphone went on? 52:43.171 --> 52:44.212 Hi! 52:44.392 --> 52:45.893 That's exactly what it sounded like. 52:46.974 --> 52:48.835 Hi Adam and Jo, this is from Brian in Belfast. 52:49.176 --> 52:57.202 I have to admit I find it hard to watch Seinfeld star Michael Cramer Richards after an encounter in London a couple of years ago. 52:57.943 --> 53:01.506 I would have thought you'd find it hard to watch him after his hideous racist outburst. 53:01.526 --> 53:03.127 That's what I was thinking he was going to say. 53:03.147 --> 53:04.048 This is before that. 53:04.628 --> 53:09.432 We walked by a restaurant in Camden and my friend said, that was Kramer from Seinfeld back there. 53:09.853 --> 53:12.996 I didn't believe her, but we walked back and indeed it was him. 53:13.616 --> 53:19.261 After much deliberating, I decided to go up and ask him if he'd be OK if I had my picture taken with him. 53:19.742 --> 53:21.984 He was at a table outside on his own in full view. 53:22.264 --> 53:23.405 I thought it must be OK. 53:23.445 --> 53:24.806 He must be all right with this sort of thing. 53:25.066 --> 53:29.871 But when I asked him for a photo, he looked up all stroppy and just said, I'd rather eat. 53:31.207 --> 53:33.129 What a gimp. 53:33.790 --> 53:38.115 Now, you know, I have some sympathy for celebrities who don't like having their picture taken. 53:38.215 --> 53:38.876 Well, of course. 53:38.956 --> 53:43.681 It's very invasive and awkward, and if you're just a naturally shy person, it's no good. 53:43.701 --> 53:50.729 And if you're properly famous, it can happen literally the entire time, especially because people have cameras on mobile phones. 53:51.269 --> 53:58.315 Like I recently went with Simon Pegg and Nick Frost and Edgar Wright on their US promotional tour for Hot Fuzz. 53:58.715 --> 54:00.036 And they're pretty famous out there. 54:00.357 --> 54:03.039 And it can be impossible literally just to get down the street. 54:03.319 --> 54:03.539 Right. 54:03.639 --> 54:06.642 Because everybody has a camera and everybody wants a picture with you. 54:06.802 --> 54:07.022 Yeah. 54:07.363 --> 54:10.966 And the second you say no, they think you're a sodding one. 54:11.446 --> 54:12.547 Yeah, that's true, isn't it? 54:12.807 --> 54:13.247 However, 54:13.988 --> 54:20.532 It's very easy to deal with those situations in a way that that lot Simon and Edgar and Nick are very good at. 54:20.552 --> 54:23.234 You know, they're pretty much unfailingly obliging, aren't they? 54:23.254 --> 54:30.359 And they deal with people who like their stuff very, very, well, that's all you have to do generally, because it's like their lives aren't completely taken over by it. 54:30.399 --> 54:35.602 And Michael Richards, if he's going to decide to sit outside, as that bloke was saying, who was that that sent in that message? 54:35.862 --> 54:36.182 I don't know. 54:36.202 --> 54:37.643 No, it was Brian from Belfast. 54:37.663 --> 54:45.386 Brian, I kind of agree with you there, you know, and it's very easy if you don't want your picture taken to be polite about it and not just kind of throw a little strop fit. 54:45.726 --> 54:45.866 Yeah. 54:45.886 --> 54:47.607 So that's two strikes against Richard, I reckon. 54:48.107 --> 54:49.548 Richard, you're off on list. 54:50.068 --> 54:51.708 Now, Joe, it's time for your breakfast single of the week. 54:51.728 --> 54:52.209 Yeah, yeah, yeah. 54:52.249 --> 54:53.689 This is our King Creosote. 54:53.709 --> 54:55.850 This is called You've No Clue Do You. 54:56.410 --> 54:59.992 That's the wonderful King Creosote with You've No Clue Do You. 55:01.366 --> 55:01.626 None. 55:01.906 --> 55:03.126 You've none clued. 55:03.246 --> 55:04.227 That's our single of the week. 55:04.267 --> 55:08.568 We're encouraging you to go out and buy his new album, which is coming out soon. 55:09.308 --> 55:11.068 I'll tell you when it's coming out, September the 3rd. 55:12.028 --> 55:14.029 It's going to be called Bombshell. 