WEBVTT 00:00.089 --> 00:04.652 That's the Flaming Lips there with a song that they sang. 00:04.732 --> 00:06.313 It's called the Yeah Yeah Yeah song. 00:06.373 --> 00:06.934 There you go. 00:06.954 --> 00:08.214 Hi, this is Adam. 00:08.675 --> 00:09.435 Yeah, this is Joe. 00:09.515 --> 00:11.477 Welcome to the Breakfast Show here on 6 Music. 00:11.497 --> 00:12.617 We're with you till 10am. 00:13.078 --> 00:14.599 Hope you're feeling very well this morning. 00:15.279 --> 00:17.220 Physically and medically, you know. 00:17.321 --> 00:17.881 Yeah, yeah, yeah. 00:17.921 --> 00:19.682 You should be, because it's a lovely day. 00:19.702 --> 00:20.603 It's another night's day. 00:20.623 --> 00:22.984 Yeah, a good bank holiday yesterday, Joe. 00:23.244 --> 00:24.986 Well, it was quite short for us, wasn't it? 00:25.006 --> 00:25.086 Yeah. 00:25.446 --> 00:28.928 Because it started at like 11am and finished at 9pm. 00:30.409 --> 00:31.390 I watched a film, though. 00:31.530 --> 00:32.190 What did you watch? 00:32.270 --> 00:33.271 Had a couple of friends around. 00:33.291 --> 00:34.451 We projected a film up. 00:35.212 --> 00:38.113 Uh, it was called... No, it was called The Reaping. 00:38.434 --> 00:39.294 The Reaping. 00:39.314 --> 00:39.594 Yeah. 00:39.634 --> 00:41.535 Is that with, um, Lady Man in it? 00:41.635 --> 00:42.436 Hilary Swank. 00:42.476 --> 00:43.136 Hilary Swank. 00:43.356 --> 00:43.536 Mmm. 00:44.217 --> 00:46.478 That's a good name to say on a Tuesday morning, isn't it? 00:47.539 --> 00:49.140 And was it fantastic? 00:49.320 --> 00:50.281 No, it was rubbish. 00:50.441 --> 00:51.081 Oh, what? 00:51.101 --> 00:52.162 Yeah, it was terrible. 00:52.182 --> 00:54.024 Listen, I could have told you it was gonna be rubbish. 00:54.104 --> 00:55.184 I knew it was gonna be. 00:55.265 --> 00:55.805 I don't know. 00:56.385 --> 01:00.649 That was one of the two DVDs that you got on some purchase mission, and the other one was what? 01:01.049 --> 01:02.190 Mr. Bean's Holiday. 01:02.210 --> 01:03.311 Mr. Bean's Holiday. 01:03.351 --> 01:04.311 I've seen everything. 01:04.672 --> 01:05.612 What are you like? 01:05.672 --> 01:06.453 I've seen everything. 01:06.473 --> 01:08.835 Why don't you just get like, you've got cats, haven't you? 01:08.875 --> 01:09.976 Why don't you just watch the cat? 01:10.516 --> 01:11.717 Mr. Bean was quite good. 01:11.777 --> 01:16.461 Playing around with a ball of wool or something, Mr. Bean, I'm sure Mr. Bean was better than like, oh. 01:17.842 --> 01:19.083 Like that kind of business. 01:19.363 --> 01:20.604 Does he speak in those films? 01:21.204 --> 01:22.025 Uh, yeah, he does. 01:22.766 --> 01:25.668 It's always a bit weird when they start speaking from nowhere, isn't it? 01:25.688 --> 01:26.588 It's like what Tom and Jerry... 01:27.729 --> 01:29.190 The non-talking people. 01:29.350 --> 01:29.650 Yeah. 01:29.830 --> 01:31.631 Like when Tom and Jerry start chatting, you know? 01:31.891 --> 01:32.351 No, he does. 01:32.632 --> 01:34.472 Mr Bean is a really weird film. 01:35.153 --> 01:36.053 I'd like to hear about it. 01:36.093 --> 01:36.894 It's really odd. 01:37.114 --> 01:37.854 Very much indeed. 01:38.154 --> 01:39.715 Listen, we've got great music for you. 01:39.775 --> 01:40.876 Who's your session by? 01:41.996 --> 01:45.578 My session is by... That's a very good question. 01:45.618 --> 01:46.418 Who is my session by? 01:46.438 --> 01:47.519 Oh, it's by Corner Shop. 01:47.699 --> 01:48.739 Corner Shop, nice. 01:48.819 --> 01:50.260 And it's early Corner Shop even. 01:50.300 --> 01:51.781 It's early Punky Corner Shop. 01:51.801 --> 01:52.341 That's right. 01:52.461 --> 01:56.063 People forget that before Corner Shop became a kind of funky unit, 01:56.643 --> 01:58.024 They were ajut prop. 01:58.264 --> 02:00.786 I mean, they were always fairly ajut in their props. 02:01.366 --> 02:04.088 But, man, they used to be a real shouty little outfit. 02:04.208 --> 02:05.228 While it's on a shouty track. 02:05.268 --> 02:06.429 You've got some shouty corner shop. 02:06.729 --> 02:09.751 I've got some incredibly mellow tortoise. 02:10.231 --> 02:15.154 Wonderful kind of mainly instrumental Chicago band. 02:15.515 --> 02:18.096 And I'll be playing a peal session of theirs a bit later on. 02:18.536 --> 02:19.377 At least a track from it. 02:19.717 --> 02:22.139 We'll be texting the nation at about 8 o'clock. 02:22.159 --> 02:24.440 We're going to have our serial thriller also at 8 o'clock. 02:24.500 --> 02:25.140 Everything's happening at 8. 02:26.101 --> 02:30.842 Yeah, before then, it's like a vast desert of triviality and nothingness. 02:31.242 --> 02:32.042 But it's filled. 02:32.362 --> 02:35.443 There's little oases in the desert of music. 02:35.943 --> 02:37.663 And right now, here's one of those. 02:38.384 --> 02:39.044 It's the Go Team. 02:39.284 --> 02:40.164 We're doing it right. 02:40.724 --> 02:43.025 That's the fourth form of St. 02:43.205 --> 02:44.585 Wilfred's Grammar School. 02:45.065 --> 02:46.565 And that's their end of year song. 02:46.745 --> 02:48.266 And they'll all be in detention. 02:48.466 --> 02:49.426 They're all in detention. 02:49.446 --> 02:51.166 Because it was a bit of a mess. 02:51.266 --> 02:52.106 It was a little bit of a mess. 02:52.727 --> 02:54.647 They only practiced a couple of days for that. 02:55.387 --> 03:03.793 And so that's not bad considering that but they should have been in practice for at least two weeks and Mrs. Harold is very upset about it. 03:03.813 --> 03:04.213 Harold? 03:04.433 --> 03:04.914 Harold. 03:05.594 --> 03:06.995 She's their form teacher. 03:07.535 --> 03:10.077 Of course it was the go team with doing it right. 03:10.658 --> 03:13.139 And this is Adam and Jo here covering for Sean Keveny. 03:13.600 --> 03:15.961 We've only got like three more days after this. 03:16.361 --> 03:17.842 I know it's gone very quickly hasn't it? 03:17.862 --> 03:20.484 Yeah, and then we're gonna be sleeping all day. 03:20.564 --> 03:21.785 All day in the street. 03:22.005 --> 03:23.206 And sleeping in the street. 03:23.586 --> 03:24.567 It's gonna be exciting. 03:25.668 --> 03:29.653 Now, I was having some problems this morning with my printer. 03:30.674 --> 03:31.996 Just as I was coming out of the house. 03:32.677 --> 03:34.419 You know, obviously I'm on top of everything. 03:34.639 --> 03:36.241 I've done some notes for the show. 03:36.642 --> 03:36.982 Well done. 03:37.142 --> 03:43.110 I thought I'm going to print these notes out and then I'll have them handy and I'll be able to refer to them during the radio show that we're doing. 03:44.917 --> 03:47.038 So the printer wouldn't do the printing. 03:47.838 --> 03:54.639 It's going through a stage right now where it refuses to feed the paper through the actual printing mechanism. 03:55.299 --> 04:00.100 So it clicks at me, and the kind of mouth of the thing, you can hear it opening and closing. 04:00.140 --> 04:03.041 Do you know what I'm saying? 04:03.541 --> 04:06.661 And the paper goes... What's its problem? 04:06.681 --> 04:07.762 Do you think? 04:08.002 --> 04:13.783 I don't know what its problem is, but it's a nightmare, and it means that this has been happening now for... a year? 04:14.603 --> 04:20.365 And it means that, um, most of the time I have to manually feed the paper threader. 04:20.385 --> 04:21.385 Tease it for you, man. 04:21.445 --> 04:22.025 It's good for you. 04:22.085 --> 04:22.525 You reckon? 04:22.705 --> 04:22.925 Yeah. 04:22.985 --> 04:24.646 Like I'm feeding a little bird. 04:24.666 --> 04:25.866 That's what Charles Dickens did. 04:26.246 --> 04:27.007 No, it isn't. 04:27.027 --> 04:27.267 He did. 04:27.307 --> 04:28.427 He manually fed. 04:28.567 --> 04:30.167 He had to paper into his epsilon. 04:30.207 --> 04:30.908 Into his printer. 04:30.948 --> 04:31.948 Inkjet printer, yeah. 04:31.968 --> 04:32.948 That's outrageous. 04:33.288 --> 04:43.051 And listen, I've been thinking, this is more than my life's worth because it's reached a stage now where this labour-saving device of mine is no longer saving me labour but actually creating labour for me. 04:43.451 --> 04:47.894 It would be simpler for me to write in longhand the things that I wish to print. 04:48.134 --> 04:48.634 You know what I mean? 04:48.654 --> 04:49.435 It would save me more time. 04:49.455 --> 04:49.835 New printer? 04:50.695 --> 04:51.236 New printer. 04:51.496 --> 04:52.957 You'd think that was the solution, wouldn't you? 04:53.337 --> 04:56.839 But about a year ago, I went on a cartridge splurge. 04:57.439 --> 04:57.699 Yes. 04:58.180 --> 05:00.381 And I thought, I'm fed up of running out of ink. 05:00.781 --> 05:04.043 I'm gonna buy a year's worth of ink cartridges. 05:04.543 --> 05:07.205 And it cost me almost a thousand pounds. 05:07.765 --> 05:18.252 the ink splurge, you know, because those cartridges are really expensive, yeah, not for nothing to their, like, Huxes sell those ludicrous, uh, syringe devices, yeah, yeah, where you can refill the cartridges. 05:18.692 --> 05:28.559 So I've got about a grand swath of ink cartridges for this printer that no longer works, and I went online to see if I could find another printer that takes the same cartridge, nothing, absolutely nothing! 05:29.079 --> 05:37.685 So I'm stuck with the same malfunctioning printer that I have to feed like a lame bird every time I wanna print something out, it's a total nightmare! 05:38.426 --> 05:41.329 and I was just wanting to get it off my chest. 05:41.430 --> 05:42.491 Well well done you have. 05:42.571 --> 05:43.092 Thank you! 05:43.532 --> 05:46.636 There we go, more printer news the same time next year. 05:47.077 --> 05:53.645 Here's what this it says here, radio he's we can only assume it's radio head with fake plastic trees. 05:54.125 --> 05:57.808 That's a very irresponsible trait. 05:57.888 --> 06:05.173 It's drawing a comparison between six music and some sort of hideous drug that someone would put in your drink in a nightclub. 06:05.493 --> 06:06.053 Exactly. 06:06.874 --> 06:09.696 Six music, the Rohippnol of the Big British Castle. 06:09.736 --> 06:13.678 That's what they seem to be saying. 06:13.778 --> 06:17.841 Either that or they're suggesting that it's like some kind of sexual thing. 06:18.441 --> 06:19.962 I've lost all my trust in the media. 06:20.182 --> 06:22.843 So have I. I used to rely on the media to be honest. 06:23.003 --> 06:23.723 Well, exactly. 06:23.763 --> 06:25.584 You watch a corrupt harlot. 06:25.644 --> 06:29.205 You'd watch a telly program and you'd think, that's the way it happened. 06:29.225 --> 06:31.526 Yeah, I thought Michael Barrymore was lovely. 06:31.606 --> 06:32.686 They're giving me the facts. 06:32.786 --> 06:37.107 He was the lanky funster running up and down those stairs pressing those buttons on those TVs. 06:37.328 --> 06:37.888 That's right. 06:38.288 --> 06:43.490 And in this documentary, this is an actual representation of what happened. 06:43.890 --> 06:45.890 And why would they... I thought those were real owls. 06:45.970 --> 06:46.631 Why would they lie? 06:48.163 --> 06:48.563 Why? 06:48.824 --> 06:49.664 Why would they lie? 06:50.185 --> 06:53.387 Is this true that you know that BBC programme Spring Watch? 06:54.188 --> 06:54.829 With Bill Odey. 06:54.909 --> 06:55.209 Yeah. 06:55.469 --> 07:00.073 Is it true, listeners, you might be able to tell me this, but they had a season of that, didn't they, earlier in the year? 07:00.133 --> 07:00.313 Yeah. 07:00.713 --> 07:08.079 That at one point during kind of children's television, they cut to some owls and a big mummy owl and some baby owls. 07:08.159 --> 07:08.360 Right. 07:09.000 --> 07:15.866 And they were talking about how sweet they were when suddenly the mummy owl picked up the weakest baby owl in its beak. 07:16.346 --> 07:19.407 and fed it alive to the other baby owls. 07:19.467 --> 07:21.288 Nobody wants to see that. 07:21.308 --> 07:22.788 This is what owls do, apparently. 07:23.629 --> 07:31.812 It's the natural way of things, but apparently that kind of went out live on children's television and traumatised a lot of young viewers. 07:31.872 --> 07:32.432 Is that true? 07:33.092 --> 07:34.433 Listeners, did anybody see that? 07:34.814 --> 07:36.836 A nation of owl fanciers. 07:37.056 --> 07:40.939 Because there's nature's truthfulness bursting through. 07:41.500 --> 07:42.461 That's a shame, isn't it? 07:42.501 --> 07:43.081 Is that a shame? 07:43.242 --> 07:44.783 Yeah, because owls are lovely creatures. 07:45.584 --> 07:46.204 Children love them. 07:46.224 --> 07:46.865 Not that lovely. 07:47.125 --> 07:48.106 You know, not anymore. 07:48.787 --> 07:51.089 No one likes to be an owl now, do they? 07:51.109 --> 07:51.850 Yeah. 07:52.270 --> 07:52.510 What? 07:52.731 --> 07:53.051 The end. 07:53.431 --> 07:54.993 Here's Peter, Bjorn and John. 08:00.663 --> 08:01.383 What are you doing? 08:01.443 --> 08:02.283 I'm freestyling. 