WEBVTT 00:01.630 --> 00:02.210 Oh dear. 00:02.570 --> 00:04.892 Yay, that was the Who with Won't Get Fooled Again. 00:04.912 --> 00:06.072 Hi, my name's Adam. 00:06.212 --> 00:07.013 Hey, my name's Joe. 00:07.233 --> 00:08.714 Very nice to be with you listeners. 00:08.774 --> 00:13.796 We're filling in for Sean Kievny for a couple of weeks, so sorry if it's a bit of a shock if you're expecting Sean. 00:14.637 --> 00:15.177 The Kieves. 00:15.297 --> 00:24.082 The Kievner to be talking to you this morning, but we're going to try and make it as easy as possible for you or some great music to play you and some fun things to chat about. 00:24.582 --> 00:25.983 It's a horrible, horrible morning. 00:26.423 --> 00:28.705 I'm sorry to tell you that, but you shouldn't go out. 00:28.825 --> 00:33.548 If there's any way you can avoid leaving the house today, I would try to take it. 00:33.608 --> 00:35.890 Hey, it might be gorgeous in other parts of the country. 00:35.970 --> 00:36.110 No. 00:36.591 --> 00:38.532 In fact, I was in Wales yesterday. 00:38.612 --> 00:38.852 Really? 00:39.112 --> 00:41.094 And it was raining for the Green Man Festival. 00:41.114 --> 00:41.294 Yeah. 00:41.574 --> 00:43.456 It was pouring, but apparently it's pretty sunny today. 00:44.341 --> 00:44.802 Am I right? 00:45.122 --> 00:45.723 In Wales? 00:45.783 --> 00:46.044 Yeah. 00:46.244 --> 00:47.165 That's no good to me. 00:47.606 --> 00:49.408 Well, you know, it's good for people in Wales. 00:49.649 --> 00:50.089 Yeah. 00:50.610 --> 00:56.819 But I mean, London really kind of sets... We're in London, you know, listeners, and mainly that's what you have to worry about. 00:57.120 --> 01:00.565 It's no good to any... It's no good to us if you're happy in Wales. 01:01.265 --> 01:02.686 In London, don't go out. 01:03.146 --> 01:03.847 That's what I'm saying. 01:04.127 --> 01:04.427 Quite right. 01:04.447 --> 01:08.210 We've got great music coming up, though, for the next two and a bit hours. 01:08.230 --> 01:14.674 We've got some Susie Sue coming up, some Dinosaur Junior, a bit of Beck, and then you've got an archive session track coming up, right, Ad? 01:15.034 --> 01:16.175 Yeah, a bit of Pavement, I think. 01:16.615 --> 01:22.879 And what's... because we plundered the appeal sessions, and so we've got Pavement today from that, and what have you got, Joe? 01:23.600 --> 01:25.244 I've got a bit of Aztec camera coming up later. 01:25.264 --> 01:25.345 Nice. 01:25.365 --> 01:25.966 That's a little bit. 01:26.007 --> 01:27.451 Which bit of Aztec camera have you got? 01:27.471 --> 01:28.092 It's a little bit. 01:28.173 --> 01:29.496 It's a bit. 01:29.576 --> 01:30.299 You know what? 01:30.339 --> 01:31.382 I'm going to make it a surprise. 01:31.602 --> 01:31.682 Oh. 01:32.776 --> 01:33.536 for later in the show. 01:33.837 --> 01:34.537 But here it is. 01:34.877 --> 01:36.478 What about a bit of Swixie Swix? 01:36.498 --> 01:37.579 That's how you say her name, isn't it? 01:38.099 --> 01:39.700 Susie Sue, this is her new album. 01:39.740 --> 01:44.323 This is her first solo album after 150 years in show business. 01:44.423 --> 01:45.184 Has it been that long? 01:45.284 --> 01:46.245 It's been that long. 01:46.785 --> 01:52.649 And finally, after years of successful punk fun with the Banshees, she's busting out on her own. 01:53.049 --> 01:55.811 And this is a track called Into a Swan. 01:56.491 --> 01:56.851 There we go. 01:56.871 --> 01:57.612 That's Into a Swan. 01:57.852 --> 01:58.692 What does she mean by that? 01:58.832 --> 01:59.413 Into a Swan. 01:59.653 --> 02:01.877 She just, she's in love with one, she just likes one. 02:01.897 --> 02:02.598 She's just into it. 02:02.858 --> 02:03.059 Yeah. 02:03.219 --> 02:04.381 Yeah, a particular swan. 02:04.421 --> 02:05.423 It's not a physical thing. 02:05.703 --> 02:09.149 Is it, uh, has she bought it or does she just lite her in the local park? 02:09.781 --> 02:11.342 No, she's spotted one in a park. 02:11.502 --> 02:11.782 Really? 02:11.822 --> 02:12.783 What does she like about it? 02:13.043 --> 02:14.744 The neck, the curve of the neck. 02:14.764 --> 02:15.544 The curve of the neck? 02:15.925 --> 02:17.005 They've all got curvy necks. 02:17.045 --> 02:18.206 No, but this one's different. 02:18.346 --> 02:18.706 Really? 02:18.726 --> 02:21.308 It's got a kinky neck, a kinky knit neck. 02:21.428 --> 02:22.809 Yeah, it broke its neck at one point. 02:22.869 --> 02:27.191 It was in a scene with Hugh Grant in About a Boy. 02:27.431 --> 02:27.732 Really? 02:27.792 --> 02:30.633 And Hugh Grant threw a prop at the swan. 02:30.713 --> 02:31.494 Is that true? 02:31.554 --> 02:31.754 No. 02:32.234 --> 02:33.575 Is there a swan in About a Boy? 02:33.755 --> 02:39.496 Yeah, don't you remember there's a bit where he chucks a load of bread in the pond and he kills one of the swans. 02:39.596 --> 02:43.077 And it's amusing because it's like, huh, what's he gonna do wrong this time? 02:43.577 --> 02:46.018 And he kills a swan with bread, which I don't think is possible. 02:46.218 --> 02:50.519 But he gets a big stale... Hang on, hold your horses, it's not possible to kill a swan with bread. 02:51.299 --> 02:53.100 Well... Bread expands in the gut. 02:53.928 --> 02:58.031 Yeah, isn't there an animal in the garden that you're not supposed to feed bread to? 02:59.032 --> 03:00.894 Because, yeah, there is, there is, there is, there is! 03:01.094 --> 03:04.416 Because it goes pasty and inside its gullet it expands. 03:05.253 --> 03:05.934 What, worms? 03:06.294 --> 03:07.495 Which animal in the garden? 03:07.875 --> 03:08.896 What are you talking about? 03:09.056 --> 03:09.396 Birds. 03:09.977 --> 03:10.397 Birds? 03:10.677 --> 03:11.498 Yeah, I don't know. 03:11.518 --> 03:12.018 They live on bread. 03:12.118 --> 03:12.579 I don't know. 03:12.599 --> 03:13.299 They live on bread. 03:13.980 --> 03:17.282 So Joe was saying to me, while that record was playing, he's a little bit nervous. 03:18.063 --> 03:22.666 Folks being on the BBC, because, you know, we're used to sort of independent radio life. 03:22.706 --> 03:25.008 We're used to a rocky London station. 03:25.188 --> 03:25.449 Yeah. 03:25.749 --> 03:26.009 Yeah. 03:26.249 --> 03:27.690 We haven't really been national. 03:27.850 --> 03:30.432 I mean, I did some stuff on Radio 4, actually. 03:30.633 --> 03:32.174 Do your Radio 4 voice. 03:32.834 --> 03:35.978 Oh, my Radio 4 voice is a little bit like this. 03:35.998 --> 03:37.600 Does that sound any different? 03:37.680 --> 03:38.701 It's very common. 03:38.741 --> 03:39.622 It's soothing, isn't it? 03:40.323 --> 03:44.067 But, you know, to be broadcasting to the whole of Britain, it's different for us. 03:44.608 --> 03:51.055 It is, and there's a lot of rules, there's a lot of things, you know, because the... I don't know if you knew this, but the BBC stands for British... 03:52.456 --> 04:18.406 uh big castle really yes or maybe big british big british castle yeah and it's a it's the last bastion of decency in a world gone insane i don't know if you knew i've heard that it's a castle built of red tape yeah there's a certain amount of red tape holding the castle together but it's it's fortified with decency and there's a lot of things that you can and can't do and we've just been taught um a little bit about these things before we came on air 04:18.846 --> 04:22.509 There's a list of words we've been handed that you can, on no account, say. 04:22.549 --> 04:22.769 Right. 04:22.969 --> 04:24.991 I'm only gonna say these once and never again. 04:25.271 --> 04:25.531 Right. 04:25.851 --> 04:27.533 Here's the words and make a note of them. 04:27.813 --> 04:29.814 Not only you, Joe... Okay, are you sure it's wise to say them? 04:30.215 --> 04:31.616 Well, we've got to get them out of the way. 04:31.636 --> 04:39.262 What are gonna... This is the first show in supposedly a fortnight of shows, and you're gonna say the band words in the first 15 minutes. 04:39.462 --> 04:40.322 To get them out of the way. 04:40.342 --> 04:42.284 Because I know how you're... That's good thinking. 04:42.344 --> 04:43.745 Yeah, because it sounds... That's actually clever. 04:43.785 --> 04:44.966 It's not even 7.15. 04:45.066 --> 04:45.827 Most people aren't. 04:45.867 --> 04:46.487 No one's listening. 04:46.507 --> 04:47.128 No one's listening. 04:47.688 --> 04:48.549 Here's the first word. 04:49.410 --> 04:49.930 French boy. 04:50.771 --> 04:51.812 You can't, is that one word? 04:52.112 --> 04:52.433 It is. 04:52.773 --> 04:53.033 Really? 04:53.053 --> 04:53.734 If it's one word. 04:53.754 --> 04:54.875 If it's two words, it's okay. 04:54.895 --> 04:55.255 It's okay. 04:55.275 --> 04:55.656 If it's one word. 04:55.676 --> 04:56.076 But together. 04:56.236 --> 04:56.396 No. 04:56.596 --> 04:56.897 Why? 04:56.917 --> 04:59.539 I'm not, I'm not going to explain a lot of these. 04:59.819 --> 05:01.001 It's slightly erotic, isn't it? 05:01.041 --> 05:02.001 Well, there's that. 05:03.683 --> 05:04.344 Here's another one. 05:04.444 --> 05:04.604 Yep. 05:06.227 --> 05:06.747 Slovenly. 05:07.368 --> 05:07.628 Ooh. 05:08.528 --> 05:09.649 That's a filthy sounding word. 05:09.689 --> 05:10.189 Exactly. 05:10.469 --> 05:11.290 It's just bad. 05:11.350 --> 05:12.551 It's just not a good word. 05:12.591 --> 05:12.851 Yeah. 05:13.151 --> 05:13.251 Yeah. 05:13.271 --> 05:13.531 Okay. 05:13.591 --> 05:14.492 Won't be saying that again. 05:15.032 --> 05:17.033 Here's a few words now. 05:17.834 --> 05:18.854 I'm going to say them together. 05:19.254 --> 05:19.515 Right. 05:19.915 --> 05:22.196 Wiggle, cripple, ripple and nipple. 05:23.057 --> 05:24.197 Can't say any of those words. 05:24.277 --> 05:24.697 None of them. 05:24.998 --> 05:25.938 Separately or together? 05:26.498 --> 05:27.019 In any way. 05:27.239 --> 05:28.079 In any combination. 05:28.400 --> 05:30.681 How are we going to get through the next two weeks without saying nipple? 05:31.334 --> 05:33.256 Well, look, I can't... Can we say teat? 05:33.576 --> 05:34.536 No, you can't. 05:34.717 --> 05:35.917 I'd say... What about pacifier? 05:35.978 --> 05:36.718 Oh, my goodness. 05:37.038 --> 05:37.419 Move on. 05:37.819 --> 05:38.740 Next word you can't say. 05:38.760 --> 05:39.300 Mmm. 05:39.360 --> 05:39.860 Couple of words. 05:40.041 --> 05:40.201 Mmm. 05:40.381 --> 05:41.021 Thick otter. 05:41.802 --> 05:42.703 Thick... Thick otter. 05:42.783 --> 05:43.663 It's... Yeah. 05:43.703 --> 05:44.284 Thick otter. 05:44.364 --> 05:45.204 Thick otter. 05:45.445 --> 05:46.165 Thick otter. 05:46.265 --> 05:46.606 Yeah. 05:47.146 --> 05:47.626 It's bad. 05:48.067 --> 05:49.207 Bad for the... Yeah. 05:49.227 --> 05:51.589 Well, they're very active on the... on the complaints. 05:51.990 --> 05:52.590 The thick otters. 05:52.750 --> 05:53.270 Exactly. 05:54.712 --> 05:55.832 Uh... Berries? 05:56.873 --> 05:57.354 Berries? 05:57.434 --> 05:58.034 Don't say it. 05:58.074 --> 05:58.334 Berries? 05:58.374 --> 05:58.875 Don't say it. 06:00.083 --> 06:01.024 What's wrong with berries? 06:01.064 --> 06:02.285 Does it connect to nipples? 06:03.186 --> 06:03.747 They're similar. 06:04.668 --> 06:05.348 Don't say it. 06:05.749 --> 06:08.892 I'm saying these words so you don't dwell on them, alright? 06:08.912 --> 06:09.753 Don't dwell on them. 06:10.434 --> 06:12.396 Final word before we have a bit of music. 06:13.196 --> 06:13.617 Pianist. 06:15.339 --> 06:23.966 Alright, on the old account, even if it's relevant and you're chatting about someone playing the piano, just don't. 06:33.840 --> 06:34.561 Whoa, there we go. 06:34.681 --> 06:38.644 Beck making funny little electronic farty noises. 06:38.944 --> 06:44.289 On the single version of that, maybe that was the single... Oh yeah, look, there's another 38 seconds of those electronic farty noises. 06:44.409 --> 06:44.669 Really? 06:44.689 --> 06:45.730 Yeah, it goes on and on. 06:45.750 --> 06:46.771 He's a Scientologist. 06:47.891 --> 06:51.174 He got fired from doing the music for Nacho Libre. 06:51.374 --> 06:51.915 Did you know that? 06:52.175 --> 06:52.395 Why? 06:52.595 --> 06:54.016 Because he didn't deliver it in time. 06:54.557 --> 06:55.678 There's a bit of Beck gossip. 06:56.118 --> 06:57.059 He didn't deliver it in time. 06:57.119 --> 06:57.920 No, he was late. 06:57.941 --> 06:59.222 That's unusual for the best day. 06:59.242 --> 07:02.446 That's a bit of Hollywood gossip I picked up when I was in Hollywood recently. 07:02.486 --> 07:03.548 Where'd you pick that up from, John? 07:03.568 --> 07:04.269 From Hollywood. 07:04.689 --> 07:06.371 From the Hollywood gossip bin. 07:06.712 --> 07:07.953 From the grapevine. 07:07.993 --> 07:08.774 The gossip bin. 07:08.915 --> 07:12.119 Can we chat to you a little bit later on about what it's like... No, you can't. 07:12.499 --> 07:12.960 No, you can't. 07:12.980 --> 07:13.661 You wouldn't understand it. 07:14.902 --> 07:18.063 Um, hello, we're Adam and Jo, this is Six Music on the BBC. 07:18.203 --> 07:21.324 We're here filling in for Sean Keveny for the next two weeks. 