55:14.829 --> 55:17.030 Can't believe it's September already, Jon. 55:17.530 --> 55:18.950 The year's gone so far. 55:19.110 --> 55:21.771 The older you get, the faster it goes. 55:21.791 --> 55:22.611 Just whiz by it. 55:22.631 --> 55:24.331 Seems like it was Christmas yesterday. 55:24.371 --> 55:25.291 That's true, isn't it? 55:25.331 --> 55:27.452 Yeah, lucky the summer's come back finally. 55:27.472 --> 55:27.952 What a dream. 55:28.152 --> 55:28.632 for summer. 55:28.652 --> 55:30.113 Dreadful summer, absolutely awful summer. 55:30.133 --> 55:31.474 Let's conquer already. 55:31.574 --> 55:33.535 Autumn's come sooner than us. 55:33.575 --> 55:34.716 Global warming, is it? 55:34.776 --> 55:35.176 I don't know. 55:35.236 --> 55:36.317 It's true, isn't it? 55:36.357 --> 55:37.478 Come back faster every year. 55:37.538 --> 55:39.919 George Bush is drunk on power. 55:40.079 --> 55:41.460 It's going to be Christmas before you know it. 55:41.500 --> 55:43.061 Yeah, Tony Blair's his poodle. 55:43.181 --> 55:45.002 Christmas comes earlier every year, isn't it? 55:45.062 --> 55:46.803 Probably start putting the lights up in September. 55:46.823 --> 55:47.563 Titanic's a great film. 55:47.603 --> 55:48.244 What a tragedy. 55:48.364 --> 55:49.144 Titanic's brilliant. 55:50.625 --> 55:52.206 I'll tell you a funny programme, eh? 55:52.726 --> 55:54.327 Trigger Happy TV, have you seen it? 55:54.347 --> 55:55.148 It's very easy. 55:55.548 --> 55:56.408 Crazy stunts. 55:56.728 --> 55:58.289 It's Adam and Jo on BBC 6 Music. 55:58.309 --> 56:02.952 You join us in the middle of... That was just a bit of topical chat for you, some ideas for what you can talk about today. 56:04.472 --> 56:07.094 We're in the middle of Text the Nation, the nation's favourite feature. 56:07.394 --> 56:09.615 It's where we ask you to text us about things. 56:10.255 --> 56:12.216 The number is 64046. 56:12.296 --> 56:14.357 The email is adamandjo.6musicatbbc.co.uk. 56:16.179 --> 56:16.919 Okay, here we go. 56:16.979 --> 56:17.480 Here's some more. 56:17.500 --> 56:18.040 You ready, Adam? 56:18.160 --> 56:18.481 Go on then. 56:19.682 --> 56:20.903 This is from El Cid. 56:22.725 --> 56:22.925 Yeah? 56:23.125 --> 56:23.505 Yeah. 56:23.766 --> 56:28.130 Whilst on holiday as a child, my cousin and I saw Lenny Bennett near our digs. 56:28.230 --> 56:28.790 Oh, man. 56:29.251 --> 56:32.994 We went over, excited like, and asked for his autograph. 56:33.755 --> 56:37.979 He shot us a glance, lit a fag, and told us to beep off. 56:39.139 --> 56:40.640 Oh, Bennett, who do you think it should be? 56:40.660 --> 56:42.281 I think that's the correct reaction there. 56:42.461 --> 56:42.781 Really? 56:43.001 --> 56:43.302 Yeah. 56:43.602 --> 56:44.122 No. 56:44.242 --> 56:48.144 Somehow, I kind of admire celebrities who are just really rude. 56:48.524 --> 56:49.025 Really? 56:49.285 --> 56:49.685 Do you know? 56:49.885 --> 56:51.886 Have you never been rude to anyone who's come up to you? 56:52.887 --> 56:54.467 No, no, I'm always so excited. 56:54.487 --> 56:57.529 Well, it doesn't happen to us that often, so we're always very pleased when it does. 56:57.549 --> 57:00.971 Yeah, well, we're lucky because if people know who we are, they tend to like us. 57:01.411 --> 57:04.172 If they don't like us, then they just don't know who we are. 57:04.192 --> 57:04.732 Right? 57:05.073 --> 57:08.554 If you're properly famous, everybody knows who you are, whether they like you or not. 57:08.574 --> 57:09.835 That's true, exactly. 57:09.855 --> 57:11.875 So you get like a critique from everybody. 57:12.035 --> 57:13.396 Yeah, everyone's got an opinion. 57:13.536 --> 57:13.876 Yeah. 57:14.617 --> 57:15.217 Here's another one. 57:15.537 --> 57:17.998 I had a childhood crush on Lenny Kravitz. 57:18.698 --> 57:22.580 But when I met him, he wasn't the tall, dark, handsome man I dreamed of. 57:22.920 --> 57:25.801 He is short and skinny with legs like a frog. 57:26.101 --> 57:26.702 That's like me. 57:26.762 --> 57:27.642 Says Juliet. 57:28.542 --> 57:29.543 Legs like a frog. 57:30.384 --> 57:31.827 Uh, so kind of bandy. 57:32.148 --> 57:32.349 Mm-hmm. 57:32.489 --> 57:33.151 And boingy. 