08:02.323 --> 08:03.824 Freestyling of Peter Bjorn and John. 08:03.864 --> 08:05.764 This is going to be a valuable remix of that song. 08:05.844 --> 08:06.084 Yeah. 08:06.325 --> 08:09.065 I've got a version with Joe Cornish with Lin on the end. 08:09.085 --> 08:10.666 Then it's Freestyle with Lin. 08:10.746 --> 08:11.206 No, I haven't. 08:11.366 --> 08:13.426 That was Young Folks by Peter Bjorn and John. 08:13.446 --> 08:15.767 This is Adam and Joe here on BBC Six Music. 08:16.027 --> 08:17.848 It's time now for my session track. 08:17.908 --> 08:21.249 This is pulled from the John Peel Sessions Archives. 08:22.169 --> 08:26.070 And it is by the band Tortoise who come from Chicago. 08:26.830 --> 08:34.357 And I believe that Tortoise are variously featured members of other bands, including Jim O'Rourke, an artist in his own right, who was... He's very good. 08:34.517 --> 08:35.218 He's great, isn't he? 08:35.358 --> 08:39.461 A brilliant solo artist, also produced Wilco and Sonic Youth. 08:39.522 --> 08:42.544 Maybe he's like the extra member of Sonic Youth now, I can't remember. 08:43.025 --> 08:46.127 And also members of a band called The Sea and Cake. 08:46.808 --> 08:47.589 They're very good as well. 08:47.649 --> 08:48.249 Yeah, they're excellent. 08:48.309 --> 08:49.010 An offshoot from Tortoise. 08:49.030 --> 08:49.771 Maybe I'd like Tortoise. 08:50.251 --> 08:51.932 I'm sure you would if I like those two. 08:51.992 --> 08:59.555 Their classic album is considered to be an album called Millions Now Living Will Never Die. 09:00.536 --> 09:04.838 And, uh, uh, Lisa stopped doing the windy hand signal. 09:04.878 --> 09:07.639 I'm just explaining who taught us are for people who are interested. 09:07.659 --> 09:11.241 I'm sure many people are very bored by what I'm saying. 09:11.261 --> 09:13.482 Okay, and I know you're one of them. 09:13.962 --> 09:20.187 But I'm talking to the two people who are interested in this and taking notes about Taurus. 09:20.788 --> 09:21.768 Right, I'm taking notes. 09:22.129 --> 09:25.191 Anyway, this is not from that classic album. 09:25.211 --> 09:28.094 It's a track from an album called TNT, which is also amazing. 09:28.494 --> 09:33.238 And it's got one of the most long, pretentious names ever in the history of music. 09:33.298 --> 09:35.880 But I believe it's taken from a kind of art poem. 09:36.260 --> 09:42.766 It's called In Serra, Menken, Christ and Beethoven There Were Men and Women by Taurus from The Peel Sessions. 09:44.316 --> 09:44.816 Oh, isn't that? 09:44.856 --> 09:45.837 That's lovely, isn't it? 09:45.857 --> 09:46.377 That's lovely. 09:46.477 --> 09:47.477 It's like a lovely dream. 09:48.217 --> 09:54.599 That's a slightly truncated version of Tortoise's Peel Session, with a track called In Sera, Mink and Christ and Beethoven. 09:54.619 --> 09:55.579 They were men and women. 09:56.380 --> 09:59.380 Now it's time for the news on BBC 6 Music, read by Nicola and Ruth. 09:59.580 --> 10:01.601 That's Green Day with Welcome to Paradise. 10:01.621 --> 10:03.502 This is Adam and Joe here on 6 Music. 10:03.542 --> 10:04.902 We're filling in for Sean Kievny. 10:05.462 --> 10:25.245 for a couple of weeks and this is our second week we're having a good time and we've inherited a number of Sean's features his swarthy good looks his long legs I'm joking of course I'm talking about our audio features sonic features and one of them that he does on this show where we're told is called band aid and it's some kind of 10:26.306 --> 10:27.747 effort to raise money 10:45.859 --> 10:49.362 the person with the most votes gets to play their track in its entirety. 10:49.383 --> 10:52.085 And that's exactly what we're doing this week. 10:52.666 --> 10:57.570 And I'm going to speak to one of our featured artists right now, and we have him on the line. 10:58.331 --> 10:58.732 Are you there? 10:59.512 --> 10:59.913 Hello. 11:00.133 --> 11:01.995 Hi, it's... What's your name? 11:02.015 --> 11:03.997 My name's Joe, Joe Cornish. 11:04.177 --> 11:04.918 Joe Cornish. 11:05.378 --> 11:05.979 Yeah, hi. 11:06.199 --> 11:07.981 Hi, it's exciting. 11:08.041 --> 11:10.343 Are you excited to be part of Band Aid this week? 11:10.666 --> 11:13.287 Very, very excited just to be on the radio. 11:13.587 --> 11:17.087 Yeah, well, it's a great opportunity for a young artist. 11:18.588 --> 11:20.828 And perhaps you could tell us a little bit about your track. 11:20.908 --> 11:22.148 What's it called, first of all? 11:22.888 --> 11:27.109 Adam, my track's called... It's sort of an ambient techno track. 11:27.609 --> 11:29.550 It's called European Supermarket. 11:30.470 --> 11:32.650 And it's kind of a song about what it's like to go abroad. 11:37.321 --> 11:46.290 to Europe and go into a supermarket, how exciting it is to, how exciting and confusing it is to go shopping in a supermarket in Europe. 11:46.410 --> 11:48.192 All the different products etc. 11:48.612 --> 11:59.883 All the products it can be confusing and well you should just listen to the track, it's really danceable, it's intriguing, it's mysterious, it's kind of a bit like Kraftwerk. 12:00.578 --> 12:02.300 Across with maybe the pet shop boys. 12:02.320 --> 12:02.580 Mm-hmm. 12:02.800 --> 12:04.021 It's really really good. 12:04.321 --> 12:08.224 That's a beguiling sounding mix Should we have a quick listen to a clip right now? 12:08.425 --> 12:08.645 Yeah 12:23.855 --> 12:24.455 That's amazing. 12:24.875 --> 12:26.415 Whereabouts in the song does that happen? 12:26.455 --> 12:29.516 Is that a clip from the middle there or right at the beginning? 12:29.556 --> 12:31.856 That's about, I'd say, ten seconds into the song. 12:31.936 --> 12:32.356 Yeah. 12:32.496 --> 12:34.497 How long is the whole song, if you don't mind me asking? 12:34.837 --> 12:35.837 The song's two minutes. 12:36.257 --> 12:36.997 Two minutes? 12:37.297 --> 12:41.198 Yeah, songs are getting shorter because kids get bored really easily. 12:41.518 --> 12:41.818 Sure. 12:41.918 --> 12:46.819 So there's been a sort of agreement across the industry to cut down the length of songs. 12:47.369 --> 12:48.754 Well, that sounds fantastic. 12:48.794 --> 12:50.600 Remind us of the name of the track again shopping in... 12:51.206 --> 12:53.368 No, it's called European Supermarket, Adam. 12:53.568 --> 12:54.849 European Supermarket. 12:54.929 --> 12:56.610 European Supermarket. 12:57.230 --> 12:58.471 That's how the chorus goes. 12:58.652 --> 13:00.073 OK, good one. 13:00.273 --> 13:02.254 Well, listen, Joe Cornish, thanks very much. 13:02.975 --> 13:03.795 Vote for me. 13:03.855 --> 13:04.696 Vote for Joe Cornish. 13:04.736 --> 13:06.177 Thanks very much indeed for talking to us. 13:06.397 --> 13:13.142 Very shortly, we'll have our other band-aid competitor on the phone, and we'll be chatting to them about their track. 13:13.803 --> 13:16.505 But right now, here's Katie Tunstall with Hold On. 13:16.845 --> 13:18.386 That was Katie Tunstall with Hold On. 13:18.446 --> 13:20.268 This is Adam and Joe on BBC 6 Music. 13:20.948 --> 13:30.396 As Adam was explaining before that track, this morning we're launching an exciting competition, it's called Band Aid, and we'd like you to go to our website, what's the website Jenny? 13:30.596 --> 13:35.661 BBC www.bbc.co.uk forward slash six music. 13:36.661 --> 13:51.689 log on to our little site there, and we'd like you to vote, we'd like you to choose between two tracks, one of which is by the exciting new ambient techno artist, Joe Cornish, and the other of which is by an artist who I think is on the line right now, nigh. 13:52.029 --> 13:52.689 Hello, are you there? 13:53.130 --> 13:54.290 Hi, Joe, yes, hello. 13:54.590 --> 13:55.431 Hello, what's your name? 13:56.071 --> 13:57.432 Hi, my name's Adam Buxton. 13:57.632 --> 13:58.092 Hey, Adam. 13:58.112 --> 14:00.033 I'm from London. 14:00.673 --> 14:02.454 Where are you calling from right now, specifically? 14:02.474 --> 14:03.715 I'm from London. 14:04.335 --> 14:06.856 But yeah, but where are you actually calling from in London? 14:06.876 --> 14:07.796 Oh, sorry, sorry. 14:08.197 --> 14:08.577 London. 14:08.937 --> 14:09.737 London, OK. 14:10.037 --> 14:14.859 Now, Adam, you've submitted a track that we're going to put up for Band Aid this week here on The Breakfast Show. 14:14.879 --> 14:16.240 Can you tell us a little bit about it? 14:17.300 --> 14:23.743 Yes, this is a track called Jane's Brain and it's a rock and roll track. 14:23.803 --> 14:32.687 It's got guitars in it and drums and a bass and it's mainly for rocking and it's 14:34.719 --> 15:02.368 a rock track okay and you you wrote this and perform it yourself Adam yes it's entirely performed by me Adam Buxton and it's called James Brain and it was inspired by it was inspired by a girl called Jane and the idea that she might have a brain and she would use it to think about things and what was it inspired by it was it wasn't it wasn't inspired by anything I just made it up when I first 15:03.846 --> 15:07.747 Okay, let's hear a little, let's hear a little snatch of that record. 15:18.911 --> 15:22.012 Wow, so did you hear, that sounds really good Adam. 15:22.532 --> 15:23.372 Yeah, thanks very much. 15:23.412 --> 15:27.173 That's the bit, that's the bit of the song where she's thinking about cars and fancy dresses. 15:27.453 --> 15:32.575 Yeah, and so did you hear the clip from Jo's track earlier, a few minutes ago? 15:33.206 --> 15:35.047 Yeah, the German Tecmo one. 15:35.067 --> 15:35.907 It was about shopping. 15:36.147 --> 15:36.447 Yeah. 15:37.028 --> 15:37.888 Yeah, I didn't like it. 15:38.688 --> 15:39.469 You didn't like it? 15:39.829 --> 15:41.970 No, I thought it was... Not as good as yours. 15:42.270 --> 15:43.050 Not as good as mine. 15:43.090 --> 15:43.951 No offense to Joe. 15:44.011 --> 15:45.091 You know, I think he's really good. 15:45.111 --> 15:46.172 He's a really good artist. 15:46.572 --> 15:48.893 But I don't like that kind of music. 15:48.913 --> 15:49.753 You know what I mean? 15:49.813 --> 15:51.494 I think it's a little bit for pansies. 15:53.855 --> 15:56.196 So who do you think is going to win in this battle? 15:56.476 --> 16:02.499 Well, I think there's a good chance that Adam Buxton and me could win because I do the rock and people generally like rock. 16:02.958 --> 16:06.363 Yeah, well it's not what our polls are showing us, Adam. 16:06.803 --> 16:09.707 We've got a lot of support for Joe Cornish out there, I think. 16:11.229 --> 16:14.554 So, you know, prepare yourself to take a blow. 16:14.794 --> 16:15.775 Thanks for coming on, Adam. 16:16.156 --> 16:16.737 So there we go. 16:18.338 --> 16:44.474 there we go listeners log on to www.bbc.co.uk forward slash six music you can hear both of those snatches of the tracks and it's a very simple interface you can vote for your favorite with just one click we'll be doing this all week and we'll be playing the winner in full at the end of the week and now it's trail time in session on Gideon Co's show Harrison the hub that'll be brilliant playing live there's a party round at my hub he's not gonna have hugs for us 16:45.154 --> 16:45.474 Hugs? 16:45.754 --> 16:47.895 Yeah, he's only got hugs for you if you were born in the 80s. 16:47.915 --> 16:51.657 Oh, he likes much younger ladies. 16:52.217 --> 16:53.678 Yeah, we were born in the 50s. 16:54.799 --> 16:56.920 We don't get anything except handouts. 16:57.240 --> 16:59.661 Now, it's time for my archive session track. 16:59.701 --> 17:03.163 This is my selection from John Peele's classic recordings. 17:03.523 --> 17:04.563 This is from January 1993. 17:04.743 --> 17:08.565 Now, when I looked down the list, I was excited to see Corner Shop. 17:08.685 --> 17:10.246 Because you love a bit of Tejinder Singh. 17:10.366 --> 17:14.228 I do, but then when I got the actual CD, it was very different from what I expected. 17:14.628 --> 17:15.369 It shocked you, didn't it? 17:15.389 --> 17:20.395 I thought it was going to be sort of noodle-y, jangle-y, dance-y sort of fun business. 17:21.116 --> 17:24.720 And it kind of is, but in a much more punky fashion. 17:25.180 --> 17:29.185 And Adam here had to give me a little lesson about the early history of Corner Shop. 17:29.505 --> 17:32.428 Yeah, not that I'm an expert, but I certainly remember... But you knew more than me. 17:32.448 --> 17:37.152 I remember them in the old days, staring out from the NME as a quite furious little punk outfit. 17:37.512 --> 17:38.553 And this is from those days. 17:38.573 --> 17:49.682 You know, with these peal sessions, he was so prescient, so ahead of his time, so ahead of the curve, that a lot of the bands that one digs out really have a very different sound, a very primitive sound. 17:49.742 --> 17:50.283 Yeah, exactly. 17:50.323 --> 17:51.424 This is right at the beginning. 17:51.724 --> 17:52.865 Yeah, so here's Cornershop. 17:52.905 --> 17:54.266 This track's called England's Dreaming. 17:54.286 --> 17:56.248 It was recorded on the 17th of January 1993. 17:57.729 --> 18:00.751 Wow, a very different kind of corner shop there for you this morning. 