07:21.664 --> 07:27.285 That's ten mornings, three hours a morning, making thirty hours of this kind of rambly nonsense. 07:27.525 --> 07:39.228 One of the most amazing things, of course, about being at the BBC is the access to the amazing archive of music, recorded music and sessions they have here, and we've plundered the Peel Sessions archive. 07:39.648 --> 07:44.070 For you folks, we're going to be playing a couple of Peel Session tracks every day while we're covering for Sean. 07:44.430 --> 07:47.651 And I think in just a second, we're going to hear one from Pavement. 07:48.332 --> 07:50.092 But first, this. 07:51.153 --> 07:57.815 On BBC Two, Bruce Parry travels to some of the furthest corners of the earth to become one of the tribe. 07:57.835 --> 07:59.496 Wow, what a reception. 07:59.616 --> 08:01.257 And they all look like they're waving. 08:01.717 --> 08:03.818 Rarely do I get the whole village turning out. 08:07.003 --> 08:08.204 They're not waving at all. 08:08.264 --> 08:09.445 They're slapping the bugs. 08:10.066 --> 08:15.531 In the first of a new series, he spends a month with the Matisse in the remote Western Amazon. 08:16.913 --> 08:18.274 This is potentially very dangerous. 08:18.294 --> 08:21.697 I've just been told to get down. 08:23.703 --> 08:46.762 tribe begins tomorrow night at nine on BBC two does it does it begin tomorrow night at nine on BBC two or is it all faked this is potentially very dangerous that's what he said in there he was sitting in his front room with a big cocktail faking the whole thing all televisions fake this is fake this program's fake it's good if we if we had some jungle music behind what we were talking about now we could say 08:47.142 --> 08:48.703 This is potentially very dangerous. 08:48.743 --> 08:50.024 What do you mean by jungle music? 08:51.085 --> 08:51.485 Goldie. 08:51.765 --> 08:52.706 Yeah, some trip hop. 08:52.766 --> 08:53.447 Yeah, exactly. 08:53.467 --> 08:54.928 That is potentially very dangerous. 08:55.248 --> 09:05.375 Now, here's something that's also potentially very dangerous because, of course, amongst the things you can't do, uh, talking wise on the BBC, is use swearing talk. 09:05.695 --> 09:07.236 You can't use swearing talk? 09:07.396 --> 09:07.616 None. 09:07.756 --> 09:09.278 What kind of a radio station is this? 09:09.438 --> 09:11.159 All the other stations are full of swearing. 09:11.499 --> 09:14.761 No, it's the big British castle, and you can't use swearing talk. 09:14.861 --> 09:15.222 Quite right. 09:15.242 --> 09:15.922 It's a bad example. 09:15.962 --> 09:16.342 Exactly. 09:16.923 --> 09:20.545 Unfortunately, one of the tracks that I really wanted to play on this appeal session by Pavement from 1992... 09:22.607 --> 09:25.991 This is quite exciting, there's potential for a huge breakdown here at the BBC. 09:37.546 --> 09:57.598 breakdown a swearing crisis yeah and we could be out the door just as quickly as we got in it's like something from one of those Mission Impossible films it's almost exactly like you got a deep fuse to swear at exactly the right moment otherwise the whole corp could could blow up yeah are you ready listeners you think we could do it yes yes here's pavement with circa 1772 is it 1772 10:00.740 --> 10:01.761 Oh, you see you got that wrong? 10:01.781 --> 10:04.363 How are you gonna dip the swearing out at the correct moment? 10:04.863 --> 10:05.884 This is a disaster. 10:06.104 --> 10:07.025 This is gonna be amazing. 10:07.185 --> 10:08.186 Okay, hit it, pavement. 10:09.107 --> 10:11.709 Yeah, that's what I'm gonna do to you if you misbehave, Joe. 10:11.989 --> 10:12.209 What? 10:12.389 --> 10:14.431 I'm gonna light you and stick a flag on you. 10:14.591 --> 10:17.873 I heard the naughty word slightly quietly behind, didn't you? 10:17.933 --> 10:18.634 Didn't you, listeners? 10:18.854 --> 10:19.475 It was a lot. 10:19.635 --> 10:20.896 It was a very naughty word. 10:20.916 --> 10:21.656 It was the worst. 10:21.956 --> 10:22.617 It was one of the worst. 10:22.637 --> 10:23.558 The worst of all words. 10:23.578 --> 10:26.300 Because it describes the worst place of a human being. 10:26.340 --> 10:27.241 Let's not get into that. 10:27.561 --> 10:31.864 Listen, as I've been going on about, I was just at the Green Man festival last weekend. 10:32.004 --> 10:33.345 Nice bit of weather there, you got. 10:33.546 --> 10:34.166 A lot of rain. 10:34.806 --> 10:38.870 But playing on Sunday night was Stephen Malkmus. 10:38.990 --> 10:39.670 The mighty Malkmus. 10:39.850 --> 10:41.432 Right, the bloke what we just heard. 10:41.492 --> 10:41.672 Yeah. 10:41.932 --> 10:50.300 Yeah, but unfortunately, and I'd be interested in hearing from anybody listening who was at the Green Man Festival and stayed for Sunday night. 10:50.400 --> 10:55.986 Most people were leaving on Sunday morning because it looked like it was going to be the third day of solid rain. 10:56.066 --> 10:56.406 Solid rain. 10:56.626 --> 10:58.829 But mountainous was playing on the Sunday evening. 10:59.049 --> 11:00.630 I wonder what kind of a crowd he played to. 11:01.411 --> 11:01.892 Four people? 11:02.112 --> 11:02.672 Five people? 11:03.453 --> 11:04.894 He was staying in the same hotel as me. 11:05.595 --> 11:07.476 He came down for breakfast between 8.30 and 9. 11:07.616 --> 11:11.920 I think he had double fried eggs, a bit of bacon. 11:12.480 --> 11:13.281 Double fried eggs? 11:13.301 --> 11:15.563 Does that mean... Yeah, two fried eggs. 11:15.863 --> 11:16.824 Double is two things. 11:16.984 --> 11:17.405 Of course. 11:17.565 --> 11:17.805 Yeah. 11:18.786 --> 11:22.849 And I very nearly hit him and his entourage with my... Fist? 11:23.189 --> 11:25.371 No, car, as I came down the hill. 11:25.471 --> 11:25.692 Why? 11:26.292 --> 11:28.073 Just because they were walking in the middle of the road. 11:28.754 --> 11:29.934 And I was going quite fast. 11:30.455 --> 11:30.655 Yeah. 11:30.835 --> 11:32.256 But I, you know, avoided them. 11:32.536 --> 11:33.036 Oh, well done. 11:33.356 --> 11:35.318 So yeah, he's, he's, he's gonna live. 11:35.338 --> 11:35.838 He's alive. 11:35.878 --> 11:36.878 He's alive. 11:37.399 --> 11:38.439 I could have taken him out. 11:38.680 --> 11:39.020 Yeah. 11:39.300 --> 11:41.321 I had an opportunity there to silence him. 11:41.361 --> 11:42.522 That would have been a disaster. 11:42.682 --> 11:42.962 Yeah. 11:44.443 --> 11:45.744 I don't really know their stuff personally. 11:45.764 --> 11:46.364 He's a good man. 11:46.424 --> 11:47.465 It would have been perfect. 11:47.525 --> 11:49.146 For me, I would have been angry with you. 11:49.546 --> 11:50.407 might have improved him. 11:50.847 --> 11:54.829 If I'd just injured him slightly, it might have inspired him to write better songs. 11:55.029 --> 11:55.649 It can happen. 11:58.330 --> 12:03.813 Robert Wyatt reckons that in some ways being crippled was the making of him. 12:04.133 --> 12:06.675 That's one of the bad words, I thought, that you've just said. 12:06.755 --> 12:07.495 That's actually true. 12:07.775 --> 12:07.975 Yeah. 12:08.155 --> 12:10.737 Listen, if you want to text us, you can text us at Adam and Jo. 12:11.737 --> 12:30.666 dot six music is that really right at bbc.co.uk that's configured in a way that no other email address has ever been configured Adam and Jo will one word dot six music with the number six at bbc.co.uk or you can text us on six four zero four six that's six four zero four six 12:31.286 --> 12:40.271 I'm not saying incidentally that Robert Wyatt was delighted by the idea of being disabled, I'm just saying that because fake handed him that card, he made the best of it. 12:40.651 --> 12:42.973 I'm trying to wriggle out of that. 12:43.033 --> 12:55.680 Now we're going to say before that we're encouraging people to vote for who they think has picked the best peal session tracks throughout our tenure here at Six Music. 12:55.780 --> 12:57.261 Yeah, we can get into that in a second. 12:57.301 --> 12:58.902 Let's have some kind of lanky gypsy. 12:59.742 --> 13:04.589 Cool Blimey, that's like being smashed over the head with a frying pan first thing in the morning. 13:04.669 --> 13:05.751 That's very good though, isn't it? 13:05.811 --> 13:06.712 Go-go Baldello. 13:07.193 --> 13:10.298 He was that bloke that appeared on stage with Madonna at Live Earth. 13:11.018 --> 13:11.518 What did he do? 13:11.759 --> 13:13.060 He just waved his limbs around. 13:13.400 --> 13:17.083 Anyway, it's time for the news now with Adrian and Harvey. 13:33.137 --> 13:33.818 Yeah, yeah, yeah. 13:34.138 --> 13:34.799 How awful. 13:34.999 --> 13:35.800 Monday bank holiday. 13:35.900 --> 13:37.642 Everyone else is gonna, no one's gonna be listening. 13:38.683 --> 13:39.504 That's the wrong attitude. 13:39.765 --> 13:40.826 Everyone's gonna be listening. 13:40.846 --> 13:41.927 There you go, that's the right attitude. 13:41.947 --> 13:42.588 That's good, good. 13:42.668 --> 13:43.829 Glad we've sorted that out. 13:44.670 --> 13:50.457 Yeah, we're coming up to the second third of our first hour. 13:50.577 --> 13:52.579 Is that the kind of information listeners need? 13:54.120 --> 13:56.361 My listeners like to orientate themselves within the hour. 13:56.481 --> 14:10.186 Actually, this time in the morning they do because it's a question of timing your departure for work, getting the breakfast in, getting the teeth brushed, getting the bits and bobs cleaned, the various furrows cleaned before you set off for work. 14:10.206 --> 14:11.046 Is that what you do, is it? 14:11.466 --> 14:11.847 Clean your bobs. 14:11.887 --> 14:12.527 What, do you not? 14:12.587 --> 14:13.687 Five minutes for the bobs. 14:14.087 --> 14:14.688 For the bobs. 14:14.708 --> 14:15.808 A couple of seconds for the bits. 14:16.428 --> 14:17.909 Yeah, that is exactly what I do. 14:18.449 --> 14:28.273 Don't forget you can text us, I don't know why you'd want to, but you can on 64046, or you can email us at adamandjo.6musicatvbc.co.uk. 14:28.473 --> 14:32.615 And if you do, please put your name on it, so we can refer to you by your name. 14:32.675 --> 14:34.095 We want to be friends. 14:34.215 --> 14:43.079 We want to be friends with you, because there are only four of you listening, so we could be really proper friends, come and do the show from your house, and maybe we'd fall in love. 14:43.299 --> 14:44.300 We could be super friends. 14:44.900 --> 14:45.300 What are they? 14:45.892 --> 14:47.297 Well, better friends with special powers. 14:47.538 --> 14:47.839 Really? 14:47.859 --> 14:48.140 Yeah. 14:49.063 --> 14:49.946 Yeah, we could, could we? 14:50.147 --> 14:50.468 Yeah. 14:50.830 --> 14:51.773 Yeah, we could be that. 14:53.055 --> 15:01.380 Now, session-wise, I was saying before that we're going to encourage you to vote for which of our session tracks you like best. 15:01.620 --> 15:14.227 And now it's very, this kind of thing is currently very complicated at the BBC, because of course there's been a national scandal about the media lying, and so we're not allowed any competitions or to do anything in the least competitive. 15:14.447 --> 15:16.869 No, competition is bad, pitting people against each other. 15:16.909 --> 15:19.570 Yeah, it's just wrong in communist Britain. 15:20.371 --> 15:21.652 We all have to work together now. 15:21.772 --> 15:22.212 That's right. 15:22.372 --> 15:26.796 I've bought in a whole lot of flipping competitions, listeners that I organized. 15:26.856 --> 15:29.638 Seriously, I had like a crap commentary competition. 15:30.298 --> 15:31.619 We used to do it on the other radio show. 15:31.639 --> 15:32.980 It was going to be brilliant, but I can't use it. 15:33.821 --> 15:34.522 Can you not use it? 15:34.602 --> 15:35.482 Why don't you do it on me? 15:35.583 --> 15:36.303 I'll do it on you. 15:36.463 --> 15:37.804 Because that's okay. 15:37.864 --> 15:39.406 Well, that's a complete between ourselves. 15:39.466 --> 15:40.126 That's okay. 15:40.547 --> 15:44.870 And listeners could contribute in a sort of non-competitive way. 15:44.910 --> 15:45.130 Right. 15:45.450 --> 15:47.892 There's nothing to stop you texting in, right? 15:47.912 --> 15:48.913 They can do what they want. 15:50.239 --> 15:50.679 Isn't that right? 15:50.699 --> 15:51.420 She's not saying anything. 15:52.080 --> 15:52.740 Our lovely producer. 15:52.780 --> 15:53.241 She can't be drawn. 15:53.261 --> 15:53.821 Remaining mute. 15:54.241 --> 15:59.524 But if the competition somehow leaks from you and I to the listeners... That would be wrong. 15:59.564 --> 16:00.605 That's when trouble starts. 16:01.065 --> 16:03.306 But listen, here's a non-competitive thing to do. 16:03.326 --> 16:03.926 Yeah. 16:03.986 --> 16:11.270 Adam and I are both playing archive session tracks on this morning's show, and we'd simply like you to text in and hit us with something you think is best. 16:12.551 --> 16:14.192 So in a way, that is competitive, isn't it? 16:14.492 --> 16:18.174 It's competitive between us, but as long as the listeners aren't competing. 