57:33.271 --> 57:36.239 Because he was an early pioneer of the tight trouser look, wasn't he? 57:36.760 --> 57:37.081 Yeah! 57:37.765 --> 57:38.205 He was. 57:38.746 --> 57:39.626 He loves all that stuff. 57:39.666 --> 57:40.507 The rock posturing. 57:40.687 --> 57:41.027 Yeah. 57:41.368 --> 57:42.368 He's a silly fellow. 57:42.709 --> 57:46.992 He's apparently one of the nicest people on God's Green Earth. 57:47.012 --> 57:47.272 Really? 57:47.332 --> 57:48.093 Who's told you that? 57:48.533 --> 57:49.594 Our old manager, Fenton. 57:49.974 --> 57:50.354 Really? 57:50.454 --> 57:50.815 Yeah. 57:51.075 --> 57:51.695 The Crabbits. 57:53.197 --> 57:55.879 He's hung out with him in LA and just says he's the best company. 57:55.919 --> 57:56.259 Really? 57:56.379 --> 57:57.039 He's really nice. 57:57.059 --> 57:57.820 He's very sexy. 57:58.200 --> 57:59.381 He's a good looking man. 57:59.481 --> 58:00.922 He gets all the best looking girlfriends. 58:00.942 --> 58:01.563 I bet he does. 58:01.723 --> 58:02.383 I bet he does. 58:02.483 --> 58:02.824 Goodness. 58:02.884 --> 58:04.465 But he's got legs like a frog. 58:04.605 --> 58:06.727 He's got legs like a frog and... You better not go to France. 58:06.747 --> 58:08.168 You'll get cooked off and eaten. 58:09.168 --> 58:10.049 Very funny dog. 58:10.069 --> 58:10.750 Very amusing. 58:10.810 --> 58:11.370 French dish. 58:11.390 --> 58:12.071 Very amusing. 58:12.611 --> 58:13.632 I don't care for his music. 58:14.752 --> 58:14.993 Really? 58:15.253 --> 58:15.513 No. 58:16.073 --> 58:16.674 By no means. 58:17.434 --> 58:19.716 Here's another one from Chris in Forest Gate. 58:20.016 --> 58:22.878 When I was about 13, I was using a phone box in the South Bank. 58:23.199 --> 58:27.102 When I finished, I turned and saw Rod Hull waiting behind me. 58:27.582 --> 58:28.503 I said, hello, Rod. 58:28.843 --> 58:29.784 Where's the bird? 58:30.064 --> 58:30.664 Oh, nice one. 58:30.784 --> 58:31.525 Rod said beep off. 58:33.326 --> 58:34.307 I'm sure he did. 58:34.487 --> 58:35.468 Very disappointing. 58:35.528 --> 58:36.809 Chris, that is not disappointing. 58:36.829 --> 58:38.470 That is the correct response. 58:39.171 --> 58:40.231 Where's the bird? 58:40.251 --> 58:41.132 Where's the bird? 58:41.572 --> 58:44.495 It's people like you, Chris, that make the world go round. 58:44.535 --> 58:44.915 Well done. 58:45.355 --> 58:47.077 This is Adam and Jo on BBC Six Music. 58:47.137 --> 58:48.017 It's time for some music. 58:48.358 --> 58:50.359 This is, oh, it's a free choice. 58:50.639 --> 58:54.022 This is a track for anybody who's breaking up with their girlfriend today. 58:54.362 --> 58:56.064 It's called Get Out of My Life, Woman. 58:56.344 --> 58:57.284 It's by Lee Dorsey. 59:00.816 --> 59:01.617 Text-a-nation! 59:01.677 --> 59:02.758 Text, text, text! 59:02.858 --> 59:03.598 Text-a-nation! 59:03.659 --> 59:04.619 What if I don't want to? 59:04.860 --> 59:05.600 Text-a-nation! 59:05.700 --> 59:06.721 But I'm using email. 59:06.881 --> 59:07.602 Is that a problem? 59:07.622 --> 59:08.463 It doesn't matter, text! 59:10.779 --> 59:14.041 That mixed really well, didn't it, that Calvin Harris entered the Text the Nation jingle. 59:14.161 --> 59:15.582 Yeah, he should consider covering that, maybe. 59:15.602 --> 59:17.143 He should integrate it into his set. 59:17.204 --> 59:21.687 He played live in the hub yesterday, and you can listen again to his amazing set. 59:22.047 --> 59:24.529 There were about 100 cameramen filming the set. 59:24.549 --> 59:25.309 It was amazing. 59:25.349 --> 59:26.270 It was an important event. 59:26.450 --> 59:31.133 It was a real production number, and I think you can see the video online, can't you? 59:31.253 --> 59:33.115 Yeah, you just go to BBC Six Music. 59:33.835 --> 59:36.336 Uh, you don't need to give URLs anymore, do you? 59:36.757 --> 59:38.417 You just pop that into Google? 59:38.618 --> 59:39.078 Exactly. 59:39.478 --> 59:40.058 Give it a whiz? 59:40.338 --> 59:40.939 Mugs there is. 59:41.939 --> 59:44.761 BBC Six music, and it's the Listen Again thing, isn't it? 59:44.921 --> 59:46.341 You can hear this show on Listen Again. 