WEBVTT 00:02.537 --> 00:03.438 Well hey, good morning. 00:03.758 --> 00:06.041 We're Adam and Joe, this is BBC Six Music. 00:06.442 --> 00:08.124 Welcome to our breakfast show. 00:08.504 --> 00:10.026 Joe, your mic isn't working, man. 00:10.226 --> 00:12.068 Well, I'm shouting to make up for it. 00:12.108 --> 00:12.589 It's working. 00:13.010 --> 00:13.670 Was that my fault? 00:13.891 --> 00:14.672 No, it wasn't your fault. 00:15.392 --> 00:15.673 No. 00:16.363 --> 00:17.043 Good morning everybody. 00:17.163 --> 00:17.684 Good morning. 00:17.704 --> 00:18.604 Hi, I'm Adam. 00:18.804 --> 00:19.225 I'm Joe. 00:19.605 --> 00:20.485 Very nice to be here. 00:20.505 --> 00:24.067 We're filling in for Sean Keveny in case you didn't realise for a couple of weeks here on 6 Music. 00:24.227 --> 00:27.089 We'll be here till 10am and we've got lots of stuff coming up in the show. 00:27.329 --> 00:29.550 We might be doing Cruddy Commentary Corner later. 00:29.971 --> 00:32.732 We've got our brand new, can we call it a feature? 00:33.313 --> 00:33.613 Go on. 00:34.253 --> 00:34.653 Feature. 00:35.274 --> 00:36.274 Text the nation. 00:36.834 --> 00:37.775 Yeah? 00:37.815 --> 00:39.036 Coming up maybe in the second hour. 00:39.096 --> 00:40.757 We've also got a serial thriller. 00:41.437 --> 00:48.225 We've got our pick of the session tracks, we've got great music coming up in this hour alone, we've got the Eels, Candy Pain, The Kaiser Chiefs, and some love. 00:48.365 --> 00:51.308 That was The Killers with Mr. Brightside, you heard before, incidentally. 00:52.009 --> 00:55.053 And, uh, right now, I think we're gonna hear the White Stripes. 00:55.433 --> 00:58.056 Is that right? 00:58.116 --> 00:58.456 Crikey! 01:00.379 --> 01:03.462 A guitar solo for... A guitar solo for dogs there. 01:04.203 --> 01:05.224 Oh, very high pitched you mean? 01:05.264 --> 01:06.766 Very high pitched is what I mean, yeah. 01:06.806 --> 01:10.410 Right up at the... Right up at the... Down at the bottom of the neck. 01:10.451 --> 01:11.712 No, up at the top of the neck. 01:11.732 --> 01:12.693 No, he's down at the bottom of the neck. 01:12.713 --> 01:13.614 Oh, of the guitar neck. 01:13.634 --> 01:14.155 Of the guitar. 01:14.175 --> 01:16.858 But in terms of the human neck, right up at the top by the ears. 01:16.958 --> 01:17.339 Yeah. 01:17.799 --> 01:19.641 And, yeah, very ultrasonic there. 01:19.861 --> 01:20.102 Mmm. 01:20.622 --> 01:20.942 That's good. 01:21.203 --> 01:22.884 Is that from the new one, Lucy? 01:22.904 --> 01:23.605 Yeah, there you go. 01:24.106 --> 01:27.029 And it's called You Don't Know What Love Is, The White Stripes. 01:27.129 --> 01:28.530 Is the new one any good? 01:28.550 --> 01:30.172 That's kind of condescending, isn't it? 01:30.612 --> 01:31.273 It from Jack? 01:31.473 --> 01:31.753 Yeah. 01:31.773 --> 01:32.494 A little bit. 01:32.935 --> 01:34.156 You don't know what love is. 01:34.596 --> 01:35.978 I thought I knew what love was. 01:36.398 --> 01:37.279 You know, I think I do. 01:37.479 --> 01:38.560 Yeah, at least 10C. 01:38.720 --> 01:40.642 No, who was it that said I want to know what love is? 01:41.601 --> 01:42.221 Ten CC. 01:42.341 --> 01:42.722 It wasn't. 01:42.942 --> 01:44.022 They said, I'm not in love. 01:44.102 --> 01:44.723 Oh, no, you're right. 01:44.763 --> 01:45.363 What were they called? 01:45.403 --> 01:45.803 Foreigner. 01:45.863 --> 01:46.303 Foreigner. 01:46.423 --> 01:46.924 Was it? 01:47.104 --> 01:47.864 They wanted to know. 01:47.984 --> 01:48.925 At least they wanted to know. 01:48.945 --> 01:50.485 They had an inquiring mind about love. 01:51.026 --> 01:52.666 Jack, he's just like, you don't even know what love is. 01:52.726 --> 01:53.807 He's so cocky. 01:54.027 --> 01:55.348 He should be brought down a peg or two. 01:55.708 --> 01:56.048 Maybe. 01:56.188 --> 01:57.509 Do they still chart that band? 01:57.709 --> 01:59.270 Do their singles get into the chart? 01:59.350 --> 01:59.650 Surely. 01:59.670 --> 02:00.790 They're one of the biggest acts around. 02:00.830 --> 02:01.091 Really? 02:01.211 --> 02:01.531 Yeah. 02:02.051 --> 02:02.872 I'm gonna track them down. 02:02.912 --> 02:04.233 It's my mission to make them my friends. 02:04.753 --> 02:05.014 Alright. 02:05.174 --> 02:09.677 Like, I love them because I love, I mean, you know, a romantically inanimate of Meg. 02:09.778 --> 02:10.098 Really? 02:10.118 --> 02:10.939 She's so pale. 02:11.159 --> 02:11.699 I like her. 02:12.420 --> 02:13.180 She's so pale. 02:13.220 --> 02:14.341 She'd disappear in the sheets. 02:14.802 --> 02:15.602 She's like a porcelain. 02:15.622 --> 02:17.664 She'd just be a black triangle and two pink circles. 02:17.684 --> 02:19.546 She's like a talented porcelain. 02:19.846 --> 02:21.127 I'm not even gonna think about that. 02:21.888 --> 02:25.110 Um, and Jack, you know, I can't, all men surely admire Jack. 02:25.170 --> 02:27.092 He's like a, he's like a sort of Mexican. 02:27.112 --> 02:28.093 I'm indifferent to be honest. 02:28.113 --> 02:29.154 The tar-slinging Bandido. 02:29.554 --> 02:30.114 I'm indifferent. 02:30.714 --> 02:30.994 Really? 02:31.175 --> 02:31.415 Yeah. 02:31.835 --> 02:33.115 You're always indifferent, aren't you? 02:33.375 --> 02:33.595 Yeah. 02:33.755 --> 02:37.716 But no, I'm just saying that no, different is what I meant. 02:37.776 --> 02:39.297 Yeah, I am different. 02:39.317 --> 02:39.857 You are different. 02:40.237 --> 02:44.158 And of course, the White Stripes, responsible for so many of the greatest videos in rock history. 02:44.478 --> 02:44.978 That's true. 02:45.138 --> 02:48.599 And one of the... The one where all the drums replicate. 02:48.860 --> 02:49.940 That Michel Gondry one. 02:49.960 --> 02:51.400 Well, in fact... It's always Michel Gondry. 02:51.460 --> 02:52.100 It's always, isn't it? 02:52.120 --> 02:53.841 And the other one, of course, is the Lego one. 02:54.625 --> 02:59.450 Now, Lego, I have been obsessed by for the last few months. 02:59.670 --> 03:03.114 My son is now getting to the age where he's really... But he's into Bionicle, isn't he? 03:03.214 --> 03:03.755 Bionicles? 03:03.795 --> 03:04.716 There are Lego spinoffs. 03:04.736 --> 03:06.878 There's about a thousand Lego spinoffs. 03:06.918 --> 03:10.502 But he's into all of the various Lego tropes, if that's the right word. 03:10.883 --> 03:11.243 But, um... 03:12.424 --> 03:14.827 What do you call the little blubbles on Lego? 03:14.987 --> 03:15.788 What would you call it? 03:15.948 --> 03:17.390 Oh, the little stives. 03:17.951 --> 03:18.371 Stives? 03:18.431 --> 03:18.992 The stives. 03:19.032 --> 03:19.793 You gave us stives. 03:19.953 --> 03:20.674 The hunkles. 03:20.954 --> 03:21.575 Hunkles. 03:21.675 --> 03:23.297 The circular trubes. 03:24.519 --> 03:24.959 Yeah. 03:25.119 --> 03:25.720 The spins. 03:26.121 --> 03:26.421 Right. 03:26.681 --> 03:27.462 The dot, the doubles. 03:27.622 --> 03:29.665 Well, this is something that maybe people could text us. 03:29.685 --> 03:30.566 The connie hooks. 03:30.806 --> 03:31.247 I'd like the... 03:31.667 --> 03:32.788 They're Connie Hooks from Peter. 03:32.828 --> 03:33.288 Yeah, yeah. 03:33.588 --> 03:35.048 Um, I'd like some... For stibbles. 03:35.429 --> 03:38.930 I'd like the official explanation for what you call those little things. 03:39.370 --> 03:40.831 Here's the most boring thing you could call them. 03:40.851 --> 03:41.111 Runks. 03:41.431 --> 03:41.751 Units. 03:42.271 --> 03:42.451 Right. 03:42.471 --> 03:42.972 They're not units. 03:42.992 --> 03:49.534 So if you're identifying a block, you say, I'd like a two by four unit, a red block, please. 03:49.554 --> 03:50.035 That's true. 03:50.075 --> 03:51.595 They come in one... Do they come in ones? 03:51.635 --> 03:52.636 They used to come in ones. 03:53.196 --> 03:54.276 In single stiv. 03:54.496 --> 03:54.857 Sure. 03:54.877 --> 03:55.417 Of blocks. 03:55.457 --> 03:57.418 There's all kinds of new... Two stiv blocks. 03:57.558 --> 03:58.058 Ah, stivs. 03:58.218 --> 04:00.599 I remember when Lego introduced people. 04:01.519 --> 04:01.759 Right. 04:01.999 --> 04:03.560 Yeah, they didn't used to have little Lego men. 04:03.760 --> 04:04.040 Never? 04:04.360 --> 04:04.600 Never. 04:04.700 --> 04:07.621 No, you had to use them with your own soldiers or play people. 04:07.641 --> 04:08.141 That's true. 04:08.161 --> 04:09.742 You had to integrate the toys, blend the toys. 04:09.782 --> 04:15.904 If you wanted a little person, you had to just put two little red blocks and then maybe a yellow block on top. 04:15.924 --> 04:16.484 For their hair. 04:16.544 --> 04:16.764 Yeah? 04:16.984 --> 04:17.204 Yeah. 04:17.264 --> 04:20.005 In fact, they used to make sort of big giant Lego people, didn't they? 04:20.085 --> 04:20.785 That's right. 04:21.105 --> 04:24.066 And everything in the Lego world was much bigger than it is now, but then they introduced people. 04:24.086 --> 04:24.366 The dark ages. 04:24.626 --> 04:25.346 Yeah, yeah, yeah. 04:25.466 --> 04:27.427 With removable hair, just like Playmobil. 04:27.447 --> 04:28.647 And now they're amazing. 04:28.667 --> 04:30.248 Have you seen the Star Wars ones they do? 04:30.968 --> 04:31.468 Yes, I have. 04:31.528 --> 04:32.669 They are brilliant. 04:32.689 --> 04:33.249 They're brilliant. 04:33.849 --> 04:38.471 So listen, folks, do text us if you'd like to tell us either what those... Stimples. 04:38.591 --> 04:39.932 Stimples are really called. 04:41.493 --> 04:42.453 It's Lego Anatomy. 04:42.493 --> 04:42.873 Chads. 04:42.913 --> 04:44.294 They're like Lego chads, aren't they? 04:44.334 --> 04:46.115 Well, a chad is a voting slip, isn't it? 04:46.135 --> 04:49.516 Yeah, but it's the little stipple that comes off when it gets punched. 04:49.536 --> 04:50.076 Right, right, right. 04:50.156 --> 04:50.857 And it hangs off. 04:50.877 --> 04:51.377 The ripple. 04:51.597 --> 04:52.437 The hanging chad. 04:53.198 --> 04:54.238 So what's it called, folks? 04:54.298 --> 04:55.339 What's the real name for it? 04:55.359 --> 04:56.099 What's the made-up name? 04:56.119 --> 04:57.720 Whatever you call it, you can text... 04:58.760 --> 04:59.180 What is it? 04:59.580 --> 05:00.040 What is it? 05:00.980 --> 05:02.141 Well, these are numbers, Adam. 05:02.161 --> 05:03.301 Do you remember what that one is? 05:03.681 --> 05:04.081 Six. 05:04.281 --> 05:05.021 Yeah, what's that one? 05:05.121 --> 05:05.601 Four. 05:05.701 --> 05:06.742 That one, the big ooh. 05:07.102 --> 05:08.262 Is it, what, the world? 05:08.742 --> 05:10.562 No, the circle, like the black hole. 05:10.582 --> 05:10.843 Space? 05:11.143 --> 05:12.343 Space, no, listen. 05:12.443 --> 05:14.283 Six, four, zero, four, six. 05:14.363 --> 05:17.564 Text six, four, zero, four, six, if you want to communicate with us. 05:17.624 --> 05:24.245 If you want to email, you can email Adam and Jo, or one word, dot six, number six, music at bbc.co.uk. 05:24.465 --> 05:25.866 What are those Lego things called? 05:25.966 --> 05:27.106 Let's have some eels while we think. 05:29.181 --> 05:31.222 That was the Eels with Last Stop This Town. 05:31.602 --> 05:35.565 This is Adam and Joe on BBC 6 Music, filling in for Sean Kievny. 05:35.925 --> 05:36.185 Hello. 05:37.166 --> 05:37.886 Hey, how you doing? 05:37.906 --> 05:38.507 Are you talking to me? 05:38.627 --> 05:39.727 No, I was talking to the listeners. 05:39.827 --> 05:40.388 Oh, sorry. 05:40.428 --> 05:42.749 I got all excited because I thought I was talking to me. 05:43.129 --> 05:44.270 No, why would I talk to you? 05:44.310 --> 05:45.611 Joe Cornish is talking to me. 05:45.631 --> 05:46.391 It's exciting for you. 05:46.411 --> 05:46.692 Yeah. 05:47.592 --> 05:52.998 Yes, so morning everybody, we've been asking you what the hell the little bumps on Lego bricks are called. 05:53.058 --> 05:57.683 That's exactly the kind of thing that a sort of inane breakfast show should be talking about. 05:57.703 --> 06:00.626 7.15, 16 in the morning, whatever it is, 17. 06:00.846 --> 06:08.254 What kind of, we'll talk about the Lego bumps in a second, although I should say that our producer Lisa was a little confused as soon as the eels started playing. 06:08.274 --> 06:10.016 She said, what are you talking about? 06:10.396 --> 06:11.697 What are you talking about? 06:12.077 --> 06:13.238 I mean, ladies, obviously. 06:13.298 --> 06:17.041 She was brought up by a very cruel mum, like the mum in the film Carrie. 06:17.141 --> 06:17.381 Yeah. 06:17.481 --> 06:21.804 Who kept you on a little chain in the cupboard under the sink, and you were only allowed to play with mould. 06:22.545 --> 06:23.145 Isn't that right? 06:23.165 --> 06:23.245 Yeah. 06:24.526 --> 06:28.569 And, uh, and Duplo, she was never allowed... And every Sunday you had to kneel in the cupboard and pray. 06:29.190 --> 06:30.150 Isn't that right all day? 06:31.551 --> 06:32.372 She's got to see her arms, look. 06:32.392 --> 06:38.256 And when you didn't, cutlery came out of the cutlery drawer, flew across the kitchen, and spiked all over your body. 06:38.957 --> 06:39.497 Anyway, there goes it. 06:39.837 --> 06:42.438 That's how Carrie, or is that out of the boogie man? 06:42.878 --> 06:45.099 Lisa just said anyway Lego very loudly. 06:47.000 --> 06:49.781 But no, she didn't understand which bits were we actually talking about. 06:49.801 --> 06:53.822 We're talking about the little bits that actually help you connect one block to another, you know, the bumpy bits. 06:53.922 --> 06:54.862 That's a nice way of putting it. 06:54.902 --> 06:56.523 They help you connect them together. 06:57.043 --> 06:58.544 Well, they assist you, and it's true. 06:58.564 --> 06:58.784 Yeah. 06:59.144 --> 07:00.686 I need to connect these bricks together. 07:00.966 --> 07:01.686 I need some help. 07:01.826 --> 07:02.687 I can help with that. 07:03.287 --> 07:04.408 Save a blank. 07:04.428 --> 07:05.068 Save the staves. 07:05.189 --> 07:12.954 Well, someone, somebody anonymously has texted us, and it would be great if you put, it would be great if you put your names on your text. 07:13.334 --> 07:14.395 Sorry, it's early in the morning. 