16:18.234 --> 16:18.554 Got you. 16:18.914 --> 16:19.175 Yeah? 16:19.235 --> 16:19.375 Yeah. 16:20.695 --> 16:22.456 I mean, we still don't really understand. 16:22.756 --> 16:30.380 But, you know, we've already played the first session track, which was Adam's pavement track, and I'm going to be playing one in a second, right? 16:30.580 --> 16:33.602 Yeah, but first, I'd like a lovely glass of Winehouse. 16:34.062 --> 16:36.123 But she's on drugs, she's on K! 16:36.243 --> 16:36.623 No! 16:36.943 --> 16:37.824 She's in rehab! 16:37.844 --> 16:38.364 She's not! 16:38.384 --> 16:40.065 We shouldn't be playing this, it's a bad influence. 16:40.085 --> 16:40.765 She's delightful. 16:40.845 --> 16:42.606 First beat Pete Doherty, and now this. 16:42.726 --> 16:43.186 I like her. 16:43.767 --> 16:45.288 That's good stuff, man. 16:45.408 --> 16:47.469 Tears dry on their own by Amy Winehouse. 16:47.489 --> 16:49.510 This is Adam and Jo on 6 Music at the BBC. 16:50.790 --> 17:01.616 Good Times 2001, the world was changed in so many ways and one of the most enjoyable ways that it was changed was the arrival on the scene of The Strokes. 17:01.937 --> 17:05.239 That was, that was, that album came out just before the world changed. 17:05.499 --> 17:05.959 It did, yeah. 17:05.979 --> 17:06.279 Didn't it? 17:06.399 --> 17:10.101 Yeah, because they had to take the track New York City Cops off. 17:10.161 --> 17:10.702 Did they? 17:10.782 --> 17:11.102 Yeah. 17:11.202 --> 17:14.144 On account of the enormous seismic shifts 17:14.864 --> 17:18.367 in the world's political and economic make-up. 17:19.027 --> 17:21.789 Have you seen, you don't really watch Curb Your Enthusiasm, do you, Joe? 17:21.869 --> 17:22.009 No. 17:22.270 --> 17:33.678 There's a funny episode where there's a guy on there who's saying that he should have special dispensation to do all sorts of things because he suffered a personal tragedy. 17:33.758 --> 17:35.739 His brother was killed on 9-11. 17:37.341 --> 17:39.642 His brother who lived in New York was killed on 9-11. 17:39.702 --> 17:42.845 He keeps on saying this, and it turns out he just happened to die on that day. 17:43.825 --> 17:49.787 uh, somewhere else in the city and he wasn't involved and Larry David keeps going on, but he wasn't involved in the tragedy! 17:49.827 --> 17:51.308 It wasn't part of the tragedy! 17:52.008 --> 17:52.248 Anyway. 17:52.688 --> 17:55.749 It sounds distasteful and that's one of the reasons I don't watch that programme. 17:55.769 --> 17:57.910 It was, uh, delightfully distasteful, weren't you? 17:58.210 --> 18:00.431 Um, so this is Adam and Joe, this is BBC Six Music. 18:00.711 --> 18:02.932 We're gonna be playing a couple of session tracks this morning. 18:02.952 --> 18:06.413 We've already heard one from Adam, uh, by Pavement. 18:06.653 --> 18:09.154 They've been kind of personally plucked from the Peel files. 18:09.534 --> 18:18.420 Yeah, we went through the amazingly long list of bands that have appeared on the Peel Sessions and we picked out a few of the ones that we particularly were excited to hear. 18:19.040 --> 18:19.961 So here comes my one. 18:20.582 --> 18:24.004 What we'd like you to do, listeners, is choose which one you like best. 18:24.424 --> 18:26.506 Now there's no reason for you to do this. 18:26.566 --> 18:28.907 We're not giving out any prizes because we're not allowed to. 18:29.848 --> 18:34.071 But it's just a kind of a census, an important national census 18:34.991 --> 18:40.814 to find out whether our listeners prefer pavement or the music of Roddy Frame and Aztec Camera. 18:40.834 --> 18:45.197 This is my choice, recorded at the BBC, date not known. 18:46.057 --> 18:46.398 Unknown. 18:46.658 --> 18:47.198 Date unknown. 18:47.258 --> 18:54.122 So whoever was organizing that recording session, whoever the broadcast assistant was, I'm looking at our broadcast assistant at the moment, Jenny. 18:54.502 --> 18:56.843 She was very lapsed, probably fired or maybe killed. 18:57.844 --> 18:59.305 But it was recorded sometime in 1983. 18:59.345 --> 18:59.725 Here's Aztec Camera. 19:02.401 --> 19:08.670 There we go, that was Aztec Camera with Walkout to Winter recorded live here at the BBC at some point in 1983. 19:09.011 --> 19:11.154 He slightly jazzed it up there, that one, didn't he? 19:11.174 --> 19:17.483 He had a little bit of a kind of restaurant tinkle in the middle, a kind of Pizza Express moment there. 19:19.024 --> 19:19.965 A very nice one, though. 19:20.566 --> 19:22.287 Tinkly Winkly from Roddy. 19:22.447 --> 19:25.069 That must have been close to when he actually recorded the track for real. 19:25.529 --> 19:27.211 He actually made it up then. 19:27.491 --> 19:27.931 Do you reckon? 19:27.951 --> 19:29.272 Yeah, that was the first time he played it. 19:30.193 --> 19:34.176 Yeah, because his voice is so similar to the actual track, do you know what I mean? 19:34.196 --> 19:34.276 Yeah. 19:34.777 --> 19:35.377 So that's good. 19:35.677 --> 19:38.279 That's a lovely little piece of melodicism there. 19:38.519 --> 19:41.101 This is Adam and Joe, by the way, on BBC Six Music. 19:41.141 --> 19:42.703 We're filling in for Sean W. Keevney. 19:43.323 --> 20:02.081 for the next two weeks coming up to the end of our first hour here yeah it's four minutes to eight just in case you need a time check in case you're you're you're leaving for work or you're late maybe to pick up grandma to take her to the swimming pool for her therapy swimming session she's getting old and the floatiness of the water eases her pain 20:02.702 --> 20:03.243 Yeah, she loves it. 20:04.023 --> 20:09.569 Coming up in the second hour, Joe, I want to chat to you about a few advertising logic holes. 20:10.090 --> 20:10.170 Ah! 20:10.390 --> 20:10.650 You know? 20:10.670 --> 20:13.974 Are you someone... I mean, everyone enjoys doing this, don't they? 20:14.454 --> 20:18.839 Just spotting advertising logic holes, particularly commercials on television. 20:18.959 --> 20:20.280 Yes, there are a lot of them about. 20:20.360 --> 20:22.682 Yeah, yeah, yeah, so I want to... Advertising is lies! 20:23.303 --> 20:23.643 Is it? 20:23.723 --> 20:24.024 Yeah. 20:24.224 --> 20:25.605 What are you talking about? 20:25.825 --> 20:27.947 I'll explain to you, you know, during the next record. 20:28.027 --> 20:29.128 OK, this is exciting. 20:29.789 --> 20:33.652 Also, I've got a few things that I chopped out from the papers over the summer. 20:34.033 --> 20:34.813 Is the summer over? 20:35.674 --> 20:37.275 No, there's going to be a second summer, listeners. 20:37.616 --> 20:38.016 Who says? 20:38.496 --> 20:38.777 I do. 20:39.297 --> 20:40.518 It's what happens every year in Britain. 20:40.538 --> 20:41.899 You get a bit of summer at the beginning. 20:41.960 --> 20:42.100 Yeah. 20:42.560 --> 21:07.582 and then you get a really horrible rainy period then you get a bit of late summer right in September because for a while there it was going pretty well you know and and you were thinking yes the global warming is kicking in and everything's getting cozy and then it now it's just gone down the laugh yeah so anyway all this uh all this exciting kind of chat still to come uh here on the show folks but now lisa i've confused myself which one are we gonna play now 21:08.363 --> 21:09.344 Super Furry Animals. 21:09.404 --> 21:10.084 Okay, there you go. 21:10.284 --> 21:10.625 Excellent. 21:10.685 --> 21:11.325 Is this a new one? 21:11.345 --> 21:12.005 Yes. 21:12.025 --> 21:12.326 Excellent. 21:12.366 --> 21:14.467 Show Your Hand by the Super Furry Animals. 21:15.348 --> 21:17.889 The Super Furry Animals there with Show Your Hand. 21:17.929 --> 21:19.971 This is Adam and Joe on BBC Six Music. 21:20.711 --> 21:21.752 Now it's time for the news. 21:22.112 --> 21:23.313 Who's reading the news today, Adam? 21:23.733 --> 21:25.114 Adrian is reading the good news. 21:25.214 --> 21:26.455 Halfie's dealing with the bad news. 21:26.875 --> 21:29.737 What an enormously appropriate choice of song. 21:30.337 --> 21:31.638 Yeah, because... Yeah. 21:31.698 --> 21:31.918 Why? 21:32.038 --> 21:32.459 Get this. 21:32.659 --> 21:33.179 Get this. 21:33.399 --> 21:34.280 What's the name of that song? 21:34.640 --> 21:35.501 Hanging on the telephone. 21:35.521 --> 21:36.401 Yeah, right. 21:36.501 --> 21:37.382 And we've got a caller. 21:37.762 --> 21:57.834 hanging on the telephone yeah to play uh something called serial thriller which is a segment we've inherited from sean w kevney who's gone off on holiday to italy i believe but we've got dave in east london on the line hello dave hey how you doing good how are you doing mate i'm pretty pretty chappy for a monday morning yeah especially such a miserable one you're on the train right 21:58.955 --> 22:00.597 How's the behaviour on the train this morning, Dave? 22:00.617 --> 22:04.121 Have you got any school children playing tinny MP3s on their mobile phones? 22:04.682 --> 22:07.966 No, I'm just walking to work at the moment, so trying to avoid the traffic. 22:08.226 --> 22:10.008 Wait, how come I thought he was on the train? 22:10.652 --> 22:12.033 No, no, no. 22:12.093 --> 22:13.174 Walking on the way to work. 22:14.034 --> 22:15.535 Quite busy roads around. 22:16.156 --> 22:16.376 Really? 22:16.396 --> 22:17.356 Well, you take care. 22:17.416 --> 22:18.577 Don't go running out into the road. 22:18.597 --> 22:23.040 And if you're kicking a football and it rolls into the road, then look carefully before you step out. 22:23.600 --> 22:24.081 I'll make sure I do. 22:24.121 --> 22:25.382 That's good advice, Joe. 22:25.682 --> 22:30.525 So, Dave, in this segment, we're kind of new, too, because obviously we're just filling in here. 22:30.545 --> 22:31.926 Can you explain what the logic is? 22:32.626 --> 22:36.230 I don't basically just pay two songs whilst you go and get your breakfast. 22:36.831 --> 22:38.172 Right, and we get some breakfast. 22:38.192 --> 22:40.975 You have something decent and hearty for your breakfast. 22:41.075 --> 22:42.056 Cereal thriller. 22:42.116 --> 22:44.238 It's spelt like bowl of cereal. 22:44.318 --> 22:45.360 Wow, you see? 22:45.380 --> 22:46.281 This is good. 22:47.502 --> 22:49.023 And so you've chosen two tracks, Dave? 22:49.504 --> 22:50.024 I have, yeah. 22:50.265 --> 22:51.606 Are they long ones? 22:51.626 --> 22:54.749 Because I like to go to a particular restaurant in Spain for breakfast. 22:55.689 --> 22:56.751 I don't think you can make that. 22:57.011 --> 23:02.058 I think one's about three or four minutes, the other one's getting into a round of five plus minutes, I think. 23:02.318 --> 23:03.299 It should be a good time for you. 23:03.459 --> 23:05.803 Dave, you've gone for Stone Roses and Nirvana. 23:06.083 --> 23:07.004 Explain your choices. 23:07.024 --> 23:09.868 You haven't gone for the obvious Stone Roses choice. 23:11.229 --> 23:23.552 Well, I went to a party the other weekend, got back at about four in the morning, quite drunk, and kind of pulled these CDs out and heard the ones, realised they're really good tunes, so I thought I'd email them in, so give them a radio. 23:23.572 --> 23:28.093 Yeah, you've gone for a Stone Roses track from the second... Second Coming album. 23:28.193 --> 23:29.313 Yeah. 23:29.533 --> 23:30.613 Love Spreads you've gone for. 23:30.633 --> 23:31.753 That's it, yeah. 23:31.893 --> 23:33.094 And which is the Nirvana track? 23:34.074 --> 23:35.174 It's called Serve the Servants. 23:35.194 --> 23:36.914 It's their first track of the commuter album. 23:36.934 --> 23:39.615 So this is just a complete belter, so... 23:40.521 --> 23:41.341 That's worth listening to. 23:41.502 --> 23:43.002 Well, good work, Dave. 23:43.462 --> 23:45.503 You don't win anything, of course, because that's illegal. 23:46.424 --> 23:46.804 I know. 23:47.204 --> 23:49.265 But, you know, we'll just send you happy thoughts. 23:49.706 --> 23:50.006 Brilliant. 23:50.326 --> 23:50.906 Is that brilliant? 23:51.026 --> 23:58.810 Can I just say, though, Dave, that the scene you described before, when you returned home, inebriated, it sounds like you might be a disgrace. 23:59.230 --> 24:00.071 A disgraceful person. 24:00.331 --> 24:02.452 Some people would probably say that, yeah. 24:02.672 --> 24:05.793 So why don't you send us something to make up for it? 24:05.953 --> 24:06.434 Exactly. 24:06.454 --> 24:07.734 What are you going to send us? 24:07.754 --> 24:08.094 Hello, Dave. 24:08.615 --> 24:08.815 Hello. 24:09.655 --> 24:11.097 Hello, are you alright? 24:11.457 --> 24:13.138 Yeah, I'm just avoiding cars still. 24:13.298 --> 24:14.659 Are you in the road now? 24:15.240 --> 24:16.621 I'm just getting onto the pavement again. 24:16.841 --> 24:19.884 Well done mate, yeah, cars on the road, people on the pavement. 