18:01.251 --> 18:09.675 Not your traditional corner shop, more a corner shop selling Molotov cocktails, dangerous fireworks, chainsaws, and bother boots. 18:10.015 --> 18:10.555 That's right. 18:11.456 --> 18:12.576 But good stuff there, man. 18:12.596 --> 18:15.818 From Appeal Sessions, a track called England's Dreaming. 18:16.478 --> 18:21.464 That goes to show you how artists can develop and change. 18:21.524 --> 18:23.607 It does, doesn't it? 18:23.627 --> 18:24.628 When was Brimful of Asher? 18:24.748 --> 18:25.288 What year was it? 18:25.369 --> 18:26.189 Ninety-seven, I think. 18:26.230 --> 18:29.714 Ninety-seven, so that's four years between that and Brimful of Asher. 18:29.774 --> 18:35.700 So what you're saying is in that four-year period, they changed. 18:36.241 --> 18:36.481 Yes. 18:37.302 --> 18:37.642 Yay. 18:37.702 --> 18:38.743 It's an interesting theory. 18:38.763 --> 18:39.924 But they change quite a lot. 18:40.004 --> 18:40.804 Adam is what I'm saying. 18:40.824 --> 18:41.064 I see. 18:41.225 --> 18:46.568 It's what I'm trying to say to kids out there who might have a sort of a thrashy unkempt band. 18:46.648 --> 18:47.208 Right, right. 18:47.288 --> 18:50.130 And their mums and dads are going, that noise is awful. 18:50.190 --> 18:51.291 It'll never get anywhere. 18:51.471 --> 18:51.671 Mmm. 18:52.231 --> 18:53.492 Don't listen to Mum and Dad. 18:53.572 --> 18:55.754 No, something refined always forms from the sputum. 18:55.794 --> 18:56.194 Exactly. 18:56.474 --> 18:57.015 Keep going. 18:57.315 --> 18:58.996 Uh, you know, gawkies were like that as well. 18:59.216 --> 18:59.477 Really? 18:59.497 --> 19:03.940 The Psygotic Monkey started out sounding very similar to the track you just played, but from Corner Shop. 19:03.980 --> 19:05.982 The Arctic Monkeys are still like that. 19:06.162 --> 19:07.563 Oh, yeah, but they're good at it, man. 19:07.703 --> 19:08.404 You know what I mean? 19:08.484 --> 19:18.692 The thing is to play to your strengths, and Corner Shop obviously realized that, good as they were at that, shouty stuff, they were, uh, you know, they're calling lay elsewhere, and the gawkies were the same. 19:18.753 --> 19:21.195 They turned into wonderful melodic folksters. 19:21.815 --> 19:34.421 and the monkeys I hope they never stop shouting because they're the best at it that's my personal opinion now here's a public service announcement to all listeners we'd like you to get up and feel like being a sex machine 19:37.182 --> 19:38.323 Yes you can James. 19:38.443 --> 19:42.806 That's Jimmy Brown with Get Up and Be Sexy or whatever it's called. 19:43.246 --> 19:43.547 Get up! 19:43.647 --> 19:45.028 I feel like being a sex machine. 19:45.068 --> 19:45.228 Yeah. 19:45.248 --> 19:46.769 For the first time you ever heard that track. 19:46.929 --> 19:51.172 Yeah and it was like wow this is the best thing I've ever heard in my life. 19:51.352 --> 19:56.236 I went to the record shop and bought a 12 inch that turned out to be a stupid mega mix. 19:56.796 --> 19:58.299 and James Brown Megamix. 19:58.339 --> 19:59.821 It was called the Froggy Mix. 20:13.420 --> 20:39.694 dangerous exactly and if you're not properly trained no make sure you've established an intimate relationship with somebody first yeah yeah you can get into all sorts of trouble and some women get very angry machine like behavior generally it's not good try and be try and be a human yes exactly and with that thought it's time for the news read by Nicola and Ruth that's quite an adenoidal performance and waking up in bed with Corgan 20:41.950 --> 20:43.271 He's got a very blocked nose. 20:43.912 --> 20:46.053 That's the smashing pumpkins with that's the way. 20:46.554 --> 20:47.234 Open brackets. 20:47.494 --> 20:48.915 My love is closed brackets. 20:57.552 --> 20:58.873 I'm going till I can't hear. 20:58.973 --> 20:59.934 That's how I'm talking with you. 21:00.534 --> 21:01.275 Is he American? 21:01.295 --> 21:02.396 What nationality was he there? 21:02.516 --> 21:04.157 He puts on an American accent. 21:04.257 --> 21:04.557 Does he? 21:04.638 --> 21:05.138 Yes. 21:05.358 --> 21:05.979 They all do. 21:06.099 --> 21:07.680 They all these from Skuntorp. 21:08.160 --> 21:09.401 No, he's not from Skuntorp. 21:09.902 --> 21:10.502 He's from London. 21:10.602 --> 21:15.046 It's serial thriller time here on the Adam and Jo breakfast show on BBC six music. 21:15.086 --> 21:24.153 This is the time of the show when we get a caller, a listener who has called to vote for two tracks back to back to give us a chance to have some brekkie. 21:24.953 --> 21:27.974 To have some breakfast, I've got a delicious banana. 21:28.434 --> 21:31.695 You've eaten it already, you BBC liar! 21:31.915 --> 21:32.355 Lies! 21:32.395 --> 21:33.736 That'll be in the papers tomorrow! 21:34.296 --> 21:40.438 Buxton announced he had a full banana, when clearly in plain sight there was a spent banana peel. 21:40.898 --> 21:42.939 Well, you never know, I might have another one in my bag. 21:43.779 --> 21:44.259 It's true. 21:44.279 --> 21:45.099 It's true, isn't it? 21:45.119 --> 21:45.980 You'd be the liar. 21:46.140 --> 21:47.460 Yeah, then you'd be the liar. 21:47.620 --> 21:49.441 Ah, the big British castle. 21:49.601 --> 21:49.961 Yeah. 21:50.781 --> 21:51.721 Now, Chris, are you there? 21:52.261 --> 21:52.562 Hello. 21:52.842 --> 21:53.422 How are you doing? 21:54.062 --> 21:54.943 I'm very well, thank you. 21:55.203 --> 21:56.564 Now you're in Norwich, aren't you? 21:57.184 --> 21:58.425 I'm actually from Norwich. 21:58.485 --> 21:59.366 I'm actually in London. 21:59.967 --> 22:00.247 Really? 22:00.447 --> 22:00.867 Well done. 22:00.887 --> 22:01.508 You've made it. 22:01.748 --> 22:03.069 You've made it. 22:03.269 --> 22:04.850 How much is it exciting for you in London? 22:05.090 --> 22:07.132 Do you feel dizzy around the big buildings? 22:07.552 --> 22:08.853 It's terribly exciting. 22:08.973 --> 22:10.895 Is it choked by the pollutants? 22:11.806 --> 22:16.690 Yeah, a few less farmers, which is a bit disconcerting, but apart from that, it's all very enjoyable. 22:16.850 --> 22:18.411 Norwich is a nice place though, isn't it? 22:18.451 --> 22:19.972 That's where my... It's a fine city. 22:20.232 --> 22:23.635 My family in law are from, and I like Norwich. 22:23.655 --> 22:26.056 I think it's an exciting place. 22:26.517 --> 22:27.517 And Chris, what do you do? 22:27.537 --> 22:29.199 It sounded a bit more convincing. 22:29.259 --> 22:31.000 It didn't sound sincere, did it? 22:31.180 --> 22:32.181 I actually mean that. 22:33.081 --> 22:33.982 I like Norwich a lot. 22:34.382 --> 22:36.264 Chris, what do you do now that you're in London? 22:36.846 --> 22:37.447 I'm a journalist. 22:38.087 --> 22:39.268 Ah, what kind of journalist? 22:39.689 --> 22:40.450 A music journalist. 22:40.530 --> 22:43.172 That's not really a real journalist, though, is it, Chris? 22:43.593 --> 22:44.433 Oh, I don't know about that. 22:44.473 --> 22:46.195 Someone has to write about these things. 22:46.335 --> 22:48.698 What some publication do you write for there, Chris? 22:48.738 --> 22:49.859 I write for Virgin Media. 22:50.259 --> 22:51.861 For their web presence? 22:52.481 --> 22:54.143 Web and WAP, mainly. 22:54.183 --> 22:54.803 And WAP? 22:55.264 --> 22:55.804 Ooh, wow. 22:55.965 --> 22:57.166 All very new media. 22:57.326 --> 22:58.327 Do people use WAP? 22:59.554 --> 23:00.855 Um, increasingly so. 23:00.975 --> 23:01.316 Really? 23:01.696 --> 23:03.738 It's not a term you hear said a lot, is it? 23:04.418 --> 23:08.122 It was big about four or five years ago and then people suddenly stopped saying it. 23:09.082 --> 23:10.824 People say mobile internet these days. 23:10.844 --> 23:11.104 Do they? 23:12.287 --> 23:12.927 Nobody, I know. 23:13.267 --> 23:17.909 Well, WAP, they've got to think of a new phrase for WAP, because it just sounds rubbish. 23:17.969 --> 23:22.891 It just sounds like... What is it precisely, Chris? 23:23.251 --> 23:24.211 What does WAP stand for? 23:24.632 --> 23:25.052 Wireless? 23:25.072 --> 23:27.953 Wireless Application Protocol, I believe. 23:28.313 --> 23:28.833 Wireless. 23:29.373 --> 23:29.754 Okay. 23:30.014 --> 23:31.894 What about space vision? 23:32.495 --> 23:33.475 That's much better, you see. 23:33.495 --> 23:35.876 Yeah, because the pictures and the words come from space. 23:36.376 --> 23:37.096 That's pretty much it. 23:37.116 --> 23:38.857 I'll come back to Richard Branson today. 23:39.037 --> 23:40.237 Thanks a lot. 23:40.257 --> 23:41.398 Are you mates with Richard Branson? 23:42.114 --> 23:43.635 And sadly not, no. 23:43.816 --> 23:46.458 No, I probably want to be mates with Richard Branson. 23:46.538 --> 23:47.199 It's got to be easy. 23:47.219 --> 23:49.240 He's got that amazing island, what's it called, Necker? 23:49.881 --> 23:50.942 Necker Island, yeah. 23:51.262 --> 23:52.323 We met Branson, man. 23:52.363 --> 23:52.903 Don't you remember? 23:52.943 --> 23:53.844 We were on the plane one time. 23:53.864 --> 23:54.585 We didn't meet him. 23:54.625 --> 23:57.527 He went around and sort of papily blessed everybody on the plane. 23:57.587 --> 24:01.951 He happened to be on the same flight as us one time when we were going to America, the land of dreams. 24:02.332 --> 24:05.935 And he came down and shook hands with every single person on the flight. 24:07.716 --> 24:09.318 And listen, I was excited about it. 24:09.958 --> 24:10.980 I was really genuinely excited. 24:11.000 --> 24:12.101 It was like a visit from the headmaster. 24:12.161 --> 24:15.386 Adam was excited because he knew the plane was much less likely to crash. 24:16.027 --> 24:16.547 That's true. 24:16.607 --> 24:19.051 I always feel happier if there's a famous person on board. 24:19.111 --> 24:19.892 Have you met him, Chris? 24:20.533 --> 24:21.094 I haven't met. 24:22.005 --> 24:22.705 What's going on? 24:22.945 --> 24:25.206 Now Chris, we've got an anecdote here about you. 24:26.247 --> 24:32.710 This was supplied by you to our producer, and she's transcribed it, and I'm now going to read it out. 24:33.350 --> 24:38.933 Chris went to a stag do, and the actor who plays Des Barnes in Coronation Street was there. 24:39.433 --> 24:43.235 It wasn't his stag do, nor did he know the stag, he was just there. 24:44.338 --> 24:48.219 Yeah, I did write that, although I didn't write it in the third person, as you just presented it. 24:48.599 --> 24:49.860 Is that a true story, Chris? 24:50.340 --> 24:50.900 It is, yes. 24:50.960 --> 24:52.521 It was up in Hull last year. 24:52.541 --> 24:55.582 A good friend of mine, Emmeline, was getting married. 24:56.762 --> 25:06.285 And, um, uh, Dez Palms was staying in the same hotel, and we kept sitting in the kind of activities that we'd planned, like he was... What kind of activities had you planned? 25:06.605 --> 25:08.066 That sounds slightly sinister. 25:08.886 --> 25:10.807 Sounds sort of like motor racing. 25:11.087 --> 25:11.307 Right. 25:12.857 --> 25:31.324 uh dancing no killings no killing man no good no no exactly they don't allow it no um and uh man that's that's quite an anecdote you've got there surely you've you've accrued more exciting celebrity encounters than that in your time as a music journalist 25:32.054 --> 25:36.098 Yes, but that's, you know, not involving the former Coronation Street stars. 25:36.299 --> 25:36.899 Fair enough, yeah. 25:36.919 --> 25:37.240 You're right. 25:37.260 --> 25:40.683 That has a sort of inverse glamour that's more powerful than meeting a famous person. 25:40.763 --> 25:42.425 It's the sixth music demographic, I believe. 25:42.605 --> 25:42.966 Exactly. 25:43.006 --> 25:44.087 That's very well tailored. 25:44.327 --> 25:44.828 That's right. 25:45.108 --> 25:47.871 Now, Chris, can you tell us about the tracks you've chosen today, please? 25:48.492 --> 25:50.454 Um, Doves, There Goes the Fear. 25:50.954 --> 25:51.295 Oh, yeah. 25:51.735 --> 25:53.898 Now, was that from their big, big selling album? 25:54.457 --> 25:56.578 Yeah, the last broadcast, their second album. 25:56.618 --> 25:58.479 Yeah, it was the one that sort of broke them through, wasn't it? 25:58.599 --> 26:00.280 Yeah, it's just a superb track. 26:00.300 --> 26:03.002 The drumming at the end is mind-blowing. 26:03.022 --> 26:03.802 Yeah, yeah, yeah. 26:03.822 --> 26:05.683 Drumming at the end, we'll keep an ear out for that. 26:05.703 --> 26:06.024 Yeah. 26:06.084 --> 26:07.424 And what's the second track there, Chris? 26:07.604 --> 26:12.307 It's Oh Yeah by Ash off the debut album 1977. 26:12.507 --> 26:15.289 And we're told that you're in the video, is that right? 26:15.309 --> 26:16.569 I am indeed, yes. 26:17.390 --> 26:18.851 Are there a lot of people in the video? 26:19.311 --> 26:19.571 Sorry? 26:19.751 --> 26:20.932 Are there a lot of people in the video? 26:21.698 --> 26:24.079 Yeah, there's about 15 to 20 youngsters. 26:24.099 --> 26:26.520 I was about 16 at the time. 26:26.620 --> 26:26.920 Really? 