WEBVTT 00:00.049 --> 00:02.331 There you go, that's Kasabian with shoot the runner. 00:02.511 --> 00:05.453 Shit, it seems a little extreme just to shoot the runner. 00:05.473 --> 00:07.294 I mean, what's the problem with the runner? 00:07.715 --> 00:10.477 Well, you're not supposed to shoot, but he's sort of the messenger, maybe. 00:10.777 --> 00:12.198 You're not supposed to shoot him, are you? 00:12.638 --> 00:13.839 Because he's just the runner. 00:13.999 --> 00:15.721 Yeah, he's just the purveyor of the message. 00:16.021 --> 00:16.461 Right. 00:16.521 --> 00:19.083 Yeah, so Kasabian are being anti-establishment. 00:19.243 --> 00:20.965 And they don't care, they're just going to shoot him anyway. 00:21.005 --> 00:21.305 Yeah, yeah. 00:21.685 --> 00:25.408 That's the kind of rock attitude that you'll find on a lot of popular music. 00:25.608 --> 00:28.630 That's why I- And frankly, it's bringing the country to its knees. 00:28.770 --> 00:29.031 Is it? 00:29.671 --> 00:30.712 I think so, maybe. 00:30.952 --> 00:33.513 You know, we can't even put away Pete Docherty. 00:33.533 --> 00:35.094 That's what one of the papers says this morning. 00:35.134 --> 00:35.374 Really? 00:35.594 --> 00:36.235 Yob culture. 00:36.375 --> 00:38.176 We can't even put Docherty in jail. 00:38.316 --> 00:43.279 He had to appear in court within 24 hours of being arrested. 00:43.779 --> 00:44.039 Right. 00:44.119 --> 00:44.339 Right? 00:44.359 --> 00:44.920 Yeah. 00:45.020 --> 00:46.080 And they couldn't do it. 00:46.100 --> 00:46.701 They couldn't do it. 00:46.741 --> 00:47.201 Couldn't do it. 00:47.481 --> 00:48.001 How do they manage that? 00:48.021 --> 00:48.982 Because he's too sweet. 00:49.282 --> 00:50.143 He's too lovely. 00:50.183 --> 00:50.803 He's too nice. 00:50.823 --> 00:54.085 They were feeding him peanuts, bits of bread, dipped in milk. 00:54.646 --> 00:55.546 Hi, this is Adam. 00:56.027 --> 00:56.587 My name's Joe. 00:56.607 --> 00:57.248 Hello, good morning. 00:57.468 --> 00:59.409 Very nice to be with you again, listeners. 00:59.909 --> 01:02.951 Our third morning covering for Shaun Keep Me Here on Six Music. 01:03.011 --> 01:04.933 It's an absolute delight to be here at the BBC. 01:05.433 --> 01:16.308 And you know, if you're curled up in bed, uh, listening to this in bed under your duvet, still a tiny bit pleasurably stinky from the night's activities, then you're very lucky I envy you. 01:17.610 --> 01:18.050 That's it. 01:18.131 --> 01:19.553 That's where that was going. 01:19.613 --> 01:20.394 Yeah, that's it. 01:20.714 --> 01:21.716 That's good enough, isn't it? 01:22.116 --> 01:22.737 Yeah, yeah. 01:22.757 --> 01:24.478 Love you, love you, love you. 01:24.518 --> 01:28.481 But why not roll over and just pop your head on that lovely, chilly bit of the pillow? 01:28.721 --> 01:30.803 Ooh, I love that. 01:30.883 --> 01:32.845 Or even flip the whole, flop the whole pillow over. 01:32.865 --> 01:33.585 Flop the whole pillow over. 01:33.866 --> 01:43.213 Why not just stretch your legs and worm your foot into that lovely, little, cool bit of the duvet that you haven't kind of slept in? 01:43.293 --> 01:46.516 Why not just pop your foot out of the corner of the duvet? 01:46.576 --> 01:48.578 Flip the corner over and expose your foot. 01:48.758 --> 01:49.218 Yeah. 01:49.298 --> 01:49.759 Waft it. 01:50.019 --> 01:50.920 Can you have a little waft? 01:51.480 --> 01:54.422 Oh, you're very lucky to still be in bed, but we're very lucky to be here. 01:54.802 --> 01:58.184 This morning on the BBC Six Music Breakfast Show, and we've got loads of stuff for you. 01:58.204 --> 02:00.766 We've got terrific music from the likes of Adam and the Ants. 02:01.106 --> 02:02.027 I'm looking forward to that. 02:02.447 --> 02:04.729 We've got some Maximo Parks and Mohawks. 02:05.009 --> 02:06.710 We're going to be doing the serial thriller. 02:06.830 --> 02:10.272 Top session, uh, appeal session tracks that we've picked for you this morning, folks. 02:10.292 --> 02:11.433 Do you want to tease yours there, Joe? 02:11.733 --> 02:14.894 Yeah, yeah, I'm going to be playing some sprouts. 02:15.194 --> 02:16.575 Nice prefab sprout. 02:16.635 --> 02:17.755 Yeah, sprouts. 02:18.076 --> 02:22.177 And I've got a few nuggets from the Pixies for you folks from PIXY NUGGETS. 02:22.297 --> 02:23.858 I've been out in the field. 02:23.898 --> 02:24.598 Collecting pixie nuggets. 02:24.618 --> 02:25.839 Collecting pixie nuggets. 02:25.959 --> 02:27.279 Yeah, pixie droppings. 02:27.299 --> 02:28.860 Popping them in my music bin. 02:29.600 --> 02:33.102 And the most exciting thing of all folks is we've got a new jingle. 02:35.443 --> 02:39.385 You might have witnessed the birth of a new segment yesterday called Text the Nation. 02:39.925 --> 02:42.286 Well, it's the proud owner of a jingle. 02:42.506 --> 02:44.668 It's come very vividly alive in jingle form. 02:44.748 --> 02:47.049 It's like a baby that's grown hair in a moustache. 02:47.969 --> 02:49.750 Are we looking at Rylo Kylie here? 02:49.770 --> 02:52.272 This is the original version, not the hub version, right? 02:53.132 --> 02:55.033 This is Rylo Kylie with the money maker. 02:55.193 --> 02:58.235 You know, I had the most incredible star-studded dream last night. 02:58.895 --> 03:02.838 I know it's a bit tedious to talk about your dreams, but I feel this is an exception to the rule. 03:02.958 --> 03:05.679 Or we'll put a sort of one-minute alarm on you there. 03:05.820 --> 03:08.601 Okay, I was at Michael Bay's house. 03:08.982 --> 03:10.843 Michael Bay, the director of Transformers. 03:10.863 --> 03:11.783 And Armageddon, yeah. 03:11.963 --> 03:15.326 And he had the most amazing huge house in the Hollywood Hills. 03:15.386 --> 03:16.006 You'd expect him to. 03:16.106 --> 03:16.586 Enormous. 03:17.067 --> 03:18.648 And he was there with Clint Eastwood. 03:19.448 --> 03:21.630 And I was watching Transformers projected. 03:22.470 --> 03:24.412 Uh, and I was stealing DVDs. 03:24.892 --> 03:25.933 From Michael Bay's collection? 03:25.953 --> 03:27.174 Yeah, from Michael Bay's collection. 03:27.314 --> 03:29.657 He probably had the worst collection of DVDs ever. 03:29.757 --> 03:31.678 No, he had amazing obscure horror titles. 03:31.718 --> 03:32.059 Did he? 03:32.259 --> 03:38.364 And I was stacking them up, uh, being careful to keep it secret from the Bay and the Eastwood. 03:39.305 --> 03:42.027 And then I sneaked out and my friend Edgar came into the dream. 03:42.788 --> 03:48.195 And we were trying to sneak out of Michael Bay's house, and we entered a room with a massive sort of parquet wooden floor. 03:48.515 --> 03:49.116 Yeah, nice. 03:49.196 --> 03:54.302 And in the middle of the floor was what appeared to be the severed head of Sir Ben Kingsley. 03:55.724 --> 03:56.665 Just from the neck up. 03:57.446 --> 03:59.548 Can you picture Sir Ben Kingsley's angry face? 03:59.848 --> 04:01.831 Uh, like Gandhi, Gandhi was on it the weekend, yeah. 04:02.051 --> 04:06.475 Without the glasses, though, and he was just looking very angry, a bit like his sexy beast character. 04:06.615 --> 04:06.895 Right. 04:07.256 --> 04:08.397 And Edgar was shocked. 04:08.797 --> 04:10.379 He went, oh, oh my gosh. 04:10.839 --> 04:12.761 Well, they've just been killed. 04:13.161 --> 04:15.223 And then I realised the head wasn't severed. 04:15.583 --> 04:18.846 It was merely buried in the parquet floor, like in a Beckett play. 04:19.046 --> 04:19.367 Right. 04:19.427 --> 04:22.509 In that Beckett play when everyone's buried up to their neck in sand. 04:22.770 --> 04:25.172 Well, like they did with the extras in Apocalypse Now. 04:25.432 --> 04:25.812 Exactly. 04:25.852 --> 04:27.494 So I said to Edgar, don't worry. 04:27.814 --> 04:29.595 He's rehearsing a Beckett play. 04:30.395 --> 04:33.816 And Kingsley just gave us a really dirty look and went shush! 04:34.576 --> 04:34.977 Like that. 04:35.077 --> 04:35.817 Yeah, quite right. 04:35.877 --> 04:36.897 He's trying to get into character. 04:36.917 --> 04:37.778 That's where the dream ended. 04:37.798 --> 04:38.518 Wow. 04:38.618 --> 04:39.398 That's pretty good, isn't it? 04:39.418 --> 04:44.880 And I woke up this morning really feeling as if I'd hung out with Michael Bay, Clint Eastwood, and Sir Ben Kingsley. 04:44.920 --> 04:45.820 How is Eastwood looking? 04:45.860 --> 04:47.061 What a star-studded night. 04:47.141 --> 04:48.801 Was Eastwood looking haggard? 04:48.942 --> 04:49.622 No, ravishing. 04:49.762 --> 04:50.682 Ravishing is looking good. 04:50.722 --> 04:53.363 An amazing silver quiff, you know, that he has. 04:53.483 --> 04:55.484 You didn't chat to Michael Bay about Transformers. 04:56.104 --> 04:56.725 No, I didn't. 04:56.765 --> 04:58.447 Could have done a bit better there, Bay. 04:58.888 --> 04:59.849 No, I didn't. 04:59.909 --> 05:00.350 I was in awe. 05:00.390 --> 05:02.192 In the dream, I was in awe of all his achievements. 05:02.252 --> 05:02.572 Right. 05:02.592 --> 05:03.093 That's good. 05:03.113 --> 05:04.655 Do you know what my dream was about last night? 05:04.695 --> 05:04.855 What? 05:05.876 --> 05:12.104 I dreamt that I was in a secondhand shop and I found a black and white video game console 05:12.845 --> 05:14.167 and it was a Benetone. 05:14.487 --> 05:22.577 I was very excited and I was about to buy it because it was only £15 and then I looked at the back and it was American. 05:22.998 --> 05:26.402 You needed a transformer and the correct leads were not included. 05:26.583 --> 05:28.325 You had a dream about leads. 05:28.445 --> 05:28.705 Yeah. 05:30.026 --> 05:31.607 What a boring...compared to my dream. 05:31.947 --> 05:32.927 That's extremely mundane. 05:32.947 --> 05:33.547 I'll give you that. 05:33.928 --> 05:34.528 I'll give you that. 05:34.768 --> 05:36.248 Listen, let's have some Adam and the Ants. 05:36.268 --> 05:37.229 Do you know what? 05:37.369 --> 05:38.709 I'm a big Adam and the Ants fan. 05:39.249 --> 05:41.670 Well, obviously I'm not big enough because I've never heard that before. 05:41.710 --> 05:42.911 Never heard Xerox before. 05:42.951 --> 05:43.951 What happens that off of? 05:44.771 --> 05:45.171 Is it Dirk? 05:45.191 --> 05:45.952 Where's White Sox? 05:46.372 --> 05:48.352 If you could text us in, that would help us. 05:48.392 --> 05:49.253 Where's our text number? 05:50.553 --> 05:51.814 Jenny assistance. 05:51.974 --> 05:52.894 Where's the text number? 05:52.914 --> 06:10.601 6 4 0 4 6 you can text us on at any point during the show 6 4 0 4 6 that was incredible a moment of miles Ian's dead air totally just everything fell apart this miles Ian a word it is it is apparently officially now he's the king of dead air 06:11.121 --> 06:11.382 Yeah. 06:11.702 --> 06:13.965 Uh, hello, we're Adam and Joe, this is BBC Six Music. 06:13.985 --> 06:16.269 Welcome to the show, we're here with you until 10 o'clock. 06:16.329 --> 06:19.093 It's now 15, 16, 17 minutes past seven. 06:19.153 --> 06:20.915 I feel we should be doing more time checks. 06:21.276 --> 06:22.177 People love time checks. 06:22.197 --> 06:23.179 People love time checks. 06:23.339 --> 06:24.180 What about a weather watch? 06:25.034 --> 06:26.075 Well, yeah, we don't do the weather. 06:26.095 --> 06:27.516 We're just ignoring the weather at the moment. 06:27.576 --> 06:28.957 Oh, thanks a lot, Al Gore. 06:29.137 --> 06:30.738 It's not so... Yeah, thanks, Al Gore. 06:30.758 --> 06:32.840 Thanks very much for all the global warming. 06:32.920 --> 06:33.500 Yeah, thanks. 06:33.801 --> 06:34.161 Thank you. 06:34.181 --> 06:37.103 If you hadn't made that film, maybe we wouldn't be in this situation. 06:37.163 --> 06:38.925 Exactly, Al Gore. 06:39.265 --> 06:40.906 But it's not so bad this morning. 06:41.046 --> 06:48.572 I did actually cycle through a little rain shower, but there's some at least blue patches in the sky, so... And it's supposed to be a bit warmer today. 06:48.823 --> 06:51.243 Can I tell you another quick Michael Bay story? 06:51.263 --> 06:53.124 Come on, this is a real story, this actually happens. 06:53.164 --> 06:53.804 Is it in real life? 06:53.844 --> 06:57.465 Yeah, a friend of mine, who's a comedian in America, went to a party. 06:57.565 --> 06:58.665 Can't drop any names here? 06:58.705 --> 07:01.805 No, and Michael Bay was there at the bar. 07:02.305 --> 07:06.466 So my friend decided to go over to Michael Bay and pretend he didn't know who he was. 07:07.266 --> 07:08.686 So he went over and went, hey! 07:09.247 --> 07:10.107 Michael Bay went, hey! 07:11.007 --> 07:12.007 So, who are you? 07:12.027 --> 07:14.207 Oh, I'm Michael Bay. 07:14.767 --> 07:17.048 My friend went, oh, what do you do? 07:17.808 --> 07:19.369 Michael Bay went, oh, I'm a director. 07:19.890 --> 07:22.452 My friend went, oh, what films have you done? 07:23.092 --> 07:24.573 Michael Bay went, come on. 07:25.414 --> 07:26.274 I don't like that. 07:26.394 --> 07:27.795 That's the end of the story. 