24:20.284 --> 24:24.227 Here we go, so why don't you introduce your first track Dave, and then we won't have to bother. 24:24.908 --> 24:26.949 Well the first track is it, the Nirvana track. 24:27.250 --> 24:28.250 It's going to be the Stone Roses. 24:29.813 --> 24:30.213 Thanks, Dave. 24:30.233 --> 24:32.695 Hey, thanks a lot for calling in and don't forget listeners. 24:32.715 --> 24:33.596 You can do a very shame. 24:33.696 --> 24:36.038 We'll give you the details after the first of Dave's tracks. 24:36.138 --> 24:36.579 Cheers, Dave. 24:36.939 --> 24:37.319 Cheers. 24:37.960 --> 24:39.681 What a messy ending to that record. 24:39.701 --> 24:40.962 That's disappointing, isn't it? 24:41.002 --> 24:41.423 Who was that? 24:41.543 --> 24:43.344 You would have thought they would have cleaned it up a little bit. 24:43.464 --> 24:44.245 Was that who was that? 24:44.305 --> 24:44.866 That was Nirvana. 24:44.886 --> 24:45.886 That's typical of them. 24:45.906 --> 24:46.067 Yeah. 24:46.747 --> 24:47.868 Are they on drugs or something? 24:47.888 --> 24:49.330 Hey guys, guys, that was good. 24:49.550 --> 24:51.052 The ending was a little bit ragged. 24:51.072 --> 24:51.732 It was just messy. 24:51.812 --> 24:52.693 Why don't we do it again? 24:53.014 --> 24:53.514 One more time. 24:53.534 --> 24:54.115 Come on chaps. 24:54.555 --> 24:58.880 You know, be positive and let's all go out on a... all at the same time in the end. 24:59.040 --> 24:59.561 What about that? 25:00.141 --> 25:01.523 That's what the producers should have said. 25:01.963 --> 25:02.543 They're too cool. 25:03.024 --> 25:07.547 They just need a decent producer and they could have been really an impressive fan. 25:07.567 --> 25:07.988 A success. 25:08.088 --> 25:08.328 Yeah. 25:08.388 --> 25:10.570 This is Adam and Joe on Six Music. 25:10.710 --> 25:13.612 We're here filling in for Sean W. Kievny for the next couple of weeks. 25:14.393 --> 25:16.654 It's time for our record of the week. 25:16.714 --> 25:19.397 Not our record of the week, but Adam's record of the week. 25:19.797 --> 25:22.419 Well, this is a single that's coming out this week, isn't that right, Lisa? 25:22.699 --> 25:23.379 Now, is this real? 25:23.419 --> 25:26.581 Have you genuinely chosen this as your favourite record of the week? 25:27.021 --> 25:34.945 Or has it been kind of forced upon you by a powerful and secretive cabal of record industry manipulators? 25:35.105 --> 25:42.068 No, I don't think so, because the record of the week, correct me if I'm wrong Lisa, is a single that happens to be coming out that week, right? 25:42.488 --> 25:44.269 Which is chosen, or a band. 25:45.149 --> 25:45.309 Right. 25:45.890 --> 25:46.871 Or around, I see, yeah. 25:47.291 --> 26:02.845 And it's chosen by the show to be played, so it's a happy coincidence that my favourite band, pretty much ever, Spoon, from Austin, Texas, happened to be releasing a single, I think the first single from their new album, Ga-ga-ga-ga. 26:03.606 --> 26:04.346 One, two, three, four, no. 26:04.647 --> 26:05.748 Ga-ga-ga-ga-ga. 26:06.488 --> 26:09.430 Is there a difference between four gaars and five gaars? 26:09.470 --> 26:10.190 Yeah, yeah, yeah. 26:10.250 --> 26:11.511 Slightly less articulate baby. 26:12.131 --> 26:14.853 Well, no, it's just a determination to say gaars. 26:14.933 --> 26:15.213 Really? 26:15.333 --> 26:16.133 Increased, yeah. 26:16.213 --> 26:20.076 You might accidentally say ga, ga, ga, ga, but ga, ga, ga, ga, ga. 26:20.316 --> 26:20.996 That's very different. 26:21.016 --> 26:22.317 That's a real state of intent. 26:22.777 --> 26:26.319 Anyway, it's an amazing album and they're a fantastic band. 26:26.359 --> 26:30.120 I've liked them for so long and they're, like, weirdly underrated in this country. 26:30.140 --> 26:34.262 I don't know why, if their sound is, sort of, not fashionable in some way. 26:34.322 --> 26:39.004 Maybe they're a bit too arty for the popsters and a bit too poppy for the artsters. 26:39.205 --> 26:39.885 I don't know what. 26:40.325 --> 26:54.676 but they're really good if you if you want in the spoon camp then get in because it's fun here we're having a good time there's lots of good music spoon cakes and little spoon drinks were having i went to see them playing at the borderline last week 26:55.616 --> 26:56.938 and they were amazing. 26:57.038 --> 27:00.261 One of the best gigs shot into my top five best gigs ever. 27:00.301 --> 27:00.882 Yeah, yeah. 27:01.202 --> 27:02.603 I'd never been to the borderline before. 27:02.643 --> 27:03.684 What an amazing venue. 27:04.145 --> 27:06.447 It's like, um, uh, where is it? 27:06.487 --> 27:09.050 It's, it's sort of around Denmark street kind of area. 27:09.410 --> 27:13.414 Uh, and it's, it's just really small, a couple of hundred people maybe. 27:13.734 --> 27:15.316 And it looks like a sort of Texan bar. 27:15.336 --> 27:18.759 So it was appropriate for the Spooners, you know, sort of Tex-Mex type joint. 27:19.640 --> 27:27.508 And, uh, it was really small, the sound was brilliant, and it totally suited their sort of stripped-down, muscular, uh, indie pop sound. 27:27.528 --> 27:29.190 But they've got a real funky edge to them as well. 27:29.550 --> 27:34.135 Anyway, this single of theirs, which is called The Underdog, I think is produced by John Bryan. 27:34.815 --> 27:36.117 Um, so it's unusual for them. 27:36.157 --> 27:39.660 John Bryan did a lot of, uh, really good film music for people. 27:39.740 --> 27:42.023 I think he did, uh, music for Eternal Sunshine of the Spotless. 27:42.063 --> 27:42.383 Really? 27:42.403 --> 27:43.344 That's a good film. 27:43.504 --> 27:44.384 Yeah, very good film. 27:44.564 --> 27:44.785 Yeah. 27:45.505 --> 27:50.627 And I think he used to be in a band with... Oh, no, the trail is coming up next, I'm being told. 27:50.707 --> 27:54.848 Okay, so we'll play the track after the trail, but I'm just sort of setting it up a little bit more. 27:55.929 --> 27:56.849 Probably more than I need to. 27:56.889 --> 27:57.889 Tell us about the trail. 27:58.610 --> 27:59.930 Who was the trail produced by? 28:00.070 --> 28:03.211 The trail was produced by Toby Harris. 28:03.531 --> 28:03.871 Really? 28:03.891 --> 28:05.292 What film music has he done? 28:05.472 --> 28:10.573 He's done the music for the... He did the music for the Magic Roundabout CDI. 28:10.653 --> 28:14.214 Two... And have you seen this trail live? 28:14.854 --> 28:15.535 It's amazing. 28:15.795 --> 28:17.915 I saw it in the trail box. 28:18.615 --> 28:19.956 Near Denmark Street. 28:20.356 --> 28:20.956 Really, wow. 28:21.016 --> 28:25.377 It's brilliant to see trails performed live, but here's a pre-recorded trail. 28:25.897 --> 28:26.778 There you go. 28:26.958 --> 28:27.858 That was good though, wasn't it? 28:28.038 --> 28:28.918 That was a great trail. 28:28.958 --> 28:29.958 Can you imagine seeing that live? 28:29.978 --> 28:31.459 Yeah, it really had a funky edge to it. 28:32.539 --> 28:43.145 But really good no, but anyway, so sorry I was rambling about spoon before and we're gonna play this just played a spoon No, but I just want to say it's unusual for the album. 28:43.185 --> 28:48.429 It's not typical of the album really Yeah, cuz it's got these sort of horn sections in it and stuff 28:49.309 --> 28:51.430 So I'm saying, I don't know exactly what I'm saying. 28:51.791 --> 28:52.411 What are you saying? 28:52.451 --> 28:53.492 I don't know what I'm saying. 28:53.512 --> 28:54.392 What's the matter with you? 28:54.412 --> 29:01.097 What I'm saying is it's really good, but if for some reason it wasn't your taste, that shouldn't put you off buying the album. 29:01.117 --> 29:01.617 Right, right, right. 29:01.637 --> 29:02.238 You know what I'm saying? 29:02.258 --> 29:02.578 We get it. 29:02.618 --> 29:04.759 Let's hear this spoon and talk further after it. 29:04.879 --> 29:05.079 Alright. 29:05.520 --> 29:08.101 A much better ending than the Nirvana song. 29:09.242 --> 29:11.023 It's still a weird ending, that one, I must say. 29:11.043 --> 29:12.604 A lot of their endings are a little odd. 29:12.844 --> 29:17.486 But that's The Underdog by Spoon from their fantastic album, Ga-ga-ga-ga-ga. 29:17.806 --> 29:21.688 Hey, and thanks listeners who've texted us, Karen in Somerset says, this is an amazing song. 29:21.968 --> 29:22.388 I love it. 29:22.648 --> 29:23.429 Well done, boys. 29:23.769 --> 29:24.249 Thanks very much. 29:24.509 --> 29:27.030 We can't really take credit for actually creating the song. 29:27.070 --> 29:27.911 Oh, we can in a way. 29:27.991 --> 29:29.412 Which bit did you do? 29:30.112 --> 29:33.153 I did the ending, the drums and the horn. 29:33.373 --> 29:34.294 That's my least favourite bit. 29:34.714 --> 29:34.974 Is it? 29:34.994 --> 29:35.935 Definitely a favourite bit. 29:36.115 --> 29:38.356 Well, you're not a very nice man. 29:38.376 --> 29:40.297 Is that what you're going to be back with? 29:40.337 --> 29:40.917 Yeah. 29:41.078 --> 29:42.658 Well, I should thank everyone who's texted us. 29:42.738 --> 29:44.960 If you want to text us, it's 64046. 29:46.160 --> 29:47.281 We love getting texts. 29:47.581 --> 29:50.363 Seriously, I particularly, Joe Cornish, I love getting texts. 29:50.403 --> 29:51.303 You love texts, don't you? 29:51.323 --> 29:51.823 I just love them. 29:51.843 --> 29:53.044 They make me tingly all over. 29:53.084 --> 29:54.165 You like texting as well, then? 29:54.245 --> 29:55.265 I do like texting. 29:55.385 --> 29:58.987 If he had your number, listener, Joe would be texting you right now. 29:59.007 --> 29:59.107 Yeah. 29:59.127 --> 30:00.128 Because he absolutely loves it. 30:00.368 --> 30:01.729 Oh my God, lol. 30:01.949 --> 30:02.349 What's up? 30:02.689 --> 30:03.350 That kind of thing. 30:03.610 --> 30:03.890 Ruffle. 30:04.330 --> 30:32.177 ruffle all that kind of business and you can email us Adam and Jo all one word dot six music at BBC dot co dot UK we lit we read and yeah just read in fact all texts and emails just a final word on spoon if you enjoyed that and I do encourage you to investigate further they played the hub on Gideon's show last Thursday here on six music and you can the hub is just a stylish BBC six word for a room 30:32.637 --> 30:33.058 It's a room. 30:33.198 --> 30:35.700 It's a room with a... It doesn't even really have a stage. 30:35.760 --> 30:38.944 The stage is only elevated a couple of inches from the floor. 30:39.124 --> 30:40.405 It's got some microphones in it. 30:40.445 --> 30:41.767 That's what qualifies it as a hub. 30:41.807 --> 30:49.655 And bands have scribbled all over the wall in a way that would get them detention at school, but for some reason gets them, you know, praised here at BBC Six Music. 30:49.775 --> 30:56.139 You can listen again to that spoon session at, uh, bbc.co.uk forward slash six music. 30:56.199 --> 30:57.320 I'll be doing that this evening. 30:57.720 --> 31:11.048 And if you want to investigate even further, the world of spoon, you can go to my website, Adam dash Buxton dot co dot UK, where you will say a video that I just made for the band for no reason whatsoever. 31:11.328 --> 31:13.369 Like I didn't get commissioned to do the video. 31:14.430 --> 31:15.350 I don't know the band. 31:15.571 --> 31:16.731 So you've done it voluntarily. 31:16.811 --> 31:17.812 Just did it as a fan. 31:18.092 --> 31:20.793 I'm going to watch it on your internet during this next. 31:20.853 --> 31:22.213 Are we going to the news next, Lisa? 31:22.233 --> 31:23.513 Calvin Harris next. 31:23.553 --> 31:24.613 Calvin Harris next. 31:25.333 --> 31:27.494 Yeah, so why don't we have Calvin Harris right now. 31:27.534 --> 31:29.554 This is called Merry Making at My Place. 31:30.495 --> 31:32.935 That's Calvin Harris with Merry Making at My Place. 31:32.975 --> 31:35.155 This is Adam and Jo on BBC Six Music. 31:35.216 --> 31:36.816 It's time for a news update. 31:36.856 --> 31:38.196 Who's reading the news, Adam? 31:38.956 --> 31:42.037 Two of my favourite news readers, Adrian and Harvey. 31:42.057 --> 31:42.437 They're brilliant. 31:43.663 --> 31:46.264 Hooray, that was the pigeon detectives with Take Her Back. 31:46.464 --> 31:49.485 It's a miserable Monday morning on Six Music. 31:49.525 --> 31:51.525 No, it's miserable outside of Six Music. 31:51.605 --> 31:52.966 It's not miserable on Six Music. 31:52.986 --> 32:00.628 Wait, about the pigeon detectives, are they actually pigeons employed to investigate, you know, certain cases? 32:01.408 --> 32:05.109 Or are they just detectives involved with... I've no idea, man. 32:05.349 --> 32:05.989 Tracking down pigeons. 32:06.009 --> 32:06.789 Where does that name come from? 32:06.849 --> 32:08.390 Is that some kind of detective novel? 32:09.403 --> 32:09.843 We don't know. 32:09.863 --> 32:11.584 We're going to do some research into that anyway. 32:12.544 --> 32:13.304 We're Adam and Joe. 32:13.505 --> 32:14.165 I'm Joe Cornish. 