26:27.000 --> 26:27.341 Wow! 26:27.901 --> 26:29.582 Okay, well we'll... We're kind of mooching around. 26:29.702 --> 26:33.403 We'll try and imagine you bopping around, even though we don't know what you look like. 26:34.204 --> 26:35.304 We'll just try and guess. 26:35.945 --> 26:38.266 Chris, thank you so much for talking to us today. 26:38.306 --> 26:40.207 We really appreciate it, and thanks for your choices. 26:40.247 --> 26:40.847 They're excellent. 26:41.227 --> 26:42.368 Not a problem. 26:42.688 --> 26:44.629 Take care, have a good day, and here is Doves. 26:45.709 --> 26:46.770 Thank you, have a good day, bye. 26:46.950 --> 26:47.170 Bye! 27:08.304 --> 27:09.085 Text-a-nation! 27:09.165 --> 27:10.267 Text, text, text! 27:10.327 --> 27:11.068 Text-a-nation! 27:11.128 --> 27:12.089 What if I don't want to? 27:12.349 --> 27:13.070 Text-a-nation! 27:13.170 --> 27:14.191 But I'm using email! 27:14.372 --> 27:15.052 Is that a problem? 27:15.113 --> 27:15.693 It doesn't matter! 27:15.713 --> 27:15.954 Text! 27:18.517 --> 27:21.359 It feels like ages since we heard the Text the Nation jingle. 27:21.479 --> 27:22.080 It does, doesn't it? 27:22.100 --> 27:24.301 We didn't have it yesterday because it was a special retro day. 27:24.321 --> 27:26.723 It was almost four days ago that we lost it. 27:26.743 --> 27:27.964 Oh, it's lovely to hear it again. 27:27.984 --> 27:30.766 It's great to hear it again in its slightly longer form. 27:30.826 --> 27:31.126 Yeah. 27:31.306 --> 27:42.254 Making it clear that even though it's called Text the Nation, you're welcome to submit entries as an email or as a handwritten letter, a fax, a telegram, any way you want to. 27:42.574 --> 27:43.455 Yeah, the text number is 64046. 27:45.117 --> 27:49.682 The email is adamandjo.6musicatbbc.co.uk. 27:50.042 --> 27:57.731 Today's text the nation question is, what's the biggest argument you've ever had over the stupidest, smallest thing? 27:58.151 --> 28:03.677 Something that started out as just the germ of a little discussion, and then it turned into a disagreement. 28:04.498 --> 28:16.020 via by way of a contra-ton and then it turned into a giant cataclysmic shout fest and then maybe spiraled totally out of control and ended in violence or even death. 28:16.220 --> 28:29.823 Now Adam and me used to make a kind of a homemade comedy show for Channel 4 a few years back and we worked very closely together under high pressure circumstances trying to make little films with toys and stuff 28:30.723 --> 28:36.004 And we used to kind of build up a bit of, you know, bubbly anger and fury with each other. 28:36.605 --> 28:41.006 But being, you know, good people, we'd try and repress it, as all human beings do. 28:41.086 --> 28:42.126 Good middle class boys. 28:42.146 --> 28:44.747 Yeah, you just repress it, keep it inside, try and be polite. 28:45.247 --> 28:46.327 But this is what we're getting at. 28:46.447 --> 28:50.288 Eventually, all that repressed fury will bubble up 28:50.808 --> 29:13.451 but caused by something nothing to do with the repressed fury and now we were saying yesterday Adam and I suddenly had a huge argument about which was better the N64 or the PlayStation we were going to put one of these consoles in in one of our links and I insisted it was the N64 Adam thought that was a stupid idea that we'd get more viewers if we if we put that you know the arguments gonna start again 29:14.171 --> 29:17.112 If we put the more popular PlayStation in the link. 29:17.433 --> 29:24.175 I was, yeah, because I was thinking, you know, that we have to maximize the amount of people who are going to be able to get the joke of this link and respond to it. 29:24.536 --> 29:32.079 And it was, it was about the fact that I think the link was something like if you play video games a lot, then you start to dream about them. 29:32.359 --> 29:49.241 no you can if you play video games for a long time then you can actually play them in your mind when you close your eyes without actually having a console and I was saying come on you got to do Tomb Raider man that was the big game at the time Tomb Raider that's a game that you can just imagine you can watch Lara Croft's bottom bouncing around in caves and just 29:49.241 --> 29:51.862 There was like, no way man, it's all about the N64. 29:51.882 --> 29:53.923 Mario Kart, I thought it was all about Mario Kart. 29:53.943 --> 29:54.663 And I was like, no. 29:54.683 --> 30:04.027 But anyway, the point is that years of repressed anger between us bubbled up over the issue of the N64 and the PlayStation. 30:04.167 --> 30:05.868 The argument wasn't about that at all, was it? 30:06.588 --> 30:13.695 No, it was just about how tired and frustrated and in love we were, wasn't it? 30:13.995 --> 30:18.719 And it ended up with us kissing very passionately on the little bed that we had there. 30:18.840 --> 30:26.487 So if you've got a similar story, text 64046, what's the biggest argument you've ever had over the stupidest thing? 30:26.527 --> 30:31.171 We're looking for a real imbalance here, something really pathetic and 30:31.791 --> 30:37.914 an argument that may have turned physical, you know, a spectacular fight over something really retarded. 30:37.974 --> 30:42.816 I've got a couple of examples as well from my home life that I'll tell you in just a second. 30:43.336 --> 30:47.678 But right now here's the Sundays, or maybe just Sundays, I can't quite remember which. 30:47.778 --> 30:51.740 All I remember about Sundays or the Sundays is that the lady has a 30:51.960 --> 30:53.320 beautiful, whiny voice. 30:53.701 --> 30:56.181 And here's a track called Here's Where the Story Ends. 30:56.542 --> 30:58.842 That's the Sundays with Here's Where the Story Ends. 30:58.882 --> 31:00.843 This is Adam and Jo on BBC6 Music. 31:01.203 --> 31:02.944 It's just coming up to half past eight. 31:03.584 --> 31:06.645 Just to remind you, we're in the middle of our Text the Nation feature. 31:07.005 --> 31:08.146 A very important feature. 31:08.206 --> 31:10.046 It's a kind of statistical survey. 31:10.106 --> 31:11.627 It's the nation's favourite feature. 31:11.827 --> 31:12.027 Yeah. 31:12.647 --> 31:13.448 The text number is 64046. 31:13.908 --> 31:18.570 We're looking for the biggest arguments you ever had over the tiniest thing. 31:18.710 --> 31:28.796 Something really trivial that turned into just mushroomed into a way out of control argument really heated and you know, the madder the consequence is the better. 31:28.836 --> 31:32.578 We want to hear exactly what the nature of the argument was and where it went. 31:32.998 --> 31:36.140 I'm going to tell you some stories from my home life. 31:36.576 --> 31:36.836 Yeah. 31:36.916 --> 31:37.277 Uh-oh. 31:37.657 --> 31:40.259 After, after the news and some more music. 31:40.919 --> 31:46.283 Um, because man, you're not going to believe the kind of crazy stuff that goes on in your house. 31:46.303 --> 31:47.103 It goes on in my house. 31:47.364 --> 31:53.368 Also a couple of things that I do that are coming back to me now from our, uh, childhood at school and a few arguments that we had. 31:54.068 --> 32:02.374 Anyway, before that, uh, we have the, uh, national, international and music news read for you by Nicola and Ruth. 32:04.909 --> 32:05.671 Textination! 32:05.751 --> 32:06.052 Text! 32:06.113 --> 32:06.413 Text! 32:06.453 --> 32:06.815 Text! 32:06.935 --> 32:07.677 Textination! 32:07.737 --> 32:08.700 What if I don't want to? 32:08.961 --> 32:09.683 Textination! 32:09.783 --> 32:10.806 But I'm using email. 32:10.966 --> 32:11.668 Is that a problem? 32:11.709 --> 32:12.270 It doesn't matter! 32:12.310 --> 32:12.551 Text! 32:15.211 --> 32:16.912 It's the nation's favorite feature. 32:17.773 --> 32:21.035 And before that, incidentally, you heard the members with Sound of the Suburbs. 32:21.295 --> 32:26.759 Yeah, they were being evocative about what the sound of the suburbs could be during most of the song. 32:27.139 --> 32:35.044 And then at the end, they played a sound of a sort of railway station Tanoi, thereby being very explicit about what the sound of the suburbs is. 32:35.324 --> 32:35.785 That's right. 32:35.845 --> 32:41.508 That was also used as the theme to a wonderful show called Sound of the Suburbs with John Peel. 32:41.588 --> 32:42.209 I remember that show. 32:42.789 --> 32:44.770 And that was a great shot. 32:44.810 --> 32:47.390 I wonder if you can hunt that down online. 32:47.430 --> 32:48.230 I'm sure you can. 32:48.250 --> 32:49.411 Shall I go and try? 32:49.651 --> 32:50.771 Could you try right now? 32:50.791 --> 32:50.831 No. 32:51.171 --> 32:51.811 Oh. 32:52.071 --> 32:58.933 Because we're in the middle of Text the Nation, our exciting survey of the nation's opinions on important issues. 32:59.373 --> 33:04.455 And today, we're asking you what the biggest argument you ever had over the smallest thing was. 33:04.515 --> 33:06.655 And we've had some pretty good examples come in. 33:06.955 --> 33:08.035 Would you like to hear it, Adam? 33:08.075 --> 33:08.476 Yes, please. 33:08.776 --> 33:09.336 Yes, please. 33:09.516 --> 33:09.636 OK. 33:10.416 --> 33:12.157 Uh, Ollie and Exeter has texted. 33:12.217 --> 33:19.903 He says the only time I've ever punched someone in the face was when a friend refused to desist from claiming that Steely Dan a crap. 33:20.343 --> 33:21.924 Punched him in the face for that? 33:22.524 --> 33:24.326 It was on his 21st birthday too. 33:24.626 --> 33:25.827 It's always amazing, isn't it? 33:25.907 --> 33:29.870 Music arguments certainly have the potential to spiral way out of control. 33:29.950 --> 33:31.291 It's happened to me on a number of occasions. 33:32.471 --> 33:34.052 But punching in the face? 33:34.072 --> 33:36.093 That's a bit much. 33:36.133 --> 33:42.857 You'd think a Steely Dan fan would settle the argument with Witten and Wordsmithery, and not resort to face punching. 33:44.077 --> 33:48.580 I'm not sure Fagan and Becker would approve of that kind of behaviour, Olly. 33:49.080 --> 33:50.581 But thanks for admitting it to me anyway. 33:50.741 --> 33:52.483 I had a massive argument one time. 33:52.523 --> 33:55.825 Maybe you were even there, a joke, one time around at Mark's house. 33:56.486 --> 34:02.070 And Dom was there and we got into this conversation about the... These names won't mean much to the listeners. 34:02.090 --> 34:03.771 No, I'm putting it in context with you. 34:03.831 --> 34:04.411 People can relate. 34:04.431 --> 34:05.572 Everyone knows a Mark and a Dom. 34:05.592 --> 34:06.413 Exactly, exactly. 34:06.433 --> 34:07.454 They're people, they're human beings. 34:09.415 --> 34:11.736 We were talking about using music in adverts. 34:11.756 --> 34:14.676 It was around the time that Play by Moby was a big album. 34:15.236 --> 34:23.198 And he was using a lot of the tracks for adverts and stuff and I was telling the whole line about it being a sellout and no, it's no good. 34:23.619 --> 34:25.399 Music cheapens the music, you know. 34:25.419 --> 34:30.040 And Dom was very fervently on the other side and he was like, you're just a music snob. 34:30.080 --> 34:32.221 It doesn't change the music in any way whatsoever. 34:32.261 --> 34:32.901 It doesn't matter. 34:33.401 --> 34:35.682 Still, the music is still there and it's not a problem. 34:36.102 --> 34:37.602 And this argument just went wild. 34:37.642 --> 34:40.603 Way out of control, and it ended up dominating the whole evening. 34:40.623 --> 34:42.784 There were other people around at that point, you know what I mean? 34:43.145 --> 34:49.587 But after a while, all the other conversations fizzled out, and it was just me and Dom facing off about the rights and wrongs of music and adverts. 34:49.627 --> 34:50.708 It was pretty embarrassing. 34:50.948 --> 34:51.648 How embarrassing. 34:51.708 --> 34:52.549 It was embarrassing. 34:52.729 --> 34:54.350 Here's one from Jessica in Cardiff. 34:54.630 --> 35:05.775 The only argument that my boyfriend and I have ever had was just after we moved house, when I discovered that he'd made a unilateral decision to throw away some of those plastic containers that takeaways come in. 35:06.575 --> 35:11.397 I can't remember being so angry ever before or again, and we both ended up crying. 35:12.937 --> 35:14.418 That's brilliant, Jessica. 35:14.918 --> 35:19.299 Isn't it amazing how irrelevant things can take on, you know, an enormous resonance? 35:20.120 --> 35:20.980 I really like that. 35:21.420 --> 35:23.441 So were they collecting them? 35:23.681 --> 35:24.521 Yeah, I guess so. 35:24.881 --> 35:32.624 She had a little collection of them because, you know, this is a sexist generalisation, but ladies like to put things in airtight locks. 35:32.924 --> 35:33.645 They love Tupperware. 35:33.685 --> 35:45.412 Generally, in fact, if there was a contemporary remake of the Clint Eastwood film The Beguiled, it would be to do with women putting a cowboy in an airtight box and sealing it tightly so it was kept fresh. 35:46.533 --> 35:49.155 I'm just extrapolating, but I imagine that's what happened. 