07:14.415 --> 07:15.676 My lungs aren't working properly. 07:16.316 --> 07:17.397 So we can tell who you are. 07:17.437 --> 07:21.299 We've got an anonymous text that says Lego lumps are called nubblies. 07:21.700 --> 07:23.461 But I like the phrase Lego lumps. 07:23.941 --> 07:24.682 Lego lumps, yeah. 07:24.722 --> 07:24.962 Yeah. 07:25.582 --> 07:26.643 We've got another text. 07:27.163 --> 07:32.205 And this is from Kev in Liverpool who says the bits on Lego bricks are called locklets. 07:32.826 --> 07:35.887 Except on Star Wars Lego where they're called Ewoks. 07:36.587 --> 07:37.268 That's not true. 07:37.308 --> 07:38.388 You should have called them Ewoks. 07:38.728 --> 07:39.048 Ewoks. 07:39.068 --> 07:40.209 We would have gone for Ewoks. 07:40.549 --> 07:41.810 Ewoks. 07:42.050 --> 07:44.571 So it's locklets versus nubblies. 07:45.908 --> 07:49.272 Well, this is the kind of thing only the Lego website can solve. 07:49.473 --> 07:50.814 Yeah, we might have to go on there soon. 07:50.834 --> 07:54.199 Or maybe Wikipedia, maybe that's got a label diagrammatic of a Lego brick. 07:54.379 --> 07:55.220 That's true, isn't it? 07:55.861 --> 07:59.125 And while you're considering this, that rather, consider this. 08:00.527 --> 08:03.631 Adam's just taking his top off and he's pointing at his breasts. 08:04.391 --> 08:24.291 He said consider this consider my hairy breasts now No consider this here is an idea for a book right that my brother was talking about probably even she's your brother's idea Yeah, yeah, yeah, I shouldn't even mention I'd be angry might be angry Yeah, but who cares but I'm putting it out there Just so I can lay some claim on it for the family right in case we ever get it's a novel or a 08:24.591 --> 08:30.273 No, this is an idea for a coffee table type book that would make a fortune, but only probably for Lego. 08:30.333 --> 08:42.879 I don't know what the legalities of it would be, but the idea is a compendium, a celebration of Lego throughout the ages that would include all the best instructions that there have ever been for great Lego models. 08:42.899 --> 08:43.419 Do you know what I mean? 08:44.139 --> 08:45.801 Now, did they used to come with instructions? 08:45.841 --> 08:47.603 Well, of course they always come with instructions. 08:47.623 --> 08:48.684 Their instructions are amazing. 08:48.724 --> 08:49.284 Did they? 08:49.444 --> 08:52.247 Yeah, they're a masterpiece of concision and clarity. 08:52.287 --> 08:52.648 They're brilliant. 08:52.668 --> 08:53.088 Are they really? 08:53.168 --> 08:54.249 Yeah, they are brilliant. 08:54.289 --> 08:55.691 They're artworks in themselves. 08:56.191 --> 09:00.776 But here's a book that would compile... I think a book of actual instructions. 09:01.056 --> 09:04.259 I think in a way you're limiting yourself to limit it to Lego. 09:05.080 --> 09:05.300 Yeah? 09:05.440 --> 09:06.381 Just all instructions? 09:06.421 --> 09:07.862 Yeah, just amazing instructions. 09:07.982 --> 09:08.342 Right. 09:09.023 --> 09:11.845 But no, come on, that's got to be a good... I'm going to talk to Lego about that. 09:11.865 --> 09:13.246 Because why doesn't that exist already? 09:13.266 --> 09:14.887 There's got to be some reason, maybe. 09:15.387 --> 09:18.749 If there any Lego people listening very early in the morning? 09:18.849 --> 09:19.490 Lego people? 09:19.550 --> 09:20.831 What, actual Lego people? 09:20.951 --> 09:21.151 Yeah! 09:21.591 --> 09:23.013 Little plastic Lego people. 09:23.073 --> 09:24.654 Tiny, tiny Lego people. 09:24.694 --> 09:25.415 Please listen. 09:25.655 --> 09:30.199 They probably are because they can't sleep because they can't close their eyes because their eyes are painted on their heads. 09:30.319 --> 09:31.921 Joe, I've got a candy pane. 09:32.461 --> 09:32.782 Have you? 09:32.802 --> 09:34.944 Well, let's give you one more chance then. 09:34.964 --> 09:35.184 Thank you. 09:35.224 --> 09:35.965 Terrible introduction. 09:36.909 --> 09:38.110 Very good, I'm looking forward to that. 09:38.170 --> 09:39.111 Yeah, the great Harry Hill. 09:39.391 --> 09:43.474 Am I not right in saying he's bringing back, um... Game for a laugh? 09:43.494 --> 09:44.695 I thought you were going to say hanging. 09:44.715 --> 09:46.436 Well, you might be doing that as well. 09:46.776 --> 09:48.698 Uh, Game for a laugh, that's a good idea. 09:48.718 --> 09:53.581 Yeah, he is sort of reoccupying the space that Jeremy Beadle used to occupy in the 80s. 09:54.202 --> 09:58.385 But doing it, if such a thing is possible, with an extra wit and invention. 09:58.525 --> 09:58.665 Yeah. 09:59.285 --> 10:00.906 and a little bit of surreality. 10:01.566 --> 10:03.786 That's what Harry Hill specialised in. 10:04.186 --> 10:06.587 TV book's one of the best shows around, man. 10:06.747 --> 10:12.249 Even though it was recently punished by the Broadcasting Standards Authority for being naughty in some way, wasn't it? 10:12.269 --> 10:13.609 I don't remember that. 10:13.909 --> 10:15.429 It did something bad, I can't remember. 10:15.509 --> 10:17.490 Everyone's done something bad on telly at some point. 10:17.510 --> 10:17.790 It's true. 10:18.090 --> 10:19.011 They're all liars. 10:19.292 --> 10:20.853 It's a pit of deceit. 10:20.873 --> 10:21.494 It really is. 10:21.814 --> 10:22.415 It really is. 10:23.056 --> 10:23.436 Hey, hello. 10:23.476 --> 10:24.217 We're Adam and Jo. 10:24.597 --> 10:25.979 Welcome to BBC Six Music. 10:25.999 --> 10:27.020 This is our breakfast show. 10:27.520 --> 10:28.962 We're covering for Sean Keveny. 10:29.382 --> 10:35.249 And we've had a few more texts in about what you call the joiny things on Lego bricks, right? 10:35.769 --> 10:35.949 Yeah. 10:36.389 --> 10:36.649 Yeah. 10:36.949 --> 10:37.509 Nubblies. 10:38.069 --> 10:38.950 Locklits. 10:39.350 --> 10:39.850 E-locks. 10:40.210 --> 10:40.670 E-locks. 10:40.910 --> 10:43.291 They were specifically on the Star Wars Lego things. 10:43.411 --> 10:48.872 But it seems that Sarah in Edinburgh is going to bring this whole debate to a close. 10:48.932 --> 10:52.432 She says, according to the Wikipedia page, it's called a stud. 10:52.872 --> 10:53.513 A stud? 10:53.673 --> 10:54.993 Of course it's called a stud. 10:55.033 --> 10:55.673 There you go. 10:56.073 --> 10:56.293 Yeah. 10:56.313 --> 10:57.453 Is it called a stud, though? 10:57.473 --> 10:58.534 Well, that would make sense, wouldn't it? 10:58.554 --> 11:00.434 That's the best descriptive word for them. 11:00.854 --> 11:02.897 Yeah, but I think that's like a generic term. 11:03.057 --> 11:06.541 You know, that's also a good description for... For me? 11:06.701 --> 11:07.021 Me. 11:07.622 --> 11:07.882 Is it? 11:07.922 --> 11:08.383 For me. 11:08.823 --> 11:09.124 Yeah. 11:09.304 --> 11:09.564 In what? 11:09.624 --> 11:11.166 Because you conquer so many women. 11:11.887 --> 11:15.031 No, because I'm short and... No, you're a stump. 11:15.051 --> 11:15.491 A stump? 11:16.713 --> 11:16.953 Yeah. 11:17.494 --> 11:18.595 That would be a better description for you. 11:18.615 --> 11:18.995 Well, there you go. 11:19.055 --> 11:19.576 It's a stud. 11:19.636 --> 11:19.956 All right. 11:20.096 --> 11:20.636 Wait, hang on. 11:20.716 --> 11:22.537 Sarah's bringing us more information. 11:22.697 --> 11:22.997 Yeah. 11:23.257 --> 11:26.138 She's logged onto that Wikipedia page and she's read it. 11:26.358 --> 11:26.658 Right. 11:26.938 --> 11:29.519 And then she's copied what she read and sent it to us. 11:29.639 --> 11:30.039 That's good. 11:30.100 --> 11:35.481 And she's also said that the word Lego comes from a Danish phrase, which means what Adam? 11:36.402 --> 11:37.102 Um, block fun. 11:37.562 --> 11:39.183 No, it means play well. 11:39.683 --> 11:40.083 Almost. 11:40.423 --> 11:41.223 There you go. 11:41.603 --> 11:43.304 Thanks Sarah in Edinburgh. 11:43.664 --> 12:05.968 yeah thank you very much in fact i think that piece of information was even featured in uh quite an interesting uh article in word magazine this month where they tell you all about uh the derivation of a lot of brand names great okay moving on uh it's time for adam's archive session track isn't it yes it is and i went through all the appeal sessions having a look at them and there's there's a great list of um 12:06.568 --> 12:07.369 So did I, by the way. 12:07.489 --> 12:07.849 Yeah, yeah. 12:08.229 --> 12:08.690 We both did. 12:09.370 --> 12:19.137 There's a great list of, like, the 50 best-ever Peel sessions as voted for by Peel himself and friends and admirers and fans and stuff. 12:19.618 --> 12:20.778 And this was one of them. 12:20.858 --> 12:21.899 This is Gary Newman. 12:22.500 --> 12:23.560 And when's it from, Lisa? 12:25.762 --> 12:25.982 Er, 1779. 12:26.022 --> 12:25.982 1779? 12:26.162 --> 12:26.543 Yeah. 12:26.563 --> 12:28.044 So Newman at the peak of his powers. 12:28.324 --> 12:29.685 And this is a track called Films. 12:31.826 --> 12:34.989 Adam's pick of the BBC Archive. 12:36.676 --> 12:50.351 is an humanoid from space that was Gary Newman from 1979 as Peel Session and that track was called films this is Adam and Joe here on 6 Music time for the news now read by Harvey and 12:52.832 --> 12:55.333 That's the wonderful Ash with Girl from Mars. 12:55.693 --> 12:59.294 This is Adam and Jo here on 6 Music from the BBC. 12:59.634 --> 13:07.077 Now there was just an item on the news there, beautifully read by Adrian and Harvey, about Kanye West doing a secret gig in London. 13:07.677 --> 13:09.817 I think that was Adrian who was reading that bit. 13:10.098 --> 13:11.298 He does the music news. 13:11.878 --> 13:15.400 And when I was in America recently, I bought the new Common album. 13:15.420 --> 13:16.280 Do you know who Common is? 13:16.520 --> 13:17.401 He's a rapper man. 13:17.741 --> 13:22.503 He's a rapper man and his new album's produced by Kanye West and it's really good. 13:22.964 --> 13:25.285 I might play a track from it today or tomorrow or something. 13:25.685 --> 13:26.886 It's called Finding Forever. 13:27.486 --> 13:30.267 And I bought it and every time I went out in my car I stuck it on. 13:30.948 --> 13:33.229 And you know when you hire a car and you've only got one CD? 13:33.669 --> 13:35.550 And you listen to it over and over and over again. 13:35.810 --> 13:36.891 And it becomes kind of like... 13:37.631 --> 13:38.792 The theme tune to your trip. 13:39.092 --> 13:39.292 Right. 13:39.792 --> 13:42.093 That's what happened with this album by Common. 13:43.053 --> 13:47.735 So about a week into my holiday, I don't drink coffee myself, but I went into a Starbucks with a friend. 13:48.516 --> 13:50.557 And, you know, Starbucks sells CDs. 13:51.037 --> 13:51.537 That's right. 13:51.557 --> 13:53.098 But they don't sell a lot of CDs. 13:53.158 --> 13:54.979 They select particular CDs. 13:55.199 --> 13:55.399 Yes. 13:56.019 --> 13:57.360 And there was the common CD. 13:57.821 --> 14:00.063 So you immediately... It was a Starbucks selection. 14:00.103 --> 14:01.264 They had two CDs. 14:01.324 --> 14:04.507 They had the common CD and a Dave Matthews CD. 14:05.108 --> 14:07.730 Oh... And it made me suddenly feel ill. 14:07.970 --> 14:09.532 I'm a Starbucks music jerk. 14:09.672 --> 14:12.254 I'm a mass culture idiot. 14:12.454 --> 14:18.140 I've fallen... I'm listening to the same tripe that a million coffee-swilling gimps... 14:18.660 --> 14:19.521 Like Durbrains. 14:34.918 --> 14:39.180 It felt sullied by a massive, world-strangling coffee corporation. 14:39.200 --> 14:42.401 You know what, bottom line, of course it's not right, Jo, yeah? 14:42.641 --> 14:42.882 Yeah. 14:42.942 --> 14:47.183 Jo, you got from that music, that's the most important thing. 14:47.203 --> 14:50.185 Has it ever happened to you and is anything similar? 14:50.205 --> 14:50.665 Yeah. 14:51.365 --> 14:52.846 It's like when you discover a band. 14:53.166 --> 14:53.326 Yeah. 14:53.566 --> 14:59.970 You think you're the only person who's kind of listening to them, or you're part of a minority, and then a week later they shoot to the top of the chart. 15:00.291 --> 15:00.871 Yeah, exactly. 15:00.911 --> 15:01.832 It's a total drag. 15:02.212 --> 15:05.614 It's probably the way Andrew Collins felt when the Arctic Monkeys got really massive. 15:05.914 --> 15:07.255 Did he just sort of discover them then? 15:07.555 --> 15:10.497 Well, no, he was like a really early advocate of theirs. 15:10.557 --> 15:21.004 He was always going on about them on Six Music, and he wrote some articles about them in various magazines and stuff, and he was like a really early fan and got into them when they were doing their MySpace stuff. 15:21.764 --> 15:26.487 But he always championed them like he wanted them to get big, so I guess maybe he didn't mind. 15:27.008 --> 15:34.933 But certainly, I'm in the camp where it's nicer if it's your own little secret, and it's certainly you don't want it being sold over the counter at Starbucks of all places. 15:35.033 --> 15:35.753 Starbucks? 15:36.054 --> 15:42.538 Yeah, because it's like a symbol of everything that's rotten about capitalism getting involved with art and stuff. 15:42.578 --> 15:43.158 Yeah, you know what? 15:43.238 --> 15:43.599 I love them. 15:44.479 --> 15:45.460 I'm just trying to be balanced. 15:45.880 --> 15:46.521 Yeah, okay. 15:46.641 --> 15:49.122 I think they're a symbol of everything that's good in the world. 15:49.362 --> 15:49.763 That's right. 15:49.803 --> 15:51.524 Whereas I had a- High quality coffee for all. 15:52.284 --> 15:52.724 You know? 15:53.084 --> 15:54.024 At affordable prices. 15:54.044 --> 15:57.145 But it's the same with Dire Straits, you know? 15:57.585 --> 16:02.226 It was not a fashionable band to be into because they were just too massive back in the 80s. 16:02.866 --> 16:07.287 And they were associated with yuppies and slightly idiotic people. 