07:27.815 --> 07:29.797 He just went, come on. 07:29.937 --> 07:32.199 No one in the world doesn't know what films I made. 07:32.239 --> 07:33.199 He got a result. 07:33.340 --> 07:33.540 Yeah. 07:33.580 --> 07:39.724 Well, he has made some of the biggest, the most prominent films and the Transformers, the Transformers, Paul Harbour. 07:39.744 --> 07:42.266 Wasn't Paul Harbour one of the biggest box office smashes ever? 07:42.306 --> 07:43.087 The Bad Boys One. 07:43.487 --> 07:44.168 And the Bad Boys 2? 07:44.568 --> 07:45.510 Has he ever made a good film? 07:45.550 --> 07:46.150 That's the question. 07:46.351 --> 07:48.013 Hmm, I like Bad Boys 2. 07:48.193 --> 07:50.075 Didn't he once make a good film, Michael Bay? 07:50.416 --> 07:51.497 I dunno, we'll look into that. 07:51.597 --> 07:52.298 Yeah. 07:52.358 --> 07:54.501 We'll get some BBC mice to look into that. 07:54.621 --> 07:56.123 Somebody, uh, texted in. 07:56.163 --> 07:58.526 Thank you very much for your texts and messages, folks. 07:59.126 --> 08:01.467 Um, they want to hear some pixies a bit later on. 08:01.827 --> 08:09.810 Well, as I said, you'll be pleased to know that, uh, we've got a rare pixies peel session for you coming up, uh, at least a track from it very soon. 08:10.170 --> 08:10.770 Yeah, exactly. 08:10.810 --> 08:11.750 So stay tuned for that. 08:12.170 --> 08:16.492 But, uh, right now, right now it's seven, sorry to interrupt, but it's seven, it's seven 19. 08:16.572 --> 08:17.052 Nice. 08:17.692 --> 08:18.352 Thank you. 08:18.432 --> 08:18.833 Time check. 08:18.913 --> 08:23.154 I was getting a little anxious about what the time was since we last did a time check. 08:23.334 --> 08:23.834 Bat for Lashes. 08:23.854 --> 08:25.575 How much do you know about Bat for Lashes, Joe Cornish? 08:25.835 --> 08:26.095 Nothing. 08:26.516 --> 08:26.796 Nothing. 08:26.856 --> 08:28.417 She is beguiling. 08:28.837 --> 08:30.878 People are in love with the lady from Bat for Lashes. 08:30.918 --> 08:31.358 What's her name? 08:31.818 --> 08:34.460 I don't know, but I tell you what, while this... What's her name? 08:35.000 --> 08:36.280 Natasha Khan. 08:36.300 --> 08:36.781 Natasha Khan. 08:36.801 --> 08:39.002 While this plays, why don't you do me a sketch of her? 08:39.222 --> 08:40.002 Okay, I will do, yeah. 08:40.022 --> 08:40.723 Do me a sketch. 08:41.083 --> 08:43.724 And then after the thing, after the song, I'll describe the sketch. 08:43.784 --> 08:44.965 This track's called Priscilla. 08:44.985 --> 08:47.546 Hello, this is Adam and Joe BBC Six Music. 08:47.566 --> 08:49.847 Before that fantastic trail, we heard Priscilla. 08:50.367 --> 08:50.988 Uh, what? 08:51.488 --> 09:12.500 by bat for lashes yeah I've got a little picture of her Joe do you want to see yeah this is what this is what we'll show it to the webcam afterwards folks so you can see this may not be accurate oh my god she's attractive isn't she well according to it we don't know what she looks like but according to Adam sketch and is this if you just made this up or is this based on your memory or 09:12.860 --> 09:34.730 little based on my memory I haven't seen her she's got a center parting and very long straight hair that goes behind her ears they're slightly juggy her ears she's got sort of mad Picasso eyes with big eyelashes one iris is much bigger than the other she's got a kind of upturned piggy nose she's got a black top lip and a white bottom lip 09:35.971 --> 09:42.936 and sort of very, very slopey shoulders and tiny little breasts like purses strapped to the front of her jumper. 09:42.976 --> 09:44.577 Listen, I'm not sure if it's accurate. 09:44.777 --> 09:45.598 I don't know if it's accurate. 09:45.638 --> 09:46.539 We'll show it to the viewers. 09:46.619 --> 09:47.640 It's very beguiling. 09:47.940 --> 09:49.101 We'll show it to the people on the webcam. 09:49.121 --> 09:56.506 If you've got an internet connection and you can find your way to the 6 Music webcam, we're going to be putting Adam's sketch of Priscilla up there. 09:56.586 --> 09:57.087 You know what? 09:57.167 --> 09:59.088 Looking at it again, it's not accurate. 09:59.248 --> 09:59.509 It's not. 10:00.029 --> 10:01.671 It doesn't have to be, that's not what drawing's about. 10:01.711 --> 10:03.894 Drawing's about capturing the spirit, the essence, the feeling. 10:04.274 --> 10:05.976 You know, it's not supposed to be photorealistic. 10:06.096 --> 10:14.226 Yeah, this is what Natasha Khan from Backflashes means to me, and it's like, the way you described it, it's like I've done a bad drawing of her. 10:14.367 --> 10:15.268 You haven't, man, it's good. 10:15.488 --> 10:16.910 But I think she's lovely. 10:17.610 --> 10:24.534 Now, it's time for our first pick of the Peel Sessions this morning, folks, and I've gone for one from the Pixies. 10:24.614 --> 10:30.437 Now, the Pixies, of course, did about three or maybe four Peel Sessions, and all of them were pretty extraordinary. 10:30.477 --> 10:35.480 Some of them are too sort of insanely shouty and sweary for this hour of the morning. 10:35.880 --> 10:43.785 But here is a lovely track from a 1989 Peel Session, and this is called Wave of Mutilation from the Pixies. 10:49.052 --> 10:53.034 In what way is Mick Jagger like Shakira? 10:53.614 --> 10:54.214 Is this a joke? 10:54.494 --> 11:00.077 No, because on the news, she said he was shaking his stuff like Shakira. 11:00.577 --> 11:01.077 Oh, I see. 11:01.337 --> 11:03.758 Well, I guess the implication was that he's like... 11:04.878 --> 11:09.921 Like a really old, like an old, wrinkly lady. 11:10.021 --> 11:11.982 Yeah, fair enough, thanks for answering that. 11:12.363 --> 11:15.684 How was the Rolling Stones in case you didn't realise folks with brown sugar? 11:15.704 --> 11:19.206 And this is Adam and Jo on BBC6 Music in case you didn't realise folks. 11:20.467 --> 11:48.657 uh for the under sixes yeah fun for the under sixes so to continue our theme of fun for the under sixes yesterday we were talking about alarm clocks that's right seeing as what we're on early in the morning uh in fact this morning i did exactly what you were talking about yesterday and i guess my my body alarm has now kicked in and i woke up three minutes before the alarm was to go off yeah like a dog that knows its owner's coming home exactly and so i didn't have the pleasure of my alarm this morning but i've been enjoying my alarm 11:49.237 --> 12:05.685 After years of having really quite offensive alarms, and particularly that one, I don't know if it's got a, I'm sure it does have a proper name, but the alarm that goes beep beep beep beep beep beep beep beep beep beep beep beep beep beep beep beep beep beep beep beep beep beep beep beep beep beep beep beep beep beep beep beep beep beep beep beep beep beep beep beep beep beep beep beep beep beep beep beep beep 12:10.487 --> 12:11.128 Alarm sound. 12:11.168 --> 12:11.588 You know what? 12:11.708 --> 12:14.371 If Eno had written it, it would not have been as annoying. 12:14.451 --> 12:16.694 It would have been soothing and melodious. 12:16.874 --> 12:21.278 He, of course, and listeners probably know this, Brian Eno wrote the Macintosh startup chime. 12:21.399 --> 12:21.839 Is that true? 12:22.059 --> 12:22.780 I think it is true. 12:22.860 --> 12:23.100 Yeah. 12:23.140 --> 12:23.721 You told me that. 12:23.801 --> 12:25.062 So it's not you're responsible. 12:25.243 --> 12:26.544 No, I'm sure I've read it somewhere. 12:26.644 --> 12:27.365 I'm sure I've read it. 12:27.885 --> 12:29.287 But listeners, we'd like your help with this. 12:29.527 --> 12:31.649 We'd like to play Alarm Clock Wars. 12:32.310 --> 12:42.077 We want you to kind of focus on the noise your alarm clock makes, and we want to try and find the loveliest and nastiest alarm clock sound out there. 12:42.517 --> 12:43.358 So text us on 6406. 12:45.600 --> 12:47.241 Describe your alarm clock sound. 12:47.601 --> 12:50.243 Tell us whether you think it's, you know, fantastically 12:51.043 --> 12:52.824 designed or whether it's appallingly designed. 12:53.084 --> 12:55.564 Here are a couple of examples to start us off. 12:55.584 --> 12:56.705 This is my alarm clock. 12:57.145 --> 12:58.185 I bought it in Tokyo. 12:59.085 --> 13:03.306 It's a Studio Ghibli one, you know, based on their Film My Neighbour tutorial. 13:03.606 --> 13:04.346 It's very cute. 13:04.666 --> 13:06.907 It looks like it's been hewn out of wood. 13:06.947 --> 13:08.467 It is actually wooden, right? 13:08.607 --> 13:08.868 Yeah. 13:08.948 --> 13:10.608 Describe it there, Adam, what you can see. 13:10.748 --> 13:14.889 Well, it's a sort of insane mix between a kind of Swiss design 13:14.909 --> 13:19.470 A sort of very oldy-worldy-wooden-swiss kind of curlicues on it. 13:20.050 --> 13:27.911 And then the Japanese Studio Ghibli influence, of course, they were responsible for things like Princess Mononoke and, uh, was it not swept away? 13:27.991 --> 13:30.332 But, um, that would have been very bad. 13:30.752 --> 13:30.872 What? 13:30.892 --> 13:31.352 Spirited away. 13:31.372 --> 13:31.932 Spirited away. 13:31.972 --> 13:32.352 There you go. 13:33.332 --> 13:33.853 And things like that. 13:33.913 --> 13:34.413 It's not working. 13:34.653 --> 13:38.173 So presumably, it makes a fun chirping sound. 13:38.473 --> 13:39.394 That's the noise it makes. 13:39.694 --> 13:40.254 That's all right. 13:40.274 --> 13:41.554 That's all right. 13:42.366 --> 13:43.687 That is a horrific noise. 13:44.307 --> 13:48.170 It's a little wooden clapper striking a sort of big wooden acorn. 13:48.750 --> 13:49.651 It's like a drill. 13:49.691 --> 13:50.611 It's like a road drill. 13:53.293 --> 13:55.695 That's not a soothing noise to wake up to in the morning. 13:55.735 --> 13:56.736 But it's natural sounding. 13:56.776 --> 13:58.397 It's like a very excited woodpecker. 13:59.177 --> 14:04.741 A very excited woodpecker who has fastened its claws onto your head and is drilling into your skull. 14:04.761 --> 14:06.002 That's like that horrible advert. 14:07.577 --> 14:08.258 Terrible business. 14:08.398 --> 14:13.484 Our producer's telling us to turn it down because it's maxing out all the wires and dingles. 14:13.585 --> 14:17.910 I'm not going to go on a massive tangent, but you know that advert with the woodpecker drilling into the guy's head. 14:17.950 --> 14:18.130 Yes. 14:18.651 --> 14:19.672 Oh, that's terrible stuff. 14:19.933 --> 14:21.615 So that's the nastiest we could find. 14:21.895 --> 14:22.776 What about the nicest? 14:22.796 --> 14:23.477 You've got a nice one. 14:23.617 --> 14:24.378 I've got a nice one. 14:24.418 --> 14:24.518 Yeah. 14:24.558 --> 14:26.000 Do you want to play my one there at least? 14:27.731 --> 14:28.992 It's got a lot of paws on it there. 14:29.252 --> 14:30.833 I just would make you go deeper to sleep. 14:31.753 --> 14:33.875 It's like someone beautiful's lying next to you. 14:33.995 --> 14:35.336 It's like a fairy princess cape. 14:35.356 --> 14:48.003 Kate Moss is lying next to you and she's going... And then Pete Doxie's lying on the other side and he's going... It's probably quite a typical scenario in the Moss Doggety household that no longer exists, of course. 14:48.023 --> 14:48.504 Yeah, yeah. 14:49.164 --> 14:49.925 It's nice though, isn't it? 14:50.085 --> 14:50.585 That is nice. 14:50.605 --> 14:51.626 So can you beat that listener? 14:51.646 --> 15:03.715 So if you've got a more aggressive alarm sound or a more soothing one, text us on 6406 and if you convince us verbally, we'll give you a call and maybe get you to get your alarm clock to make a noise down the phone. 15:03.975 --> 15:04.996 Is this competition going to work? 15:05.336 --> 15:05.916 Well, I don't know. 15:05.936 --> 15:06.436 It's not a competition. 15:06.456 --> 15:07.077 It's not a competition. 15:07.117 --> 15:07.777 No, no, no, no, no. 15:07.797 --> 15:08.277 By no means. 15:08.337 --> 15:10.218 Is this event going to work? 15:10.358 --> 15:10.678 I don't know. 15:10.698 --> 15:11.698 There's no competition. 15:11.738 --> 15:14.279 We're relying on you listeners. 15:14.339 --> 15:14.599 Text 64046. 15:14.679 --> 15:19.081 I was going to remind you, we were talking about Brian, you know, doing the startup sound there the other day. 15:19.101 --> 15:22.262 I was going to remind you of what it sounded like. 15:22.642 --> 15:24.123 Yeah, but you ain't shut your laptop down. 15:24.143 --> 15:24.883 Well, I'm doing it now. 15:24.943 --> 15:25.403 It's restarting. 15:25.423 --> 15:26.384 Well, it looks like ages. 15:26.404 --> 15:27.284 No, no, no. 15:27.624 --> 15:29.585 Let's have some music while we wait for that. 15:29.725 --> 15:30.725 Oh, as soon as the music starts. 