35:49.835 --> 35:51.476 Whereas men like to free things. 35:51.796 --> 35:52.177 That's true. 35:52.197 --> 35:53.217 They like to set things free. 35:53.237 --> 35:54.478 They don't like things in boxes. 35:54.778 --> 35:56.359 Yeah, particularly in their manhood. 35:56.399 --> 35:57.340 Yeah, one more quick one. 35:57.940 --> 36:02.702 I tell you what, why don't we go to your breakfast single of the week and then we can hear some more of these in a second. 36:02.743 --> 36:03.443 That's a good idea. 36:03.463 --> 36:05.264 This is my breakfast single of the week. 36:05.304 --> 36:06.584 This is by King Creosote. 36:06.884 --> 36:07.765 This is a lovely single. 36:07.785 --> 36:09.406 It's called You've No Clue Do You. 36:09.986 --> 36:12.067 King Creosote with You've No Clue Do You. 36:12.107 --> 36:14.008 This is Adam and Joe on BBC Six Music. 36:14.048 --> 36:15.168 That's our single of the week. 36:15.509 --> 36:17.450 He's starting a tour from the 12th of September. 36:17.470 --> 36:20.631 You'll be able to see him in Scotland, in Bristol, in Cardiff and Southampton. 36:20.931 --> 36:22.632 And he's fantastic live. 36:23.512 --> 36:24.313 Really brilliant. 36:24.373 --> 36:26.594 His music almost sounds better. 36:26.914 --> 36:27.834 than it does recorded. 36:28.174 --> 36:29.455 Right, he's got the musical chops. 36:29.515 --> 36:30.875 He really has, he's brilliant. 36:30.895 --> 36:32.716 King Krioset there, we'll be playing that again tomorrow. 36:33.076 --> 36:42.220 Now we're in the middle of Text the Nation, the nation's favourite radio feature where we ask you to text in and, you know, take part in kind of a sort of a survey time thing. 36:42.260 --> 36:44.721 You said the way you said the nation's favourite radio feature. 36:44.981 --> 36:46.621 You just tossed it off there like with no irony. 36:46.721 --> 36:47.622 Yeah, like it was real. 36:47.662 --> 36:49.302 Like it was a real fact. 36:49.322 --> 36:50.863 You know, it's because, shall I tell you why? 36:50.883 --> 36:51.283 Come on then. 36:51.443 --> 36:55.686 It's because someone texted in yesterday and said that I sound sarcastic all the time. 36:56.267 --> 36:56.587 Oh, right. 36:56.647 --> 37:00.170 So I've decided to try and occasionally sound a bit sincere. 37:00.510 --> 37:01.231 That's easily done. 37:01.571 --> 37:05.995 I tell you why listeners, sometimes one can sound sarcastic on the radio. 37:06.115 --> 37:07.096 It's nerves, mainly. 37:07.136 --> 37:09.518 It's just trying to think of, like, what are you going to say? 37:09.558 --> 37:09.918 Nerves. 37:10.679 --> 37:11.419 Well, you know what I mean. 37:11.439 --> 37:13.040 I do know what you mean. 37:13.181 --> 37:15.562 It's like not being entirely comfortable because we're not used to doing it. 37:15.582 --> 37:17.164 I do know what you mean. 37:17.484 --> 37:17.964 That's better. 37:18.004 --> 37:18.745 You sound a lot better then. 37:21.158 --> 37:23.240 Yeah, that's a sarcastic noise, isn't it? 37:23.300 --> 37:24.381 A little bit sarcastic. 37:25.102 --> 37:25.262 No. 37:26.443 --> 37:27.104 So here we go. 37:27.204 --> 37:28.745 So this is our text competition. 37:28.765 --> 37:34.891 We're asking you to text in stuff that, uh, arguments that sort of mushroomed out of tiny, trivial, little incidents. 37:35.311 --> 37:36.472 And we've got some good ones here. 37:36.492 --> 37:37.373 Does that sound sincere? 37:37.453 --> 37:39.275 That sounds... Oh, they're really good. 37:40.236 --> 37:42.798 Oh, here's some really good ones. 37:42.998 --> 37:44.540 Now you just sound like a wookie. 37:45.560 --> 37:47.501 No, that's yodel, wait, come on. 37:48.081 --> 37:55.563 Our family have those fridge magnets that are letters, and I've always had a certain phrase spelled out on the fridge using some of these letters. 37:56.343 --> 38:00.804 One time, one time, Lisa, our producer's giggling, I can't concentrate. 38:01.264 --> 38:06.865 One time I saw a letter had been moved to create another phrase, and I asked my brother if he could change it back. 38:07.326 --> 38:08.526 He told me that was silly. 38:08.806 --> 38:12.607 There was no point in having alphabet fridge magnets if he couldn't use them all. 38:13.087 --> 38:15.569 I told him there were plenty of spare letters that he could use. 38:16.369 --> 38:25.515 It escalated into him shouting really loud at me and leaving the kitchen with my dinner uneaten on the table to run upstairs, slam my bedroom door really loud. 38:25.655 --> 38:26.376 That's excellent. 38:26.416 --> 38:31.760 When my mum came up to tell me off, I just got even more annoyed and wouldn't talk to anybody until the next day. 38:31.860 --> 38:32.720 Yeah, boy. 38:32.760 --> 38:34.441 That's brilliant, an all day sulk. 38:34.661 --> 38:35.422 You tell them. 38:35.782 --> 38:37.323 I feel like having an all day sulk. 38:37.363 --> 38:38.824 I haven't had one of those for years. 38:39.144 --> 38:39.865 That's cool. 38:39.885 --> 38:42.727 When I was a kid, my salts would last three or four days. 38:43.407 --> 38:44.568 As an adult. 38:44.648 --> 38:46.850 Yeah, you know sometimes over something major. 38:47.070 --> 38:47.911 Holy moly. 38:47.971 --> 38:50.973 Now, the longest sulk I do is probably 45 minutes. 38:51.354 --> 38:52.615 Right, yeah. 38:52.675 --> 38:56.498 The longest sulk I can recall in the last 10 years was maybe two hours. 38:57.058 --> 38:59.760 And then it just becomes embarrassing after a while. 38:59.780 --> 39:01.502 It's just boring sulking after a bit. 39:01.562 --> 39:02.022 Yeah, yeah. 39:02.042 --> 39:04.164 You don't realise it as a kid but you know it's a bit of a waste of life. 39:04.184 --> 39:04.924 Who was that text from there? 39:04.944 --> 39:05.425 That was from Ash. 39:05.885 --> 39:06.826 That wasn't a text, presumably. 39:06.846 --> 39:07.426 That was an email. 39:07.446 --> 39:08.707 That would have taken ages to text. 39:08.907 --> 39:09.208 Yeah. 39:09.608 --> 39:10.329 Ash, thanks for that. 39:10.369 --> 39:10.729 That was amazing. 39:10.749 --> 39:13.311 Hey, is that lovely Ash who hangs out outside the studio? 39:13.431 --> 39:13.851 Possibly. 39:13.892 --> 39:15.873 We met someone very nice called Ash yesterday. 39:16.494 --> 39:17.955 She's our stalker. 39:18.115 --> 39:19.156 She drew a picture of us. 39:19.216 --> 39:20.977 It was really good. 39:21.097 --> 39:21.778 Here's another one. 39:22.018 --> 39:23.539 This is from Jez in Manchester. 39:24.320 --> 39:26.161 I actually, I hope this isn't true, Jez. 39:26.442 --> 39:31.626 I actually ended up self-harming after a huge and long-lasting row with my wife. 39:31.786 --> 39:33.527 Did you read this before you- Yeah, I did. 39:33.627 --> 39:33.747 Okay. 39:33.847 --> 39:34.487 I'm being brave. 39:35.248 --> 39:39.070 Not wishing to sound like I live in a sitcom, but the argument was about wallpaper. 39:39.750 --> 39:41.291 Not choosing it though, just putting it up. 39:42.291 --> 39:44.012 That was quite sad, but it's all good now. 39:44.092 --> 39:46.113 Hope this helps, Jez in Manchester. 39:46.594 --> 39:50.256 You see, I had to read that out as a service to Jez because he's in treatment. 39:50.376 --> 39:52.156 It doesn't sound much like a sitcom, Jez. 39:52.597 --> 39:55.338 At least, it sounds like a sitcom- Sounds like an Ingmar Bergman film. 39:55.358 --> 39:56.719 Created by Marilyn Manson. 39:57.259 --> 39:58.000 OK, here's another one. 39:58.020 --> 39:59.241 Let's have a more upbeat one. 40:00.281 --> 40:00.642 Here we go. 40:00.742 --> 40:09.468 I had a row with my sister over a black bin liner for sledging, which ended up with me punching her in the nose and she bled in the snow. 40:09.709 --> 40:10.449 You what? 40:10.829 --> 40:12.291 Sounds like a monster. 40:12.471 --> 40:15.153 These are hopefully childhood things, not like fully grown adults. 40:15.173 --> 40:15.393 Yeah. 40:15.433 --> 40:21.097 But that sounds like an epic sort of Citizen Kane-y, traumatic childhood incident. 40:21.117 --> 40:25.941 You know, a sort of Freudian thing that you'll be suffering the after effects of for the rest of your life. 40:26.141 --> 40:28.782 to be, she's going to have a massive grudge against you. 40:29.002 --> 40:30.142 Let's have some more in a second. 40:30.182 --> 40:35.424 Keep texting those 64046 or adamandjo.sixmusic at bbc.co.uk. 40:35.464 --> 40:36.144 Keep them coming in. 40:36.624 --> 40:43.186 It's trail time with exciting Calvin Harris music and more live music, live in the Six Music Hub. 40:46.956 --> 40:47.797 That's lovely, isn't it? 40:48.097 --> 40:51.940 So you bat your lashes, but why would you bat for lashes? 40:52.961 --> 40:53.961 Bat for lashes? 40:54.242 --> 40:56.984 Maybe you have got no eyelashes. 40:57.224 --> 41:01.747 Yeah, and there's a man with some and He's having a competition. 41:01.787 --> 41:12.855 He's saying okay I'm only gonna give these lashes to someone who can really bat their eyes really well Oh because then it'll really pay off I thought it was a cricket competition when you started describing it 41:13.115 --> 41:36.050 really bad for lashes exactly so listen chaps maybe they're all bondage freaks and they're having their bondage people you know who like those bondage people that have those horrible magazines and stuff oh I hate them uh every year they have a cricket match that's right and the winner gets whipped I think that's it it could be that or the other thing is it could be a sort of gothic thing 41:36.830 --> 41:37.030 Right. 41:37.070 --> 41:38.272 Are they still called goths? 41:38.572 --> 41:40.194 You know, the kids that dress up like goths? 41:40.414 --> 41:42.056 Yeah, yeah, yeah. 41:42.076 --> 41:43.337 Or have they got a special new name? 41:43.837 --> 41:47.081 Anyway, you know, I think they're called Hoobs. 41:47.241 --> 41:47.581 Hoobs? 41:48.462 --> 41:54.569 Maybe the Hoobs who don't have proper eyelashes, they use a tiny bat like a flying creature. 41:54.589 --> 41:55.209 Oh yes. 41:55.389 --> 41:56.951 And they put it onto their eyes. 41:57.091 --> 41:58.633 And the bat flutters its wings. 41:58.713 --> 41:59.734 Yeah, exactly. 41:59.854 --> 42:02.476 And that works in the same way that lashes would do. 42:02.656 --> 42:03.197 There you go. 42:03.357 --> 42:04.919 They use a bat for lashes. 42:05.139 --> 42:06.520 That's that name explained. 42:06.540 --> 42:08.442 That's cleared up that problem. 42:09.623 --> 42:15.329 That was the name of the band, incidentally, lovely Natasha Khan, who is bat for lashes, basically, isn't she? 42:15.689 --> 42:17.150 And that song was called Priscilla. 42:17.791 --> 42:24.334 Now, we've been asking you to text in the biggest rouse and arguments you've ever had over the smallest, most trivial things. 42:24.374 --> 42:25.935 Here's one from Jane in Glasgow. 42:26.235 --> 42:27.736 This is a good one, another music one. 42:28.176 --> 42:36.560 My boyfriend stormed out of the house and broke up with me when I argued that Elvis was more successful than Carl Perkins merely because he was white. 42:37.360 --> 42:37.780 Hmm. 42:37.960 --> 42:39.161 From Jane in Glasgow. 42:39.201 --> 42:44.023 It's a big debate, a big issue, but maybe not big enough to break up a relationship. 42:44.223 --> 42:46.244 I thought Carl Perkins was white as well, though. 42:46.724 --> 42:47.905 That shows how much I know. 42:48.745 --> 42:50.746 Here's another one from Claire in Shepherd's Bush. 42:51.947 --> 43:00.132 My ex and I had an almighty row that ended in us wondering why we were still together, but it started with a tiff over the rationale of the license fee. 43:00.972 --> 43:05.075 That wasn't why we split up, though it would have saved a lot of hassle if it had been. 43:05.115 --> 43:06.095 That's a bit mysterious. 43:06.375 --> 43:10.958 I like it when they... I like it when those kind of arguments start over something. 43:11.418 --> 43:13.640 And your girlfriend for no reason or your wife or whatever, 43:14.480 --> 43:16.221 or your husband, uh, or boyfriend. 43:16.641 --> 43:19.923 Um, seems to, I was just trying to cover all the bases there. 43:20.223 --> 43:21.484 You know, it's a big British castle. 43:21.504 --> 43:23.045 You can't, you've got to be balanced. 43:23.565 --> 43:26.026 Um, but what about inter-species relationships? 43:26.046 --> 43:35.111 Oh, for goodness sake, when you're an alien partner, your animal friend, um, seemingly for no reason just takes the opposing side. 43:35.131 --> 43:35.771 Do you know what I mean? 43:36.051 --> 43:36.672 Now, you know what? 43:36.732 --> 43:39.973 I've taught my lady partner just to say yes. 43:41.755 --> 43:44.558 One of my catchphrases around the house is just agree with me. 43:44.658 --> 43:46.059 What kind of relationship is that? 43:46.079 --> 43:47.581 It's a really good lesson in life. 43:47.741 --> 43:53.147 If someone offers you a point of view, the best way to deal with it is go yes and make a point of it. 43:53.568 --> 43:55.630 Agree with them, go yes, you're right. 