16:07.607 --> 16:09.007 But actually, you know, they were good. 16:09.207 --> 16:09.667 They were good. 16:09.687 --> 16:11.487 If you listen back to... Do the wok! 16:11.908 --> 16:13.228 Do the wok of life! 16:13.648 --> 16:15.328 Maybe they weren't good. 16:16.088 --> 16:17.589 Anyway, let's have some more music now. 16:17.769 --> 16:19.529 Here's KT Tunstall. 16:20.589 --> 16:21.510 Extraordinary eyes. 16:22.070 --> 16:24.151 Is that what young people call music these days? 16:25.472 --> 16:28.534 I watched Die Hard 4 the other day. 16:28.935 --> 16:28.534 4.0. 16:28.955 --> 16:29.395 Sorry. 16:29.415 --> 16:29.395 4.0. 16:30.316 --> 16:31.256 Colon Die Harder. 16:31.536 --> 16:31.777 Right. 16:32.097 --> 16:36.520 And there's some good scenes at the beginning where young people are hacking at their computers. 16:36.800 --> 16:42.104 And while they're hacking, they're listening to kind of the worst music I've ever heard. 16:42.384 --> 16:46.907 Basically like sort of what looked like 15-year-old goth girls just sort of going, 16:51.635 --> 16:52.677 You should find out what it is. 16:52.717 --> 16:55.320 Look on the closing credits, find out what it is, and we'll play it. 16:55.340 --> 16:57.163 Alright, I'll find out tonight and we'll play it tonight. 16:57.183 --> 16:58.264 We might get more younger listeners. 16:58.665 --> 16:59.145 Possibly. 16:59.486 --> 17:00.147 But I did it. 17:00.187 --> 17:00.928 I felt like my dad. 17:00.968 --> 17:02.069 I just thought, what? 17:02.590 --> 17:04.393 Are young people really listening to that? 17:04.833 --> 17:05.833 That's a disgrace. 17:05.993 --> 17:06.914 I don't believe they really are. 17:07.154 --> 17:10.215 Plus, I don't believe you could really get any work done if you were listening to that. 17:10.595 --> 17:19.297 You know, even if you were hacking, even if you were right on top of your hacking and you were very confident about the hacking, that's not, you know, you're just gonna get confused if you listen to that. 17:19.317 --> 17:21.838 Did the computer keys on the keyboard make noises? 17:22.158 --> 17:23.399 They did, didn't they, in Die Hard 4? 17:24.079 --> 17:30.421 Even in this day and age, you can't have someone typing information into a computer in a movie without every letter they type going, 17:31.241 --> 17:35.885 Well, I'm not sure if they were going... But there was a lot of clacking going on, certainly. 17:35.905 --> 17:36.185 Clacking? 17:36.205 --> 17:36.906 Oh, well, that's all right. 17:36.926 --> 17:42.411 There was very fast clacking, but then there was even clacking when they used rolled up soft keyboards. 17:42.691 --> 17:42.991 Really? 17:43.031 --> 17:43.351 Yeah. 17:43.772 --> 17:44.092 Really. 17:44.232 --> 17:48.556 And that's not... I think there's a little sort of digital sound when the letters come up on the keyboard. 17:48.876 --> 17:50.778 I noticed it in the born, whatever it is. 17:50.858 --> 17:51.678 What's the new one called? 17:51.698 --> 17:52.039 The Automatum? 17:52.419 --> 17:52.559 No. 17:52.619 --> 17:52.839 Is it? 17:53.080 --> 17:53.760 Supremacy. 17:53.900 --> 17:54.241 Journey. 17:54.301 --> 17:54.901 What's it called? 17:55.602 --> 17:56.102 Prophecy. 17:56.162 --> 17:56.783 Autopsy. 17:56.983 --> 17:58.084 Whatever it's called. 17:58.104 --> 17:59.305 It happened in that. 17:59.605 --> 18:00.986 And it was going on in Transformers. 18:01.266 --> 18:01.486 Yeah. 18:01.647 --> 18:02.247 Shocking business. 18:02.267 --> 18:06.270 Listen, it's time for, uh, for my archive session track, Joe's archive session track. 18:06.310 --> 18:07.491 What have you picked for us, Joe? 18:07.751 --> 18:10.473 Well, this morning, Adam, I picked, uh, some Cornelius. 18:10.553 --> 18:11.414 I love Cornelius. 18:11.434 --> 18:15.036 He's one of our famous, uh, one of our most favorite Japanese music makers. 18:15.056 --> 18:16.918 I saw him recently at the Royal Festival Hall. 18:17.558 --> 18:28.766 He's amazing live, if you ever get the chance to catch him live, he does an incredibly tight live set which is perfectly coordinated with massive background video projections and Cornelius' videos are amazing. 18:28.806 --> 18:32.048 If you want to check them out, just pop his name into YouTube and most of them are on there. 18:32.068 --> 18:34.710 They're incredibly inventive, kind of lo-fi. 18:35.951 --> 19:02.897 videos yeah yeah yeah yeah fit check out the one for fit that's amazing do you know that one it's it's where everything is sort of animating itself a box opens at the beginning and then some sugar lumps that's the new one yeah sugar lumps amazing around that's right unbelievable yeah it's great and then there's a there's a purse floating in midair and it it opens and all the money shoots out and stuff like that it's brilliant it is brilliant anyway this was recorded for john peele on radio one on the 8th of september 1998 this is cornelius with a track called ball in kickoff 19:05.245 --> 19:12.866 Joe's Pig of the BBC Archive. 19:15.807 --> 19:18.267 That bit there you can hear that's not in the track. 19:18.487 --> 19:18.807 It is. 19:19.328 --> 19:20.308 It was actually there. 19:21.528 --> 19:22.288 When's that from then? 19:22.328 --> 19:23.828 What year is that? 19:23.848 --> 19:23.828 1998. 19:25.149 --> 19:27.229 He's got a new album out now hasn't he called Sensuous. 19:27.689 --> 19:27.969 Is he? 19:28.149 --> 19:28.429 Yeah. 19:28.909 --> 19:29.669 I do recommend that. 19:29.709 --> 19:30.930 That's off his previous album. 19:30.950 --> 19:32.730 Was it called Point or was that the single? 19:33.670 --> 19:34.231 Something like that. 19:34.251 --> 19:39.158 That's Cornelius with Boiling Kickoff from the Peel Sessions on Radio 1, the 8th of September 1998. 19:40.040 --> 19:43.064 Now it's interactive catch-up time. 19:43.364 --> 19:44.947 I love interactive catch-up time. 19:45.788 --> 19:47.070 You can text us on 64046 or email us 19:50.134 --> 19:54.157 at Adamandjo.6musicatbbc.co.uk and various people have. 19:54.518 --> 20:00.783 First of all, there is more conflict in the debate about what to call the studs on Lego bricks. 20:00.803 --> 20:01.644 I thought we'd resolve this. 20:01.664 --> 20:02.264 No, we haven't. 20:02.284 --> 20:03.125 You call them studs. 20:03.145 --> 20:10.151 Jim from Wiltshire says Lego Linkers, calling them Linkers there, are Deafo called Poggers. 20:11.592 --> 20:12.673 Well, he's making that up though. 20:13.073 --> 20:13.814 Well, how do you know? 20:14.794 --> 20:15.034 Yeah. 20:15.134 --> 20:16.215 You might have superior knowledge. 20:16.435 --> 20:17.195 How do I know? 20:18.295 --> 20:21.056 On the issue of buying CDs from Starbucks. 20:21.236 --> 20:22.557 Right. 20:22.697 --> 20:25.618 Dan from London says, my sister recently got me a Paul McCartney CD. 20:26.018 --> 20:28.379 Dot, dot, dot, bleed in Paul, bleed in McCartney. 20:29.099 --> 20:30.019 Does she not know me? 20:30.379 --> 20:31.560 And she got it from Starbucks. 20:31.920 --> 20:35.261 I cry at the dysfunctional nature of our once proud family. 20:35.541 --> 20:41.423 So Dan there in agreement that the very fact that a CD is sold by Starbucks takes a little bit of a sheen off it. 20:41.903 --> 20:51.190 I thought you were just saying while the music was playing there that all your... Joe dropped a series of amazing names in the break there, folks, because he's just been in LA doing some work out there. 20:51.711 --> 20:57.996 And so he dropped some extraordinary names, and the consensus with all the names was, it doesn't matter if you're into something, you're into it. 20:58.076 --> 20:58.936 It shouldn't matter. 20:58.956 --> 21:03.760 Well, I'd like to think that, but when push comes to shove, I think there is a bit of truth in it. 21:03.800 --> 21:07.463 For instance, what about Prince's Allegiance with the Mail on Sunday? 21:07.663 --> 21:09.885 That is a certainly... Do you think a little bit less of Prince? 21:10.365 --> 21:12.247 because he's allied himself with the male. 21:12.427 --> 21:13.588 Do you think less of McCartney? 21:13.908 --> 21:31.383 Because there seems to be something happening culturally where once enormous, flawless stars have kind of abandoned the upper and lower parts of the market and embraced the middle market completely unashamedly as a way of surviving. 21:31.683 --> 21:33.665 Bowie kind of did it as well, didn't he, slightly? 21:34.105 --> 21:37.168 when he went on the internet and all that stuff, started selling shares. 21:37.228 --> 21:38.749 He was doing it on his own terms, though. 21:38.789 --> 21:45.234 I mean, if you don't know, folks, then we should remind you that Prince recently decided... Now, is this right? 21:45.554 --> 21:52.140 Not to release his album in the shops, or to release his album in the shops as well as giving it away free with the mail on Sunday or something like that. 21:52.941 --> 21:56.864 Uh, like... Like, who's your... Would you think less of Spoon if they did that, Adam? 21:56.884 --> 21:57.824 You're a fan of Spoon. 21:58.025 --> 21:58.605 I love Spoon. 21:58.625 --> 22:01.187 What if Spoon did a tie-in with the Daily Star? 22:02.248 --> 22:06.571 and had a lady with moist boobs on the cover of their album. 22:07.171 --> 22:11.094 You know, with the moist boobs would enamour me to them. 22:11.814 --> 22:13.195 No, obviously, obviously not. 22:13.215 --> 22:14.456 You would think less of them. 22:14.496 --> 22:15.757 You would think, what are they doing? 22:15.777 --> 22:20.700 You know, great things should be sort out and found and loved and cared for. 22:21.120 --> 22:23.762 But then if you're getting something out, the most important thing is the music. 22:23.782 --> 22:24.903 Some people think, I don't know. 22:25.043 --> 22:35.509 Yeah, well if you've got a thought out there, listener, do text us on 64046 or email us at him and joe.6musicatbbc.co.uk What was that last McCartney song? 22:35.729 --> 22:37.350 Everybody have fun tonight. 22:38.011 --> 22:39.672 Everybody have a bun tonight. 22:39.992 --> 22:40.672 Have a bun tonight? 22:40.692 --> 22:41.653 Everybody look at thumbs. 22:41.733 --> 22:43.014 I don't know, it was something like that. 22:43.134 --> 22:45.035 It was that level of genius. 22:45.175 --> 22:49.017 Hey, let's clear the air by having a little bit of, is it the Velvet Underground next? 22:49.277 --> 22:50.078 Yeah, with rock and roll. 22:50.918 --> 22:53.081 Luckily, it turns out it's alright now. 22:53.441 --> 22:54.282 Which is a relief. 22:54.703 --> 22:57.747 Can't beat a bit of Velvet Underground at eight in the morning. 22:57.807 --> 23:00.590 That was Rock and Roll, and this is Adam and Joe here on 6 Music. 23:00.930 --> 23:03.173 Now here's the news, read by Adrian and Harvey. 23:03.894 --> 23:05.456 The Cure Within Between Days. 23:05.516 --> 23:07.098 This is BBC 6 Music. 23:07.118 --> 23:09.180 You're listening to Adam and Joe on The Breakfast Show. 23:09.741 --> 23:10.001 Hello. 23:10.382 --> 23:12.124 It's time for the serial thriller. 23:12.704 --> 23:14.947 Let's make up a jingle on the spot for the serial thriller. 23:16.168 --> 23:17.390 Serial thriller. 23:17.490 --> 23:19.252 It's the serial thriller. 23:19.652 --> 23:20.333 Oh Christ. 23:20.353 --> 23:21.735 That went badly. 23:21.755 --> 23:22.976 That was very bad. 23:23.256 --> 23:25.259 Let's record that and we can play it again tomorrow. 23:25.279 --> 23:25.519 Okay. 23:25.859 --> 23:28.002 We've got on the line Daniel Harris from Tooting. 23:28.222 --> 23:29.443 Can you hear us, Daniel Harris? 23:29.463 --> 23:29.924 I can indeed. 23:29.964 --> 23:30.685 Hello, good morning. 23:30.945 --> 23:31.866 Now, good morning, Daniel. 23:31.906 --> 23:34.469 We hear you might have African flu, is that correct? 23:34.489 --> 23:35.229 It's a possibility. 23:35.249 --> 23:37.351 I'm feeling a bit under the weather and it's my week off. 23:37.431 --> 23:38.292 How fair is that? 23:38.472 --> 23:39.473 You sound like a man. 23:39.533 --> 23:44.138 I was in Nigeria a few weeks ago and I think I might have picked some virulent strain of flu. 23:44.178 --> 23:44.458 Really? 23:44.498 --> 23:46.080 That's an operator, man. 23:46.260 --> 23:48.823 You weren't playing with any monkeys out there, were you? 23:48.983 --> 23:49.944 No, I wasn't actually. 23:50.004 --> 23:52.506 No, I was working on an education project. 23:52.646 --> 23:53.027 Really? 23:53.467 --> 23:57.530 You know, I watched a Nigerian film on the plane over to America. 23:57.611 --> 23:59.372 Are you interested in that, Daniel, at all? 23:59.632 --> 24:01.614 In film, generally, yeah, absolutely. 24:01.734 --> 24:05.397 Did you know there's something called Nollywood, which is the Nigerian Hollywood? 24:05.577 --> 24:08.400 Yeah, it's the third largest film industry on the planet, apparently. 24:08.420 --> 24:09.260 Is that really true? 24:09.480 --> 24:09.961 Yeah, indeed. 24:10.201 --> 24:11.642 After America and India? 24:12.123 --> 24:12.643 Absolutely. 24:12.943 --> 24:13.484 Is that true? 24:13.764 --> 24:15.545 It was extraordinary, the film I saw. 24:16.326 --> 24:25.115 It was very amateurishly made, and I'm not saying that's necessarily a reflection of the entire Nigerian film industry, but this one was quite extraordinarily amateurish. 24:25.135 --> 24:25.795 What was it about? 24:26.056 --> 24:33.162 It was about a Nigerian man inheriting some money and coming to live in London, but it looked as if it had been shot by his mate. 24:33.863 --> 24:39.485 just, you know, on a domestic handicam and then edited on his laptop quite poorly. 24:39.645 --> 24:45.588 It wasn't about his father's mining business collapsing and needing to get someone to... That's coming to America with Eddie Murphy. 24:45.628 --> 24:47.608 No, I'm thinking about those emails you used to get. 24:47.628 --> 24:51.870 Actually, you don't get them anymore, but do you remember, like, hi, I'm from Nigeria. 24:52.330 --> 24:54.711 My father's business collapsed recently. 24:54.771 --> 24:55.652 He was a millionaire. 24:55.892 --> 24:59.533 I need someone in the UK to help me set up a bank account. 24:59.553 --> 25:01.334 I think somebody optioned one of those emails. 25:01.394 --> 25:01.614 Yeah. 25:02.014 --> 25:02.755 stand into a film. 25:02.775 --> 25:03.555 Are you still with us, Daniel? 