15:30.745 --> 15:31.866 What's next on the music list? 15:32.884 --> 15:33.287 What have we got? 15:33.569 --> 15:34.193 Here we go, here we go. 15:34.213 --> 15:35.361 Look, it's happening now. 15:37.850 --> 15:38.370 Brian Eno. 15:38.751 --> 15:41.272 That was the max start-up time by Brian Eno. 15:41.312 --> 15:43.674 This is Reverend and the Makers with He Said He Loved Me. 15:43.934 --> 15:46.596 This is Adam and Jo on BBC Six Music on the Brick for Show. 15:46.616 --> 15:47.076 Good morning. 15:47.297 --> 15:48.617 It is, what is it, 7.47? 15:49.998 --> 15:50.479 Time check. 15:50.699 --> 15:51.599 Jo time check, Cornish. 15:51.619 --> 15:53.341 Yes, very important to time check. 15:53.661 --> 15:56.463 Get everybody off to work, on time and all that sort of business. 15:56.863 --> 16:00.265 It's coming up for my archive session track. 16:00.626 --> 16:02.067 And you know what I'm most excited about? 16:02.087 --> 16:03.107 What are you excited about? 16:03.167 --> 16:05.009 Is the jingle with the woman. 16:05.589 --> 16:07.270 saying that it's my archive selection. 16:07.310 --> 16:08.711 That woman sounds so excited. 16:08.851 --> 16:09.471 That's true, isn't it? 16:09.491 --> 16:10.091 Is that real? 16:10.171 --> 16:10.812 Does she know me? 16:11.332 --> 16:12.593 Does she know my taste in music? 16:12.633 --> 16:14.954 Is she genuinely excited about what I'm going to pick? 16:15.114 --> 16:15.254 No. 16:15.294 --> 16:16.335 Or is it fake? 16:16.375 --> 16:16.715 Well, no. 16:16.735 --> 16:22.238 Our producer, Lisa, she showed the lady a picture of you while she was doing the trail. 16:22.358 --> 16:22.658 Really? 16:22.878 --> 16:27.080 And her reaction is the immediate reaction to seeing your picture. 16:27.240 --> 16:27.460 Really? 16:27.500 --> 16:28.461 Let's hear that trail now. 16:28.521 --> 16:29.061 Can we hear it now? 16:31.218 --> 16:34.300 Joe's pick of the BBC archive. 16:34.340 --> 16:35.680 Come on, she's excited. 16:35.940 --> 16:38.261 She's more excited than she was for yours. 16:38.662 --> 16:39.602 Wasn't Adams a bloke? 16:39.782 --> 16:40.202 Come on. 16:40.422 --> 16:41.683 Play Adams one, please. 16:42.003 --> 16:44.104 With mine, I think, I seem to remember she was just a bloke. 16:44.124 --> 16:44.705 I think he was just a bloke. 16:44.725 --> 16:45.325 No, it wasn't. 16:46.701 --> 16:47.502 Adam's Pig. 16:47.923 --> 16:48.844 Yeah, that's a bloke. 16:48.904 --> 16:49.925 BBC Archive. 16:50.386 --> 16:51.988 That's just a really effeminate bloke. 16:52.248 --> 16:52.608 Yeah. 16:52.869 --> 16:53.670 You've got a bloke. 16:54.150 --> 16:55.151 I've got a sexy woman. 16:55.372 --> 16:56.513 My bloke was turned on though. 16:56.553 --> 16:58.836 Yours was disgusting. 16:58.956 --> 17:00.578 Your bloke was closing that door. 17:01.619 --> 17:02.440 Mine was opening it. 17:03.121 --> 17:04.342 Careful! 17:04.423 --> 17:05.724 Go away, Adam's choice. 17:05.744 --> 17:07.065 Your bloke was uncrossing your legs. 17:07.706 --> 17:07.886 What? 17:08.427 --> 17:10.249 Okay, so here is my archive session track. 17:10.549 --> 17:11.690 It's from Prefab Sprout. 17:11.710 --> 17:16.055 Now, when I was at school and very young, I was into dreadful music. 17:16.475 --> 17:17.176 No, come on. 17:17.196 --> 17:21.501 I was, man, and Prefab Sprout was our first good band, sort of legitimate band. 17:21.901 --> 17:27.663 What were the... What was that stuff? 17:28.023 --> 17:31.464 But that was in the good old days. 17:31.484 --> 17:33.604 There was nothing awful in the charts when we were growing up. 17:33.765 --> 17:34.445 Oh, that's fair enough. 17:34.485 --> 17:35.185 But you know what I mean? 17:35.225 --> 17:35.425 Yeah. 17:35.705 --> 17:41.847 And I was getting a bit picked on for not having, you know, a sort of hardcore musical taste that I could talk about, so I remember going into WH Smith's. 17:42.427 --> 17:48.389 in Sloane Square and picking this record sight unseen, just off the cover. 17:48.710 --> 17:49.050 Really? 17:49.170 --> 17:51.611 Yeah, and then I listened to it over and over again, and Gruja loved it. 17:51.891 --> 17:54.192 Not this record, but Prefab Sprout's first album, Swoon. 17:54.472 --> 17:57.853 But this is from their third album, Langley Park to Memphis. 17:58.373 --> 17:59.014 Third or fourth? 17:59.034 --> 18:03.355 Yeah, because it's Swoon, Steve McQueen, and then I think Langley Park to Memphis. 18:03.876 --> 18:07.017 But this is from John Peel's session on the 18th of August 1985. 18:07.217 --> 18:09.658 This is Prefab Sprout with Cars and Girls. 18:09.878 --> 18:15.983 Fantastic, that's Prefab Sprout with Cars and Girls, recorded for John Peel, all the way back in 1985. 18:16.323 --> 18:19.005 There's a lot of secret Prefab Sprout fans out there, do you know what I mean? 18:19.025 --> 18:20.006 Do you have to be secret? 18:20.346 --> 18:28.393 Well, no, I'm not saying that they've chosen a secret life of fandom for the band, I'm just saying that they're one of those bands that's very critically under the radar, do you know what I mean? 18:28.413 --> 18:32.075 They never pop up into the hundred greatest album lists and stuff like that. 18:32.196 --> 18:32.396 Really? 18:32.416 --> 18:38.881 Really should, because they really... Swoon and Steve McQueen, certainly the first two, I'm not so sure about Langley Park to Memphis, although that's got its moments. 18:39.381 --> 18:42.523 But Swoon and Steve McQueen are two of the greatest albums ever made. 18:42.603 --> 18:44.825 McAloon is a genius, as far as I'm concerned. 18:44.925 --> 18:45.425 Absolutely. 18:45.645 --> 18:47.026 Yeah, he's a bit reclusive now. 18:47.667 --> 18:49.148 He released an album a few years ago. 18:49.248 --> 18:55.472 I think it was called I Trawl the Megahertz, a kind of a solo album, with all kinds of lyrics about being depressed about getting old. 18:55.772 --> 18:57.073 Well, he was going blind. 18:58.394 --> 19:02.296 So he spent a lot of time listening to the radio and literally trawling the megahertz. 19:02.336 --> 19:03.657 Have you heard that album? 19:03.757 --> 19:04.278 Yeah, it's good. 19:04.398 --> 19:04.798 It is good. 19:04.838 --> 19:05.699 It's really strong, though. 19:05.939 --> 19:06.759 It's very odd. 19:06.920 --> 19:08.641 It's sort of an art concept album. 19:09.761 --> 19:11.182 Yeah, but what if he was listening? 19:12.043 --> 19:12.683 What if he was listening? 19:12.704 --> 19:13.264 Could he be listening? 19:14.004 --> 19:14.405 I love you. 19:14.965 --> 19:15.806 I love you for listening. 19:16.046 --> 19:16.486 We love you. 19:16.526 --> 19:17.027 You're brilliant. 19:17.067 --> 19:17.807 Yeah. 19:17.867 --> 19:18.888 Anyway, wasn't that great? 19:18.908 --> 19:19.348 Yes, it was. 19:19.388 --> 19:19.608 Thanks. 19:19.648 --> 19:19.849 Bye. 19:21.950 --> 19:22.851 Now, what are we going to talk about? 19:22.911 --> 19:23.311 Oh, yes. 19:23.511 --> 19:25.973 Someone sent us in their alarm sound. 19:26.013 --> 19:31.717 We've been talking about the alarm clock sound you wake up to, what the nicest ones are, what the nastiest ones are. 19:31.977 --> 19:35.359 And we had a text here from Matt, and he says the following. 19:36.480 --> 19:37.701 Tired of Oprah sleep- what? 19:37.721 --> 19:38.501 Now let's start that again. 19:38.661 --> 19:39.202 Oprah sleeping? 19:39.542 --> 19:42.183 Tired of oversleeping because- Tired of Oprah sleeping. 19:42.203 --> 19:43.964 Right in the middle of a show. 19:44.645 --> 19:47.506 Tired of oversleeping because your alarm is not effective enough. 19:47.806 --> 19:52.949 Getting told off for being late to work because you can't- I can't read, you read it, read it, you read it. 19:53.049 --> 19:55.450 I can't my lips try and do it. 19:55.570 --> 19:56.831 Are you tired of Oprah sleeping? 19:57.872 --> 19:58.032 No. 19:58.352 --> 20:00.593 Tired of oversleeping because your alarm is not effective enough. 20:00.733 --> 20:03.975 Getting told off for being late to work because you keep hitting snooze. 20:04.115 --> 20:05.576 What you need- You can't do that enough. 20:05.936 --> 20:10.477 What you need is the most effective alarm in the world, which I've sent a sample of. 20:10.958 --> 20:19.620 I was always late for lectures, so I recorded a bit from the film GoldenEye, where Bond wakes up in a helicopter which is about to explode, with a woman screaming at him to wake up. 20:19.980 --> 20:25.602 Now, every morning, I wake up in a flood of adrenaline, and going back to sleep is a total impossibility. 20:25.902 --> 20:30.943 It's not recommended for people with heart conditions, so let's take a listen to his special mat. 20:31.424 --> 20:31.824 Ringtone. 20:44.864 --> 20:45.224 Hurry up! 20:45.304 --> 20:45.745 Come on! 20:46.225 --> 20:46.966 That's a nightmare! 20:47.026 --> 20:48.388 What sort of thing is that, Matt? 20:48.408 --> 20:49.890 You must be traumatised. 20:49.930 --> 20:51.652 You must be like, twig in South Park. 20:52.032 --> 20:53.674 Constantly jittering hair falling out. 20:54.235 --> 20:55.496 What kind of a morning is that? 20:55.596 --> 20:56.177 It's horrific. 20:56.357 --> 21:00.142 That is that you've created the most horrific alarm sound ever. 21:00.302 --> 21:01.103 Congratulations. 21:01.403 --> 21:02.364 Can anybody beat that? 21:02.484 --> 21:06.709 If you think you can, if you wake up to something more alarming, text us 64046. 21:07.450 --> 21:14.457 And we're still looking for the most soothing possible way to wake up the most soothing kind of electronically generated alarm song. 21:14.798 --> 21:15.158 Text 64046. 21:17.220 --> 21:22.246 And if you can convince us verbally that you've got the one, we'll give you a call and maybe get you to play it down the phone. 21:22.726 --> 21:23.087 Coming up... 21:23.827 --> 21:27.350 After 8 o'clock, we're gonna be unveiling our new Text the Nation jingle. 21:27.750 --> 21:28.571 It's very exciting. 21:28.631 --> 21:30.112 I think Adam did it yesterday afternoon. 21:30.412 --> 21:34.356 And even more exciting than that, there's an actual feature to go with it. 21:34.616 --> 21:34.876 Wow. 21:35.056 --> 21:35.897 What more could you want? 21:36.177 --> 21:38.219 Where we ask you to text in about a thing. 21:38.419 --> 21:40.240 But right now, let's play some more music. 21:40.600 --> 21:42.322 Here's Sonic Youth with Cool Thing. 21:42.642 --> 21:44.403 When you're a star, what's she saying? 21:44.423 --> 21:46.184 When you're a star, I know it'll fix everything. 21:46.244 --> 21:49.306 I tell you what she's saying, she's saying that was, uh, Sonic Youth was a cool thing. 21:49.346 --> 21:50.787 This is Adam and Joe on BBC 6 Music. 21:50.827 --> 21:52.468 It's time for the news rep by Joe and Harvey. 21:52.668 --> 21:53.049 Wow! 21:53.389 --> 21:55.190 That was, uh, hot, hot heat with bandages. 21:55.230 --> 21:56.391 That sounds great, doesn't it? 21:56.531 --> 21:56.971 It is good. 21:57.091 --> 21:58.272 It came out ages ago, though, didn't it? 21:58.312 --> 21:58.752 When was it? 21:58.792 --> 21:59.893 Have they done another one? 22:00.493 --> 22:00.994 Yes, they did. 22:01.234 --> 22:04.198 The follow-up, I think, to Bandages was not quite so successful. 22:04.218 --> 22:04.998 Well, how could it be? 22:05.018 --> 22:11.526 Because they almost hoisted themselves on their own patard by coming up with a single. 22:11.586 --> 22:12.627 That amazingly good. 22:12.807 --> 22:13.288 It is good. 22:13.328 --> 22:17.072 I like anyone who puts, like, extra syllables in a word, you know? 22:17.212 --> 22:17.353 Yeah. 22:21.417 --> 22:23.420 It's easy to get into your good birdics. 22:24.221 --> 22:28.706 It's like when Liam Gallagher says, uh, sunshiiiiiiiiiiiine. 22:29.167 --> 22:30.408 Yeah, isn't that just laziness? 22:30.669 --> 22:32.131 Couldn't think of a word that fitted properly. 22:32.151 --> 22:36.476 N-n-n-n-n-n-n-n-n-n-n-n-n-n-n-n-n-n-n-n-n-n-n-n-n-n-n-n-n-n-n-n-n-n-n-n-n-n-n-n-n-n-n-n-n-n-n-n-n-n-n-n-n-n-n-n-n-n-n-n-n-n-n-n-n-n-n-n-n-n-n-n-n-n-n-n-n-n-n-n-n-n-n-n-n-n-n- 22:36.636 --> 22:39.917 Anyway, it's Serial Thriller time here on BBC Six Music. 22:40.317 --> 22:42.058 You're listening to Adam and Jo on The Breakfast Show. 22:42.098 --> 22:46.920 Serial Thriller is a segment we've inherited from Sean W. Keveney, who's on holiday in Italy. 22:46.960 --> 22:47.740 We're filling in for him. 22:48.320 --> 22:50.281 And it's designed to let Sean have some breakfast. 22:50.661 --> 22:53.062 But, you know, to be perfectly honest, it's a sham. 22:53.462 --> 22:53.642 Why? 22:53.702 --> 22:54.842 Because we've had our breakfast. 22:54.942 --> 22:55.703 I haven't had mine. 22:55.783 --> 22:56.443 I mean, I have. 22:56.563 --> 22:57.123 I'm halfway through. 22:57.143 --> 22:59.624 I've had a couple of apples, but I've got a Danish in a bag. 23:00.064 --> 23:00.985 So it's not a sham. 23:01.005 --> 23:02.807 You're going to have that Danish during these two tracks. 23:02.847 --> 23:03.048 Yeah. 23:03.348 --> 23:06.071 I had some toast and honey and a couple of satsumas. 