43:56.351 --> 44:09.360 But it could also be said that, all you have to do is just agree first, then kind of put your argument, but with a note of I'm not sure whether I'm right or not, it's amazing the difference it makes to your life. 44:09.460 --> 44:17.905 Sure, but the problem with that is that after a while she may just lose the will to live, and she just goes, yes, and stops there. 44:18.225 --> 44:21.568 And then in 20, 30 years time... That's what I'm aiming for. 44:21.608 --> 44:22.028 You're right. 44:22.268 --> 44:22.788 You're right. 44:25.310 --> 44:34.136 But yeah, partners will often take just the opposing side for a mad reason, end up sort of arguing on behalf of something totally outrageous. 44:34.256 --> 44:37.518 Well, this is the whole point of this texting thing, isn't it? 44:37.578 --> 44:46.745 That you're angry for other reasons and then the person puts a point of view and you just decide to take the opposite view, you know, for illogical reasons. 44:46.825 --> 44:51.868 My partner does that, my life partner, who I'm married to. 44:51.928 --> 44:52.228 Harry. 44:52.429 --> 44:52.749 Harry. 44:53.409 --> 45:05.939 And she, I call her Harry, and she basically, like sometimes I just like get completely furious and just say, you don't really believe what you're arguing about, do you? 45:05.979 --> 45:10.863 We had this massive row one time about the concept of Britishness, right? 45:11.203 --> 45:13.505 Like, is there such a thing as Britishness? 45:13.925 --> 45:14.846 What would you say to that? 45:14.946 --> 45:16.147 I'd say you're boring. 45:16.747 --> 45:35.606 obviously i'm boring that's a given i'm watching telly but with the with that in mind would you say there was such a thing as as typical things that are british and to everyone yes i'd agree yes you see here's my here you see i'm now going to put my advice into practice yes i think that's seriously engage me on this just just because otherwise all right well my theory will 45:35.986 --> 45:48.718 Yes, there were they were things that were quintessentially British here at the rest of the world like cliches of Britishness things like that Harry disagreed Big Ben and And Grenadier Guardsmen and red phone boxes and stuff. 45:49.259 --> 45:51.721 My partner wasn't having any of it She said no, there's no such thing. 45:51.741 --> 45:52.582 What are you talking about? 45:52.642 --> 45:58.387 No one thinks those things are typically British and I just sort of it was just a logic block, you know and ended it up 45:58.427 --> 46:00.148 A massive round, it was a nightmare. 46:00.168 --> 46:01.669 Do you want to chat to me about it during the news? 46:01.829 --> 46:02.289 I'd love to. 46:02.509 --> 46:04.531 Okay, before that, here's the Kaiser Chiefs. 46:05.271 --> 46:06.112 Oh, ain't that nice? 46:06.432 --> 46:11.495 It is nice, but why is it necessary to have that slight sort of freak out there in the last 30 seconds? 46:11.855 --> 46:12.815 It's just filling time. 46:12.896 --> 46:20.060 Well, it sounds as if they're trying to have their cake and eat it, you know, to re-establish their indie credentials, almost as if they're ashamed of the summery... 46:20.660 --> 46:37.681 tune fest that they've created their breaks I'm talking about with their single beatific visions which is a lovely song but I'm just questioning their wisdom of having a little free section there um I'm gonna change the subject go on then we're in the middle of our text competition uh text the nation it's not a competition oh no I'm gonna be 46:38.081 --> 46:38.901 You're going to be all killed. 46:38.921 --> 46:40.282 I'm going to be excluded. 46:41.342 --> 46:46.064 But we're asking you what the biggest arguments you've ever had over the stupidest, smallest things are. 46:46.404 --> 46:47.584 And we've got some good emails. 46:47.644 --> 46:48.725 Can I read you some, please? 46:48.785 --> 46:49.345 Yes, please. 46:49.865 --> 46:50.345 Morning, chaps. 46:50.906 --> 46:52.206 This is from Chris at Work in London. 46:52.446 --> 46:57.168 The worst argument I can remember was over whether trivial pursuit is any good. 46:57.868 --> 47:02.190 Me and a couple of friends were playing Dungeons and Dragons when the subject of trivial pursuit came up. 47:02.290 --> 47:02.690 Nerds. 47:03.470 --> 47:04.030 I love nerds. 47:04.671 --> 47:09.234 I offered the opinion that Triv's was a great game, while my friend said it was rubbish. 47:09.654 --> 47:16.999 The argument escalated to the point where I, as Dungeon Master, ripped up his character sheet, thereby killing his character. 47:17.739 --> 47:19.120 He burst into tears. 47:19.381 --> 47:20.641 I'm quite sure he did. 47:20.661 --> 47:22.683 Wow, that's like tearing up his soul. 47:22.963 --> 47:23.783 How old were you? 47:23.803 --> 47:24.744 I'd love to know how old you were. 47:24.984 --> 47:26.625 At the time, we were 38. 47:26.865 --> 47:29.187 A lot of arguments start over Trivial Pursuit, don't they? 47:29.267 --> 47:30.608 It's a very divisive game. 47:30.788 --> 47:33.871 Yeah, because sometimes the questions are slightly badly worded. 47:34.231 --> 47:36.433 You know, there's an element of ambiguity in the question. 47:36.453 --> 47:36.893 That's true. 47:37.334 --> 47:42.218 And you try and, you know, claim your rights, you know, that you're clever and the people that made the game are. 47:42.418 --> 47:47.922 And also oftentimes it can seem like the other team is getting a run of easy questions. 47:47.982 --> 47:52.366 And, you know, like the other team will get like, who is the lead singer of the band? 47:52.646 --> 47:53.807 I know it seems unjust. 47:53.827 --> 47:54.608 That's absolutely right. 47:54.648 --> 47:57.851 And then and you'll get like, who invented quantum 47:58.271 --> 48:01.413 We could almost do a whole other text the nation on board game arguments. 48:01.613 --> 48:02.754 Here's one from David Cardiff. 48:03.014 --> 48:08.197 Probably the most pointless argument I had was a few years ago working in an office with workmate Billy. 48:08.477 --> 48:09.277 Oh workmate Billy. 48:10.038 --> 48:12.879 On the radio in the background was the classic Down Under by Men at Work. 48:13.399 --> 48:17.262 Quoting one of the lines, I asked Billy if he'd ever tried a Vegemite sandwich. 48:17.642 --> 48:21.344 He said I was talking rubbish and the line was a bit of my sandwich. 48:22.044 --> 48:28.989 It flared up into a huge argument with me trying to explain that Vegemite was the Oz equivalent to Marmite, but he wasn't having any of it. 48:29.109 --> 48:30.590 Workmate Billy, what are you thinking? 48:30.630 --> 48:32.351 We didn't speak for three days. 48:32.371 --> 48:35.613 To this day, he still thinks I'm talking rubbish. 48:36.414 --> 48:38.975 Man, Workmate Billy, you know you can go on the internet. 48:38.995 --> 48:40.396 Workmate Billy, is he like a doll? 48:40.636 --> 48:42.338 Yeah, there's a kids TV photograph. 48:43.118 --> 48:43.638 Workmate. 48:43.799 --> 48:50.223 The Kids TV program and it features an ignorant man who refuses to check facts about the lyrics of Men at Work songs by using the internet. 48:50.323 --> 48:53.586 Of course it's a Vegemite sandwich workmate Billy, I'm with you on that one. 48:53.786 --> 48:54.326 What was his name? 48:55.087 --> 48:56.208 Uh, his name was Dave. 48:56.448 --> 48:57.188 Dave, thanks Dave. 48:57.488 --> 49:01.611 Hi Adam and Joe, I had a fight with a schoolmate over Tiswas versus Swap Shop. 49:01.651 --> 49:02.352 Ooh, yeah. 49:02.372 --> 49:05.554 Basically, he punched me in the face and knocked a tooth out. 49:05.815 --> 49:07.616 Man, he knocked a tooth out! 49:07.816 --> 49:11.499 I'm pleased to say I was sticking up for Tiswas and was therefore correct. 49:12.299 --> 49:14.121 That's from Alan Manager. 49:14.641 --> 49:16.803 Well, that's the... No, manger. 49:17.023 --> 49:18.384 Manger, manger. 49:19.305 --> 49:22.447 And he was on the side of Tiswas. 49:22.487 --> 49:24.128 That was a big, divisive thing. 49:24.228 --> 49:26.470 ITV versus the BBC back in those days. 49:26.510 --> 49:29.833 It was very much posh boys versus the ruffians, wasn't it? 49:29.853 --> 49:29.953 Yes. 49:30.473 --> 49:32.656 Well, Tiswas was an exception to that rule, I'd say. 49:33.037 --> 49:33.277 Why? 49:33.297 --> 49:35.019 Tiswas was kind of a rough program, wasn't it? 49:35.039 --> 49:37.283 Yeah, but it was also strangely sophisticated. 49:37.543 --> 49:38.544 Oh, it was sophisticated? 49:38.885 --> 49:39.946 I'm not saying it was for your own. 49:39.966 --> 49:43.111 I- I- Personally, I used to- I- I could never- Well, Tiswas was on late, though. 49:43.771 --> 49:45.834 Oh, no, that's- that's- that was- OTT was on late. 49:45.874 --> 49:46.996 Yeah, yeah, they're the spin-off. 49:47.216 --> 49:48.016 Okay, here's one more. 49:48.036 --> 49:48.857 This is quite involved. 49:48.897 --> 49:49.317 Are you ready? 49:49.377 --> 49:50.837 You've got to concentrate to follow this one. 49:50.877 --> 49:51.637 This is from Martin. 49:51.838 --> 49:51.998 Okay. 50:02.721 --> 50:08.445 Foolishly, I thought I was in with them and started what I considered to be a light-hearted row with the chaps. 50:09.065 --> 50:12.087 I questioned the artistic integrity of said film and its starce alone. 50:12.547 --> 50:14.989 What a load of lowbrow tripe, I said. 50:15.269 --> 50:18.131 To which one of the fellows replied, it's a brilliant film. 50:18.491 --> 50:19.992 Stallone makes loads of money. 50:20.752 --> 50:23.134 My response was, well, what about Joy Division? 50:23.354 --> 50:24.815 Not much money, but great art. 50:25.975 --> 50:36.604 One of the group then queried Joy Division, or film machine then, to which I unwisely uttered, I rest my case, before strolling confidently home. 50:37.004 --> 50:37.765 Okay, fade to black. 50:38.385 --> 50:39.526 Couple of days later, fade up. 50:39.887 --> 50:43.810 Couple of days later, I saw one of these men across the road and I waved jauntily at him. 50:44.490 --> 50:48.153 He merely made a fist and slapped it into his opposite palm. 50:48.994 --> 50:55.356 On my return to the pub, I was followed into the toilet by the fellows and threatened and made to apologize. 50:56.516 --> 50:59.457 The inn's chef saved me from further damage. 51:00.017 --> 51:00.697 I was humbled. 51:01.097 --> 51:05.499 It was a daft row and it taught me some serious lessons about pub banter. 51:05.639 --> 51:06.359 Who's that from? 51:06.379 --> 51:07.959 That's from Martin, Martin Cole. 51:08.379 --> 51:08.920 Martin. 51:09.180 --> 51:11.120 I love that's like a sort of Beno strip. 51:11.380 --> 51:14.841 I love that like a thug punching his fist into his palm like that. 51:14.881 --> 51:16.522 Does that sort of thing really happen? 51:16.882 --> 51:16.962 Oi! 51:17.702 --> 51:19.563 That's like a landlord shaking his fist. 51:19.703 --> 51:20.083 Yeah. 51:20.263 --> 51:20.563 At you. 51:20.784 --> 51:21.624 I like Joy Division. 51:21.664 --> 51:22.584 What film was she in? 51:23.525 --> 51:24.425 That's very good, Martin. 51:24.545 --> 51:26.907 And then I messed my case. 51:27.427 --> 51:28.988 Right now, Joe, it's time for your free choice. 51:29.068 --> 51:29.288 Yeah. 51:29.328 --> 51:30.589 Keep those texts coming in, by the way. 51:31.469 --> 51:34.631 64046 or AdamandJoe.6musicatbbc.co.uk. 51:35.031 --> 51:36.772 It's time for a sort of a free play. 51:37.072 --> 51:40.734 This is Iros Childs, former lead singer of Gorky's Igotic Monkey. 51:41.534 --> 51:42.815 This is called Costa Rita. 51:42.835 --> 51:45.476 That was Lovely Song there you picked for us, Joe. 51:45.576 --> 51:46.597 That was Lovely Song. 51:46.917 --> 51:47.517 That was Lovely Song. 51:47.757 --> 51:54.824 That's from Iros's album Chops, the one before, the one before the last, even though the new one isn't quite out yet. 51:54.904 --> 51:56.826 It was his first solo album, Chops, I think. 51:56.886 --> 52:01.711 Yeah, and it's got a marvellous cover, which is a sort of beautiful image made up of pork chops. 52:01.911 --> 52:05.275 Yeah, the new one is called Miracle Inn, I think it's out this month. 52:06.035 --> 52:11.439 If you like the sound of that, you could pretty confidently just go out and buy both of Iros's albums. 52:11.459 --> 52:12.120 Yeah, yeah, yeah. 52:12.160 --> 52:13.020 And everyone's a winner. 52:13.421 --> 52:14.762 Everyone's a winner, baby. 52:15.122 --> 52:15.822 That's the truth. 52:16.983 --> 52:19.505 Making love to you just sits me free. 52:20.226 --> 52:20.566 Does it? 52:20.906 --> 52:21.186 Yes. 52:21.386 --> 52:23.528 Well, it's a thrill though, that's the word, isn't it? 52:24.348 --> 52:25.689 Now, we were talking about 52:26.750 --> 52:34.575 arguments, ladies and gentlemen, in Text the Nation today, arguments that are started fairly innocuous and then spiralled way out of control. 