25:03.575 --> 25:04.296 I am indeed, yeah. 25:04.596 --> 25:09.059 So listen, your favourite film, apparently, is The Producers, is that right? 25:09.079 --> 25:16.284 It's one of many, but yeah, The Producers, I suppose, if I was going to hire a cinema and take 30 mates in, I'd probably play them The Producers. 25:16.304 --> 25:17.705 This is the remake we're talking about, right? 25:17.725 --> 25:18.405 Yeah, it has to be. 25:18.425 --> 25:19.166 With Will Ferrell. 25:19.326 --> 25:19.606 Yeah. 25:19.666 --> 25:20.046 Hardly. 25:21.798 --> 25:22.639 You're a fan of that one? 25:23.059 --> 25:24.280 Not really, no, it's the original. 25:24.940 --> 25:26.081 That's the one I'm into. 25:26.421 --> 25:28.662 And you've got the builders in fixing your boiler, is that right? 25:28.682 --> 25:31.024 They're changing the boiler, yes, yeah. 25:31.064 --> 25:33.205 Lots of tea breaks and occasional work. 25:33.565 --> 25:34.706 That takes one day, right? 25:34.766 --> 25:35.867 That's not more than a two day. 25:35.987 --> 25:36.807 It's a two day job. 25:36.827 --> 25:37.728 Two day job? 25:37.768 --> 25:39.429 The piping's very complicated. 25:39.649 --> 25:40.910 It's like installing an organ. 25:41.710 --> 25:42.550 Right. 25:42.691 --> 25:44.711 It's like installing the heart of the house. 25:45.412 --> 25:45.752 Isn't it just? 25:45.772 --> 25:46.852 Yeah, it's like heart surgery. 25:47.032 --> 25:47.633 Open the house. 25:48.173 --> 25:50.974 Except performed by dorks instead of geniuses. 25:50.994 --> 25:53.495 Hey, you were calling Daniel's building dorks. 25:54.376 --> 25:56.537 Installing a boiler is a terrific skill. 25:56.637 --> 25:57.917 You know what, they might be listening to this. 25:57.937 --> 25:59.078 They could be actually. 25:59.098 --> 26:00.658 They might be listening to one of the rival channels. 26:00.718 --> 26:03.700 I'm joking, guys, you're not dorks, you're doing a brilliant job. 26:04.080 --> 26:05.841 Don't screw up that app. 26:05.861 --> 26:06.581 Dorks is an acronym, isn't it? 26:06.621 --> 26:08.522 You could have picked up the whole deal for me, you know. 26:09.222 --> 26:10.583 I don't think Torx is an acronym. 26:10.603 --> 26:12.604 Well, it could be, you know, for you now. 26:12.805 --> 26:14.546 If it refers to a whale's taj. 26:15.326 --> 26:18.408 But there you go, that's an actual scientific fact. 26:18.628 --> 26:23.331 So listen, Daniel, you've kindly chosen two tracks that will give Adam and me a chance to have a bit of breakfast. 26:23.351 --> 26:23.972 What have you chosen? 26:24.632 --> 26:26.833 It's Apollo 440 with Stop the Rock. 26:26.913 --> 26:32.295 Haven't heard it for ages, but it's a very much a sort of a bounce you out of bed and bounce you into work type of song. 26:32.375 --> 26:42.139 Now, we were talking about tracks that are sort of influenced by various commercial associations and that one was a track that was on a video game, wasn't it? 26:42.599 --> 26:43.780 I'm not sure, you tell me. 26:43.800 --> 26:44.460 Stop the Rock. 26:44.860 --> 26:45.720 Stop the Rock. 26:45.981 --> 26:52.183 It was used for a football game and it was used for a lot of commercial things, but that doesn't stop you enjoying it though, does it? 26:52.614 --> 26:52.975 Not me. 26:53.175 --> 26:54.016 No, not me at all. 26:54.336 --> 26:55.418 No. 26:55.598 --> 26:56.639 What's your second track? 26:56.659 --> 26:57.701 The other one is K.L.F. 26:57.761 --> 26:58.642 and Tammy Winette. 26:58.862 --> 26:59.563 Good choice. 26:59.643 --> 27:01.906 An utterly bizarre but beautiful track. 27:01.966 --> 27:06.432 I mean, it's one of those things where two weird things come together and make something rather wonderful. 27:07.353 --> 27:10.457 And that's justified and ancient. 27:10.885 --> 27:11.325 There you go. 27:11.365 --> 27:12.625 And that was a great video as well. 27:12.645 --> 27:14.146 She turned up in that video, didn't she? 27:14.386 --> 27:14.666 Did she? 27:14.946 --> 27:15.506 I think so. 27:15.546 --> 27:16.366 Do you remember that, Daniel? 27:16.566 --> 27:17.207 Vaguely, yeah. 27:17.487 --> 27:22.288 And she looks sort of confused, as you would if you were in a collaborative effort with the KLS. 27:22.328 --> 27:25.028 And singing about ice cream vans and Moo Moo lands and stuff. 27:25.248 --> 27:25.709 There you go. 27:25.729 --> 27:26.789 Well, great choices, Daniel. 27:26.809 --> 27:30.070 Thank you very much for calling in and talking to us, and thanks for your choices. 27:30.230 --> 27:35.091 Hope the boiler surgery goes well, and I really hope you start feeling better before your week off is out. 27:35.151 --> 27:36.091 Thank you very much indeed. 27:37.085 --> 27:37.707 So here we go. 27:38.168 --> 27:40.736 This is our serial thriller for Tuesday morning. 27:41.097 --> 27:43.163 We'll be back after we've had a bit of a snack. 27:44.073 --> 27:51.759 That was Stop the Rock by Apollo 440, and before that you had justified an ancient with, uh, that was the KLF with Tammy Wynette. 27:52.159 --> 27:57.103 Yeah, I'm where Adam and Joe are here on BBC 6 Music, filling in for Sean W. Keveny for a couple of weeks. 27:57.763 --> 28:03.747 We've been taking your emails on the, uh, on a certain problem we've identified in contemporary music listening. 28:04.168 --> 28:09.532 What do you do when your favourite artist becomes associated with some kind of mass brand? 28:09.972 --> 28:25.885 Yeah, when your favourite artist embraces the mainstream to such a ludicrous degree that, in the case of Prince, he's giving away his new album with copies of the mail on Sunday, like it couldn't be The Guardian or The Telegraph or whatever, he had to go for the mail on Sunday. 28:26.025 --> 28:31.310 Or one of my favourite hip-hoppers, Common, decides to sell his album in Starbucks. 28:32.580 --> 28:34.321 Yeah, I mean, that's pretty bad. 28:34.441 --> 28:44.146 What would you do if Public Enemy started giving away their new album with, I don't know, tampons or something like that? 28:44.166 --> 28:47.147 It would certainly affect your enjoyment, I think, a little bit. 28:47.187 --> 28:47.668 Don't you think? 28:47.768 --> 28:48.508 Just a little bit. 28:48.608 --> 28:50.049 Specifically with tampons. 28:51.369 --> 28:54.430 I was hoping you wouldn't dwell on that, at least it's holding her head in her hands now. 28:55.871 --> 28:59.792 We've had one or two texts on this subject, somebody called 90 in Leeds. 28:59.832 --> 29:01.593 Is your name really 90, the number 90? 29:01.913 --> 29:03.233 That's pretty cool. 29:03.273 --> 29:05.154 Maybe you're an associate of Prince. 29:05.434 --> 29:06.814 I think he's Joe 90. 29:07.175 --> 29:07.515 Really? 29:07.575 --> 29:07.915 Yeah. 29:09.035 --> 29:16.280 He says, or she says, Paul McCartney has been below par for many a year, so his capitalist defection is no surprise. 29:17.221 --> 29:20.443 Yeah, that's about McCartney releasing his album through the popular coffee chain. 29:21.043 --> 29:25.987 Joni Mitchell releasing through that coffee shop, though, makes me feel that all hope is lost. 29:26.627 --> 29:29.428 Jonny Mitchell released one through the major coffee chain as well. 29:29.448 --> 29:29.929 Did you know that? 29:30.309 --> 29:31.990 Yeah, but I mean, is it any worse? 29:32.010 --> 29:35.832 You know, major record companies have got all sorts of fingers in all sorts of pies. 29:36.012 --> 29:39.834 Is it any worse than just going for like a high stink shop or something? 29:39.854 --> 29:46.017 Kim in Rochdale says artists who appear on iPod adverts go down considerably in my estimations. 29:46.337 --> 29:55.602 Now, those are those adverts with a kind of silhouette of some highly fashionable looking person boogying around with weird Rorschach splodges dancing around in the background. 29:55.802 --> 29:55.982 Yeah. 29:56.718 --> 29:58.079 But I thought iPods were cool. 29:58.439 --> 30:01.220 You know, I think that's an inaccurate ad for it. 30:01.240 --> 30:01.620 Kids, help! 30:02.300 --> 30:04.901 No one goes into the street and dances like that with their iPod. 30:04.941 --> 30:05.341 Do you not? 30:05.421 --> 30:11.964 What you do is you walk along the street like a zombie, bumping into everybody and being completely unaware of your surroundings. 30:12.304 --> 30:13.845 Oh dear me, Joe Cornish. 30:13.865 --> 30:15.085 You've got a chip on my shoulder there. 30:15.305 --> 30:15.625 I do. 30:15.745 --> 30:16.726 I groove around there. 30:16.746 --> 30:17.986 I'm really grooving around. 30:18.367 --> 30:21.528 You can see my little fat belly in silhouette. 30:22.749 --> 30:32.680 Sticking to the point though, Will in Ealing says finding a CD you love in the major coffee shop chain must be like finding out your girlfriend is your long lost sister. 30:33.941 --> 30:34.522 What? 30:34.622 --> 30:35.343 Does he mean sexy? 30:37.866 --> 30:38.806 Time for some music, I think. 30:38.946 --> 30:39.507 No, it's a trail. 30:39.587 --> 30:40.888 Hey, no, here we go, here we go. 30:40.928 --> 30:46.352 Just before we do the trail, Martin from Brighton has a very kind of considered and balanced thing to say. 30:46.672 --> 30:54.358 He says, I've got to say, I'm happy to let artists do whatever they want, as long as the music doesn't start to suck as a result of moist boobs. 30:54.678 --> 30:57.800 Selling out only happens when the music is compromised. 30:58.961 --> 31:00.963 Yeah, that's... And then he says, man, at the end. 31:01.063 --> 31:01.903 That's got to be the last word. 31:01.923 --> 31:02.964 Martin, you're so sensible. 31:03.024 --> 31:03.485 Yeah. 31:03.785 --> 31:04.686 Thank God for Martin. 31:04.706 --> 31:05.426 Vote for Martin. 31:05.546 --> 31:05.946 Here's a trail. 31:06.912 --> 31:10.015 That was breaks with a track called Beatific Visions. 31:10.095 --> 31:11.096 Is that a new one, Lisa? 31:12.277 --> 31:13.058 Yes, it is. 31:13.078 --> 31:13.858 That's good, man. 31:14.018 --> 31:15.039 I really enjoyed that. 31:15.380 --> 31:16.961 Their first album was very good as well. 31:17.021 --> 31:18.983 Now, they're a kind of supergroup, I believe. 31:19.283 --> 31:23.787 They're made up from members of British Sea Power and the Electric Soft Parade. 31:24.288 --> 31:25.328 Yeah. 31:25.889 --> 31:29.172 And the sum of their parts adds up to a greater... 31:29.612 --> 31:38.477 Whole I believe then either of those bands if that makes any sense that's not to put down either of those bands I don't want to fight with anyone from British sea power or the electric soft braid. 31:38.978 --> 31:53.686 I don't want any kind of sea power violence I'm just saying that the brakes are really good And I enjoyed that very much favorite super group Joe Cornish that one now come on you must have traveling will breeze yeah Think about my favorite super. 31:53.786 --> 31:55.127 I love the traveling will breeze I 31:55.327 --> 32:00.634 Then collection came out recently, and that was a guilty pleasure. 32:00.774 --> 32:04.338 Actually, we were talking about guilty pleasures in the break there, saying that it was a sort of bogus concept. 32:04.358 --> 32:05.760 You know you either like something or you don't. 32:05.780 --> 32:07.482 There's no reason for you to feel guilty about it. 32:08.023 --> 32:09.945 But when the travelling Wilburys first emerged, 32:10.746 --> 32:16.570 I found myself feeling pretty conflicted about enjoying there was a song called End of the Line. 32:17.091 --> 32:18.792 Well, it's all right. 32:19.112 --> 32:20.613 We're going to the end of the line. 32:20.873 --> 32:21.614 It was really good. 32:21.934 --> 32:23.055 I thought I love this song. 32:23.395 --> 32:27.698 But this is clearly the like the most uncool group that you could ever, ever like. 32:28.058 --> 32:28.899 Just these old blokes. 32:29.199 --> 32:36.304 A lot of their songs were about getting old and how they shouldn't be discriminated against just because they're ancient. 32:36.984 --> 32:49.249 But, um, actually, you know, they were wicked and their collection came out and a lot of the songs, even though they, you know, they sound like the sort of stuff that maybe your mum might enjoy more than, say, Pete Doxie. 32:49.670 --> 32:51.290 I don't know why I picked him out. 32:52.391 --> 32:53.631 He's like one of the kids, right? 32:53.931 --> 32:54.572 Russell Brand. 32:54.772 --> 32:55.292 How about that? 32:55.872 --> 32:58.033 Um, it's still, it's still really good stuff. 32:58.053 --> 32:59.394 So they're my favourite super group. 33:00.254 --> 33:00.675 Joe Cornish? 33:00.735 --> 33:03.798 I don't think I've got any favourite super groups. 33:03.838 --> 33:05.380 Not even while I was rambling about the Wilburys? 33:05.420 --> 33:08.443 No, I feel like I've been on a really long walk. 33:08.663 --> 33:09.884 Favourite super groups anyone? 33:10.285 --> 33:11.166 Text us, why not? 33:11.806 --> 33:12.507 Or you can email us. 33:12.527 --> 33:14.809 Or just your favourite soup, I'd be happy with that. 33:14.829 --> 33:16.051 What is your favourite soup? 33:16.631 --> 33:17.732 Oh, I don't really like soup. 33:17.972 --> 33:18.892 Anything with croutons. 33:19.573 --> 33:20.513 Anything with croutons? 33:20.533 --> 33:22.194 That's nothing to do with the soup, though, is it? 33:22.234 --> 33:23.075 That's just putting croutons in. 33:23.095 --> 33:24.175 Because the croutons are in the soup. 33:24.255 --> 33:26.096 Yeah, but... Listen, what next, quickly? 33:26.356 --> 33:27.297 A record or something? 33:28.017 --> 33:29.618 A trail, a record, which one? 33:29.638 --> 33:29.938 The shins. 33:29.958 --> 33:30.439 The shins. 33:30.479 --> 33:31.019 How about that? 33:31.119 --> 33:31.739 Turn me on. 33:31.759 --> 33:31.959 Yeah. 33:32.260 --> 33:32.700 Turn on me. 33:34.116 --> 33:35.537 Yeah, that was The Shins with Turn on Me. 33:35.577 --> 33:37.417 This is Adam and Joe on BBC6 Music. 