23:06.111 --> 23:06.551 I'm fine. 23:07.032 --> 23:07.893 What before you left? 23:08.013 --> 23:08.213 Yeah. 23:08.574 --> 23:11.156 But that's because your driver guy had a flat tyre. 23:11.196 --> 23:11.617 That's true. 23:11.717 --> 23:14.220 So you're waiting for him to... Because normally you wouldn't have the time. 23:14.240 --> 23:18.064 You'd wake up with just enough time to get out of the house and you wouldn't have had anything. 23:18.204 --> 23:19.265 Let's get Michelle on the line. 23:19.686 --> 23:20.166 Hello, Michelle. 23:20.186 --> 23:20.527 Are you there? 23:21.792 --> 23:22.372 How are you doing? 23:22.813 --> 23:23.373 I'm good, thanks. 23:23.453 --> 23:23.873 How are you? 23:23.973 --> 23:24.734 Very well, thank you. 23:24.754 --> 23:25.394 Good to speak to you. 23:25.414 --> 23:28.736 Thanks for, uh, thanks for, uh, did she email with us? 23:28.796 --> 23:30.637 Yeah, thanks for that. 23:30.897 --> 23:32.217 And you've chosen two very good tracks. 23:32.258 --> 23:34.239 We've got some background facts about you, Michelle. 23:34.619 --> 23:37.440 So we can, you know, flesh you out as a person in our heads. 23:37.720 --> 23:40.542 You're from Leeds, but you now live in York. 23:40.602 --> 23:40.862 Yeah. 23:41.282 --> 23:42.443 But you now live in York. 23:42.563 --> 23:43.563 Yeah. 23:43.904 --> 23:45.464 Very, very different place, isn't it? 23:45.605 --> 23:46.185 Very different place. 23:46.245 --> 23:48.466 Yeah, it's a lot quieter, a lot more there. 23:48.786 --> 23:49.767 How's the minster? 23:51.041 --> 23:52.262 It's very lovely. 23:52.582 --> 23:53.603 York Minster. 23:54.064 --> 23:54.885 Well done, Adam. 23:56.006 --> 23:58.568 Adam's trying to make you think he knows what happens in York. 23:59.229 --> 24:01.472 Well, he does, that's all that happens in York. 24:01.672 --> 24:02.092 Really? 24:02.833 --> 24:04.915 I happen to believe there's a Smiths. 24:05.756 --> 24:06.837 Yeah, that's true, there is a Smiths. 24:06.857 --> 24:07.378 Is there a Smiths? 24:07.698 --> 24:08.439 There has to be a Smiths. 24:08.459 --> 24:09.200 There is a Smiths. 24:09.260 --> 24:10.341 That's my knowledge of York. 24:10.521 --> 24:12.103 How's the station? 24:13.247 --> 24:14.228 The station? 24:14.248 --> 24:15.168 Yeah, that's good. 24:15.188 --> 24:15.988 The station's good? 24:16.148 --> 24:16.569 Good. 24:18.589 --> 24:21.111 Is he convincing you that he knows about your town there, Michelle? 24:21.131 --> 24:22.751 Well, I think you must live here, to be honest. 24:22.771 --> 24:23.752 Hey, York's very pretty. 24:23.792 --> 24:25.072 Come on, it's a lovely place, isn't it? 24:25.092 --> 24:25.953 He's very pretty. 24:26.133 --> 24:26.513 Yeah. 24:26.633 --> 24:28.754 Let's move on to your favourite film, Michelle. 24:30.135 --> 24:31.835 You sound like the guy from... Did you? 24:33.567 --> 24:40.174 Yeah, well, I woke up this morning and then we've got a gazebo outside because we've just moved in, so we've been sitting outside and it had blown over along the other way. 24:40.194 --> 24:43.057 Hang on, you've got the gazebo outside because you've just moved in? 24:43.077 --> 24:43.437 Yeah. 24:43.457 --> 24:45.880 Oh, do you mean to protect all your boxes and stuff? 24:46.941 --> 24:47.722 Is that what you mean? 24:47.742 --> 24:49.964 We can sit outside instead of sitting in all the mess. 24:50.625 --> 24:51.766 Okay, that's a good idea. 24:51.786 --> 24:52.647 Yeah, you see. 24:53.268 --> 25:08.403 and then that it blew over the wall this morning for her to run down and i would like to have five well that's that's the sort of me to teach with you and i don't know that i don't talk to me think of my favorite film well sorry to add to the pressures of of your morning uh... what is your favorite film 25:10.063 --> 25:10.904 Bye-bye, Michelle. 25:26.514 --> 25:29.535 pretending they knew where York was and what was in York. 25:29.555 --> 25:30.836 They kept interrupting me. 25:31.316 --> 25:33.477 They made light of the gazebo disaster. 25:33.577 --> 25:37.638 You know, I told them about the gazebo blowing over and then I blew over the wall. 25:38.119 --> 25:39.019 I was disconnected. 25:39.039 --> 25:41.920 Our producer, Lisa, is desperately trying to get her back on the phone. 25:41.940 --> 25:43.641 What if she was savaged by wolves or something? 25:43.661 --> 25:46.802 We happen to know, though, folks, what her favourite film was. 25:46.822 --> 25:47.362 Shall we tell you? 25:47.482 --> 25:51.964 It was Eternal Sunshine of the Spotless Mind, which is about, you know, having your memory erased. 25:52.044 --> 25:53.805 So maybe that's what happened to Michelle there. 25:54.145 --> 25:55.606 Someone just came along and grabbed her. 25:55.626 --> 25:58.108 Elijah Wood in a white coat with a couple of prongs. 25:58.188 --> 25:58.448 Yeah. 25:59.129 --> 26:01.010 He raised her noggin. 26:01.190 --> 26:02.391 But Michelle, see, it's Stevenson. 26:02.431 --> 26:03.552 Sorry to lose you there. 26:03.572 --> 26:04.873 Do call back if you're listening. 26:04.913 --> 26:07.114 Please call us back because, you know, that's unsettling. 26:07.334 --> 26:07.635 Exactly. 26:07.655 --> 26:10.757 But in the meantime, Michelle has chosen two excellent tracks for us. 26:11.157 --> 26:14.059 In a second, we're going to hear The Who with Babur O'Reilly. 26:14.099 --> 26:16.501 But first, here's Milo with Drop the Pressure. 26:16.821 --> 26:17.421 I'll be listening. 26:17.541 --> 26:18.281 That'll be excellent. 26:18.321 --> 26:18.802 Harry Hill. 26:19.102 --> 26:26.503 And before that, you heard the choices of Michelle Stevenson calling from York, and she got cut off there. 26:26.623 --> 26:29.144 But thanks very much indeed for calling in Michelle. 26:29.304 --> 26:36.426 And you heard Baba O'Reilly by The Who, and before that, Milo released the pressure, dropped the pressure. 26:36.606 --> 26:37.686 Same sort of thing, you know. 26:38.106 --> 26:38.886 Get rid of the pressure. 26:38.926 --> 26:41.507 Just, I don't want no more pressure, because you remove it. 26:41.767 --> 26:51.111 Drew in Weymouth was concerned that there might be some naughty words in that record, but Drew, we're on top of that because that was the radio mix, where the naughty words are obscured. 26:51.151 --> 27:02.016 Can you imagine, though, if we weren't on top of it, and for some reason the filthy word version went out at 10 past 8 on a Wednesday morning on the BBC? 27:02.136 --> 27:02.897 What would happen, Joe? 27:02.957 --> 27:03.377 What would happen? 27:03.397 --> 27:07.659 We would probably single-handedly corrupt about 30,000 children. 27:07.679 --> 27:08.139 That's right. 27:08.399 --> 27:09.179 How many people listen? 27:09.219 --> 27:09.920 About half a million? 27:10.660 --> 27:14.663 Yeah, probably about 30,000 kids out there listening, you know, having breakfast with their parents. 27:14.683 --> 27:15.664 They'd be furious. 27:16.004 --> 27:16.685 It would be terrible. 27:16.725 --> 27:22.689 We'd plant a seed of hatred in their little minds, like a bit of dirt in an oyster. 27:23.190 --> 27:24.471 That's not a good analogy, is it? 27:24.491 --> 27:25.511 Because they create pearls. 27:25.531 --> 27:25.852 Pearls? 27:28.433 --> 27:29.054 Yeah, I don't know. 27:29.154 --> 27:29.975 Who knows what would happen? 27:30.615 --> 27:31.877 Thank God we didn't do it. 27:31.897 --> 27:32.437 Yeah. 27:32.898 --> 27:34.560 Oh dear, it doesn't even bear thinking about it. 27:34.580 --> 27:38.565 And her favourite film, Michelle's favourite film was Eternal Sunshine in the Spotless Mind. 27:39.066 --> 27:44.953 Great film and a brilliant soundtrack by John Bryan, who does many great bits of film music. 27:45.538 --> 27:48.439 I wish I could remember what band John Bryan used to be in. 27:48.939 --> 27:52.640 But, incidentally, he also is involved with the new Spoon album. 27:52.660 --> 27:54.280 We'll be playing a track from that later on. 27:54.600 --> 27:58.401 It's our record of the week, so stay tuned for that. 27:58.841 --> 28:05.203 And in a second, I think, not right now though, we are going to be playing our text-the-nation feature. 28:05.503 --> 28:06.763 I'm worried about the webcam. 28:06.924 --> 28:12.365 It's showing a picture of you, Adam, working on your computer, and me with my feet up on the desk reading the paper. 28:12.785 --> 28:13.706 That's what it's like! 28:13.866 --> 28:16.187 That was what it was like for, like, four seconds! 28:16.207 --> 28:17.668 That's what it's always like. 28:17.688 --> 28:19.029 The BBC bosses are gonna see that. 28:19.049 --> 28:20.249 That's what it's always like. 28:20.269 --> 28:21.030 I'm gonna get fired. 28:21.050 --> 28:21.710 That's what it's like. 28:22.631 --> 28:24.492 Now, here's the standels with Dirty Water. 28:24.552 --> 28:26.853 After this, we'll be back with Text the Nation. 28:27.053 --> 28:31.336 From 1966 with Dirty Water, this is Adam and Jo on BBC Six Music. 28:31.756 --> 28:33.417 Very good morning if you've just tuned in. 28:33.777 --> 28:38.020 This morning we've been asking our listeners to, uh, send us their alarm sounds. 28:38.320 --> 28:41.742 We've been trying to find the most horrible and the nicest one. 28:42.162 --> 28:43.102 The most soothing. 28:43.282 --> 28:45.943 Yeah, no one's really sent us a really lovely soothing one. 28:45.983 --> 28:48.965 No, we had a very nasty, golden-eye sample one. 28:49.225 --> 28:49.765 Yeah, a homemade one. 28:49.785 --> 28:50.305 Who was that from? 28:50.325 --> 28:50.905 What was his name? 28:51.326 --> 28:52.106 Matt, I think, wasn't it? 28:52.126 --> 28:52.686 Matt, that's right. 28:53.186 --> 28:54.487 Here's another one from Dean. 28:54.907 --> 28:59.549 He sent us a very sort of pithy email that says, this one always does the job for me. 28:59.949 --> 29:02.570 Here's this noise that Dean wakes up to. 29:09.070 --> 29:10.751 Sounds like a brilliant rave track. 29:11.811 --> 29:14.212 Is that it? 29:14.412 --> 29:15.552 That's how robots wake up. 29:15.712 --> 29:16.052 Is it? 29:16.132 --> 29:16.392 Yeah. 29:16.692 --> 29:17.052 Really? 29:17.373 --> 29:17.713 No. 29:18.693 --> 29:18.893 No. 29:19.033 --> 29:20.193 Well, that's good. 29:21.154 --> 29:22.274 That's good there, Dean. 29:25.535 --> 29:26.516 How are you doing? 29:26.996 --> 29:31.479 Is that the sound of you trying to think of something to say about it? 29:31.539 --> 29:32.920 It's me telling him that it's good. 29:32.980 --> 29:34.661 You know, it's a good sound. 29:34.681 --> 29:35.682 It's good there. 29:35.842 --> 29:41.146 It's the sound of an organised man who goes about his morning in a very disciplined manner. 29:41.366 --> 29:42.467 I will brush my teeth. 29:42.967 --> 29:44.728 Now I have some breakfast. 29:44.929 --> 29:45.909 Put on my pants. 29:46.109 --> 29:46.710 That kind of thing. 29:47.270 --> 29:49.392 You know, disciplined like a robot. 29:51.599 --> 29:51.919 That's good. 29:51.959 --> 29:54.000 So, did Dean construct that himself, did he say? 29:54.140 --> 29:55.720 No, it's just the sound of his alarm clock. 29:56.100 --> 29:56.520 Oh, right. 29:57.540 --> 30:01.461 You thought of the idea in the first place. 30:02.041 --> 30:04.141 I was considering leaving that idea alone. 30:04.361 --> 30:04.601 Really? 30:04.641 --> 30:06.362 You were the one that wanted to go back to it. 30:06.382 --> 30:07.862 Well, you went to the effort of recording it. 30:07.902 --> 30:08.402 Send it in. 30:08.482 --> 30:09.442 No, thanks for that, Dean. 30:09.482 --> 30:09.802 Cheers. 30:10.202 --> 30:16.623 Now, it's time to not only launch this feature, but play you an amazing new jingle for this feature. 30:16.643 --> 30:17.364 Are you ready for this, Joe? 30:17.404 --> 30:18.044 I made this last night. 30:18.064 --> 30:18.484 Yeah, I'm ready. 30:18.504 --> 30:19.284 This is going to be brilliant. 30:19.384 --> 30:19.724 Brilliant. 30:21.462 --> 30:22.263 Text the nation! 30:22.323 --> 30:23.383 Text, text, text! 30:23.483 --> 30:24.244 Text the nation! 30:24.304 --> 30:25.265 What if I don't want to? 30:25.505 --> 30:26.165 Text the nation! 30:26.185 --> 30:26.746 It doesn't matter! 30:26.786 --> 30:27.086 Text! 30:29.848 --> 30:30.088 Yeah? 30:30.669 --> 30:34.111 I've incorporated all sort of things that people might be thinking there. 30:35.192 --> 30:36.032 And their idea. 30:36.052 --> 30:38.134 And what people have to do. 30:38.654 --> 30:39.315 It's all in there. 30:39.355 --> 30:40.295 Just play it once more. 30:40.475 --> 30:41.956 What are they saying in the background? 30:41.976 --> 30:44.038 Text the nation! 30:44.078 --> 30:45.139 Text, text, text! 30:45.239 --> 30:45.999 Text the nation! 30:46.059 --> 30:47.020 What if I don't want to? 30:47.260 --> 30:47.901 Text the nation! 30:47.921 --> 30:48.481 It doesn't matter! 30:48.541 --> 30:48.781 Text! 30:51.403 --> 30:53.104 What kind of answer is that? 30:53.124 --> 30:54.605 It doesn't matter. 