59:47.362 --> 59:48.663 I don't know why I'm saying that, because... 59:49.663 --> 59:52.744 I think you're listening to it now or you're listening to it again and you already know that. 59:53.324 --> 59:57.866 We're asking you to text in your encounters with famous people, disappointing or rewarding. 59:58.706 --> 01:00:00.226 We'll do the last little link on this. 01:00:00.266 --> 01:00:01.467 Here's a final little round up. 01:00:01.727 --> 01:00:04.288 This is from Mike Hartley in Bury in Lancashire. 01:00:04.608 --> 01:00:13.771 Many years ago whilst waiting at the taxi rank at Manchester Piccadilly train station on a boozy Friday night, we noticed that next to us in the queue was a rubby called train. 01:00:14.231 --> 01:00:14.651 Cracker. 01:00:15.111 --> 01:00:15.692 Hagrid. 01:00:16.072 --> 01:00:16.792 Hagrid? 01:00:17.093 --> 01:00:18.053 Harry Potter. 01:00:18.734 --> 01:00:20.856 We said, wow, Robby Coltrane, hello. 01:00:21.376 --> 01:00:23.358 And then the conversation ran dry. 01:00:24.118 --> 01:00:34.267 At that point, my drunken friend Ian had a reality check, oh, thought a reality check was required and said, wow, you're actually much fatter than you look on the telly. 01:00:34.527 --> 01:00:35.348 Oh, what? 01:00:35.568 --> 01:00:37.669 Robby Coltrane did not look flattered. 01:00:38.370 --> 01:00:40.692 It's all about the drunk friends in these emails. 01:00:41.112 --> 01:00:41.813 Here's another one. 01:00:42.694 --> 01:00:43.935 Yo Adam and Joe, good morning. 01:00:44.015 --> 01:00:47.037 This is from Paul Evs in Deutschland. 01:00:47.597 --> 01:00:51.140 I once met Richard Wilson at Tower Records in Piccadilly Circus. 01:00:51.541 --> 01:00:52.822 I don't believe it. 01:00:53.642 --> 01:00:54.723 You could be in this story. 01:00:55.304 --> 01:01:05.292 He was there with some other celebrities, including the Pussy Galore woman, the actress who played Pussy Galore, for some Terrence Higgins Trust promo years and years ago. 01:01:05.512 --> 01:01:06.413 I don't believe it. 01:01:06.673 --> 01:01:11.177 Anyway, Wilson was flooded by autograph hunters and everyone was very polite. 01:01:11.437 --> 01:01:12.638 My mate, Kempe. 01:01:13.079 --> 01:01:14.420 Kempe sounds like a disaster. 01:01:14.760 --> 01:01:15.661 My mate, Kempe. 01:01:16.021 --> 01:01:16.422 Kempe. 01:01:16.802 --> 01:01:19.805 My mate Kempe was hounding him to say, I don't believe it. 01:01:19.825 --> 01:01:22.347 Go on, go on, would you say I don't believe it? 01:01:22.427 --> 01:01:23.168 Oh, please. 01:01:23.608 --> 01:01:24.229 Kempe. 01:01:24.509 --> 01:01:25.390 Go on, Kempe, ask him. 01:01:25.490 --> 01:01:25.890 What, mate? 01:01:26.110 --> 01:01:26.811 Kempe will ask him. 01:01:26.871 --> 01:01:28.873 Go on, say it, would you say it? 01:01:28.893 --> 01:01:29.513 Go on, please. 01:01:30.354 --> 01:01:38.817 In a very thespian voice, Richard Wilson politely refused, but the Kempster kept on, and on, and on, and on, and on, and on. 01:01:38.837 --> 01:01:39.957 Ooh, come on, bees! 01:01:39.997 --> 01:01:41.578 We can't say old folks miss you! 01:01:41.938 --> 01:01:42.918 Say oohs and say it! 01:01:43.959 --> 01:01:45.839 Until Meldrew cracked. 01:01:46.419 --> 01:01:51.681 Meldrew said, just bugger off, you little SH1T, and walked. 01:01:51.781 --> 01:01:53.522 It's such a shame we can't swear on this programme. 01:01:53.982 --> 01:01:56.264 That anecdote is ruined by the inability to say that word. 01:01:56.764 --> 01:01:59.026 Just bugger off, you little sh1t. 01:01:59.386 --> 01:02:00.127 And walked off. 01:02:00.607 --> 01:02:01.448 I couldn't believe it. 01:02:01.828 --> 01:02:04.510 The Kempmeister couldn't believe it either. 01:02:04.530 --> 01:02:07.092 And Pussy Galore couldn't believe it. 01:02:07.112 --> 01:02:08.453 I don't believe it. 01:02:08.993 --> 01:02:10.534 That's brilliant, Paul. 01:02:11.394 --> 01:02:16.918 I like the fact that you call him Kempe, the Kempster and the Kempmeister, all in one email. 01:02:17.338 --> 01:02:21.340 If this was a competition, which it isn't because they'd been banned, that would win. 01:02:21.760 --> 01:02:22.361 That would win. 01:02:22.501 --> 01:02:23.341 Fair enough, I think. 