33:37.477 --> 33:39.218 It's just coming up to Half Bar State here. 33:39.458 --> 33:44.079 Are the world's best male-male ice dance pair, Adrian and Harvey, with the news. 33:46.040 --> 33:48.161 Yeah, that's Susie Sue with Into a Swan. 33:49.241 --> 33:54.143 Now, I got invited to be a Facebook friend of an old friend of ours, Joe, yesterday. 33:54.583 --> 33:54.963 Susie? 33:55.323 --> 33:56.203 Yeah, remember Susie? 33:56.444 --> 33:56.744 Yeah. 33:56.884 --> 33:57.684 Used to go out with Lou. 33:58.064 --> 33:58.264 Yeah. 33:58.284 --> 34:00.105 And she calls herself Susie Sue. 34:01.205 --> 34:03.266 Yeah, but I thought, well, it's actually Susie Sue. 34:03.286 --> 34:04.306 Do you know what I mean? 34:04.726 --> 34:04.946 No. 34:05.226 --> 34:08.747 Well, I thought it was like the lady that used to be in Susie and the Banshees. 34:08.867 --> 34:09.287 Oh, I see. 34:09.307 --> 34:11.227 She thought she was inviting you to be friends. 34:11.267 --> 34:11.588 Yeah. 34:12.288 --> 34:16.729 And Susie, our friend, apologized for using the moniker. 34:16.749 --> 34:22.270 She said, I know it's a bit cheesy, but this is what I'm masquerading as in the Facebook world, would you be my friend? 34:22.850 --> 34:26.551 And nice as it was to hear from her, I was a little bit disappointed. 34:26.931 --> 34:28.131 That she would use that moniker. 34:28.231 --> 34:29.992 That it wasn't the actual Susie Sue. 34:30.672 --> 34:31.772 But then I felt embarrassed. 34:31.872 --> 34:34.393 Why would Susie Sue ever want to be friends with me on Facebook? 34:34.413 --> 34:34.893 Quite right. 34:35.753 --> 34:37.433 But that's a great new single there. 34:37.753 --> 34:39.094 It's new material from Susie Sue. 34:39.134 --> 34:40.274 It's called Into a Swan. 34:40.834 --> 34:42.014 This is BBC Six Music. 34:42.034 --> 34:43.055 You're listening to Adam and Jo. 34:43.095 --> 34:45.235 It's time for an exciting new feature. 34:45.255 --> 34:52.256 We're trying to give our show some structure despite the terrible restrictions placed on competitive things in the BBC currently. 34:52.596 --> 34:58.438 So we've invented a brilliant new non-competitive segment of the show, which we're calling Text the Nation. 34:58.838 --> 35:00.378 It's a little bit like Test 35:00.578 --> 35:23.795 the nation yeah that show on the BBC and we're kind of it's like Adam Robinson and Joe Scofield right and now there's of course quite a good chance that around about 150 other radio stations also have a feature called text the nation but we're going to ignore that fact from yeah for the time being and plow on today what we wanted you to text in to us about was this 35:24.355 --> 35:29.118 What's the best thing you ever found and what's the worst thing you ever lost? 35:29.158 --> 35:32.220 You're talking about stuff you find like on the street. 35:32.280 --> 35:35.802 On the street yeah just randomly like it or if you're you know on a plane or something. 35:35.822 --> 35:39.925 There's a clear distinction between finding something and stealing something isn't there? 35:40.445 --> 35:41.606 Yeah, of course there is. 35:41.626 --> 35:43.447 No, but there is a grey area. 35:43.487 --> 35:46.729 For instance, if something... Do you remember we did this once before in a phone-in? 35:46.889 --> 35:47.069 Right. 35:47.089 --> 35:51.852 And there was somebody who claimed that anything on the floor anywhere is public property. 35:52.132 --> 35:52.413 Oh, yes. 35:52.433 --> 36:00.418 So even if it falls off a shelf in a shop, if it's on the floor, and apparently there is a legal stipulation that says that. 36:00.698 --> 36:02.099 A little bit like squatters' rights. 36:02.179 --> 36:02.499 Yeah. 36:02.639 --> 36:03.099 You know what I mean? 36:03.199 --> 36:08.323 Just the floor generally, like the beach, is just public property, and anything that's on it 36:09.003 --> 36:25.874 is yours that would be your legal defense if you got shot anyway we're not we're talking about stuff you actually find it was on the floor for instance I got into the R&B artist Mary J Blige who I like quite a lot yeah I first discovered her music because I was walking through Brixton where I live 36:26.374 --> 36:28.954 And I found a Mary J. Blige CD on the street. 36:29.375 --> 36:29.615 No. 36:29.735 --> 36:31.315 Literally street music. 36:31.815 --> 36:32.955 It was slightly scratched. 36:33.435 --> 36:34.035 I bought it home. 36:34.075 --> 36:35.016 It played perfectly. 36:35.396 --> 36:36.576 Was it in the case and everything? 36:36.696 --> 36:36.856 Nope. 36:36.976 --> 36:38.296 It was just a loose CD. 36:38.316 --> 36:39.356 It was her first album. 36:39.696 --> 36:40.056 Wow. 36:40.437 --> 36:43.337 I wonder if that was the result of some kind of argument. 36:43.677 --> 36:44.437 Do you know what I'm saying? 36:44.877 --> 36:53.479 And maybe the man or the lady snatched the CD from the player at a certain point in the argument and lobbed it dramatically out of the window like a flying saucer. 36:54.099 --> 37:02.446 because her music is so urban and so streety that it grows out of the cracks between paving stones like a kind of urban fungus. 37:03.086 --> 37:03.427 Right? 37:04.708 --> 37:05.488 Like a mushroom. 37:05.508 --> 37:09.992 So it was a naturally modern mushroom, naturally preparing soul hip hop phenomenon. 37:10.853 --> 37:11.293 Exactly. 37:11.313 --> 37:12.574 And you just bent down and plucked it. 37:13.114 --> 37:14.956 It's like you might pick mushrooms in the autumn. 37:14.976 --> 37:19.860 You can go out and pluck the new Mary J. Blige CD off the streets of Brixton. 37:20.160 --> 37:22.023 Do you think that happens with Mike Skinner's stuff as well? 37:22.063 --> 37:22.744 It just grows. 37:22.764 --> 37:25.768 Yeah, but that grows in North London, doesn't it? 37:26.088 --> 37:28.231 I was saying that... In Trustafarian areas. 37:28.271 --> 37:28.972 Yeah, yeah, yeah. 37:29.192 --> 37:30.254 Where's he from, Mike Skinner? 37:30.494 --> 37:31.535 He lives in Brixton, I think. 37:31.736 --> 37:32.036 Does he? 37:32.116 --> 37:36.222 Yeah, originally he's from somewhere like Birmingham or Leeds, I don't know, I can't remember. 37:36.642 --> 37:38.944 But anyway, so yes, text us. 37:39.064 --> 37:52.217 We'd like to hear stories about the best thing you found and also the worst thing you've lost, the thing that you were most gutted to lose, not just your keys yesterday, but like an item that had real sentimental value or was very important to you. 37:52.257 --> 37:55.560 So I guess it could be your keys, but there has to be some anecdote attached to it. 37:55.580 --> 37:57.402 Give us your examples here, Adam Buxton. 37:57.782 --> 37:58.423 Things I've lost. 37:58.443 --> 38:00.345 Now you're putting me on the spot a little bit. 38:01.085 --> 38:02.886 Do you watch we play a track while you think of something? 38:03.106 --> 38:03.567 Yeah, okay. 38:03.767 --> 38:05.688 Here's a track that you thought of this idea. 38:05.708 --> 38:09.670 Why didn't you have me down the embarrassing alleyway? 38:10.610 --> 38:13.212 Here's a track that encapsulates many of my feelings about this. 38:13.232 --> 38:16.654 I was actually inspired by me wanting just to play this track to be honest with you, Joe. 38:16.934 --> 38:21.559 This is by the Divine Comedy and it's from, I think, their album, Resurrection. 38:21.979 --> 38:31.209 Hang on, before we play the track, we should say text 64046 with your suggestions of the most precious thing you've ever lost and the most valuable thing you've ever found. 38:32.671 --> 38:31.209 64046. 38:33.111 --> 38:35.314 It's not called Resurrection, is it? 38:35.334 --> 38:36.114 Is it Restoration? 38:37.589 --> 38:37.669 Oh. 38:38.010 --> 38:38.711 You chose it? 38:38.751 --> 38:39.372 Is it restoration? 38:39.992 --> 38:40.974 Regeneration? 38:41.454 --> 38:43.277 I'm the big loser. 38:43.577 --> 38:44.278 It's a good track. 38:44.338 --> 38:44.859 Is it by? 38:44.999 --> 38:46.481 It's by Divine Comedy. 38:46.781 --> 38:47.802 And it's called Lost Properties. 38:47.822 --> 38:50.446 Got wonderful lyrics all about this very thing. 38:51.747 --> 38:52.428 Oh, that was lovely. 38:52.528 --> 38:53.168 It's good, isn't it? 38:53.188 --> 38:54.829 Shall I do a little bit of name-dropping, Joe? 38:55.009 --> 38:55.209 Go on. 38:55.269 --> 38:55.830 Would you like me to? 38:55.930 --> 38:57.431 Yeah. 38:57.731 --> 39:12.681 One of my happiest musical memories is watching Neil Hannon from the Divine Comedy playing that track on his acoustic guitar in the Chateau Marmont in LA, sat next to Jason Faulkner, a wonderful musician also, used to be in the band Jellyfish, is now a great solo musician in his own right. 39:13.101 --> 39:17.925 Jason then went on to play a song from under the floorboards on the acoustic by magazine. 39:18.625 --> 39:20.786 There's a little bit of name-dropping music for you. 39:20.806 --> 39:21.547 A lot, a lot, a lot. 39:21.847 --> 39:22.468 Aloha. 39:22.508 --> 39:23.208 Aloha. 39:23.228 --> 39:23.829 Aloha. 39:24.209 --> 39:26.772 So we're in the middle of an exciting... It's not a competition. 39:26.832 --> 39:28.193 It's a sort of text happening. 39:28.653 --> 39:28.833 Yeah. 39:29.074 --> 39:29.794 A text event. 39:29.834 --> 39:31.035 We're calling it Text the Nation. 39:32.076 --> 39:33.878 It's just a sort of a survey type thing. 39:33.918 --> 39:34.518 What can't you believe? 39:34.799 --> 39:36.140 Can't believe we're here. 39:37.661 --> 39:39.443 I think many other people think the same thing. 39:41.104 --> 39:48.730 And the thing we've asked you to text us about is the coolest thing you've found, stroke, the most tragic thing that you've lost. 39:49.090 --> 39:53.714 And we've had quite a lot of text, but before we go to them, let me give you the text number. 39:53.814 --> 39:55.075 It's 64046. 39:56.616 --> 40:02.701 And Adam, why don't you tell us about the event that inspired you to think of this marvellous text composition? 40:02.881 --> 40:17.217 Well, I sort of admitted before that it was partly the desire just to hear that divine comedy track but also I was thinking about a time as a youngster living in Earl's Court when I was about 12 or maybe 11 and I found a little 40:18.278 --> 40:20.401 a bottle, a kind of little jar. 40:20.701 --> 40:21.402 A magic bottle? 40:21.422 --> 40:22.083 A magic jar. 40:22.183 --> 40:22.744 In the street? 40:22.804 --> 40:23.925 In the street, right? 40:24.786 --> 40:29.472 And it was a set of silver and it had a lightning strike down the side. 40:29.632 --> 40:29.972 Wow! 40:30.213 --> 40:32.495 Like a sort of Harry Potter bottle. 40:32.515 --> 40:32.796 Exactly. 40:33.056 --> 40:37.021 And I thought I found some kind of magic potion. 40:38.001 --> 40:44.744 and it had some stuff inside it and luckily I didn't go home and imbibe any of this. 40:44.824 --> 40:45.444 I was terrified. 40:45.464 --> 40:46.164 Did you open it? 40:46.884 --> 40:48.045 No, I didn't open it, no. 40:48.065 --> 40:55.968 I found out years later of course that what I had found was a popper, a little bottle of amyl nitrate. 40:56.868 --> 40:59.390 Um, which is a sort of drug that's used. 40:59.651 --> 41:00.291 Well, yeah. 41:00.491 --> 41:07.337 Gentlemen that love gentlemen use it to familiarize themselves in an intimate fashion. 41:08.438 --> 41:09.519 Cause it was relaxing properties. 41:09.959 --> 41:15.603 Um, but I, of course didn't use it, but I looked back years later and realized that's what I had found. 41:16.024 --> 41:17.345 But I was so excited about it. 41:17.365 --> 41:22.809 You know, I kept it for ages because I really thought maybe it had some kind of magical properties in a way I was right. 41:23.210 --> 41:23.870 But, um, 41:25.311 --> 41:27.252 But I never found out about those magical things. 41:27.272 --> 41:29.072 It's capable of opening up a magical world. 41:30.273 --> 41:31.853 Until years later. 41:32.833 --> 41:35.354 So that would be one amazing thing that I found. 41:35.374 --> 41:37.475 But I was talking to another world. 41:37.535 --> 41:42.916 I was talking to Joe earlier on about whether he'd actually ever found any items of clothing. 41:42.936 --> 41:44.657 Because clothing is a big thing that... 41:45.177 --> 41:45.837 You can often find in the street. 41:45.857 --> 41:51.820 Well, this is quite shocking listeners, because it appears that Adam Buxton just picks up bits of clothes off the street. 41:51.860 --> 41:52.741 Not all the time. 41:53.381 --> 41:54.861 Washes them and wears them. 41:55.362 --> 41:56.102 Twice I've done it. 41:56.122 --> 42:02.405 I think pretty much everybody every now and then comes across, you know, a hat or a jumper just hung on a railing. 42:02.605 --> 42:03.065 A scarf. 42:03.085 --> 42:03.645 What about a scarf? 42:03.666 --> 42:04.186 A little damp. 42:04.406 --> 42:07.027 If you found a really nice scarf, it was a little bit damp. 42:07.567 --> 42:12.970 All it needed was a little wash, pop it in the washing box, and then you got a scarf! 42:13.690 --> 42:14.430 What's wrong with that? 42:14.470 --> 42:15.410 What is wrong with that? 42:15.510 --> 42:18.071 It just makes you a pair of gloves, come on! 42:18.431 --> 42:24.692 Listen, and then it's being recycled, and then someone else's little personal tragedy of losing those gloves that they were given. 42:24.772 --> 42:26.113 It's turned into a victory, you're right. 42:26.233 --> 42:27.353 There's something beautiful about it. 42:27.573 --> 42:36.535 Listen, if you listeners have got a brilliant story of something that you found in the street that, you know, proved wonderful for you, or something tragic that you lost in the street, text us 64046. 42:38.695 --> 42:41.340 And after the next record, we'll be reading some of your responses out. 42:41.380 --> 42:42.662 There's something to look forward to, eh? 42:42.983 --> 42:44.366 Yeah, now here's Amy Winehouse. 42:44.386 --> 42:46.610 She's a girl that gets a hard time, I think. 42:46.630 --> 42:47.050 You know what I mean? 42:47.070 --> 42:50.236 Well, she gives herself a hard time by drinking the magic bottle. 42:50.816 --> 42:53.217 But so what if she's not hurting anyone else? 42:53.237 --> 42:54.358 She's hurting herself. 