32:14.485 --> 32:14.865 Who are you? 32:15.365 --> 32:16.066 I'm Adam and Joe. 32:16.366 --> 32:17.226 Yeah. 32:17.306 --> 32:18.166 We're here on 6 Music. 32:18.186 --> 32:24.089 You can text us on 64046 or email us at AdamandJoe.6musicatbbc.co.uk. 32:24.689 --> 32:27.710 In a second, we are going to have a kind of a test. 32:27.950 --> 32:28.851 It's not a competition. 32:28.911 --> 32:30.512 No, no, no, no, no, because we're not allowed to do them. 32:30.772 --> 32:33.154 It's a test of Adam's movie knowledge. 32:33.675 --> 32:38.419 And you at home can listen into this test, and you can test each other at home. 32:38.839 --> 32:39.079 Yeah? 32:39.400 --> 32:42.742 We're going to be playing you a clip of a DVD commentary. 32:42.823 --> 32:46.025 It's going to be a director and star team. 32:46.626 --> 32:50.409 And this is a clip taken from their commentary over their latest movie. 32:51.029 --> 32:52.931 They're a couple of kind of idiots. 32:53.992 --> 32:54.813 They sort of know it. 32:55.453 --> 32:56.153 and enjoy it. 32:56.614 --> 33:00.036 And basically, you at home can guess amongst yourselves who they are. 33:00.276 --> 33:02.437 And Adam, you're going to guess here in the studio, aren't you? 33:02.497 --> 33:03.718 What's the name of this feature? 33:04.078 --> 33:06.720 It's called the Crap Commentary Corner. 33:06.920 --> 33:08.681 Are you sure you can say that word? 33:08.781 --> 33:09.402 The C word? 33:09.582 --> 33:09.962 Yeah. 33:10.442 --> 33:12.343 Because I think you can. 33:12.383 --> 33:12.904 Can we, Lisa? 33:13.144 --> 33:13.784 Here's why. 33:13.804 --> 33:14.345 We're not sure. 33:14.365 --> 33:14.885 We think it's 33:15.205 --> 33:17.027 We think it's wavering there. 33:17.047 --> 33:17.667 It's on the cusp. 33:17.888 --> 33:19.169 Maybe we should change its name right now. 33:19.249 --> 33:19.949 It's live on air. 33:20.230 --> 33:22.492 Well, I was going to say... The Cruddy Commentary Corner. 33:22.712 --> 33:23.212 How about that? 33:23.233 --> 33:24.013 I don't know. 33:24.033 --> 33:25.374 The Cruddy Commentary Corner. 33:25.875 --> 33:32.061 Well, I was going to say that it's surely okay because I was watching this TV ad the other day. 33:32.681 --> 33:39.806 It's for a breakdown company, and it stars Vinnie Jones, and he's driving through the countryside in a Rolls Royce. 33:39.826 --> 33:40.426 I heard that ad first. 33:40.506 --> 33:44.629 A gold Rolls Royce, yeah, and he's got what I presume is his daughter in there. 33:44.649 --> 33:46.850 She's dressed up like a little fairy princess. 33:47.491 --> 33:53.274 And first of all, Vinnie in the Rolls Royce gets stuck behind a tractor whilst going through the countryside. 33:54.255 --> 33:55.636 Oh, no, he gets annoyed. 33:55.716 --> 33:56.316 Blumey neck. 33:56.517 --> 33:58.658 Blumey, oh, oh, oh, bottle bank. 33:58.978 --> 34:01.380 And then he gets stuck behind a load of sheep, 34:02.741 --> 34:05.163 before he breaks down in his Rolls-Royce. 34:05.464 --> 34:10.088 I know this advert, and kind of the scenario invites him to swear, doesn't it? 34:10.569 --> 34:11.290 Yeah, exactly. 34:11.410 --> 34:13.492 Because Vinnie's the king of swearing, right? 34:13.772 --> 34:15.314 He swears better than anybody in Britain. 34:15.594 --> 34:16.595 Oh, that's the point! 34:16.615 --> 34:17.096 That's the point. 34:17.136 --> 34:18.617 He is the... Why, were you confused about it? 34:18.677 --> 34:23.362 I was confused, because the... He's like the poet laureate, but for swearing. 34:23.542 --> 34:27.563 Right, and he stops himself swearing, I'm so thick, I don't get any of these things. 34:28.023 --> 34:36.885 And then basically what happens is that finally the roller breaks down and he phones up the emergency services and they say, whereabouts are you so we can come and get you? 34:37.246 --> 34:43.407 He looks around for a sign, he says, I'm in a village of, and then the sign he sees says, crap stone. 34:43.687 --> 34:45.328 Which is a real village. 34:45.408 --> 34:45.988 Yeah, right. 34:46.168 --> 34:46.348 Is it? 34:47.208 --> 34:47.829 I think it must be. 34:48.249 --> 34:53.513 And then he looks at his daughter and he thinks, you know, I can't say crap stone. 34:53.973 --> 34:56.275 So he says, gingerly, I have no idea. 34:56.755 --> 34:58.337 But what is the logic? 34:58.857 --> 34:59.478 You can't say. 34:59.498 --> 35:03.881 He can't pollute his little fairy princesses mind with such foul words. 35:04.041 --> 35:06.743 Even if it's part of a legitimate town. 35:06.843 --> 35:07.604 Yeah, exactly. 35:07.624 --> 35:12.407 Well, it's one of those difficult situations that parents find themselves in when driving through small villages. 35:12.427 --> 35:13.008 But crap. 35:13.408 --> 35:14.628 Is that- Don't say it again! 35:14.668 --> 35:15.569 That's one of the problem ones. 35:15.589 --> 35:18.169 That's the same reason we can't say it on BBC Six Music. 35:18.469 --> 35:23.071 The Queen's favourite music channel is the same reason why Vinny has confusion over it. 35:23.311 --> 35:27.172 So he can't say a word like crap even if it's part- You said it again! 35:27.312 --> 35:29.672 Even if it's part of a place name or another word. 35:29.692 --> 35:30.673 We're not gonna be here tomorrow morning. 35:30.893 --> 35:32.373 Crapstone, he can't even say that. 35:32.433 --> 35:32.913 No, he can't. 35:32.933 --> 35:33.914 You did it four times. 35:33.934 --> 35:37.595 So what does he do when he wants to set off for a drive in the countryside? 35:38.515 --> 35:40.195 I'm just starting. 35:40.415 --> 35:41.196 Shall we play some music? 35:41.236 --> 35:42.196 Here's Basement Jacks. 35:43.288 --> 35:45.390 There we go, that's Basement Jacks with Good Luck. 35:45.550 --> 35:48.252 She's saying, good luck, good luck, good luck in the loo there. 35:48.272 --> 35:49.333 I don't think so. 35:49.613 --> 35:49.833 No. 35:49.953 --> 35:51.974 Her name is Lisa Quechua La. 35:52.275 --> 35:52.935 Quechua La. 35:52.995 --> 35:53.255 Quechua La. 35:53.275 --> 35:54.156 Quechua La. 35:54.216 --> 36:01.341 And that is a very cleverly designed record by Basement Jacks because it'll be played when anyone has a leaving party from their job. 36:01.662 --> 36:03.103 Or if they... Good luck, good luck. 36:04.003 --> 36:08.267 And that's going to bring them in a lot of dough, a lot of revenue, and that's all Basement Jacks care about. 36:08.587 --> 36:08.807 Yeah. 36:09.067 --> 36:09.327 Money. 36:09.568 --> 36:10.028 Good luck. 36:10.368 --> 36:11.829 Good luck in the loo there. 36:13.030 --> 36:14.451 Watch out when you poo there. 36:14.772 --> 36:15.032 No! 36:15.272 --> 36:15.552 No. 36:15.773 --> 36:16.493 That's a bad word. 36:16.613 --> 36:16.813 Alright. 36:16.934 --> 36:17.494 Hello listeners. 36:17.874 --> 36:18.695 Happy Monday morning. 36:18.775 --> 36:25.601 This is BBC Six Music where Adam and Joe filling in for Sean W Keevney for the next two weeks and it's a test time. 36:26.042 --> 36:27.663 We can't call it a competition, no. 36:28.064 --> 36:31.246 It's kind of a test and it has nothing to do with any kind of competitiveness at all. 36:31.527 --> 36:34.750 I'm going to play Adam a clip from a DVD commentary 36:35.550 --> 36:42.435 from a recently released film and this clip features the director and lead actor making fools of themselves. 36:42.556 --> 36:43.897 Adam, yeah, what? 36:44.017 --> 36:44.877 How easy is this one? 36:45.037 --> 36:45.758 This is pretty easy. 36:45.778 --> 36:48.360 Because sometimes you can pick these things out and they're very obscure. 36:48.400 --> 36:49.541 Yeah, but people always get them. 36:49.561 --> 36:52.303 I have enormous faith in our listenership, listeners out there. 36:52.383 --> 36:57.187 I think their knowledge of movies and music is vast and highly informed. 36:57.207 --> 36:57.567 Okay. 36:57.947 --> 37:00.309 You know, this is a BBC audience, they're clever people. 37:00.770 --> 37:08.297 And listeners at home, if you want to help Adam, give him some suggestions as to what this might be, then feel free. 37:09.358 --> 37:10.419 That's Mr Bean Toe. 37:10.920 --> 37:13.402 How'd you book Mr Bean Toe? 37:13.422 --> 37:14.703 Well, it's disgusting. 37:14.743 --> 37:15.544 I ain't seen it. 37:15.564 --> 37:16.225 I ain't seen it. 37:16.285 --> 37:18.027 That took six million quid on its opening weekend. 37:18.487 --> 37:18.667 Yeah. 37:19.067 --> 37:19.248 Yeah. 37:20.148 --> 37:22.270 And the thing is, people want to go to the cinemas these days. 37:22.530 --> 37:23.471 They just don't want to think. 37:23.671 --> 37:24.852 They just do not want to think. 37:24.892 --> 37:28.634 They just want to sit there, numb, for two hours or however long it is. 37:28.654 --> 37:30.636 They do not want to be provoked into a reaction. 37:30.656 --> 37:31.877 Six millions, don't we? 37:31.917 --> 37:33.378 Well, we were in the wrong game, didn't we? 37:34.309 --> 37:35.951 There we go, there's clip number one. 37:36.152 --> 37:42.020 Yeah, text 64046 if you want to help Adam figure out who that is. 37:42.120 --> 37:44.404 Although I've got a pretty good idea about at least one of those. 37:44.524 --> 37:44.844 Really? 37:44.984 --> 37:45.265 Yeah. 37:45.565 --> 37:47.748 What about Lisa, our lovely producer? 37:48.069 --> 37:48.830 Do you know who that is? 37:49.771 --> 37:50.332 haven't got a clue. 37:50.352 --> 37:54.396 It's a recently released film, didn't do so well at the cinema, but did very well on video. 37:54.697 --> 37:59.903 And this writer and actor combo are famous for their filth-ridden commentaries. 38:00.163 --> 38:01.745 Yeah, they're good value commentaries. 38:01.785 --> 38:04.648 Yeah, the commentaries are almost better than the films, in some cases. 38:04.888 --> 38:08.873 So let's hear the second clip from this mystery actor and director combo. 38:09.266 --> 38:11.347 Give your listeners a little spin on your American accent there. 38:11.928 --> 38:14.509 Okay, erm, erm, what do you want me to say? 38:14.549 --> 38:18.111 I can, I can do the American accent, I can do it a little bit here, I can, how does that sound? 38:18.151 --> 38:19.092 Does that sound okay? 38:19.112 --> 38:20.032 No, no, no, do the American one. 38:20.072 --> 38:20.672 Not Welsh, right? 38:20.692 --> 38:21.153 No, that's American. 38:21.173 --> 38:22.173 Not too Welsh, do American. 38:22.193 --> 38:23.254 No, that's American mother. 38:23.414 --> 38:23.834 Father. 38:23.854 --> 38:24.735 Erm, erm. 38:24.755 --> 38:27.016 No, that's not good to me about either of them. 38:27.036 --> 38:28.157 You'll be alright, you'll crack on out. 38:28.237 --> 38:31.458 Listen, at the end of the day, every British person out there is cracking on, you know what I mean? 38:31.519 --> 38:32.339 Good climate out there. 38:32.359 --> 38:35.221 Well, Staphon can, Staphon can do it, you know, I feel confident. 38:35.421 --> 38:35.741 Yeah, yeah. 38:36.636 --> 38:37.097 There you go. 38:37.117 --> 38:41.122 I think we should go to a trail and a track before we find out whether you can guess that one. 38:41.162 --> 38:42.804 There's a little clue in there though, isn't it, Statham? 38:42.824 --> 38:44.586 That's presumably Jason Statham there talking about. 38:44.606 --> 38:45.548 Yeah, but he's not in the film. 38:45.768 --> 38:45.988 No. 38:46.128 --> 38:47.350 He's not in the film they're talking about. 38:47.550 --> 38:51.435 If you want to help Adam figure out who that is, remember text 64046. 38:53.438 --> 38:54.880 Here's a bit of a trail while you think. 38:55.420 --> 39:15.087 This is eardrum bust by wire you're listening to Adam and joe on bbc6 music we're in the middle of playing cruddy commentary corner our kind of game that we play here in the studio where i play adam a clip from the audio commentary of a dvd of a popular new film and he has to figure out who is talking on it 39:15.467 --> 39:18.208 Yeah, I think I've got a fairly, fairly good idea. 39:18.348 --> 39:21.950 Now, a couple of listeners have texted in with suggestions to help Adam. 39:22.630 --> 39:25.711 We got to thank Julian in Paddington and Ollie as well. 39:26.031 --> 39:30.693 Shall we hear a third clip of these goons before we see if you've got it right, Adam Buxton? 39:30.713 --> 39:30.853 Yeah. 39:31.153 --> 39:35.535 So let's hear clip number three of this writer and no, this actor and director combo. 39:36.735 --> 39:37.236 You know, I'm off. 39:38.656 --> 39:39.797 I'm gonna do a film about a morph. 39:40.737 --> 39:42.238 You know, I'm thinking that might get me somewhere. 39:42.278 --> 39:42.579 What are you? 39:42.999 --> 39:44.120 Tony Hart, Take Hart. 39:44.400 --> 39:44.840 Yeah, yeah. 39:44.860 --> 39:45.381 No, no, I'm serious. 39:45.421 --> 39:47.482 The thing about morph is, how are you gonna offend anyone? 39:47.922 --> 39:48.483 Why are you laughing? 39:48.803 --> 39:52.885 Tell you what, kids, that's what... The image of morph learning about the big answer. 