01:02:23.361 --> 01:02:32.486 There are some people, and Richard Wilson is one of them, who are so intimately associated with their most successful catchphrase, that there's like a physical imperative. 01:02:32.727 --> 01:02:33.367 It's like a curse. 01:02:33.707 --> 01:02:54.453 have to get them it's like Ricky Tomlinson you'd want him to say my ass otherwise you'd be very disappointed now speaking of asses here are the smashing pumpkins with that's the way my love is the smashing pumpkins with that's the way my love is this is Adam and Joe on BBC six music it's time for the news with Mickey and loose yep 01:03:01.243 --> 01:03:02.844 Good news. 01:03:03.004 --> 01:03:03.864 Thank God. 01:03:16.252 --> 01:03:16.592 Hmm. 01:03:17.232 --> 01:03:17.973 Well, there we go. 01:03:18.033 --> 01:03:18.573 Ryan Adams. 01:03:18.873 --> 01:03:24.134 With So Alive, this is Adam and Jo on the BBC Six Music Breakfast Show filling in for Sean W Keveny. 01:03:24.514 --> 01:03:26.675 We've only got two and a bit shows left. 01:03:26.875 --> 01:03:28.636 How do you know he's called Sean W Keveny? 01:03:28.756 --> 01:03:33.677 Because somebody texted and said that he insists on being called W. Does he? 01:03:33.697 --> 01:03:34.517 Is that not right, Jenny? 01:03:34.537 --> 01:03:35.517 You work on his show, right? 01:03:35.537 --> 01:03:37.478 He doesn't insist on it, but he can. 01:03:37.518 --> 01:03:38.058 He doesn't? 01:03:38.818 --> 01:03:39.719 I've been a fool. 01:03:41.059 --> 01:03:43.680 I think his middle name begins with a W, doesn't he? 01:03:44.660 --> 01:03:46.881 You're gonna get in trouble with the keys. 01:03:47.181 --> 01:03:49.463 I'll tell you who else you're gonna get in trouble with, the newsroom. 01:03:49.843 --> 01:03:54.405 Now, you might have heard that I referred to the newsreaders as Mickey and Loose. 01:03:54.425 --> 01:03:55.806 I don't know if they like that. 01:03:55.826 --> 01:04:02.290 I'm trying to bring a bit of levity to serious news, but just now, Lucy came into the studio. 01:04:03.250 --> 01:04:04.672 She didn't look that happy about it. 01:04:05.033 --> 01:04:15.047 I thought she looked lovely She looks lovely and she was talking about something else, but that I detected from her air that maybe we were like Trespassing on her territory. 01:04:15.107 --> 01:04:16.929 Well, you know, they're they're serious journalist. 01:04:16.969 --> 01:04:18.191 They're trained music news 01:04:19.753 --> 01:04:36.526 that doesn't matter she's still a trained journalist news nothing that ever happened in music ever affected the world in any important way Joe said said Stephen Boston a journalist from America in an article that I disagreed with 01:04:38.082 --> 01:04:42.106 It's time for a track from our album of the day by the Polyphonic Spree. 01:04:42.886 --> 01:04:44.868 It's their new album. 01:04:45.369 --> 01:04:46.750 It's called The Fragile Army. 01:04:47.390 --> 01:04:48.892 This track is called Running Away. 01:04:49.252 --> 01:04:52.355 We'll tell you a bit more about the Polyphonic Spree after we hear the track. 01:04:52.415 --> 01:04:53.195 This is good stuff. 01:04:56.209 --> 01:05:01.937 The polyphonic spree, the insane musical cult, that it would be okay to have your kids kidnapped by. 01:05:01.957 --> 01:05:04.080 Is that something you just made up? 01:05:04.140 --> 01:05:04.440 Yeah. 01:05:04.741 --> 01:05:05.582 Oh, that's very good. 01:05:05.662 --> 01:05:06.583 Don't you think that's true? 01:05:07.124 --> 01:05:11.189 That's not something that Tom Boston said in an article once. 01:05:11.670 --> 01:05:13.212 No, wasn't it Simon Boston? 01:05:13.232 --> 01:05:13.352 Simon. 01:05:14.534 --> 01:05:14.714 Oh, no. 01:05:15.134 --> 01:05:15.795 Well, he might have. 01:05:15.835 --> 01:05:17.096 He's a very perceptive journalist. 01:05:17.536 --> 01:05:27.506 But if your kid was abducted by the Polyphonic Spree and taken to live in their camp and brainwashed and stuff, you wouldn't mind, would you really? 