42:54.618 --> 42:55.999 About nanny state isn't it? 42:56.079 --> 42:57.540 I thought you were anti the nanny state. 42:58.040 --> 42:59.621 Well I just think she should calm down. 43:00.021 --> 43:00.321 Really? 43:00.541 --> 43:00.801 Yeah. 43:01.142 --> 43:02.962 She's still a very talented lady though. 43:03.103 --> 43:05.164 Here's a track called Tears Dry On Their Own. 43:05.364 --> 43:08.445 Fantastic, that's Amy Winehouse with Tears Dry On Their Own. 43:08.846 --> 43:16.730 Let's hope she cleans up and recovers because she's so very talented and it's, you know, bad that she's in a bad state, right Adam? 43:17.250 --> 43:19.432 It was quite an impassioned plea there. 43:19.633 --> 43:21.194 She might be listening. 43:22.015 --> 43:26.019 Maybe that'll get through her beehive into her bonsk. 43:26.940 --> 43:35.329 In her diary she'll write, listening to six music this morning, Joe Cornish made a very impassioned plea for me to get my act together. 43:35.669 --> 43:36.149 You know what? 43:36.510 --> 43:37.251 I think I'm gonna. 43:38.211 --> 43:38.731 I'm gonna. 43:38.851 --> 43:39.712 That's what she's right as well. 43:39.732 --> 43:40.072 Exactly. 43:40.252 --> 43:40.532 Gonna. 43:40.692 --> 43:40.972 Gonna. 43:41.553 --> 43:46.915 With two ends and she would clean up her act thereafter and it would be an important watershed. 43:47.075 --> 43:50.677 However, every song she wrote after that would be rubbish. 43:52.758 --> 43:53.718 Oh, that's life, eh? 43:54.358 --> 43:56.079 This is Adam and Jo, this is BBC Six Music. 43:56.099 --> 43:57.580 We're running an extraordinary text. 43:57.940 --> 44:01.182 And it's not a competition, it's a happening called Text-The-Mation. 44:02.142 --> 44:04.883 And we're making sure we say that name every time we talk about it. 44:04.903 --> 44:11.206 We're asking you the most extraordinary thing you've ever lost or found, and we've been overwhelmed by text responses. 44:11.526 --> 44:12.606 Should I read some of them out, Adam? 44:12.686 --> 44:12.986 Would you? 44:13.486 --> 44:14.107 Yeah, here we go. 44:14.507 --> 44:15.247 Morning, Adam and Joe. 44:15.467 --> 44:19.529 The best thing I ever found was a £20 note floating down the river. 44:20.650 --> 44:22.031 Yeah, that sounds spurious, doesn't it? 44:22.051 --> 44:23.252 This is from Drew in Weymouth. 44:23.513 --> 44:26.496 The worst thing I've lost has to be my Star Wars t-shirt. 44:26.776 --> 44:30.980 Drew, we believe the t-shirt, but 20 pound notes floating down rivers. 44:31.020 --> 44:32.622 That's something out of Enid Blyton. 44:32.662 --> 44:32.942 Do you? 44:33.102 --> 44:34.203 Yeah, why would he make it up? 44:34.684 --> 44:36.706 Why would a 20 pound note be floating down a river? 44:37.106 --> 44:42.488 Uh, maybe it just floated off a gangster, uh, naughty box Charlie. 44:42.728 --> 44:56.693 He'd been thrown in the river by Guy Ritchie and his henchmen and some of the booty that he'd stolen off Jimmy, the wiffle, uh, and then so you found one of the 20 pound notes from 44:57.715 --> 44:58.715 Ah, movies have begun. 44:58.815 --> 45:05.998 Ryan in Kentish Town, I found the 1000th edition of Blues and Soul magazine in Camden in a bar. 45:06.298 --> 45:09.079 It was a coincidence because I'm a Blues and Soul fan. 45:09.679 --> 45:10.179 That's good. 45:10.459 --> 45:10.879 That's good. 45:11.239 --> 45:13.020 Are you sure that wasn't just someone else's copy? 45:14.301 --> 45:15.702 or a copy owned by the bar. 45:15.782 --> 45:16.643 I think that's theft. 45:17.023 --> 45:19.186 We're reporting both of these texts to the police. 45:19.927 --> 45:24.311 The next one, I found an amazing Michael Negra necklace. 45:24.431 --> 45:32.099 I can only assume he's a designer or she in the road outside a public school in my town after parking the car. 45:32.440 --> 45:34.162 Turns out it was worth 80 quid. 45:34.882 --> 45:38.667 Now that's an anonymous one, but obviously that belonged to someone in the school. 45:38.967 --> 45:50.640 So rather than taking it into the school, turning it into the lost profit, lost property office, this anonymous texter merely took it to the local pawn shop and got 80 nica for it. 45:50.700 --> 45:51.841 Well, this is the thing, isn't it? 45:51.861 --> 45:57.105 I mean, sometimes it's very clear that you should hand the thing in that you've found, you know what I mean? 45:57.125 --> 46:01.269 If you find somebody's wallet, their details are in there, it's a no-brainer. 46:01.589 --> 46:04.392 You give it to the cops and they hopefully get their stuff back. 46:04.532 --> 46:04.752 Money? 46:04.772 --> 46:05.813 Money belongs to the Queen. 46:06.293 --> 46:06.513 Right. 46:06.613 --> 46:07.774 And you should send it back to her. 46:07.955 --> 46:09.216 Yeah, or a member of Queen. 46:10.431 --> 46:12.372 Okay, one more before we go to a record. 46:12.932 --> 46:17.814 Dave says, when I was six in Australia, I found a lump of gold on the beach. 46:18.254 --> 46:19.614 Hey, nice one, Dave. 46:19.754 --> 46:20.335 Is that true, Dave? 46:20.355 --> 46:25.636 I'd like to find out how big the lump of gold was, because it could have just been like a tiny lump of sand. 46:26.157 --> 46:33.159 You know what I would like now, Joe, is to hear some kind of Harry Hill-based trail for a program or something. 46:33.259 --> 46:34.920 Your wish is my command. 46:35.640 --> 46:37.942 What's that coming over here? 46:38.142 --> 46:39.524 Is it a monster? 46:53.957 --> 46:55.078 What a lovely man as well. 46:55.318 --> 46:56.498 Seriously ill quite recently, right? 46:56.518 --> 46:57.319 That was Edwin, wasn't it? 46:57.539 --> 46:58.279 Yeah, he's okay now. 46:58.299 --> 46:59.500 Yeah, but he's recovered fully. 46:59.580 --> 47:00.020 Thank goodness. 47:00.120 --> 47:09.225 Years ago we used to have a program on Channel 4 and we had a segment called Vinyl Justice where we went round to pop stars' houses and kind of rifled through their record collections and we did Edwin, didn't we? 47:09.585 --> 47:10.166 Absolutely. 47:10.426 --> 47:11.867 We had a really good afternoon there. 47:11.887 --> 47:12.647 He was such a nice man. 47:12.907 --> 47:18.733 Yeah, he was really nice, pulled out like loads of amazing Orange Juice rarities for us, because he knew we were big fans. 47:18.954 --> 47:27.503 And the thing I love most about Orange Juice, being a kind of a hip-hop and R&B fan, is that they merge kind of guitar-pop and soul. 47:28.183 --> 47:31.427 Better than, I think, any other rock band, ever. 47:31.647 --> 47:43.293 And certainly, when they first came out, was it in the early 80s or the late 70s, orange juice, that kind of Scottish postcard music label scene? 47:44.353 --> 47:51.197 No one else was doing that kind of thing at all in the post-punk times then, and they were very much going against the grain. 47:51.357 --> 47:53.259 Which is always a good thing to do when I think of Joe. 47:53.299 --> 47:53.860 I hate the grain. 47:54.161 --> 47:54.781 I hate the grain too. 47:54.801 --> 47:56.944 Whichever way the grain's going, I go the opposite direction. 47:56.964 --> 47:57.685 Same here, same here. 47:57.705 --> 47:59.087 Absolutely, absolutely. 47:59.107 --> 48:00.809 We're Adam and Joe, this is BBC 6 Music. 48:00.829 --> 48:08.398 We're in the middle of an exciting kind of text event where we're asking you what the most amazing things you've ever lost and found are. 48:08.739 --> 48:10.261 Okay, this was your idea, Adam. 48:10.481 --> 48:22.826 But I was just remembering that one time one of the worst things I lost again when I was when I was little when things like that You know the older you are the older and wiser you get of course you realize that material things You shouldn't lose that much sleep. 48:23.266 --> 48:26.947 They come and go the most important things in life are 48:28.408 --> 48:31.871 I was going to say something filthy, but, you know, other spiritual things. 48:32.331 --> 48:34.133 But when you're younger... What are you talking about? 48:34.153 --> 48:34.393 I don't know. 48:34.633 --> 48:36.395 When you're younger, you don't realize that. 48:36.595 --> 48:41.419 And once I lost this thing called the Mighty Men and Monster Maker, did I ever tell you about this, Joe? 48:41.459 --> 48:41.679 No. 48:41.859 --> 48:46.824 And it was a plastic gizmo that I got from A Trip to America one time, and... 48:47.664 --> 48:52.649 you would put little templates, it was a bit like brass rubbing, right? 48:52.729 --> 48:53.009 Right. 48:53.049 --> 49:05.441 With these little different sections of plastic bits that you could, so you could combine different combinations of little brass rubbing plates, except it wasn't brass, it was just plastic, and you would make monster pictures, right? 49:05.601 --> 49:05.782 Yes. 49:05.822 --> 49:06.903 Don't grin at me like that! 49:06.963 --> 49:08.904 It's just you're going into a weird trance. 49:10.106 --> 49:10.706 It's good, though. 49:10.746 --> 49:11.286 It's exciting. 49:11.326 --> 49:13.167 I don't think anyone understands what you're saying. 49:13.307 --> 49:14.447 I'm just... But it's exciting. 49:14.707 --> 49:16.607 It was a game and it was wicked. 49:16.867 --> 49:17.387 And you lost it. 49:17.407 --> 49:17.807 And I lost it. 49:17.947 --> 49:19.248 I took it to school and I lost it. 49:19.268 --> 49:19.908 I couldn't believe it. 49:20.028 --> 49:20.348 I lost it. 49:20.648 --> 49:22.348 But then, a couple of days later, right? 49:22.388 --> 49:22.948 You found it? 49:23.348 --> 49:24.289 I saw it. 49:24.369 --> 49:26.829 I saw it with this guy, with this bloke. 49:27.009 --> 49:28.169 No, someone had stolen it. 49:28.349 --> 49:33.010 Well, I said to him, hey, you've got the Mighty Men and Monster Maker. 49:33.170 --> 49:34.430 He's like, yeah, it's pretty cool, isn't it? 49:34.450 --> 49:36.131 It's like, yeah, I know it's pretty cool. 49:36.551 --> 49:37.551 It's mine. 49:38.311 --> 49:39.711 And he said, no it's not. 49:40.192 --> 49:40.712 I got one. 49:41.252 --> 49:42.552 I said, where'd you get it from then? 49:42.893 --> 49:43.433 From Woolies. 49:43.613 --> 49:45.193 You can't get them in Woolies. 49:45.693 --> 49:48.354 I got it from the States in the American States. 49:48.714 --> 49:49.695 That's the only place you can get that. 49:49.715 --> 49:51.695 He's like, oh yeah, that's Woolies in the States. 49:51.775 --> 49:52.776 My aunt brought it back. 49:52.796 --> 49:53.956 Woolies does exist in the States. 49:53.976 --> 49:54.196 Yeah. 49:54.676 --> 49:57.197 So anyway, I knew this guy was lying. 49:57.317 --> 49:58.037 I knew for a fact. 49:58.057 --> 49:58.838 There was no question. 49:58.858 --> 49:59.438 Do you remember his name? 49:59.538 --> 50:00.838 He just half-inched it. 50:01.639 --> 50:02.319 David Bradford. 50:02.879 --> 50:03.379 Is that true? 50:03.959 --> 50:04.919 No. 50:05.500 --> 50:08.920 And he just... He nicked this thing from me. 50:08.960 --> 50:09.720 There was no question. 50:10.001 --> 50:11.401 So here I went a step further. 50:11.441 --> 50:12.341 Here's what I did, right? 50:12.561 --> 50:13.461 Is this morally right? 50:14.321 --> 50:18.602 That night I creeped into the room. 50:19.083 --> 50:25.764 I cropped into the classroom where I knew this guy was stashing the mighty Men and Monster Maker. 50:26.484 --> 50:32.271 and I scratched my initials onto the underneath. 50:32.672 --> 50:38.198 The next day I went and I said, oh, oh, I just remembered. 50:38.819 --> 50:41.382 I scratched my name into that when I first got it. 50:42.023 --> 50:42.964 It's on the underneath. 50:43.284 --> 50:43.905 Flip it over. 50:44.145 --> 50:44.646 Take a look. 50:45.745 --> 50:52.509 were my initials, and he was totally busted, and he said, oh, right, okay, well... So he did that proof that he did steal them? 50:52.609 --> 50:53.949 Yeah, but... In his reaction? 50:54.330 --> 50:54.790 Exactly. 50:54.930 --> 50:58.832 So I was right, there was no question I was right, but was that right to do a little evidence part in there? 50:58.852 --> 50:59.212 I don't know. 50:59.332 --> 51:06.556 The one thing I do know is we now no longer have any time for any listener responses to our competition, because you've taken the whole thing talking about yourself. 51:06.596 --> 51:10.818 Well listen, let's have one of your free choices then, Joe, and then after that we can have some more of the text. 51:10.838 --> 51:11.378 Yeah, we'll have some text. 51:11.418 --> 51:12.479 Alright, this is my free choice. 51:12.759 --> 51:17.101 No particular reason, it just popped up on my iPod the other day and I realised how much I like it. 51:17.121 --> 51:19.702 This is Dexi's Midnight Runners with Let's Make This Precious. 51:19.882 --> 51:21.262 They did it, they did make it precious. 51:21.622 --> 51:22.403 Absolutely they did. 51:22.423 --> 51:23.803 What a great record, I love that record. 51:23.843 --> 51:32.007 It sounds like a bunch of dockers, like in the middle of a very hard day of welding, who suddenly decide to make something precious. 51:32.475 --> 51:34.277 Let's make a pressure. 51:34.418 --> 51:37.702 I think we probably will and they all start doing it. 51:38.022 --> 51:41.687 It's like an amazing Musical, but they didn't that were they in there. 51:41.807 --> 51:42.908 Is that from to Raya? 51:43.208 --> 51:49.416 Yeah, I think it's certainly that era So it was a b-side wasn't it of one of their big singles or was it even a single? 51:49.476 --> 51:49.736 I don't know. 51:49.917 --> 51:50.938 We don't know anything about me 51:51.178 --> 51:55.460 So at that point they were all looking like kind of jolly travelling folk. 51:55.520 --> 52:00.421 Yeah, dungarees, leather jackets, red scarfs tied round their necks, exactly chimney sweeps. 52:00.441 --> 52:05.643 Because they did go, they actually went through a phase where they did look like stevedores, you know, like dockers and stuff. 