52:34.595 --> 52:38.277 You know what a good example for the sort of science of arguments is? 52:39.218 --> 52:49.845 Not that anyone's watched it this year because it's rubbish, but Big Brother, in years past, used to be a sort of, you know, a genuine social experiment and it used to be quite fascinating to watch how 52:50.805 --> 52:56.987 you know, repressed anger or frustration with someone else's character would pop up over a tiny little thing. 52:57.027 --> 53:00.428 For me, that was one of the most fascinating things about that programme. 53:00.448 --> 53:00.968 Well, that's true. 53:01.008 --> 53:01.868 When it used to be good. 53:02.428 --> 53:10.231 Last year, the celebrity big brother with, you know, George Galloway and Pete Burns and Sean Tell and Preston. 53:10.251 --> 53:11.191 Now was that last year? 53:11.231 --> 53:12.671 Yeah, it was beginning of last year. 53:12.691 --> 53:14.752 Yeah, it was because the controversial one was this year. 53:14.772 --> 53:14.952 Yeah. 53:15.732 --> 53:16.973 It was amazing. 53:17.014 --> 53:23.240 The arguments that blew up in that house when all those lunatics were in there were Shakespearean. 53:23.280 --> 53:28.025 It was extraordinary and I taped all those shows obsessively and one day I'm going to watch them back. 53:28.305 --> 53:38.156 You could pretty much transcribe them and you'd have like an amazing play but the stuff they argued about there was demented and it was mainly Michael Barrymore's fault as I recall. 53:43.139 --> 53:45.080 Here's one that's coming from Matt. 53:45.360 --> 53:56.126 He says, my best friend from 5 to 16 stormed out and never spoke to me again after I fast-forwarded through the sofa gag on the Simpsons episode he'd come round to watch. 53:56.166 --> 53:56.987 No, come on. 53:57.007 --> 53:57.987 That can't be real. 53:58.167 --> 53:58.908 That's not true. 53:59.248 --> 54:00.809 No one's that obsessed with the Simpsons. 54:00.849 --> 54:04.111 If that's really the case, then you are thick. 54:04.791 --> 54:13.598 No, well, the friend, if that's really the case, then, you know, who would want a friend who would sacrifice their relationship with you because of a Simpson's sofa gag? 54:13.618 --> 54:14.379 That's what I mean. 54:14.419 --> 54:14.979 You know what I mean? 54:15.600 --> 54:16.421 It's insane. 54:16.481 --> 54:17.421 It's insane behavior. 54:17.441 --> 54:18.702 You're well short of that guy. 54:18.803 --> 54:27.750 Here's another email that's come in, and this actually sounds like a serious marital rift that is happening in the life of Sasha Darok Davies. 54:27.770 --> 54:28.690 Are you ready for this one? 54:28.751 --> 54:29.091 Go on then. 54:29.551 --> 54:30.412 Saturday just gone. 54:30.672 --> 54:33.935 My girlfriend and I had 20 odd people over for a Barbie. 54:34.495 --> 54:35.276 Just weird people. 54:35.356 --> 54:35.856 Yeah. 54:36.116 --> 54:39.478 Before our guest's arrival, I was preparing the last of the food. 54:39.998 --> 54:40.919 A basil oil. 54:41.279 --> 54:41.499 What? 54:41.919 --> 54:43.720 A basil oil to brush skewers with. 54:43.940 --> 54:44.180 Nice. 54:44.360 --> 54:44.561 Yeah. 54:45.101 --> 54:50.664 Anyway, the Mrs. wanted to weed the flower beds, but wanted me to remove the cat pops first. 54:51.224 --> 54:52.505 There were some cat pops in there. 54:52.525 --> 54:53.946 That seems a little unfair, yeah. 54:54.026 --> 54:56.007 I didn't want to get cat poppy hands. 54:56.587 --> 54:58.108 He's not using the word pop here. 54:58.868 --> 55:00.249 I'm cleaning it up for broadcast. 55:00.529 --> 55:04.491 I did not want to get cat poppy hands and then return to the food preparation. 55:04.731 --> 55:06.532 So I said, I'll do it in a minute, love. 55:06.832 --> 55:07.272 Reasonable. 55:07.672 --> 55:11.054 Then she started on about my food snobbery. 55:11.434 --> 55:12.594 Who cares about the food? 55:12.634 --> 55:13.795 Who are you trying to impress? 55:14.435 --> 55:15.416 et cetera, et cetera. 55:16.477 --> 55:18.158 I said, whoa, what? 55:18.379 --> 55:20.841 So you're too precious to clean up cat pops. 55:21.421 --> 55:25.265 She went mad and threw all manner of kitchen utensils at me. 55:25.725 --> 55:30.990 To which I responded, now this is where I think you step over the line, Sasha Darok Davies. 55:31.830 --> 55:37.275 This is took to which I responded with loud playground like woo. 55:38.096 --> 55:39.917 Now that sound, the woo. 55:40.558 --> 55:44.560 Whose is like a sort of international siren of things getting fired? 55:44.581 --> 55:45.161 Escalation. 55:45.481 --> 55:45.741 Isn't it? 55:45.861 --> 55:47.062 It's the argument. 55:47.322 --> 55:49.484 Because you're taking things to the level of a five-year-old. 55:49.824 --> 55:51.385 Five-year-olds can't communicate. 55:51.645 --> 55:54.287 They just physically brutalise each other, right? 55:54.307 --> 56:00.190 But you know, the sad thing is that sometimes the siren is employed to try and defuse the situation. 56:00.410 --> 56:01.291 Oh, but it never does. 56:01.371 --> 56:02.251 It never does, does it? 56:02.271 --> 56:04.073 Because it's the worst possible thing you can do. 56:04.993 --> 56:13.409 After all, after all two hand objects had bounced off my head, she attacked, exclamation mark, and punched me in the side of my head. 56:13.789 --> 56:14.310 It hurt! 56:14.591 --> 56:15.973 She's only five foot one! 56:16.852 --> 56:18.052 That's harsh, man. 56:18.112 --> 56:18.732 That's the end. 56:18.832 --> 56:23.433 Sasha Darok Davis works for the Bear Film Company in London. 56:23.593 --> 56:27.534 Your life is being lived at a high octane level there, Sasha. 56:27.894 --> 56:31.534 Can you just tell us if you're still together just so we don't worry about you? 56:31.915 --> 56:39.896 I hope everything's all right there in the... Now, Dr. Cornish says that in order to defuse that argument, what should you have done? 56:39.936 --> 56:42.536 At what point did it start to... Pick up the cat pops. 56:42.736 --> 56:43.676 I tell you what you should have done. 56:43.937 --> 56:46.277 You should have popped five or six cat pops on a skewer. 56:46.937 --> 56:50.924 Brush them with a little bit of garlic oil and shut them in your wife's mouth! 56:51.946 --> 56:52.647 But I would have done. 56:52.667 --> 56:53.567 Thanks, Dr Cornish. 56:53.827 --> 56:54.528 Uh, music time now. 56:54.588 --> 56:56.049 Here's a classic from the Kinks. 56:56.989 --> 56:57.270 Yes! 56:58.250 --> 56:58.510 Yes! 56:58.570 --> 57:00.492 That's the Kinks with Autumn Armanack now. 57:00.652 --> 57:05.215 Damon Olbarn must have loved that track as a youth, you know? 57:05.495 --> 57:07.956 Because that's pretty much the template for All Blur. 57:08.257 --> 57:08.797 Would you say? 57:08.877 --> 57:10.338 Around the park life period. 57:10.398 --> 57:10.738 That's from 1967. 57:12.219 --> 57:14.040 And an amazing song it is too. 57:14.300 --> 57:20.785 And I'm not putting down Blur or Olbarn for liking that track and slavishly adhering to its rules therein. 57:21.425 --> 57:22.626 because it's a, it's a smash. 57:23.266 --> 57:27.429 Uh, now we are talking about in text the nation today, arguments that have spiraled out of control. 57:27.909 --> 57:36.074 Uh, then it started very trivially and someone mentioned before, Triv's trivial pursuit and the kind of arguments that that can cause. 57:36.674 --> 57:39.776 And of course, there are many games that provoke terrible arguments. 57:39.796 --> 57:41.758 Scrabble is one of them. 57:42.078 --> 57:42.878 And you must have had it. 57:42.918 --> 57:44.019 You're a bit of a Scrabble fiend. 57:44.159 --> 57:47.981 I'm a bit of a Scrabble fiend, but you know, I've got something called a Scrabble dictionary. 57:48.121 --> 57:48.641 Right. 57:48.741 --> 57:55.204 Which you have to have to hand, and it's got all the words without the boring definitions. 57:55.524 --> 58:02.047 Okay, so you adhere, you just stick to what, if it's not in the Scrabble dictionary, you can't have it. 58:02.107 --> 58:06.589 Well, the rules are, if, wait, games like this, you've got to agree on the rules before you start playing, that's the key thing, isn't it? 58:06.669 --> 58:12.452 And I think the rules in Scrabble go that if a word is contested, then you go to the dictionary, 58:13.312 --> 58:13.813 Uh, yeah. 58:13.893 --> 58:14.293 Is that it? 58:14.874 --> 58:16.515 And then if it... What happens if it's wrong? 58:16.535 --> 58:17.356 Do you lose a go? 58:17.376 --> 58:17.877 Mm-hmm. 58:17.997 --> 58:19.939 You retract the tiles and lose a go. 58:19.959 --> 58:20.379 Ooh. 58:20.659 --> 58:21.440 Or do you play again? 58:21.720 --> 58:22.261 I'm not sure. 58:22.341 --> 58:24.122 I'm not that serious a Scrabble player. 58:24.263 --> 58:25.624 You're quite serious though, aren't you? 58:25.684 --> 58:27.265 Well, I'll confess something. 58:27.285 --> 58:30.609 We used to play a version where you're allowed to look in the dictionary. 58:30.849 --> 58:31.109 Right. 58:31.369 --> 58:31.590 Yeah. 58:32.150 --> 58:33.191 because it was more fun that way. 58:33.271 --> 58:35.394 Well, you can look it up before you lay the tiles down. 58:35.714 --> 58:35.974 Yeah. 58:36.315 --> 58:36.435 Yeah. 58:36.735 --> 58:39.538 Because you used to get incredible scores and learn new words. 58:40.019 --> 58:40.640 It was fun. 58:40.820 --> 58:41.401 I suppose. 58:41.901 --> 58:46.086 Well, there was one time on holiday, I wasn't actually there for this, but my friend told me all about it. 58:46.466 --> 58:46.987 I was there. 58:47.167 --> 58:47.728 Were you there? 58:47.808 --> 58:48.148 Yeah. 58:48.308 --> 58:49.390 For this big Scrabble game. 58:49.770 --> 58:50.911 Well, keep telling the story. 58:50.931 --> 58:52.132 This is the quick-chuck one. 58:52.172 --> 58:52.973 Yeah, yeah. 58:53.133 --> 58:53.713 Were you really there? 58:53.733 --> 58:53.994 Yeah. 58:54.454 --> 58:56.536 So, my friend's dad... Well, maybe you should tell it then. 58:56.816 --> 59:05.664 Well, it was a very posh holiday at a lovely house in Corfu and a friend of ours' father, who is quite an important man. 59:06.504 --> 59:11.208 We were playing Scrabble with him and he played the word... No, somebody played the word... 59:12.049 --> 59:12.409 Quit. 59:12.829 --> 59:13.450 Was it quit? 59:13.510 --> 59:14.270 I think it was quit. 59:14.310 --> 59:21.713 Q-U-I-T and the friend's imperious father put down J-U-T on the end of quit. 59:21.933 --> 59:22.873 To make quit jut. 59:22.953 --> 59:23.453 Quit jut. 59:24.334 --> 59:25.694 We went hang on a second. 59:26.295 --> 59:27.655 We're only about 17 or 18. 59:27.935 --> 59:28.455 We went hang on. 59:29.176 --> 59:29.716 Quit jut? 59:29.756 --> 59:30.556 Wait, is that a word? 59:30.576 --> 59:31.657 Of course it's a word. 59:32.257 --> 59:32.657 Quit jut. 59:32.957 --> 59:33.357 Quit jut. 59:33.497 --> 59:35.018 And then he followed it up with bip. 59:36.479 --> 59:37.980 He played Pip later. 59:38.100 --> 59:40.982 We said, what does quit quit jump mean? 59:41.342 --> 59:42.443 Well, it's a part of a ship. 59:44.104 --> 59:45.545 Is it part of a ship? 59:45.665 --> 59:47.026 He got furious about it. 59:47.046 --> 59:52.150 And he was furious because three little straplings had badly thuffed him out. 59:52.310 --> 59:57.994 We had started taking the Mickey and dads don't like having a Mickey taken out by kids today. 59:58.014 --> 01:00:01.836 He got really angry and he only made it worse by playing Bip. 01:00:02.277 --> 01:00:03.778 Bip is one of my favorite words now. 01:00:04.759 --> 01:00:05.379 Is it news time? 01:00:06.481 --> 01:00:08.023 Here is the news read by Nicola and Ruth. 01:00:08.363 --> 01:00:11.047 There we go, that's Toots and the Maples with pressure drop. 01:00:11.187 --> 01:00:15.653 Maybe he was driving and he lost some pressure in one of his tyres. 01:00:16.562 --> 01:00:21.265 Yeah, or he just went over a hill and he got that strange fluffy feeling in his stomach. 01:00:21.525 --> 01:00:24.286 Or maybe he's had his blood pressure checked. 01:00:24.887 --> 01:00:30.290 There's been a slight drop and he should eat more of that, spread what Carol Vordman does. 01:00:31.270 --> 01:00:31.711 Better call. 01:00:31.791 --> 01:00:33.492 What she makes. 01:00:34.252 --> 01:00:37.234 It's made from breast milk, is it? 01:00:37.394 --> 01:00:38.455 Is that wrong to say that? 01:00:38.495 --> 01:00:41.316 Yes, it is, in every conceivable way. 01:00:41.456 --> 01:00:42.157 I just heard that. 01:00:43.037 --> 01:00:44.739 Recently, on the street. 01:00:44.759 --> 01:00:45.841 That's the word on the street. 01:00:46.441 --> 01:00:48.043 After an episode of Countdown, she's milked. 01:00:48.403 --> 01:00:48.764 Okay. 01:00:49.745 --> 01:00:52.328 Now, it's band aid time this week, folks. 01:00:52.588 --> 01:00:55.751 We have inherited this feature from the wonderful Sean Kievny. 01:00:56.112 --> 01:01:02.419 Usually, Sean will ask people to vote for a couple of people to vote for a band that they think should be heard on 6 Music. 01:01:02.999 --> 01:01:08.544 This time, we have a couple of amazingly exciting young artists that Joe and I are pitting against each other. 01:01:08.564 --> 01:01:08.904 Yeah. 01:01:09.685 --> 01:01:11.506 Which is artist number one, Joe Cornish. 