01:05:27.826 --> 01:05:31.349 No, because the harmonies would just make your heart soar. 01:05:31.409 --> 01:05:31.870 Exactly. 01:05:31.990 --> 01:05:35.854 What if the Bureau of Alcohol, Tobacco and Firearms 01:05:36.434 --> 01:05:47.565 surrounded the Polyphonic Spree's camp like they did to David Koresh in Waco and attempted to throw gas canisters in and raid them. 01:05:48.025 --> 01:05:49.426 How would they respond? 01:05:50.788 --> 01:05:52.349 Well, they would sing about it, wouldn't they? 01:05:52.389 --> 01:05:54.351 They'd sing the FBI down and they'd 01:05:54.751 --> 01:06:09.500 Exactly, they probably use ultrasonic audio waves in the same way that during sieges the FBI play like bad music to flush people out, the polyphonic spree would be able to send back equal and opposite audio waves. 01:06:10.080 --> 01:06:10.761 What was it then? 01:06:10.801 --> 01:06:13.723 They played These Boots Are Made For Walking by Nancy. 01:06:13.743 --> 01:06:15.824 Something over and over again during some sort of season. 01:06:15.844 --> 01:06:20.647 It was either with David Koresh or it was with Gaddafi. 01:06:20.927 --> 01:06:21.667 Someone like that. 01:06:21.948 --> 01:06:22.648 Someone like that. 01:06:22.928 --> 01:06:27.611 Anyway, that was from our album of the day, the Polyphonic Spree's album The Fragile Army. 01:06:27.631 --> 01:06:28.832 That was a track called Running Away. 01:06:29.153 --> 01:06:30.213 It's their third album. 01:06:31.474 --> 01:06:32.975 And here are some facts. 01:06:36.818 --> 01:06:37.338 What's the matter? 01:06:37.358 --> 01:06:38.019 Don't you want the facts? 01:06:38.059 --> 01:06:39.980 Are they real or are you just making these ones out? 01:06:40.040 --> 01:06:41.101 No, they've been written down. 01:06:41.401 --> 01:06:41.701 Okay. 01:06:41.882 --> 01:06:44.083 Tim Da Laughter, is that his name? 01:06:44.103 --> 01:06:44.283 Yeah. 01:06:44.824 --> 01:06:48.026 Wrote the soundtrack for Mike Mills's 2005 film Thumbsucker. 01:06:52.549 --> 01:06:53.229 What's funny about that? 01:06:53.249 --> 01:06:54.390 It's just when you read facts. 01:06:55.430 --> 01:06:57.231 They sound unsubstantiated. 01:06:57.251 --> 01:06:58.592 They sound like lies. 01:06:58.912 --> 01:07:01.193 Hey, we just had an exciting incident here in the studio. 01:07:01.873 --> 01:07:03.154 Mike the newsreader came up. 01:07:04.095 --> 01:07:04.995 And he wasn't angry. 01:07:05.095 --> 01:07:05.975 He was really nice. 01:07:06.136 --> 01:07:06.836 He was fine about it. 01:07:06.856 --> 01:07:07.636 And Lucy came up. 01:07:08.056 --> 01:07:11.098 It's all like a big family here at the Big British Castle. 01:07:11.198 --> 01:07:11.858 Yeah, yeah. 01:07:12.238 --> 01:07:13.339 Everyone gets on fine. 01:07:13.499 --> 01:07:15.620 Only quarter of an hour left of the show, Joe Cornish. 01:07:15.660 --> 01:07:20.883 Hey, I should just say that you can hear more tracks from that Polyphonic Spree album throughout the day here on 6 Music. 01:07:21.123 --> 01:07:21.703 That's excellent. 01:07:22.303 --> 01:07:24.164 Um, is there anyone in the hub today? 01:07:24.565 --> 01:07:26.106 I like to- Yeah, there's a band called Mum. 01:07:26.586 --> 01:07:26.966 Mum? 01:07:27.086 --> 01:07:27.787 Yeah, who are they? 01:07:27.827 --> 01:07:29.628 They're like a- Is he the electronics guy? 01:07:29.708 --> 01:07:30.829 They're an Icelandic group. 01:07:30.849 --> 01:07:31.849 Hey, I'm into Mum. 01:07:31.990 --> 01:07:33.671 Have they got an accent over the U there? 01:07:33.771 --> 01:07:35.032 Or is that just a- Nym. 01:07:35.372 --> 01:07:35.712 Nym. 01:07:35.912 --> 01:07:36.332 Nym. 01:07:36.432 --> 01:07:43.997 Are they like the people that make the, um, the, um, No, the classy puddings that come in little ceramic pots? 01:07:44.878 --> 01:07:45.038 Oh. 01:07:45.298 --> 01:07:45.879 Are they called Mum? 01:07:47.100 --> 01:07:48.061 No, they're called goo. 01:07:48.141 --> 01:07:49.762 No, they're called goo. 01:07:49.842 --> 01:07:55.287 I don't like those because I don't like anything that's too, like, when you infantilize language like that. 01:07:55.507 --> 01:08:00.231 What's the deal with putting a product in an actual proper bit of ceramic? 