52:06.803 --> 52:07.504 What a great band. 52:07.584 --> 52:09.444 Anyway, they should reform, get back together, come on. 52:09.784 --> 52:10.845 I think they probably have, haven't they? 52:10.865 --> 52:11.185 I don't know. 52:11.605 --> 52:18.012 So it's time for some listener input to our exciting text event where we're asking you the most exciting things that you've lost and found. 52:18.212 --> 52:19.514 Are you ready for some more text, Adam? 52:19.574 --> 52:20.014 Yes, please. 52:20.395 --> 52:21.176 OK, here we go. 52:21.696 --> 52:26.842 The best thing I found on the street was an enamel badge from the 1977 FA Cup final. 52:27.362 --> 52:30.706 I feel sorry for the guy who lost it after 30 years. 52:31.046 --> 52:33.088 So that was recently he's saying he found it this year. 52:34.147 --> 52:35.328 Hmm, that's good man. 52:35.388 --> 52:43.912 I found a little badge a little button badge one time with the word knickers on it didn't in pink and I really loved the badge, you know, and I worry about you. 52:44.032 --> 52:44.572 That's yeah. 52:44.752 --> 52:48.394 Oh, obviously you'd love that bad Yeah, what about three years and then I lost it. 52:48.494 --> 52:49.694 So I was gutted. 52:49.775 --> 52:54.477 It was straight, you know, pass through my life But what a good time we actually filmmaker will make a film about that badge. 52:54.677 --> 52:54.737 Mmm 52:55.097 --> 52:55.798 Le niqueur. 52:55.958 --> 52:56.798 Le niqueur. 52:56.898 --> 52:58.339 Le beige niqueur. 52:58.559 --> 52:59.420 Okay, here's another one. 52:59.440 --> 53:01.901 There's some silly ones I'm going to have to skip past. 53:02.662 --> 53:10.186 In the mid-80s, I rounded a corner in Finsbury Park to find a pair of red, patent-leather sequined platforms in mid-pavement. 53:10.546 --> 53:12.488 A Cinderella moment, says Dom. 53:13.508 --> 53:14.469 That's quite magical, isn't it? 53:14.489 --> 53:15.889 They must have been magical in some way. 53:16.250 --> 53:16.770 Absolutely. 53:16.850 --> 53:18.130 Ready to sort of step into. 53:18.170 --> 53:19.191 Sort of witch or other. 53:19.311 --> 53:22.753 Again, that's like some sort of French film, or maybe a Bjork video or something. 53:23.213 --> 53:24.834 And does Dom say what he did with them? 53:24.854 --> 53:25.674 Did he step into it? 53:25.734 --> 53:25.794 No. 53:25.814 --> 53:28.336 Dom's a very elliptical, mysterious man or woman. 53:28.496 --> 53:28.656 Yeah. 53:29.296 --> 53:30.757 No one will ever know about Dom. 53:31.097 --> 53:31.417 Wow. 53:32.377 --> 53:35.019 Here's somebody called Paul Murtug. 53:35.479 --> 53:36.219 Is that how you say it? 53:36.239 --> 53:37.180 Paul in Glasgow. 53:37.200 --> 53:37.960 Not Paul Merton. 53:38.140 --> 53:39.000 Not Paul Merton. 53:39.100 --> 53:39.341 Okay. 53:39.401 --> 53:42.822 I found a Neolithic flint hand axe when I was on a job in Antrim. 53:42.882 --> 53:43.702 I'm an archaeologist. 53:46.143 --> 53:47.384 That's kind of your job though, isn't it? 53:47.404 --> 53:48.904 Paul, that's what you do. 53:49.004 --> 53:51.664 I did lose a great woolly hat once. 53:51.904 --> 53:52.645 Cheers, Paul. 53:53.725 --> 53:54.265 Thanks, Paul. 53:54.345 --> 53:54.985 No nonsense. 53:55.065 --> 53:56.465 Lost my shoes at primary school. 53:56.485 --> 53:57.766 This is from Tommy in Broxbon. 53:57.806 --> 53:59.106 Lost my shoes at primary school. 53:59.146 --> 54:00.086 Got picked up by mum. 54:00.346 --> 54:01.927 Couldn't explain why I was in socks. 54:02.287 --> 54:02.807 Still can't. 54:02.827 --> 54:03.707 That's highly traumatic. 54:03.947 --> 54:08.048 To be shoeless at primary school is a sort of primal Freudian thing. 54:08.428 --> 54:12.009 Yeah, that's like dreaming- It's the sort of thing you dream about, yeah, being naked at school, that kind of stuff. 54:12.049 --> 54:13.630 Yeah, or being in bed in the middle of a class. 54:13.650 --> 54:18.191 I'm glad you've got this out, Tommy, sharing this with the six music listenership will be therapeutic for you. 54:19.492 --> 54:26.414 Something he's found, Tommy's found, he was buying a suit for a fancy dress, an Abe Lincoln suit for his 21st birthday party from a charity shop. 54:27.074 --> 54:29.495 Spent £5 on the suit, found a tenner in the pocket. 54:29.695 --> 54:29.995 Nice! 54:30.135 --> 54:30.556 Ka-ching! 54:31.156 --> 54:31.496 £5 up, mate. 54:31.516 --> 54:32.356 £5 profit. 54:32.376 --> 54:32.577 Sweet. 54:32.617 --> 54:33.137 Free suit. 54:33.737 --> 54:34.758 Free suit, exactly. 54:34.818 --> 54:36.138 That's great. 54:36.318 --> 54:37.679 I think those are the best of our texts. 54:37.719 --> 54:39.060 Keep texting in if you'd like. 54:39.320 --> 54:39.980 The text number is 64046. 54:41.501 --> 54:43.302 The best things that you've lost and found. 54:43.322 --> 54:45.963 Do you want a quite depressing one, just to end up with? 54:46.143 --> 54:46.543 Go on then. 54:46.983 --> 54:47.844 No, here's an upbeat one. 54:48.164 --> 54:52.026 I found a beautiful husband in a bar in Bar Italia in Soho in 2005. 54:53.126 --> 54:53.646 I've still got him. 54:53.666 --> 54:55.247 Says Lizzie. 54:55.307 --> 54:55.788 Isn't that nice? 54:55.808 --> 54:58.369 There's one about someone getting divorced and losing their whole family. 54:58.389 --> 55:00.991 But we learned none of that thing. 55:01.691 --> 55:02.632 Okay, it's trail time. 55:02.652 --> 55:04.333 What was that one then? 55:04.513 --> 55:06.434 Super Furries with Show Your Hand. 55:06.595 --> 55:08.376 This is Adam and Jo on Six Music. 55:08.396 --> 55:13.139 We're filling in for Sean Kievny, if you're wondering what we're doing here and why Sean's not here. 55:13.379 --> 55:14.520 He'll be back in a couple of weeks. 55:14.960 --> 55:15.820 He's in Italy, yeah. 55:16.381 --> 55:19.843 I was so annoyed to miss Gruffreese at the Green Man Festival on the weekend. 55:20.143 --> 55:23.265 Yeah, well, you know the green man festival it all it rained really hard. 55:23.305 --> 55:27.687 So I had to leave Gruff Reese was on the Sunday I saw him last you know, he was amazing. 55:27.707 --> 55:28.407 Do you know what he does? 55:28.927 --> 55:30.728 Do you know what he does? 55:30.768 --> 55:32.989 He sings songs but he does a thing where he does live looping. 55:33.049 --> 55:34.070 Have you ever seen anybody do that? 55:34.430 --> 55:41.833 So you play a couple of instruments record them looping along to what you've just played Yeah, so just one guy and a couple of instruments he builds up a whole track. 55:42.074 --> 55:43.054 There's some human looping 55:43.434 --> 56:02.317 Human beat boxes who do that on the net there's loads of those kinds of videos right and it's amazing It's the kind of thing you'd expect Radiohead would probably you know He and Gruffrice was so good at it because presumably if you make one little slip Then you have to live with it for the rest of the track because it loops and loops you got to be completely precise He was a genius he is he's amazing man 56:03.220 --> 56:09.446 OK then, so we're going to continue now with our amazing text competition where we're asking you to tell us about things that you've lost and found. 56:09.466 --> 56:10.727 You ready for some more, Adam Buxton? 56:10.908 --> 56:12.589 Go on then, are we going to wrap this up now? 56:12.789 --> 56:16.113 Yeah, these are, this is our final little lot of, these are emails. 56:16.233 --> 56:17.214 Yeah. 56:17.334 --> 56:18.115 This is one from Joe. 56:18.735 --> 56:22.337 He says, I lost when I was around 10, brackets, the age. 56:22.597 --> 56:22.857 Yeah. 56:22.977 --> 56:26.039 I think he's saying that 10 is a very psychologically important age. 56:26.059 --> 56:28.380 Things that happen to you at that age tend to stick with you. 56:28.400 --> 56:28.800 That's true. 56:28.900 --> 56:29.400 And scar you. 56:29.981 --> 56:35.403 He lost a near completed game of Pokémon Yellow, brackets, great game, and a special yellow game boy. 56:35.964 --> 56:38.325 And he lost them in a rental Mitsubishi Shogun. 56:39.505 --> 56:49.713 This was bad enough, but then, when we packed our cases ready to leave for the airport, we saw the very car that we'd rented drive past, presumably with the lost things in it, and a whole different family in it. 56:50.593 --> 56:54.076 Unsurprisingly, my children tears did not subside. 56:54.796 --> 56:57.199 It's a slightly creepy way to describe your tears, Joe. 56:58.360 --> 56:59.382 But I can just picture that. 56:59.462 --> 57:00.002 Another family? 57:00.022 --> 57:04.528 Was there another child with horrible jammy fingers playing your yellow Pokémon game? 57:04.548 --> 57:10.535 The young Adolf Hitler staring from the window of the car, leering as he enjoyed your game! 57:10.595 --> 57:10.875 Wow. 57:11.977 --> 57:14.641 Um, okay, here's another one from Michael Folds. 57:15.462 --> 57:15.722 Mm-hmm. 57:16.203 --> 57:16.724 Hey Adam. 57:17.204 --> 57:17.825 Who is the name? 57:17.865 --> 57:19.007 His name is Folds. 57:19.888 --> 57:20.709 Adam and Joe. 57:21.310 --> 57:22.752 Great to hear you both on the radio. 57:22.772 --> 57:26.538 Uh, when I was at primary school aged five or six, I had a Mr. Happy Eraser. 57:26.898 --> 57:28.339 I haven't read this one ahead, by the way. 57:29.099 --> 57:30.480 So, who knows what's going to happen? 57:30.540 --> 57:31.360 It might stop in the middle. 57:31.681 --> 57:37.604 I had a Mr Happy Eraser, or Robber, as we called him in those days before it became a minefield of innuendo and silly sniggering and became too hard. 57:38.024 --> 57:39.445 Fna, fna, hee hee, etc. 57:40.005 --> 57:40.926 Double brackets. 57:41.386 --> 57:44.507 This is a very, this is pushing my abilities to read punctuation. 57:45.928 --> 57:50.250 There was a parenthesis there, and now I've lost the emphasis, which I was very happy with. 57:50.591 --> 57:51.031 Full stop. 57:51.371 --> 57:52.051 Anyone following this? 57:52.332 --> 57:53.652 No, no, no. 57:53.752 --> 57:56.794 Then one day another boy in my class decided to claim it as his own. 57:57.555 --> 57:58.475 Okay, let's recap. 57:58.515 --> 57:59.956 Mr Happy Rubber lost it. 58:00.056 --> 58:01.017 Boy claimed it as his own. 58:01.617 --> 58:04.639 I told him that it was ridiculous to make such a claim as I'd had it for ages. 58:04.679 --> 58:09.281 Anyway, this went on until the teacher intervened and decided to take it away from us saying that no one could have it. 58:10.162 --> 58:12.003 I'm sure nowadays that's known as... Oh. 58:12.443 --> 58:14.084 What were you doing in that Gruff Rees trap? 58:14.104 --> 58:14.545 I'm clapping. 58:14.565 --> 58:17.547 You were just having fun listening to Gruff Rees giving up on that email. 58:17.567 --> 58:18.348 I'm giving up on that email. 58:18.368 --> 58:24.353 Michael Folds, I'm sure that was brilliant, but I'm incapable of reading your grammar in a comprehensible manner. 58:24.433 --> 58:28.237 Listen, thank you very much indeed to everyone who emailed and texted us in on that subject. 58:28.677 --> 58:30.498 We'll be texting the nation again tomorrow. 58:30.518 --> 58:34.502 Here on Six Music, but until then, here's one from Jose Gonzalez. 58:34.522 --> 58:38.886 I'm going to carry on talking until he starts singing, because that's the kind of thing that DJs do. 58:39.986 --> 58:41.087 What if it's instrumental? 58:41.567 --> 58:42.567 No, it's not instrumental. 58:42.607 --> 58:47.489 I can see here at the BBC exactly how much time I've got before I crash the vocal. 58:47.649 --> 58:49.370 You thought that was another 10 seconds. 58:49.410 --> 58:57.413 So I can carry on chatting in this kind of way right up until the moment that Jose starts singing the song, which is called Down The Line, and here it is. 59:03.948 --> 59:07.110 Well, now we're going to have to crash the track after your amazing intro. 59:07.150 --> 59:12.973 We're now crashing the vocal because we've got to go to the news at Half Plus Nine, read by Adrian and Hari. 59:13.893 --> 59:15.154 That was The Damned with Love Song. 59:15.174 --> 59:16.995 This is Adam and Jo on BBC Six Music. 59:17.015 --> 59:22.458 We're entering the last 22 minutes of our tenure here this morning, but we'll be back tomorrow morning from seven. 59:23.479 --> 59:29.102 It's time for our album track of the day or album of the day or track from the album of the day, right? 59:29.362 --> 59:31.063 And today it's from MIA. 59:31.103 --> 59:33.064 Now tell me what you know about MIA, Adam Buxton. 59:33.864 --> 59:39.908 Uh, she is a young lady and she's angry and with you. 59:39.928 --> 59:40.809 With me? 59:40.909 --> 59:44.852 Yeah, because of all the stuff you said and she's furious about it. 59:45.292 --> 59:46.373 And that's all true. 59:46.533 --> 59:47.854 Mainly the album is about that. 59:48.014 --> 59:48.674 That's all true. 59:48.694 --> 59:52.857 Uh, I, I've been reading one or two articles about her cause she's been doing a lot of publicity. 59:52.937 --> 59:53.137 Right. 59:53.498 --> 01:00:01.183 And you can correct me if I'm wrong listeners, but I think her dad was a Tamil tiger or someone, you know, involved in some kind of underground political group. 01:00:01.883 --> 01:00:03.705 Uh, which makes a- Well, that's quite exciting, isn't it? 01:00:04.005 --> 01:00:04.225 Yeah. 01:00:04.585 --> 01:00:11.069 Other famous singers, uh, in the R&B world with- with activist parents include... What about Tupac Shakur? 01:00:11.089 --> 01:00:11.890 Whoa, what does it mean? 01:00:11.930 --> 01:00:13.371 Wasn't his mum a Black Panther? 01:00:13.711 --> 01:00:13.971 Right. 01:00:14.171 --> 01:00:15.272 I think- I think so. 01:00:16.073 --> 01:00:18.374 Uh, anyway, uh, her real name is Maya. 01:00:19.115 --> 01:00:20.255 Arul Pragasam. 01:00:21.136 --> 01:00:22.257 Her new album, Carla. 01:00:22.357 --> 01:00:23.117 Maya, surely. 01:00:23.517 --> 01:00:24.098 Well, maybe. 01:00:24.378 --> 01:00:24.738 Depends. 01:00:24.858 --> 01:00:25.279 MIA? 01:00:26.159 --> 01:00:26.399 Maybe. 01:00:27.820 --> 01:00:30.363 Her new album, Carla, named after her mother. 01:00:32.565 --> 01:00:33.546 It's about, what? 01:00:33.646 --> 01:00:35.248 I lost my train of thought now. 01:00:35.588 --> 01:00:39.412 The album's named after her mother and you can hear further tracks from this album throughout the day. 01:00:39.672 --> 01:00:41.674 So here we go, this is by, what's she called? 