30:55.846 --> 30:56.766 What if I don't want to? 30:56.866 --> 30:57.807 It doesn't matter. 30:57.887 --> 31:00.789 Oh, I'm trying to deal with people that might be on the fence about it. 31:01.369 --> 31:01.609 You know? 31:01.629 --> 31:03.070 It doesn't matter that you don't want to. 31:03.310 --> 31:03.651 Get it? 31:03.691 --> 31:04.591 You know, just dealing with it. 31:04.611 --> 31:05.352 Well done, that's a good work, man. 31:05.392 --> 31:06.132 How did that take? 31:06.612 --> 31:07.873 That took me half an hour. 31:08.674 --> 31:09.954 Wow, longer than I expected. 31:09.994 --> 31:11.635 Yeah, with GarageBand. 31:11.715 --> 31:12.576 It's good stuff, man. 31:12.856 --> 31:16.560 Anyway, this is our news section of the show, Text the Nation. 31:16.880 --> 31:25.269 It's a massively important nationwide poll in which we present you with a kind of a dilemma or a question and invite you to text in and then we read the text. 31:26.710 --> 31:27.651 Hence the jingle. 31:30.273 --> 31:30.794 It's good. 31:31.154 --> 31:35.558 Okay, so today I was thinking about underrated pleasures. 31:35.958 --> 31:36.178 Right. 31:36.218 --> 31:36.919 You know what I'm saying? 31:37.299 --> 31:43.604 Like things in life that don't have as much praise heaped upon them as maybe they might do. 31:44.064 --> 31:46.827 If we were on radio one we might say that they need to be bigged up. 31:47.327 --> 31:47.547 Yeah. 31:47.587 --> 31:50.249 But we're on six music so we don't use phrases like bigged up. 31:50.530 --> 31:50.610 No. 31:51.831 --> 31:53.392 we say underrated pleasures. 31:54.012 --> 32:04.659 And I'm thinking, here's a few examples, and these could be anything, it could be a film that you're particularly fond of, but not something that's just totally rubbish, but you happen to have a soft spot for it. 32:04.939 --> 32:10.203 I'm talking about something that you think is genuinely brilliant, but for some reason it's just fallen under the critical radar. 32:10.223 --> 32:11.024 Give us some examples. 32:11.344 --> 32:13.065 Okay, Film Wise, how's this? 32:13.665 --> 32:17.348 Dave, starring Kevin Kline, directed by Ivan Reitman. 32:17.728 --> 32:20.649 about the ordinary Joe who becomes the president. 32:20.809 --> 32:21.410 Exactly. 32:21.610 --> 32:32.235 Well, it's about a guy, Kevin Kline plays a bloke who earns a living not only doing work for the community, but also as a double, like a double for the president. 32:32.255 --> 32:32.655 You know what I mean? 32:32.675 --> 32:34.255 He looks exactly like the president. 32:34.276 --> 32:34.876 He's a lookalike. 32:35.416 --> 32:39.418 And when the president becomes ill, he has to stand in for the president 32:40.158 --> 32:41.499 for real, okay? 32:41.599 --> 32:47.362 But here's the thing, he turns out to be an even better president than the real president, who's actually a bit of a cynical schmuck. 32:47.782 --> 32:53.244 But Dave, who's standing in for him, he's got a heart of gold, and he's what presidents should really be like. 32:53.885 --> 32:56.886 And, you know, on some levels, it's a ridiculous spot. 32:56.906 --> 33:16.902 piece of whimsy this film but it's on other levels it's a peach and genuinely funny great performances from Kevin Kline and Sigourney Weaver's great sorry I won't go too much into what about what about other underappreciated pleasures what about music wise music wise I was listening to this album the other day and it's it's an album that a lot of people know is very good but 33:17.302 --> 33:33.959 It's again not like in this sort of top hundred best ever and it should be super grass their second album in it for the money everyone goes on about How great I should Coco was and stuff and of course it was one of the greatest debuts of all time for album number two That was amazing Richard the third 33:34.159 --> 33:39.043 When that was first on, I remember the first time I saw that, I think Chris Evans played it on TFI Friday, played the video. 33:39.423 --> 33:41.785 He just thought, this is one of the best things I've ever seen. 33:42.125 --> 33:45.207 So in it for the money, Supergrass, that's an underrated smash. 33:45.488 --> 33:51.492 So text us, 64046, with things that you think should be rated more highly. 33:51.912 --> 33:55.295 Underrated pleasures, things that you love, that kind of nobody else really does. 33:56.035 --> 33:58.717 And while you text us on 64046, let's have some more music. 33:59.098 --> 33:59.178 Yes. 34:00.979 --> 34:01.581 What are we gonna have? 34:01.862 --> 34:04.491 This is, yeah, Emma Pollock with a track called Acid Test. 34:06.892 --> 34:07.672 Text the nation! 34:07.752 --> 34:08.052 Text! 34:08.112 --> 34:08.413 Text! 34:08.473 --> 34:08.833 Text! 34:08.933 --> 34:09.673 Text the nation! 34:09.733 --> 34:10.693 What if I don't want to? 34:10.934 --> 34:11.614 Text the nation! 34:11.634 --> 34:12.154 It doesn't matter! 34:12.214 --> 34:12.514 Text! 34:15.035 --> 34:15.715 There you go. 34:15.735 --> 34:18.176 Another way it doesn't matter is to cut off abruptly. 34:18.196 --> 34:19.457 Yeah, yeah. 34:19.497 --> 34:20.197 It's very effective. 34:20.277 --> 34:20.937 It's important. 34:21.137 --> 34:22.998 Hello, this is Adam and Jo on BBC6 Music. 34:23.058 --> 34:24.299 It's 20 to 9. 34:24.979 --> 34:26.219 Good morning, thanks for joining us. 34:26.759 --> 34:30.761 We're in the middle of our exciting text the nation feature. 34:31.081 --> 34:45.744 feature, yeah, we've been asking you to text us with suggestions for kind of underrated pleasures, could be books, movies, films, or things that you do that you think, you know, everybody should know are pleasurable, right? 34:46.184 --> 34:50.405 Here's another example, non-life-threatening illnesses, okay? 34:50.485 --> 34:57.507 I'm talking about things like a little bit of a cold that's just severe enough to keep you off work, you know you're going to recover relatively quickly from it, 34:58.167 --> 35:01.729 and it means you can just go to bed for a while and stay there. 35:01.749 --> 35:02.770 Watch telly all day. 35:02.870 --> 35:27.263 Yeah, you can watch TV, you can read books that you've always been meaning to read but haven't got round to and watch films on your computer and stuff that you think like especially films that are perhaps a little bit boring or they look a little bit worthy and it's never the right time to watch them and then suddenly you watch them in bed while you're ill, they turn out to be amazing and brilliant and they make a real impression on you, an extra impression because you're feeling a bit ill and your head's all messed up. 35:27.563 --> 35:28.043 Do you know what I mean? 35:28.444 --> 35:29.644 It can be a wonderful experience. 35:29.684 --> 35:39.971 It's like a little mini holiday in the middle of your life and especially if you've got children and stuff or a busy job or whatever, it can be a real fantastic little break. 35:40.011 --> 35:42.753 So here are some examples sent in by you, the listeners. 35:43.333 --> 35:50.078 Jake from London says the film Sixteen Candles by John Hughes always makes him feel warm inside no matter how grey the world is. 35:50.558 --> 35:52.159 That's a classic, that one, sure. 35:52.359 --> 35:53.400 Is it an underrated pleasure? 35:53.760 --> 35:57.643 Well, I guess it's not one that regularly pops up on people's top 10 lists, is it? 35:58.364 --> 36:00.045 It's amazing, that film, I agree, Jake. 36:00.245 --> 36:02.847 It kind of wrote the book for nerd comedy. 36:03.027 --> 36:05.629 Yeah, and the teen genre on the whole. 36:05.669 --> 36:08.752 And Anthony Michael Hall in it is amazing, amazing performance. 36:08.772 --> 36:13.335 Well, a lot of John Hughes stuff is underrated, I guess, because it's seen as being too trivial, I suppose. 36:13.355 --> 36:13.895 What's happened to him? 36:13.935 --> 36:14.436 He's vanished. 36:14.716 --> 36:15.076 Is he? 36:15.236 --> 36:16.877 Yeah, he's vanished, hasn't made a film in ages. 36:17.137 --> 36:18.257 Well, he doesn't really... He's a bit of a mystery. 36:18.277 --> 36:24.079 He doesn't really need to anymore, because he can sit happily on Ferris Bueller's Day Off and know that it's one of the greatest films ever made. 36:24.319 --> 36:26.119 Here's another one from Mike in Hock. 36:26.539 --> 36:28.300 Or his name is Mike Hock, not sure. 36:28.620 --> 36:29.300 Hi, Adam and Jo. 36:29.580 --> 36:31.301 Cold baked beans are underrated. 36:31.541 --> 36:32.601 Hot one's overrated. 36:32.941 --> 36:33.882 Yeah, yeah, yeah. 36:34.623 --> 36:36.364 Cold baked beans are usually just eaten by kids. 36:36.464 --> 36:36.985 Absolutely. 36:37.405 --> 36:42.329 Also, I think his name might be one of those Simpsons-style things that spells out something revolting. 36:42.449 --> 36:43.330 Well, I fell for that one. 36:45.031 --> 36:47.854 Here's another one from Mitch, who says, The Beta Band. 36:48.234 --> 36:49.515 deserve more attention than they got. 37:08.846 --> 37:10.686 We owe a million quid to our record company. 37:10.726 --> 37:11.507 How did that happen? 37:11.667 --> 37:13.407 And we just can't afford to carry on. 37:13.527 --> 37:14.227 It's funny that, isn't it? 37:14.407 --> 37:20.269 I think people don't realise that bands have to kind of finance their own tours and videos and stuff, don't they? 37:20.329 --> 37:20.649 Yeah, exactly. 37:20.669 --> 37:22.649 They're kind of given a loan by the record company. 37:23.069 --> 37:27.750 It all comes out of their own pockets, and if it doesn't go right, you don't sell enough albums and you've spent too much on promotion. 37:27.871 --> 37:37.353 Yeah, so when you're watching some glossy indie pop video and feeling jealous of the life those people are leading, you just have to remember, A, it's all fake, and B, they paid for it all themselves. 37:37.593 --> 37:37.853 Yeah. 37:38.593 --> 37:39.073 Poor guys. 37:39.093 --> 37:42.795 Yeah, anyway, the beta band, that's a very good example of an underrated pleasure. 37:43.456 --> 37:44.436 And their second... What was it? 37:44.496 --> 37:46.638 Hot Shots Part Do was a great album. 37:46.778 --> 37:46.938 Yeah. 37:46.958 --> 37:47.718 That's well underrated. 37:47.838 --> 37:48.359 Absolutely. 37:48.779 --> 37:50.580 And then here's another one from Scott in Manchester. 37:50.620 --> 37:52.621 He's saying that the TV show Arrested Development. 37:53.121 --> 37:55.122 Best example of underappreciated genius. 37:55.463 --> 37:56.003 That's true. 37:56.023 --> 37:59.625 I mean, there's a lot of stuff that people, like, we all know it, folks, right? 37:59.665 --> 38:00.706 Things like Larry Sanders. 38:00.726 --> 38:01.426 That's amazing. 38:01.686 --> 38:01.886 Yeah. 38:01.926 --> 38:06.229 But for some reason, especially when it was on in the UK, like, BBC 2 used to squirrel it away. 38:07.250 --> 38:15.499 at around 1130 at night, used to move it around the schedules, you could never really catch it regularly and no one really watched it. 38:15.799 --> 38:20.805 And of course the West Wing of course, which many people absolutely love, they're religious about that programme. 38:21.345 --> 38:22.346 Never really made an impression. 38:22.386 --> 38:27.052 Chat Channel 4 tried to show it over here, didn't get the ratings, so they thought nah, let's not bother. 38:28.383 --> 38:31.444 But Arrested Development has launched the careers of lots of people who are in it. 38:31.484 --> 38:33.084 Will Arnett was in Blades of Glory. 38:33.224 --> 38:34.904 He's obviously doing very well as a comedy actor. 38:35.525 --> 38:38.105 And the kid Michael, is it pronounced Sarah? 38:38.545 --> 38:39.746 Michael's C-E-R-A. 38:39.846 --> 38:40.486 Yeah, Sarah. 38:40.746 --> 38:43.106 He's in this new film Superbad that's supposed to be really funny. 38:43.146 --> 38:44.247 Another Judd Apatow. 38:44.727 --> 38:45.807 Judd Apatow comedy. 38:45.927 --> 38:47.847 So keep those underrated pleasures coming in. 38:48.227 --> 38:50.608 Right now, here's Air, the French Bend. 38:50.888 --> 38:55.630 It's a lovely song called Kelly, watch the stars, look over there Kelly, look the stars, watch them. 38:56.090 --> 38:59.572 This is Adam and Jo on 6 Music, good morning, it's uh, what is it? 38:59.672 --> 39:01.252 It's like 11 minutes to 9. 39:01.753 --> 39:03.193 It's like 11 minutes to 9. 39:03.233 --> 39:05.014 I said that in a way that kids will understand. 39:05.094 --> 39:09.336 Well it's not quite, it's 15 seconds shy of 11 minutes to 9 as I'm saying this. 39:09.576 --> 39:10.336 Yeah, yeah, yeah. 39:10.356 --> 39:12.197 Shall we wait until it's exactly 11 minutes to 9? 39:12.537 --> 39:14.278 And then you can say, it's 11 minutes to 9. 39:14.898 --> 39:15.278 Yeah, what? 39:15.298 --> 39:17.019 I'll produce at least the same, no don't do it. 39:17.939 --> 39:21.622 We've been asking you to text in your underrated pleasures. 