01:08:00.391 --> 01:08:00.771 Do you know? 01:08:00.791 --> 01:08:01.852 What about it? 01:08:02.072 --> 01:08:02.753 It's good, isn't it? 01:08:03.173 --> 01:08:03.754 Is it good? 01:08:03.774 --> 01:08:04.755 Because you can use it again. 01:08:04.855 --> 01:08:05.055 Yeah. 01:08:05.195 --> 01:08:06.296 Yeah, it's a good thing. 01:08:06.416 --> 01:08:07.457 Oh, for the environment you mean. 01:08:07.517 --> 01:08:07.857 I don't know. 01:08:07.897 --> 01:08:09.098 Just generally, why do people do it? 01:08:09.138 --> 01:08:15.944 Every now and then you get just a product that would normally be in a throwaway plastic carton, but it's in a proper bit of sort of earthenware. 01:08:16.224 --> 01:08:36.618 added value added value they can charge a bit more something you can keep a little souvenir paperclips and every time every time you pop a paperclip you can think oh i remember when i ate that chocolate pudding it was nice and now i can pop paperclips in it all good now suzy suit time doctor berry god is rejected the original baby love 01:08:37.458 --> 01:08:37.898 How would he? 01:08:37.939 --> 01:08:38.939 Why did he do that? 01:08:38.999 --> 01:08:39.300 Why? 01:08:39.320 --> 01:08:41.281 It's clashing with his blood. 01:08:41.782 --> 01:08:42.062 What? 01:08:42.502 --> 01:08:45.665 We're trying to... I'm trying to make a kind of a medical analogy there. 01:08:45.925 --> 01:08:46.365 Oh, I see. 01:08:46.445 --> 01:08:47.306 He's rejected it. 01:08:47.346 --> 01:08:48.447 His body's rejected it. 01:08:48.707 --> 01:08:49.187 Oh, right. 01:08:49.207 --> 01:08:49.408 Yeah. 01:08:49.828 --> 01:08:50.408 Oh, God. 01:08:50.428 --> 01:08:53.851 We've got... Yeah, I wasn't even on board for any part of that whole thing. 01:08:53.871 --> 01:08:54.652 Just move on, move on. 01:08:54.672 --> 01:08:56.333 Hey, this is element Joe on BGC 6 Music. 01:08:56.353 --> 01:08:58.455 We're coming into the last nine minutes of our show. 01:08:58.535 --> 01:09:04.640 We've just been checking the results of the Band-Aid face-off, and it's not looking good for Adam Buxton. 01:09:05.180 --> 01:09:06.201 not looking good in the least. 01:09:06.221 --> 01:09:10.423 We'll play you some clips before the end of the show, just to remind you what the tracks are. 01:09:10.944 --> 01:09:16.427 But I'm, I've only got 18 votes for Jane's Brain, which is my track, a rock track, and it rocks. 01:09:17.027 --> 01:09:21.430 Joe's got something like 31 for his ludicrous European supermarket. 01:09:22.111 --> 01:09:23.972 Everyone wants to hear European supermarket. 01:09:24.152 --> 01:09:25.813 Even the title makes people feel happy. 01:09:26.053 --> 01:09:27.874 Yeah, and it's all because of that sound. 01:09:27.894 --> 01:09:29.134 It's not, man. 01:09:29.154 --> 01:09:30.275 There's more to it than that. 01:09:30.295 --> 01:09:30.635 It's not. 01:09:30.695 --> 01:09:31.155 It's that sound. 01:09:31.175 --> 01:09:32.075 There is so much. 01:09:32.155 --> 01:09:33.416 All it takes is a sound. 01:09:33.436 --> 01:09:35.096 The lyrics are amazing, I swear. 01:09:35.296 --> 01:09:39.298 All it took for that song, Believe by Cher, people bought that song. 01:09:39.478 --> 01:09:42.019 I was one of them because they liked the little effect. 01:09:44.521 --> 01:09:48.244 They like the effect on her voice, and they thought, I'm gonna buy it, I'm gonna invest in that effect. 01:09:48.524 --> 01:09:49.304 That's all they're doing. 01:09:49.344 --> 01:09:51.766 Listen, let's go to the 6 Music website. 01:09:51.946 --> 01:09:53.207 Click on Band Aid. 01:09:53.487 --> 01:09:55.949 You'll hear a sample from my song and from Adam's song. 01:09:55.989 --> 01:09:56.830 Vote for the one you like. 01:09:56.850 --> 01:09:58.631 The sound of will play the full one on Friday. 01:09:58.671 --> 01:10:01.133 If you want real songwriting craftsmanship. 01:10:01.654 --> 01:10:03.395 I think James Brain is the one for you. 01:10:03.475 --> 01:10:05.957 I think European supermarket is what... 01:10:06.818 --> 01:10:21.017 Is the best now I've got a free choice and this is by a beautiful lady She's called Emily Haynes used to be in a band called metric who were kind of hard rocking Well, they said it would you describe them as emo Jenny? 