01:00:41.994 --> 01:00:42.234 Maya. 01:00:42.535 --> 01:00:44.677 Yeah, this is called, the track's called Jimmy. 01:00:45.878 --> 01:00:46.819 That's very good. 01:00:46.839 --> 01:00:47.459 What's going on there? 01:00:47.579 --> 01:00:48.540 That's brilliant though, isn't it? 01:00:48.600 --> 01:00:49.621 Yeah, what did she say at the end? 01:00:50.262 --> 01:00:52.703 Jimmy, I love to hear you sing. 01:00:52.723 --> 01:00:54.423 I hope you heard me sing or something. 01:00:54.443 --> 01:00:54.944 I don't know. 01:00:55.624 --> 01:01:01.546 There's moments in there where she's on the very edge of just screeching in a quite annoying way. 01:01:01.766 --> 01:01:03.907 Yeah, but it ends up being quite good. 01:01:03.927 --> 01:01:05.147 But she keeps pulling it back. 01:01:05.387 --> 01:01:05.767 She does. 01:01:05.827 --> 01:01:10.449 She keeps it the right side of annoying and what some very, very fast fiddle playing. 01:01:10.749 --> 01:01:10.989 Yeah. 01:01:11.409 --> 01:01:12.950 Speedy fiddle- fiddle-izing. 01:01:13.030 --> 01:01:15.910 Sort of almost a Turkish kind of sound there. 01:01:16.070 --> 01:01:16.930 Yeah. 01:01:17.251 --> 01:01:20.751 Or, you know, Arabic sounding. 01:01:21.091 --> 01:01:22.252 Anyway, that's our tip for the top. 01:01:22.272 --> 01:01:23.492 That's our album of the day. 01:01:24.052 --> 01:01:28.393 The album's called Carla by Maya and the track's called Jimmy. 01:01:28.533 --> 01:01:29.013 That's good, man. 01:01:29.033 --> 01:01:31.054 I'm gonna see if I can steal a copy of that from someone. 01:01:31.074 --> 01:01:31.874 Why don't you just buy it? 01:01:32.134 --> 01:01:33.195 No, I want to steal it. 01:01:33.275 --> 01:01:35.397 Music doesn't sound good to me unless it's stolen. 01:01:35.898 --> 01:01:36.358 Fair enough. 01:01:36.699 --> 01:01:38.320 This is the BBC 6 music. 01:01:38.741 --> 01:01:40.322 We're Adam and Joe filling in for Sean Keveny. 01:01:40.362 --> 01:01:41.824 It's just coming up to quarter to ten. 01:01:42.204 --> 01:01:42.604 What next? 01:01:42.765 --> 01:01:45.347 I'm feeling a bit more, uh, sprightly than I was yesterday. 01:01:45.407 --> 01:01:49.211 Yesterday I got to about nine o'clock and I was in real tired trouble. 01:01:49.511 --> 01:01:50.752 was a difficult day for us listeners. 01:01:50.772 --> 01:01:54.274 We were just getting used to the strange new world of this BBC studio. 01:01:54.835 --> 01:01:57.757 What kind of alarm are you using when you wake up these? 01:01:58.037 --> 01:02:00.098 I have an alarm purchased from Heels. 01:02:00.318 --> 01:02:03.180 It's called a Carlson and it glows in the dark. 01:02:03.240 --> 01:02:05.622 It's big red LED numbers. 01:02:06.022 --> 01:02:06.362 Oh, nice. 01:02:06.422 --> 01:02:07.123 And it's very good. 01:02:07.163 --> 01:02:14.167 But like most people, I usually wake up slightly before the alarm goes off in that weird psychic manner that scientists can't quite figure out what's going on. 01:02:14.227 --> 01:02:17.909 And what kind of... Have you got the radio on there to wake you up? 01:02:17.989 --> 01:02:19.129 No, it's just a beeping. 01:02:19.309 --> 01:02:20.030 What sort of beeping? 01:02:22.331 --> 01:02:22.751 That one. 01:02:22.811 --> 01:02:23.432 That one, yeah. 01:02:23.452 --> 01:02:24.212 I hate that one. 01:02:24.232 --> 01:02:24.753 Do you hate it? 01:02:24.773 --> 01:02:25.513 What's wrong with that one? 01:02:25.533 --> 01:02:25.913 I hate that one. 01:02:25.973 --> 01:02:28.915 And I hate the way it becomes increasingly louder. 01:02:30.305 --> 01:02:30.645 Do you? 01:02:30.865 --> 01:02:31.366 Yeah, I used to have that. 01:02:31.386 --> 01:02:36.168 The thing about Carlson is you switch it on and off by simply putting pressure on the top of the clock. 01:02:36.188 --> 01:02:37.649 That's how you switch me on and off, too. 01:02:37.729 --> 01:02:38.029 Really? 01:02:38.089 --> 01:02:38.269 Yeah. 01:02:38.369 --> 01:02:40.550 Its feet are pressure sensitive. 01:02:40.730 --> 01:02:41.031 Right. 01:02:41.051 --> 01:02:43.112 So all you have to do is just slap it on the head. 01:02:43.472 --> 01:02:44.452 Oh, same as me. 01:02:44.572 --> 01:02:45.133 Same as me. 01:02:45.153 --> 01:02:45.413 Really? 01:02:45.453 --> 01:02:45.653 Yeah. 01:02:46.253 --> 01:02:46.573 Really? 01:02:46.894 --> 01:02:48.434 Don't try it now. 01:02:48.454 --> 01:02:49.435 I'm so tempted to hit you. 01:02:49.455 --> 01:02:50.115 Of course you are. 01:02:50.475 --> 01:02:52.456 But, um, no, I don't like that. 01:02:52.536 --> 01:02:54.197 That sounds brilliant that you can do that. 01:02:54.237 --> 01:02:54.497 Really? 01:02:54.718 --> 01:02:55.938 But I don't like that alarm sound. 01:02:55.958 --> 01:02:57.479 Let's have an alarm clock chat tomorrow. 01:02:57.759 --> 01:03:02.742 OK, yeah, because I've got I've got the best alarm sound on my phone, right? 01:03:02.762 --> 01:03:04.083 You know, what's the best? 01:03:04.484 --> 01:03:06.105 And it's it's amazing. 01:03:06.145 --> 01:03:07.766 It's like I'm happy when I wake up. 01:03:07.806 --> 01:03:08.866 It makes such a big difference. 01:03:08.906 --> 01:03:15.471 If you wake up with a bad alarm sound and my wife had an alarm that was given to her by her mother as a Christmas present. 01:03:15.931 --> 01:03:18.715 And it was the sound of Satan shouting. 01:03:18.975 --> 01:03:19.315 Really? 01:03:19.535 --> 01:03:20.437 It was awful. 01:03:20.677 --> 01:03:23.640 It was absolutely the worst sound you could possibly wake up with. 01:03:23.660 --> 01:03:27.184 We could get people to phone in and play their alarm sounds down the phone. 01:03:27.204 --> 01:03:27.985 Wouldn't that be brilliant? 01:03:28.206 --> 01:03:29.387 Or would it be incredibly annoying? 01:03:29.407 --> 01:03:32.410 That's the sort of idea Chris Evans would die for, isn't it? 01:03:32.470 --> 01:03:32.731 Yeah. 01:03:33.231 --> 01:03:34.393 Okay, well let's do that tomorrow. 01:03:34.753 --> 01:03:35.973 Why the heck not? 01:03:36.394 --> 01:03:41.915 Now, Rylo Kiley, an amazing band, were here yesterday in the Six Music Hub. 01:03:42.615 --> 01:03:49.457 They were playing a session and we have a track right now for you, which was played yesterday. 01:03:49.477 --> 01:03:51.378 I don't know why I trailed off there. 01:03:52.338 --> 01:03:53.619 My brain just suddenly melted. 01:03:53.759 --> 01:03:54.839 This is called The Money Maker. 01:03:56.072 --> 01:03:57.573 Wylo Kylie with The Money Maker. 01:03:57.613 --> 01:03:59.573 That was recorded live in the Hub yesterday. 01:03:59.613 --> 01:04:02.734 There's some genuine live Hub applause just to prove it. 01:04:03.315 --> 01:04:04.435 That was for Gideon's show. 01:04:04.675 --> 01:04:12.278 Genuine enthusiasm there for the Kylies and today in the Hub on Gideon Coe's programme, Blue States will be playing. 01:04:12.278 --> 01:04:17.139 It's quite exciting, because as we exit our show, we usually pass the band setting up in the hub, right? 01:04:17.599 --> 01:04:17.719 Yeah. 01:04:17.739 --> 01:04:19.180 We passed Rylo Kylie yesterday. 01:04:19.340 --> 01:04:26.582 I know, and I was sort of like... You, Gurney, didn't mean much to me, but you're the kind of person, Adam Buxton, that might go and try and ingratiate yourself with people like that. 01:04:26.622 --> 01:04:27.522 That's correct, I am. 01:04:27.582 --> 01:04:28.342 Yeah. 01:04:28.382 --> 01:04:28.882 Not at all. 01:04:29.042 --> 01:04:34.084 I'm sorry, quite a big fan of your stuff. 01:04:34.664 --> 01:04:35.424 Not the first one. 01:04:35.704 --> 01:04:37.885 Last one was a bit disappointing, wasn't it? 01:04:37.985 --> 01:04:38.445 What happened there? 01:04:39.665 --> 01:04:45.610 I love people who come up and say that sort of thing, as if you're gonna go, Oh, thank goodness, someone's finally being honest with me. 01:04:45.950 --> 01:04:47.992 I'm really glad that you didn't like the last thing I did. 01:04:48.032 --> 01:04:51.555 It's so refreshing to hear some absolutely negative criticism. 01:04:52.816 --> 01:04:54.278 Should we do these exciting posters? 01:04:54.318 --> 01:04:54.738 Stop myself. 01:04:54.958 --> 01:05:09.589 Yes, Joe came in today, folks, with a cardboard roll of posters, and he told me that he'd got them from Comic-Con, which is... Yeah, the big comics festival in America, Comic-Con, and this is a roll of posters for forthcoming...coming? 01:05:09.970 --> 01:05:11.591 For forthcoming blockbusters. 01:05:13.072 --> 01:05:13.853 So look at this one. 01:05:13.933 --> 01:05:22.199 I mean, they say that Great Radio is about doing illustrations in the listener's brain, and here's an opportunity to do that, because obviously you can't see these posters. 01:05:22.520 --> 01:05:23.801 Poster number one, look at this one. 01:05:24.081 --> 01:05:25.462 Wow, they said it would never happen. 01:05:25.642 --> 01:05:26.083 It is. 01:05:26.263 --> 01:05:27.263 This is genuinely exciting. 01:05:27.364 --> 01:05:33.528 It's a fedora hat perched on the corner of a crate with a whip, and the crate says property of Dr. Jones. 01:05:34.309 --> 01:05:35.651 He's back, it says underneath. 01:05:35.711 --> 01:05:38.675 Memorial Day 2008, they said it would never happen. 01:05:38.955 --> 01:05:41.839 It's a teaser poster for the new, uh, Indiana Jones movie. 01:05:42.280 --> 01:05:43.261 And so what's the deal? 01:05:43.421 --> 01:05:45.244 Is it, is it gonna be Harrison Ford in there? 01:05:45.264 --> 01:05:46.806 It's Harrison Ford, Karen Allen's back. 01:05:47.326 --> 01:05:48.928 It's, uh, Shia LaBelle's. 01:05:49.429 --> 01:05:50.470 Is that how you say his name? 01:05:50.530 --> 01:05:51.210 Shia LaBeouf. 01:05:51.270 --> 01:05:51.851 Shia LaBeouf. 01:05:52.091 --> 01:05:53.152 From Transformers. 01:05:53.852 --> 01:05:54.673 And Ray Winston. 01:05:54.973 --> 01:05:56.234 And nobody knows what the title is. 01:05:56.294 --> 01:05:59.136 It's something like Indiana Jones and the Lost City of God. 01:05:59.657 --> 01:06:00.758 Here's another title for you. 01:06:01.298 --> 01:06:03.419 Indiana Jones and the Lost Zimmer Frame. 01:06:03.439 --> 01:06:04.680 Because it's so old. 01:06:06.582 --> 01:06:07.062 Well done. 01:06:07.082 --> 01:06:08.163 It's an extraordinary business. 01:06:08.183 --> 01:06:08.743 Look at this one. 01:06:08.783 --> 01:06:09.284 Thanks very much. 01:06:09.504 --> 01:06:10.685 There's a picture of Iron Man. 01:06:11.812 --> 01:06:13.193 That's a new film of Iron Man. 01:06:13.233 --> 01:06:14.594 No one seems to be very interested in it. 01:06:14.614 --> 01:06:15.674 Oh, the Iron Man, right, right, right. 01:06:15.694 --> 01:06:16.215 Yeah, Iron Man. 01:06:16.535 --> 01:06:16.955 Yeah? 01:06:16.995 --> 01:06:17.396 Anybody? 01:06:17.916 --> 01:06:19.297 Look, it's like a red bloke. 01:06:19.577 --> 01:06:21.738 Is he the same as the Roald Dahl story? 01:06:21.758 --> 01:06:26.361 It's being directed by Jon Favreau, who made Zathura and stuff like that. 01:06:26.441 --> 01:06:27.762 It's gonna be great. 01:06:28.202 --> 01:06:30.104 It's got, you know, what's he called? 01:06:30.764 --> 01:06:31.524 Jeff Bridges in it? 01:06:31.564 --> 01:06:32.005 The Dude? 01:06:32.485 --> 01:06:33.326 Who wrote Iron Man? 01:06:33.366 --> 01:06:33.846 Ted Hughes. 01:06:34.306 --> 01:06:35.467 No, it's not the Iron Giant. 01:06:35.647 --> 01:06:36.448 Not the Iron Giant. 01:06:36.488 --> 01:06:37.788 Yeah, that's the Iron Giant, mate. 01:06:38.309 --> 01:06:39.409 Go on, give us one more poster. 01:06:39.449 --> 01:06:40.030 One more poster. 01:06:40.530 --> 01:06:41.471 Well, I don't know. 01:06:41.491 --> 01:06:43.873 Look at this one. 01:06:44.293 --> 01:06:44.993 Look at this one. 01:06:45.013 --> 01:06:46.294 Johnny Depp in Sweeney Todd. 01:06:46.314 --> 01:06:46.795 Look at that. 01:06:47.175 --> 01:06:48.176 Sweeney Todd. 01:06:48.256 --> 01:06:49.657 That is gonna be useless. 01:06:49.677 --> 01:06:50.478 Sweeney Todd's brilliant. 01:06:50.558 --> 01:06:52.439 If it's the musical, it'll be amazing. 01:06:52.459 --> 01:06:53.400 The musical's a classic. 01:06:53.640 --> 01:06:54.300 He looks cool. 01:06:54.360 --> 01:06:55.201 It's a cool poster. 01:06:55.221 --> 01:06:58.063 Johnny Depp sat there flashing a little cut-throat razor. 01:06:58.083 --> 01:06:59.104 That's enough of the posters. 01:06:59.304 --> 01:07:00.605 It's not gonna be any good though. 01:07:00.645 --> 01:07:01.706 Sweeney Todd with Johnny Depp. 01:07:02.006 --> 01:07:03.909 Time for a free play right now. 01:07:03.929 --> 01:07:08.176 This is one of mine, and this is a track called 96 Tears by Question Mark. 01:07:08.456 --> 01:07:11.060 And that's just the symbol of a question mark, right? 01:07:11.401 --> 01:07:12.442 And the Mysterians. 01:07:12.563 --> 01:07:13.163 Check it out! 01:07:13.834 --> 01:07:15.374 Well, that's pretty much it for us today. 01:07:15.414 --> 01:07:17.175 We'll be back at 7am tomorrow morning. 01:07:17.715 --> 01:07:18.315 Thanks for listening. 01:07:18.335 --> 01:07:20.836 Thanks to everybody who's texted and emailed. 01:07:21.356 --> 01:07:31.678 If you still want to get in touch with us at any point during the day, ready for us to pick up your communication in the morning, then the text is 64046 or the email adamandjo.6musicatbbc.co.uk. 01:07:32.599 --> 01:07:37.140 And tomorrow, I think we're going to be finding out about your favourite alarm sounds. 01:07:37.160 --> 01:07:38.140 There's something to look forward to. 01:07:38.160 --> 01:07:42.121 Yeah, I thought you were going to say something like, tomorrow we're coming live from Ibiza. 01:07:43.402 --> 01:07:43.783 Can we? 01:07:44.304 --> 01:07:44.585 Can we? 01:07:44.605 --> 01:07:44.966 Could we? 01:07:45.487 --> 01:07:45.627 No. 01:07:45.667 --> 01:07:45.868 No. 01:07:46.629 --> 01:07:49.535 We'll see you tomorrow live from rotty old London then. 01:07:49.575 --> 01:07:50.417 London town. 01:07:50.638 --> 01:07:51.319 Have a good day though. 01:07:51.339 --> 01:07:51.880 Thanks for listening. 01:07:51.900 --> 01:07:52.041 Bye.