01:01:11.586 --> 01:01:24.537 Artist number one is an artist called Joe Cornish, who's produced a kind of a Euro, what is it, Euro house sort of a track called European Supermarket, and it's a kind of Kraftwerk 01:01:25.277 --> 01:01:39.561 stroke pet shop boys style exploration into into what it's like to go shopping in a supermarket when you're on holiday in your sort of urban electronica urban electronica yes so so here's it here's a brief snatch of that 01:01:52.498 --> 01:01:52.939 There we go. 01:01:52.959 --> 01:01:53.539 That's cool. 01:01:53.559 --> 01:01:54.760 European supermarket. 01:01:55.081 --> 01:01:57.623 The full version is one minute, 58 seconds long. 01:01:58.224 --> 01:02:06.272 If you want to hear the whole thing, then log on to bbc.co.uk forward slash six music and you'll navigate your way. 01:02:06.332 --> 01:02:12.558 Click on our stupid faces and eventually you'll find a thing where you can vote for either that track or its competitor. 01:02:13.038 --> 01:02:14.399 Tell us about its competitor, Adam. 01:02:16.121 --> 01:02:18.925 It's competitor is by an artist called Adam Buxton. 01:02:19.826 --> 01:02:20.627 He's from London. 01:02:20.707 --> 01:02:21.989 Not a name I've heard. 01:02:22.089 --> 01:02:23.230 No, well, he's a new artist. 01:02:23.270 --> 01:02:24.492 He's an exciting new artist. 01:02:24.672 --> 01:02:25.213 On the scene. 01:02:25.333 --> 01:02:29.078 On the scene, a Jack White from the White Stripes is a big fan. 01:02:29.398 --> 01:02:29.699 Really? 01:02:29.719 --> 01:02:34.044 Yeah, and didn't produce this song, but wanted to. 01:02:34.685 --> 01:02:34.985 Really? 01:02:35.045 --> 01:02:35.345 Yeah. 01:02:35.986 --> 01:02:38.807 And the track is called Jane's Brain. 01:02:39.407 --> 01:02:47.331 And Buxton says that it was created after thinking about a girl called Jane and imagining what it would be like if she had a brain. 01:02:47.611 --> 01:02:48.452 If she had a brain. 01:02:48.492 --> 01:02:48.792 Yeah. 01:02:49.252 --> 01:02:51.733 And all the things she would... No, she does have a brain. 01:02:52.133 --> 01:02:58.036 But imagining about the... Just, you know, thinking about the things that her brain might do. 01:02:58.616 --> 01:03:00.637 And that's where the song came from. 01:03:00.677 --> 01:03:01.938 Let's hear a clip of it. 01:03:02.438 --> 01:03:03.500 I've had a small heart attack. 01:03:18.240 --> 01:03:19.361 It's got a minor stroke. 01:03:20.321 --> 01:03:21.081 That's really good. 01:03:21.101 --> 01:03:22.602 It's a rock song. 01:03:22.642 --> 01:03:41.171 So you just, listener, if you care to, if you log on to www.bbc.co.uk forward slash 6music forward slash shows forward slash sean underscore keveny forward slash bandaidal1.shml that will take you directly to the voting site. 01:03:41.191 --> 01:03:43.833 Alternatively you can just go to www.bbc.co.uk 01:03:45.217 --> 01:03:47.739 and just work it out. 01:03:47.779 --> 01:03:50.481 It's an important thing, though. 01:03:50.661 --> 01:03:52.262 Can they hear the whole song on there? 01:03:52.282 --> 01:03:54.023 No, you can only hear a small snatch. 01:03:54.823 --> 01:03:55.944 That's the whole point of the thing. 01:03:55.964 --> 01:03:57.745 If you could hear the whole song, there would be no point! 01:03:57.785 --> 01:04:07.912 Yeah, and because we play the winner, at the end of the week, it's very important that anybody listening, anybody who cares, does that and clicks one of those things. 01:04:07.932 --> 01:04:10.734 Because, you know, it ticks all the big British Castle boxes. 01:04:10.774 --> 01:04:11.495 It's interactive. 01:04:16.598 --> 01:04:19.119 It's new music, uh, and it's just fun. 01:04:20.019 --> 01:04:20.999 Now, Album of the Day. 01:04:22.040 --> 01:04:28.262 Album of the Day is, uh, Super Furry Animal's new, um, long player, and here's a track called Runaway. 01:04:28.322 --> 01:04:28.962 Check it out! 01:04:29.543 --> 01:04:31.663 It's got a sexy voice, that man, doesn't it? 01:04:32.344 --> 01:04:34.365 Uh, Inside Sport with Gabby Logan. 01:04:34.385 --> 01:04:36.225 Can you imagine what's Inside Sport, Joe? 01:04:36.245 --> 01:04:37.826 Yeah, app- apparently, absolutely nothing. 01:04:38.326 --> 01:04:54.749 just there completely empty it's a void so before that you heard a track from the album of the day that was super furry animals with hay venus no with runaway the new album is called hay venus released yesterday yeah and it's their first for the rough trade label they've switched labels apparently 01:04:55.610 --> 01:05:13.446 and you can hear more tracks from that album all day here on BBC six music now we were telling you earlier that you can vote for our band-aid feature two tracks by new artists you have to vote for the one you want to hear you go to the BBC six music website click listen to the samples click on the one you like best you can also leave a comment there 01:05:13.706 --> 01:05:14.106 Can you? 01:05:14.347 --> 01:05:15.748 Yeah, you can leave a little message. 01:05:16.668 --> 01:05:18.670 Jason from West Yorkshire has left a message. 01:05:18.990 --> 01:05:21.372 He says, both tracks are as good as each other. 01:05:21.452 --> 01:05:22.273 Honestly, they are. 01:05:22.693 --> 01:05:25.716 So I made my choice by having a cough war with myself. 01:05:26.276 --> 01:05:29.979 I coughed twice and the noise which startled my cat more won. 01:05:30.600 --> 01:05:35.324 It was my joke-off which proved louder and more startling to Otis, which is his cat. 01:05:36.405 --> 01:05:37.365 Dear, oh dear. 01:05:37.866 --> 01:05:39.547 That's not... I mean, what's that? 01:05:40.188 --> 01:05:40.908 That's a message. 01:05:40.968 --> 01:05:42.229 Is that the way you vote as well? 01:05:42.249 --> 01:05:42.710 What's his name? 01:05:43.170 --> 01:05:44.671 His name is Jason. 01:05:44.771 --> 01:05:46.072 I like the sound of Jason. 01:05:46.472 --> 01:05:46.732 Jason? 01:05:46.752 --> 01:05:47.893 I think he sounds like a good guy. 01:05:47.953 --> 01:06:01.660 In the polling booth, both parties have things to recommend them, so I'm going to have a little cough game and put my vote in the Tory box because... That's how all national decisions should be made, by with coughing and the way cats respond to them. 01:06:01.821 --> 01:06:02.201 Fair enough. 01:06:02.621 --> 01:06:03.602 Cats are very wise. 01:06:03.922 --> 01:06:05.883 Now, all Egyptians worship them. 01:06:06.283 --> 01:06:07.124 I'm going to carry on talking. 01:06:08.224 --> 01:06:09.345 Are there other cat facts? 01:06:09.686 --> 01:06:11.367 Come on, come up with three cat facts. 01:06:11.407 --> 01:06:12.648 They like to eat meat. 01:06:13.128 --> 01:06:13.409 Right. 01:06:13.929 --> 01:06:18.053 Uh, feminism is based on ancient cat history. 01:06:18.353 --> 01:06:19.654 According to Jermaine Greer. 01:06:20.655 --> 01:06:22.677 Uh, and my cat's called Maisie. 01:06:23.738 --> 01:06:24.478 Maisie, yeah. 01:06:24.719 --> 01:06:26.640 Three cat facts there from Joe Cornish. 01:06:27.101 --> 01:06:29.963 Now here's the yayayays with maps. 01:06:30.103 --> 01:06:31.124 That's good stuff, isn't it? 01:06:31.184 --> 01:06:33.126 That's yayayays with maps. 01:06:33.386 --> 01:06:34.987 This is Adam and Joe here on... 01:06:35.808 --> 01:06:45.314 BBC six music ring for Sean Keating just a quick technical Problem that might have happened with the band-aid website voting thing. 01:06:45.475 --> 01:07:05.368 Oh, yeah Thanks from Daniel from Durham who sent us a very nice email saying that both links play the same song by having that investigated by BBC technical monkeys If that is the case, there will be an execution outside the big British castle And someone will be beheaded by who runs the BBC Mark Thompson 01:07:05.988 --> 01:07:07.610 Well, Michael Jackson, the pop star. 01:07:07.910 --> 01:07:17.418 Michael Jackson, the disgraced pop star, will be beheading a BBC monkey outside the big British castle, so all big British peasants can come and throw fruit at them. 01:07:17.458 --> 01:07:18.519 The rotten martyrs. 01:07:18.539 --> 01:07:18.739 Yes. 01:07:19.580 --> 01:07:21.702 Also, a little bit of house cleaning from earlier on. 01:07:22.002 --> 01:07:26.166 Tell us a bit of controversy about the pronunciation of Eros Childs' name. 01:07:26.186 --> 01:07:27.287 Yeah, you see, I read a thing. 01:07:28.088 --> 01:07:30.249 We know Eros, well, we kind of used to. 01:07:31.050 --> 01:07:36.594 pretend we did, because we filmed the segment with them and we were kind of in love with the gawky psychotic monkey. 01:07:37.134 --> 01:07:38.835 And so we pretend we know him. 01:07:39.256 --> 01:07:41.377 And we used to know how to pronounce his name, right? 01:07:42.017 --> 01:07:45.560 Yeah, well, they sort of said, we started off saying, is it Uros? 01:07:45.700 --> 01:07:47.901 It's spelt E-U-R-O-S. 01:07:47.961 --> 01:07:50.723 I guess Welsh listeners can give us the definitive answer to this. 01:07:51.764 --> 01:07:52.925 But he's such a sweet guy. 01:07:52.985 --> 01:07:56.587 He never, if you pronounce it wrongly, he never gets angry. 01:07:56.647 --> 01:07:57.508 He doesn't really mind. 01:07:58.569 --> 01:08:00.910 And one of the other band members said, it's more like Eiros. 01:08:01.651 --> 01:08:03.792 And so we did that, but then we went a little too far. 01:08:03.852 --> 01:08:05.093 How did you pronounce it just then? 01:08:05.113 --> 01:08:06.855 Well, I've been wavering. 01:08:06.895 --> 01:08:08.536 I kind of forgot how to pronounce it again. 01:08:08.576 --> 01:08:10.978 And there was a profile of him in one of the papers on the weekend. 01:08:11.458 --> 01:08:17.162 And it said in brackets, pronounced I-R-O-S, E-Y-E dash R-O-S, I-R-O-S. 01:08:17.482 --> 01:08:18.683 So I've been thinking, right, good. 01:08:18.723 --> 01:08:19.724 That's the definitive answer. 01:08:19.984 --> 01:08:20.865 I'll pronounce it I-R-O-S. 01:08:21.045 --> 01:08:21.866 That's what I've been doing. 01:08:21.906 --> 01:08:22.206 But then, 01:08:23.086 --> 01:08:25.427 someone texted in and said that we were doing it wrong. 01:08:25.727 --> 01:08:31.768 You shouldn't and the thing is at the BBC bad pronunciation is grounds for torture. 01:08:31.848 --> 01:08:44.851 It cannot be tolerated and not in CBBC if you work for the children's castle, the bouncy castle behind the main castle then the worse your pronunciation is the more likely you are to rise to the top. 01:08:45.191 --> 01:08:52.937 Yeah, but here in the old, big British castle, owned by the National Trust, we have to cross our T's and dot our P's. 01:08:53.157 --> 01:08:53.597 Exactly. 01:08:53.978 --> 01:08:55.158 Now it's time for my free choice. 01:08:55.559 --> 01:09:05.566 This is a track from Travis's latest album, which is called The Boy With No Name, I think, and I love this song, and it's very sort of winsome and sweet. 01:09:06.227 --> 01:09:07.928 I guess that's what Travis are like, aren't they? 01:09:08.268 --> 01:09:11.651 Love them or hate them, I personally love them, and this is called Sailing Away. 01:09:12.471 --> 01:09:15.052 Oh, I'd like to go on a canal boat holiday and play that. 01:09:15.893 --> 01:09:16.493 I love that song. 01:09:16.533 --> 01:09:19.574 That's Travis from their album, The Boy With No Name. 01:09:19.594 --> 01:09:21.395 This is Adam and Jo on BBC Six Music. 01:09:21.615 --> 01:09:23.396 That's pretty much it for our show today. 01:09:24.156 --> 01:09:29.098 Just before we leave, I'd like to say thank you very much indeed to everyone who texted us and emailed us. 01:09:29.418 --> 01:09:32.079 Fantastic tea... tea, tea, tea... Oh, I can't be wrong. 01:09:32.099 --> 01:09:33.460 Fantastic teats. 01:09:33.820 --> 01:09:34.120 Teats. 01:09:34.280 --> 01:09:35.501 You've got fantastic teats. 01:09:35.521 --> 01:09:36.221 Look at them. 01:09:36.241 --> 01:09:38.882 Hey, that's a polite way of saying a rude word we just discovered. 01:09:38.922 --> 01:09:39.903 We can run with that. 01:09:41.183 --> 01:09:43.945 Just before we leave as well, I've been fascinated... She had beautiful teeth. 01:09:43.985 --> 01:09:50.889 We have, I'm going to gloss over that, the TV on in the corner here in the studio, and I've been fascinated by Kate Garraway's hair. 01:09:51.209 --> 01:10:00.093 She presents GMTV, and I want you, tomorrow morning folks, to check out her hair and then talk to me about it, because there's something insane going on there. 01:10:00.113 --> 01:10:00.874 Yeah, hair, yeah. 01:10:01.775 --> 01:10:02.676 That's it from us today. 01:10:02.716 --> 01:10:03.677 Thank you very much for listening. 01:10:03.697 --> 01:10:05.419 We'll be back between 7 and 10 tomorrow morning. 01:10:05.459 --> 01:10:08.483 Coming up, Anita Rani with Calvin Harris live in the Hub. 01:10:08.864 --> 01:10:09.585 So stay tuned. 01:10:09.625 --> 01:10:11.207 This is Crumble by Dinosaur Jr. 01:10:11.227 --> 01:10:11.888 We'll see you tomorrow. 01:10:11.908 --> 01:10:12.228 Bye! 01:10:12.268 --> 01:10:12.588 Cheerio!