39:52.905 --> 39:54.727 Could be my future, doing morphs, you know what I mean? 39:55.447 --> 39:55.987 There we go. 39:56.308 --> 40:00.710 So, who is that Gooney director and star combination? 40:01.331 --> 40:01.671 Okay. 40:02.171 --> 40:05.313 Well, I think I'm pretty sure that one of them, at least, is Danny Dyer. 40:05.734 --> 40:06.674 Danny Dyer? 40:06.734 --> 40:13.839 The actor well-known for popping up in ladish roles in films like Football Factory, was he in? 40:14.199 --> 40:14.619 Correct. 40:14.959 --> 40:15.500 The Business? 40:15.600 --> 40:16.080 Correct. 40:17.221 --> 40:21.083 He hosts a show about football yobs on Sky. 40:21.103 --> 40:21.403 Does he? 40:21.544 --> 40:21.784 Yeah. 40:22.304 --> 40:23.805 called The Real Football Factory. 40:23.885 --> 40:24.785 Oh, it's on Bravo, maybe. 40:24.825 --> 40:26.206 He was in Severance as well. 40:26.506 --> 40:26.947 Severance? 40:27.027 --> 40:27.787 I haven't seen Severance. 40:27.807 --> 40:29.388 Yeah, I try to watch Severance. 40:29.428 --> 40:30.909 There's a number of his films I haven't seen. 40:31.409 --> 40:32.430 And then, so that's the actor. 40:32.470 --> 40:33.330 Who's the director? 40:33.470 --> 40:36.552 Well, I'm assuming that's Nick Love there, who directed him. 40:36.872 --> 40:41.055 He's kind of the Scorsese to Danny Dyer's De Niro. 40:41.395 --> 40:41.715 Yes. 40:41.995 --> 40:44.377 And they often team up in films. 40:44.417 --> 40:45.057 They were in the business. 40:45.077 --> 40:46.218 And the most recent one, 40:47.158 --> 40:56.746 which I'm assuming this comes from was the sort of jaw-droppingly reactionary sort of revenge fantasy. 40:57.667 --> 40:58.548 What was it called? 40:58.628 --> 40:59.448 It's called Outlaw. 40:59.728 --> 41:00.669 Outlaw with Sean Dean. 41:00.689 --> 41:01.630 And that is the correct answer. 41:01.870 --> 41:08.374 to the game, the test, that was indeed Nick Love and Danny Dyer from the commentary of Outlaw. 41:08.654 --> 41:13.917 And even if you don't like their films, listeners, I do recommend you get that out and have a listen to the commentary. 41:14.358 --> 41:17.620 I spent hours lifting the swear words out of that, right? 41:17.900 --> 41:26.165 It is the most sweary and aggressive DVD commentary in history, and they pretty much go through most of the critics who were negative about 41:26.605 --> 41:52.018 their film by name yeah and explain what they'll do to them if they ever meet them and explain in in with very blue language exactly why they're wrong about their brilliant film yeah yeah yeah and you know i'm slightly on their side really you like outlaw i don't i wouldn't say i like it but i don't think it's necessary necessarily the sort of postulant load of rubbish that that people think it is well it's pretty morally reprehensible i would say yeah it's it's it's a fantasy 41:52.858 --> 41:53.178 Yeah. 41:53.198 --> 41:56.180 It's not supposed to be real, I think that's the idea, but it's pretty horrible to watch. 41:56.280 --> 42:00.302 Well, it's not supposed to be real, but there are a number of long speeches in it which are supposed to stir you. 42:00.322 --> 42:00.662 Have you seen it? 42:00.702 --> 42:00.822 Yes. 42:00.862 --> 42:01.082 Yeah. 42:01.102 --> 42:07.405 Which are supposed to stir you into thinking, yeah, I've got a point about sort of the state of Britain and what you should do to sort it out. 42:07.565 --> 42:10.906 I learnt a lot of new Cockney rhyming slang as well from listening to it. 42:11.106 --> 42:12.907 None of which we'll be able to hear this morning, aren't they? 42:12.927 --> 42:13.628 No, you won't. 42:14.908 --> 42:16.709 Can we get away with Cockney rhyming slang? 42:17.483 --> 42:18.243 I wouldn't imagine. 42:18.263 --> 42:19.704 Nah, I can't get away with anything. 42:19.984 --> 42:21.264 Anyway, that was our little game. 42:22.205 --> 42:35.389 And we gotta say thanks very much there to Julian in Paddington and Ollie who, if there wasn't a national competition crisis, would win something, but because of the ongoing crisis, and all the lives at stake and stuff, they can't. 42:35.569 --> 42:36.610 What would we have given them? 42:37.370 --> 42:38.810 Uh, a pile of CDs? 42:39.271 --> 42:41.231 I would have- no, here's what I would have given them. 42:41.451 --> 42:41.671 What? 42:42.011 --> 42:42.711 A TV. 42:43.212 --> 42:43.792 A TV? 42:43.892 --> 42:45.712 Yeah, a plasma television. 42:45.732 --> 42:46.032 Really? 42:46.072 --> 42:47.092 1080p or 1080i? 42:47.273 --> 42:48.673 Uh, yeah. 42:48.973 --> 42:49.253 Yeah? 42:49.613 --> 42:52.474 And also I would have given them a flight. 42:52.894 --> 42:54.974 I would have given them an Xbox 360 Elite. 42:55.014 --> 42:55.354 Would you? 42:55.615 --> 42:55.915 Yeah. 42:56.655 --> 42:58.215 Uh, a special Halo 3 edition. 42:58.335 --> 42:58.535 Right. 42:58.735 --> 43:01.316 Yeah, with like a etching of Master Chief on the front. 43:02.688 --> 43:04.649 And I would have given them a copy of Crackdown. 43:05.249 --> 43:06.470 Is that Ainsley Harriet? 43:07.090 --> 43:08.931 What, MasterChef? 43:09.772 --> 43:10.612 That's a different game. 43:10.692 --> 43:12.934 That's not even Ainsley Harriet, though, on MasterChef, is it? 43:12.994 --> 43:15.895 Hey, this is Adam and Jo on BBC Six Music. 43:15.955 --> 43:17.476 Is it time for some more Six Music? 43:17.636 --> 43:24.540 Coming up to the end of our second day, we've got one hour to go, and I still have a few advertising logic holes that I wish to discuss. 43:24.560 --> 43:24.800 Brilliant. 43:24.820 --> 43:25.881 There's something to look forward to. 43:26.741 --> 43:27.582 And now it's time. 43:27.842 --> 43:28.702 What have we got next? 43:28.722 --> 43:29.583 Have we got a bit of gossip? 43:30.123 --> 43:31.084 Yeah, with jealous girls. 43:31.804 --> 43:32.605 That's editors. 43:32.665 --> 43:33.406 Hey, hey, shush. 43:35.048 --> 43:36.089 Oh, Lisa, you cut it out. 43:36.129 --> 43:37.270 There was monk action there. 43:38.492 --> 43:39.813 There was a bit of a monastic action. 43:39.833 --> 43:40.995 The monks just suddenly stopped. 43:41.375 --> 43:43.878 That track was called An End Has a Start. 43:43.898 --> 43:46.921 I want you to think about that, Joe, for five seconds. 43:47.041 --> 43:47.322 Okay. 43:51.673 --> 43:51.913 Done it. 43:52.073 --> 43:53.894 There you go. 43:53.914 --> 43:57.075 This is Adam and Joe here on 6 Music filling in for Sean Kievny. 43:57.855 --> 44:02.936 Now, Joe, I was talking about strange advertising phenomena earlier on. 44:03.396 --> 44:05.397 Here's something else that I found quite by chance. 44:05.537 --> 44:14.279 I was going to talk about an ad for kind of washing powder, concentrate, liquid, whatever. 44:14.299 --> 44:17.000 Yeah, you see, we can't say the brand names here on 6 Music, can we? 44:17.080 --> 44:17.220 No. 44:17.500 --> 44:19.201 So you have to describe them in a roundabout way. 44:19.301 --> 44:19.481 Yeah. 44:20.141 --> 44:32.270 And in the course of doing a little bit of research for this, trying to find the ad online and stuff, I came across this website called... I probably... I can't even say the name of the website, can I probably? 44:32.750 --> 44:37.473 But it's a website where you can put product reviews for things, right? 44:37.493 --> 44:39.995 It calls itself a shopping intelligence website. 44:40.015 --> 44:44.878 OK, so members of the public like review products and you can sort of cross-reference what people think about things. 44:44.898 --> 44:45.739 Yeah, exactly. 44:46.159 --> 44:58.568 And it appears that real members of the public, mainly ladies, has to be said, have put these incredibly in-depth reviews for things like washing powder on this website. 44:58.588 --> 44:59.409 Sounds good. 44:59.449 --> 45:08.636 And here I'm going to quote for you now what appears to be a genuine customer review from this website, which features product reviews from members of the public. 45:08.676 --> 45:11.197 This one is for a well-known fabric conditioner, right? 45:11.217 --> 45:11.478 Mm-hmm. 45:11.598 --> 45:13.119 But I've changed the brand name 45:14.060 --> 45:15.021 to waft. 45:16.342 --> 45:17.323 W-O-F-T. 45:17.924 --> 45:20.967 So, you know, so as to avoid any kind of legal punishment. 45:21.568 --> 45:28.155 And as you'll see, it's quite a passionate and in-depth confessional that this lady has written about this fabric conditioner. 45:29.395 --> 45:32.680 I am a real stickler for my washing to smell nice. 45:33.221 --> 45:36.706 So believe me, I've tried and tested many fabric conditioners in my time. 45:37.307 --> 45:40.973 I love my clothes to smell clean and that of my kids. 45:41.694 --> 45:43.557 I can't stand them to smell of nothing. 45:44.458 --> 45:47.821 About two months ago, I could not get my usual fabric conditioner. 45:47.941 --> 45:52.744 Well, I nearly had a heart attack and a paddy in the store right there and then. 45:52.924 --> 45:53.625 What's a paddy? 45:53.885 --> 45:54.906 It's like a heart attack. 45:54.986 --> 45:55.226 Right. 45:55.927 --> 45:58.388 It was like a fix to me and I needed it. 45:58.989 --> 46:08.456 Anyway, rather than throw myself on the floor having a tantrum, I scoured the shelves for another and I happened to come across waft warm wind. 46:08.976 --> 46:09.817 I made that name up. 46:10.197 --> 46:10.998 Fabric conditioner. 46:11.758 --> 46:15.300 I twisted the cap off with anticipation and sniffed for England. 46:15.620 --> 46:16.821 I was pleasantly surprised. 46:17.422 --> 46:22.064 It was not one that I had tried, as when I find one I like, I tend to stick with it. 46:22.705 --> 46:29.929 So I decided to take a risk and buy it, hoping and praying that it would smell as good on the clothes as it did in the bottle. 46:30.509 --> 46:39.395 Anyway, as soon as I got home, I decided to give it a try and threw a load in the washing machine with new waft, warm wind, made up name, conditioner. 46:40.333 --> 46:45.914 After a long wait, I pulled the clothes out of the machine, and the smell hit me straight away. 46:46.514 --> 46:47.815 It was gorgeous. 46:48.335 --> 46:59.457 I was very impressed, but I still had to wait for the clothes to dry to see if the smell stayed within the clothes, as most of the time it tends to disappear after the clothes are dry. 46:59.477 --> 47:00.858 Are you relating to this, Joe? 47:00.978 --> 47:01.738 Yeah, kind of. 47:01.838 --> 47:02.058 Yeah. 47:02.718 --> 47:05.362 as well as the clothes sometimes feeling like cardboard. 47:05.842 --> 47:14.833 When the clothes were dry, the smell was still there, and all the clothes were lovely and soft with the gorgeous smell still attached. 47:15.414 --> 47:15.934 Woo-hoo! 47:16.515 --> 47:17.656 I found another one! 47:18.277 --> 47:24.019 And then she goes on for quite a long time to list a number of bits of practical information. 47:24.039 --> 47:28.521 She breaks down the merits of various different fragrances on offer in the waft range. 47:28.881 --> 47:38.364 For example, she says, the waft warm wind, made up name, conditioner, is a lovely yellow colour and smells exactly like a summer day walking through a meadow of flowers. 47:38.764 --> 47:40.005 That's the best I can explain it. 47:40.385 --> 47:42.907 It's such a lovely smell, and so fresh. 47:43.448 --> 47:45.089 And she seems, and she goes on and on and on. 47:45.249 --> 47:48.973 And I was thinking, this surely must be written by the people who work for WAFT. 47:49.053 --> 47:50.574 Yeah, it's an inside job. 47:51.094 --> 47:51.695 But it's not. 47:51.715 --> 47:52.296 But it's not. 47:52.476 --> 48:03.906 It's not, because I, later on, she said if, that she, she goes on to talk about some other WAFT products, and she says, you know, it's overpriced, and you should avoid this particular one, and I'm only going for WAFT, warm wind. 48:04.446 --> 48:05.547 It's just extraordinary. 48:05.567 --> 48:07.467 Isn't it amazing that people like that exist? 48:07.688 --> 48:12.069 Well, I was just thinking, what would this lady have done before the internet? 48:12.630 --> 48:16.751 You know, would she have just written all her thoughts down and handed them out on the street? 48:16.992 --> 48:19.353 Would you like to know what I think about Waft Warm Wind? 48:19.593 --> 48:22.174 I've written an essay about it, and here you can have it. 48:22.314 --> 48:22.814 It's free. 48:23.494 --> 48:24.315 Take it away with you. 48:24.955 --> 48:27.717 Probably because she sounds mentally upset, doesn't she? 48:27.758 --> 48:31.481 I mean, she's going around supermarkets sniffing bottles, sniffing them for England. 48:31.561 --> 48:31.801 Yeah. 48:32.181 --> 48:36.805 And then she's praying to God about detergent. 48:37.046 --> 48:37.306 Yeah. 48:37.486 --> 48:40.949 What is the great God going to think about those prayers? 48:41.089 --> 48:42.930 I'm sure we can mention the name of the website, can't we? 48:42.950 --> 48:43.710 It's called Chow. 48:44.090 --> 48:44.570 There you go. 48:44.610 --> 48:45.571 It's called Chow. 48:46.151 --> 48:48.332 And it's got loads of customer reviews. 