01:10:22.808 --> 01:10:25.310 I don't know if emo is right to describe them as emo. 01:10:40.764 --> 01:10:43.647 You're the kind of person that would describe them as emo. 01:10:43.827 --> 01:10:45.288 Only an idiot would do that. 01:10:46.089 --> 01:10:47.570 I personally wouldn't describe them. 01:10:48.270 --> 01:10:49.591 I don't put things in boxes like that. 01:10:49.872 --> 01:10:50.652 I don't like categories. 01:10:50.712 --> 01:10:51.092 I hate them. 01:10:51.493 --> 01:10:57.538 Emily Haynes has got an album out with her band The Soft Skeleton and it's apparently very good. 01:10:58.338 --> 01:10:58.879 Well, I've got it. 01:10:58.979 --> 01:11:01.140 Are you gonna play it at any point? 01:11:01.261 --> 01:11:04.223 Alright, this is a track called Doctor Blind. 01:11:04.793 --> 01:11:05.413 That was lovely. 01:11:06.874 --> 01:11:07.474 It's good, isn't it? 01:11:07.734 --> 01:11:07.974 Yeah. 01:11:08.134 --> 01:11:09.115 It's a very good album. 01:11:09.515 --> 01:11:12.837 Emily Haynes and the soft skeleton in that track is called Doctor Blind. 01:11:12.937 --> 01:11:15.758 This is Adam and Jo here on BBC 6 Music. 01:11:15.778 --> 01:11:20.140 We're filling in for Sean Kievny only two more days after this, Thursday and Friday. 01:11:20.460 --> 01:11:29.944 And that's it for us, unless there's an overwhelming response from the listeners and we are given our own radio station within the big British castle. 01:11:29.964 --> 01:11:31.865 We'll settle for nothing but a station. 01:11:32.205 --> 01:11:33.106 Yeah, yeah, yeah. 01:11:33.766 --> 01:11:34.547 Um, that's not true. 01:11:35.207 --> 01:11:36.788 Uh, yeah, so, uh, what now? 01:11:37.188 --> 01:11:40.851 Well, we'd just like to thank everybody who texted us and messaged us today. 01:11:40.871 --> 01:11:42.952 Um, thank you very much indeed. 01:11:43.253 --> 01:11:51.518 If you responded to Text the Nation, there'll be more Text the Nation, the nation's favorite feature, tomorrow, and we want to encourage you to vote for our Band-Aid tracks. 01:11:51.838 --> 01:11:54.080 Uh, do we have time just to play a little clip right now? 01:11:54.600 --> 01:11:55.581 No, by no means. 01:11:55.701 --> 01:11:56.162 No time. 01:11:56.182 --> 01:11:56.942 There's no time. 01:11:57.423 --> 01:12:00.125 So, can you do a little vocal rendition of yours, Joe? 01:12:00.285 --> 01:12:03.708 European supermarket. 01:12:03.928 --> 01:12:04.649 Which is butter? 01:12:04.849 --> 01:12:05.709 Which is cheese? 01:12:07.451 --> 01:12:09.072 Won't somebody help me, please? 01:12:11.094 --> 01:12:13.376 Mini break in Amsterdam. 01:12:15.297 --> 01:12:16.879 What's the flipping touch for ham? 01:12:16.939 --> 01:12:17.539 There you go. 01:12:17.960 --> 01:12:20.001 That's Joe Cornish's European supermarket. 01:12:20.041 --> 01:12:20.562 Mine goes... 01:12:20.942 --> 01:12:23.765 Her name was Jane, she had a brain and it lived in her head. 01:12:23.825 --> 01:12:26.788 She used her brain to think of things that she didn't have. 01:12:27.148 --> 01:12:29.270 She'd take her food and she'd think of houses. 01:12:29.550 --> 01:12:30.551 And it goes on a bit like that. 01:12:30.891 --> 01:12:31.692 But it's really good. 01:12:31.952 --> 01:12:33.974 So, wow, those are acapella versions. 01:12:33.994 --> 01:12:34.455 Sounds brilliant. 01:12:34.475 --> 01:12:36.476 We could use those on the B side when we release them. 01:12:36.857 --> 01:12:37.758 But that's it for us today. 01:12:37.778 --> 01:12:43.563 So go on the Six Music website right now, bbc.co.uk, slash six music, whatever it is. 01:12:44.224 --> 01:12:46.309 and vote for our Band-Aid tracks. 01:12:46.329 --> 01:12:47.612 We'll play them in full on Friday. 01:12:47.652 --> 01:12:49.396 We'll be back tomorrow at 7am. 01:12:49.416 --> 01:12:50.038 Thanks for listening. 01:12:50.178 --> 01:12:51.421 Here's Otis Reading. 01:12:51.441 --> 01:12:51.701 I love you. 01:12:51.721 --> 01:12:52.443 Bye!