39:21.682 --> 39:23.523 Here's another underrated pleasure for you, right? 39:24.663 --> 39:28.025 Perhaps older married people with children might relate to more than other people. 39:28.586 --> 39:30.547 Cancelling social engagements. 39:32.228 --> 39:35.490 The delightful pleasure of cancelling a social engagement. 39:35.810 --> 39:39.252 So you've been invited out to a party or dinner, whatever. 39:39.632 --> 39:40.112 It doesn't matter. 39:40.132 --> 39:41.393 It might be someone really nice. 39:41.413 --> 39:43.474 I'm not saying this is people you want to avoid. 39:43.494 --> 39:46.016 It might be a person that you really enjoy seeing. 39:46.896 --> 39:49.158 But you just think, I can't face it. 39:49.458 --> 39:50.579 I cannot face it. 39:50.900 --> 40:00.928 Tracking across London or wherever you live, getting a babysitter, you know, the trauma of putting them to bed and saying goodnight and deceiving them so you can slip out. 40:00.948 --> 40:03.090 You know what a similar underappreciated pleasure is? 40:03.591 --> 40:04.812 Walking out of a bad film. 40:05.092 --> 40:05.552 Right. 40:05.592 --> 40:07.914 Because you just get an hour of your life back, don't you? 40:08.094 --> 40:12.979 If you decide it's not worth your time and you just go out and you think, we, kid, I've got an hour to go shopping, 40:13.772 --> 40:15.073 Maybe you don't use the word wicked. 40:16.254 --> 40:17.374 Because it's not the late nineties. 40:17.394 --> 40:18.335 Did you say wigglewacles? 40:18.855 --> 40:19.676 Wigglewacles! 40:19.716 --> 40:22.137 It's Acy Spacey Pics and Spacey! 40:22.337 --> 40:22.697 Yeah! 40:23.318 --> 40:23.658 Er, what? 40:24.459 --> 40:25.479 And go out and do some shopping. 40:25.499 --> 40:27.340 Here are some more that have come in from our listeners. 40:28.481 --> 40:29.201 Here we go. 40:29.982 --> 40:34.945 Adventure by the band Television is an extremely eternally underrated album. 40:35.285 --> 40:40.448 largely because it's always compared to its brilliant predecessor, Marquis Moon, says Paul in Abington. 40:40.488 --> 40:41.408 That's absolutely true. 40:41.488 --> 40:43.589 Mark, is it Mark Riley or Mark Radcliffe? 40:43.629 --> 40:47.471 One of the two is a big advocate of Adventure by Television, and it is. 40:47.531 --> 40:50.513 It's got a lovely song called Days on there, which is one of their best. 40:50.693 --> 40:51.513 I recommend that one. 40:52.014 --> 40:53.314 Here's one from Trudy in Warwick. 40:53.615 --> 40:55.816 She's saying that strawberry jelly... 40:56.596 --> 41:01.140 She had some for the first time in about 15 years, and she said that was an underrated pleasure. 41:01.340 --> 41:04.222 Jelly has certainly fallen off the critical radar. 41:04.382 --> 41:06.624 I am that jelly in about 25 years. 41:06.744 --> 41:11.047 I'm going to go home right now, have myself a big bowl of jelly. 41:11.367 --> 41:13.889 I don't like the fact that it's made from animal bones. 41:14.049 --> 41:16.651 I do like it. 41:16.751 --> 41:18.072 What do you mean it's made from animal bones? 41:18.092 --> 41:19.273 Well, isn't that what gelatine is? 41:19.353 --> 41:20.174 It's like bones. 41:20.314 --> 41:20.574 Is it? 41:20.594 --> 41:22.135 I think it is, yeah. 41:22.175 --> 41:23.376 I think vegetarians can't have jelly. 41:23.676 --> 41:24.117 Isn't that right? 41:24.477 --> 41:25.378 That's possibly true. 41:25.458 --> 41:28.839 I'm sure there's veggie jelly, though, but it probably doesn't have the consistency. 41:28.940 --> 41:31.061 And that's, of course, half the fun of the jelly. 41:31.261 --> 41:35.363 Here's somebody else voting for John Hughes as a procurer of underrated pleasures. 41:35.403 --> 41:38.145 Nick from Brighton says that weird science is his favourite film. 41:38.165 --> 41:41.106 If there's ever been a finer film in the world made, then I've yet to see it. 41:41.306 --> 41:42.207 Oh, I don't know about that, mate. 41:42.327 --> 41:42.887 I agree, mate. 41:43.307 --> 41:45.549 Particularly The Closing Trap by Ongo Boinga. 41:46.289 --> 42:10.086 weird science have you watched it recently yeah absolutely it does not stand out yes it does oh you're it does it's really weird science is brilliant listen there's a good boy go brilliant who's in ongoing go oh yeah who's now one of the most famous film composers in the world that's right and Rick from Durham is saying that Stuart Lee is a very underrated stand-up comic Rick I don't agree with you that he's an under that he's a brilliant stand-up comic but I don't think he's underrated 42:10.646 --> 42:19.094 you do agree with him that he's brilliant you don't agree that he's underrated yeah i think that everybody thinks he's brilliant everyone knows he's great isn't it yeah yeah time for more music now here's the garbage 42:26.694 --> 42:32.122 Ooh steady, that must have been embarrassing to have that at the end there without realising Shirley Manholme. 42:32.342 --> 42:33.644 That was Garbage with When I Grow Up. 42:33.664 --> 42:35.606 This is Adam and Jo on BBC6 Music. 42:36.067 --> 42:40.713 We've got one more underrated pleasure here that's coming from John Skelton. 42:41.454 --> 42:43.514 He says, The Super Mario Bros. 42:43.574 --> 42:47.935 motion picture, released in 1993 starring Bob Hoskins, was criminally banned. 42:48.475 --> 42:54.396 They took a colourful, cheery video game, turned it into a dark distop- I think you've got the wrong word here, John. 42:54.536 --> 42:54.977 Dystopian. 42:54.997 --> 42:55.597 Dystopian. 42:55.617 --> 42:56.777 He hasn't put the N on the end. 42:57.117 --> 43:00.458 A dark dystopian nightmare, with Dennis Hopper as King Cooper. 43:00.718 --> 43:01.738 And it was fantastic. 43:01.798 --> 43:03.278 I'm probably alone on this, but I don't care. 43:03.598 --> 43:07.939 The score by Alan Silvestri was also one of his best, but not better than Back to the Future. 43:08.459 --> 43:09.180 Jon, I agree with you. 43:09.200 --> 43:11.521 I'm gonna re-watch the Super Mario Brothers. 43:11.921 --> 43:13.342 It's probably got its moments, doesn't it? 43:13.362 --> 43:15.224 What about- It's got John Leguizamo in it. 43:15.384 --> 43:15.644 Yeah. 43:15.904 --> 43:17.345 And little baby dinosaurs. 43:17.405 --> 43:20.987 It's got some very imaginative, um, art direction. 43:21.068 --> 43:21.308 Mm-hmm. 43:21.448 --> 43:22.468 Some crazy creatures. 43:22.488 --> 43:22.709 Mm-hmm. 43:22.829 --> 43:28.893 Like, there's a brilliant, there's a genius stroke of having these massive great lumbering, uh, uh, weird lizard guards. 43:29.113 --> 43:30.314 But they've got tiny heads. 43:30.914 --> 43:31.494 Do you remember that? 43:31.514 --> 43:32.095 Yes, I do remember that. 43:32.115 --> 43:45.183 And if you read an interview with Bob Hoskins, where they ask him about it, he is vitriolic in his fury, particularly for the directors who are Annabelle Jankle and Rocky Morton, who I think... Did they create Max Headrum or something? 43:45.203 --> 43:47.524 They were kind of big video stars in the late 80s. 43:49.165 --> 43:50.566 So many factoids. 43:50.626 --> 43:52.127 And he reckons it was just mishandled. 43:52.348 --> 43:54.889 Brilliant idea, they just didn't do it right. 43:55.130 --> 43:57.351 He just thinks it's awful and he's embarrassed about it. 43:57.371 --> 43:58.933 And he shouldn't be, should he John Skelton? 43:58.993 --> 43:59.453 No he shouldn't. 44:00.414 --> 44:01.234 It's a brilliant film. 44:01.755 --> 44:05.698 Well thanks to everybody who's texted in with their underrated pleasures. 44:05.718 --> 44:07.739 I'm kind of talking as if it's the end of the show. 44:07.959 --> 44:11.302 We might have a few more of those after the news, but first here's the Smashing Pumpkins. 44:11.482 --> 44:15.847 There you go, more ultrasonic guitar stylings from the White Stripes there with You Don't Know What Love Is. 44:15.887 --> 44:22.114 This is Adam and Joe on BBC Six Music filling in for Sean W Keevney who's away on holiday in Italy. 44:22.154 --> 44:23.396 What do you think he's doing right now? 44:24.337 --> 44:25.718 I would say he's in bed. 44:26.459 --> 44:26.939 Do you think so? 44:27.059 --> 44:27.920 Yeah, wouldn't you think? 44:27.940 --> 44:29.561 What is Italy an hour behind? 44:30.442 --> 44:39.468 However many hours it is ahead or behind, if you host a breakfast show for a living and you go on holiday, I would guess that you're more or less staying in bed all afternoon. 44:39.528 --> 44:40.268 I think he's awake. 44:40.608 --> 44:41.589 I think he's been up since 5.30. 44:42.770 --> 44:43.991 He's pale and trembling. 44:44.011 --> 44:47.053 He's got a banana and he's doing links into it. 44:49.134 --> 44:51.296 Some kind of disturbed nutcase. 44:51.316 --> 44:52.236 He can't let go. 44:52.256 --> 44:54.858 He's sat in a corner with his iPod on listening to indie music. 44:55.538 --> 44:56.179 It's so odd. 44:56.599 --> 44:59.683 to get into the routine of getting up so early and then behaving all chirpy. 44:59.743 --> 45:00.003 Yeah. 45:00.083 --> 45:02.766 And he's been doing it for so long that he can't snap out of it. 45:02.846 --> 45:03.126 Right. 45:03.627 --> 45:03.887 Yeah? 45:04.007 --> 45:08.212 And he's going up and just asking random people what the news is for the news bulletin. 45:08.332 --> 45:12.597 And what their favourite kind of Sunday morning routine is. 45:12.657 --> 45:13.398 Yeah, yeah. 45:14.038 --> 45:16.241 That's probably what's happening somewhere in Italy. 45:17.905 --> 45:18.545 Ah, deary me. 45:19.106 --> 45:19.626 So what now? 45:19.686 --> 45:25.369 Listen, yesterday I was talking about how I went to the Green Man festival last weekend. 45:25.389 --> 45:26.070 Was it last weekend? 45:26.110 --> 45:26.950 It seemed so long ago. 45:27.110 --> 45:27.391 Yeah. 45:27.591 --> 45:29.011 And it was kind of rainy. 45:29.132 --> 45:35.395 The Green Man's a folk festival that happens near Abagaveni in Wales in the shadow of the Sugarloaf mountain, a beautiful setting. 45:35.735 --> 45:36.956 It's quite a small festival. 45:37.016 --> 45:39.437 It had 7,000 people there last year. 45:39.698 --> 45:40.918 This year they upped the number to 10,000. 45:42.259 --> 45:43.840 They might have invited too many people. 45:44.280 --> 45:45.942 Is there a Sugarloaf mountain around there? 45:45.982 --> 45:46.982 I thought that was in Brazil. 45:47.283 --> 45:48.904 No, well there's another one there. 45:49.224 --> 45:59.051 Anyway, it started raining quite hard and I left the Green Man festival on account of not wanting to get all wet and it was muddy and claggy and it just all got a bit nasty. 45:59.791 --> 46:08.497 Uh, so I was asking people to text in and tell me what happened on the Sunday, because there were some brilliant performers, including Graffrice, uh, playing there. 46:08.517 --> 46:09.877 Stephen Malthmus, you missed? 46:09.897 --> 46:13.099 That's right, Malthmus was the kind of headline act on the Sunday afternoon. 46:13.119 --> 46:14.240 Did you catch Joanna Newsom? 46:14.780 --> 46:19.163 Uh, you know, I didn't hear her play, but I ate breakfast next to her in the hotel. 46:19.443 --> 46:20.284 Oh, she's beautiful. 46:21.184 --> 46:23.206 Um, was she, did she have a harp? 46:24.284 --> 46:25.686 While she was eating her toast. 46:25.706 --> 46:26.367 She did, yeah. 46:26.528 --> 46:26.808 Yes. 46:26.928 --> 46:27.369 She did. 46:27.489 --> 46:28.390 Did she get egg on her heart? 46:28.430 --> 46:29.872 She was wearing it on her head. 46:29.892 --> 46:32.416 She got it all covered in egg and bits of bacon. 46:32.436 --> 46:33.758 Oh, I've got egg on my skin. 46:33.838 --> 46:35.781 Knitted between the strings of the heart. 46:35.941 --> 46:37.103 Yeah, is that what you want to hear? 46:37.183 --> 46:37.804 Yes, thank you. 46:37.824 --> 46:38.445 Happy now. 46:38.465 --> 46:38.886 Yes, I am. 46:39.586 --> 46:49.879 I was asking listeners who'd possibly been to the festival and stayed there for the Sunday to contact us, and Jocelyn Richardson did, and she's written this little appraisal of what happened on Sunday. 46:49.919 --> 46:51.101 Thank you very much, Jocelyn. 46:52.122 --> 46:53.243 I appeared to miss a lot. 46:53.644 --> 46:57.368 She said that on the Saturday night, she fell asleep in her tent, listening to tongue, 46:58.369 --> 47:03.351 uh, with their heavy bass, uh, which apparently distracted Joanna Newsom while she was trying to play. 47:03.611 --> 47:06.352 Now, at the Green Man Festival this year, they did a silly thing. 47:06.793 --> 47:08.553 They put two stages too close together. 47:08.813 --> 47:09.694 Oh, page one. 47:09.894 --> 47:13.175 The Fokidoki Tent was too close to the main stage. 47:13.295 --> 47:17.277 It wasn't the case last year, so kind of music bled from one stage to another. 