48:48.352 --> 48:50.673 They're pretty enjoyable reading, folks, let me tell you. 48:50.993 --> 48:53.554 Why not go and check them out and add your own? 48:53.954 --> 48:57.216 There's a lot of people out there who are mad, who are insane. 48:57.996 --> 48:59.498 and you can join them. 49:00.019 --> 49:01.762 Right now, we've got a free play. 49:01.942 --> 49:04.205 I chose this one myself, folks, music-wise. 49:04.646 --> 49:09.072 This is a track from one of the best albums to come out so far this year by a wonderful band, The Shins. 49:09.573 --> 49:12.797 The album is called Whinsing the Night Away, and this is one of the best tracks on it. 49:12.937 --> 49:14.359 It's called Sealeggs. 49:15.529 --> 49:22.031 There we go, that was, uh, that was, hey, you better tell us what that was, Adam, because I don't know the difference between the name of the track and the name of the band. 49:22.331 --> 49:31.594 That was a band called Iron and Wine with a track called Boy with a Coin, and, uh, they're a great band, and I love a bit of Iron and Wine, you know. 49:32.094 --> 49:32.674 Who doesn't? 49:32.734 --> 49:34.215 Not just to listen to, but as a snack. 49:34.775 --> 49:36.476 Hey, thanks to everyone who's been texting us. 49:36.837 --> 49:37.877 We got quite a lot of texts now. 49:37.897 --> 49:39.658 We were a bit worried early in the show. 49:39.998 --> 49:40.539 I wasn't worried. 49:40.579 --> 49:41.459 You're obsessed with texts. 49:41.539 --> 49:42.119 I love texts. 49:42.159 --> 49:43.500 I'd just like to know that someone's listening. 49:43.540 --> 49:43.720 Yeah. 49:43.880 --> 49:46.742 And that, you know, somebody might be enjoying our waffle. 49:46.822 --> 49:49.783 But people can listen without automatically having to text. 49:49.803 --> 49:50.764 It's the 90s, Adam. 49:50.784 --> 49:52.105 It's all about interactivity. 49:52.485 --> 49:55.086 Come on, wake up and smell the digital... 49:56.923 --> 50:01.806 Um, yeah, and you can text us on 64046, uh, if you want. 50:01.866 --> 50:03.747 Now, you know Harry Potter? 50:03.767 --> 50:04.688 Yeah, I do. 50:04.828 --> 50:05.408 I know him very well. 50:05.428 --> 50:07.229 And you know the joke about his wand? 50:08.130 --> 50:08.690 Well, no. 50:08.710 --> 50:13.213 Well, you know, like, every lame journalist in the world makes a joke about Harry Potter's wand. 50:13.333 --> 50:13.573 Okay. 50:13.854 --> 50:14.494 I can imagine, yeah. 50:14.534 --> 50:16.155 And how many Harry Potter films have there been? 50:16.575 --> 50:16.995 Five? 50:17.315 --> 50:18.036 Something like that. 50:18.216 --> 50:23.158 And so, you know, you would have thought Harry Potter wand jokes would be kind of exhausted, wouldn't you? 50:23.358 --> 50:24.859 Yeah, well... Don't you think? 50:24.979 --> 50:26.420 It's like Santa's sack, though, isn't it? 50:26.760 --> 50:27.720 You think it's perennial? 50:27.840 --> 50:29.101 Yeah, it's always going to be a sore spot. 50:29.161 --> 50:35.084 I would have thought if you walked onto the Harry Potter set and made a wand-based joke, you wouldn't get much response. 50:35.104 --> 50:35.464 No, surely not. 50:37.245 --> 50:44.792 Especially after Daniel Radcliffe, the young lad who plays Harry Potter, has appeared on the West End stage in Equus in The Nude. 50:45.253 --> 50:47.195 And given a masterful performance, apparently. 50:47.215 --> 50:50.478 Imagine how many Harry Potter's won jokes were made while that was on stage. 50:50.538 --> 50:50.898 A lot. 50:51.199 --> 50:51.539 Seven. 50:51.919 --> 50:52.260 A lot. 50:52.420 --> 50:55.143 Every publication making Harry Potter's won jokes. 50:55.223 --> 50:55.423 Yeah. 50:55.763 --> 51:04.049 Which is why I was very surprised when I opened up the American magazine Entertainment Weekly and read a set report from the new Harry Potter film and read the following. 51:04.570 --> 51:07.992 And this is a little glimpse of life on the set of the new Harry Potter film. 51:08.673 --> 51:15.478 A few hours later, Oldman has nailed his scene and begins bantering naughtily with his cast mates. 51:16.058 --> 51:19.821 Have you noticed, he asks Jason Isaacs, how long my wand is? 51:20.622 --> 51:22.463 Yes, Isaacs volleys back. 51:22.763 --> 51:24.605 It expands when it's warm, doesn't it? 51:25.487 --> 51:28.249 Radcliffe listens and grins broadly. 51:29.570 --> 51:33.433 Can you believe that exchange actually happened on the set of a Harry Potter film? 51:33.994 --> 51:39.178 After 15 years of one-jokes, Oldman decides that's the funniest thing he can come up with. 51:39.538 --> 51:40.559 Isaac's laughs at it! 51:41.812 --> 51:47.916 Well, they may be... And then Radcliffe, after months on the stage naked, enduring comments about his wand. 51:48.256 --> 51:49.657 It says... Grins broadly. 51:49.677 --> 51:50.358 He grins broadly. 51:50.378 --> 51:51.378 That could mean anything, though. 51:51.418 --> 51:54.180 He's probably just... What's Radcliffe thinking in size? 51:54.200 --> 51:55.721 Thinking, oh, yeah, for goodness sake. 51:55.761 --> 51:56.762 Come on, old man. 51:56.822 --> 51:58.223 I've put up with this for years. 51:59.223 --> 52:00.684 Mind you, I tell you why he's grinning. 52:00.825 --> 52:01.025 Yeah. 52:01.185 --> 52:02.666 Because of the amount of money he's got. 52:03.186 --> 52:03.366 Right. 52:03.406 --> 52:04.547 He's just constantly grinning. 52:04.567 --> 52:08.569 In fact, the director has trouble making him stop grinning for the dramatic scenes. 52:08.889 --> 52:09.870 He can't believe it. 52:10.050 --> 52:10.250 Yeah. 52:10.490 --> 52:12.051 The amount of money he's made. 52:12.111 --> 52:12.992 He deserves all of it. 52:13.132 --> 52:13.812 My God. 52:14.432 --> 52:21.977 And the fact that in those films, he's kind of popular in school, because let's face it, in any normal school, Harry Potter would be an outcast. 52:22.477 --> 52:22.797 Mm-hmm. 52:23.377 --> 52:25.559 A terrible, tortured, bullied nerd. 52:26.179 --> 52:26.439 Why? 52:26.879 --> 52:27.860 Because he's a nerd. 52:28.440 --> 52:28.780 Right. 52:29.500 --> 52:29.780 Yeah. 52:30.160 --> 52:32.261 But he's got magic powers, though, and that makes him cool. 52:32.301 --> 52:33.361 Magic money powers. 52:33.381 --> 52:34.121 He's a celebrity. 52:34.221 --> 52:35.402 He's got a magical wallet. 52:35.722 --> 52:36.742 Listen, he's a good guy. 52:36.762 --> 52:38.222 He is a great guy. 52:38.302 --> 52:42.403 My son loves him, and he's turned my son on to the idea of reading the Harry Potter books. 52:42.423 --> 52:42.723 Has he? 52:43.404 --> 52:46.964 And, you know, it's a wonderful, rewarding magical world. 52:48.085 --> 52:50.005 There's a lot worse than Potter out there, let me tell you. 52:50.265 --> 52:50.545 Yeah? 52:50.625 --> 52:51.145 For children. 52:51.746 --> 52:53.146 Why don't they think of a new story? 52:53.846 --> 52:54.066 Why? 52:54.106 --> 52:54.986 What's your- for the films? 52:55.146 --> 52:56.907 I have, it's the same story! 52:58.208 --> 53:05.770 Just a new teacher, the guy you think is evil is, and Voldemort turns up, nearly kills him, doesn't... It's the same every time. 53:05.790 --> 53:06.891 You're obsessed, isn't it? 53:07.251 --> 53:09.832 Here's a little insight into Joe Cornish's listeners. 53:10.032 --> 53:12.593 When we're not on air, it's pretty much all he talks about. 53:12.873 --> 53:19.295 He just rants about Harry Potter and takes the mix out of it, and says things like, Harry Potter! 53:19.855 --> 53:20.715 Harry Potter. 53:20.735 --> 53:22.276 That's all they say in Harry Potter. 53:22.656 --> 53:23.377 And that's what he says. 53:23.577 --> 53:24.697 He says, that's all they say. 53:24.977 --> 53:25.778 Harry Potter. 53:25.998 --> 53:27.298 He goes on and on about it. 53:27.498 --> 53:28.799 That's all they say in Harry Potter. 53:28.819 --> 53:29.780 And everyone's like, yeah, Joe. 53:29.860 --> 53:30.100 Okay. 53:31.000 --> 53:33.341 Anyway, so, but you know, that's all they say. 53:33.621 --> 53:34.342 Harry Potter. 53:36.083 --> 53:37.504 But my one comment was good, wasn't it? 53:38.145 --> 53:38.485 Come on. 53:38.525 --> 53:39.987 I like all your Harry Potter comments. 53:40.047 --> 53:40.407 I'm not. 53:40.808 --> 53:41.569 Harry Potter? 53:42.410 --> 53:43.371 Harry Potter? 53:43.711 --> 53:44.111 Potter? 53:44.872 --> 53:45.793 Harry Potter? 53:45.933 --> 53:47.275 I can't take any more of it, audience. 53:47.315 --> 53:48.036 I stopped seeing them. 53:48.256 --> 53:49.117 Okay, music time. 53:49.237 --> 53:52.841 It's... it's... rhythm digital time, ladies and gentlemen. 53:53.161 --> 53:54.362 Harry Potter. 53:55.103 --> 53:56.964 There we go, there's the beat with Hands Off, She's Mine. 53:57.004 --> 54:02.486 This is Adam and Joe on 6 Music, filling in for Sean W. Keveney in the last 20 minutes of our show. 54:03.007 --> 54:06.748 I've got a little question for you, Joe, about minicab etiquette. 54:07.289 --> 54:07.509 Right. 54:07.549 --> 54:09.550 It's probably taxi etiquette as a whole, isn't it? 54:09.710 --> 54:11.871 When you're in a car, a minicab... 54:12.651 --> 54:16.772 Probably minicab car, stroke, you know, more than a black cab, I'm saying. 54:16.792 --> 54:16.892 Right. 54:16.932 --> 54:18.533 Because there's not the big dividing window. 54:18.573 --> 54:19.753 Yeah, yeah. 54:20.013 --> 54:26.215 And the guy is playing music fairly loudly, his choice of music, either a CD or the radio or whatever. 54:27.756 --> 54:29.657 What's your rights there? 54:29.717 --> 54:33.478 What's the right situation as far as asking him to turn it down or turn it off? 54:34.378 --> 54:36.658 You know, I mean, because you are paying the fare off. 54:36.718 --> 54:41.740 Yeah, I'd say that, as a paying customer, you had every right to ask him to turn the music down. 54:41.900 --> 54:42.700 Right, right, right. 54:42.760 --> 54:43.600 Have you tried to do that? 54:44.300 --> 54:46.921 Well, no, I always feel intimidated about it. 54:47.781 --> 55:03.544 And I got a phone call from someone the other day, and they were in the back of a cab, and they're trying to speak to me, and while they were speaking to me, the guy put on his music incredibly loudly, and it just got louder and louder throughout the phone call until I could hear my friend saying, sorry, could you turn the music down a little bit? 55:04.224 --> 55:11.349 And, uh, I could hear the music dipping for about three seconds and then it came right back up again and the guy just wasn't having it. 55:12.069 --> 55:14.230 And I thought that's, yeah, it's difficult, isn't it? 55:14.270 --> 55:18.973 Because the other thing is if somebody else is paying for the journey, right? 55:19.053 --> 55:26.478 If they've sent a car for you, there's, I sometimes definitely get a vibe off the guy like you've got no rights because you're not paying for this journey. 55:26.798 --> 55:31.501 So I'm going to do exactly what I like in the back of my, you know, in my car and you can deal with it. 55:31.541 --> 55:32.502 This is my domain. 55:33.479 --> 55:34.319 Well, I wouldn't take it. 55:34.580 --> 55:34.800 Yeah. 55:34.940 --> 55:35.820 I'd assert your rights. 55:36.280 --> 55:36.741 What would you say? 55:36.761 --> 55:37.461 Make him turn it down. 55:37.561 --> 55:39.662 I'd say, I'd say, excuse me, can you turn that down? 55:39.802 --> 55:40.022 Yeah. 55:40.503 --> 55:41.683 And then what might he say? 55:42.043 --> 55:47.526 He'd say, you're not even paying for this, you, you long man. 55:48.127 --> 55:50.888 I'm, uh, this is my car and I'll do what I like. 55:51.288 --> 55:53.029 You, you're, I hate you. 55:53.409 --> 55:54.390 I'd say, stop the car. 55:55.330 --> 55:57.351 Stop the car, pull over, stop the car. 55:57.872 --> 55:58.692 Stop the car. 55:58.732 --> 56:00.613 Yeah, like that, a bit like a Dalek. 56:00.633 --> 56:01.413 Stop the car. 56:01.433 --> 56:02.154 Stop the car. 56:02.799 --> 56:03.259 Uh, alright. 56:03.379 --> 56:04.780 And then I'd fight him in the street. 56:04.960 --> 56:05.320 With you? 56:05.420 --> 56:06.460 Yeah, bare-knuckled. 56:06.700 --> 56:20.885 Wait, do you get into, ah, cos I, you know what I'm like, I, I, I, I usually cycle everywhere, and when I don't, uh, when I'm forced to take a taxi or whatever, if it's raining, almost invariably I get into some kind of contra-ton, and it's, it's a nightmare. 56:20.965 --> 56:22.085 It's a contra-ton? 56:22.305 --> 56:24.306 It's got a bit of a bit of you on the tongue. 56:24.366 --> 56:30.688 Anyway, listen, it's time for a track from the album of the day, uh, which is Richard Hawley's album, Ladies Bridge. 56:31.428 --> 56:32.128 Is that rude? 56:32.649 --> 56:33.249 It's got to be rude. 56:33.329 --> 56:34.069 It must be rude. 56:34.109 --> 56:35.009 A Lady's Bridge? 56:36.150 --> 56:37.050 Don't dwell on it. 56:37.090 --> 56:38.331 This track is called Serious. 56:38.351 --> 56:41.032 The album's out today, album shopping fans. 56:41.812 --> 56:46.034 And Richard joins Mark Riley on his show this Wednesday from 7 in the evening. 56:46.434 --> 56:49.375 And you can hear further tracks from this album throughout the day. 56:49.435 --> 56:51.156 Here's Richard Hawley with Lady's Bridge. 56:51.894 --> 57:04.791 That's Richard Hawley, and that track is called Serious, and the album is called Ladies Bridge, and Susie has texted us to say that Ladies Bridge is a Sheffield landmark, so it is not a part of a Ladies Anatomy. 57:05.432 --> 57:06.113 It's trail time. 57:08.800 --> 57:20.643 Grappries from his album Candy Line, that was Cycle of Violence, and that was a kind of a free play from me, Joe, so if you liked that track, then you probably liked me, and we'd probably get on quite well. 57:21.023 --> 57:21.944 And maybe we should look up. 57:22.364 --> 57:23.604 Yeah, what if they didn't like it? 57:24.084 --> 57:27.725 Well then, let's just call it a day, I mean, let's just move on and... Forget about it. 57:27.805 --> 57:29.406 Yeah, I think we're quite different, really. 57:29.666 --> 57:33.747 What kind of things would absolutely put you off a person, like... 57:34.967 --> 57:40.194 If someone listed a load of music that they didn't like or a load of that you didn't like. 57:40.615 --> 57:47.264 I think the most off-putting thing in a person is if they don't clean their house they just use Febreze on the whole place. 57:48.465 --> 57:52.090 I think that would probably be my number one thing and then once they've put it on they sniff it. 57:53.106 --> 57:54.768 Yeah, and really enjoy the smell. 57:55.128 --> 58:02.734 That's the same kind of person maybe that thinks that putting their socks in the tumble dryer is as good as washing them. 58:02.854 --> 58:03.194 Really? 58:03.374 --> 58:03.554 Yeah. 58:03.574 --> 58:05.255 That's a good tip and just warming them up. 58:05.336 --> 58:05.656 Blasting them. 58:05.676 --> 58:06.216 Steaming them. 58:06.236 --> 58:06.877 Just giving them a glass. 58:06.897 --> 58:07.757 Steaming the socks. 58:08.458 --> 58:10.800 It's like what you do with vegetables to keep the nutrients in. 58:11.500 --> 58:13.362 Right, give them a little steam. 58:13.522 --> 58:14.784 Yeah, give them a steam. 58:15.164 --> 58:19.309 So listen, we've had a complaint come in via email that we're not reading out any emails. 58:19.489 --> 58:20.190 That's true, isn't it? 58:20.370 --> 58:23.413 And that this is a bit rude to our listeners who've bothered to email. 58:23.914 --> 58:25.115 So here are some emails. 58:25.556 --> 58:26.977 Hi, Adam and Joe, my name is Connor. 58:27.218 --> 58:29.220 Today I'm up early just to listen to you two. 58:29.700 --> 58:32.342 You should feel special because I have nothing else to do today. 58:32.402 --> 58:33.943 Maybe you could suggest some things. 58:34.404 --> 58:35.805 I'll do the same for your show. 58:36.165 --> 58:38.087 Adam, talk about Grindhouse film. 58:38.347 --> 58:39.888 The Grindhouse film by Tarantino. 58:40.088 --> 58:42.110 I don't really understand it, but I want to know more. 58:42.570 --> 58:46.894 Joe, do an impression of Cher by gargling water and singing at the same time. 58:47.374 --> 58:51.097 I'm available on my mobile if you are ringing anyone of the show. 58:51.537 --> 58:53.559 I'd love to speak to you about all sorts of chum. 58:54.079 --> 58:55.200 That's what they feed sharks. 58:55.420 --> 58:58.081 And he's left his mobile phone number. 58:58.401 --> 58:59.462 That's a very... Yeah? 58:59.702 --> 59:00.342 What are we going to do? 59:00.362 --> 59:01.283 Are we going to respond or...? 59:01.803 --> 59:02.964 No, we're just going to read them out. 59:03.364 --> 59:03.944 Here's another one. 59:03.984 --> 59:08.207 Hi Adam and Joe been enjoying the always entertaining, inaneous banter. 59:08.527 --> 59:10.848 Please could you do a banter on some new films? 59:11.088 --> 59:11.889 What are rubbish? 59:11.989 --> 59:13.489 Tar, Paul from Glasgow. 59:13.730 --> 59:14.010 P.S. 59:14.210 --> 59:16.291 I thought your spoon video was excellent, Adam. 59:16.471 --> 59:17.332 Hey, thanks a lot, Paul. 59:17.352 --> 59:17.972 I appreciate that. 59:18.052 --> 59:20.354 Here's an email from Emily. 59:20.735 --> 59:21.596 She says something similar. 59:21.656 --> 59:22.857 She says, welcome to Six Music. 59:22.897 --> 59:23.297 That's nice. 59:23.337 --> 59:23.878 Thanks, Emily. 59:24.158 --> 59:25.959 I'm so excited you're going to be here for two weeks. 59:26.360 --> 59:28.301 You might not be so excited after two weeks. 59:28.602 --> 59:29.603 After two days, yeah. 59:29.943 --> 59:34.447 I was just wondering if either of you have seen Waitress yet, and if so, what you thought of it? 59:35.548 --> 59:37.149 No, neither of us have seen it, unfortunately, Emily. 59:37.469 --> 59:41.193 I went to see it, though, she says, and I thought it was so awful it made me feel sad. 59:41.733 --> 01:00:00.236 good luck with the show that makes me kind of want to go and see it and uh see what you're talking about though emily and i'll do my best before the two weeks are up yeah all right anything else no that's pretty much the only ones we've had printed out can you do an impression of share while gargling yeah what's a share song i believe in life after love 01:00:03.854 --> 01:00:05.315 That's an impression of Cher gargling. 01:00:08.857 --> 01:00:09.577 That's what she does there. 01:00:09.597 --> 01:00:10.158 Yeah, exactly. 01:00:10.198 --> 01:00:12.239 But she doesn't hit her neck in a dangerous way. 01:00:12.259 --> 01:00:13.860 I think she probably did in the studio. 01:00:13.880 --> 01:00:14.800 You can injure yourself, man. 01:00:14.900 --> 01:00:18.422 And the other thing he wanted us to do was... Oh, talk about Grindhouse. 01:00:18.543 --> 01:00:19.683 Well, you've seen Grindhouse. 01:00:19.723 --> 01:00:20.324 I've seen Grindhouse. 01:00:20.384 --> 01:00:22.225 Yeah, I saw Grindhouse in Los Angeles. 01:00:22.545 --> 01:00:22.885 Did you? 01:00:23.005 --> 01:00:24.626 With Quentin Tarantino himself. 01:00:24.786 --> 01:00:25.547 Nice bit of name. 01:00:25.627 --> 01:00:26.307 Yeah, yeah, yeah. 01:00:26.367 --> 01:00:26.867 Thanks a lot. 01:00:26.887 --> 01:00:27.288 Nice. 01:00:27.448 --> 01:00:29.529 I'm leaving name droppings all over the studio. 01:00:29.549 --> 01:00:30.870 You certainly are. 01:00:30.910 --> 01:00:32.130 But yeah, I enjoyed it very much. 01:00:32.170 --> 01:00:32.751 What's the question? 01:00:33.311 --> 01:00:35.113 Well, he just wanted to react about it. 01:00:35.313 --> 01:00:36.114 He wants it explained. 01:00:36.394 --> 01:00:37.535 It is extraordinary. 01:00:37.575 --> 01:00:39.717 You saw it in its original double bill form. 01:00:39.757 --> 01:00:40.918 Yeah, absolutely. 01:00:40.938 --> 01:00:43.981 Because in the UK it's been split into two separate films, is that right? 01:00:44.061 --> 01:00:46.963 Maybe we should talk, I don't feel I can talk about it in a succinct way. 01:00:47.003 --> 01:00:51.567 I think maybe the emailer should maybe, you know, whittle down the question a bit more precisely. 01:00:51.587 --> 01:00:54.230 Well, we don't necessarily have to be super succinct at this moment, do we? 01:00:54.590 --> 01:00:54.990 Do we? 01:00:55.311 --> 01:00:55.411 No. 01:00:56.812 --> 01:00:59.795 I went to see a screening of it also in its original form the other day. 01:00:59.815 --> 01:01:06.661 I don't know if you've seen this, folks, but it's a film that Quentin Tarantino and Robert Rodriguez have made, or rather two films. 01:01:07.422 --> 01:01:10.425 Robert Rodriguez has made one called, what was it called? 01:01:10.705 --> 01:01:11.646 It's called Planet Terror. 01:01:11.686 --> 01:01:15.590 Planet Terror and Tarantino's contribution is called Death Proof. 01:01:16.430 --> 01:01:23.577 And they're sort of nominally in the style of kind of early 80s, late 70s exploitation. 01:01:23.797 --> 01:01:24.998 I'll tell you the key behind it. 01:01:25.038 --> 01:01:32.465 If you're a friend of Quentin Tarantino, he has a private cinema in his house and he has his own projectionist. 01:01:32.905 --> 01:01:34.247 And he's got a collection of about 300 prints. 01:01:36.449 --> 01:01:57.206 and on weekends he has kind of movie nights and he'll have friends around at his cinema and he'll show a couple of ancient classics and he'll run old trailers before them because he's got a big collection of trailers as well and before them he'll show that little piece of film that they have before Kill Bill and Planet Terry, you know the one that goes 01:01:57.606 --> 01:02:08.949 Duh duh duh duh duh duh duh duh duh duh duh duh duh duh duh duh duh duh duh duh duh duh duh duh duh duh duh duh duh duh duh duh duh duh duh duh duh duh duh duh duh duh duh duh duh duh duh duh duh duh duh duh duh duh duh duh duh duh duh duh duh duh duh duh duh duh duh duh duh duh duh duh duh 01:02:19.312 --> 01:02:19.512 Yeah. 01:02:19.592 --> 01:02:23.915 But the weird thing about it, though, is they sort of abandon that, don't they? 01:02:23.955 --> 01:02:25.596 Especially halfway through Death Proof. 01:02:26.197 --> 01:02:35.163 Yeah, well, they kind of artificially scratch the films and give them, like, vinegar stains and pops and scratches to make it seem like they're old prints that have circled the world for years. 01:02:35.303 --> 01:02:38.145 Right, and Rodriguez sort of sticks with it for Planet Sarah. 01:02:38.205 --> 01:02:39.326 He's consistent throughout his film. 01:02:39.366 --> 01:02:44.870 There's even missing bits, missing reels, like weird splices, but yeah, Tarantino kind of abandons it during his... 01:02:45.470 --> 01:02:58.526 Now when I saw, maybe you can explain this to me, but Tarantino's just in a nutshell, is about some girls who are terrorized by a kind of crazed stuntman. 01:02:59.267 --> 01:03:02.311 And the first half hour of this film, 01:03:03.312 --> 01:03:08.955 Now, I'm gonna say what I thought about it, and you can correct me, Joe, and explain it to me if you think I'm insane. 01:03:09.435 --> 01:03:17.299 But the first half hour of this film follows these four girls being terrorised, and it's, for me, it was incredibly boring torture. 01:03:17.399 --> 01:03:23.642 And it seemed like a parody of a Tarantino film, all lots of kind of crazy sassy dialogue and stuff happening in this bar. 01:03:24.182 --> 01:03:25.183 You're thinking, what's going on? 01:03:25.203 --> 01:03:28.284 And there's a cameo from Robert Rodriguez and Tarantino in there. 01:03:28.664 --> 01:03:31.766 Oh, no, no, from Eli Roth is in there, isn't he? 01:03:31.806 --> 01:03:36.868 Yeah, the director of Cabin Fever Hostel and Hostel 2 and the inventor of the torture porn sub-genre. 01:03:38.949 --> 01:03:39.909 There you go. 01:03:40.229 --> 01:03:50.013 And just when I was personally so bored that I wanted to kill myself, suddenly there was an explosion of amazingly intense action and all these girls are sort of dispatched. 01:03:50.413 --> 01:03:55.976 And then the film seems to start again with a whole new cast, a whole new set of characters, but the same baddie. 01:03:57.356 --> 01:04:00.098 And he's forgotten about all the scratching the film up and stuff. 01:04:00.718 --> 01:04:06.642 It just turns into a completely different thing, like almost a different genre of film. 01:04:07.082 --> 01:04:11.685 But again, it's like half an hour's worth of total boredom, as far as I could tell. 01:04:12.325 --> 01:04:17.568 And then 15 minutes at the end of the most exciting stuff I've ever seen in my life, pretty much. 01:04:18.069 --> 01:04:18.849 What did you make of it? 01:04:19.229 --> 01:04:20.030 I agree, yeah. 01:04:21.340 --> 01:04:22.100 I think you're right. 01:04:22.601 --> 01:04:23.481 No, I thought it was brilliant. 01:04:23.521 --> 01:04:24.141 I highly recommend it. 01:04:24.161 --> 01:04:26.843 It's not out in Britain yet, but it's coming out on DVD in America. 01:04:26.863 --> 01:04:28.723 So if you're naughty, you can import it. 01:04:29.084 --> 01:04:30.004 It's worth having a look at. 01:04:30.064 --> 01:04:30.864 Naughty and porty. 01:04:31.164 --> 01:04:32.065 Shall we have some more music? 01:04:32.145 --> 01:04:32.485 Why not? 01:04:32.885 --> 01:04:34.826 Here's the Kaiser Chiefs with the Angry Mob. 01:04:35.827 --> 01:04:37.307 Kaiser Chiefs with the Angry Mob. 01:04:37.347 --> 01:04:38.668 Hey, thanks for listening, everybody. 01:04:39.048 --> 01:04:40.969 We'll be back tomorrow morning at 7 a.m. 01:04:41.409 --> 01:04:43.450 Bright and early for the breakfast show again. 01:04:43.490 --> 01:04:44.350 We've been Adam and Joe. 01:04:44.390 --> 01:04:47.752 Coming up now is Gideon Coe, who's got what are they called? 01:04:47.972 --> 01:04:50.038 Rylo Kylie live in the hub. 01:04:50.118 --> 01:04:50.780 That's exciting. 01:04:50.800 --> 01:04:51.582 That's very exciting. 01:04:51.602 --> 01:04:52.725 They're a fantastic band. 01:04:53.086 --> 01:04:56.074 Yeah, but have a lovely day everybody and we'll see you tomorrow morning.