47:17.497 --> 47:24.180 Now, that wouldn't matter at a rock festival, because it's a kind of wall of noise, but at a lovely gentle folk festival, it was a mistake. 47:24.600 --> 47:25.160 That's right. 47:25.180 --> 47:27.961 It's all about the silences in folk music, really, isn't it? 47:28.101 --> 47:29.962 New silences were corrupted. 47:30.242 --> 47:32.063 So yeah, Jocelyn, I agree with you there. 47:32.083 --> 47:34.384 There was a little bit of bleeding going on with the sound. 47:36.084 --> 47:36.925 What happened there? 47:37.045 --> 47:47.889 On the Saturday, she went back to her tent, she listened to Fridge, and then she got frustrated as the sounds of battles and Robert Plant competed with one another, making it sound like a weird experimental bootleg. 47:48.109 --> 47:49.230 It was a plant battle battle. 47:49.450 --> 47:49.790 It was. 47:50.630 --> 47:52.712 Um, battles, they're good, they're a really good battles. 47:52.752 --> 47:54.693 It was a really good lineup at the Green Man Festival. 47:54.973 --> 48:00.597 And now she says on the Sunday, for those of us who weren't wimps like Joe, are very rude. 48:00.697 --> 48:01.057 Very rude. 48:01.277 --> 48:04.059 And managed to last out until Sunday it was well worth the trouble. 48:04.099 --> 48:07.761 The rain had gone, the wind died down, the mud was manageable. 48:08.482 --> 48:14.826 Gruff Reese was joined by Lisa Jenn, both sitting in the middle of a large TV with Candy Lion as the test car. 48:15.266 --> 48:16.087 That sounds brilliant. 48:16.287 --> 48:16.767 That sounds great. 48:16.787 --> 48:19.189 He's made a kind of effort with the scenery and stuff. 48:20.309 --> 48:33.397 To end the set, Gruff moved to an airplane seat for a 20-minute version of the track Skylon from that album, which included a play acting out the storyline of bombs, a terrorist, a beautiful actress and a bomb disposal expert. 48:33.437 --> 48:34.677 You know that track of Candy Lion? 48:34.777 --> 48:35.938 Yeah, where he's in a plane, isn't he? 48:35.958 --> 48:37.399 Yeah, I think it's the last track on the album. 48:37.479 --> 48:38.700 It's a brilliant track, but there you go. 48:38.720 --> 48:40.761 He did a whole kind of theatrical version of it. 48:41.121 --> 48:42.002 That's amazing. 48:42.022 --> 48:43.663 What a fool I was to go home. 48:43.863 --> 48:44.964 You spacked out too early. 48:45.224 --> 48:46.965 But that's another little pleasure though. 48:47.265 --> 48:55.050 Do you know, sometimes just knowing when to call it quits, you know, having a little bit of a bad time at something like a three day festival, you just think, you know what, I don't have to stay. 48:55.070 --> 48:57.892 I can just go home and then it'll all be over and I'll be happy. 48:58.112 --> 48:58.773 Is it spoon time? 48:59.153 --> 48:59.834 I think it might be. 49:20.171 --> 49:21.511 And quite a responsibility. 49:21.571 --> 49:23.792 It is a responsibility, but I'm happy about that spoon one. 49:23.812 --> 49:26.152 That just gets better and better the more I hear it personally. 49:26.312 --> 49:31.633 Do you think you will, uh, playing it every day on this show will affect its sales in a positive way? 49:31.653 --> 49:32.933 Do you think, kind of, Spoon owe you? 49:32.953 --> 49:35.354 Uh, I think they probably do owe me a little bit. 49:35.394 --> 49:36.474 I was thinking about this kind of thing. 49:36.494 --> 49:41.415 I think you should make it clear to them that you've helped them and really, you know, extract your pound of flesh. 49:41.775 --> 49:42.515 I really will do. 49:42.775 --> 49:43.195 I will do. 49:43.295 --> 49:43.515 Yeah? 49:43.755 --> 49:44.135 Certainly. 49:44.376 --> 49:44.656 Yeah. 49:44.716 --> 49:46.556 You know, even if you don't, if they don't like you, 49:47.216 --> 49:48.837 I was actually- I think you should just demand it. 49:48.857 --> 49:49.177 Uh-huh. 49:49.498 --> 49:58.704 I was fantasizing about- imagine if there was a little spike in their sales after this week of, uh, playing a single, and then I'd be able to say, Excuse me, I'm responsible for the spike! 49:59.324 --> 50:00.345 That's my spike! 50:00.845 --> 50:03.607 Can I please- What would you demand from them? 50:03.987 --> 50:08.230 I would ask them to play a little set for me in my room. 50:08.250 --> 50:08.750 In your room? 50:08.770 --> 50:08.830 Yes. 50:10.111 --> 50:11.873 Not even in your front room, in your bedroom. 50:11.913 --> 50:14.215 In my bedroom, I'd be tucked up in the duvet. 50:14.235 --> 50:17.078 Would you or would you be lying naked on the top of the bed? 50:17.198 --> 50:18.600 That's what you'd be doing. 50:18.820 --> 50:19.821 Pleasuring yourself. 50:19.841 --> 50:21.242 That would be a stipulation, wouldn't it? 50:21.863 --> 50:24.305 I can behave as obscenely as I like. 50:24.606 --> 50:24.966 A spoon? 50:25.006 --> 50:26.187 What are you gonna play? 50:26.227 --> 50:27.408 They're from Austin, Texas. 50:27.508 --> 50:29.570 Are they? 50:29.891 --> 50:31.973 They've probably done similar sorts of things. 50:32.053 --> 50:32.573 You reckon? 50:32.774 --> 50:32.974 Yeah. 50:33.274 --> 50:35.496 If you join a band, you sort of expect that kind of thing. 51:03.234 --> 51:04.855 Chris, thanks very much for your email. 51:05.316 --> 51:07.017 I'm sorry, but no, we can't. 51:07.077 --> 51:10.720 It's text-only and that's an absolutely rock-solid stipulation. 51:10.740 --> 51:11.101 Why? 51:11.241 --> 51:13.683 Well, because it's in the name of the feature. 51:13.763 --> 51:16.545 Yeah, why can't you change the pop-home, change the jingle tonight? 51:16.565 --> 51:17.186 I'm sorry. 51:17.206 --> 51:17.546 I'm sorry. 51:17.746 --> 51:21.169 No, this is the big British castle and we can't do things like that. 51:21.189 --> 51:21.970 We can't just change things. 51:21.990 --> 51:25.513 Actually, as the person who thought of the brilliant name of the non-competition, 51:27.034 --> 51:30.997 It's a play on Test the Nation, of course, with Anne Robinson and Phillips Gohfield. 51:31.578 --> 51:34.060 It doesn't work if you put email, the nation. 51:34.120 --> 51:39.264 So, Chris, if you're listening, I hope you are, you've got to think of a different name for the non-competition. 51:39.424 --> 51:47.110 Also, Chris, on a serious note, obviously we don't discriminate between messages we get from text or email. 51:47.250 --> 51:51.533 You can send a carrier pigeon if you want and we'll still include it in Test the Nation. 51:51.733 --> 52:02.479 Our email address is adamandjoe, all one word, an a-n-d, not an ampersand, adamandjoe.six music, number six, not the spelled out six, at bbc.co.uk, that's quite complicated, isn't it? 52:02.499 --> 52:05.200 Now Joe, you've got a free play coming up right now, what have you got for us? 52:05.240 --> 52:13.445 Yeah, this is one of my favourite tracks from the Outcast albums of a couple of years ago, Speakerbox and The Love Below, this is from The Love Below, so I think it's by Andre 3000. 52:13.725 --> 52:15.506 Is it one of the sweary ones? 52:15.926 --> 52:19.968 I certainly hope not, it's called She Lives in My Lap, this is Outcast. 52:19.988 --> 52:20.509 Oh, I love this one. 52:21.189 --> 52:22.470 What if I don't want to? 52:22.550 --> 52:23.870 It doesn't matter, text! 52:32.648 --> 52:38.894 I'm going to alter the jingle tonight to include people that wish to email the nation as well as text them. 52:39.174 --> 52:43.018 I might have to extend it, though, by a few extra bars to include that information. 52:43.038 --> 52:43.498 Extend it a lot. 52:43.558 --> 52:44.659 Make it ten minutes long. 52:44.939 --> 52:46.301 Shall I make it a longer jingle? 52:46.441 --> 52:47.642 We'll film more of the show. 52:48.322 --> 52:49.784 Hello, this is BBC Six Music. 52:49.804 --> 52:51.946 We're Adam and Joe filling in for Sean W. Keibney. 52:52.286 --> 52:52.746 It is now 9.26. 52:55.729 --> 52:56.570 almost precisely. 52:56.810 --> 53:03.296 We're going to wrap up our Text the Nation thing, event, not a competition here on the show. 53:03.796 --> 53:11.503 We've had one or two more texts suggesting sort of unappreciated pleasures, things that bring you happiness that you want to alert other people to. 53:12.183 --> 53:12.863 So here we go. 53:13.443 --> 53:20.405 Brian is saying that BBC 3 TV show Pulling was amazing, but I don't know anyone else who watched it. 53:20.686 --> 53:23.206 Same goes for 15 Stories High with Sean Lockwood. 53:23.226 --> 53:25.707 Well, I've heard a lot of people talk about 15 Stories High. 53:25.727 --> 53:29.648 15 Stories High I've seen, and I can confirm that it is amazing. 53:29.688 --> 53:35.750 And it was one of those weird things that, for whatever reason, didn't connect, and it was very strangely... It's doing well on DVD, I believe. 53:35.770 --> 53:39.391 You can get the whole thing on DVD, and it's got a really good reputation, 15 Stories High. 53:39.531 --> 53:39.811 Brilliant. 53:39.871 --> 53:46.233 Pulling, I haven't seen, but I do know an actress in it called Sharon Horgan, who I think is maybe involved with writing it. 53:46.493 --> 53:53.135 She's also in Rob Brydon's Annually Retentive, and she's very talented, and I'm sure it's an excellent show. 53:53.415 --> 53:54.095 There we go, Brian. 53:54.115 --> 53:55.436 Well, thanks for alerting us to that. 53:55.916 --> 53:59.877 Here's another one from somebody, Rohan in Brydon. 53:59.977 --> 54:03.860 He says in Britain, in Britain, Seinfeld is underappreciated. 54:03.940 --> 54:04.460 Seinfeld. 54:04.821 --> 54:05.301 Seinfeld. 54:05.341 --> 54:06.782 Yes, I'm saying it phonetically. 54:07.163 --> 54:07.943 Seinfeld. 54:08.063 --> 54:09.965 There's a sign next to a field. 54:10.465 --> 54:11.146 Seinfeld. 54:11.166 --> 54:11.546 Seinfeld. 54:12.226 --> 54:19.872 And Super Furry Animals should be as appreciated as Radiohead, consistently the most innovative and amazing British band. 54:19.932 --> 54:21.554 I was talking to someone about this the other day. 54:22.034 --> 54:29.119 And our theory was that maybe the reason super furries are not bigger is because they refuse to mine just one seam. 54:29.159 --> 54:29.700 Do you know what I mean? 54:29.720 --> 54:31.561 They're amazingly eclectic, yeah. 54:32.041 --> 54:35.724 To be successful in Britain, you just have to do one thing over and over and over and over again. 54:35.764 --> 54:36.605 Until people get it. 54:36.645 --> 54:37.385 That's our theory. 54:37.666 --> 54:38.406 Yeah, absolutely. 54:38.446 --> 54:39.127 Here's another one. 54:40.027 --> 54:43.330 Underrated Pleasures Das Boot, the German film. 54:43.350 --> 54:44.371 It's very long. 54:45.165 --> 54:45.805 That's a good one. 54:45.965 --> 54:46.706 Who is that? 54:46.786 --> 54:47.946 That's the guy that did Speed, isn't it? 54:47.986 --> 54:49.047 That's Wolfgang Peterson. 54:49.307 --> 54:50.027 Yeah, it is. 54:50.087 --> 54:51.728 It's one of his first films, I think. 54:51.748 --> 54:52.668 There we go. 54:52.708 --> 54:53.169 So there we go. 54:53.209 --> 54:57.851 Some very good underrated pleasures there to bring people happiness from unexpected places. 54:57.991 --> 55:07.035 Thank you very much indeed for your texts and your emails, and we'll be, you know, throwing open the doors tomorrow for another thing. 55:07.175 --> 55:08.675 But it's news time now, is it? 55:08.815 --> 55:10.356 No, of course it's not news time. 55:10.836 --> 55:11.797 What is it time for then? 55:12.737 --> 55:15.259 She's just pointing. 55:15.719 --> 55:22.944 Alright, we're gonna have some music. 55:22.984 --> 55:26.466 Here is the salmon dance by the Chemical Brothers, but it's too late now. 55:26.726 --> 55:32.490 Apologies to the Chemical Brothers, we're gonna have to cut them off short because it's news time here on 6 Music, read by Adrian and Joe. 55:34.025 --> 55:37.971 Harvey and Joe, who knows, some exciting combo of news-type people. 55:38.311 --> 55:39.413 There you go, that's very good, isn't it? 55:39.453 --> 55:42.136 That's Deadwood by the Dirty Pretty Things. 55:42.557 --> 55:44.880 Does that have any connection to the Stephen Frears film? 55:46.099 --> 55:52.603 Erm, I suppose it must be... Was that not an adaptation of a book? 55:53.563 --> 55:54.064 I don't know. 55:54.304 --> 55:55.585 I'm not sure that it was. 55:55.985 --> 55:57.045 I don't know. 55:57.065 --> 55:58.386 But yeah, they were christened. 55:58.406 --> 56:00.607 The band was christened after that film came out. 56:00.768 --> 56:01.028 Really? 56:01.048 --> 56:02.228 Yeah, they certainly must have known that. 56:02.248 --> 56:04.950 Pop culture is a twisting labyrinth, isn't it? 56:05.670 --> 56:07.671 Of words and references. 56:07.691 --> 56:10.033 One that we explore every morning here. 56:12.647 --> 56:14.008 Oh, BBC6 music. 56:14.388 --> 56:20.333 Listen, I'm becoming increasingly annoyed that I left the Green Man Festival because of the rain on Sunday morning. 56:20.853 --> 56:26.478 Johnny has sent a very detailed email mocking me with what happened on the Sunday. 56:26.978 --> 56:32.082 He says, Steven Maltmus played no pavement tracks and all his songs went on far too long. 56:32.582 --> 56:41.009 But at least he said that the V Festival was rubbish and he also said that Cassabian are awful to the utter disgust and uproar of four people. 56:41.249 --> 56:41.810 in the crowd. 56:43.091 --> 56:47.495 He also says that Monkey Swallows the Universe were one of my highlights of the entire weekend. 56:47.575 --> 56:48.636 Are they a band you know, Adam? 56:49.296 --> 56:50.858 I've heard of them, haven't heard their stuff. 56:50.898 --> 56:52.319 What a great name. 56:53.019 --> 56:53.980 We should investigate them. 56:54.621 --> 56:58.364 But thanks very much for that email, Johnny, from a place where I can't pronounce. 56:58.404 --> 56:58.945 What does that say? 57:00.706 --> 57:01.287 Oh, I don't know. 57:01.747 --> 57:02.928 Keir-Leon. 57:03.328 --> 57:03.948 Keir-Leon? 57:04.489 --> 57:06.130 Sure, I've never heard of Keir-Leon. 57:06.730 --> 57:10.432 Um, but yeah, you wouldn't expect Malcolm was to dip into the pavement basket just yet. 57:10.492 --> 57:21.059 He's going through that phase that Frank Black went through, having left the pixies before they reformed, where he wouldn't play any pixie stuff and got very upset if anyone suggested- Are you like a music doctor? 57:21.699 --> 57:21.960 Yeah. 57:21.980 --> 57:25.102 Are you diagnosing the kind of stages of a condition? 57:25.622 --> 57:26.042 Absolutely, yeah. 57:29.858 --> 57:30.719 Talking, though, are you? 57:30.739 --> 57:31.199 Not really. 57:31.759 --> 57:36.182 No, I've entered that phase, like, from nine o'clock to around, uh... Ten. 57:36.302 --> 57:37.183 Two in the afternoon. 57:37.843 --> 57:41.445 Um, since getting up very early for these shows, I'm really in trouble. 57:41.646 --> 57:41.926 Really? 57:41.986 --> 57:42.246 Yeah. 57:42.266 --> 57:42.966 You're doing well, man. 57:42.986 --> 57:49.190 Listen, here's another email that has come from Edouards, which is spelt E-D-U-A-R-D-S. 57:49.290 --> 57:49.451 Mm-hmm. 57:49.791 --> 57:51.232 He says, Hi, Adam! 57:51.572 --> 57:52.292 Exclamation mark. 57:52.312 --> 57:52.853 Hi, Joe! 57:52.913 --> 57:53.573 Exclamation mark. 57:53.653 --> 57:57.476 I wonder, why don't you use background music when you talk? 57:57.736 --> 57:59.077 That's an interesting question, Edouard. 57:59.917 --> 58:02.659 In here in the radio business, we call them beds. 58:03.599 --> 58:05.881 And we sometimes use beds. 58:06.301 --> 58:07.862 We use beds at the beginning of the show. 58:07.902 --> 58:10.324 Bring a bed in, Lisa, and we'll see what difference it makes. 58:10.884 --> 58:11.845 See, there's a bit of a bed. 58:12.165 --> 58:16.387 It makes our kind of dreary drivel sound a little more dynamic. 58:17.388 --> 58:18.028 Yeah, exactly. 58:18.068 --> 58:20.410 As if it's going somewhere, as if something's about to happen. 58:20.710 --> 58:23.892 Whereas if we take the bed away, now it just becomes 58:24.332 --> 58:37.868 a kind of airy desert, a kind of massive empty room with a small child crying in the corner and a cup of coffee falling in slow motion towards a tiled floor and smashing. 58:39.369 --> 58:40.310 Yeah, and now it's better. 58:40.370 --> 58:42.611 Now it's like we're at a party and there's lots going on. 58:42.631 --> 58:44.672 We've got to go home soon and we've got lots to talk about. 58:44.792 --> 58:49.174 You see before I said, what was the phrase I used about tomorrow's text competition? 58:49.674 --> 58:53.876 We'll be opening the doors for more... To the thing? 58:53.976 --> 58:54.856 To another thing. 58:55.177 --> 58:55.977 To more things. 58:56.637 --> 58:57.218 Something like that. 58:57.258 --> 58:59.539 I think we'll be opening the doors to more things. 58:59.999 --> 59:01.400 That was one of the phrases I came out with. 59:01.480 --> 59:07.022 I come out with a lot of phrases like that and when you've got a bed behind you, a phrase like that can slip by unnoticed. 59:07.082 --> 59:08.403 All you care about is bed, isn't it? 59:10.083 --> 59:12.404 Anyway, it's time for a track from our album of the day. 59:12.444 --> 59:14.605 The album of the day is by The New Pornographers. 59:14.645 --> 59:15.485 It's called Challenges. 59:16.025 --> 59:17.205 We'll chat about this track afterwards. 59:17.265 --> 59:18.426 It's called Myriad Harbour. 59:19.106 --> 59:20.866 That's a good classic ending to a track. 59:21.266 --> 59:21.967 That's good, man. 59:22.007 --> 59:23.027 Beginning, middle and end. 59:23.147 --> 59:23.967 What more can you ask for? 59:23.987 --> 59:26.948 That's The New Pornographers from their new album, Challenges. 59:26.988 --> 59:28.648 That's a track called Myriad Harbour. 59:29.028 --> 59:32.669 The New Pornographers are an excellent proposition, let me tell you, folks. 59:33.190 --> 59:34.410 I think this is album number... 59:35.290 --> 59:35.811 Four. 59:36.091 --> 59:38.013 No, it's the fourth album by the Canadian band. 59:38.313 --> 59:38.873 Ah, there you go. 59:39.634 --> 59:41.375 And it sounds like a peach. 59:41.395 --> 59:43.137 I was listening to it yesterday for the first time. 59:43.157 --> 59:45.038 It sounds very good, but all that stuff's excellent. 59:45.079 --> 59:46.139 Well worth investigating. 59:46.500 --> 59:49.722 I saw a great double bull of them and Spoon. 59:50.163 --> 59:51.944 I should shut up about Spoon though, really, shouldn't I? 59:51.984 --> 59:54.847 Because I'm beginning to sound obsessed, but I sort of am. 59:55.547 --> 59:57.188 And, uh, wow, they were amazing. 59:57.208 --> 59:58.168 Who? 59:58.228 --> 59:59.509 Spoon or the New Pornographers? 59:59.529 --> 01:00:08.972 Both Spoon, but the New Pornographers I was completely blown away by as well sounded really good and one of those bands that can actually, you know, cut the mustard live in a very impressive way and really sing. 01:00:09.092 --> 01:00:10.373 Lots of good singers in that band. 01:00:10.673 --> 01:00:18.996 Neko Case, she is a singer and songwriter in her own right, but she's also, also part of the New Pornographers and she's a great singer. 01:00:19.096 --> 01:00:20.276 She's a great mustard cutter. 01:00:20.577 --> 01:00:21.757 She loves cutting the mustard. 01:00:21.897 --> 01:00:33.245 And that track that you just heard is gonna be released as a single on the 1st of October, and you can hear further tracks, uh, from the new pornographers, and from that album throughout the day, here on BBC 6 Music. 01:00:33.845 --> 01:00:34.926 Uh, now, what now? 01:00:35.026 --> 01:00:35.626 Here's a trail. 01:00:36.167 --> 01:00:38.588 No, we're gonna, we're gonna let the whole of this play out. 01:00:39.048 --> 01:00:43.011 Every single doo-doo. 01:00:43.031 --> 01:00:44.332 Surely the track kicked in again. 01:00:44.412 --> 01:00:45.173 What's wrong? 01:00:46.914 --> 01:00:47.614 What's wrong? 01:00:47.654 --> 01:00:49.015 Da-da-da-da-da-da! 01:00:49.896 --> 01:00:50.056 Do. 01:00:52.033 --> 01:00:53.154 Oh, okay, let's finish it. 01:00:53.354 --> 01:00:54.975 There's 50 seconds more of Dada Dada. 01:00:55.055 --> 01:00:55.676 Is there really? 01:00:55.736 --> 01:00:55.976 Yeah. 01:00:57.157 --> 01:00:58.578 I'm interested to see what she does, come on. 01:00:58.598 --> 01:01:00.439 It's the slowest fade-out in the history of music. 01:01:00.499 --> 01:01:03.021 Lisa's fading it a little bit, aren't you? 01:01:03.782 --> 01:01:06.664 Wow, is this what the whole album's like? 01:01:07.224 --> 01:01:08.545 So, uh, this is Kate Nash. 01:01:08.725 --> 01:01:10.487 She's just making it up as she goes along there. 01:01:10.627 --> 01:01:11.547 Was Mary happy? 01:01:11.827 --> 01:01:13.008 Some people love the Nash. 01:01:13.709 --> 01:01:14.990 Some people loathe the Nash. 01:01:16.246 --> 01:01:18.467 But like it or not, we're playing the Nash. 01:01:18.707 --> 01:01:19.748 She's sort of charming. 01:01:20.288 --> 01:01:21.769 Did you see the video for her? 01:01:22.069 --> 01:01:23.250 She was number one, wasn't she? 01:01:23.290 --> 01:01:23.830 Probably. 01:01:23.990 --> 01:01:24.391 Probably. 01:01:24.771 --> 01:01:27.893 It was quite a good video of her having a little Barney with her boyfriend there. 01:01:28.293 --> 01:01:29.494 Is that not the video to this one? 01:01:30.498 --> 01:01:31.298 Oh, I don't know, is it? 01:01:32.059 --> 01:01:32.579 I'm confused. 01:01:32.599 --> 01:01:33.079 I think so. 01:01:33.419 --> 01:01:34.019 You know, I'm not. 01:01:34.199 --> 01:01:35.560 She's a very opinionated woman. 01:01:35.620 --> 01:01:37.260 She's constantly arguing with boyfriends. 01:01:37.900 --> 01:01:39.801 In fact, when you're her age, how old is she? 01:01:40.321 --> 01:01:42.042 She's 18, 19, something like that. 01:01:42.062 --> 01:01:42.742 She's eight years old. 01:01:43.082 --> 01:01:43.742 She's eight years old. 01:01:43.782 --> 01:01:44.783 That's all life's about. 01:01:45.563 --> 01:01:51.425 The only reason you have a boyfriend is just to get angry with him and gossip and then giggle about it, right? 01:01:51.665 --> 01:01:52.605 Is that condescending? 01:01:53.045 --> 01:01:54.066 Because I intend it to be. 01:01:54.426 --> 01:01:54.606 Good. 01:01:55.166 --> 01:02:02.934 Well, I think she's very good and, you know, there's certainly been worse movements in music than that kind of Lily Allen, Kate Nash type thing. 01:02:03.214 --> 01:02:04.936 Who's the other one that completes that picture? 01:02:06.017 --> 01:02:07.779 Kate, who would you lump in with that? 01:02:07.799 --> 01:02:09.000 The MySpace Trinity. 01:02:10.241 --> 01:02:15.567 Well, I suppose you wouldn't put that girl who was... I wish I was a punk rocker with flowers in my hair. 01:02:15.587 --> 01:02:16.107 What was her name? 01:02:18.449 --> 01:02:19.690 This is Adam and Joel on BBC6 Music. 01:02:19.710 --> 01:02:20.711 It's just coming up to 7 minutes to 10. 01:02:20.751 --> 01:02:24.954 This is the part of the show where our only listeners are the unemployed, prisoners or people who are being lazy at work. 01:02:38.740 --> 01:02:39.461 and politicians. 01:02:39.601 --> 01:02:45.007 Politicians or people who maybe work in convenience stores where they're allowed to choose what radio station they listen to. 01:02:45.387 --> 01:02:45.948 Yeah, exactly. 01:02:45.988 --> 01:02:49.392 If you're in a convenience store right now, then good morning. 01:02:50.473 --> 01:02:50.993 Nice one. 01:02:51.694 --> 01:02:54.557 And hey, those chocolate bars should be arranged better. 01:02:54.938 --> 01:02:55.338 Exactly. 01:02:55.378 --> 01:02:57.340 And put down that donut, you lardee. 01:02:58.061 --> 01:03:13.213 man now it's time for my free choice folks I've picked a track from the excellent Midlake album this was an album that was in a lot of critics best of round-ups last year but it certainly is good but it's it's like a weird 01:03:15.935 --> 01:03:16.995 It's like a weird kind of song. 01:03:17.016 --> 01:03:20.198 I actually can't think with the rock and roll playing in my ear there. 01:03:20.378 --> 01:03:20.899 There you go. 01:03:22.580 --> 01:03:27.824 It's almost like a tribute to Crosby, Stills and Nash, this album. 01:03:27.964 --> 01:03:28.525 It's amazing. 01:03:28.585 --> 01:03:31.267 And this track especially, you'll know what I'm talking about, but it's a lovely song. 01:03:31.627 --> 01:03:33.548 It's called Head Home and it's by Midlake. 01:03:33.789 --> 01:03:36.110 That's Midlake with Head Home. 01:03:36.130 --> 01:03:39.233 That's from their album, The Trials of Van Ocupanther. 01:03:39.613 --> 01:03:44.117 Very much worth investing in, if you like that kind of silvery west coast sound. 01:03:45.015 --> 01:03:47.917 We've been Adam and Joe on The Breakfast Show here on 6 Music. 01:03:47.937 --> 01:03:49.418 We're just coming up to the end of our time. 01:03:49.438 --> 01:03:52.020 We'll be back with you at 7am tomorrow morning. 01:03:52.460 --> 01:03:54.741 All bright and pushy tailed, hopefully. 01:03:54.761 --> 01:03:55.222 Gideon. 01:03:55.262 --> 01:03:56.422 Yeah, come on. 01:03:56.742 --> 01:03:57.923 No, I just wanted to say that. 01:03:57.983 --> 01:03:58.343 Gideon. 01:03:58.604 --> 01:03:59.004 Gideon. 01:03:59.264 --> 01:04:00.545 Every now and again, I just say it. 01:04:00.825 --> 01:04:01.225 Gideon. 01:04:01.425 --> 01:04:02.766 Yeah, stick with 6 Music today. 01:04:02.806 --> 01:04:03.727 Gideon Coe's coming up. 01:04:03.767 --> 01:04:06.789 He's got the Glaswegian Trio, the 1990s playing live. 01:04:07.249 --> 01:04:09.951 After that at one, it's Namone who's got Julian Clary coming in. 01:04:10.251 --> 01:04:12.212 It's just non-stop goodness on 6 Music today. 01:04:12.232 --> 01:04:12.552 Gideon. 01:04:13.573 --> 01:04:15.176 Thanks for joining us, we'll see you tomorrow morning. 01:04:15.317 --> 01:04:15.737 Cheers, bye!